- 8 mesi fa
Genere: Comico
Anno: 1982
Attori: Giorgio Ariani, Annamaria Rizzoli, Bombolo, Enzo Cannavale, Felice Andreasi, Vincenzo Crocitti, Ernest Thole, Gianni Ciardo, Saverio Vallone, Roberto Caporali.
TRAMA
Gli americani sfidano la marina italiana nel recupero di un sommergibile inabissato. Per un errore del computer, che deve selezionare l'equipaggio italiano, la missione viene affidata ad un manipolo di incompetenti.
Anno: 1982
Attori: Giorgio Ariani, Annamaria Rizzoli, Bombolo, Enzo Cannavale, Felice Andreasi, Vincenzo Crocitti, Ernest Thole, Gianni Ciardo, Saverio Vallone, Roberto Caporali.
TRAMA
Gli americani sfidano la marina italiana nel recupero di un sommergibile inabissato. Per un errore del computer, che deve selezionare l'equipaggio italiano, la missione viene affidata ad un manipolo di incompetenti.
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00:00:00Thank you all
00:00:30Thank you all
00:01:00Thank you all
00:01:30Thank you all
00:01:59Thank you all
00:02:29Thank you all
00:02:59Thank you all
00:03:30Old grudges that resurface from time to time
00:03:33Thank you all
00:04:03Thank you all
00:04:33Now get busy, Big Boss, everything has to be ready tomorrow morning.
00:04:39Work hard and don't get distracted like usual.
00:04:41Mario, where do I put this?
00:05:11Look, look, look Captain, it was supposed to be a secret and instead it all ended up in the newspapers
00:05:35Everything, the location, the place, the date, the conditions and even the name of the crew
00:05:42There's another one, there's another one, there's another one
00:06:42It's a RIGHT thing, it's not that it goes from July 15th, but what it will give from July 15th to July 15th to August 15th, do you understand?
00:06:45I am sorry
00:06:46Is there anything I can do for you?
00:06:48Well, yeah, he could have me escorted home by an armed escort.
00:06:52Oh, there's your name on the paper
00:07:16What are you talking about? We haven't stolen anything yet, our names are already in the paper.
00:07:20It's not possible
00:07:21Let me see, let me see
00:07:23And who reads anything here? I can't see, those things are so small, I need a pair of glasses.
00:07:29Here, see if these I found here are good for you.
00:07:31Let's see if they're okay
00:07:32Yes, yes, they are fine.
00:07:34Yes, yes, yes, they called up a bunch of sailors, you see, to put him on a corvette.
00:07:39Ex-sailors, here you go, here you go
00:07:41But is your name on the newspaper or not?
00:07:43Here, there is no name for me, I keep you
00:07:45I am an ex-sailor
00:07:46Is my name in there?
00:07:47There's the name, there's my name
00:07:49How is my name there?
00:07:51Then they called me back too
00:07:52Umaronna
00:07:53But you know what I tell you?
00:07:55That I rather than embark again
00:07:56I'd rather end up in jail
00:07:57Go on board, I'm not coming back
00:07:59To the other
00:08:00To the other
00:08:01Anveri, this guy has gone crazy, it's better if I'm wrong
00:08:04To the other, hurry up
00:08:06Police, run!
00:08:08There are thieves here in this house
00:08:10They're clearing out the apartment
00:08:12Hurry up, they're stealing everything
00:08:15You can't work here anymore
00:08:18Come on, start the car
00:08:20Today there is no religion anymore
00:08:23Word of Arsenio Leopera
00:08:25What times?
00:08:27There is no work anywhere anymore
00:08:29Worse than ducklings
00:08:31Stop right there
00:08:36You are under arrest
00:08:38But I...
00:08:38Thank you so much, goodnight
00:08:40No, no, but thank you
00:08:42I am the thief
00:08:43And that's still not stealthy
00:08:45You have to arrest me, not that one
00:08:47What's up?
00:08:49Mandosta
00:08:49Pharmacy
00:08:52And damn it
00:08:53You?
00:09:00This phone they invented to do
00:09:03Oh you who always warned me people
00:09:05No, no, no, it's not stealthy
00:09:20No, no, no, it's not stealthy
00:09:22Do you want?
00:09:29Huh?
00:09:29Do you want?
00:09:30To me?
00:09:31Who is?
00:09:33Ah, stay here Cassiodorus John
00:09:35Is he in front of you?
00:09:37Yes?
00:09:41I am Cassiodorus John
00:09:43Am I helping myself?
00:09:44Oh no, once cute
00:09:47Keep your hands off, you know how it doesn't attack
00:09:50This one is for her
00:09:51I'm not a bitch
00:09:53John?
00:10:04John, you can go out.
00:10:05Did you see he drank it?
00:10:09Eh, the postman drank it
00:10:11But the navy certainly won't drink it.
00:10:13But why instead?
00:10:15What always say that once returned to civilian
00:10:17I wanted to change sex
00:10:18And I went to have surgery in Casablanca
00:10:20Today many people do it
00:10:21I don't see why you couldn't have done it too.
00:10:23I'm afraid we're getting ourselves into a bad situation.
00:10:26Ah, John
00:10:28Perhaps you'd rather leave
00:10:29And let your cousin Gastone get the pharmacy
00:10:31And all the rest of your uncle's property?
00:10:34No, not this
00:10:35Gastone would immediately take advantage of the opportunity
00:10:38I know him well
00:10:40Well then, my little duck
00:10:42The only way to get the exemption
00:10:44It's that I pretend to be you
00:10:45You'll see that they won't even let me enter the barracks
00:10:48It's that they'll give me my discharge right away
00:10:49Given the result of the operation
00:10:51You are a treasure
00:10:53But I can't understand why you do all this for me
00:10:57Can't you guess?
00:10:58And because I'm about to inherit the pharmacy
00:11:01But why do I love you, you idiot?
00:11:05Don't you understand?
