Island at War (2004) Season 1 Episode 6

Reality Insight Hub

Island at War (2004) Season 1 Episode 6  #IslandatWar #RealityInsightHub   🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️ 👉 Official Channel: https://www.dailymotion.com/TrailerBolt 👉 THANK YOU ❤️❤️❤️❤️❤️

Transcript

00:01:34Everybody, take it off, take it off, cries a voice from the rear. Take it off, take it off, soon it's all you can hear. But she's always a lady even in pantomime.

00:02:04You've got bloody tar and feathers, jerry bag. What else do you do with them? And how many a night?

00:02:14This is you. This is your fault. Why didn't he throw it at you?

00:02:29This is your fault.

00:02:33You have to pay for it.

00:02:35You! Where are you taking him?

00:02:38Feldpolizei, barracks prison.

00:02:44You have a choice. The Feldpolizei, two months in prison, maybe deportation. Or you can take your chance with me.

00:02:52And who are you?

00:02:53The young lady you attacked is a friend of mine.

00:02:55A friend of you all. We've seen her in action.

00:02:58I don't think we'll bother the polizei.

00:03:04I have to speak to you.

00:03:34It's all right.

00:03:50I need to speak to you about Zelda.

00:03:53I don't know where she is. And I can't say it any clearer.

00:03:56Can I take that for you, sir?

00:03:58Did you know she's Jewish?

00:04:00No.

00:04:01Well, she is, which means she's in danger. But I can help her. I have helped her.

00:04:08Her real name is Hannah Kosminski, and I think I'm the only one who knows that, unless you do.

00:04:14There you are.

00:04:15So lucky it was me who was sent for her. If she's found by anyone else, it's a labor camp somewhere, and they are not good places.

00:04:23You still think of me as your enemy. All of you.

00:04:32But you understand I am risking my life for Zelda. I have changed her records.

00:04:37I have put in writing that Hannah Kosminski has gone to England.

00:04:40And she's safe?

00:04:41She has no other identity. This Zelda K doesn't exist. Sooner or later she will be stopped and asked for ID.

00:04:47Good night. Thank you.

00:04:49When you see her, you think she's a normal, sensible girl, but you have to remember.

00:04:55Jew.

00:04:57It comes out, even in the best of them.

00:05:00Here I am trying to help her, and what does she do? She should keep her head down and be safe, not run away and...

00:05:06Well, that's how they think. To run. To hide.

00:05:10She's running from you.

00:05:12We went to bed together.

00:05:14She was so grateful to me.

00:05:17I treated her well.

00:05:19She hates you.

00:05:20She says that, but she doesn't mean it.

00:05:22Come to bed with me or I shall report you. She's Jewish.

00:05:24I didn't force her.

00:05:27She's safe.

00:05:29I would never report her.

00:05:34Please.

00:05:35You must help me find her.

00:05:40To be honest.

00:06:06Hello, Carmen.

00:06:09Hello. Hello.

00:06:13She's a good girl.

00:06:17Things are a bit untidy.

00:06:21It's not June's fault things just get untidy.

00:06:25Shouldn't we go upstairs? Yes.

00:06:29Yes.

00:06:33I think we'll have to leave the curtains open or

00:06:41it might look as if... She's back.

00:06:45Which means we'll have to keep the light off.

00:06:49So,

00:06:53what does one do? Does one just

00:06:57take one's clothes straight off and get on with it?

00:07:01Soft lights and sweet music but

00:07:03we haven't got that so

00:07:05maybe we should

00:07:07hum a happy tune. Would that help?

00:07:09I am no expert.

00:07:11I wish you were.

00:07:13You don't really.

00:07:15I do. If it's left to me we won't do anything.

00:07:19Well then I...

00:07:21I think we should sit on the bed.

00:07:31How's that?

00:07:33What?

00:07:35You're so nervous.

00:07:37Well help me then.

00:07:39Help me.

00:07:49What is it?

00:07:51Zelda's bed.

00:07:53What?

00:08:17Come on lads hurry up.

00:08:19Over here.

00:08:21It's alright darling. Nothing to be afraid of.

00:08:23It is.

00:08:25It's a spot of moonlight decorating.

00:08:27Oh Christ.

00:08:29Cover your faces.

00:08:31It's the jerry bag.

00:08:33June mine.

00:08:35Jerry bag.

00:08:37Jerry bag.

00:08:39Jerry bag.

00:08:41Jerry bag.

00:08:43Jerry bag.

00:08:45She slammed your cramped arm.

00:08:47Oi quick!

00:08:48Get in my head!

00:08:49Get in my head!

00:08:51Get in my head!

00:08:53Get in my head!

00:08:55I love you.

00:08:57What?

00:08:59I love you.

00:09:01What?

00:09:03I love you.

00:09:05What?

00:09:07I love you.

00:09:09What?

00:09:11What?

00:09:13I wanted to say I love you first.

00:09:15Hello!

00:09:17It's a parrot.

00:09:19What's disturbed it?

00:09:21I love you.

00:09:23It's a parrot.

00:09:25It's a parrot.

00:09:27It's a parrot.

00:09:29What's disturbed it?

00:09:38I've gone.

00:09:39No.

00:09:40If it's Zelda you'll terrify her.

00:09:44Zelda?

00:09:46Zelda?

00:09:53Is that you, Zelda?

00:09:56No, June, it's me.

00:09:58What are you doing?

00:10:01What is he? What's happened?

00:10:04I got hit by a glass at the club and I've just been chased in the street.

