- 16 giờ trước
The Repair Shop - Season 15 Episode 4
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05:00This is incredible
05:14I'm slightly worried because I've got to design and make a complete new mechanism underneath
05:24That's going to drive everything
05:27I've got to turn that motion of turning the handle to raise and lower the cages
05:34Yeah, there's a lot to think about here actually
05:37As Steve minds his imagination, Will Kirk is awaiting the arrival of Sarah Kelly and her daughter Laura
05:52They've come from Belfast with an heirloom that inspired a family vocation
06:01Hi there. Hello. Welcome to the barn. Thank you very much
06:06Now this is lovely. Thank you. This is a writing box, right?
06:11It is. As far as I know, it's a Victorian writing box
06:13So these panels sort of sit like that
06:16That's right
06:17And then this is the surface that you write your letters on
06:20Yeah, that's right
06:20It belonged to my grandmother
06:24She was given it by what had been her fiancé I think at the time, my grandfather
06:29I know he gave it to her before they were married
06:32Because he put her name on it
06:34So Dolly McCormick was my grandmother
06:37My grandmother died in 59
06:40My mum had it all her life until she died
06:43And she died in 1993
06:44Was your mum quite a writer then?
06:47Yeah, my mum was known as Kay Kennedy
06:49She left school when she was only 14
06:51Went on to become a journalist
06:53Really just through force of character
06:57Which sums my mum up
06:59And then she worked her way up
07:02To becoming an editor of one of the papers called The Ulster Star
07:07And she was one of the first woman editors in Northern Ireland
07:12Which I'm very proud of
07:14That's amazing
07:15It was amazing
07:16And she was quite an exceptional woman
07:19Yeah
07:19She did very hard-hitting news stories
07:22At a difficult time in Northern Ireland
07:25She was right on the front doing that
07:27But she also met all sorts of celebrities
07:30Did she?
07:31She got to know Johnny Cash quite well
07:33Yeah
07:34Roger Moore
07:35The Beatles
07:37The Rolling Stones
07:39The Bee Gees
07:40You name it
07:41She was well-respected
07:42Yeah
07:43And well-admired
07:44What she achieved
07:45For a woman with very little formal education
07:48Who just really had a love of words
07:51Granny really was a trailblazer
07:54And so it's really important for me to say that
07:56And to talk about Kay Kennedy
07:58Because she broke so many boundaries
08:00I'm a journalist
08:03Because my grandmother was a journalist
08:04She would have brought me into the offices
08:06Whenever I was like a toddler
08:08My grandmother was definitely my hero
08:10Being the writing box
08:12It's all about that link to the craft of words
08:14And to, you know, to telling those stories
08:17But in its current condition
08:18It doesn't really do justice
08:19Exactly
08:20Yeah, I mean, it's a bit of a sad wreck
08:22At the moment
08:22And it would be really nice
08:24If it's not quite so sad
08:26Yeah
08:26Looking
08:26The fact that it's a writing box
08:29And writing is so important in our family
08:31This sort of encapsulates that
08:34You know, linking back through all of those generations
08:37Of, you know, my family
08:39And the women in my family
08:40Keeps that legacy alive
08:42Yeah
08:43I'm going to take very good care of this
08:45And get it worthy of a journalist again
08:47Thank you so much
08:49I'll see you very soon
08:50Thank you
08:50Bye
08:51Bye
08:51Bye
08:51Bye
08:52I've got to devise a mechanism
09:06That make the cages go up and down
09:09Alternately like this
09:10Oh God, that's complicated, isn't it?
