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Island at War (2004) Season 1 Episode 5

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Transcript
00:01:00Go away, I don't want you.
00:01:30Well, did you get rid of him?
00:01:36Evidently not.
00:01:36How did I know you were going to say that?
00:01:40Look at me.
00:01:41All clean uniform and a new haircut.
00:01:45I even polished my butt.
00:01:46Another execution?
00:01:48No, that is not the reason.
00:01:49I have to get to work.
00:01:53Are you a genuine person, Miss Kay?
00:01:56You said we could get to know each other.
00:01:58Are you going back on your word?
00:01:59I said that to get rid of you.
00:02:00You were drunk.
00:02:01So you were lying.
00:02:03You were not a genuine person.
00:02:04You were frightening.
00:02:05What can we do about it, hmm?
00:02:11Nothing.
00:02:12Just let me pass.
00:02:15Come to the cinema.
00:02:17No.
00:02:17Then I'll come to your flat.
00:02:18No.
00:02:19I'm sorry.
00:02:22You said we could get to know each other, so we're going to.
00:02:25I'm afraid you can't go back on your word.
00:02:27Don't I have a say in this?
00:02:28Well, if you're frightened.
00:02:31Not really.
00:02:32Then what's the harm?
00:02:33Come to the cinema.
00:02:34I don't want...
00:02:34Come to the cinema.
00:02:35I'll meet you outside at 6.30 tomorrow evening.
00:02:39If you're not there, I shall come to your flat.
00:03:05How long do you have?
00:03:19Ten minutes.
00:03:24Bernhardt.
00:03:28It's always going to be like this.
00:03:30It wasn't on the cliff.
00:03:33I feel they can...
00:03:35I feel they can see it in my face.
00:03:41There goes a jerry bag.
00:03:43You aren't that.
00:03:47You fought against me for weeks.
00:03:48You are talking about affairs, casual and unconsidered.
00:03:51This is not an affair.
00:03:54It's much more than that.
00:03:58It simply is.
00:04:00I've got to see you.
00:04:05We are going on a raid tomorrow.
00:04:09To England?
00:04:10To England.
00:04:11And yes, to bomb and to kill.
00:04:15And maybe be killed yourself.
00:04:24He's bothering you.
00:04:25Isn't it enough that you've stolen our island?
00:04:33In common humanity, can you please?
00:04:36Leave us alone.
00:04:36Bullies, simply bullies.
00:04:46Walk away from them, my darling.
00:04:48Good morning, Angelique.
00:04:56Good morning, sir.
00:05:00Building and Allied Trades 9.30, Finance Subcommittee 11.45, Superior Council at 2 and Farmers Union at 4.
00:05:08And there are some people to see you downstairs.
00:05:17Yes, I was expecting that.
00:05:30Mrs. Salah.
00:05:31We didn't know Eugene had been captured.
00:05:47We thought he was away on the submarine.
00:05:51Then his cousin Alec brought us to look at the poster about his execution.
00:05:57That must have been a terrible shock, Mrs. de Salle.
00:05:59They say you met him.
00:06:02How was that?
00:06:05Well, firstly, he wasn't captured.
00:06:10The submarine didn't turn up for his rendezvous.
00:06:12And when it finally did, a week late, he was seen and shot at.
00:06:17He went into hiding, but felt there was no longer any point in his mission.
00:06:21And his presence on the island was compromising and endangering various people.
00:06:25So he decided, very nobly, to give himself up.
00:06:31He felt he'd be treated as a prisoner of war, according to the Hague Convention.
00:06:35He telephoned me and asked me to escort him to the German Commandantia, which I did.
00:06:40That's the extent of my involvement.
00:06:41Then what?
00:06:43Then what?
00:06:46They'd have questioned him.
00:06:49What did they do to him?
00:06:50To the best of my knowledge, his interrogation was humane.
00:06:54When they thought he was a spy?
00:06:56Are you just saying that?
00:06:58No.
00:06:58You said, to the best of your knowledge.
00:07:01No, I mean, I didn't...
00:07:05So they might have done anything.
00:07:07Although I have no reason to think that they did.
00:07:10What have they done with him?
00:07:13I don't know.
00:07:14Have you asked?
00:07:16No.
00:07:17Will you ask?
00:07:19Of course.
00:07:20We want his body.
00:07:24There's another one, you know.
00:07:25Another what?
00:07:29Another St. Gregory boy.
00:07:31What happened to him?
00:07:32Did he get away or what?
00:07:33Or still on the run on the island?
00:07:35What makes you think there's another one?
00:07:37Eugene told us when he came to see us.
00:07:39Did he say who?
00:07:41No.
00:07:45Well, I think the best thing, really, is for you to forget all about another one.
00:07:49I think you'd like us to forget altogether.
00:07:51Brush it away.
00:07:53Eugene's been shot.
00:07:54What? Oh, what a shame.
00:07:56There's no point crying over spilt milk, is there, Mr. Dorr?
00:08:18Senator.
00:08:20What are those people doing?
00:08:22These are the parents of Eugenia, sir.
00:08:26They're on Wehrmacht property.
00:08:27They're in my garden, with my express permission.
00:08:30This is no more your garden than that.
00:08:31These are your boots, or this is your loo, where this is a military headquarters.
00:08:34It's my house.
00:08:35You remain here on sufferance, and are extremely fortunate to do so.
00:08:38This is my garden.
00:08:40And not round two.
00:08:43Yes, if you'd like.
00:08:44James.
00:08:44Absolutely not.
00:08:45You're far too good.
00:08:47Get them out of here.
