- hace 6 semanas
Reparto: Juanjo Menendez Susana Campos, Lina Morgan, Félix Dafauce, José Sepúlveda, Manolo Peiro, Manuel Guitián, Francisco Camoiras, Laly Soldevila, Ramsay Ames, María Pinar, Sergio Mendizábal, Fernando Montenegro
Dirección: Rafael J. Salvia
Marcela es una mujer muy realista y Gerardo, su marido, vive sólo de los sueños; sin embargo, sus distintas personalidades no alteran su vida matrimonial. Un día, Gerardo decide comprar un viejo castillo que esconde muchas leyendas. Su mujer recreará la misteriosa historia del lugar para satisfacer a su esposo.
Dirección: Rafael J. Salvia
Marcela es una mujer muy realista y Gerardo, su marido, vive sólo de los sueños; sin embargo, sus distintas personalidades no alteran su vida matrimonial. Un día, Gerardo decide comprar un viejo castillo que esconde muchas leyendas. Su mujer recreará la misteriosa historia del lugar para satisfacer a su esposo.
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CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00Thank you!
00:01:30Thank you!
00:02:00Thank you!
00:02:30That tomb is at least 400 years old.
00:02:32So it wasn't the Viscountess either.
00:02:34He is somewhat younger
00:02:35And as for the Jew, your servant does not know a word
00:02:38And believe me, I've been here for a while, since I was born.
00:02:41I don't remember the year.
00:02:43But I know you were still sending money
00:02:45How long ago was it discovered?
00:02:47This summer, things from the Viscountess who takes advantage of everything she sees
00:02:51He saw that pile of bricks and said
00:02:52They can be useful and you already have me using the pickaxe.
00:02:55Until, as they were being removed, the stone with the scribbles came out.
00:02:59The Viscountess is very special.
00:03:02To tell you that you are not even a viscountess
00:03:04Yes, it is a rarity.
00:03:05But the castle is yours, right?
00:03:07Or what is called legitimate property
00:03:09What does P to P mean?
00:03:11Now you are going to see the castle inside.
00:03:13It's very old, very old.
00:03:15This is what we call the modern part
00:03:20It is only four or five centuries old.
00:03:23But they are showing
00:03:24Do you see it?
00:03:26Humidity, dust, and cobwebs
00:03:28Whatever you want
00:03:29When my wife was alive I cleaned it every three or four years.
00:03:33It was glorious to see it then.
00:03:34What do you like?
00:03:37I'm interested
00:03:38You could put one of those modern inns here with a pool and everything.
00:03:42For foreigners to bathe
00:03:44No, man, what a barbarity
00:03:45Like everyone else
00:03:46It is clear that it is so far from the road
00:03:49They look at it and look at it again and no one buys.
00:03:51And so on, until it rots.
00:03:53And they haven't preserved anything that was here?
00:03:55Furniture, objects
00:03:57Oh yes sir
00:03:58The cellar is full of old junk
00:04:01There is everything there
00:04:02Less wine
00:04:03I'm not interested in wine
00:04:05The gentleman shouldn't say that in La Mancha.
00:04:08I'll have to go get the key to the cellar.
00:04:11Because I don't have it here
00:04:13If you don't mind being alone
00:04:15What nonsense?
00:04:16Why would it matter?
00:04:17Well, well, it's up to you.
00:04:18And I don't say this for nothing.
00:04:20But...
00:04:20I don't say it for nothing.
00:04:37No, no, no.
00:05:07No, no, no.
00:05:37No, no, no.
00:06:07No, no, no.
00:06:37There is a reason for that.
00:06:43Come in, come in, come this way.
00:06:46Don't think it's easy to know this marriage.
00:06:49It's full of entrances and exits and little passages and nooks and crannies like a rabbit hutch.
00:06:54You'll see, you'll see, look.
00:07:00Look at you.
00:07:01So there is no bell.
00:07:17At least 100 years ago, since before I was born.
00:07:21That's why I didn't hear her, if you know what I mean.
00:07:24The difficult thing is to understand why I was listening to it.
00:07:27I would be interested in meeting with the owner as soon as possible.
00:07:39Right away, if you want.
00:07:42You'll find it in the village, a tongue away.
00:07:45I have the pleasure of speaking with Doña Josefina Carlota de Rendón y de Lagunilla, known as the Viscountess.
00:07:50If you come to collect an invoice or a bill, you are wasting your time.
00:07:53The Viscountess has gone to Japan for transistors.
00:07:55I came to talk about the castle.
00:07:57That's another thing.
00:07:59Don't be discouraged, he might come back at any moment.
00:08:01What interests you about the castle?
00:08:02Buy it.
00:08:06Well, I'm here now.
00:08:07With modern means, Japan is close.
00:08:09At your feet.
00:08:10You kiss the hand.
00:08:10And excuse me for greeting you like this, but the pump is very weak, the pipes are breaking...
00:08:15And this, as you see, is from the time of the Goths.
00:08:18Have you seen the castle yet?
00:08:19That's where I come from.
00:08:20I took this little souvenir with me.
00:08:21Naturally, you can take whatever you want.
00:08:24Paying for it, of course.
00:08:25That's what it's all about, the price.
00:08:26From the chandelier?
00:08:26No, from the castle.
00:08:27Ah, it depends.
00:08:31You said it depended on what?
00:08:33Well, let's see.
00:08:34Do you want it to avoid it or to speculate?
00:08:37For esp... for what?
00:08:38To speculate.
00:08:39Well, I would actually say that...
00:08:43More like speculation.
00:08:44Magnificent.
00:08:45So we will understand each other.
00:08:46You to your business and I to the child.
00:08:48Tell me then how much...
00:08:49How much can it be worth?
00:08:51One moment.
00:09:05Here I go.
00:09:06Yeah.
00:09:07I'm here now.
00:09:08Let's see what you think about this.
00:09:17A gas station?
00:09:19In small, with cafeteria, spare warehouse, washing and greasing.
00:09:22How much can it be worth?
00:09:24I don't know.
00:09:24Quite.
00:09:25Well, ask for a quote.
00:09:27The gas station is worth as much as the castle is worth.
00:09:29This is a kind of barter.
00:09:31Exactly.
00:09:31The castle is for you and the gas station is for me.
00:09:34When do we close the deal?
00:09:36I have to look into it.
00:09:37I'm not going to buy the castle, but someone else.
00:09:39Yes of course.
00:09:40Speculation.
00:09:42That person must be stupid.
00:09:44Is she my wife?
00:09:47Well, if I tell her now that she has to be smart, that won't fix it either.
00:09:51For one I have not made a basket.
00:09:54How angry.
00:09:55Anyway, you're going too far.
00:09:56Should we leave it or do we have time to make another one?
00:09:57It must be very late.
00:09:59I never have any idea of time.
00:10:0011:05.
00:10:015 to 11.
00:10:0211:20.
00:10:03Good evening, sir.
00:10:07Hello good evening.
00:10:08We make a bet that the exact time we call the telephone company.
00:10:12We better get going.
00:10:14I owe 280 people, but you owed me 175 loyal ones.
00:10:18And Marcela owes me 200, 100.
00:10:19I owe her 240.
00:10:21No, but you are wrong.
00:10:22No, no, no.
00:10:24200 and it's safe.
00:10:25How could I not know?
00:10:26I owe him what I owe him.
00:10:27Clear.
00:10:28Hello.
00:10:29Hello.
00:10:29Hello.
00:10:31What a barbarity.
00:10:32Is it cold?
00:10:33No, the barbarity is for you.
00:10:36When I left home you started the game.
00:10:38Do you know what I've done in the meantime?
00:10:39I went to La Mancha, I came back and I saw a castle.
00:10:41Let's see when we go to the Prado Museum, which they say is beautiful.
00:10:44I met a very original viscountess.
00:10:45Did you know that Concha Martínez has a degree?
00:10:47Marchioness or I don't know what.
00:10:48She's so fat.
00:10:50250 kilometers of road.
00:10:52With your car that's nothing.
00:10:53And you guys are playing basket all the time.
00:10:56And in total to be at peace.
00:10:57You are outrageously frivolous.
00:10:59Well, we're leaving.
00:11:00That you have to discuss.
00:11:02And what is the situation, Fernández?
00:11:04Despite the draw, the cup is at home.
00:11:05We have more positive points than Porto.
00:11:07We beat Beraja Basel by a goal.
00:11:09And in Amsterdam it doesn't count because there's no median line.
00:11:12My dear Miguel Ors.
00:11:13Great journalist, great colleague, great friend.
00:11:15The winning streak for our country is not over.
00:11:17From that bulging...
00:11:18What you know.
00:11:19Sailor cloth.
00:11:20They should make him a national coach.
00:11:22Another rooster will crow for us.
00:11:23I don't care if you make me angry.
00:11:32Husbands must get angry from time to time, but I'd like to know why.
00:11:35Once you know, I'll have no reason to be angry.
00:11:38If you weren't so weird.
00:11:39Everyone told me that before we got married.
00:11:41Be careful with Gerardo, he is very strange.
00:11:42I thought it was strange, because he was Chinese, for example.
00:11:45You have always believed some very vulgar things.
00:11:48Why aren't you like all husbands, who have a fixed schedule?
00:11:50But no, you are just like the firefighters, permanent service.
00:11:53That's true, ma'am.
00:11:54Do you remember that boyfriend I had last summer?
00:11:56He was a firefighter.
00:11:57And even on Sundays it was on fire.
00:11:59Until one day it burned down.
00:12:02Sometimes I think I would have been happier with Fernández.
00:12:05He is mentally retarded.
00:12:06He is a great journalist.
00:12:07He writes about football.
00:12:08He was always a normal kid, walking down the street...
00:12:10He was falling.
00:12:12It will be a beast.
00:12:14You would push her, you who have always made her feel bad.
00:12:16You even stole his girlfriend, taking advantage of the fact that Atlético was playing the Cup Winners' Cup in Warsaw.
