- 6 weeks ago
- #horror
- #supernatural
Lights Out is an American old-time radio program devoted mostly to #horror and the #supernatural.
Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television. Lights Out was one of the earliest radio horror programs, predating Suspense and Inner Sanctum, and was the first to gain a large following.
Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television. Lights Out was one of the earliest radio horror programs, predating Suspense and Inner Sanctum, and was the first to gain a large following.
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FunTranscript
00:00Lights out, everybody.
00:13This is the witching hour.
00:19It is the hour when dogs howl
00:23and evil things are let loose on a sleeping world.
00:30Sit in the dark now
00:35and listen to Lights Out.
00:55So you don't believe in ghosts, huh?
00:58Let me tell you something, friend.
01:01Guys that don't believe in ghosts
01:03is guys that ain't never seen none.
01:05Ain't that right?
01:07Listen, I can tell you a ghost story
01:11that'll make your hair curl.
01:14I'll say it'll make your hair curl.
01:16Listen, last August I was nabbed by a couple of coppers.
01:22Never mind the details.
01:23It just so happened that they come up on me
01:26when I was sticking up a filling station
01:28and, well, they drug me in.
01:32It was a tough rap to beat
01:33since they got me standing there flat-footed
01:36holding a gun on one of the filling station guys
01:39and, well, the coppers didn't like me anyway.
01:43Huh?
01:43Oh, yeah, sure.
01:46Because I'd had to bump off a copper
01:48a week or two before.
01:50And wouldn't it be my luck
01:52to be picked up by this guy's partner?
01:55Well, they took me in
01:56and they decided to show me the goldfish.
02:00You don't know what that is, huh?
02:03Well, I'll tell you.
02:04You're a liar.
02:07Yeah?
02:07So what, copper?
02:09You rat.
02:11I know you knocked off Ambrose Hogan
02:13and you're gonna fry for it.
02:15You gotta prove it first, Miller.
02:18Pull the light over this way a little more, John.
02:20Okay.
02:21Light in his eyes.
02:24I'll prove it, rat.
02:26Go ahead.
02:28Hand me the hose, John.
02:30Now look here.
02:31Don't you go ahead.
02:32Oh.
02:34Now, what do you say?
02:37I'm not gonna wreck an old cracker.
02:41You ain't, huh?
02:43And you'll wait till I get to a mouthpiece, Miller.
02:45You'll be walking a beat out in Circleville
02:46where the young...
02:47It won't make no difference to you, punk,
02:52where I'm walking a beat,
02:54not when you're burned.
02:56Yeah.
02:57Who's gonna burn me?
02:58You knocked off Ambrose Hogan.
03:00I was in Omaha the night he got knocked off.
03:02Listen, Maxie.
03:06Get this now.
03:09Ambrose Hogan was a white guy.
03:12When I seen him laying on a slab downstairs,
03:15I took a solemn oath I'd get the rat that done it
03:19if it took me 15...
03:20You ought to hire a...
03:22I'll get you for this copper.
03:29I don't think you're gonna get anything out of him, Miller.
03:31There's a smart copper, Miller.
03:34Yeah.
03:36Listen, I got a way to get things out of smart guys like you, Maxie.
03:42Come on over here, John.
03:43What are you gonna do?
03:50Listen, Miller.
03:51Shut up.
03:52You can...
03:53I want a lawyer.
03:55You gotta let me have a lawyer.
03:56You can't get away...
04:02You wanna sing, Maxie?
04:05Or do you wanna spend a few hours in the haunted cell upstairs?
04:09The what?
04:10Oh, another gag, huh?
04:14I think so.
04:15Listen, I bet you $8 you'll change your mind, baby.
04:19Get up!
04:20What are you gonna...
04:21Get going!
04:23Go ahead, John.
04:24Open the door.
04:25Okay.
04:27What are you gonna do to me?
04:30You can't get away...
04:31Never know Skeeter, Dempsey, Maxie.
04:35Come on, this way.
04:40What about them?
04:42They burned them last winter.
04:43Yeah, that's right.
04:46Friend of yours.
04:47I know them.
04:48Well, that's just fine, Maxie.
04:51Yes, sir.
04:52That'll be just dandy.
04:56What you asking about Skeeter Dempsey for, Miller?
04:59Skeeter killed a copper, too.
05:06So what?
05:07It's bad business to kill coppers, Max.
05:15All ready, John?