09:13The thought about rack and pinion
09:15And I don't know what your mind would come up with
09:17Because you're very mechanical
09:19I'd go with cams
09:20But again, it's distances, travelling
09:24And all this sort of thing, yeah
09:26Now this is a great box
09:38It's a real shame that this is in the condition that it's in
09:41It doesn't really reflect Kay's work
09:43And she sounded like a real powerhouse
09:45In the world of journalism
09:47You've got two compartments
09:48One at the top, one at the bottom
09:49And it would have been held together by
09:51Sort of one piece of leather on the inside
09:54But I'm hoping Chris can have a look at that
09:56This box gives you the illusion that it's made out of solid walnut
10:02There's actually pine on the core on the inside
10:04And a very thin amount of wood will be veneered onto the surface
10:09When it gets damaged around the edges, it looks not very nice
10:13I'm going to start off by removing the surface dirt and residue
10:16The solution is made up of a bit of turps, a bit of meth, and a few other ingredients
10:26Well, it's cleaning up really well
10:31Once I've finished the other side of the box, then I can start on the repairs
10:35While Lucia begins restoring the paintwork of the model mine
10:55The thing with acrylic paints, you have to move really quickly
10:58Because they dry really quickly
10:59Steve has been racking his brains
11:03On how to create the missing mechanics
11:06I think I've now come up with a plan of how to drive all of the mine
11:13And I've split it into two different sections
11:15I've got this crank arm that I've made
11:18Will have various pulleys on
11:21And that's going to drive the grinding wheel, saw bench and the air pump as well
11:28The tricky bit then comes in stage two
11:31For the lifts and cages
11:33To start with, what I'm going to do is just fit the pulleys onto this shaft
11:39Which is the same sort of pulley as I see used in my construction set when I was a kid
11:46So I just need to now pop the pulley belt into place
11:51And I've got a mirror in there just to help me see what I'm doing
11:55Otherwise I'm just feeling in the dark a bit
11:58Good, it's gone on really well
12:06Let's see if it works
12:07Brilliant
12:12I'm really chuffed with that
12:26All working absolutely as it should do
12:29But that is the simple part of this repair
12:34I've now got to turn my attention to getting the lifts to work
12:38I'm now working on the part of the mechanism that will drive the winding wheels to lift
13:06The cage is up and down
13:08One of the things that makes this mechanism not straightforward
13:11Is that I'm turning a sort of radial movement into an up and down movement
13:18I'm just going to make this crank arm
13:22If someone turns the handle
13:52The crank handle turns this little wheel here
13:54Which then turns this big wheel
13:58And moves the rack one way or the other
14:01And I'm really hoping that my final calculations are correct
14:06So that there's the right amount of up and down movement for the cages
14:11If not
14:13Then I'm in the spot of bother I think
14:17Did you ever have a favourite toy as a kid?
14:26I have a little pig, he's called Porky
14:29Oh, Porky Pig
14:30And he had a little girlfriend called Porket
14:32Oh, I love that
14:34Here to see plastics and toy restorer Charlotte Abbott
14:39Is Jackie Harris from Barrow & Furness
14:42With her beloved family treasure
14:44Hello
14:46Hello
14:46So who do we have here?
14:51This is Rosebud
14:51She belonged to my mum
14:53She's about 75 years old, we think
14:55And given to my mum when she first went to live with her adoptive parents
15:00Gosh
15:01What was your mum's name?
15:02My mum was called Myra
15:03She died in 2016
15:05So nearly nine years ago
15:06My mum lost her dad when she was about seven
15:09And then her mum when she was about nine
15:12Her mum had a brain tumour
15:14And knew that she was really poorly
15:16So she tried to find a home for all the nine children
15:19Before she died
15:20Oh my goodness
15:21Nine?
15:23Yeah
15:24Seven of the children went to live in Ireland
15:25With an aunt there
15:27And then my mum and my mum's sister, my auntie Mary
15:29Lived in Barrow with families that she knew that could look after them
15:34Wow
15:35So overnight my mum lost her mum, her siblings and her home
15:40That is just tragic, isn't it?
15:42It is really tragic, yeah
15:44Wow
15:45I mean she'd never met the family before
15:47Yeah
15:48Before she went to live with them
15:49But I also know that she was loved there
15:52Yeah
15:52And she was happy there
15:53So my mum was really, really lucky to have that family
15:56She was looked after like their own, yeah
15:59And what were her parents like?