00:12:20Long live Spanish football!
00:12:23Goodbye, friends.
00:12:25With you, Fernández.
00:12:29I still have time to see myself.
00:12:30I've been great, as always.
00:12:32Hello, dwarf.
00:12:33Why did you remove the sound?
00:12:34To discuss better, of course.
00:12:35But...
00:12:36Hello, couple.
00:12:36How soon have you arrived?
00:12:37Woman, that was recorded on videotape a few hours ago.
00:12:40Now you will see what I have brought you.
00:12:41Here, records.
00:12:42Greek records, they're in fashion.
00:12:43No, American, but bought in Greek.
00:12:45I'm going to try them right away.
00:12:46And there are things for you too.
00:12:47Let's see.
00:12:48It turns out that in Thessaloniki there are some very strange guys who speak very strange Spanish.
00:12:51Jews.
00:12:52Separditas.
00:12:53That, I already knew the name was weird too.
00:12:55Sand?
00:12:56No, very typical sawdust.
00:12:57They say they had houses in Toledo and one of them sold me the key.
00:13:00And if you're not careful, he'll even sell your house.
00:13:02Yeah.
00:13:05Mother and nusa.
00:13:05Yes, I knew they would screw me.
00:13:09Like this.
00:13:09A big book.
00:13:10I got it cheap because it's old and missing pages.
00:13:14Let's see.
00:13:23How wonderful.
00:13:27How wonderful.
00:13:28This is truly a marvel, Fernandez.
00:13:30No, that's how I understand your taste.
00:13:31I can't stand him for that.
00:13:42The towel and the cigarette butt.
00:13:51You are brutalized.
00:13:53Have fun.
00:13:55Don't pay attention to him, Marcela.
00:13:57You know how it is.
00:13:59I have never been able to find out.
00:14:00But I love him and I can't help it.
00:14:03I don't know.
00:14:04Don't be like that.
00:14:05He won't be gone forever, I guess.
00:14:07It never goes away forever, but every day it's marching a little.
00:14:11Damn.
00:14:12But what did he say to you when I went to that dirty game?
00:14:14Which we also lost.
00:14:15Bread to no one.
00:14:16Yes, Fernandez.
00:14:18And I'm afraid I'm throwing breadcrumbs at him now.
00:14:20And not exactly a mail pigeon.
00:14:22Love, I will never blame you for my troubles, because I sought them out with the eyes I looked at, wanting to see how much you are worth.
00:14:34Another notable example of late medieval lyric poetry is these moving verses by a Castilian king.
00:14:42Love, I could not believe, even if you were powerful, you could have ways to upset my faith.
00:14:51So far, that I know.
00:14:56The day after tomorrow we will continue with lesson 17.
00:15:14Samuel Rossistin Ancó, say.
00:15:16Yes, the manager won't be back until 12, but if someone is from the office, maybe he'll talk to the secretary about it.
00:15:24Yes, much better. Much better than with the manager.
00:15:32Good morning, Mr. Manager.
00:15:36Good morning, sir.
00:15:38Good morning.
00:15:40Stock Exchange Planning is up to date.
00:15:41The only change was that the Stricklinko rose two points and the Pacifico dropped two points.
00:15:47I still don't understand anything, as always.
00:15:49Thank you.
00:15:57Smoke?
00:15:58No, thanks.
00:15:59Now, we are very eager to do business with you, but we must reach an agreement.
00:16:03Sure, you know?
00:16:04We are very interested in business, but it depends on the tavern.
00:16:09Yes, of course, naturally.
00:16:10Well, but 32% is the same as...
00:16:12No, no, no, of course, it's not the same as everything.
00:16:1432% of a three-year period, or 84% of a one-year period.
00:16:22Alright?
00:16:22Alright?
00:16:23Alright?
00:16:24Are you okay, Mr. Manager?
00:16:26Yes, I needed some water.
00:16:28No, we've already agreed, you can sign.
00:16:34Let's see.
00:16:35Here, please.
00:16:43Thank you.
00:16:44And what did we agree on?
00:16:54And why this curiosity?
00:16:56After all, I'm the boss here, right?
00:16:58I don't even know what they were talking about.
00:16:59Don't worry, everything is recorded.
00:17:04As usual.
00:17:06Oh, you and Mr. Rosenstein.
00:17:08Mr. Rosenstein, I no longer care about business.
00:17:11To him his museum of Jewish antiquities.
00:17:13That's why you're here.
00:17:14Anything new?
00:17:15Yes, that Seven-Armed Candelabra.
00:17:16Send it to Mr. Rosenstein.
00:17:18He already has more than a thousand.
00:17:19They are going to make photocopies of all the pages of this book.
00:17:22It contains a very interesting story, that of a castle where there was a Jew.
00:17:25What else?
00:17:26These photos of the castle itself.
00:17:27I have located it.
00:17:28On sale?
00:17:28Yeah.
00:17:29How much?
00:17:29$300,000.
00:17:30And this key...
00:17:31Of paperweights.
00:17:33And by the way, ask for a quote for this gas station.
00:17:35How many things?
00:17:42Yes, many.
00:17:45Today you really look like a businessman.
00:17:4712% plus the legal reserve, plus the premium.
00:18:04Forty?
00:18:06A business that only yields 40% is not a business.
00:18:08Man, if we put up patents and capital, do you have to put up with it?
00:18:13Man, friendships, relationships, influences, that's worth it.
00:18:16I was also going to be a teacher, but this thing of hilarity is pulling me.
00:18:19The husband showed up without knocking and caught me in my shirtsleeves.
00:18:22What a number, and what did you say to him?
00:18:23What was I going to say to him?
00:18:24He was a poor man.
00:18:26I haven't eaten a donut in a year.
00:18:27I'm going to Malaga.
00:18:28What a number, what a number, what a number, what a number.
00:18:58Are you bored?
00:19:03Naturally.
00:19:04I don't know how you can like these things.
00:19:05Why don't you talk business like everyone else?
00:19:10Are you sure Mr. Rosenstein consented to the $300,000?
00:19:13Yes, I have the cable in the office.
00:19:15And the gas station budget?
00:19:17Forty thousand dollars.
00:19:19That's two million pesetas.
00:19:20Yes, I know that.
00:19:22The restoration plus the furniture.
00:19:28Tomorrow we will go and buy the castle.
00:19:32Ah, but do I have to go?
00:19:33Yes, because you will officially be the buyer.
00:19:37Oops, oops, oops.
00:19:38And when a husband buys something in his wife's name, is it for some kind of scam?
00:19:41No martingale.
00:19:43I can't buy it because I'm an employee of Mr. Rosenstein.
00:19:46You'll act as a straw man, you understand?
00:19:48You're right, it's not a scam, it's a complete and utter scam.
00:19:52What are you saying?
00:19:53That is a complete and utter piece of rascality.
00:19:55Look, I have a great sense of morality.
00:19:57Scoundrel is stealing an old woman's purse or taking candy from a child.
00:20:01But...
00:20:02Mr. Rosenstein has so many dollars.
00:20:04But I don't mind, man.
00:20:06Yes, that's what everyone does.
00:20:08And you don't know how it reassures me when you're like everyone else.
00:20:11And I, the notary, attest that I know the parties appearing and everything else recorded in this deed,
00:20:16issued in three sheets of the Official State Stamp, of the sixteenth class, series A.
00:20:22The saleswoman?
00:20:29The buyer?
00:20:37The reviewed check.
00:20:39I have a gas station.
00:20:42Enjoy it with octane.
00:20:44I can't help it.
00:20:45It reminds me of a wedding.
00:20:47Weddings are more fun.
00:20:48Yeah.
00:20:48Sometimes.
00:20:49And after signing they give croquettes.
00:20:51Oh my God.
00:20:52Stop messing around, Damian.
00:20:53I'll put it at my gas station.
00:20:55I'll send you the authorized copy.
00:20:59Good afternoon.
00:21:00Good afternoon.
00:21:01Good afternoon.
00:21:02Good afternoon.
00:21:03Good afternoon.
00:21:04Good afternoon.
00:21:06Good afternoon.
00:21:07Good afternoon.
00:21:09Good afternoon.
00:21:11My dear Guti.
00:21:13I need all your talent to decorate this castle as if it were inhabited in the 16th century.
00:21:18Ah, I don't know, I don't know.
00:21:20I see it as difficult.
00:21:22Very difficult, very difficult.
00:21:23I'd like to see everything, could I?
00:21:24With great pleasure.
00:21:25Here.
00:21:26This way, ma'am.
00:21:27Here.
00:21:27Thank you.
00:21:27Allow me, madam.
00:21:32Allow me.
00:21:36Well, now the thing is done, but I don't understand it.
00:21:41What don't you understand?
00:21:42That the Viscountess has sold the castle?
00:21:44No, that's crystal clear.
00:21:47What is more obscure is why you bought it.
00:21:51My husband's things.
00:21:53But why does it surprise you?
00:21:55There's something strange about this castle.
00:21:57And her husband too, with all due respect.
00:22:00The first day she came to see him, she already noticed these oddities.
00:22:03Really?
00:22:04As you can see, it seems to me that this was what caught your attention the most.
00:22:10It is possible.
00:22:14Tell me, tell me.
00:22:15Impressive, sordid and evil.
00:22:18This castle smells of tragedy that stinks.
00:22:21That's a kind of gynoeceum, isn't it?
00:22:23Maybe.
00:22:24The women's room.
00:22:25We will put a spinning wheel and a mirror.
00:22:27Symbols.
00:22:28Okay, find everything you need.
00:22:30Furniture, utensils, even clothing and footwear for the closets.
00:22:33All.
00:22:34It will be very, very difficult.
00:22:35There are things more important than money.
00:22:38Don't tell.
00:22:38Ah, then, easy, easy.
00:22:45What was a woman going to do with that mass?
00:22:47And what would a man do with a woman who had that kind of mass?
00:22:50Sure, sure.