05:16All ready, yeah.
05:17Right this way, Maxie, my boy.
05:19Watch you up.
05:20I'll tell you.
05:21Throw it in there, baby.
05:23Get in.
05:23Watch him.
05:27Now, listen.
05:28This here is the cell that Skeeter Dempsey was locked up in when he first came here.
05:35He liked the cell, Maxie.
05:37He still likes it.
05:39What do you mean?
05:41He'll probably be around to see you before the night's over.
05:44Oh, yeah?
05:47Another one of your gags, huh?
05:50Well, you won't kid me, copper.
05:52This whole corridor, Maxie.
05:54You're the only guy in it.
05:57Except Skeeter Dempsey.
06:00We'll see what a night here with him will do to you, huh, John?
06:03Yeah.
06:05If you get scared, Maxie, just call.
06:07Just yell.
06:09Nobody will pay any attention to you.
06:11Nobody at all.
06:12Except maybe Skeeter Dempsey.
06:15Good night, Max.
06:17Come on, John.
06:18Hey, listen now.
06:21Pleasant dreams, you rat.
06:24You can't scare me, Miller.
06:26I know your gags.
06:28You can't scare me.
06:29No, we'll see about that.
06:31Ghosts.
06:33Hey, I want a lawyer.
06:36Good night, Maxie.
06:39Hey, you can't turn the lights out on me.
06:43Miller, turn the lights back on Miller.
06:45Miller, you can't leave me here in the dark.
06:48Yeah, huh.
06:53Miller.
06:54Miller.
06:55Why, you flat-fucket.
06:58Miller, come back here.
07:00Miller.
07:02I'm scared.
07:08Turn the lights on, Miller.
07:10For the love of Mike.
07:11I'm scared of the dark.
07:15Go on.
07:19Turn the lights on, Miller.
07:21Please.
07:32Miller, listen.
07:33Take me out of here.
07:34Cut out the yellow, Maxie, and sit down.
07:38Who?
07:39Who are you?
07:41Don't you know me, Maxie?
07:43I'm Skeeter Dempsey.
07:44You, you can't be.
07:48It's a gag.
07:50Listen, copper.
07:53I'm no copper, Max.
07:55Sit down.
07:56Let's talk about things.
07:58Where are you?
08:00Right here.
08:02Wait.
08:03Wait till I light a match.
08:05I want to see what you look like.
08:08You'll be surprised, Max.
08:09There...
08:10There ain't nobody here.
08:19Oh, yes, there is, Maxie.
08:22I'm right here beside you, kid.
08:24Yeah.
08:38It was Skeeter Dempsey, all right.
08:41I recognized his voice right away.
08:43When I lit the match and couldn't see nobody there, I guess I fainted.
08:47I remember trying to yell.
08:50Only my voice wouldn't work, and when I come to, I was laying on the cell floor.
08:56For a minute, I couldn't figure out what happened, and then it all come back to me.
09:01You know how it is when you're really scared?
09:06Or maybe you've never been real scared, huh?
09:10Well, I'll tell you.
09:12My mouth was so dry, I couldn't hardly breathe.
09:16All I could hear was my heart pumping away as loud as an old flipper engine.
09:21I was too scared to say a word.
09:24I just crawled up onto the bunk and laid there.
09:30Listen.
09:30Listen.
09:32Listen.
09:37So I scared you, huh, Maxie?
09:39Listen.
09:40Go away now.
09:42Whoever you are, go away.
09:44Go away.
09:44Oh, shut up.
09:45I ain't gonna hurt you.
09:47I could pray you away.
09:48No, you couldn't, Maxie.
09:50You couldn't pray me away.
09:53What they got you in here for?
09:54Bump it off.
09:58Nothing.
09:59You knocked off that Hogan guy, didn't you?
10:03Well, it's too bad for you, Max.
10:05Yeah.
10:06Yeah.
10:07Are you still here?
10:16Sure.
10:18You...
10:19You ain't Skeeter Dempsey.
10:22Yes, I am.
10:23Listen.
10:23Skeeter Dempsey was burned last winter.
10:25I know a reporter that's seen him sat in a chair.
10:28That's right.
10:29Well, then you ain't Skeeter Dempsey.
10:31Yes, I am.
10:33I know.
10:36I know you're Skeeter.
10:37I know, I know.
10:39Stop jittering.
10:40I ain't gonna hurt you.
10:41But you're a ghost.