16:01So your grandparents, what were they like?
16:03Yeah, Violet and Walter, they were lovely
16:04They just loved my mum
16:06Yeah
16:06And obviously they wanted to get a doll
16:09Yeah
16:09It's a lovely welcome gift, really
16:12She'd never had a doll before
16:14Oh
16:14So she really treasured Rosebud
16:17Yeah
16:18For her whole life, obviously
16:20Oh yeah, she did, yeah
16:21And when she was really poorly, the week before she died
16:23She just asked that me and my sister would look after Rosebud for her
16:25Oh, wow
16:26So
16:27What was Myra like as a mum?
16:29She was a really loving mum
16:30It was a lovely family home that my mum created
16:33Really because she'd lost her own
16:35And we were her world, yeah
16:36My dad and my sister and me, yeah
16:38Best mum ever, yeah
16:39Oh, that is lovely
16:40What do you think when you look at Rosebud?
16:43Oh, I think of my mum straight away
16:44Do you?
16:45Absolutely, yeah
16:46She was a real support for my mum
16:48And she always used to sleep with her
16:50And even when she got married, she took her to a new home with my dad
16:54And then she just sat on this little wicker chair in my mum and dad's bedroom
16:57And that's where she's sat since I've known her
17:00I mean, I know she's been loved so much that she's fallen apart
17:04Yeah
17:05Has she always been in this condition as you can remember?
17:07As long as I can remember, yeah, I've never known her with any legs
17:10And my dad was married to a mum in 1965
17:13And he said that she never had legs then either
17:17What would you like me to do?
17:19Legs, hopefully, would be a really wonderful thing to have back
17:23A head, secure as well
17:26The head's been taped on
17:27All her hair's quite matted and there's not much hair
17:30I'd love to see how my mum had first received her
17:34But she's still got a gorgeous face
17:36She does
17:36She's still got a rosebud lips
17:37She's got a rosebud lips
17:38Yeah, which is how she got her name from her rosebud lips
17:40Oh
17:41And the lovely blue eyes
17:43And what's the plan for Rosebud if she's restored?
17:45Well, she'll go back to my dad's little wicker chair in his bedroom
17:48And then she'll get passed on through the generations as a family heirloom
17:53And the story will be told
17:55Rosebud is in very safe hands
17:58I know you'll take really good care of her
17:59Thank you
18:00Thanks for looking after her
18:02No worries
18:02Thank you
18:03Bye
18:03Bye
18:04You can tell that she's been wearing something that's been sleeveless
18:22Because her body is this lovely shade of peach
18:25Whereas her arms have faded quite substantially
18:27So it would be nice to get her colour back to how she was
18:30God bless her, she's lost most of her hair as well
18:34What is left is pretty matted
18:37I need to make her a new wig
18:39That is going to be the hard bit
18:45It's just making two completely brand new legs
18:47I don't know what they looked like
18:49But I think before I tackle this
18:51I'm just going to start taking her apart
18:54So I can see how much repair is needed
18:56The safe is really stuck
19:04I'm inclined to think that it is a ceramic composition
19:13I'm going to start rebuilding this missing piece
19:34As Charlotte works on Rosebud's broken body
19:38Will's already stripped the writer's box back to its bare bones
19:42It might look quite dull at the moment
19:45But once I've finished all my woodwork
19:47I'm going to spruce it up with some French polish
19:49The cleaning has really brought up the areas of damaged veneer
19:53My plan is to remove the damaged areas
19:56And replace them with a fresh section of veneer
19:59This is actually off in the old writing box as well
20:02I always keep spare bits of veneer in case I need them
20:05It's time for me to remove this old glue
20:08And old bits of wood
20:10Easily with this very small chisel here
20:12That's why I have so many different chisels
20:14Because they all have a purpose
20:16I'm going to start off by cutting
20:19A bit of a curved shape
20:21To blend in well with the grain and the pattern in the wood
20:24You want it to sort of end up blending in with the surrounding area
20:28You don't want it to stick out like a sore thumb
20:29That is a really good fit
20:32Right, all I need to do now
20:35Is cut that section out
20:37And stick it on the box
20:38Well that's now glued in place
20:58I'm going to let that fully dry
21:00Once it has, I can trim off the excess veneer
21:02And move on to the next patch
21:04And that looks perfect to me
21:22The only thing that doesn't look perfect at the moment
21:24Is the leather
21:25So I'm going to speak to Chris and see if he can help
21:27Hey Chris
21:34Oh my goodness
21:35Slight bit of damage there
21:37To say the least
21:38No, it's really important to keep as much of this leather as possible
21:41Because that's where the history is
21:43That tooling is absolutely lovely
21:45Do you think you could try to replicate that?