00:22:51I like the modern man who goes to a football game and gets hoarse shouting at the players.
00:22:55The one who waits until mid-morning to read Marca.
00:22:57You don't like football?
00:23:00Ask a dentist if he or she likes molars.
00:23:01Here we will put another armor.
00:23:03There are going to be a lot of armor.
00:23:05If I don't put a really big suit of armor here, that matches a panoply that I'll put there, I don't decorate it.
00:23:10Then they come from abroad and say, who decorated the castle?
00:23:13Guti.
00:23:14And they make you look like a rag.
00:23:16Oh!
00:23:17That window!
00:23:18That window!
00:23:19What's wrong with the window?
00:23:20How wonderful!
00:23:22Outside, the countryside, the force of nature, the stain, Sierra Morena, Don Quixote...
00:23:28The day I find a truly modern man, I don't know what will become of me.
00:23:32Do you think my hobbies are bad?
00:23:34Viscountess, have you heard of the great Fernández?
00:23:36The one who writes such important things, the one who was involved in Bochilov's transfer.
00:23:40That.
00:23:40From what I hear, he must be a very interesting man.
00:23:44It is.
00:23:45It's me.
00:23:46Oh!
00:23:47What I like about this castle are the windows.
00:23:50Also, if you throw one away, they pick it up with a spoon.
00:23:53Not like those modern houses where you want to kill yourself and have to jump six times.
00:23:57Oh, how wonderful!
00:23:59And what is that?
00:24:00My trench coat, Guti.
00:24:02Oh my God.
00:24:03These nerves.
00:24:05What a pain, right?
00:24:06Confidence for confidence.
00:24:07I don't have blue blood, you know, Fernandez?
00:24:09No, doctor.
00:24:10It is possible.
00:24:11Not a drop.
00:24:12The old viscount married my aunt in Gracia, the haberdasher.
00:24:15They had no children and I inherited everything.
00:24:17To the curb.
00:24:19What a strange word, right?
00:24:20Yes, very rare.
00:24:21Well, I think it's time we got back to the others.
00:24:24No, not that way.
00:24:25It's dangerous.
00:24:26It's okay to come, but not to return.
00:24:28It twists and boom.
00:24:30And how do we get out now?
00:24:31Would you mind spending the rest of your life here by my side?
00:24:34No, of course not.
00:24:35I say it for the gas station.
00:24:37And what's a gas station without a man pulling the gas lever?
00:24:41Be careful, we're falling.
00:24:43The bad thing was that, according to what he said himself, he heard the bell.
00:24:46And what's wrong with it?
00:24:48There is no bell.
00:24:54And how is it explained?
00:24:56There is no explanation.
00:24:57Some people hear it when they are, so to speak, in a trance.
00:25:04They hear it like...
00:25:05Like me now.
00:25:10Din.
00:25:12Dan.
00:25:13Double dead.
00:25:15I had never heard of it until today.
00:25:19My God.
00:25:20It was him, the one in armor.
00:25:41My goodness, what a bore.
00:25:42The castle joke.
00:25:44Poor Damian.
00:25:45Come on, there's no need to panic.
00:25:46A small accident.
00:25:47It will be nothing.
00:25:47No.
00:25:47Let's see, how are you managing now?
00:25:52I can lend a hand, take care of everything.
00:25:55Thank you very much, Viscountess.
00:25:57Paying whatever it takes, naturally.
00:25:58I don't know, with money everything can be fixed.
00:26:00The work on the gas station will begin tomorrow.
00:26:02Poor Damian, he won't be able to see her anymore.
00:26:03We are nobody.
00:26:04Come on, you're Fernandez.
00:26:07Is it true that strange things happened to you here?
00:26:08Let's not talk about that.
00:26:09I'm sure the only thing you're interested in about the castle is the business.
00:26:12You said?
00:26:12No, nothing, nothing.
00:26:17Go here.
00:26:24For this reason.
00:26:29And here?
00:26:34And here?
00:26:36It's been my way of finding out about nothing.
00:26:38How will you know if it's in English?
00:26:40Not this, it's old Castilian, my thing.
00:26:42I'm going to take it home.
00:26:44If the basket makers leave me there.
00:26:46A Venezuelan lady asks for the manager.
00:26:49What's up?
00:26:51What's up?
00:26:54What's up?
00:26:56It was this one.
00:26:58What's up?
00:26:59And try not to spend too much time with this young lady.
00:27:02I need the office.
00:27:03Any day now you'll throw me out the window.
00:27:05Not so much, Mr. Manager.
00:27:06Do not extract.
00:27:07What's happening?
00:27:07Professor, I'm sorry to bother you.
00:27:18What's wrong, miss?
00:27:19I have a question about lesson 2.
00:27:20Please sit down.
00:27:23I'll try to clarify it for you.
00:27:25What is it about?
00:27:27No doubt, Professor.
00:27:29It's a pretext.
00:27:31Of course, an excuse.
00:27:33And why?
00:27:33I wanted to talk to him privately, without anyone knowing.
00:27:38Do you understand?
00:27:39No.
00:27:40This is about my father.
00:27:42Did something happen to him?
00:27:45Read, read.
00:27:46Read on.
00:27:47Professor Figueroa offers lecture series, chair, university, archaeological expedition, choose, period.
00:27:57All expenses on my account, period.
00:27:59I send tickets, period.
00:28:00Kisses, dad.
00:28:04Do you understand now?
00:28:07Less than before.
00:28:08It's just that I've written a lot about you.
00:28:11He knows you through my letters.
00:28:13He says that talents like his are needed.
00:28:16Talents and oil, of course.
00:28:18But there is already a lot of oil.
00:28:20And what could I do in Venezuela?
00:28:21Everything you like.
00:28:24Write poems.
00:28:25Discover ancient civilizations.
00:28:27Yeah.
00:28:28In a way, it's what I've always dreamed of and have never been allowed to do.
00:28:31Well, cheer up.
00:28:33It is premature.
00:28:34I have to think about it.
00:28:36Also, I'm waiting for a, let's say, investigation.
00:28:39Perhaps the first adventure of my life.
00:28:41A woman?
00:28:43A lot more.
00:28:44It is the ghost of a woman who was buried in the moats of a castle.
00:28:48You are always so dreamy.
00:28:50Like me, I am also a dreamer.
00:28:52Goodbye, professor.
00:28:54I'll go with her.
00:28:55Thank you.
00:28:55You are welcome.
00:28:58Don't bother.
00:28:59No, no, if it's not a bother at all.
00:29:00It's a pleasure.
00:29:01Thank you.
00:29:01So dreamy.
00:29:12Like me, I am also a dreamer.
00:29:15Goodbye, professor.
00:29:16I'll accompany her.
00:29:17Thank you.
00:29:18How cheesy, right?
00:29:19Yes, very cheesy.
00:29:21Don't bother.
00:29:21No, no, no.
00:29:22That's me.
00:29:22It's a nuisance.
00:29:23It's a pleasure.
00:29:25Well, you know everything now.
00:29:27And either I don't understand men, which I doubt, or her husband is leaving Venezuela to do
00:29:34sonnets.
00:29:35Thanks for the heads-up, but I don't quite understand your interest in our private affairs.
00:29:39Look, ma'am, if your husband leaves, they'll put another manager at Samuel Rosenstein Company.
00:29:44Limited.
00:29:45And with any other manager other than her husband, I wouldn't be able to do whatever I wanted.
00:29:48Well, but they're not going to take away your salary.
00:29:50If it were just the salary, come on.
00:29:53So you too have a fondness for Mr. Rosenstein's dollars.
00:29:57Do you have so many?
00:29:59Understand.
00:30:00We have the same interests, let's say.
00:30:02Sir, but what can I do?
00:30:05Act, mobilize, and act quickly, because things are serious.
00:30:09I've had more husbands than you.
00:30:12And when a man is made propositions that interest him, well, one day he receives them.
00:30:17a card from Lake Maracaibo.
00:30:19But how can I avoid it?
00:30:20Think, think, until something comes to you.
00:30:24Some men are great at it, others need to be tricked.
00:30:28Well, if you're not her husband, make a plan.
00:30:32And of course, count on me, okay?
00:30:38Ok.
00:30:39Thank you!
00:30:40Thank you!
00:30:41Thank you!
00:30:42Thanks for watching the video.
00:31:12Thanks for watching the video.
00:31:42Thanks for watching the video.
00:32:12Thanks for watching the video.
00:33:12We're going to have a snack together, in the cafeteria and everything.
00:33:15Even apple pie.
00:33:17I can't leave him alone, without me he's nothing.
00:33:20Think about it.
00:33:21It's going to rain.
00:33:23And a lot.
00:33:24No, I don't think so...
00:33:26Did you give him some pancakes with cream or what?
00:33:28And on top of that I'll have to eat some pancakes with cream.
00:33:45Now.
00:33:50Very good.
00:33:52Perfect.
00:33:53It was worth coming.
00:33:54Do you want me to say yes?
00:33:56Clear.
00:33:57Well, I'm not telling you.
00:33:59Take the wallet.
00:34:00Let's explore.
00:34:01What do you have there?
00:34:02Your Thessaloniki Codex.
00:34:03I want to check some things.
00:34:04I think you're a little crazy.
00:34:06More than you can imagine.
00:34:07I'll never get around to checking it out.
00:34:10I have little life left.
00:34:12What a case of pneumonia I'm going to get.
00:34:14Neither penicillin nor anything.
00:34:15But you realize how we wear clothes.
00:34:17And how cold it is.
00:34:18That can be fixed.
00:34:19Follow me.
00:34:22Yeah.
00:34:30Follow me.
00:34:32It will seem silly to you.
00:34:34But any moment now I'm expecting to run into old Damian.
00:34:36I wouldn't be surprised at all.
00:34:38Look.
00:34:39The solution.
00:34:57They are already drying up.
00:34:58There's no hurry.
00:34:59As long as it doesn't clear up.
00:35:00Come, come closer.