10:43Well, what if I am?
10:44I wish you'd go away.
10:46Why should I?
10:47This is my cell, after all.
10:49Oh, Skeeter, please.
10:50Oh, can I?
10:52Listen, let's talk.
10:53I haven't had nobody to talk to for two months.
10:56Who'd you talk to then?
10:58George Brown.
10:59You remember him.
11:00Yeah.
11:01Ice guy, yeah.
11:02Hey.
11:03George Brown hung himself in a cell here.
11:06Yeah.
11:08This cell.
11:11This cell?
11:13Uh-huh.
11:15Him and me sat up and talked all night.
11:18And he hung himself next day.
11:21What did he hang himself for?
11:23Oh, he'd have got burned anyway.
11:25They had him for two jobs.
11:27One knocking off an old lady for 70 bucks.
11:31And the other shooting that bank guy down in Springfield.
11:33Did you see him?
11:35Hang himself?
11:37Skeeter?
11:38No, I wasn't here at the time.
11:39Where was you?
11:41Oh, I was away.
11:47Skeeter.
11:48Yeah?
11:48What does it feel like to be dead?
11:55All right.
11:56Yeah?
11:57Yeah.
11:59Oh, my God.
12:00What's the matter?
12:02Well, what...
12:04What about hell and all that?
12:07You get used to it.
12:09My old lady used to make me go to sunny school,
12:11and they used to talk about hell there.
12:14Fire and everything.
12:15There ain't no fire.
12:18Ain't there?
12:19No.
12:22It's...
12:23Worse than that.
12:26What...
12:27What's it like?
12:28You'll find out.
12:31If I get out of this rap, I'm...
12:33I think I'll go straight.
12:35You're too late, Mac.
12:36No, I ain't.
12:37I'll beat it.
12:38No, you won't.
12:40You gotta croak.
12:42Sometime, yeah.
12:43You'll croak on this rap.
12:45How do you know?
12:46I know.
12:50There's one way you could get out of...
12:52some of the hell, though, Mac.
12:54How?
12:56Bump yourself up.
12:58What do you mean?
12:59Well, if you wait for the law to punish you,
13:02that's one thing.
13:03If you take the law in your own hands and...
13:06well, kind of punish yourself,
13:09it'll make a difference.
13:10Is it...
13:14pretty tough, Skeeter?
13:16What?
13:17Hell?
13:18Dying.
13:21It hurts awful.
13:23The chair, I mean.
13:25You go in feeling pretty cocky
13:27and figuring you can take it
13:28and you're gonna be a tough guy and all.
13:31And then...
13:33What then, Skeeter?
13:33All of a sudden,
13:36you find you can't take it.
13:38You don't want to yell and scream, but...
13:42Oh, well, it's awful.
13:43God.
13:45What then, Skeeter?
13:47You ain't never had no pain
13:49in all your life, Max.
13:51You can begin to compare with the chair.
13:54Yeah?
13:56You'll find out.
13:57Do you really think I will, Skeeter?
14:02What do you think?
14:06I wonder how it feels
14:08to bump yourself off.
14:10George Brown said it was all right.
14:13Kind of made him feel better, he said.
14:15He said?
14:16Yeah, I seen him the day after.
14:18Oh.
14:18Huh?
14:19If I was you, Max,
14:21I think I'd do it.
14:23Yeah.
14:23I'm not gonna bump myself off.
14:28I won't do it.
14:30These lousy coppers
14:31ain't gonna make me.
14:32Who's that?
14:34Miller, I guess.
14:39Is that you, Miller?
14:40Who was you talking to, Maxie?
14:43Skeeter Dempsey?
14:44Listen, Miller,
14:45let me out of here.
14:46No kidding, let me out.
14:47Put me any place you want to put...
14:49Listen, Miller.
14:50Scared, Maxie.
14:51Who was you talking to, Maxie?
14:53Skeeter Dempsey?
14:55Miller, no, no.
14:57Listen, Miller,
14:57turn on the lights.
14:58Will you turn them on, Miller?
14:59Just for a minute.
15:01Dark's got you down.
15:03Miller, please.
15:04Turn on the lights.
15:06Oh, why not?
15:07It'll be darker still
15:08when I turn them off again.
15:17What's the matter now?
15:20Miller.
15:20There ain't anybody here.
15:24That's right.
15:26Was Skeeter in here with you, kid?
15:28I thought...