00:08:48Please, Baron.
00:08:49Allow them their grief.
00:08:50They really aren't doing any harm.
00:08:51Get them off the premises before I call in my lancers.
00:08:57Fine.
00:08:57We'll send them to jail.
00:08:58I'll do it.
00:08:59Yes.
00:08:59Baron, would you please allow them his body?
00:09:12What is this that Mr. Brotherson has been doing?
00:09:15Removing a tree.
00:09:16And why?
00:09:17I assume to remove some sort of emblem for resistance.
00:09:21And you expect me to give over his body?
00:09:24On compassionate grounds.
00:09:25There is no compassion.
00:09:25He's out of harm's way, and that's where he remains.
00:09:28No compassion.
00:09:30No nation on earth would indulge the parents of a hostile spy.
00:09:38What I will do is record in which piece of unmarked wasteland he's been buried.
00:09:43And let them know after the war.
00:09:44We can dig it up then.
00:09:57Phil?
00:10:07Oh, you made me jump.
00:10:08I need a boat.
00:10:18What for?
00:10:18A boat.
00:10:20I've got to get there.
00:10:22And get yourself killed?
00:10:23For what?
00:10:24We did get some intelligence.
00:10:25If I can just...
00:10:26Phil, you're not thinking.
00:10:29You're in shock.
00:10:30We all are.
00:10:31And Eugene will have died in vain.
00:10:35He will if you get killed.
00:10:38I...
00:10:39I know things are awful.
00:10:42But at least you're here with us, who love you.
00:10:44We'll do anything, anything for you.
00:10:45Now, we were sent for intelligence.
00:10:55The operation's dependent.
00:10:57I can't stay.
00:10:57Was that your mother?
00:11:18I am not surprised she was angry.
00:11:21Tomorrow, I will make sure I drop my bombs into the sea or on fields.
00:11:25And as soon as I return, I will find you.
00:11:28Don't worry for me.
00:11:29I know I will be safe.
00:11:31There will come a time when we can fraternize Angelique.
00:11:34You and me.
00:11:35All through the night.
00:11:36All through the night.
00:11:55You wear no uniforms.
00:11:58And your weapons are different from ours.
00:12:00Have you heard about this?
00:12:02But they're not less deadly.
00:12:04The fact that you wear no uniforms is your strength.
00:12:10The night is your friend.
00:12:12The V is your sign.
00:12:15He's called Colonel Britton.
00:12:17He's broadcasting to occupied Europe.
00:12:19It's a campaign that's got the Germans rattled.
00:12:21I've got the Germans rattled.
00:12:24Look at this.
00:12:25Where did you get it?
00:12:27Well, it's amazing what people will give for a cup of ham.
00:12:29It must be worth pounds.
00:12:31There's no point in my having it.
00:12:33It should be June or yours.
00:12:35So, what's this campaign?
00:12:37People have been painting V signs in France and Belgium.
00:12:40V for Victoire.
00:12:42V for Victory.
00:12:42That's got them rattled.
00:12:44Well, it shows resistance.
00:12:45Oh, well, the war's won, then.
00:12:46Put that hat on again.
00:12:51Why?
00:12:52Because this is the first spark you've shown since Daddy.
00:13:03Oh, yes!
00:13:04Isn't she stunning?
00:13:05Yes!
00:13:06And I want it.
00:13:07If you get any German, you don't need a hat.
00:13:09What?
00:13:09Your sister turns her back on them
00:13:11and you go singing for them at Sula Shen.
00:13:13You told her.
00:13:14I did not.
00:13:14I heard from a customer.
00:13:15Do you really think you could keep something like that quiet?
00:13:19You silly little fool.
00:13:20I did nothing.
00:13:21I only sang.
00:13:22Why did you?
00:13:23For five marks.
00:13:24What wouldn't you do for money?
00:13:26A lot of things.
00:13:27Well, you shouldn't be singing for them.
00:13:30It gives you the reputation you really don't want to have.
00:13:33I know.
00:13:34And I won't again.
00:13:35Good.
00:13:37Marks are worthless.
00:13:38You should always get sterling.
00:13:45Oh, my God.
00:13:49Bye.
00:14:14PIANO PLAYS
00:14:44PIANO PLAYS
00:15:14What's happening, constable?
00:15:17It's eleven o'clock.
00:15:19It's eleven o'clock every day we don't have this.
00:15:22You don't execute a young lad every day neither.
00:15:26Get out, Jonas.
00:15:27Let's go.
00:15:57Let's go.
00:16:27Let's go.
00:16:57Let's go.
00:17:27Let's go.
00:17:29Let's go.
00:17:33Let's go.
00:17:39This was well done, sir.
00:17:40Whose idea was it?
00:17:41The senators.
00:17:42Very well done, sir.
00:17:44And I believe we made a point.
00:17:46So did he.
00:17:48I'd say he handled it rather well.
00:17:50Turnips and cognac, captain.
00:17:51There's a mix.
00:17:52Round the back.
00:17:56Yes.
00:17:57Turnips and cognac, captain.
00:18:07There's a mix.
00:18:08Round the back.
00:18:09Yes.
00:18:10Oh, maybe your lad there could give us a hand.
00:18:13Mr. Braderson.
00:18:16Could turn out in the square.
00:18:17It needed to be.
00:18:18Poor old lad.
00:18:19I didn't know him very well, but...
00:18:20bloody futile waste of a life.
00:18:21It didn't be.
00:18:22I'm carrying on where we left off.
00:18:23But what?
00:18:24Map their installations.
00:18:25Photograph them.