00:35:01Not there, there's the man with the spear.
00:35:03Come here.
00:35:06Take it.
00:35:10He...
00:35:11Although the midfield was pressing, the forward line scored...
00:35:14What are you saying?
00:35:15I can't see in this light.
00:35:17Give me fluorescent.
00:35:17Don't talk nonsense.
00:35:19In 1563, it may be said, Don Beltrán de Enguídanos lived there, and he married a certain Dulcinea of unclean blood.
00:35:28It means she was Jewish.
00:35:30You go on.
00:35:31Bean.
00:35:35Bean.
00:35:35He claimed to be from Ribera.
00:35:37And he had such good qualities that he earned the respect of all those close to him.
00:35:42She was loyal to the regime.
00:35:44And then there were those kinds of problems?
00:35:47Turn the page.
00:35:47She was loyal to the regime.
00:35:50From the house.
00:35:51And careful of her home.
00:35:53She had a reputation for being a passionate woman, full of tenderness and smiles, as is usual among people from the East.
00:35:59Dix was perfect for her love of home, her wifely demeanor, and her passion.
00:36:04Now comes death.
00:36:05Let him go, let him go.
00:36:07Don't talk nonsense.
00:36:08The death of Dulcinea lodged a nobleman in the castle, lost on a stormy night.
00:36:16And Don Beltrán saw her running down the stairs, as if she were following the newcomer.
00:36:22Isn't it exciting?
00:36:24Right here.
00:36:26But that was a long time ago.
00:36:28It's 1963.
00:36:29That's the bad thing.
00:36:31I hate my time, the rush.
00:36:33I hate my time.
00:36:34Give the 16th century some baking soda and aspirin and tell me specifically how we've progressed.
00:36:39Man, there's North America.
00:36:41I say progress.
00:36:43Listen, Fernandez.
00:36:44Dulcinea did not run after the newcomer.
00:36:47He was running away from someone.
00:36:48She was murdered.
00:36:50Don Beltrán said that Dulcinea fell out of a window,
00:36:53but he gave evasive answers to the officials who came to investigate his death.
00:36:57That's where the legend comes from.
00:36:58Once a year, Dulcinea returns to find someone to whom she can explain who the murderer was.
00:37:04And that happens seven days before or seven days after the first moon of the year.
00:37:09This year it falls on January 21st and it's the 14th.
00:37:13Do you understand?
00:37:14I'm going to Madrid.
00:37:16You're staying, Fernandez.
00:37:18I'm almost sure Dulcinea is going to appear any moment now.
00:37:20But, Gerardo, do you realize?
00:37:21It's 1963.
00:37:23The league is being played.
00:37:23I am a sports critic.
00:37:24The rest is nonsense.
00:37:25Be quiet!
00:37:25It's nonsense.
00:37:28Listen.
00:37:30Hey, Fernandez.
00:37:31Woman's steps.
00:37:32I hear them.
00:37:33Yes, I can hear them.
00:37:35Over there.
00:37:36Come on.
00:37:36No, I'm staying.
00:37:37Here alone?
00:37:39With the one with the spear?
00:37:40Damn, man!
00:37:49It has to be this way.
00:37:50This.
00:37:51It is we who have not reached your present.
00:37:58Look.
00:37:59You see?
00:38:01The moon.
00:38:02There are no more wheels.
00:38:02Come on.
00:38:02Hold on.
00:38:20Fernandez.
00:38:22Close your eyes.
00:38:23So you can slap me like when we were kids.
00:38:26Close your eyes, idiot.
00:38:27Time runs backwards.
00:38:341936, the civil war breaks out.
00:38:361900, Salasta governs.
00:38:381814, Napoleon, to attack him.
00:38:40Do you see it?
00:38:41Yeah.
00:38:41Is your hand like this?
00:38:431789, Anne Marie Antoinette was guillotined.
00:38:46The carts are loaded with...
00:38:48Watch out, he's going left!
00:38:501600, we Spaniards fought like...
00:38:52By how many do we win?
00:38:541570, 65, 64, 63.
00:38:57Five days before the first moon.
00:38:59Six days.
00:39:00Seven.
00:39:01You hear.
00:39:03Yeah.
00:39:04The tuna.
00:39:06We have gone back in time.
00:39:07She's going to show up.
00:39:09My God, don't leave us now.
00:39:21Do you see her?
00:39:22Do you see it too?
00:39:24It's Marcela.
00:39:25Brunette and anemic.
00:39:26Shut up.
00:39:28Marcela, enough with the jokes.
00:39:29You play the guitar very well, but...
00:39:30Shut up, man.
00:39:31Marcela, Marcelita, but why don't you do these things when you're alone?
00:39:34Why don't you bring Gerardo's father, for example?
00:39:36You scare him and it all stays in the family?
00:39:38Don't pay attention, madam.
00:39:39Keep playing.
00:39:40This man is my squire.
00:39:41And because of his condition you will find him foolish, talkative, ruffian and cowardly.
00:39:44Anyway, but I can assure you that he is a good man.
00:39:46And I bet he will entertain you with his grace.
00:39:48Do you think I'm the lazy turtle?
00:39:50But you don't realize it.
00:39:52Is it your cinema?
00:39:52It's Marcela.
00:39:53We're going to convince you.
00:39:56Wait a minute, sir.
00:40:03Marcela.
00:40:03You tell him what!
00:40:14Come on.
00:40:16Come!
00:40:28Hurry, I can't see.
00:40:29And now where do we go?
00:40:30Over there.
00:40:33Well, we're back to the same thing, right?
00:40:41It's still there, come on.
00:40:41You can get there by some path.
00:40:47I swear we've been here before.
00:40:50Don't stop, let's go.
00:40:51I bet you know where we're going to appear.
00:40:52I guess I got it right?
00:40:53Maybe not.
00:40:54We'll try the staircase to the chambers.
00:41:01Well, it's not there.
00:41:03He's gone.
00:41:03Don't tremble.
00:41:09But who trembles?
00:41:10I don't know why you say that.
00:41:12Calm down.
00:41:13Maybe it was a hallucination, a natural phenomenon.
00:41:15I don't know any natural phenomena other than Sofia, Loren and Di Stéfano.
00:41:18However, I have seen it.
00:41:19And you too.
00:41:19We will look for her.
00:41:20We will tour the castle from top to bottom, from the tower to the cellar.
00:41:24Hey, I'm a normal man, right?
00:41:26Almost.
00:41:27With your brain in its place?
00:41:28Relatively.
00:41:29Well, neither to the tower nor to the cellar.
00:41:30If there is anyone here, I am Robespierre.
00:41:35It's raining again.
00:41:55What a barbarity.
00:41:56Although the hallucinations may not have stopped at any point.
00:42:01What are you looking at?
00:42:02This at least seems real.
00:42:04Man, of course.
00:42:05Do you realize?
00:42:06It's the lady we just saw.
00:42:08Now that you mention it, it's so dirty.
00:42:10You can say what you want, but who does your wife look like?
00:42:14Don't talk nonsense.
00:42:15Let's see.
00:42:19There is no doubt.
00:42:20It's her.
00:42:22Dulcinea de Rivera.
00:42:25It's the dust.
00:42:27What dust, what eight quarters.
00:42:28It's a sensational cold that we caught the lemon.
00:42:31Come on, Gerardito, forget about the Dulcineas and bagpipes and let's go to Madrid as soon as possible.
00:42:35Even if it's pouring down with rain.
00:42:38If you lead spades, you take all eight tricks.
00:42:39Then I lose the king's.
00:42:41Yes, but you are guaranteed the entire suit of hearts.
00:42:43Coming out of the cloverleaf the same.
00:42:44Yes, yes.
00:42:45Anything else, ma'am?
00:42:47Bring more hot water.
00:42:48One does not like to give an opinion on the taste of the gentlemen.
00:42:51But where there's cognac, those baos are useless.
00:42:56A boyfriend I had took baos and one day he got burned.
00:43:00All your boyfriends burn out.
00:43:01It must be a matter of character, madam.
00:43:03The colder she sounds with men, the hotter she gets.
00:43:07Are you coming hot water or what?
00:43:08Rosa says that cognac is better.
00:43:10Well, cognac, whatever.
00:43:11Yes, sir.
00:43:12Hand of saint.
00:43:13My brother, the one who died of alcoholism, said it.
00:43:18How are we doing?
00:43:20Two clovers.
00:43:21If you didn't walk around getting lost.
00:43:24Not that way.
00:43:24In the castle.
00:43:26Two cars.
00:43:27Yes, with some.
00:43:28Yes, there was a woman.
00:43:31Right you?
00:43:31Dulcinea de Rivera.
00:43:32I don't know her.
00:43:33It goes for Serrano.
00:43:34They said two cars.
00:43:36I guess she won't be a friend of mine.
00:43:37Ridicule bothers me.
00:43:39Three no trumps.
00:43:40Your friends are like you.
00:43:42Unable to vibrate and feel.
00:43:43You are hardly women.
00:43:46You don't even know how to fry an egg?
00:43:47I once fried one and it turned out well.
00:43:49Did you eat it?
00:43:50Clear.
00:43:50Dipping bread.
00:43:51And what about that Dulcinea?
00:43:53It has the name of a confectionery.
00:43:54You would never understand.
00:43:56I don't even know if it exists.
00:43:58He died four hundred years ago.
00:44:00Be careful not to let it get into him, Gerardo.
00:44:02You're right, Gerardo.
00:44:03Why aren't you like everyone else?
00:44:05Because everyone is stupid, foolish, and boring.
00:44:08And because to be like everyone else,
00:44:09it is better not to come into this world.
00:44:11What are the funniest things you say sometimes?
00:44:13Do you hear her, Fernandez?
00:44:14Do you hear her?
00:44:15And you still say he looks like him.
00:44:17Come on, man.
00:44:21The hand of saint.
00:44:24I don't understand it and I never will.
00:44:41Even if barefoot friars explain it to me.