00:11:09Garo Ernesto
00:11:10When you read these lines
00:11:12I will already be far away in the Mediterranean
00:11:15My homeland has designated a submarine for competition with your homeland's gorvette
00:11:20I'm sending you this photo
00:11:22It's a lock of my hair
00:11:24Because you don't forget your friend Fred
00:11:27In these two long months of separation
00:11:29Dear Fred
00:11:32Distance, you know, is like the wind
00:11:35Which lights great fires
00:11:37Turn off the little ones
00:11:38I will not forget you
00:11:40But who is Ernesto?
00:11:54Yes, I know
00:11:55We're doing well
00:11:57Things?
00:11:59The draft postcard
00:12:00No, but I've already done my military service, thank God.
00:12:02And now you do it again
00:12:04Do you read me the newspapers?
00:12:05No, I sell newspapers, I don't read them.
00:12:07And I'm not missing, but as I heard
00:12:10There is a race between the navy and the American submarine
00:12:14A submarine?
00:12:17And listen, Postman
00:12:18It's probably Fred's submarine
00:12:22And I don't know whose it is
00:12:24I just know he's American
00:12:25So it's Fred's submarine
00:12:28We were such good friends
00:12:31And now for this absurd race
00:12:33We will become enemies
00:12:34Listen here
00:12:51Are you staying here in a certain Maremma Giorgio?
00:12:54Yes, let it be up to me too
00:12:55No, I have to hand it over to you.
00:12:57Then hurry up
00:12:58Mr. Maremma is leaving
00:12:59Where is it?
00:13:01Change the recalls and socere
00:13:02They make my blood boil
00:13:04Come and avoid
00:13:06Come here, what can I give you from this?
00:13:08Do you want to take me?
00:13:09First you have to catch me
00:13:11Pischero
00:13:12Come here, we'll tell you what
00:13:13But we both want to have a heart attack
00:13:15Do you want more cheese?
00:13:17No thank you
00:13:18That's enough
00:13:18Then I put it in the fridge
00:13:20Be careful of us
00:13:25So it's the hoax motelena
00:13:26Cantelo
00:13:27And here
00:13:28Thank you
00:13:29But come on, what is this?
00:13:32At the market they take everything from you
00:13:34The manufacturer of the well-known detergent
00:13:37He has distributed it to all the press agencies
00:13:39A statement in which he declines
00:13:41Any liability
00:13:42As for what happened
00:13:43Meanwhile, the one we all know by now
00:13:46Like the washing machine man
00:13:48He is always hospitalized
00:13:49To the drowned department
00:13:50Of the Sant'Anna hospital
00:13:52They have already been extracted from him
00:13:5310,000 liters of water
00:13:54But what worries clinicians most
00:13:56Engaged in the delicate operation
00:13:58It is the deposited limestone
00:14:00A bit everywhere
00:14:01Excuse me
00:14:02This is where everything changes.
00:14:03In exchange for one
00:14:04Hey, hello mom
00:14:06The postcard, the postcard
00:14:07But what is it?
00:14:08But what is he doing?
00:14:09Master text
00:14:10Where is your lover?
00:14:13Speaks
00:14:13But can't you see that there's nobody there?
00:14:15I know it's here, where is it?
00:14:18Sorry, I'm in a hurry
00:14:19Compliments
00:14:20The postcard
00:14:21With permission
00:14:22Two
00:14:24Two
00:14:25No
00:14:25No
00:14:27Three
00:14:27Finally
00:14:33Sarvo
00:14:34I sowed it
00:14:35But this one
00:14:38But this isn't my house
00:14:40What a day
00:14:44What a day
00:14:45What a day
00:14:47Hate
00:14:49Hate
00:14:49What is he doing here?
00:14:50I came to get the postcard
00:14:52Thank you
00:14:53Go away, they'll flash you
00:14:54Of head off
00:14:55To me
00:14:56And I'll punch you in the head
00:14:58You go all the way to the cellar
00:14:59To me
00:14:59Yes
00:15:00But I have your hair
00:15:01I'll make you bald
00:15:02To me
00:15:03I'll give you a Tuscan lip smack
00:15:05What are you doing, the house sinner?
00:15:06That you seem in the mouths
00:15:07To me
00:15:08Did you understand?
00:15:08Yes
00:15:09But you did something stupid
00:15:09A panzo of defeat
00:15:11But shut up
00:15:12But you made me hungry
00:15:13All day long
00:15:13And not to me
00:15:15Eh
00:15:15But
00:15:16Why did you go to do it?
00:15:17Spaghetti with oil
00:15:18You also have some Tuscan pecorino
00:15:20Under
00:15:20So let's go
00:15:21Yes, I knew you were paying for pints.
00:15:22I was doing a little too much
00:15:23And it has no package
00:15:24What do you have baked potato?
00:15:25Stop
00:15:26Come here
00:15:26Look, if you don't do it
00:15:27But what do you want?
00:15:28The postcard
00:15:29This is the madman
00:15:30But who are you?
00:15:31But who are you?
00:15:31But what is my name?
00:15:32Pure is written in the newspaper
00:15:33But what do you want?
00:15:34Give me the postcard
00:15:35But you who won
00:15:36Give me the postcard
00:15:37You should
00:15:38The postcard
00:15:39Thank goodness it's lost now
00:15:44The Madman
00:15:45Who is?
00:15:47Who is talking
00:15:48I took the cicopalation
00:15:49Listen
00:15:50I'll kill you if you don't give me the postcard
00:15:51Which postcard?
00:15:52The postcard with two is
00:15:53The postcard
00:15:53But how did I cut it?
00:15:54Nicola Soletti
00:15:56Nicola Soletti
00:15:58I know, I know, I know
00:15:59I know, my fucking business
00:16:00If I found a postcard
00:16:01Gives the poop
00:16:03Give the shit to these
00:16:03The postcard
00:16:04The postcard
00:16:04But I'm here by myself
00:16:06I found it
00:16:06Thank you
00:16:07She is good
00:16:09Thank you
00:16:10Thank you
00:16:10Thank goodness I gave
00:16:12All these postcards
00:16:13I went to this thought
00:16:14Oh, there's something for you
00:16:18That?