00:18:26Find out their strengths and get the gen off the island.
00:18:28I want a bicycle and a boat.
00:18:29I can get you a bicycle.
00:18:30I can get you a bicycle.
00:18:31Come on.
00:18:32Come on.
00:18:33What are you doing?
00:18:34Guess what, captain?
00:18:35Our mate here's got a girl in England.
00:18:36A car.
00:18:37I call that tough.
00:18:38My girl is in Cologne.
00:18:39War, eh?
00:18:40War, eh?
00:18:41No.
00:18:42No.
00:18:43No.
00:18:44No.
00:18:45No.
00:18:46No.
00:18:47No.
00:18:48No.
00:18:49No.
00:18:50No.
00:18:51No.
00:18:52No.
00:18:53No.
00:18:54No.
00:18:55No.
00:18:56No.
00:18:57No.
00:18:58No.
00:18:59What a mess.
00:19:00What a day, Mrs. Mahey.
00:19:01Are we swept and tidied, Margaret?
00:19:02Yeah.
00:19:03Any deliveries on the way?
00:19:04Who knows?
00:19:05They move in mysterious ways.
00:19:06I'm seeing the Oberwachmeister shortly.
00:19:08I might hear.
00:19:09I'm more than you than me.
00:19:10Quite.
00:19:11It's a bit slimy, isn't it?
00:19:12It's a bit slimy, isn't it?
00:19:13It's a bit slimy.
00:19:14I do think you're looking better, Mrs. Mahey.
00:19:15A bit more colour.
00:19:16Perhaps you're getting over it a bit.
00:19:17I don't mean getting over it.
00:19:18I don't mean getting over it.
00:19:19I mean...
00:19:20I'll see you in the morning, Margaret.
00:19:21Will you bring that recipe for spinach soup?
00:19:22And good luck with the Oberwachmeister thing.
00:19:24I'm more than you than me.
00:19:25I don't mean getting over it.
00:19:26I mean...
00:19:27I'll see you in the morning, Margaret.
00:19:28Will you bring that recipe for spinach soup?
00:19:29And good luck with the Oberwachmeister thing.
00:19:30Oh!
00:19:31Do you think you're getting better, Mrs. Mahey?
00:19:33Is there anything to Spinnacle?
00:19:34Well, I don't mean getting over it.
00:19:37I mean...
00:19:38I'm going to see you in the morning, Margaret.
00:19:39You, will you bring that recipe for spinach soup?
00:19:42Yeah.
00:19:43And good luck with the Oberwachmeister thing.
00:19:45Excuse me.
00:19:48Are you aware of this?
00:19:49Oh!
00:19:50Hey, I'm sure I'm going to have a bit of buttermilk.
00:19:51I'm so sorry for you.
00:19:52And I'm fine.
00:19:53You're fine.
00:19:54It's fine.
00:19:55Who's fine?
00:19:57Huh?
00:19:58You, I'm so sorry.
00:19:59you've done very well mrs. Mahi because everything sells everything's in demand even so
00:20:23you must be honest well aren't you well i don't know how many times i lie in the course of a day
00:20:32but when it comes to the money yes i'm honest this gives me so much scope
00:20:39and so much of it in sterling i refuse marks more often than not it's remarkable
00:20:45will you have a glass of schnapps no i thought you wouldn't but thank you for this thank you
00:21:00you know i really did expect you to take a very large cut yourself but you haven't have you
00:21:05i've taken no more than i'm owed why not most would didn't occur to me without trust there's insanity
00:21:19this could be a very long war with that attitude we could make a great deal of money together
00:21:27please we found a partnership let's celebrate no thank you we've run out of all sorts of things
00:21:35when's the next consignment due well there's a small delivery on tuesday i hope and the one after
00:21:40now i have this money well you can get a really big consignment
00:21:51are you married mr vermont i don't know what do you want me to say i want you to say whether you're
00:21:58married or not why i want to know who i'm working with i don't know whether i'm married i had a
00:22:08lousy marriage we more or less lived apart i haven't seen her now for two years and i don't care
00:22:14and nor does she i'm sure i'm married and very happily
00:22:22i know he was killed in the harbour raid
00:22:28i offer you this as your business partner simply that
00:22:46then to partnership
00:23:04they reckon ten pounds of potatoes makes one pound of flour not much for your money
00:23:11oh by that time i'll have no end to me fingers oh it's le sheldon
00:23:20he drives everywhere who's he in with he's got special powers he has that
00:23:27i said you've got special powers i found your boyfriend down the lane ada looking a bit worse
00:23:39for wear my darling been on a bender is that one of the redfords harry redford huh and didn't he like
00:23:46his puddings why are you bringing me dead pig at redfords he was certified dead by the green fly
00:23:53cat up at grange farm harry thought he might like to die again down here you'd lose one of your pigs
00:23:59from your quota and we could have a pork dinner on sunday will harry do the slaughtering yep yep he's
00:24:07all for that let's do it is your telephone on pat yeah as far as i know you want obergefreiter tilt
00:24:13at the george tell him poor old percy has turned up his trotters and will you come and certify him
00:24:18you can drop him down there by the sty right he shouldn't hurt for an hour or two and we have to
00:24:24keep it from wilf mind yeah well we keep everything from wilf don't we ada mustn't hurt his feelings
00:24:30now don't you start on my wilf sheldon levesque he's a good boy too good for the likes of me
00:24:37does he fish much these days no he don't at all they made him put his boat in the town harbor
00:24:44poor wolf funny buggers these green flight people starving for fish and they've got every
00:24:49bloody boat locked up what's the point of that
00:25:07that's him with the specs tilt who certified this same porker not three hours ago up at redfords
00:25:13what won't he know a pig's a pig he's not gonna know from his camel hair coat
00:25:25oh look it's wolf now oh my christ
00:25:28those idiots think it's the baron
00:25:46don't do it wealth don't get involved
00:25:56you hello brother-in-law are you finished for the day have i hell
00:26:20gone now we're off that's not one of our pigs is it what are you gonna do reporters now what do you
00:26:30think i am the law's the law that's who i think you are no there's no law anymore they're just their
00:26:36rules and that's not law so we're slaughtering one then that's the idea good well well well
00:26:46mr uncorruptible
00:26:48mr uncorruptible
00:27:00. . .