00:44:43Why have we come?
00:44:43And above all because I came.
00:44:44Why did I agree to follow you?
00:44:45With what my mother told me.
00:44:47Son, beware of women who cry.
00:44:48And of the crazy ones.
00:44:49What a way to take care of myself, coming with you.
00:44:51Do you expect the one with the guitar to appear?
00:44:55Here we go, I'm going to Madrid.
00:44:56Because?
00:44:57There's nothing supernatural about this, unfortunately.
00:44:59Come on.
00:45:10This is something else.
00:45:11Doesn't it look much better this way?
00:45:15I just finished the installation.
00:45:17It hasn't been easy at all, has it?
00:45:19Berman had everything and concealed it.
00:45:21You'll see the bill, you'll see.
00:45:23Here is the counter.
00:45:24And this is the general key.
00:45:26It's a bit sloppy, because I did it all by myself.
00:45:28Damn.
00:45:34Nothing is possible like this.
00:45:35What's wrong with him?
00:45:36Do you know what it's like for a father of eight children working in the mail without multiple jobs?
00:45:40when does the 25th of each month arrive?
00:45:43Crazy, of course.
00:45:44And a lot.
00:45:44Not a run-of-the-mill thing like that.
00:45:45A night like this is so important.
00:46:03Careful, Gerardo, don't rhyme with the man with the spear.
00:46:05Don't worry, Fernandez.
00:46:06I welded his hand to the autogenous.
00:46:08Oh, this has improved a lot thanks to Edison and you.
00:46:11The decisive night.
00:46:12Seven days after the first moon.
00:46:14Don't you understand, melon?
00:46:16I say like the first time I was in Paris.
00:46:18I don't understand anything, I don't understand anything.
00:46:21Look.
00:46:24Ah, the painting.
00:46:25I found it in the cellar and thought I'd put it there.
00:46:27I don't know what Mr. Guti will say, but I think it's nice.
00:46:30It's her.
00:46:32Dulcinea de Rivera.
00:46:33An ancestor of the Viscondio.
00:46:35This one says he looks like my wife.
00:46:37Well, maybe it has a certain air.
00:46:39Depending on how we are portrayed, all women look alike.
00:46:43She doesn't look like anyone.
00:46:44It is unique.
00:46:44It has a strange, mysterious beauty.
00:46:47It has a light.
00:46:51No.
00:47:09Naturally, it doesn't sound.
00:47:10This is not how you can create the climate.
00:47:12The situation is propitious.
00:47:13There is too much electric light.
00:47:14Take.
00:47:14Listen, that was a lot of expense.
00:47:16Only this night is left over.
00:47:18My friend and I are going to dress up in 16th century clothes.
00:47:21And you, Viscountess, when you leave...
00:47:23Yes sir.
00:47:23...please turn off the main valve.
00:47:25Yes sir.
00:47:26Understood?
00:47:26Oh, yes, sir.
00:47:36Now is when everything starts to look like the other night.
00:47:39Oh no!
00:47:40Get that filth out of your mouth.
00:47:42Nothing rubbish about it.
00:47:42Legitimate Havana.
00:47:44From the ones Bernabéu sent me for Christmas.
00:47:46Who's going to go?
00:47:47Let's not start.
00:47:48Ugh, the count to the south is this one, always in the middle.
00:47:51Don't be scared, it's me, even if it doesn't seem like it.
00:47:54The same as you, are you.
00:47:55So if you find me strange, take it upon yourself.
00:47:58Why did you dress up?
00:48:00Man, your friend takes things so seriously, just to be consistent.
00:48:04But, Viscountess, I thought you had left a while ago.
00:48:07Yes, yes, leaving.
00:48:07With what is happening.
00:48:09But there was a moon.
00:48:11Rain is a natural phenomenon, but come on...
00:48:13They just doubt it.
00:48:14Look, look.
00:48:20Wow!
00:48:21And with lightning and everything.
00:48:22It's raining, Fernandez.
00:48:24It's raining.
00:48:24Yes, the Virgin of the Cave, the little birds sing, etc.
00:48:26But this rain is making me nervous.
00:48:29The bad thing is the mud.
00:48:30Anyway, there's no need to rush.
00:48:32If things get long in the kitchen, there's everything.
00:48:34Even the refrigerator I think has had time to make ice.
00:48:37I'm going to make a rum and coke.
00:48:39That's what it says.
00:48:41Well, two.
00:48:42That is, three.
00:48:44That rain.
00:48:46Everything starts to happen like the other night.
00:48:47Come.
00:48:48Here we go again.
00:48:50Look, my Dulcinea.
00:48:54Look at the expression in his eyes.
00:48:56It seems like he wants to tell us something.
00:48:58Yes, let's go to the cafe and play tag like decent people do.
00:49:02Shut up, you're not doing anything.
00:49:04Don't break the spell of this hour.
00:49:06I feel something strange inside me.
00:49:09We are entering the era of Dulcinea.
00:49:12In my time.
00:49:13Oh, mother, the party is starting.
00:49:15Thank goodness the viscountess stayed.
00:49:17What time did he show up the other night, do you remember?
00:49:19Late.
00:49:20It was at least twelve o'clock.
00:49:21Seven.
00:49:22Eight.
00:49:24Nine.
00:49:25Ten.
00:49:26Eleven.
00:49:27Two.
00:49:29Oh, well, very late.
00:49:30And what's that Swiss?
00:49:31I feel it.
00:49:33It's here, close to us.
00:49:35Dulcinea.
00:49:37My Dulcinea.
00:49:39I'm going to look for the viscountess.
00:49:40I won't stay alone with you.
00:49:46Viscountess.
00:49:46Are you around?
00:49:49Viscountess.
00:49:50Viscountess.
00:49:50My friend has had another attack and...
00:49:52What's wrong with you, man?
00:50:09Why do you time?
00:50:10Did you get a cramp?
00:50:12Has something happened to the Viscountess?
00:50:15Have you seen Dulcinea?
00:50:15To his father.
00:50:17Christopher Columbus's dress.
00:50:18He looked at me with a face that looked like he was asking for a black coffee.
00:50:19He stood up and punched the table so hard there was a nut in it.
00:50:23You are very nervous.
00:50:23Come on, come on.
00:50:24Yes, it goes.
00:50:24Let's get serious.
00:50:25Hey, hey.
00:50:26I know your jokes too well.
00:50:27Gerardo, do you remember my father?
00:50:29Yeah.
00:50:30The good humor he had.
00:50:32He was a saint.
00:50:33And how did he like olives?
00:50:34To rage.
00:50:35Well, by my father I swear I've seen a man dressed in a Spanish-Italian co-production.
00:50:38and with a gesture and a pallor that surrounded the grave on all four sides.
00:50:41It must have been your imagination.
00:50:44A friend of mine watched a donkey walk past his bedroom for three months.
00:50:47and they took him to the mental hospital.
00:50:49The difficult part was getting the donkey to break the habit of going to the stable through the bedroom.
00:50:52But man, Fernández, this is no time to walk around barefoot.
00:50:55My boots?
00:50:56Where were they?
00:50:57At the cellar door.
00:50:58Ah, come on, go on.
00:51:01Put them on and don't play around.
00:51:02Don't get rheumatism.
00:51:04So in the cellar, huh?
00:51:07Word of a squire, I haven't tasted a drop.
00:51:09And I lost them there.
00:51:10Who has taken them?
00:51:11Who?
00:51:12And there is no wine in the cellar?
00:51:14Besides that, are you seeing it?
00:51:16Well, goodbye.
00:51:17Wait, man.
00:51:18I'm leaving.
00:51:19That you wait.
00:51:19I'm leaving.
00:51:28It's night.
00:51:39Everything remains the same as four centuries ago.
00:51:41The clock shows the same time.
00:51:43No time has passed.
00:51:44It has stopped and we are inside.
00:51:46Do you realize the prodigy, Fernandez?
00:51:49However, Dulcinea is slow to appear.
00:51:51Gentlemen, for God's sake, how did you get in?
00:52:04Madam, I beg you...
00:52:06Please wait.
00:52:07I'm coming right now.
00:52:17I must warn you, sir, that my husband and master is not satisfied with visits.
00:52:21But who is this man?
00:52:23What is he doing in such a state, tied and gagged, like a villain?
00:52:26Do not be afraid, madam.
00:52:28He's just my squire.
00:52:28A good man.
00:52:29Although a bit of a chatterbox, a clown and a buffoon.
00:52:32And the first thing I'm going to do is jump out the window.
00:52:34Do you see how funny it is?
00:52:35Night caught us far from Puerto Lápice.
00:52:37The rain was getting heavier.
00:52:39We saw light in this tower and found the gate open.
00:52:41I had to tie him up because storms really upset him.
00:52:44Are you going far?
00:52:46Well, actually, to Madrid.
00:52:48It is a very strange town.
00:52:49When I was there, they hadn't finished it yet.
00:52:52Not now either.
00:52:52His Majesty thought of making the permanent court of Spain.
00:52:55But that intention will not prosper.
00:52:57What an eye, honey.
00:52:59I like the king's strawberry tree.
00:53:00The royal Alcázar.
00:53:02My father once lived next to the San Martín gate.
00:53:04Well, there being no further matters to discuss.
00:53:07If Your Excellency would be kind enough to give me a light mule or donkey, I would be grateful.
00:53:11I have to go post a letter to Ciudad Real.
00:53:12I told you I would make you laugh.
00:53:16He's a real fool.
00:53:20Let me see this gem.
00:53:21My mother gave it to me.
00:53:22He told me, you will be happy when you hear it ringing in your heart.
00:53:28Have you ever heard it?
00:53:30Until today never, sir.
00:53:32Forgive me.
00:53:35I must warn my husband and lord of your presence.
00:53:38If he allows me, I will give you food and shelter.
00:53:49What is your name, sir?
00:53:51Gerardo de Figueroa, madam.
00:53:52And you, little ruffian?
00:53:54They're asking you, idiot.