00:16:18Is it yours?
00:16:19They called you back to the Navy
00:16:20In the Navy?
00:16:22But how can I rotate pines?
00:16:24But how can I rotate pines?
00:16:25But how can I rotate pines?
00:16:27Yes
00:16:30They called me up to the Navy
00:16:33No
00:16:35Change
00:16:36But how I wheel
00:16:37I have
00:16:38I have
00:16:38Say
00:16:39But
00:16:40They called me up to the Navy
00:16:42I have Congrats
00:16:42Na
00:16:43On
00:16:45My Author
00:16:48TO
00:16:49We, we, we.
00:16:51We, we.
00:16:53We, we.
00:16:55We, we.
00:16:57Yes, yes.
00:16:59Yes, yes.
00:17:01Where should we go?
00:17:03Straight, straight.
00:17:05After so many years, shall we start the fight again?
00:17:07To the right, to the right.
00:17:09To the right, to the right.
00:17:11To the right, to the right.
00:17:13Straight on, to the right.
00:17:15To the right, to the right.
00:17:17Straight.
00:17:19Oh, Gian Piero, Gian Piero, are you hurt?
00:17:27Oh, Gian Piero, Gian Piero, are you hurt?
00:17:29But no, mom.
00:17:31Damn two wheels, I knew it.
00:17:33No, Mom, I didn't hurt myself.
00:17:35No, I don't know, did you hurt yourself or do you not want to say?
00:17:37Oh, Gian Piero, but why was it a game, Gian Piero?
00:17:39I didn't hurt myself, come on.
00:17:41It welcomes you, madame.
00:17:43Pay attention to your heart.
00:17:45There's no one left, right?
00:17:47Gian Piero, you don't make me worry.
00:17:49Oh, enough, come on.
00:17:50If you're hurt, you have to say it, you have to say it.
00:17:52Tell mommy, you tell her anyway, to be on the safe side,
00:17:55Archibald, call an ambulance immediately.
00:17:58Consider that it is here, madame.
00:18:00What?
00:18:01The ambulance was cleaned.
00:18:02But what is he doing?
00:18:03But no, sorry, Gian Piero, I don't have to go in the ambulance.
00:18:05Here, yes, thank you.
00:18:06Archibald.
00:18:07You don't have the postcard.
00:18:08Here it is, here it is.
00:18:09Archibald, do something.
00:18:11I'm already doing something, madame.
00:18:13I'm thinking what to do.
00:18:16Do this, Archibald.
00:18:17That nasty stump is taking him away.
00:18:19Against brute force, reason is worthless, madame.
00:18:23We will not abandon him.
00:18:24Don't worry.
00:18:26So what do I do?
00:18:27Am I fainting?
00:18:28It doesn't seem appropriate to me here.
00:18:30Better at home, madame.
00:18:31Stay up, stay on one eye.
00:18:53Oh!
00:18:54Oh!
00:19:19Oh!
00:19:20Well, what are you like?
00:19:23No, then I can't understand, this coin-operated jubilee here works, how is it?
00:19:32Oh, beastly!
00:19:35Here, sorry.
00:19:36To the right, to the right!
00:19:37Am I sure I can stay here?
00:19:38On the right, I said!
00:19:43How much more have I said that where I am before?
00:19:50Bye dear.
00:19:57Angela, look, we still have time.
00:20:00Giovanni, dear, but blondes with a body like that look like a sailor to you?
00:20:05No.
00:20:05So, dear, don't worry, go back to the hotel and wait for me.
00:20:09Yes, yes.
00:20:10You'll see that I'll come back with your permission.
00:20:12Hi love.
00:20:13Bye dear.
00:20:17I'm afraid this is all going to end up in a big mess.
00:20:20Do you want?
00:20:23Radio goniometrist Giovanni Cassiodoro.
00:20:30Cassiodorus!
00:20:33Sorry, sailor, but nothing has changed for me.
00:20:36She was and remains the radio goniometrist Cassiodoro Giovanni.
00:20:40But captain, can't you see that I'm a woman now?
00:20:42Touch, touch!
00:20:43But what does he want me to touch?
00:20:44Cassiodorus!
00:20:45There is nothing to touch.
00:20:45Cassiodorus!
00:20:46That is, she, as she presents herself to me, is practically a sailor who has a slightly more developed torso.
00:20:56of the others, that's all.
00:20:57But as the computer says, she's the best radio goniometer in the entire navy and the computer
00:21:01you're never wrong.
00:21:02Captain, can't you see that I'm not the same as I used to be?
00:21:05Oh, the old one, if only you knew.
00:21:07I'm not the same as I used to be either.
00:21:09I'm a few years older and...
00:21:11And I have something less.
00:21:13Well, she'll have it, she'll have something less somewhere.
00:21:16I don't want to investigate where because I don't know.
00:21:18However, there is something more on the other side.
00:21:20The two things balance each other out.
00:21:21For me, it's fine like this, closed.
00:21:23Oh God, I'm fainting.
00:21:24Oh, Captain.
00:21:25Mouth-to-mouth resuscitation might be necessary.
00:21:28Captain.
00:21:29Commands.
00:21:30Come on, give us a good one.
00:21:31Ah, there's the good one, I'm here, he, I'm here.
00:21:34I'm going, I'm going, I'm going, I'm going.
00:21:35It is not believed.
00:21:36I'm going, I'm going, I'm going, I'm going, I'm going.
00:21:37What's happening?
00:21:38No, we were having a discussion with him and he was giving us here.
00:21:42As?
00:21:42I'll take care of it.
00:21:43Give us some pepper.
00:21:44Hey, what did you want to do to my friends, huh?
00:21:47Oh, my god.
00:21:50Maronna, come on.
00:21:51I'm going, I'm going.
00:21:53Well, like the strange ones, as long as someone sees the thing, you give it to us, well, well, aside,
00:22:01Nothing.
00:22:02Good, ai ai.
00:22:04Eh, we're good.
00:22:09Doctor?