00:27:30I expected you to bring some work for delightful to see you, Miss Mary.
00:27:37Please.
00:27:39This is an excellent film.
00:27:44It's a true story that shows what happens when a Jew gets too much power and influence.
00:27:49The education, historically accurate.
00:27:52I've seen it twice already.
00:27:54I'll just be sitting over here.
00:27:56What?
00:28:01Get in with your God.
00:28:04Get in with me.
00:28:05Get in with me, Christ.
00:28:07Get in with me.
00:28:09This is the God of Rache.
00:28:11Auge um Auge.
00:28:12Zahn um Zahn.
00:28:14Rühle mich nicht an.
00:28:17Canst du dein aktuelles wieder?
00:28:20Jehoaine!
00:28:26Jehoaine!
00:28:29Jehoaine!
00:28:33Jehoaine!
00:28:35So, but a Jew with a Christian...
00:28:45So, but a Jew with a Christian, who has been mixed with flesh,
00:28:49will be brought through the strength of life into the body.
00:29:00I'm not guilty!
00:29:03People are out for you!
00:29:05Out for my demons!
00:29:07It's me!
00:29:18Silence!
00:29:20Quiet!
00:29:23For this cinema will be closed for good.
00:29:33Utterly ridiculous. I don't believe anyone ever behaved like that.
00:29:43What did you think, Miss May?
00:29:45Powerful, but horrible.
00:29:47And I don't think it was truthful.
00:29:49Historical fact, just as it was shown.
00:29:51Let's choose.
00:29:53And it's a lesson to us all.
00:29:57Now, we must be at the parting of the ways.
00:30:00You live in La Rue Granville, Miss May?
00:30:02Yes.
00:30:03So, we must leave you here.
00:30:05Good night.
00:30:06And thank you for coming.
00:30:07I'm staying with June tonight.
00:30:09Oh.
00:30:11You are.
00:30:12Um...
00:30:13Well, you've spoiled my plan.
00:30:15I'm sure I have.
00:30:16I was going to walk you courteously to your door.
00:30:19I bid you good night.
00:30:21Without any demands or even the attempt to kiss your hand.
00:30:26To show you that I am a decent, honorable, Aryan gentleman whom you can trust.
00:30:32Never mind.
00:30:33I can still leave you with honor, so I shall.
00:30:37Good night, Miss Kay.
00:30:39Good night, Miss May.
00:30:41It's been a delightful evening.
00:31:03Good night.
00:31:17Ah, you are spoiling him, Mrs. Dor.
00:31:21Look at his good work on the wall now, and compare it to his first efforts.
00:31:25I thought I saw you doing some.
00:31:28He's an excellent pupil.
00:31:29Well, they never said that at school.
00:31:31as always could do better what remarks would you give him mrs. Dorr something like don't get
00:31:37overconfident I would give him full marks why aren't you in the war Mr. Brotherson I remember
00:31:44he thought about it and my mother would have hated it what mother wouldn't fiddled around I suppose
00:31:49kept on my odd jobs I thought one day I might sign up but then it was too late
00:31:55is that unpatriotic do you think is it cowardly most certainly isn't your son signed up
00:32:01but I wish he hadn't you baron your boys no German boy had the choice of course I'm proud
00:32:09they are fighting but I'd be happier if they had desk jobs back in Berlin I suppose we both wish
00:32:15our sons were in Mr. Brotherson's shoes by the way you were both at the protest in the square
00:32:20well please be very careful of that kind of thing very careful
00:32:27and now over to London for the latest no June I'm listening to the news if you must
00:32:45yesterday evening shortly before 8pm GMT a flight of 80 Heinkel bombers was observed approaching the
00:32:53south coast in the vicinity of Weymouth at the height of 6,000 feet the fighter squadrons were
00:32:59quickly scrambled and engaged with the enemy over the English Channel the air battle was fought over
00:33:06a period of two hours resulting in the destruction of more than 30 enemy bombers for the loss of three
00:33:12Spitfires and five hurricanes after taking continued evasive action the remaining Heinkels turned on their
00:33:20tails and fled towards Cherbourg yet again we see the superiority of the British fighter squadron
00:33:27they'll be from here as well as Cherbourg yes 30 down how many crew in each plane four five that's a hundred and
00:33:46fifty fewer Germans in the islands
00:33:52but they're people aren't they young men I can't help thinking that they're not just numbers when you've met them
00:34:03then maybe we shouldn't meet them can't I even feel sorry for them I think you should meet some
00:34:10they're not all devils although I suppose that's because I fraternize I've never thought they were devils
00:34:16just don't go on about them being killed I don't want to know
00:34:19don't go on about them
00:34:26you
00:34:27you
00:34:29you
00:34:31you
00:34:33you
00:34:35you
00:34:37you
00:34:39you
00:34:40With all the personnel, it was room 31 at the Hauptsagermeld.