00:53:57Two million readers of the brand.
00:53:58Ten million radio listeners.
00:54:00Two 30 million Spanish football fans.
00:54:02He knows my name and...
00:54:03Say it, stupid!
00:54:04No insults, I'm not even a national team coach yet.
00:54:07Fernandez.
00:54:08You have the name of a fifth lady, yona.
00:54:10I've never seen such a sharp cazorro.
00:54:12You are very fortunate to have me accompany you, Mr. Figueroa.
00:54:14Madam, I am at your service.
00:54:17I serve.
00:54:18You are a man and I am a woman.
00:54:19My mission is to serve you.
00:54:27Was there anything like it in the world?
00:54:29Has anything so beautiful ever been said?
00:54:31Come on, admit it.
00:54:32Is Marcela capable of speaking like that?
00:54:34Neither Marcela nor anyone from our time.
00:54:36Close your eyes.
00:54:371,600, we executed Don Rodrigo Calderón.
00:54:391,700.
00:54:40We spent the gold of America.
00:54:411,800, we protest about something.
00:54:431,900, Americans spend their money.
00:54:441950, we spent half the money with the Americans.
00:54:471.960, 62, 63.
00:54:49Fire a rocket, send a signal.
00:54:50Let them come for us!
00:54:52Fernandez, I beg you on my knees.
00:54:54Look at me.
00:54:55Swear to me this isn't a joke you and Marcela are playing.
00:54:57I wish I weren't so uneasy.
00:55:00So it's true.
00:55:02We are living the legend.
00:55:05Time has run backwards and we actually find ourselves on a night in 1563.
00:55:09Since I didn't know if they wanted it with rum or gin, I put both.
00:55:16This way it's stronger.
00:55:18But who tied her up like that?
00:55:20Oh, what silly jokes they play.
00:55:23Poor thing.
00:55:24He's so nice.
00:55:26Please, Viscountess.
00:55:27How long has it been since you left this room?
00:55:29To prepare rum and cokes?
00:55:31Well, three or four minutes.
00:55:32Only?
00:55:33Well, maybe there were five.
00:55:35I had to break the ice.
00:55:36It's not worth getting so upset about.
00:55:38Do you swear, Viscountess?
00:55:40Do you swear that more time hasn't passed according to your clock?
00:55:42Oh, oh, oh, how are you?
00:55:45They better not drink it all.
00:55:47Apparently they had already blown before coming here.
00:55:50I don't know what to leave them alone, but since it's not raining anymore,
00:55:53I'm going to change my clothes and go to the gas station.
00:55:56I don't want any tourists to get away from me.
00:56:00She hasn't noticed anything.
00:56:02She remains stuck in her time.
00:56:04For whatever reason, we were chosen to be put in 1563.
00:56:08And I assure you that we entered it in accordance with the law.
00:56:10Oh, mother, I'm starting to notice that I'm getting very sick.
00:56:13I'm noticing it.
00:56:14Let's not waste time.
00:56:15Let's see, where did you see that man?
00:56:16Gerardo, I'm not going back there.
00:56:17I prefer that you do me.
00:56:18Are you afraid?
00:56:19Man, of course.
00:56:20Well, above fear and everything, let's go.
00:56:23Wait.
00:56:23What, are you following me?
00:56:32Yes, I follow you.
00:56:34And for ever and ever I will be ignorant of why I followed you.
00:56:36I don't understand a thing.
00:56:38Not a jot.
00:56:39But I follow you.
00:56:39Are those?
00:56:53Give them wine and food.
00:57:03Don Gerardo, you will have to forgive us.
00:57:04We hardly have any servants.
00:57:06Instead, they get in the way, gossip, and go back and forth with back and forth talk.
00:57:12Sitting.
00:57:16Do you have a destiny at your mercy?
00:57:18I'm asking you about the office.
00:57:20We're on our way to court.
00:57:22Slowly, without hurry.
00:57:23Drink.
00:57:32And let the fool drink too.
00:57:34What way to treat the service?
00:57:35There is still no social justice.
00:57:37So what are they fighting with?
00:57:38With the reform.
00:57:41You entered without knocking.
00:57:44Did you find the gate open?
00:57:46That's it, isn't it?
00:57:47And how?
00:57:48If I left it closed.
00:57:50The gates close and open, my lord.
00:57:52Do they make them like that?
00:57:53Shut up, you little beast!
00:57:55I close and lock the gate.
00:57:58Do you penetrate like spirits?
00:58:01Because the gate, you know, well, let's see, Teo, is still closed.
00:58:06Well, what does that matter?
00:58:09You have her for me, don't you, ma'am?
00:58:13See what I think.
00:58:15Someone opened the gate, but not for this gentleman, but for another.
00:58:20He was careless and took longer to close than was necessary.
00:58:26You are trembling, madam, it is not so bad, for mercy will excuse your clumsiness.
00:58:35I told her a story that might have scared her, nothing terrible.
00:58:41I hit him twice and threw both of my wives out the window.
00:58:45Are you perhaps of justice?
00:58:49No.
00:58:50They attacked my honor, fellow traveler or fellow walker, the purpose of which is unknown.
00:58:56I believe, sir, that no one has the right to the life of his fellow men.
00:59:01A supporter of reform, without a doubt.
00:59:04Does the Inquisition know your ideas?
00:59:07Yes, Dulcinea, to whom did you admit through the gate?
00:59:12To no one, sir.
00:59:13I locked you here like a piece of gold in a chest.
00:59:17I'm not a gallant, nor do I say beautiful things, but I swear you'll regret it.
00:59:23You have drunk a lot, sir.
00:59:25Quiet.
00:59:26Stop, for God's sake, you're hurting me.
00:59:28Quiet, Don Beltrán, I said quiet.
00:59:29And who are you to command me?
00:59:31Just a gentleman passing by.
00:59:32So go your way.
00:59:34Not without first knowing if a certain crime was committed.
00:59:37And what do you care about my life and that of my servant?
00:59:39Your wife is not a servant.
00:59:40Where are you going?
00:59:41I said quiet.
00:59:43You have tired me out, traveler.
00:59:45Well, he wanted it at mercy.
00:59:53Well, that's enough of the beards.
00:59:55Take off your beard, get some forks, and let everyone have dinner.
00:59:58Shut up.
00:59:58We are in 1563 and then we leave each other.
01:00:01Long live the Real Madrid metro and bus.
01:00:03I will teach you not to mock me
01:00:06and to respect my home and my dignity.
01:00:11Who does he think gave it to him?
01:00:15Take.
01:00:15Ah, it was him, your lover,
01:00:18who you look at from the window
01:00:19and you go through the gate.
01:00:21Good opportunity to end it all.
01:00:23Except with the tantiloco.
01:00:24Let your master not party with his parents, I hope.
01:00:26No, no, no...
01:00:27No, no, no, no, no.
01:00:29No, no, no.
01:00:29No no.
01:00:30No, no, no, no, no.
01:00:31No, no, no.
01:00:33Do you already have it?
01:00:40Alas, it's already yours?
01:00:42Women taught us how to fight.
01:00:46Reasons heard, sir.
01:00:47Shame on you like a boy!
01:00:57And wouldn't it be better if they solved it the French way?
01:01:07I am unarmed
01:01:08So pray and may God have mercy on your soul.
01:01:11No, for God's sake
01:01:12Move aside!
01:01:14Don't kill him
01:01:14Well, you die first.
01:01:16Oh!
01:01:17I pay it
01:01:18He has it nailed, well nailed
01:01:33What must hurt
01:01:34He's dead, man.
01:01:35And it shouldn't have been that way.
01:01:37It was Don Beltrán who threw Dulcinea out the window.
01:01:40And justice will question him.
01:01:42Did you throw the dagger?
01:01:43I?
01:01:44It will not have been
01:01:45Madam, your husband is dead and he was not my squire.
01:01:51I deserved it, sir, I swear.
01:01:53It is God's law that death
01:01:55She deserved it
01:01:56But who killed him?
01:01:58I don't know, I don't know
01:01:59Yes, you know it
01:02:01Dulcinea
01:02:02I want to thank you for protecting me.
01:02:05I want to save you from all this if possible.
01:02:07But first I must know who it was
01:02:09Who killed him?
01:02:10I
01:02:11It was me, sir.
01:02:13Alvaro
01:02:15I did it for you, Dulcinea
01:02:16And if that gentleman wants an explanation
01:02:19You will have it
01:02:19Who's going?
01:02:34Open the door to justice!
01:02:35Open the door to justice!
01:02:36Open the name of the error!
01:02:38Alvaro
01:02:48Dulcinea
01:02:49Have you heard justice?
01:02:56Why will he come?
01:02:57Be calm, Dulcinea
01:02:58Be strong
01:02:58Help me
01:02:59You have to hide it in the chest
01:03:01Above
01:03:02Open the lid
01:03:06Here's a piece of sir
01:03:08Take it away!
01:03:17Open and bring it here
01:03:18At the right time I will appear
01:03:20Don't give your name
01:03:21Nor anyone's
01:03:21Answer yes or no
01:03:22But nothing more, you understand?
01:03:23Give me that jewel
01:03:24They might recognize you by it
01:03:26And you speak as little as possible
01:03:28It's dangerous
01:03:30Help me save myself, knight
01:03:31We ask you to remain silent
01:03:33But it's that...
01:03:35I stood before his sword
01:03:36I only ask you to be silent.
01:03:38Your word of honor, sir.
01:03:45You have it
01:03:47I swear that if you speak before justice
01:03:49I will kill you without mercy
01:03:50I will remain silent for her, not because of your threat.
01:03:52I'm not afraid of you
01:03:53I, on the other hand, am afraid of him.
01:03:54And not a little
01:03:55As long as you remain silent
01:03:56It doesn't matter why
01:03:57For God's sake, Gerardo
01:04:00They have killed in front of us
01:04:01To the ugly one with the beard
01:04:02The lover appears
01:04:03What a night
01:04:04We have entered history
01:04:05Don't you understand?