21:49I'll give it a go
21:50Brilliant
21:50Thanks for that mate
21:51Thank you
21:51Thank you
21:52Thank you
21:52Thank you
21:53Thank you
21:54Thank you
21:58Lucia is applying her fine art finesse
22:00Bringing a miner's miniature world back to life
22:04Steve's done a great job making these cages
22:08That go up and down
22:09And through the hole in the floor of the model
22:11And now it's my responsibility
22:13To make them look original old parts
22:17I'm happy with the colour match
22:21It's just the actual surface finish
22:23It just needs a bit more distressing
22:25Might get a hammer and bash it a bit
22:27Horrify Steve
22:30It's good
22:34I've sketched out the dimensions
22:46Of what I think Rosebud's leg
22:48Would have roughly looked like
22:50Having seen a lot of dolls over the years
22:52You start to get a sense
22:54For how they probably would have looked
22:55The next stage in this
22:57Is I'm going to make a framework
22:58Out of wire mesh
22:59And this allows me to make Rosebud's leg
23:02Quite hollow and nice and light
23:04Like her arms and her torso are
23:06It does seem to be perfect shape
23:09It's just a rough template
23:11So this is a two-part epoxy putty
23:18You get the two equal parts of it mixed together
23:23And after a couple of hours they go hard
23:25So the first layer is going to just cover everything
23:30And then the next layer I can go in
23:32And sculpt all the nicer details
23:34I'm going to use this doll
23:37As like a point that I can push against
23:40When I was younger I used to love playing with clay
23:49I would
23:50I really like making food
23:52So I'd make like three course meals out of clay
23:54I'd like roll loads of little peas
23:56And I'd make little pasties
23:58I've always been into sculpting
24:01And making things like this
24:02I'm going to use this doll
24:04I'm going to use this doll
24:05I'm going to use this doll
24:06I'm going to use this doll
24:07I'm going to use this doll
24:08I'm going to use this doll
24:09I'm going to use this doll
24:10I'm going to use this doll
24:11I'm going to use this doll
24:12I'm going to use this doll
24:13I'm going to use this doll
24:14I'm going to use this doll
24:15I'm going to use this doll
24:16I'm going to use this doll
24:17I'm going to use this doll
24:18I'm going to use this doll
24:19I'm going to use this doll
24:20I'm going to use this doll
24:21I'm going to use this doll
24:22I'm going to use this doll
24:23I'm going to use this doll
24:24I'm going to use this doll
24:25I'm going to use this doll
24:26I'm going to use this doll
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30:50Các bạn có thể nhìn thấy những gì đó đã có thể nhìn thấy những gì đó đã có thể nhìn thấy.
30:56Và, chứa bất chắc, nó sẽ không thể nhìn thấy.
30:59Tôi đã thích làm được hết tất cả.
31:03Tại vì đã tìm ra khỏi tất cả,
31:06những gì tôi nghĩ John's grandfather có thể nhìn thấy.