15:30I thought...
15:32There ain't anybody here.
15:37Oh, yes, there is, Maxie.
15:39I wouldn't worry about it, Max.
15:40I'm right here beside you.
15:42And I'm gonna stay.
15:44They kept me in that cell there
15:56for four weeks.
15:58Every once in a while,
15:59Miller'd come in and stand there
16:00in front of the door
16:01and laugh at me.
16:03Gonna sign a confession, Maxie?
16:06He'd say.
16:07Oh, I wasn't gonna give him nothing.
16:09But that place got me.
16:13Just as soon as it was dark,
16:14I'd hear Skeeter,
16:15Dempsey's footsteps
16:16and come and sit down with me.
16:19I was awful scared at first.
16:22It's kind of hard
16:23to get used to practically
16:25living with a ghost.
16:27But then I kind of got used to him.
16:31It was always telling me
16:33how I was gonna burn
16:34and how I'd be better off
16:37to hang myself
16:38like George Brown does.
16:40I guess it was very good nothing.
16:43Miller wouldn't let me
16:44have no lawyers either.
16:46They was keeping me in there
16:47without knowing anything about it
16:49so as they could hand me the rap
16:51when the time come.
16:53Well, the time come,
16:56someplace or other,
16:57Miller dug up the evidence
16:58that I wouldn't give them
17:00and they had me.
17:02And how they had me.
17:04So, one morning,
17:05a few weeks later,
17:07I'm sitting in the courtroom.
17:10The jury's been out 20 minutes.
17:16Everybody rise.
17:23Sit down.
17:30Gentlemen of the jury,
17:32have you arrived at a verdict?
17:34We have, your honor.
17:35Will you pass the verdict
17:37to the bailiff, please?
17:44We, the jury,
17:46find the defendant,
17:47Max Young,
17:48guilty of murder
17:49in the first degree.
17:55Mr. Foreman,
17:56is this your verdict?
17:58It is, your honor.
18:00The defendant will rise.
18:02Get up, Maxie.
18:03Max Young,
18:07have you anything to say
18:09before sentence is passed on you?
18:11Well, uh,
18:13no, your honor.
18:15You realize that
18:17in a verdict of guilty
18:18of first degree murder,
18:19the death penalty is mandatory?
18:22Yeah.
18:23Yeah, your honor.
18:25Very well, then.
18:28It is the sentence of this court
18:29that you are to be taken
18:31from this place
18:32and between the 21st
18:34and the 30th of December
18:35shot to death
18:37by electricity.
18:39And may God have mercy
18:41on your soul.
18:43All right, Maxie.
18:44Come on, this way.
18:45Well, Max,
18:57that's that.
18:59Yeah.
19:02Did you see?
19:04I didn't say nothing.
19:05It was me, Max.
19:07I said there's
19:08only one way out.
19:11No.
19:11No.
19:11No.
19:11No.
19:11No.
19:11No.
19:11No.
19:11No.
19:15Well,
19:29so that was that.
19:33They wasn't ready
19:33to send me down
19:34to the state prison
19:35where they bump off guys,
19:36so they kept me
19:37in this here wing
19:38of the county jail
19:39where they had me
19:40in Skeeter Dempsey's
19:41old cell.
19:42Well, I guess
19:45this guy Miller
19:45must have liked
19:46his pal Ambrose Hogan
19:47quite a lot,
19:48the guy I knocked off.
19:51Huh?
19:52Sure I knocked him off.
19:55What's he use
19:55of kidding around?
19:58Yeah, I guess
19:59he must have
20:00thought a lot of him
20:01because he kept me
20:03in there where
20:04it was dark
20:04where I'd be scared
20:05to death
20:06all the time.
20:08Really getting even.
20:10But I kind of
20:11fool him.
20:13I wasn't so scared
20:14of Skeeter
20:15by this time.
20:17I got so
20:18I'd sit
20:19in the dark there
20:20and be waiting
20:22for him.
20:24And we'd talk
20:26about everything
20:28in the world.
20:30It was funny.
20:32People out of history
20:33and funny places
20:35and stuff
20:36and a lot of things.
20:40Skeeter told me
20:41he saw a lot
20:41of the guys
20:42we talked about.
20:44Nero
20:45and
20:45Judas Iscariot.
20:49But why not?
20:51He was dead,
20:52wasn't he?
20:53And so was they.
20:54But I gotta hurry up
20:55with my ghost story,
20:56ain't I?