00:22:10Am I there too?
00:22:11Yes?
00:22:23What are you looking at? What are you looking at? That's sailor Cassiotolo Giovanni.
00:22:31A sailor?
00:22:32Yes.
00:22:33That's a sailor, I'm Mare Limorroso.
00:22:36Who are you?
00:22:37Limorroso Sea.
00:22:39So I have beautiful fabrics, right?
00:22:41Ah, young men, that young lady as you call her, that one is a nomo underneath.
00:22:46But excuse me, you who also know that? Isn't it male? Isn't it female? What kind of goat is that?
00:22:50He would be a transvestite, so to speak, a sexual transvestite.
00:22:55Eh, but like you said, it seems like a scam, that you have a faggot.
00:22:59He's not really a faggot here, he just chased the world away, look, it's clear.
00:23:03Anyway, guys, as a woman she would be a very, very good Maremma Pig.
00:23:09But, but forgive me.
00:23:11I may be a bit of a Calandicchio though, I know either one is male or one is female.
00:23:15Don't take these things for what they are.
00:23:17Because you're a provincial, you have to update yourself, you understand? There's man, there's woman, and there's the third sex.
00:23:22These are holy words, but I will lay them out.
00:23:25Don't give up.
00:23:26Emfantsi.
00:23:27No, don't give yourself.
00:23:28What is it?
00:23:29Vحau.
00:23:30Vحau.
00:23:31Vحau.
00:23:32Vحau.
00:23:33Vha?
00:23:34Vحau.
00:23:36Vhau.
00:23:37Vحau.
00:23:38Vhau.
00:23:40Vhau.
00:23:42Thank you all.
00:24:12Oh, what a blow, pig, it's a man, it's a man, it's not just a walk in the park, oh oh my forehead hurts, my goodness.
00:24:42Oh, what?
00:24:52Who is he? Who is he? What is he?
00:25:11Where are you going? Shut up! What's that screaming about?
00:25:14What? They don't produce much water.
00:25:16Water? Huh?
00:25:17I'll take the water away from you.
00:25:18What? You still don't believe that's a woman?
00:25:20Okay, but that's not the case, don't scream.
00:25:22But you show me that I'm a man.
00:25:24Slowly, slowly, slowly.
00:25:27Here, look, it's a man.
00:25:28You're right. I apologize, you're right.
00:25:31But come on, can't you sleep tonight, huh?
00:25:34No, I'm so sorry, sorry.
00:25:36That?
00:25:36Did you see? The will is in the cup.
00:25:39And the man is underneath?
00:25:40Yes, but it's in the cup. Do you understand?
00:25:42And who did you want to see?
00:25:43Who did I want to see?
00:25:44But I'm a structure, yes, who did I want to see?
00:25:47You idiot, you're such a fool the second time around, you understand?
00:25:49Yes, but you have to finish.
00:25:50Let's go to sleep this.
00:25:55Yes, but they are in stock.
00:25:57I hope you're sleeping.
00:26:11Yes, but they are in stock.
00:26:12Yes, but they are in stock.
00:26:13Yes, but they are in stock.
00:26:15Yes, but they are in stock.
00:26:17Yes, yes, yes.
00:26:47Yes, yes, yes.
00:27:17Yes, yes, yes.
00:27:47Yes, yes, yes.
00:28:17Yes, yes, yes.
00:28:47Yes, yes, yes.
00:29:17Yes, yes.
00:29:47Yes, yes, yes.
00:30:17Yes, yes.
00:30:47Yes, yes, yes.
00:31:17Yes, yes, yes.
00:31:48Thank goodness, it goes.
00:31:49I didn't hurt myself.
00:31:51Guys, who are you?
00:31:53Where are you jumping from, huh?
00:31:55Don't you recognize yourselves?
00:31:56I'm Maremma, you.
00:31:57Maremma?
00:31:58How much does rations sound, huh?
00:32:00Yes, but for you there isn't one.
00:32:01It doesn't matter.
00:32:02Now it means with Maio.
00:32:03I'll have a nice confiatina
00:32:04and when I grow up we'll fix it.
00:32:06Hi, guys, eh!
00:32:07who is?
00:32:13Who is?
00:32:13Soletti, Nicola.
00:32:18Password.
00:32:19I don't know the fuck you are.
00:32:19Hi and thanks for dropping by, huh?
00:32:22Write to me or I'll come, please.
00:32:23If they dissolved, send them there.
00:32:24HI.
00:32:25Oh my god, I'm not going to that bar anymore.
00:32:53But what did they give me to drink?
00:32:54But how is this fettuccini thing?
00:32:56How do I throw it and it hits me?
00:32:58Huh?
00:32:59He will love it.
00:33:00How do I know?
00:33:01I throw it and it hits me.
00:33:03But are you still holding this wood in your hand?
00:33:04But what are you doing?
00:33:05What are you doing?
00:33:06Throw it away, okay?
00:33:07I throw it and it hits me.
00:33:08But how does it get to you?
00:33:10Who knows, throw it nearby.
00:33:11Throw it far away, like this.
00:33:13He shot me really well.
00:33:15And now I'll make some sectors for you.
00:33:18Does it do it to you?
00:33:19Close.
00:33:21How much does it cost?
00:33:22Oh, I'm fed up.
00:33:24This time he'll break it.
00:33:26The break.
00:33:26The break.
00:33:27Well done, well done.
00:33:28What do I do?
00:33:28You did very well.
00:33:30And who is that?
00:33:31The fiode Nebus?
00:33:33Maybe they called him back too.
00:33:34Bad white man roto my toy.
00:33:38Ah, this is yours.
00:33:39We've been going back and forth for three hours.
00:33:40You're bad.
00:33:41You are a bad boy.
00:33:43Cattivellato.
00:33:43I'd slap you a lot, you understand?
00:33:45Who was it?
00:33:46It was him, he still has it in his hand.
00:33:47You are wild.
00:33:49Let's go, Cunda.
00:33:50You follow him, doctor.
00:33:51Very good.