00:10:08Come and sit down.

00:10:12Oh, June.

00:10:14And they're calling me a jerrybag.

00:10:16There are plenty of real jerrybags.

00:10:18I'm not one, I'm not.

00:10:20And how will I explain it to Mummy?

00:10:23You know what she'll say.

00:10:24Shh, I know, I know.

00:10:26I only sang. That's all I did.

00:10:28And tonight I was tricked.

00:10:30I turned round and there's a German at the piano.

00:10:32That Muller.

00:10:34And I told him no.

00:10:38Why are you here?

00:10:44Well, are you sleeping here?

00:10:46What's happening?

00:10:48Are you waiting for Zelda?

00:10:52Well, why are you here then?

00:10:54Because...

00:10:58I'm a jerrybag.

00:11:04No.

00:11:06June.

00:11:08June.

00:11:09June.

00:11:10June.

00:11:11No!

00:11:12June!

00:11:25Did you hear?

00:11:26Yes, sir.

00:11:36Oh.

00:11:38Oh, Turkish delight.

00:12:00That doesn't go into the shop.

00:12:02Leave it here and I'll put the word around.

00:12:04You know, I never liked it when you could buy it.

00:12:06But now, the thought's like ambrosia.

00:12:09Corned beef.

00:12:13That goes out front.

00:12:27I forgot to say, take one box.

00:12:30Should have said it sooner.

00:12:36Don't come any further.

00:12:56I'm armed.

00:12:58The bloody hell are you?

00:13:00What are you doing in my stock room, Sheldon Levesque?

00:13:03Get out.

00:13:06It's too late, Mrs May.

00:13:09Have you come across Lieutenant Walker?

00:13:11Not a nice man.

00:13:13Up at Sula Shen.

00:13:14He's taken a personal interest in her.

00:13:16God help her.

00:13:19Knows you're Jewish.

00:13:19And he intends to protect her in return for certain favours.

00:13:24Which is why she has to hide.

00:13:25He terrifies me.

00:13:28We're praying for an accident.

00:13:30Or that he's transferred.

00:13:31We can only hope.

00:13:32But she can't live openly now.

00:13:37Fancy a trip to England?

00:13:39Of course.

00:13:40No, I'm serious.

00:13:42It's possible there's a...

00:13:43an excursion.

00:13:45It is dangerous.

00:13:46But what do you think?

00:13:48Hmm?

00:13:50Better than being stuck here.

00:13:55Mr. Brotherson.

00:13:57Could you give us a hand a moment?

00:14:00Could you hold that jack steady in the front?

00:14:03Yeah.

00:14:04On the front there.

00:14:06It's a rickety article.

00:14:13I hear you need a boat.

00:14:14I didn't want to involve you, Will.

00:14:18Done so much for us already.

00:14:21How soon do you want it?

00:14:22As soon as possible.

00:14:24I've got Mr. Jen I need.

00:14:26I need to get it to England.

00:14:28I can pay you.

00:14:30That boat's worthless, mate.

00:14:36East.

00:14:37East.

00:14:37Then north.

00:14:39From Nailing Bay.

00:14:40That's your safest bet.

00:14:41I'll see you.

00:14:44But to get the little nary there.

00:14:47Ascombe!

00:14:50Thanks, mate.

00:14:52Good luck.

00:14:53And you.

00:14:54North fighter!

00:14:55Can't go to sea without an escort.

00:15:01Escort?

00:15:02I don't need an escort.

00:15:04It's ridiculous.

00:15:06Going fishing, constable.

00:15:08Trying to, Mr. Wimmel.

00:15:10But all these bloody rules make a right old game of it.

00:15:13Oh.

00:15:14Which rules don't you like?

00:15:16Can't go out to sea.

00:15:17Have to have an escort.

00:15:18We give you rules, but then we give you lobsters.

00:15:21Well, we try to, anyway.

00:15:23I didn't want your lobster, Mr. Wimmel.

00:15:26Where will you fish?

00:15:28Nailing Bay's my favorite.

00:15:30Oh, there's good garfish there.

00:15:32Well, there used to be.

00:15:33Nailing Bay.

00:15:34East side of the island.

00:15:35What they call scenic.

00:15:36And how long would it take to get there?

00:15:38A mile trap, an hour and a half, five hours fishing, an hour and a half back.

00:15:42It needs a full day.

00:15:43And that's a day wasted for this escort.

00:15:46Yes, yes.

00:15:47I see your point.

00:15:50You know, I've never fished for garfish.

00:16:06If it's any consolation, I feel dirty and ashamed.

00:16:25Who was it?

00:16:28Bernhard Tellerman.

00:16:30Do you remember the one?

00:16:34And Mummy blames me.

00:16:36He's not like the rest.

00:16:40He doesn't believe in the war.

00:16:44We've talked so much about growing up in Germany.

00:16:49All the terrible things that went on.

00:16:53We talked about Daddy.

00:16:55And he really wanted to know.

00:17:00That any other time we could have been so happy together.

00:17:02Are you saying you're in love?

00:17:04The only time I've ever really felt for somebody.

00:17:08And we have to be at war with him.

00:17:12He's just so different from our young men.

00:17:14Our young men are on our side.

00:17:16Please don't, June.

00:17:17You sing for them.

00:17:19You take their money.

00:17:19Don't sleep with them.

00:17:21That was the first time.

00:17:27So will you stop seeing him?

00:17:29It keeps on coming.

00:17:43Just like the rain.

00:17:44Uh-huh.