00:34:44The captain of the HALA is in the central airport.
00:34:53Attention! Your captain of the HALA is in the HALA.
00:34:58Trouble?
00:34:59Brake's a bit loose.
00:35:02Hello, Philip.
00:35:03You knew I was on the island?
00:35:05Everything's loose on this old heap.
00:35:07I just picked it up.
00:35:08Where from?
00:35:09A chap.
00:35:11They're like gold dust.
00:35:12Did you pay a fortune?
00:35:13No.
00:35:14He's a clever chap.
00:35:15Probably means he stole it.
00:35:17Ask no questions.
00:35:23What's this look like if I do this?
00:35:26It looks like you have a camera in your bag and you're taking photos.
00:35:29Seriously?
00:35:30Seriously.
00:35:31Let's not do it then.
00:35:39I counted 11 Heinkels on the airfield.
00:35:43There were more yesterday.
00:35:44Good stuff.
00:35:45I knew you'd lost a few.
00:35:49Any idea how many?
00:35:50Six?
00:35:51Ten?
00:35:52I don't know.
00:35:53More the merrier.
00:35:54These are hopeless, Phil.
00:35:55You're taking enormous risks for nothing.
00:35:56That's something.
00:35:57The barracks there.
00:35:58They're underexposed.
00:35:59The light's not getting into your bag properly.
00:36:00I need your knowledge, you see.
00:36:01If you're caught with them, you'll be shot.
00:36:02I should be.
00:36:03Look at them.
00:36:04Clicking away at military installations.
00:36:05They're not stupid, Phil.
00:36:06Will you come with me?
00:36:07We'd look like a courting couple.
00:36:08And they're always taking photos.
00:36:09Look at them.
00:36:10Look at them.
00:36:11Clicking away at military installations.
00:36:12They're not stupid, Phil.
00:36:13Will you come with me?
00:36:14We'd look like a courting couple.
00:36:15And they're always taking photos.
00:36:17If you're caught with them, you'll be shot.
00:36:18I should be. Look at them.
00:36:22Clicking away at military installations. They're not stupid, Phil.
00:36:25Will you come with me?
00:36:27We'd look like a courting couple, and they're always taking photos.
00:36:43Oh.
00:36:47You know, Matt?
00:36:51Crackling, Colin. Pass us your plate.
00:36:53It's famous.
00:36:55I know half a dozen there. Dance a jig for a cut of this.
00:36:58Half a dozen. Everybody wants meat worth a bloody fortune.
00:37:01We can charge 15 bob a pound.
00:37:04We don't charge, Harry.
00:37:05You what?
00:37:06There's family down them quarries haven't had no real meat since December.
00:37:09Your old man's given away your pig, Kath.
00:37:11Not all of it, Will.
00:37:13Did I say it was?
00:37:14It's a gift horse.
00:37:17We can share.
00:37:19Gift pig?
00:37:19We can sell the bugger.
00:37:21See when she's charging down at tellers?
00:37:22On the bloody make that my woman.
00:37:24Yeah, you can smell this roast pork from the ink pot.
00:37:27Yeah, if we have a green fly patrol, we're going to have to say it's your perfume, Ada.
00:37:30You give it away and watch it make me look...
00:37:34Like an old skin flint.
00:37:35It's all very well for you lot. I've got a bloody business.
00:37:38We haven't.
00:37:39But it's my only business. It's not as if I'm a chauffeur on the side, is it?
00:37:43Hand in bloody glove with our masters or anything.
00:37:45I'm hand in glove with no one.
00:37:47Not a bit.
00:37:48Posh car, clean boots, and you don't get your hands dirty.
00:37:51All you have to do is yarmine here and salute him.
00:37:54Here you are, give him bloody pork away.
00:37:56That baron must be paying you one good screw.
00:37:58How much of your bloody pig you're giving him?
00:38:00Bloody this and bloody that.
00:38:02Out you come, Harry Redford.
00:38:05Outside.
00:38:06Wilf.
00:38:07I'm going to knock those words back down your throat.
00:38:09Wilf, you dare.
00:38:10Kath, out of the way.
00:38:12Will you sit down?
00:38:13Kath, either out of the way or I'll thump him in here.
00:38:16Eugene Lassalle.
00:38:18Remember, they shot him last week.
00:38:21And look at you.
00:38:22What does this do for his memory?
00:38:24Two minutes silence, hmm?
00:38:26And two minutes cooling off.
00:38:30No, sorry. Outside.
00:38:33Oh, you stupid man.
00:38:35Oh, baby, don't do that.
00:38:38You've got news.
00:38:39Gave us a heart attack.
00:38:40Bit like a Jerry in your uniform.
00:38:42Come in a batch by France off a supply boat.
00:38:44It's a Red Cross message.
00:38:45It'll be your Mary.
00:38:47Oh, my word.
00:38:48That Mary.
00:38:49Not a good smell of pork.
00:38:51Dear Mummy and Daddy,
00:38:53I am safe and well
00:38:54and stay at 71 Marsh Street,
00:38:58Rochtale, Lancashire.
00:39:00Hope you are all well.
00:39:01Love from Mary.
00:39:03Is that it?
00:39:0425 words.
00:39:05It's all they're allowed.
00:39:06But she's well.
00:39:07Safe in Rochtale.
00:39:08Oh, thanks, Davy.
00:39:10Mmm.
00:39:12If the pork could go a treat.
00:39:14Oh, yes, go on.
00:39:14You help yourself.
00:39:15Wils.
00:39:21Wils!
00:39:22This is Mary!
00:39:25Don't you care?