01:04:06It's like you've read in a book
01:04:07The Battle of Bailén
01:04:08And you could say
01:04:09It wasn't like that, I was in it
01:04:10Crazy
01:04:11It's crazy
01:04:12You're in a funnel
01:04:12To say that you are Napoleon
01:04:13I can't take it anymore
01:04:15Look
01:04:17And how ugly the condemned man is
01:04:28But he is dead
01:04:29It's a fact
01:04:29If this were a farce
01:04:33I would have killed this man
01:04:34Wouldn't that be too much of a joke?
01:04:37Of only child
01:04:38Isn't it more logical to think
01:04:39That this happened a long time ago
01:04:41And we are reliving it now?
01:04:43Then repeat after me.
01:04:45There's a dead man down here.
01:04:46There's a dead man down here.
01:04:47I would know it myself
01:04:47And uglier than a floor
01:04:48And we are in 1563
01:04:50That always follows
01:04:50That we are in 1563
01:04:52Sweetheart
01:04:54Let's overcome it
01:04:56Don't insist, man.
01:04:57If you already have a boyfriend
01:04:59So much armor everywhere
01:05:03And with so little light
01:05:04Viscountess?
01:05:06But what does he do with the Meccano?
01:05:07Have you hurt yourself?
01:05:08No
01:05:08If the one who has fallen
01:05:10He is the nephew of Count Ansuri
01:05:11That?
01:05:12Are you still playing like children?
01:05:13Yes, yes, playing
01:05:15They have stabbed Don Beltrán
01:05:16And it's about to come to justice
01:05:17What justice?
01:05:18A kind of police commissioner
01:05:20From the 16th century
01:05:20Well, you have fun however you want.
01:05:22But I don't see the grace in it.
01:05:23In removing the counter
01:05:24Hey, it's not here.
01:05:27That they have removed it
01:05:28That's not it, Fernandez.
01:05:29They haven't put it up yet
01:05:30You don't understand
01:05:31It will take four centuries to put it there.
01:05:33Go on, of course.
01:05:34You're right
01:05:34My goodness
01:05:36I'm starting to go crazy
01:05:37Calm down man
01:05:38I don't feel like it
01:05:39The face of Spain
01:05:40Middle-class terror
01:05:41You insist on calling houses giants
01:05:43And human beings to ghosts
01:05:44I can't stand you anymore!
01:05:45Me neither
01:05:46Neither
01:05:46You, Viscountess, have more humor.
01:05:47That a newly placed phone
01:05:49Let's see, what year is it?
01:05:50In 1963
01:05:51What more would you like?
01:05:52To put gas in all the cars?
01:05:53But if I don't pour Rocinante gasoline on it
01:05:54And I'm leaving before they tie me up again.
01:05:56Come on, Fernandez!
01:05:57We will go together
01:05:58In order to leave
01:05:59Even if it's with you
01:06:00Untouched
01:06:01We can't get out
01:06:12I was dreading it
01:06:13Too easy
01:06:14Well I assure you that this is another joke
01:06:16Joke?
01:06:17This has been a matter for the justice system
01:06:18And its people
01:06:19Come on, Fernandez
01:06:20It's already too much
01:06:21Let your friend see visions
01:06:22Happens
01:06:23But you
01:06:23Visions, huh?
01:06:25Well, we're not leaving here now.
01:06:26Without you also seeing visions
01:06:28Walking
01:06:28You'll be back soon
01:06:38I'm going to see if the Viscountess
01:06:39He goes over to our side at once.
01:06:40Walk
01:06:43Wow, what a long and open
01:06:55Any surprises?
01:06:56You'll see.
01:06:58How we all laughed
01:07:00Please, Gui
01:07:08Get it out of there
01:07:09Fernandez, for whatever you want
01:07:10Take it away
01:07:11I can't do it alone
01:07:12I weigh a lot
01:07:13And now what do you say, Viscountess?
01:07:15What year is it?
01:07:16Stop the nonsense
01:07:17And get that mouse out right away.
01:07:18I can not stand
01:07:19But what does it say?
01:07:21What does it say?
01:07:22What does it say?
01:07:22What does it say?
01:07:26This guy must be a mouse.
01:07:28We see it
01:07:29And she doesn't see it
01:07:30Followed by 1963
01:07:32Who could go with her?
01:07:37Do they remove the mouse or not?
01:07:39We have already removed it
01:07:39Check it out
01:07:41Oh, thank goodness.
01:07:46Where did they put it?
01:07:47Fernández has it in his pocket
01:07:49Yo, take it away from me
01:07:49Take it away from me, you filthy thing.
01:07:50Oh, what a pair of crazy people
01:07:52My God
01:07:52I'll see if I can find another way out.
01:07:54Poor Damian knew her.
01:07:55However, there is a dead person here.
01:07:59And that is serious
01:08:00Whatever the time we are in
01:08:02The best thing would be to take it out and...
01:08:04Fernandez!
01:08:05Don't tell me!
01:08:06That with Don Beltrán is old Damián
01:08:07That they have taken him out of the grave
01:08:09No, on the contrary
01:08:10Look
01:08:10There is nothing
01:08:13Viva!
01:08:14Gerardo, I'm going to football
01:08:15What's mine?
01:08:16Or with my mother, who is already old
01:08:17And he loves me like a son
01:08:18Even if it is with the vizoness
01:08:19If you go with her, she'll hunt you down.
01:08:20I prefer it
01:08:21I prefer it
01:08:22Why didn't you stay upstairs?
01:08:32Couldn't you wait even a minute?
01:08:38Ladies, I am Diego de Pobeda
01:08:39Justice of this region
01:08:40Excuse the hour most in service of the king
01:08:43Hey!
01:08:44Where are you going, scoundrel?
01:08:45To my house!
01:08:45Catch the fugitive!
01:08:47Grab him!
01:08:48Taxi!
01:08:48Taxi!
01:08:49Stop, you scoundrel!
01:08:52You won't escape, you nerd!
01:08:53But who could have uploaded the...
01:08:55...recites?
01:09:05What's that?
01:09:06The police of the 16th century
01:09:08Excuse me, sir.
01:09:12Do you know this man?
01:09:13Yeah
01:09:13He is my squire
01:09:14Remember that you promised me not to say anything.
01:09:21Remember, a moment ago
01:09:22Just a moment ago?
01:09:23Yes, José, it was the interval.
01:09:24The show starts again
01:09:25We are looking for a man reported for having unclean blood.
01:09:29Do you know anything, madam?
01:09:31No, I don't know anything
01:09:32We ignore everything
01:09:33Am I Don Beltrán de Enguídanos?
01:09:34No
01:09:35Your name?
01:09:36Gerardo de Figueroa
01:09:37Mister?
01:09:38And don
01:09:38In this case we will only question your servant.
01:09:41These clumsy people are often closer to the truth than their masters.
01:09:45Or he knows how to hide it, but
01:09:46Come on, come on
01:09:48What's your name, scoundrel?
01:09:51Fernandez
01:09:52And you have?
01:09:53Fear
01:09:53Years, he says
01:09:54Ah, thirty-three
01:09:55And you live?
01:09:56Yeah, it's going to happen.
01:09:57Address
01:09:58In Arguelles, in an apartment they call functional
01:09:59And I don't understand it because nothing works.
01:10:00The elevator, for example
01:10:01Let him shut up!
01:10:02Are you trying to make fun of me?
01:10:04What does all this mean?
01:10:05He gets nervous
01:10:06Interrogating nervous people is my specialty.
01:10:10We have chains
01:10:11Matics
01:10:11Others
01:10:12Stocks
01:10:12Braziers
01:10:13Dental wheels
01:10:13Shall we uncover a couple of bones for you, sir?
01:10:16We're going to get a shot, we're going to get a shot.
01:10:18Tell us, Presto
01:10:19Who is your master?
01:10:20Where do you come from?
01:10:21Where are you going?
01:10:22Answer me because I'm running out of patience and I'm ordering your tongue to be cut out.
01:10:24If I don't know anything, I'm like some kind of mental retard.
01:10:27Gerardo my master is a professor of philosophy and literature and understands these things.
01:10:29I am a sports critic
01:10:31What's that?
01:10:32A new sect?
01:10:33Something like that
01:10:34I studied to be a lawyer, like everyone else.
01:10:36When I finished the race my father told me
01:10:37Well, you're a lawyer now.
01:10:39Now let's see what you eat.
01:10:41And then you tell me that, that bothers you so much.
01:10:42Hey?
01:10:43Take him away and cut out his tongue.
01:10:45Then we will continue the interrogation
01:10:46Let's see if you keep quiet.
01:10:48Oh, what a son of a bitch he's got!
01:10:50Let's go!
01:10:50Wait a minute, wait a minute, I'll explain everything.
01:10:52One moment
01:10:52This man and I are the impossible
01:10:55What is possible?
01:10:56How can the impossible be possible?
01:10:59Well it is, even if it is impossible.
01:11:00Neither of them can explain it.
01:11:02Because neither of them has been born yet
01:11:05Hey?
01:11:06Do you understand?
01:11:07No, not a word
01:11:08How nice to hear from you!
01:11:10There is already a sensible person here
01:11:12Don't touch me
01:11:13Excuse me
01:11:14As a child he suffered from fevers that left him feeling like a fool.
01:11:16Yes, it can be
01:11:17But in that case, you answer.
01:11:19The man I'm looking for is on the run because of a death
01:11:21Is it possible?
01:11:22Yes, in the arches of El Toboso he killed an old Christian
01:11:25And he locked him in a falcon
01:11:26Like that
01:11:28It must be the custom
01:11:30Can it be proven?
01:11:31Man
01:11:32What is this about trying on?
01:11:35First, the arrued is put on and the bones are disjointed.
01:11:37Well, if you had to try everything
01:11:39Also, he's Jewish.
01:11:41Jews are people like you and me.
