00:00So, first of all, thanks both of you because let me know, let me became a killer, so I killed the father of Stefan twice.
00:09That's your fault, not ours.
00:11No, it seems the right choice, I don't know, and I feel so guilty and so bad and I have to start again just to have another final, you know.
00:22Ok, just to check he's dead.
00:23I killed twice actually. But the perception is there is no right choice and it's not you to make a decision, you know.
00:37I don't know if it's right or it's just...
00:41I would say, I mean there's lots of, I think the optimum way of experiencing Bandersnatch is to have more than one ending and to sort of go through it a couple of times and see how that feels.
00:53There's definitely, there's a couple of endings that are probably slightly more definitive than the other ones, so, and there's one ending where no one gets, you don't murder anyone.
01:03There's one ending where you can not murder anyone and it's probably the most bittersweet.
01:07No way. Yeah?
01:09Oh no, yes. Is that one with the Netflix, you know, when he's realized.
01:14Oh no, I'm not talking about, although you're right, you don't murder anyone in that path as well.
01:17No, but there's another one, there's one, did you get the one with the train?
01:19No.
01:20Oh, there you go. There, go back and have a little...
01:24Another one.
01:26Or the benefit.
01:28Or the benefit of doing something like this, in that there are endings that have very different tonal feels to them.
01:36And are, you know, some are very emotional, quite poignant, quite heart-wrenching, I would go as far as to say, and some are much more darkly comic, like the Netflix ending.
01:46So what we were trying to do in this film is essentially what we try and do across the whole Black Mirror season.
01:54So take lots of different tones or genres and to make them feel, make them all feel as if they fit in one film and through one character's experience.
02:05You know, so it's very hard.
02:07No, it's so funny, no, it's good, it's good to kill people just like, I don't know.
02:14But if you watch all of it, you should have a very strong sense of Stefan's world.
02:18No, I know, I know, I know.
02:20And you have a stronger identification with him as a character.
02:24So it all, so it's quite, creatively, that's quite a challenging but exciting thing to do.
02:32To, it's almost like having five different films, five different directions Stefan's world could have taken.
02:38It's right to say maybe Stefan is the Alice in Wonderland and Will is the White Rabbit.
02:47Because Bandersnatch is actually a character of the Lewis Carroll novel.
02:51Yes, although I wasn't thinking about that when writing it.
02:55No?
02:56No, that's just a happy coincidence.
02:58No, I named it Bandersnatch after a real computer game that never appeared.
03:03Oh.
03:04In the 80s there was a game called Bandersnatch that some people were working on that never arrived.
03:08And when I was a kid, this was a legendary thing.
03:12This incredible, it was going to be the most complex game ever made and it never appeared.
03:16So the fact that, now there are references to rabbits and going through looking glasses and stuff like that.
03:21A lot of that is, I think, just some kind of psychic coincidence.
03:25But that, I like your interpretation.
03:27Yeah? Okay, thank you so much.
03:29Colin is definitely something that's beyond just human.
03:32Especially when he jumps out of the building.
03:35Oh yes.
03:36Thank you.
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