00:33:51I told you, three hours ago.
00:33:52It's been dangerous for three hours.
00:33:54It's been dangerous for three hours.
00:33:55Get the wheelbarrow, go ahead.
00:33:56Bring the stuff, go ahead.
00:33:57Over here, forward.
00:33:58Below.
00:33:59Forward, forward.
00:34:00One, two, go.
00:34:01Over here.
00:34:01One, two, one, two.
00:34:03One, two, one, two.
00:34:03One, two, one, two.
00:34:05One, two.
00:34:06Step.
00:34:07Step.
00:34:08Step.
00:34:09Over, you can't.
00:34:10So, one, two.
00:34:12Hey, seat, come on.
00:34:14Give me your hand for you.
00:34:15Go, go.
00:34:17I didn't hear the trumpet.
00:34:19But the emerald doesn't sign.
00:34:21Don't make an appointment with me.
00:34:22Go.
00:34:23Go.
00:34:23Let's go, let's go see something.
00:34:29Bye bye.
00:34:32What are you looking for?
00:34:35No, no, nothing, nothing.
00:34:37I was looking at this blanket, which is exactly the same, exactly the same as mine.
00:34:42It's beautiful, soft, pasteurized, good.
00:34:49That?
00:34:50And can you swim?
00:34:51Why did the ships end?
00:34:54Excuse me.
00:34:55Yes?
00:34:55Do you mind keeping my bra on for a bit?
00:34:57I can't get it.
00:34:58I have to leave myself.
00:34:59Why don't you let them leave it to you, they're eating you up with their eyes?
00:35:02What am I eating with my eyes?
00:35:04Shut up, you idiot!
00:35:06Forget about it.
00:35:07But what did you bring back with you?
00:35:09I was never looking at him.
00:35:11From whom?
00:35:12To you!
00:35:13But how come I have a wife and three children?
00:35:16Oh my, but when I think that I was a man before, too, it gives me the shivers.
00:35:25Really?
00:35:25Do you want to hear?
00:35:26Everyone present, Captain?
00:35:45It was about time.
00:35:49Come on, I'm going!
00:35:51Sailors!
00:35:53The X hour is about to strike.
00:35:56Tomorrow morning at dawn we will set sail for the mission that has been assigned to us.
00:36:01And there's no point in me telling you
00:36:03that this is a mission that can cover us in glory or in shit.
00:36:10It depends on you, on your courage, on your brotherhood, on your spirit of sacrifice.
00:36:17Do you want to cover yourself in shit?
00:36:18No!
00:36:19Well, then all that's left for us to do is cover ourselves in glory.
00:36:23And then in the end it will be our flag that will fly on the pole of victory.
00:36:28Because the cause is just.
00:36:31Sailor, what's your name?
00:36:32Soletti di cola, aka Gironimo has cheated the elevator of the cities,
00:36:36on a bill that ate the galettes,
00:36:37to be done on the water, at the end of 60 Michele.
00:36:40Are you from Turin?
00:36:41No.
00:36:42Answer my question.
00:36:43What is Sailor, the flag for us?
00:36:47The flag is the...
00:36:48Mom?
00:36:49The flag...
00:36:51But what is mom?
00:36:51No, you don't know.
00:36:54You don't know, you don't know.
00:36:56So who knows?
00:36:57The mother.
00:36:58I know, Captain, the flag is the mother of the Turinese.
00:37:02But what does mom say about that guy?
00:37:05The flag is the mother of us all.
00:37:08And she's a beautiful, tall, svelte mom.
00:37:12And colorful too.
00:37:14You want it to be black and white, come on, what do you say?
00:37:17Make yourselves free, go free,
00:37:19but make sure you all come back in one piece, please.
00:37:21Leave me free.
00:37:24Be careful!
00:37:25Break ranks, you marchers!
00:37:28But how were you reading, did you have the flyer for me?
00:37:52Were you reading?
00:37:52What do you say?
00:37:53But how were you reading, what do you say?
00:37:54But can you read?
00:37:55I made the third differential.
00:37:57Eh, for the disabled.
00:37:59Here it is for me, Tiffany disco,
00:38:00free entry plus one drink for all sailors.
00:38:04We are sailors, let's go, let's go.
00:38:06Free entry, let's go.
00:38:07Unfortunately, dear, we are in a dance and we must keep dancing.
00:38:23There is nothing else to do.
00:38:24But I can't allow that.
00:38:26But now we can no longer go back.
00:38:28I would risk being charged with impersonation.
00:38:30And you, by remission, it's not worth it, right?
00:38:33And then, after all, 30 days go by quickly.
00:38:3530 days and 30 nights with a pack of maniacs ready to pounce on you.
00:38:39Don't worry, dear, I won't turn your pretty little head into a basket of romances.
00:38:42And how will you keep them all at bay?
00:38:44But nothing will happen, because you see, dear, they are convinced that deep down I am a man.
00:38:49You understand?
00:38:51Are you really sure about this?
00:38:52But I do, you don't.
00:38:54No?
00:38:54Let's go, let's go calmly.
00:39:02Come on, guys, come on.
00:39:08Force.
00:39:09At that time?
00:39:31Soon the sailors will be tamed like little angels, Captain.
00:39:34Perfect.
00:39:35He cooked all the drinks.
00:39:36This disco idea was a really great idea.
00:39:40The leaflet trap worked.
00:39:41Almost everyone fell for it.
00:39:43Are ours ready?
00:39:44They are aboard the van, already disguised as fedain.
00:39:47And they'll be here in exactly 25 minutes.
00:39:50It will be a breeze.
00:39:51Our men will collect all the sailors and take them away.
00:39:54And then I really want to see how they'll manage to find another crew of supermen
00:39:59for tomorrow morning at dawn.
00:40:00They'll never make it.
00:40:02They will give up the challenge and we will have started to win.
00:40:04Certain.
00:40:10But they didn't come to get the soporific anymore?
00:40:13Damn!
00:40:13Instead of narcotin I gave him the hide, that drug that makes you invisible.