31:20I'm just going to connect one of the lines up to see whether it all works and lifts one of the cages
31:30It's coming up all right, that's going down there
31:40Oh that's really good
31:44That's working absolutely true
31:47Everything is working exactly as it should do
31:52I just need to get the other three cages in place now
31:56And yeah I can play with it a bit longer then
32:00Once the prize exhibit in a mining museum
32:09This detailed model of a working pit had fallen into disrepair
32:14And the internal mechanism had been lost
32:17For John, the model is a reminder of his enduring connection to the tradition of mining
32:25But most poignantly, to his grandfather who crafted it
32:30Hello John
32:32Hello, I wonder what you've got in there
32:34How are you feeling about being here today John?
32:38I'm excited really
32:40And I'm looking forward to what Stephen has worked his magic on
32:45Have you done any magic Steve?
32:47Have you done some magic as well?
32:52What are you hoping to see?
32:54If I get them things working there
32:56It'll come to life again then, you know
32:59And what will that mean to you?
33:02It mean the world
33:03Yeah, it'll be in the world to me
33:06Would you like to see it?
33:09Oh yes please sir
33:10Oh my god
33:29Steve
33:36Steve
33:36Steve
33:39Steve
33:39Steve
33:39Steve
33:39Thank you all of our
33:40Oh we'll not take a gallon
33:41Which is well as well
33:43Thank you very much
33:45From the bottom of my heart
33:46Absolutely praise
33:49Oh my god
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42:09Once I remove as much of the residue as possible, then I will start preparing the drawing for washing
42:23I am washing the Humber Bridge drawing.
42:53It's so yellow and so discolored.
42:56It might look quite scary that I'm introducing water to paper, but paper is surprisingly strong
43:04if it's not handled too much and should allow any discoloration to be absorbed through it
43:10and allow the drawing to start cleaning.
43:16Well, I think this is already a really, really good sign that the blotting paper is starting to work
43:21and it's allowing the discoloration to come through.
43:24I've got to paint quite a lot of limbs so I'm gonna make quite a lot of paint.
43:42Making this kind of flesh tone is mainly a balance between red and yellow.
43:48Sometimes with a little bit of blue to kind of cool it down.
43:52And matching to her face because, well that's the bit of rosebud that Jackie remembers.
43:58So it makes sense that the rest of it would be the same colour as well.
44:01Chris and Will are rewriting the future of a writer's box that once belonged to Kay Kennedy,
44:19one of Northern Ireland's pioneering female newspaper editors.
44:25I'm now applying a really thin coat of shellac polish to show off that beautiful walnut.
44:32And I'm also going to add an extra little touch so Kay's name lives on in the box.
44:42The once tattered and battered writer's box has inspired four generations of women.
44:49From original owner Dolly through trailblazing reporter Kay Kennedy
44:54to Sarah and journalist daughter Laura, this box continues to inspire.
45:03Hi there, come in, come in.
45:05Hello.
45:06Lovely to see you both again.
45:07It's lovely to see you too.
45:09Kay was a very important lady in both your lives.
45:11Yeah.
45:11She was an absolute trailblazer and she deserves to be remembered with the kind of reverence
45:18that, you know, that she deserved and she earned in her lifetime.
45:22Are you ready to take a look?
45:23I think so.
45:24Yeah.
45:25Okay, here we go.
45:29Oh, my goodness.
45:30Oh, it's beautiful, Will.
45:36It's absolutely beautiful.
45:40I want to get it open.
45:41I'm like, yeah, let me in.
45:42I'm going to let you open it.
45:44Okay, here we go.
45:47Oh.
45:48Oh, wow.
45:52Absolutely gorgeous.
45:54Absolutely beautiful.
45:54This is the original, isn't it?
45:56Uh-huh.
45:56It looks like it's healed itself, doesn't it?
46:00I cannot take all the credit.
46:02Chris, our bookbinder, he's actually retained the original surface, but he's somehow managed
46:08to, as you say, heal the join line.
46:11It's really beautiful.