00:39:26What's it say?
00:39:27She's safe.
00:39:29Good.
00:39:41Bernhard?
00:39:42I'm so sorry.
00:39:43I'm so sorry.
00:39:48It's all right.
00:39:49He's a lucky man, whoever he is.
00:39:50You don't happen to know Airman Tellerman?
00:39:57Which squadron?
00:39:58I don't know.
00:39:59Is he a flyer?
00:40:00He's a navigator in a Heinkel.
00:40:02Ah, the man who drops the bombs.
00:40:04So when did you last see him?
00:40:06A week ago.
00:40:07It was a big raid last Monday.
00:40:10We lost a good few plates.
00:40:12I'm sorry.
00:40:13The main matter I have to bring to your attention is the new legislation regarding Jews.
00:40:30This apparently has come from the German High Command in Paris, and, well, in one respect
00:40:36it's, it's, it's not pleasant, but in another it's my belief that we are fortunate.
00:40:46Firstly, all Jews living on the island are to be registered.
00:40:53Their identity cards are to be stamped with a, with a J, prominently in red.
00:41:00Every Jew is to wear, at all times, the Yellow Star of David.
00:41:10No Jew is to be allowed to enter any public place, which I take to mean, um, theater, cinemas,
00:41:18restaurants, cafes.
00:41:20And, um, any Jewish business on the island is to be immediately confiscated.
00:41:25No, Mr. Steinberg, yes?
00:41:26Without compensation.
00:41:27Yes, it's, um, it's not pleasant.
00:41:32I don't know what they've got against Jews, do you?
00:41:36Well, I find them pleasant enough myself.
00:41:38Might get the odd bad one, of course.
00:41:41But, um, old man Steiner, remember?
00:41:43Well, nice as you like.
00:41:45Paid for the town square benches out of his own pocket.
00:41:48So, that's not your typical Jew.
00:41:51No, the, the point is, um, in ordinary circumstances, these are orders.
00:41:57To which we might object.
00:41:58But, Senator, I don't think we need to.
00:42:01I've made inquiries.
00:42:02And I'm pleased to say, every Jew left with the evacuation.
00:42:06Very well.
00:42:07Oh, they saw what was coming.
00:42:11So, um, so effectively, these are for information only.
00:42:17We have no Jew in St. Gregory.
00:42:20They're despicable rules, sir.
00:42:22You're not suggesting we endorse them?
00:42:24Well...
00:42:24Whether or not there are Jews on the island, we have to object.
00:42:29Well, what, what do others?
00:42:30I mean profound objection in the very strongest terms.
00:42:34What's the point if there's no Jews?
00:42:36Common humanity's the point.
00:42:39What distinguishes us from beasts?
00:42:40Oh, fine.
00:42:41How noble.
00:42:43And cutting off our nose.
00:42:46There's lots of issues where we clash with the Germans.
00:42:49Here's one we can go along with.
00:42:50If we've no Jews, why object?
00:42:53Object when it matters.
00:42:55Or not over a handful of non-existent Jews.
00:42:58This isn't about Jews.
00:43:02It's about denying a people the right to exist.
00:43:05It's about training humanity to live as wolves and prey on its own.
00:43:10They've done it in Germany and they're doing it here.
00:43:12You realize, once they've done it, they can change the target.
00:43:17Then who?
00:43:18Slavs.
00:43:20Poles.
00:43:22Us.
00:43:23Eight months ago, we'd all have known this was unspeakable.
00:43:29Now we're so frightened we're actually discussing it.
00:43:36I'm not alone in this, am I?
00:43:40We must try and stay human.
00:43:43We must at least...
00:43:53What is this?
00:44:19Who are you?
00:44:20Defrighted vet, Lord Nint.
00:44:21What are you doing here?
00:44:22It is my billet.
00:44:24It says here, Kosminski.
00:44:26Hannah Kosminski.
00:44:27Oh.
00:44:28A moment, sir.
00:44:29Just a moment.
00:44:34She has moved to here.
00:44:35This is her address now.
00:44:40What's she got to do with you?
00:44:42Nothing, sir.
00:44:43She moved out, I moved in.
00:44:45I have never met her.
00:44:49Very well.
00:44:50Two letters for her, if you are going there, sir.
00:44:58Let's go.
00:45:06Well, the principal's a principal door, and I sympathize, but this way at least we avoid a fight.
00:45:13Mr. Bailiff.
00:45:15Here's the Jews, Mr. Bailiff.
00:45:17Here's their addresses.
00:45:19What?
00:45:20Well, five as far as I know at this point in time.
00:45:22There might be more.
00:45:23But these are the ones that registered as Jewish, then didn't evacuate.
00:45:26You said there weren't any.
00:45:27As far as I knew, I couldn't be deaf.
00:45:29You said they'd all evacuated.
00:45:32Well, I would, wouldn't you?
00:45:34There's a deputation of fishermen, Mr. Bailiff.
00:45:36They're wanting a meeting with the Labour Board over loss of earnings.
00:45:38How long have they had these?
00:45:39I dug them out yesterday.
00:45:41It was that Lieutenant Walker that wanted them.
00:45:44Unpleasant manner he had, sir.
00:45:46It was unnecessary.
00:45:54Too late now.
00:45:55This is it, sir.
00:46:02Number 13.
00:46:25If you'd like to think about it, we'll come back another day.
00:46:47Okay, thanks very much.
00:46:50Ah, Miss Kay.
00:46:55Alas, it's a duty call.
00:47:00I'm looking for a 23-year-old woman of German origin named Hannah Kosminski.