00:40:17So what do we do now?
00:40:18I really don't know.
00:40:20Did they tell you what to do with this stuff?
00:40:22No.
00:40:22It's better not to tell anyone, as the hide-and-seek effect doesn't last long and it doesn't
00:40:26it hurts, okay?
00:40:30So, the husband says to the wife, right?
00:40:33Darling, it's time to get ready, right?
00:40:35And the wife looks out.
00:40:37I mean, while the husband says to the wife, pass the ready, right?
00:40:41The wife looks out the window.
00:40:47Madonna, you didn't like it.
00:40:49Listen, I'm sorry, he didn't make it because he won't understand.
00:40:51So, there's the husband and the wife, right?
00:40:54There is the husband and the wife.
00:40:56He tells his wife.
00:40:58Wait.
00:40:59He says, pass the ready.
00:41:01Pass the ready.
00:41:02The wife looks out.
00:41:08You didn't like it, you miss it.
00:41:11Wait, wait.
00:41:12The husband says to the wife.
00:41:14Wait, you say.
00:41:15Darling, look, wait.
00:41:18Dear, come on by.
00:41:21Pass the ready.
00:41:23And the wife looks out, looks out.
00:41:25But he always does that.
00:41:27Is it over?
00:41:28Wait, you heart-ass whore.
00:41:29No, no, you wait.
00:41:30Let's drink, come on, let's drink.
00:41:31Health.
00:41:33Health.
00:41:34I did not understand.
00:41:36I did not understand.
00:41:38Hey.
00:41:39Me?
00:41:40Hey, I don't have time to remember any more jokes, I don't know.
00:41:43We are here.
00:41:44No, we're here, he says.
00:41:45In front of you, tell, tell.
00:41:46Hey, talk.
00:41:47Who is the jubilee here?
00:41:48No, what jubilee?
00:41:49Speak, tell me, let me hear.
00:41:50Tell a joke.
00:41:52But don't say if he cuts off his hat in the face as a joke.
00:41:59The wife looks out a lot.
00:42:01I love it like crazy.
00:42:03You are very beautiful.
00:42:08Hey, where are you?
00:42:15I'm here, can't you see me?
00:42:17No, but I hear you.
00:42:19Oh, yeah, huh?
00:42:24Pig!
00:42:27Sorry, Sam, but I was falling, I didn't know where to grab them.
00:42:31What kind of impression do you make on me?
00:42:31He said, excuse me.
00:42:32Come on, let's talk.
00:42:33I never do that.
00:42:35But however...
00:42:37Because you have to be careful.
00:42:39My sister got a coil.
00:42:41Do you know the spiral?
00:42:42She got pregnant anyway.
00:42:44But he doesn't see any mosquitoes anymore.
00:42:46More mosquitoes.
00:42:46But this one?
00:42:48But what are those doing?
00:42:49Do they dance alone?
00:42:50Wow.
00:42:52Hey, what is this?
00:42:53Wait, are you dancing alone?
00:42:55Our friends, I don't know how it ends.
00:42:57If they are boated.
00:42:58Where are you?
00:42:58Huh?
00:42:59Hey, you know what to do?
00:43:01They get something to drink and then they go looking for each other.
00:43:03Yes.
00:43:03Come on, let's go.
00:43:04Da-da-da-da.
00:43:06Good evening.
00:43:07Good evening.
00:43:08Good evening.
00:43:08What do you give us to drink?
00:43:10Does he have a gut scar?
00:43:11Actually, this is all that's left.
00:43:14Give it to me here.
00:43:17There's a little bit left, huh?
00:43:18Eh, but he lets himself get down.
00:43:19Give me three glasses.
00:43:20You drink too.
00:43:23Well, hair, huh?
00:43:26Thank you.
00:43:32Look, I want to give you some because you have none left.
00:43:35Yes.
00:43:35Thank you.
00:43:35We'll give it to you because there's a good Arcore.
00:43:37Cinci.
00:43:38Cinci.
00:43:38I am sorry.
00:43:44They told me.
00:43:45School for nonsense.
00:43:47It was good, huh?
00:43:49Eh, but strong though, eh?
00:43:50If you are broken the pure glasses.
00:43:52Wow.
00:43:54Me too, everything.
00:43:55In Russian style.
00:43:57Bring good luck, come on.
00:44:08There is no me.
00:44:38I'll make sure we don't get fooled.
00:44:40But how did you understand? You're English.
00:44:43I read the subtitles.
00:44:45We need to teach him a lesson, come on.
00:44:47But get up.
00:44:49Did you want two sailors?
00:44:51Here we are, we are here.
00:44:53We are one, it is him.
00:44:55Ah, finally, we found it too.
00:44:57Come and get us, you desert singers.
00:45:00At Fedraining, I'm afraid this is true: we're dressed as sailors because I have to make my first communion.
00:45:06Coward.
00:45:07And what do I care?
00:45:09Better alone than in bad company.
00:45:11To the assertion!
00:45:13Take it easy, take it easy, we'll take care of you too.
00:45:16And you, you and we are enough.
00:45:18You want a little laugh, huh?
00:45:19No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:45:37It's a magnetic gaze, my optical strength, do you see it or are you reducing it to me?
00:45:44I'm better than the box.
00:45:46Now come on, let's give it a thump.
00:45:48Oh, nice, yeah, oh, go on.
00:45:49Oh, come on, come on, let's go, come on.
00:45:51You're here already, huh?
00:45:55Why did we get some overalls?
00:45:57Come on, come on, come on.
00:46:02It's you?
00:46:05Did you do that yourself?
00:46:07Come on, be careful, we're tight.
00:46:10But there is a newspaper, arrived.
00:46:19We're in a good place, okay?
00:46:21But they don't stay, these people die before they are touched.
00:46:24We are too strong, we are very strong.
00:46:26Two bombs.
00:46:27Where are you?
00:46:29Show yourselves.
00:46:30See, don't hear.
00:46:32How lucky, I didn't hurt myself.
00:46:41In fact, it seems to me that I walk even better than before.