00:17:46I'm going now.

00:17:48Cassie.

00:17:49It's curfew in 20 minutes.

00:17:51Time for a drink.

00:17:52It takes 10 minutes to walk home.

00:17:54And stay the night.

00:17:56Of course not.

00:17:57Why, of course?

00:18:02Because you'd want to make love to me.

00:18:04Is that so bad?

00:18:05I suspect you're a romantic.

00:18:08You will never make love to me.

00:18:11I already have.

00:18:12Sex, Mr. Vemmel.

00:18:14There'll never be love involved.

00:18:16You talk like a man.

00:18:19Have you said things like that?

00:18:21I don't think I've actually said them.

00:18:25It's very strange.

00:18:27Much of the time,

00:18:28the thought of even touching you repels me.

00:18:32But I suppose it's the same with any hunger.

00:18:36One might eat a rat if one was starved.

00:18:39Good night, Mr. Vemmel.

00:18:47James, it's cold.

00:18:48No, we need some air in this damn place.

00:18:53Remember the plague of mice in the kitchen?

00:18:55How the whole house felt dirty

00:18:56and now the whole island's dirty.

00:18:57Keep in the air.

00:18:59Even one spirit.

00:19:00Look at them.

00:19:01If only they were mice.

00:19:03Yes.

00:19:04Trap the bastards.

00:19:05Stamp on them.

00:19:07This isn't like you.

00:19:10Can't get that boy out of my mind.

00:19:13So fresh and open.

00:19:15You did what you could.

00:19:17Oh, don't lie, Felicity.

00:19:19I did the least I could.

00:19:20Well, you've still got Phil.

00:19:21Do the most you can for him.

00:19:26I'm not quite sure what that means.

00:19:29Well, get him to forget about a boat.

00:19:32Get him to stop spying

00:19:33and above all to stop trying to get himself killed.

00:19:37I'd better go.

00:19:38Is he day?

00:19:40Yeah, very.

00:19:41And Angelique, is she all right?

00:19:43Yeah, she's a rock.

00:19:45Bye.

00:19:53Mr. Lessard.

00:19:55Senator.

00:19:57How are you?

00:19:59I need to speak with you.

00:20:00Yes, of course.

00:20:02Do come in.

00:20:11I want you to know...

00:20:14I encouraged...

00:20:17Eugene to hand himself in.

00:20:20I believed it was the very best thing.

00:20:23I found him the uniform.

00:20:24And I suggested he concoct a story

00:20:27about escaping to the island from France.

00:20:31I made a mistake.

00:20:35It's entirely my fault.

00:20:39I misjudged our occupiers totally.

00:20:44My apology, I know, is useless,

00:20:45but it is genuine.

00:20:47And I shall live with my remorse till I die.

00:20:49So you're getting it off your chest.

00:20:51Well, yes, you should.

00:20:57But it doesn't help us, Senator.

00:20:59No.

00:21:02Did you persuade him?

00:21:04I truly don't think I did, Mrs. Lessard.

00:21:07I certainly encouraged him.

00:21:10I believe that's an honest answer.

00:21:13You know...

00:21:15You know, it's clear that...

00:21:17that Eugene held his silence under interrogation.

00:21:20It's clear because...

00:21:21Well, because I've heard nothing

00:21:22and...

00:21:23and seem not to be incriminated.

00:21:25Eugene's silence

00:21:26illustrates his absolute heroism.

00:21:30You said...

00:21:31interrogation, Senator.

00:21:35Should it have been torture?

00:21:36Would you leave us now, Senator, please?

00:21:49Yes.

00:21:49It's clear that he can come...

00:21:53Do you have a good thing here?

00:22:22Yeah.

00:22:25I've been to Plansolil in the Salles.

00:22:29Quite dreadful, but it's tough.

00:22:32You are going to take care, aren't you, Phil?

00:22:34I mean, great care.

00:22:35Of course.

00:22:36Always, always thank you, Mother.

00:22:37Now, you promise.

00:22:38Promise.

00:22:43I know there are 897 Germans on the island,

00:22:48222 of whom are airmen.

00:22:50Now, the airmen are mostly in the old barracks,

00:22:52the rest in billets around the town.

00:22:55I also know there are many more expected.

00:22:57They're extending the airport runway

00:22:59to accommodate more Heinkels.

00:23:00Hitler's taking a special interest in this,

00:23:02but to become fortress islands,

00:23:03all the Channel Islands.

00:23:05They'll be shipping over hundreds of workers.

00:23:07Have you heard of the organization, Todd?

00:23:10Prisoners, Jews, East European slaves, basically,

00:23:13here to build walls and bunkers all over the place.

00:23:16There'll be a concrete wall round the whole island.

00:23:20Now, if anything's going to happen,

00:23:22it ought to happen soon,

00:23:24before the fortifications get built.

00:23:29I don't know how you'll get this off the island,

00:23:31but if there's anything I can do, I will.

00:23:33There was fifteen, Ronald.

00:23:35It wasn't. There was ten.

00:23:36There was fifteen.

00:23:37Remember that?

00:23:38Oh!

00:23:39Where do you live?

00:23:40Timbuktu.

00:23:41That's strange.

00:23:42So do I.

00:23:43What are you drinking?

00:23:44Try it.

00:23:45You should take a little.

00:23:46Very little.

00:23:47Do you like it?

00:23:48That's a good one.

00:23:49Do you like it?

00:23:50It's a good one.

00:23:51It's a good one.

00:23:52I don't think so.