01:11:44Our emperor's grandfather expelled them from these kingdoms
01:11:47Because I owed them money
01:11:48How are you?
01:11:49And he declared what his daughter Juana was supposed to do in order to govern.
01:11:51Who says so?
01:11:52Ortega y Gasset
01:11:53I'll have them arrested
01:11:55We will see if, when skillfully questioned, they dare to support these theories.
01:11:59It's not two, just one.
01:12:01And he has not yet been born
01:12:02He is more than three centuries away from being born
01:12:04Ah, are you a fortune teller?
01:12:07Well, here the magicians are arrested.
01:12:09You set everyone on fire
01:12:10What do you have to do to walk freely?
01:12:12For now, being Portuguese
01:12:14I'm going to search room by room.
01:12:17Perhaps you turn out to be the Jew we are looking for.
01:12:20Come, sir, I beg you.
01:12:21And I in turn beg you not to hinder me.
01:12:24Come on, let's search!
01:12:25Some of those little novels of chivalry
01:12:38What a plague!
01:12:41The damage they are doing to youth
01:12:43What's there?
01:12:48Where?
01:12:49There
01:12:49Nothing
01:12:51Get out of here
01:12:53Out, I said
01:12:54We couldn't speak to the director general of security.
01:13:01He is a friend of home
01:13:02Street, man
01:13:02How ugly
01:13:09What an ugly dead man you have.
01:13:27Is this Don Beltrán?
01:13:30You called me?
01:13:31I heard my name pronounced
01:13:32Who are you?
01:13:33Don Beltrán de Enguídatos
01:13:35Take a look at this chest
01:13:37Good heavens, how horrible!
01:13:39Do you know him?
01:13:40Certainly
01:13:40It's an old friend whose visit I kept
01:13:43Don Gerardo de Figueroa
01:13:44And those?
01:13:46It's the first time I've seen them.
01:13:47What face does he have?
01:13:48Ah, everything is understood
01:13:50Your name is Pedro Afán
01:13:51And you are the fugitive Jew
01:13:53Walking
01:13:54I'm staying
01:13:55We'll have to clean this up a bit.
01:13:56That man is lying
01:13:58It was he who killed Don Beltrán
01:14:00I swear to you
01:14:00Save your oath!
01:14:02Come on, hurry up!
01:14:06Have you heard?
01:14:07Walking I said
01:14:08We can burn them in the pits
01:14:10This is how we save time
01:14:11But why are they going to burn me?
01:14:12For serving a Jew
01:14:14For me this guy is nacho
01:14:15If you want to go down into the pit faster
01:14:16Take the steps
01:14:17The staircase
01:14:18How do you return to the 20th century?
01:14:20I wish I knew
01:14:21There you have it
01:14:21For playing with numbers
01:14:22Don't resist!
01:14:23Come on, come on
01:14:23Have you noticed what Ducine said?
01:14:28Yes, not to give you, Cora
01:14:29It was a sign for us to know
01:14:30Where to escape
01:14:31When you reach the bend you bend down
01:14:32So that?
01:14:33I'll push them and they'll fall on you
01:14:34Your father lives today
01:14:35Because?
01:14:36So that he would bend down
01:14:37Long live the saint!
01:14:47What a barbarity!
01:14:48What a blanket of frightening slaps!
01:14:50The bald man was screaming
01:14:51That's already a lot of justice!
01:14:52Not one will be left alive!
01:14:53Casting is needed!
01:15:05Oh, saved!
01:15:06Thank you, my God
01:15:07Peaceful
01:15:08I have given a flashlight to justice
01:15:10That he will be sleeping for two years
01:15:11Oh!
01:15:11Have you given it to your squire?
01:15:14Clear
01:15:15No wonder he yelled at me
01:15:16What has baffled you?
01:15:18The change of slope!
01:15:20Why have you come back?
01:15:23For you, Ducine
01:15:24Your life is in danger
01:15:25What does my life matter?
01:15:27Let's run away together
01:15:28You are hurt
01:15:29Let me wash that scratch
01:15:30It's on the face
01:15:31And there must be no sign left for you
01:15:33Ducine
01:15:33Come on!
01:15:38Come on!
01:15:40Come on!
01:15:41Come on!
01:15:41Come on!
01:15:42Come on!
01:15:43Come on!
01:15:44Come on!
01:15:45Come on!
01:15:46Come on!
01:15:48Come on!
01:15:50Come on!
01:15:52Come on!
01:15:54Come on!
01:16:24Poor gentleman
01:16:37Battered by me
01:16:38And I still don't understand why
01:16:39Defender of lost causes
01:16:41Because I love you, Ducine
01:16:42Because I have always loved you
01:16:45Since I saw you
01:16:46In many years
01:16:48I adore your femininity
01:16:49Your crying
01:16:50Your laughter
01:16:51Your way of being
01:16:52I love adventure
01:16:55That you are
01:16:55You are inside me
01:16:57As a thing of mine
01:16:58Like my heart
01:16:59Like my veins
01:17:00Everything I've done in life
01:17:02I did it for you
01:17:03Almost without knowing it
01:17:04Until I saw your portrait
01:17:06And I understood many things
01:17:08You are more than my life
01:17:10What they don't let me live
01:17:12What I have always dreamed of living
01:17:14Gerardo
01:17:14Gerardo
01:17:15Forgive me
01:17:22You already have your love
01:17:25Allow me to congratulate you.
01:17:26It is difficult to circumvent justice
01:17:29You know how to do it
01:17:30And me too
01:17:31As?
01:17:33Everything was planned
01:17:33Although I recognize that you were ahead of my plans
01:17:35Justice walks all around
01:17:39With twenty of his squad members
01:17:40At dawn I will flee
01:17:42Without her
01:17:42Do you renounce his love?
01:17:45He's my brother
01:17:46The Jew they are looking for
01:17:47His name is not Pedro Afán
01:17:48But Alvaro de Rivera
01:17:49If I killed in the arches of Toboso
01:17:51It was in self-defense
01:17:52And here to save me
01:17:54To both
01:17:55We will make the species run
01:17:56That Don Beltrán
01:17:57He killed his wife
01:17:58Throwing her out the window
01:17:59And then he ran away
01:17:59To better certify it
01:18:01We will dig a grave in the pit
01:18:02So you will be free
01:18:04To leave together
01:18:05Then
01:18:06The tomb was empty
01:18:08Do you mean?
01:18:10It will be
01:18:10Yes of course
01:18:13She loves you
01:18:15Don't you care about their race?
01:18:19I only care about her
01:18:20So love her always
01:18:22As she deserves
01:18:23Don't move from here
01:18:25Until I come for you
01:18:26We must make sure
01:18:27That you are not in any danger
01:18:28Gerardo
01:18:45Where are you?
01:18:48More rays
01:18:48It breaks you
01:18:49If this had to end
01:18:54As usual
01:18:55I'm collecting
01:18:56And now alone
01:18:57Something
01:18:58Without knowing
01:18:59How to return to the 20th century
01:19:00Gerardo
01:19:02Viscountess
01:19:03Viscountess
01:19:05Viscountess
01:19:06How uncomfortable that chest is
01:19:13I have also stayed
01:19:31No tobacco
01:19:32Hey you
01:19:33Do you have a whistle?
01:19:36Yes sir
01:19:37What is the crazy fool?
01:19:44What is the crazy fool?
01:19:50Hey you
01:19:50My goodness
01:19:51But
01:19:53What happened here?
01:19:53That he has had a fit
01:19:54That he has had a fit
01:19:55This one scared him to death.
01:19:56I know he was one of us
01:19:57There is no man
01:19:58Well, get out of here.
01:19:58Before he comes to
01:19:59Poor Fernandez
01:20:01My poor thing
01:20:02What have they done to you?
01:20:03It was the dead one
01:20:06He asked me for tobacco
01:20:07Of course, the one who has the vice
01:20:09You are a Viscountess
01:20:11Of course, Fernandez
01:20:12It's me
01:20:13Oh, what a joy!
01:20:14It even smells like gasoline.
01:20:15Saved, saved
01:20:16Crazy, we have returned the poor gentleman
01:20:19And with the blows they gave him on the stairs
01:20:21And come to shout
01:20:22It's already a lot of justice
01:20:23It's already a lot of justice
01:20:24I thought you were referring to health insurance.
01:20:26Well, you can go now.
01:20:27The bus is downstairs
01:20:28At the foot of the hill
01:20:29Satisfied?
01:20:30Yes, what more could I wish for?
01:20:32He has declared himself to me
01:20:32You don't know what a husband's love is.
01:20:35God forbid
01:20:36Come on, come on
01:20:40Hey, we have to cover up, girls.
01:20:41Yes, no, no, no
01:20:42The points
01:21:02And 50% extra
01:21:05Extra exhibitors and night shift
01:21:07Listen, it will be 100%
01:21:09That we have already entered a holiday
01:21:10And suquitos no
01:21:11That midnight has not really struck
01:21:14It's about to fall on me
01:21:15Falling
01:21:16The botched job didn't turn out badly.
01:21:27I would like to know the end of the story
01:21:29That's already counted, Soña.
01:21:32It was all fake, Fernandez
01:21:37Look, the water pipes pass through there.
01:21:39And now I'm going to show you how we made lightning.
01:21:42What thing
01:21:42It has not walked
01:21:46yam
01:21:47The
01:21:50The
01:21:55The
01:21:56Thank you!
01:22:12Gerardo.
01:22:13Marcela.
01:22:14I mean Dulcinea.
01:22:16Do you know yet?
01:22:17Yeah.
01:22:18How much do you love me?
01:22:19I would like to explain.
01:22:20There is only one thing unexplained.
01:22:23Come.
01:22:26The bell.
01:22:39Do you hear her?
01:22:41We both heard it.
01:22:44This is a real mystery.
01:22:45And we're going to find out together.
01:22:56Thank you!
01:22:58Thank you!
01:22:59Thank you!
01:23:00Thank you!
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