00:46:49Yes, yes, we are truly under siege.
00:46:54Rather, get on board.
00:46:56The only thing that seemed there to me was the liver.
00:47:03Now I'm dying on the ship with my daughter
00:47:05and I tell him that I massacred the Fedaics.
00:47:08I don't even know those.
00:47:10Yet it's true.
00:47:12Next up.
00:47:13Next up.
00:47:17Excuse me, but you remind me so much of my pallia.
00:47:20Yes, but the milk is finished.
00:47:22Oh, climb.
00:47:24Here I am, Stefania.
00:47:25Where were we at?
00:47:27At the start.
00:47:33The arm!
00:47:35Leave me your arm!
00:47:37He's breaking my arm!
00:47:40Hi, Beric.
00:47:41You spin this power.
00:47:45Kills as I fly.
00:47:46You can't get a single one of these Petaini.
00:47:49As you can see, they don't run away.
00:47:52What are you doing tonight?
00:47:53Shall we go for a pizza?
00:47:55Perfiriveni.
00:47:55Perfiriveni.
00:47:57But you have to come, enough!
00:48:05But you have to come, the yaki!
00:48:08No, no, no!
00:48:09Soak up what!
00:48:18You prefer to fly, lift!
00:48:27Leave me alone! Leave me alone!
00:48:39Enough with the wine for today, the doctor said I have to drink less!
00:48:47God, you made football, I'm tired!
00:48:50Very!
00:48:51Take care of me!
00:48:53But do you see them?
00:48:55No, I hear them!
00:49:06These are already gone, let's beat the others, come on!
00:49:09Bravo!
00:49:10Whoever kills him and you disappear like mushrooms, you go ahead!
00:49:21And now that's enough!
00:49:25We're out!
00:49:30Richie!
00:49:41But they should have been out a while ago!
00:49:43Oh yes!
00:49:46Here they come out!
00:49:47We are the strongest sailors in the world!
00:49:50If two of them managed to neutralize the Marine command, they are truly supermen!
00:50:08Come on, Bob!
00:50:10Okay!
00:50:11We two are not men, we are Martians!
00:50:14Look at that pile!
00:50:15Well, come on now!
00:50:16You are cowardly sailors!
00:50:17Oh yeah?
00:50:18You cowards are!
00:50:19You hid and left us alone!
00:50:20Just the two of us!
00:50:21You worked your ass off so hard!
00:50:22And tell that to him who doesn't believe it!
00:50:23Well, let's do it this way, it's better!
00:50:24Eh, but it doesn't even seem a little exaggerated!
00:50:25Well, that's not a little exaggerated!
00:50:26Eh, but it doesn't even seem a little exaggerated!
00:50:27Eh, but it doesn't even seem a little exaggerated!
00:50:28Why?
00:50:29Um, did you work so hard?
00:50:31Hey, that's not it!
00:50:32And so, by the way, you are my waste!
00:50:33You are sent!
00:50:34Why should we know!
00:50:35Oh, that's not true!
00:50:36You are sent!
00:50:37And to everyone, that's all there is to it, I'm here!
00:50:38Yes!
00:50:39And I saw something!
00:50:40Which instead is widespread!
00:50:41Yes!
00:50:42At that time...
00:50:44You cowards are!
00:50:45You are hidden!
00:50:46You left us alone!
00:50:47And say!
00:50:48And what about asking?
00:50:49And me.
00:50:50What?
00:50:51Thank you all.
00:51:21Thank you all.
00:51:51Thank you all.
00:52:21Thank you all.
00:52:51Thank you all.
00:53:21Thank you all.
00:53:52Goodbye, Archibald.
00:53:53His heart, madame.
00:53:54Pay attention to your heart.
00:53:57Don't worry about me, Archibald.
00:54:00Go away.
00:54:02I know the corbetta is about to set sail.
00:54:06Archibald.
00:54:06Yes, madam.
00:54:07Please take care of our son.
00:54:13Madam, you had to make a little sigh.
00:54:16It escaped me.
00:54:18It will never happen.
00:54:19I hope so, madame.
00:54:21Look, if it gets out that I've let myself go, as a butler you've ruined it.
00:54:28Finished.
00:54:29Finished.
00:54:29Finished.
00:54:58Departure of the corvette.
00:55:22Ready.
00:55:24Oh, my gosh.
00:55:28God damn it.
00:55:29I can't even take a little fly by these days.
00:55:31Jesus, you sons of bitches when I get down and I'll take it away.
00:55:34Weigh anchor.
00:55:43Weigh anchor.
00:55:44And the orders.
00:55:45Move.
00:55:46Hurry up.
00:55:47Hurry up, we have to leave.
00:55:49Up, with this anchor.
00:55:50Let's go.
00:55:51We're finally off.
00:55:53And up there, come on.
00:55:58So, ragù.
00:56:02Be quick with this anchor.
00:56:03Come on, let's go, boys.
00:56:04Come on, go ahead.
00:56:06Let's go, let's go, let's go.
00:56:09Hurry, it's been there for three more hours.
00:56:10But what does it take to pull the anchor?
00:56:13What do we have to leave for?
00:56:14Hurry up.
00:56:14On.
00:56:18Rudder, starboard and engine, at half power.
00:56:20Yes, to me.
00:56:22Like you.
00:56:22Who should I tell, sorry?
00:56:23I tell you, you tell the helmsman, matched.
00:56:26So, go.
00:56:27Rudder, starboard, engine, full speed ahead.
00:56:29Half, come on, half, not all.
00:56:31Shall we save?
00:56:32Half.
00:56:32So you'll give me half of it, you understand?
00:56:34But what about half a door ahead?
00:56:37Received?
00:56:45Mouth the poor thing, the chain has become old.
00:56:50But what's happening?
00:56:52Help!
00:56:54Help!
00:56:54Help!
00:56:55I look amazing!
00:57:05Mouth, poor thing, stay here!
00:57:12But what do you think is happening?
00:57:14I don't know!
00:57:14But I have a stomach ache, I can't stand it.