00:23:53Where do you live?

00:23:54Timbuktu.

00:23:55That's strange.

00:23:56So do I.

00:23:58What are you drinking?

00:24:00Try it.

00:24:01You should take a little.

00:24:02Very little.

00:24:05Do you like it?

00:24:06No.

00:24:07I don't think so.

00:24:08You should take a little.

00:24:11Very little.

00:24:12Do you like it?

00:24:16you will one day

00:24:21we're going to win the war

00:24:24I don't give a shit

00:24:26who wins

00:24:27where's your gun

00:24:29is it loaded

00:24:37yeah

00:24:46I could shoot you

00:24:52do you want to

00:24:54good

00:24:56you'd get into trouble

00:24:58they'd probably shoot you

00:25:01you're weird

00:25:02come on my mum

00:25:04they call it a pistol and 08

00:25:06does that mean it's an 8mm

00:25:11no it's a 9mm

00:25:13but it was designed in 1908

00:25:15do you find that all rather interesting

00:25:17do you want it

00:25:22give me an offer

00:25:24five pounds

00:25:27where would you get five pounds from little man

00:25:30I've got it

00:25:31where

00:25:31he has

00:25:32is it enough

00:25:34five pounds is enough

00:25:37a lot of fuel constable

00:25:54a lot of fuel constable

00:26:06a lot of fuel

00:26:09tell me

00:26:11where does an honest constable like yourself

00:26:13get so much fuel

00:26:14it's a tractor fuel we can't use now

00:26:18is that right with you

00:26:20of course it is

00:26:20I'm sure it wasn't siphoned from a German vehicle

00:26:23honest constables like yourself

00:26:25don't do that sort of thing

00:26:26I didn't know what was going on

00:26:27Mr. Wimmer

00:26:28see this old trap's a thirsty lady

00:26:31we'll need this lot to get there and back

00:26:33to Nailing Bay

00:26:34yeah

00:26:34which hasn't been fished since you called the boats in

00:26:37it's paradise at the worst of times

00:26:39right now it must be thick with fish

00:26:42and all the bread from the kitchen

00:27:09thank you

00:27:10and then it's this

00:27:11more or less everything I know

00:27:14I know how much that's taken you

00:27:17enemies if you're caught then I am too

00:27:19and that's the way I want it

00:27:20I won't be caught

00:27:21best of luck

00:27:24what's she doing about your mother?

00:27:31I can't tell her

00:27:32you can't just leave her

00:27:41came to say goodnight

00:27:46how nice

00:27:48did you come in the back?

00:27:52it's a bit of a risk

00:27:53it seemed quiet

00:27:54goodnight in the middle of the afternoon

00:27:56I've got my book

00:27:57are you hungry?

00:28:04there's some bread

00:28:04I've already had it

00:28:05you've been in the kitchen

00:28:07we could be burgled and I wouldn't know

00:28:10this is nice

00:28:14take care mum

00:28:16goodnight now

00:28:19goodnight my darling

00:28:20I'll see you in the morning

00:28:21well do

00:28:22well do

00:28:22I'll see you in the morning

00:28:24how nice

00:28:25can I'm in the morning

00:28:26I'll see you in the morning

00:28:28you're in the morning

00:28:29you're in the morning

00:28:31you've been in the morning

00:28:33you're in the hani

00:28:34there's some

00:28:48Oh, my God.

00:29:18You could hide under here if you want.

00:29:28Take the risk.

00:29:29That's my girl.

00:29:33My spear for Johnny Walker.

00:29:48They're strange fish, these garfish.

00:29:51Why is that?

00:29:52Unlike most fish, they don't like rocks.

00:29:56All I know is they're like nail in bay.

00:29:58Trust me, Oberwachtmeister.

00:30:00We'll be chucking them away.

00:30:01Is that a promise?

00:30:02It's a promise.

00:30:04Unless, of course, you Germans come and submit them all leave home.

00:30:07Just dropped off.

00:30:30Where?

00:30:31Tanner's grocers, some veal and a fair bit of pork.

00:30:36And what time does they open tomorrow?

00:30:37Half eight.

00:30:38You'd have to be sharpish, because most will be earmarked.

00:30:41Who's this?

00:30:44Zelda Kay.

00:30:45Your pass.

00:30:46I left it at home.

00:30:49And where do you live?

00:30:54Yeah, well, that's what I want to know.

00:30:56Your flat or my house, Zelda.

00:30:59Hmm?

00:31:00Well, tell the Lancer if you won't tell me.

00:31:04Your house.

00:31:06You've just played Cupid, sir.

00:31:07Well, you must always have your pass.

00:31:11Sorry.

00:31:13Let them prove.

00:31:29You knew, didn't you?

00:31:32Yes.

00:31:32And I'm to be kept in the dark like an imbecile, because I can't be trusted to behave correctly.

00:31:38He knew you'd be...

00:31:39Upset?

00:31:41I've just lost my son, quite possibly forever.

00:31:44It's far more than upset.

00:31:45I didn't say upset.

00:31:46At least you spared me that.

00:31:49What did you do?

00:31:50Shake hands?

00:31:51Good luck, old man, over the top?

00:31:52I actually think that's probably more helpful in the circumstances.

00:31:55Than a hysterical woman shrieking her pain, of course.

00:31:58You bloody little boys in your bloody war.

00:32:00We don't give a damn about feelings.

00:32:02Not a damn.

00:32:03Carry on regardless.

00:32:04Such nobility and stoicism.