46:12It's such a lovely tribute.
46:15Well, I know that as people pass away, keeping their name going, it's important for you.
46:19Yeah.
46:19Oh, that's lovely.
46:28Oh, that's so lovely.
46:30Oh, that was so thoughtful.
46:32Well, as you know, I was like, say her name, say her name.
46:35And there she is, Kay Kennedy, and she's so important.
46:38And that's just such a beautiful way of honouring her.
46:42It's been great to be able to keep Kay's name alive.
46:45Thank you.
46:46Thank you so much, Will.
46:47It's a pleasure.
46:47Right, it's over to you.
46:48Absolutely beautiful.
46:51Thank you.
46:52Thank you so much.
46:53Bye-bye.
46:54Bye.
46:59I'm feeling very happy.
47:01I'm feeling proud of my family, both past and present.
47:05It's important that people should know who Kay Kennedy was.
47:09She was right there in the forefront, as well as covering some of the hardest times in Northern
47:14Irish history, and I think that we should honour powerful Irish women, and for there to be
47:20one of those in my family, I've got to champion her name and keep that flame alive.
47:25With the Humber Bridge plans now clean and bright, Angelina can tackle the tears.
47:50I am using wheat starch paste.
47:52I am using wheat starch paste.
47:54It has really good age properties.
47:56It will not discolour and it will not break down over the years.
48:00This repair tissue has very, very long fibres and it makes it extra strong.
48:15And I will just trace the shape of the repair with my water pen.
48:28So all I need to do is just apply it on.
48:34Beautiful.
48:35Beautiful.
48:35Don't worry, I'm not making breakfast.
48:56I just finished with the support of all of the tears and all of the losses, and now I'm
49:01thinking the best way to do my infills.
49:03Because cellulose powder is like powdered paper, that when it's mixed with some methicellulose
49:11or an adhesive, it creates a paste and it will effectively dry just like paper.
49:18However, this is so white right now.
49:20And if I want to avoid retouching too much, I think the best way to do it is toast it.
49:27Toasting the cellulose will help it become a little bit browner.
49:32It's pretty much like toasting bread.
49:36This is starting to get brown now.
49:38This is lovely.
49:40All I need to do is just allow it for a few minutes to cool and then mix it with my methyl
49:44cellulose and apply it on my losses.
49:47This is very exciting.
49:48It looks a little bit darker, but as it dries, it should lighten up.
50:01What I need to do is just continue working my way through all of the rest of the losses,
50:06and then hopefully at the end we will have a much more unified image of the Hummer Bridge.
50:11With Rosebud's head, shoulders, knees and toes all painstakingly restored,
50:38and Charlotte's ready to bring her back to life.
50:42I've got this really long string of elastic, really nice and boingy.
50:46The tension all looks great inside, but I think the final test is, can she sit up?
51:04Oh, well, she can.
51:06Just getting her back together again is amazing.
51:08Yeah, to be honest, I'm a bit overwhelmed myself.
51:12Jackie has never seen Rosebud in one piece,
51:15and it's just going to be so wonderful for her to experience Rosebud like her mum did.
51:19I need to fit her a wig, and then I'll dress her in some kind of period-appropriate clothing.
51:24Rosebud was gifted to nine-year-old orphan Myra by her newly adoptive parents over 75 years ago.
51:44Hoping to see her mother's childhood companion whole again,
51:49Jackie is back, accompanied by her dad, Ron.
51:54Hello.
51:56Hello.
51:57Hi.
51:59Lovely to meet you.
52:01How are you feeling?
52:02Excited.
52:03Yeah, emotional.
52:04Yes.
52:05She sits in a wicker chair in our bedroom next to Teddy, and Teddy's lonely.
52:10Aww.
52:11Yeah.
52:12So what are you hoping that I've done?
52:14Giving her her legs back.
52:16That would be a big thing for me.
52:18And just to see how my mum first saw her on the day that she was given to her.
52:23Are you ready?