20:57That's right.
20:58Uh,
20:59what I was gonna say
21:00was
21:00I was sitting there
21:02one night
21:02the 23rd it was
21:04day before
21:06Christmas Eve
21:07sitting in the dark
21:09and I heard
21:10Skeeter coming.
21:25Hello, Skeeter.
21:27Hello, Max.
21:28How you feeling?
21:30Not so hot.
21:31Still thinking
21:32about the hot squad,
21:33huh?
21:33What else
21:34do you expect
21:34me to think
21:35about?
21:37I wish they'd
21:38hurry up
21:38and get it
21:38over with.
21:39That's what I wish.
21:40It's tomorrow night.
21:42What is?
21:43They burned you.
21:45On Christmas Eve?
21:47Yep.
21:48Honest, Skeeter.
21:50How do you know?
21:51I found out.
21:53Oh, God.
21:54Well,
21:54don't take it
21:55so hard.
21:56I'll walk in
21:57with you
21:57when I take you
21:58to the chair.
21:59I'll stand
22:00right there
22:00alongside you.
22:01Will you, Skeeter?
22:03Will you, Honest?
22:04Sure.
22:06Won't do you
22:06much good, though.
22:08Why?
22:09I can't keep it
22:11from hurting you.
22:12Honest, Skeeter.
22:14Does it hurt a lot?
22:16Or is it
22:17all over with
22:18pretty quick?
22:19It seemed to me
22:20to last
22:21a hundred years.
22:22Oh,
22:23I'm a sucker
22:24for pain,
22:25Skeeter.
22:26Are you?
22:27Sure.
22:28I cut my finger
22:29once.
22:29I put in there
22:30croaked
22:30with the pain.
22:31You ain't felt
22:32nothing yet.
22:33Yeah?
22:34Yeah.
22:35Gee,
22:36I remember, too,
22:36when I busted
22:37my leg,
22:37my old lady
22:38sat up all night
22:38holding my hand
22:39and me bawling.
22:41This'll feel
22:42like a million
22:43busted legs.
22:46Listen,
22:47Skeeter.
22:47What?
22:49Didn't you say
22:50George Brown
22:50told you it didn't
22:51hurt much
22:52bumping yourself off?
22:53That's what he said.
22:54Why?
22:55I...
22:56I was wondering.
23:00Well,
23:01I know what I'd do
23:03if I was in your place.
23:04Yeah?
23:05Would you bump
23:05yourself off?
23:06Yeah.
23:10I...
23:10I don't think
23:11I got the guts
23:12to do it,
23:13Skeeter.
23:14It ain't hard.
23:15You got a belt.
23:17You could get it
23:17around your neck
23:18and climb up
23:19on the bunk
23:20and fasten the belt
23:21to the bars up above.
23:22then
23:24all you gotta do
23:25is
23:26jump off.
23:29Yeah.
23:30Yeah.
23:31You know,
23:32it would help you out
23:32if you did.
23:33What do you mean?
23:35Well,
23:35you know,
23:35I told you.
23:37Kind of punishing yourself,
23:38see?
23:39I know.
23:41But I can't,
23:42Skeeter.
23:43I can't.
23:43I can't.
23:44I don't want to die.
23:46Well,
23:46it's all right with me.
23:47I was just telling you.
23:49Believe me,
23:50lad,
23:50I know what I'm
23:51talking about.
23:51Do you,
23:53I'm a Skeeter?
23:54Do you?
23:55Yeah.
23:58I wish I had
23:59the guts
24:00to do it.
24:01I don't care
24:02what you do,
24:02Maxie.
24:04Only you're gonna
24:04get burned
24:05tomorrow night
24:06anyway.
24:07And if you wanna
24:08get out of
24:08the most awful
24:09pain you ever had,
24:11do yourself
24:11a good turn
24:12at the same time.
24:14Well?
24:15I wonder
24:16what it feels like.
24:18George Brown
24:19said it only
24:19hurt for a minute.
24:21He never
24:21had much guts.
24:23That I remember.
24:24No.
24:28Here comes Miller.
24:29Gonna tell you,
24:30I guess.
24:31Yeah.
24:32He don't look
24:33very happy.
24:34He what?
24:35Can you see
24:36in the dark?
24:37Yeah.
24:41Hello,
24:42Max.
24:43Hello,
24:43Miller.