00:32:06Never howl your anguish.

00:32:08Never weep.

00:32:09Never wail.

00:32:10Just go on and on, hurting each other and...

00:32:18Don't touch me.

00:32:20And you wonder why he didn't tell you?

00:32:23You can't have it both ways.

00:32:24Be honest.

00:32:25If he told you there would have been this scene,

00:32:28and then he'd have had to leave.

00:32:29Yeah, you were talking to me like a child.

00:32:31And you're behaving as one.

00:32:34There would not have been this scene, James.

00:32:39If he told me, I would have left with him.

00:32:41With any luck, he should be there.

00:32:58Hello?

00:32:58You didn't bring a torch, did you?

00:33:16Yes.

00:33:20Can you believe I came without?

00:33:22Hello.

00:33:24Hi, Mr. Branson.

00:33:24Call me Hannah.

00:33:29Listen, I'm getting away.

00:33:31I wish you both good luck.

00:33:33Only 70 miles.

00:33:34We should be there for lunch.

00:33:36Well, let's hope so.

00:33:37Thanks for this, Sheldon.

00:33:39Very much.

00:33:40Ian, you've done with this, haven't you?

00:33:46Just a moment.

00:33:49I think you'll want these.

00:33:51Like a hole in the head mill, son.

00:33:53This is what I'm in it for.

00:33:55You won't believe what they're fetching.

00:33:56All up here till dark, then.

00:34:12Time to move, I think.

00:34:13Oh, I don't understand it.

00:34:19Nailing bay's never failed me before.

00:34:22What, you on your day off?

00:34:25You know, you'd almost think it was personal.

00:34:30Well, Mr. Wiggle.

00:34:31I'm in your hands now.

00:34:34Where do you want to go?

00:34:35Without fish, Constable.

00:34:38It's that simple.

00:34:38I'm a relaxed sort of man, but I go fishing for fish.

00:34:41Not to sit in the arse end of your boat and look at the scenery.

00:34:44Ronald, Ronald, hit it quick.

00:35:03It's our boat.

00:35:08Look.

00:35:08What's it doing down there?

00:35:11Do you think some Germans have taken it?

00:35:14That's a German at the back.

00:35:16And that's your dad.

00:35:18He must have taken one fishing.

00:35:20He wouldn't do that.

00:35:22His mates is them.

00:35:23He drives their car.

00:35:24He hates them.

00:35:27People say he's in with them.

00:35:30No.

00:35:31That Lancer's armed.

00:35:32He's forced my dad.

00:35:34Come on.

00:35:37You keep that tiller on over, we'll soon be out of the beat.

00:35:41I don't know what you're up to, but I have to say you've tried my patience.

00:35:45Sorry, Mr. Wormle.

00:35:46The whole day entirely wasted.

00:35:48You don't get that many days off, do you?

00:35:52I don't know what game it is you're playing, but I warn you.

00:35:55I'm good at playing games myself.

00:35:56I don't know what game it is.

00:35:59I don't know what game it is.

00:36:00I don't know what game it is.

00:36:00Where is he taking him?

00:36:17Execution.

00:36:21Good mythical.

00:36:25Constable Jonas.

00:36:28How far to the nearest town?

00:36:30I have no idea.

00:36:32He's gonna kill him. Shoot!

00:36:35Whoa! Whoa!

00:36:41Here's...

00:36:48It's a trap. You brought me here to be shot.

00:36:50No. I swear to you, Mr. Wimow.

00:36:52Don't think I'm stupid. You're fishermen and you bring me to a bay like this to be shot at.

00:36:55I don't know what's happening. I swear to you.

00:37:00What is it?

00:37:04I didn't see anything.

00:37:07Move. Move.

00:37:09Move.

00:37:11Move.

00:37:12You could have shot my dad, you idiot.

00:37:14You shot first.

00:37:16They weren't together when I shot.

00:37:18Go on. Move.

00:37:20I know this vehicle. Why is it here?

00:37:22Oh, rock, meister.

00:37:23Is this some kind of plot, Sheldon Levesque?

00:37:25Not to my knowledge. I heard shooting, so I stopped.

00:37:27What have you seen?

00:37:28Nothing.

00:37:29What's in your truck?

00:37:30It's a bicycle.

00:37:31Feel free to have a look.

00:37:32Show me.

00:37:33Get rid of the bicycle. You move. Move.

00:37:34In the back.

00:37:35I'm here.

00:37:36Oh, rock, meister.

00:37:37Is this some kind of plot, Sheldon Levesque?

00:37:38Not to my knowledge. I heard shooting, so I stopped.

00:37:39What have you seen?

00:37:40Nothing.

00:37:41What's in your truck?

00:37:42It's a bicycle. Feel free to have a look.

00:37:43Show me.

00:37:44Get rid of the bicycle. You move. Move. In the back.

00:37:46It will drive us to St. Gregory.

00:37:47It seems the constable here is trying to kill me.

00:37:49Surely not.

00:37:50What other explanation is there?

00:37:51I don't have one, Mr. Woodmore.

00:37:53I don't have one.

00:37:54Thank you, Mr. Woodmore.

00:37:55You may have been shooting, so I stopped.

00:37:56What have you seen?

00:37:57Nothing.

00:37:58What's in your truck?

00:37:59It's a bicycle.

00:38:00Feel free to have a look.

00:38:01Show me.

00:38:03Get rid of the bicycle.

00:38:05Move.

00:38:06In the back.

00:38:07We'll drive us to St. Gregory.

