La Conseguenza - intervista al cast - Video Dailymotion

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Ecco l'intervista a Jason Clarke, Keira Knightley, Alexander Skarsgård e al regista James Kent per La Conseguenza, il nuovo film 20th Century Fox al cinema dal 21 marzo. Intervista di Sonia Serafini.

Transcript

00:00In 2003, you shoot a movie as a director, a short movie as a director.

00:05Would you like to do it again?

00:07And if you say yes, which kind of story?

00:09I don't know.

00:11I had a great time shooting that short film.

00:16And I was, at the time, very set on directing more.

00:22But then I got just kind of busy as an actor.

00:26And suddenly it's been over 10 years, and I haven't directed since.

00:31I think if the time is right and the project is right,

00:34and if I read something or come across something that I feel like this is my story

00:39and this is what I want, I know how to tell this, and it has to be my voice,

00:42then I would definitely do it.

00:44Okay. I hope so. Thank you.

00:46All right. Very nice to meet you.

00:48Another character of the movie is the house.

00:51Yes.

00:52How did you find the perfect one?

00:54Well, funny enough, the house is two houses.

00:56The exterior of the house is near Prague, and it took a lot of finding.

01:01But when I saw it, I thought, no, okay, it's a beautiful house.

01:05Hamburg was a very wealthy area, so it felt accurate to have such a house.

01:10Then when she goes through the door, you're in a whole other house

01:12in a whole other country, which is in Hamburg.

01:16Okay.

01:16So that house is German.

01:18And we spent a month in that house, and that includes the attic and all the rooms.

01:22And did you change?

01:23Much in the house.

01:25Much in the house, yeah, yeah.

01:25We totally got rid of all the furniture.

01:28We built the attic in the attic, and all in different wallpaper.

01:32I mean, you know, you have to get rid of all the light sockets, anything that's modern.

01:36Or, you know, I mean, it wasn't that bad, but it was quite a lot of work to change the

01:40house to something where you go, oh, is that a light socket?

01:43Is that a modern light socket?

01:44Is that a modern light socket?

01:44And what about the Van der Rohe chair?

01:47Because that scene explains everything.

01:49Yeah, so the Miss Van der Rohe chair, that was, yeah, that was, that was, um, that's a

01:53lovely moment, you know.

01:54It's sort of, she's never come across such a strange chair, but how interesting that

01:58Loubert, the architect, would have this cutting-edge chair that he loves.

02:03Yeah, yeah, that was, that was us.

02:05That wasn't, that wasn't in the house when we arrived.

02:07No.

02:09Another character of the movie is the house.

02:12I don't know if it's something that help you to, you know, with your performance or,

02:17because it's something really important.

02:19There's a lot of work.

02:20I mean, even through the architecture, you realize modernism is on the way.

02:24It was something that struck me.

02:25It was a wonderful choice.

02:26It's like we're down the corner of where architecture and design is going to think

02:30about comfort rather than, you know, old aesthetic.

02:34c'è molto cambiato che so many people

02:36sono going to miss out on

02:37e la scuola di tutto questo destructo

02:40e di Germania

02:41la cultura che era perduta in quella nazione

02:44non forget about that

02:45non forget che Germania

02:47ha centri di musicisti e scrittori

02:49e pensieri

02:50e artisti

02:51è un'ottima

02:53un'ottima ricorda di che

02:55la contribuzione che abbiamo scutato

02:57e l'impianto in cui abbiamo fatto

02:59in cui abbiamo fatto in Russia

03:02è un'ottima ricorda di tutto

03:06e è un'ottima

03:08la scuola di ciò che possiamo fare

03:10e la scuola di ciò che possiamo fare

03:12o la scuola di ciò che possiamo fare

03:15e l'ottima

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