00:47:06I'm told she lives at this address, but it's clearly a mistake.
00:47:10Because you live here alone, don't you, Miss Kay?
00:47:13Have you ever heard of her or any idea of her whereabouts?
00:47:20She worked for Mr. Isaacs.
00:47:22She's left the island.
00:47:24Oh, she has.
00:47:25Then, a mistake.
00:47:27These records say that she registered for evacuation, but did not in the end leave, so...
00:47:33It's a clerical error.
00:47:35Is that right?
00:47:37Yes.
00:47:39Because she did leave?
00:47:41Yes.
00:47:43You don't happen to know where she went?
00:47:47An address in England, perhaps?
00:47:49She left when Mr. Isaacs did.
00:47:52Oh, well, that would make sense, wouldn't it, as she's a German Jew.
00:47:58I suppose it would.
00:48:00Yeah.
00:48:02It's not like native Jews were letting them stay for now, but...
00:48:04Jews from elsewhere, particularly German, were sending them away.
00:48:08And this, uh, this Hannah Kozminski was one of them.
00:48:18Well, it's very nice to see you again, Miss Kay.
00:48:22I hope we can see each other once more on a social level.
00:48:31Oh, these letters...
00:48:33came to her old address.
00:48:37The strange thing is that her friends called her Zelda,
00:48:41not Hannah.
00:48:42Goodbye, Miss Kay.
00:48:52Goodbye, Miss Kay.
00:48:54Goodbye, Miss Kay.
00:49:08I knew you'd run.
00:49:38There's no need, Zelda.
00:49:39You're safe.
00:49:39Your secret is safe.
00:49:43I can mark your file to show you've left.
00:49:45Nobody needs no.
00:49:47Do you have new documents, an identity card, a Zelda K?
00:49:50No.
00:49:50But we can get that.
00:49:55You are extraordinary.
00:49:57I had no idea, and so brave.
00:50:00The way you argued with me about Jews,
00:50:02of course you felt those things.
00:50:03They are your people.
00:50:06Do you understand?
00:50:08I'm not going to give you away.
00:50:12You're safe.
00:50:12You carry on.
00:50:13You're a Zelda K, and you run the shop.
00:50:18I hadn't a clue.
00:50:22Let's go upstairs.
00:50:24We have so much to talk about.
00:50:26Please, take off your coat.
00:50:40Please, take off your coat.
00:50:40Please, take off your coat.
00:50:41Were you very frightened?
00:51:07Yes.
00:51:11Yes, you are right to be.
00:51:13You would have been in the system.
00:51:15You would have gone to a labor camp in Germany or Poland and you never would have come out.
00:51:22You are a very lucky girl.
00:51:27Yes.
00:51:28And I am taking a very great risk.
00:51:34If I was found assisting a Jew, it would be the Russian front for me at least.
00:51:40I am saving your life and risking mine.
00:51:48Come.
00:52:04This is better.
00:52:09This is what I've wanted.
00:52:12This is how it should be between us.
00:52:16Without arguing.
00:52:19You've been so cold with me.
00:52:22Oh, shit.
00:52:36You do it.
00:52:50What?
00:52:52Take off your clothes.
00:52:54All of them.
00:52:56Stand up.
00:52:58I'm risking my life for you with a little something in return.
00:53:16A little something in return.
00:53:18A little something in return.
00:53:22...
00:53:28...
00:53:32...
00:53:36...
00:53:38...
00:53:40...
00:53:42I don't know.
00:54:12I never would have known you were Jewish.
00:54:42You're very quiet. You're not well.
00:54:44I'm fine.
00:54:54Number seven.
00:54:56Roughly every half a mile.
00:54:58Can you remember it?
00:54:59Seven of eight guns is easy.
00:55:01But I'll have to count the vehicle dump again.
00:55:10Hey!
00:55:12Move on!
00:55:13When did it happen?
00:55:14This is not your business.
00:55:16Hard luck.
00:55:17Be careful, Phil.
00:55:22What is it?
00:55:24I just don't like to see the wreckage.
00:55:26Even if it's theirs?
00:55:27It's young men's lives.
00:55:30Of course.
00:55:31Hold on.
00:55:44Wait!
00:55:48I think you're right, Phil.
00:55:50I'm not that well.
00:55:51You go on.
00:55:52I should stay with you.
00:55:54I'll be fine alone, really.
00:55:57But no photographs, remember?
00:56:00Promise.
00:56:01I thought you'd been short down.
00:56:26And I thought you were dead.
00:56:27We were shot and damaged.
00:56:28We limped to Cherbourg and I got back this morning.
00:56:30You were not hurt?
00:56:31No.
00:56:32We lost our top gunner.
00:56:33But the rest of us are okay.
00:56:34Thank you, God.
00:56:37You believe in God?
00:56:39Not until now.
00:56:42What's this?
00:56:44One that didn't get back.
00:56:46It could have been us if we hadn't gone to Cherbourg.
00:56:50Who was that you were with?
00:56:52He guards my boss.
00:56:54There's an old lady at Tancre Bay who needs help.
00:56:56I was seeking to meet her.
00:56:59I was sure you were dead.
00:57:00Any news of Zelda?
00:57:16If she doesn't turn up today, I'm going to the police.
00:57:19And then to the commandant.
00:57:20Well, what will you say?
00:57:26A Jew's gone missing.
00:57:28Of course I won't.
00:57:29They look up her records.
00:57:30They'll see.
00:57:30Jewish.
00:57:31Now, who let sleeping dogs lie?
00:57:33But if they've got her, I want to know.