00:38:08It seems the constable here is trying to kill me.

00:38:11Surely not.

00:38:12What other explanation is there?

00:38:13I don't have one, Mr. Woolmore.

00:38:16You, come.

00:38:31Come, come!

00:38:32How do you get, Constable?

00:38:37Why is that, Oberwakmeister?

00:38:39The guard here will take him to prison.

00:38:41Mr. Wimmel, are my kids lying?

00:38:43Of course you haven't done a thing.

00:38:44You can think in your cell, Constable, where's a good place for Garfish?

00:38:50Come, move!

00:38:53Mr. Lavec, take me to the harbor.

00:38:59He won't come to port!

00:39:14Mrs. Dore?

00:39:25Good evening, Baron.

00:39:29Do I find you well?

00:39:30I don't know what news you have, but it seems we are not finding it as easy as we thought

00:39:54to break into England.

00:39:58Our planes are less successful than we expected.

00:40:02Good.

00:40:06Is it good?

00:40:09Doesn't it simply mean that the war will last longer?

00:40:14Because we will win.

00:40:15It is simply a matter of time.

00:40:16But the more time, the more deaths.

00:40:25I am not taunting.

00:40:28I'm sorry if it sounded like that.

00:40:31Please, no, please, tonight for once, please.

00:40:34Talk.

00:40:36Is this another requirement of occupation?

00:40:38You will talk with me?

00:40:39No.

00:40:41But I'm sad if you won't.

00:40:42I'm sad if you won't.

00:40:46You are missing your son.

00:41:00Do you look at the stars and think those same stars are shining on him?

00:41:07I heard the day my son Manfred was killed.

00:41:11He was shot down over the channel.

00:41:14I wonder if my wife has heard yet.

00:41:16My youngest son, he did 20 in June.

00:41:24She missed to be thinking he's alive and choosing a star for him.

00:41:28Just like Eugène LaSalle's mother once did.

00:41:32But won't ever again.

00:41:35Eugène LaSalle.

00:41:40One only does what one believes is right.

00:41:42That was right.

00:41:44In war, one has only the moment of decision.

00:41:47If I believed it to be right, then it was right.

00:41:49Whoever shot down my son was right and will be congratulated.

00:41:53And Eugène's parents?

00:41:57I know their grief.

00:42:01You are very hostile to me.

00:42:03Your son.

00:42:09Do you have any news?

00:42:13I know he's in particular danger right now.

00:42:17I'm sorry.

00:42:20I truly hope that he will come through it, whatever it is.

00:42:28And of course, I'm very sorry about your son.

00:42:33Very, very sorry.

00:42:34It's not here.

00:43:01Look.

00:43:02Look.

00:43:04Imagine.

00:43:09A nighttime trip across the Channel.

00:43:12Dangerous in itself.

00:43:14Then throw in germs.

00:43:16We're so lucky.

00:43:18You're as terrified as I am.

00:43:19Why is that?

00:43:33What is it?

00:43:41I don't know.

00:43:43Come on.

00:43:44I don't know.

00:43:45I don't know.

00:43:46I don't know.

00:43:47I don't know.

00:43:48I don't know.

00:43:49I don't know.

00:43:50I don't know.

00:43:51I don't know.

00:43:52I don't know.

00:43:53I don't know.

00:43:54I don't know.

00:43:55I don't know.

00:43:56I don't know.

00:43:57I'm just getting stuck connected with you.

00:44:13Come on.

00:44:15Come on.

00:44:17Come on.

00:44:19Come on.

00:44:21Come on.

00:44:27It's too late.

00:44:43Zanik.

00:44:45We're off.

00:44:47Hannah?

00:44:49Hannah!

00:44:51Stop!

00:44:57Do not move!

00:44:59Do not move!

00:45:01We will shoot!

00:45:03Put the bag down!

00:45:07Put your hands in the air!

00:45:09We're coming alongside you!

00:45:13Kath!

00:45:23Kath!

00:45:25I know it's bad news.

00:45:27It's the bloody worst, Kath.

00:45:29Wilf's been taken.

00:45:31Oh, God.

00:45:32He left the boat.

00:45:33He was coming ashore.

00:45:34With the kraut, someone starts shooting.

00:45:36But who?

00:45:37Who are?

00:45:38I don't know.

00:45:39I mean, no-one was hit.

00:45:40But Fritz, of course, he thinks it's a trap.

00:45:42What's he gonna think?

00:45:43Wilf's alive?

00:45:44Yeah, yes.

00:45:45Oh, God.

00:45:46Yeah.

00:45:47Yes.

00:45:48But they got Philip.

00:45:49On the boat.

00:45:50And they know he's a spy.

00:45:51Oh, God.

00:45:52Oh, my God.

00:45:54And what about the girl?

00:45:56I don't know.

00:45:57I don't know.

00:45:58I got all this from Alansa and he didn't mention the girl.

00:46:01Well, wherever she is, Wilf helped a spy.

00:46:05Huh.

00:46:06Hey.

00:46:15We've just got to get Wilf off.

00:46:17It's simple.

00:46:20There's a few favours owed me, but none that big.

00:46:22And where are you going?

00:46:23I need the back.

00:46:24Just use the back.

00:46:25I've got the wrongs.

00:46:26There's something.

00:46:27A shirt.

00:46:28No.

00:46:29There ain't.

00:46:30What is it?

00:46:31What is it?

00:46:32Come on, let's have a look.

00:46:33Hey, what's up with your boy?

00:46:34Do as your mum says.