24:44Thought me to
24:45turn on the lights.
24:47I don't care.
24:48You getting
24:49used to the dark?
24:50Yeah.
24:51Well,
24:52I'll,
24:52I'll turn him
24:53on anyway.
25:04Well,
25:05Max,
25:06it's about
25:07the end
25:07of the string,
25:07huh?
25:09Tomorrow,
25:10huh?
25:10Yeah.
25:13Well,
25:13that makes you
25:14and me even.
25:15Listen,
25:16Max,
25:16I wanted
25:18to see you
25:18knocked off
25:19on account
25:19of Ambrose Hogan.
25:20I,
25:21I'll,
25:22I ain't
25:23sore,
25:23Miller.
25:24Oh,
25:25you know.
25:26Yeah.
25:28No hard
25:29feelings,
25:29Miller.
25:30It's your job
25:32being a copper
25:32and mine
25:34being a hood.
25:35Yeah.
25:36Well,
25:37is there anything
25:38you want,
25:39Maxie?
25:40No,
25:40I guess not.
25:42You ain't got
25:42no folks.
25:44No.
25:45I could get you
25:45a bottle of bourbon
25:46if you wanted it.
25:47Nah,
25:47what's the use?
25:49Well,
25:50we gotta get ready
25:51to go down
25:51to the state prison
25:52in a little while.
25:54They got the,
25:55well,
25:56I mean,
25:56that's where
25:57you gotta go.
25:58Do I have
25:59to go today?
26:00Yeah,
26:00I guess so.
26:03Well,
26:05I kinda hate
26:06to leave this place
26:07at that.
26:08Do you?
26:09Yeah.
26:10Scared me
26:11quite a lot
26:11at first,
26:12but I guess
26:13it's taught me
26:14a lot
26:14being here
26:15in the dark
26:16all along.
26:17Except for me,
26:18Max.
26:18Yeah.
26:20Well,
26:21Max,
26:22listen,
26:24try to take it
26:25standing up,
26:26will you?
26:27You know.
26:27I'll try,
26:28Miller,
26:29but it's gonna
26:29be awful tough.
26:31Yeah.
26:33Well,
26:33look,
26:34I'll be back
26:35in a little bit
26:36and we'll go.
26:38Uh,
26:38sure there
26:40ain't anything
26:41you want me
26:41to get,
26:41Maxie.
26:42No.
26:44All right.
26:46Oh.
26:47I'm,
26:48I'm sorry,
26:50Max.
26:51Huh?
26:52Huh.
26:54It's okay,
26:55Miller.
26:56Forget it.
27:02I told you,
27:03Max.
27:04Yeah.
27:04Well,
27:07I gotta be going.
27:09So long,
27:09Maxie.
27:10You're going,
27:11Skater?
27:12Yeah.
27:13I'll, uh,
27:14see you tomorrow night.
27:15But listen, Skater,
27:17don't go away now.
27:19I have to.
27:21And just in case
27:22you decide to
27:23do what George Brown did,
27:27there's an extra piece
27:28of rope under the mattress.
27:30You won't have to
27:31use your belt.
27:34So long.
27:34Well,
27:58there you are.
28:01That's your ghost story.
28:02You believe in ghosts now?
28:07You don't?
28:09Well, you are, huh?
28:11You see,
28:12I took Skater's advice.
28:15I hung myself.
28:17I've been dead
28:18six months.
28:19All right.
28:31You can turn them on now.
28:35You have just heard
28:36the third in the summer series
28:37of Lights Out.
28:39Tonight's story featured
28:40Norman Gottschalk as Maxie,
28:41Stanley Shule as Skeeter Dempsey,
28:43and Roy Engel as Miller.
28:45Boris Aplon was heard
28:46as the judge
28:47and Nathan Davis
28:48as Johnny.
28:49Next Saturday night,
28:50come nine o'clock,
28:51we've got a story
28:52cooked up for you
28:52that ought to give you
28:53a chill in the hottest weather.
28:55Two master magicians,
28:57both in the inner cult
28:58of Haitian voodooism,
29:00lock horns
29:00in the titanic struggle
29:01which comes to a climax
29:03over the Chicago airport.
29:04so you'd better
29:06make a mental note
29:07to be near your radio
29:08next Saturday evening.
29:11Lights Out is produced
29:12and directed by Albert Cruz.
29:22This is NBC,
29:23the national broadcasting company.
29:25This is NBC,
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