00:57:34If they've got her, she's had it and there's nothing you can do.
00:57:37Very helpful.
00:57:38If she's caught, she's finished.
00:57:40And if she's in hiding and you start them on a search, she's finished again.
00:57:46I can't stand not knowing.
00:57:47Oh, poor you.
00:57:48A bit of uncertainty.
00:57:49Unlike you, Mrs. I don't care.
00:57:52Oh, I've plenty to care about.
00:57:53Do you think you'll do it?
00:58:04Lock the door or hang me and give me the key.
00:58:06You can't just walk.
00:58:06You don't ask questions.
00:58:07You do as you're told.
00:58:08This is...
00:58:08Lock the damn door.
00:58:20Where is she?
00:58:21Where is who?
00:58:23You.
00:58:24June Marie.
00:58:25Where is she?
00:58:26Who?
00:58:26It's that kind of question which shows you are playing games.
00:58:29You know very well who.
00:58:30You mean Zelda.
00:58:44I know she's here.
00:58:46No, she isn't.
00:58:47And what is it to you?
00:58:48I want to know.
00:58:49I think you do know.
00:58:50I think you've done something.
00:58:52What?
00:58:53She's vanished and we're worried sick.
00:58:55And we want to know what you've done.
00:58:58I haven't done a thing.
00:59:00Get that out of your mind.
00:59:01Do you hear?
00:59:01Not a damn thing.
00:59:02If you hear from her,
00:59:16you tell me, yes?
00:59:18You tell me instantly.
00:59:20Or you will be in as much trouble as her.
00:59:22I'll see you this evening.
00:59:39I'll see you this evening.
00:59:39You handled that rather well.
00:59:50Mrs. Dorr.
00:59:55I haven't seen you for ages.
00:59:56Hello, Angelique.
00:59:57How are you?
00:59:57I'm fine.
00:59:59I'm afraid there's senators at the Chamber of Commerce.
01:00:01It's you I came to see.
01:00:02Me?
01:00:03Yes.
01:00:04Where can we talk?
01:00:06Here.
01:00:17I can't tell you the stress Phil's putting us under.
01:00:19But I have to be honest.
01:00:23I want him here.
01:00:25And not on the mainland.
01:00:29Is that selfish of me?
01:00:30I couldn't bear it if someone I loved was in the war.
01:00:38He's told me about your spying together.
01:00:41He promised he wouldn't.
01:00:42You really must stop.
01:00:44He'll get himself shot and that'll bring you in.
01:00:46And I don't want you on our conscience.
01:00:49I'm sort of his alibi.
01:00:51So he's not a single chap hovering around.
01:00:53Risks? Ridiculous.
01:00:54He's known on the island.
01:00:56He must keep himself at Sulushen
01:00:58and you must refuse to help him.
01:00:59I think he'll do it anyway.
01:01:01Well then so be it.
01:01:02But don't get yourself involved.
01:01:04At the very least you'll be sent to Germany.
01:01:05But more likely Angelique you'll be shot.
01:01:12I'm not saying you haven't been extremely brave.
01:01:16But I don't intend to stand side by side with your mother at your funerals.
01:01:24Is she any better?
01:01:25These last few days I've wondered if she's coming through it.
01:01:31She so hated the Germans after Daddy was killed.
01:01:35I suppose there comes a point when the hating has to stop.
01:01:39There are decent young men among them.
01:01:43Just like Phil.
01:01:45Just like poor Eugene.
01:01:46Where's the point in hating them?
01:01:49They act under orders just like we do.
01:01:55I'm seeing one.
01:01:57An airman.
01:01:59He was actually on the raid that killed Daddy.
01:02:01Who knows?
01:02:13Not a soul.
01:02:14Not even June.
01:02:16I'm totally in love.
01:02:18But I thought he was dead and I wanted to kill myself and I couldn't tell anyone.
01:02:27It's wonderful but it's unbearable.
01:02:32Of course.
01:02:34I'm sorry I've so needed to tell someone.
01:02:37Of course you have.
01:02:38Poor Angelique.
01:02:39Is he good to you?
01:02:45He is.
01:02:47He's lovely.
01:02:59You've been spying with my son who shouldn't even be on the island.
01:03:02One slip of the tongue and Phil could face a firing squad.
01:03:04No.
01:03:05You wouldn't do it deliberately.
01:03:06I swear.
01:03:06But a word out of place.
01:03:08I promise Mrs. Dorn Bernhardt's not the type of...
01:03:10You don't really know what Bernhardt is.
01:03:12I do.
01:03:13Angelique.
01:03:14He's not like that.
01:03:19Well.
01:03:22I'm glad.
01:03:25And you haven't mentioned Phil to him.
01:03:29No of course not.
01:03:32You're in love Angelique.
01:03:36But I wish I didn't know.
01:03:40I'm not like this.
01:04:04I wish I could do it now.
01:04:04I wish I could eat it now.
01:04:05I'm fine.
01:04:06Do you prefer winter or summer truffles?
01:04:15I wouldn't know the difference.
01:04:20One day, we compare.
01:04:25People are boiling up potato peelings, and we're eating truffles.
01:04:33Two favors returned.
01:04:36Two favors, and we'll put them in.
01:04:41Two favors, and we'll put them in.
01:04:45You look too.
01:04:51Come in.
01:04:54Two, two.
01:04:59Two, two, one.
01:05:01The magic is worse than the magic is closer.
01:05:03Oh, my God.
01:05:33Oh, my God.
01:06:03Oh, my God.
01:06:33Oh, my God.
01:07:03Oh, my God.
01:07:33Oh, my God.
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