00:46:35Let me see.

00:46:36No.

00:46:37Come on.

00:46:38Come on.

00:46:39Come on.

00:46:40Come on.

00:46:41Come on.

00:46:42Come on.

00:46:43Come on.

00:46:44Come on.

00:47:14Come on.

00:47:15Are you well, Muller?

00:47:18My commiserations, by the way, sir.

00:47:21I'm very sorry.

00:47:24He was far too young to die, sir.

00:47:26That's enough, Muller.

00:47:29Be at the commandant.

00:47:31I'm afraid you've lost your driver, sir.

00:47:35Jonas, what's happened?

00:47:37He has been arrested.

00:47:39Assisting an escape.

00:47:44How long have you had that thing in our house?

00:47:48I just got it.

00:47:50Where from?

00:47:51I'll answer.

00:47:52Who?

00:47:53How?

00:47:54Did you steal it?

00:47:55I bought it.

00:47:56You can't have bought it.

00:47:57I did.

00:47:58What the hell with?

00:48:00Well?

00:48:01Come on, Colin.

00:48:02What with?

00:48:03Don't, Mum.

00:48:04With my white fiver.

00:48:05It's right, isn't it, huh?

00:48:07You little...

00:48:08Five pounds!

00:48:09And you let him keep it?

00:48:11He swore he hadn't got it, Kath.

00:48:13What do you want me to do?

00:48:15Thrash it out with him?

00:48:16Yes!

00:48:23Here they come.

00:48:24Jeez.

00:48:25It's all my bloody fault.

00:48:27Ours!

00:48:28Ours!

00:48:29Ours!

00:48:30Ours!

00:48:31Ours!

00:48:32Jeder hat die Tramp hoch!

00:48:35Ours!

00:48:36Alle raus!

00:48:37Enselboi!

00:48:38Go!

00:48:39Komm schnell!

00:48:44Komm schnell!

00:48:45Komm schnell!

00:48:46Schell schnell!

00:48:48Sehr rein!

00:48:50Sir Wimmel believes the boat was disabled deliberately.

00:49:06He's sure of it. It wasn't a fishing place, but perfect for an escape.

00:49:10You know, he's my driver, this Jonas.

00:49:14And the spy, who's he?

00:49:15He's not saying.

00:49:17No papers?

00:49:18No.

00:49:18Oh, you'd better let me see.

00:49:29This?

00:49:30Yes.

00:49:31I'm very sorry to hear about your son.

00:49:33Fleck!

00:49:34Open the door.

00:49:48There was a day, you might remember, at the garden wall, when the senator's wife and you and I, we shared a time together.

00:50:05I had a sense, um, maybe I'm wrong, that both she and I thought of you as our son.

00:50:18The son, both she and I were missing.

00:50:25Oh, Mr. Brotherson.

00:50:26We have talked a lot.

00:50:32I have genuinely enjoyed your company.

00:50:36We have built walls together.

00:50:38And now we have to shoot you.

00:50:46All I'll say is I've been entirely alone.

00:50:48And the senator and his wife, how much do they know?

00:50:56Absolutely nothing.

00:50:57Nothing.

00:50:57All I'll say is Mr. Brotherson.

00:51:23I have a word with the senator.

00:51:37I've changed my mind, Mulan.

00:51:39We'll go to Suley Shen.

00:51:41Sergeant!

00:51:43Um, you go on.

00:51:44It's Mr. Brotherson.

00:51:53He's been caught.

00:51:54He's been caught.

00:52:14Excuse me for entering like this, but I'm the bearer of bad news.

00:52:26Mr. Brotherson was arrested last night.

00:52:28He was trying to make his escape by boat.

00:52:45Is he all right?

00:52:47For now.

00:52:50But I'm afraid he was found with photographs.

00:52:54He's admitted spying.

00:52:55And there could be only one outcome, as you know.

00:52:57He says you were all involved.

00:53:02Your husband.

00:53:03My driver.

00:53:05You.

00:53:08Yes, of course I knew.

00:53:10And your husband.

00:53:11I'll never say that.

00:53:12But he did.

00:53:13I will never say that.

00:53:13And you were giving him information.

00:53:15I had none to give.

00:53:18I wasn't interested in information.

00:53:21I wanted him.

00:53:23I wanted him here and out of this hateful war.

00:53:25I wanted him safe.

00:53:27I've been sick with worry.

00:53:32Imagining him in France.

00:53:33Imagining him wounded.

00:53:34And then suddenly he's here at the relief.

00:53:40Then there's this stupid damn spy.

00:53:43And for what?

00:53:44A few photographs.

00:53:46As far as I can tell.

00:53:47And nothing.

00:53:47He's learned nothing.

00:53:48What does he know?

00:53:50He's not a spy.

00:53:52He's just some fool they've sent over to.

00:53:54I mean, spies have to be trained, don't they?

00:54:00I've been blind.

00:54:05I've so enjoyed him.

00:54:08Youth and life.

00:54:09The son we both lacked.

00:54:15Mr. Brotherson.

00:54:18I never asked his name.

00:54:20I liked the mister.

00:54:21It was, um...

00:54:23Silly, inappropriate.

00:54:24His name's Philip.

00:54:30Philip Doe.

00:54:34He arrived with Eugène LaSalle.

00:54:37They were sent over to gather information.

00:54:39And he's been holed up here in the cellar and wandering around pathetically trying to spy and finding nothing.

00:54:43You can have sex with me.

00:54:56Or kill me.