52:24Shall we do her?
52:25Please.
52:26Yeah.
52:32Oh.
52:33Oh.
52:35Oh.
52:40Hard to recognise her.
52:42Oh, my God.
52:43Oh, she's amazing.
52:45Look at her hair.
52:47Oh, yeah.
52:47Oh, look at her dad.
52:50Look at her feet.
52:52Yeah, Alexa.
52:54And she's sitting up like we've never seen her sitting up.
52:58Oh.
53:00Oh, look at her dad.
53:01Yeah.
53:02Oh, she can move her legs and everything.
53:05How did you do that?
53:07You are so clever.
53:08Yeah, I am.
53:09Yeah.
53:12Holding Rosebud now, what's going through your mind?
53:15My mum holding her.
53:17Yeah, just my mum's face when she first saw her and just how she was comforted by her, didn't she?
53:23Oh, my mum would be absolutely over the moon, Charlotte.
53:26Thank you.
53:26I wish she was here.
53:29Oh, yeah.
53:31She looks brilliant, doesn't she, dad?
53:32She's got a million dollars.
53:35Honestly, thank you, Charlotte.
53:44Rosebud symbolises my mum's and family's story that we just want to be able to pass on and tell forever.
53:52And now we can do that, now we've got Rosebud in one piece.
53:56Myra would never have expected to see a hole again.
54:01So today is quite a big day, which, you know, I find quite touching.
54:08Yeah.
54:17The Humber Crossing drawing is no study, but the repairs have left some gaps to bridge.
54:23I'm going super, super soft with a pencil because I don't want it to be a very, very distinct and sharp line.
54:35There we go, first line in.
54:36Tilly is incredibly proud of her grandfather.
54:41So now the drawing has been conserved and treated.
54:45The family will be able to appreciate it without having to take a trip up to Hall to just see the real thing.
54:51The Humber Bridge may have been a triumph of British engineering, built to last, but these original plans were showing all of their 95 years.
55:07For Tilly, the drawing is a reminder of her grandfather, his achievements, and the proud family legacy they still celebrate generations later.
55:32Hello.
55:34Hi again.
55:35Welcome back.
55:35Hi.
55:36Good to see you.
55:37Have you been excited to come back?
55:39Yeah, I have.
55:40I'm so intrigued to see how it's looking now.
55:43We really cherish the memory of my grandfather.
55:47It's just part of the whole story of how the Humber Bridge came to be, and it's something we're so proud of as a family.
55:53Would you like to see what I've done to it then?
55:55Love to.
55:56All right.
55:56What do you think of when you look at the drawing?
56:26To build a bridge, it blows my mind, and, you know, it's still standing.
56:30How incredible is that to have achieved this, and that's always been a real source of inspiration.
56:36My parents will be over the moon to see it.
56:40Thank you so much.
56:41Like, this means so much to us, so thank you for all your work on it.
56:45Let me give you a hand.
56:48Let's go.
56:50Okay.
56:50I'm feeling so impressed with the final outcome.
56:57It's really nice to have another connection to my grandfather.
57:00It can continue to be appreciated by our family.
57:04It'll stay part of that pride that we have in the bridge.
57:08If you have a treasured possession that's seen better days, and you think the team can help,
57:21please get in touch at bbc.co.uk slash techpart, and join us in the repair shop.
57:29We'll see you next time.
57:59Bye.
58:00Bye.
58:01Bye.
58:02Bye.
58:03Bye.
58:04Bye.
58:05Bye.
58:06Bye.
58:07Bye.
58:08Bye.
58:09Bye.
58:10Bye.
58:11Bye.
58:12Bye.
58:13Bye.
58:14Bye.
58:15Bye.
58:16Bye.
58:17Bye.
58:18Bye.
58:19Bye.
58:20Bye.
58:21Bye.
58:22Bye.
58:23Bye.
58:24Bye.
58:25Bye.
58:26Bye.
58:27Bye.
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