00:54:58But let him go.

00:55:00As much sex as you want.

00:55:03Anything.

00:55:04But get him off and let him go.

00:55:11It is very extraordinary.

00:55:14That I should lose my son.

00:55:17The day before your...

00:55:18No.

00:55:20You've still got one son.

00:55:21I won't have any.

00:55:22I'm begging you, please.

00:55:30How can I?

00:55:33Because it's right.

00:55:35You said so yourself.

00:55:37If you believe it's right, then it's right.

00:55:39Believe it, Baron.

00:55:40Believe it.

00:55:41It is.

00:55:43He knows everything, James.

00:56:03Hello.

00:56:04I'm all right.

00:56:06I'll get your food.

00:56:07I said she wasn't here.

00:56:28The day I came to your house, that woman, your mother.

00:56:43Yes.

00:56:44She's the woman in Tennis Grocery.

00:56:46Yes.

00:56:46Yes, I knew I'd seen her.

00:56:48It's her shop, isn't it?

00:56:52Yes.

00:57:12Can I help you?

00:57:12Are you hurt?

00:57:20Quickly, what do you need?

00:57:23Sleep and warmth.

00:57:26Water.

00:57:28So it failed.

00:57:31I suppose it had to.

00:57:32They caught the man.

00:57:44Yes.

00:57:48Come on.

00:57:53I'll come when I can.

00:57:54Come on.

00:57:54Remember me?

00:58:07Yes.

00:58:09What are you doing?

00:58:12I had no idea you were the mother of those girls.

00:58:16What do you want?

00:58:17I know what I want.

00:58:22I'm looking for Zelda Kay.

00:58:24She's not down there.

00:58:29Well?

00:58:32I want you to know that I have remembered you.

00:58:36And I know that you know Zelda Kay.

00:58:39So I will keep looking here.

00:58:43Au revoir.

00:58:45This is mine.

00:58:47This brother's in business.

00:58:59Do we need to cot, Marshal?

00:59:00Complete waste of time.

00:59:01The outcome's inevitable.

00:59:04What are you suggesting?

00:59:05Well, shoot him and have done with it.

00:59:08It's Su Lishan, I suppose.

00:59:09Seems to be quiet.

00:59:10One can be discreet.

00:59:14There will be no execution.

00:59:17But he's a spy.

00:59:18I told you I knew him.

00:59:20He was here on leave when we invaded, and instead of surrendering, he went civilian.

00:59:23He's no spy.

00:59:24What about those photographs?

00:59:25What about them?

00:59:26They're all military.

00:59:28He's a soldier.

00:59:29He's a spy.

00:59:30We shot the spy.

00:59:31He's a soldier.

00:59:33Get him sent to France.

00:59:34He's a POW now.

00:59:37This is wrong, sir.

00:59:40I believe it is right.

00:59:44And my driver, Constable Jonas, he stole petrol and assisted the escape.

00:59:48That's a prison sentence, isn't it?

00:59:51That's it.

00:59:53One other, the senator.

00:59:54So that's the door?

00:59:55He assisted also.

00:59:56Six to nine months, the pair of them.

01:00:03Well?

01:00:04One other, the other, the other.

01:00:34It's a bad day, but, um, we'll manage.

01:00:59You'll be missed, Barry.

01:01:01But, um, I'll keep you far in the hand.

01:01:02That's the way, sir.

01:01:03But don't worry.

01:01:04Not much gets past me.

01:01:10Try and live in palace excesses, won't you?

01:01:12I will, sir.

01:01:13Very best of luck.

01:01:19Thanks for coming down.

01:01:20I couldn't not, sir.

01:01:33Nine months.

01:01:42Soon go.

01:01:45You want less mouth to feed?

01:01:49I'll miss you, Wilf.

01:01:50You should hope so.

01:01:51And, Carth, could be a lot worse.

01:01:57Don't you know, boy?

01:02:00Responsibility?

01:02:01Don't.

01:02:02You've always liked France, Wilf.

01:02:14How much French cooking in them French prisons, ma?

01:02:16Goodbye, mate.

01:02:23Good luck, Wilf.

01:02:26Here we go.

01:02:29Wilf!

01:02:29I suppose you can write.

01:02:52I just want to say.

01:02:57I think you've achieved something quite remarkable with the Baron, and whatever it took, I understand.

01:03:05I love you.

01:03:16I love you.

01:03:18I want you back soon.

01:03:23Please.

01:03:24Please.

01:03:35Goodbye, Mr. Brothers.

01:04:05Goodbye, Mrs. Dore.

01:04:07I hope all goes well in France.

01:04:08I'm sure it will.

01:04:10Thanks for everything.

01:04:12I don't want to worry about me.

01:04:14I'm what they call a lucky bugger.

01:04:35I don't want to be.

01:04:36I don't know.

01:06:36You know, don't you, that I can't ever thank you enough?

01:06:46I have grown sickened, Mrs. Dorne, by the deaths of young men.

01:07:06I have grown sickened, Mrs. Dorne, by the death of young men.

01:07:20I have grown sickened, Mrs. Dorne.

01:07:34I have grown sickened, Mrs. Dorne, by the death of young men.

01:07:48I have grown sickened, Mrs. Dorne, by the death of young men.

01:07:52I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:06I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:11I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:13I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:15I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:17I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:19I have grown sickened, Mrs. Dorne, by the death of young men.

01:08:21I have grown sickened, Mrs. Dorne, by the death of young men.

Category

Transcript

Be the first to comment

Recommended