00:57:20Excuse me, madam, who are you?
00:57:22I am the mother of the Riaccio bronzes.
00:57:25Congratulations, madame.
00:57:27Truly two beautiful children.
00:57:29Beautiful, but naughty.
00:57:30The first time I let them out, they never came home.
00:57:33Annicciate, here I am.
00:57:47Help!
00:57:49But how does this chain cloak get stuck?
00:57:51Mouth and rough.
00:58:06Oh my God, I got the wrong weapon, madame.
00:58:12Damn, you were bragging.
00:58:13Behind me, how did you do it?
00:58:15I noticed, though.
00:58:16Oh mama.
00:58:18Oh my God, Sanchen.
00:58:20Oh my goodness, my stomach.
00:58:21Hate.
00:58:23Hate.
00:58:24Oh God, Sanchen, help.
00:58:26Sanchen, help, I can't take it.
00:58:28The stomach.
00:58:29The stomach, oh my, the stomach.
00:58:31Oh my God, I ate something that made me sick.
00:58:34We want to make up our minds, the council.
00:58:35Help!
00:58:36Forward or backward?
00:58:40Sanchen, help.
00:58:41Sanchen, help, I can't take it.
00:58:43After, I want...
00:58:44I already thought, a lawyer.
00:58:47Bruscolotti steps in decisively on him, throwing it vertically.
00:58:50Ritore!
00:58:51To the ground, bellicose!
00:58:52To the ground, belligerent!
00:58:53It was closed!
00:59:00And how do you get bruglietto?
00:59:02Yes, but...
00:59:03Yes, but...
00:59:04Yes, but...
00:59:04Course, one, two, four, command!
00:59:12Twenty degrees to port, speed five knots, helmsman.
00:59:15But you, sailor, never take your eyes off that screen.
00:59:19Yes, Captain.
00:59:21You know that not...
00:59:22Oh well, it can tell you nothing.
00:59:25Don't worry, Captain, I'll stick to it.
00:59:28The smallest dot, the faintest signal, anything that moves, could be our target, you know that, dear?
00:59:35Coffee, Captain.
00:59:40Here it is.
00:59:43And now, I haven't stamped nor missed anything this year.
00:59:48Anna, come on, at least tell me there are no brakes.
00:59:51Ask the captain, little singer!
00:59:55Captain, I'm the one who has this nose to bear, I was from Arpini.
00:59:58I was from Arpini.
01:00:00Oh my God, your handlebars are broken.
01:00:01Do you want a coffee, since you had it brought to me, dear?
01:00:04But I'm so nervous.
01:00:05Huh?
01:00:06I feel a bad end.
01:00:07Oh my God, I don't like it.
01:00:09Look, you're worth your while, at least if we're worth it to you and me.
01:00:18Again, this rennet, from the tari.
01:00:21Oh God, what a shock, let's go out.
01:00:23Dad sure is a terrible driver.
01:00:26It's not the only thing that can hurt, your father.
01:00:29Oh yes, he'll be angry when he finds out we're on board.
01:00:32Who cares, we couldn't give up on vacation, sorry.
01:00:35Oh, hey!
01:00:36Hoping it's a holiday.
01:00:38Sailor, will you leave me?
01:00:40But really?
01:00:41It's an order.
01:00:42But captain, look, it's you who's holding me.
01:00:44Oh, yes, that's true, yes.
01:00:46And I hadn't noticed, look.
01:00:47I'm not becoming a big bloke.
01:00:54Get out of my way, you're ugly and I don't like you.
01:00:57I, I only brought the coffee.
01:01:03Here, with the genes.
01:01:06Bless you.
01:01:06Oh, thank you, if there isn't, no, a candle that big would fall.
01:01:24But I have a hat, which there.
01:01:28If it reaches Russia, it will trigger a world conflict.
01:01:30Oh, my god, vacation.
01:01:31Oh!
01:01:32Oh, my god, vacation.
01:02:02Oh mama.
01:02:08Is it a boy or a girl?
01:02:09It's the bomb.
01:02:11And there.
01:02:13Let us save and may God give me strength.
01:02:15Oh!
01:02:17Oh!
01:02:18Oh!
01:02:20Oh!
01:02:22Oh!
01:02:23Oh!
01:02:24Oh!
01:02:25Oh!
01:02:26Oh!
01:02:27Oh!
01:02:28Oh!
01:02:29Oh!
01:02:30Oh!
01:02:31Oh!
01:02:31Oh!
01:02:32Oh!
01:02:33Oh!
01:02:34Oh!
01:02:35Oh!
01:02:36Oh!
01:02:37Oh!
01:02:38Oh!
01:02:39Oh!
01:02:40Oh!
01:02:41Oh!
01:02:42Oh!
01:02:43Oh!
01:02:44Oh!
01:02:45Oh!
01:02:46Oh!
01:02:47Oh!
01:02:48Oh!
01:02:49Oh!
01:02:50Oh!
01:02:51Oh!
01:02:52Oh!
01:02:53Oh!
01:02:54Oh!
01:02:55Oh!
01:02:56Oh!
01:02:57Oh!
01:02:58Oh!
01:02:59Oh!
01:03:00Yes, yes, yes, yes.
01:03:30Yes, yes, yes.
01:04:00Yes, yes, yes.
01:04:30Yes, yes, yes.
01:05:00Yes, yes, yes.
01:05:30Yes, cuckold me.
01:05:31To you.
01:05:31But how come you take her away and call me a cuckold?
01:05:34If you allow yourself a cake made with my dreams, do you know what I'll do to you?
01:05:38Taffo.
01:05:39Eh.
01:05:40Where is he?
01:05:40Who?
01:05:41Where is she?
01:05:41But like before you opened the door and told me to stay away.
01:05:43That one is missing and I can't seem to find it down there.
01:05:44Did he bring me?
01:05:45But I don't know, move if I meet her.
01:05:46Let's hope.
01:05:47In fact, if I meet her again.
01:05:48But I'll try.
01:05:49You too can search.
01:05:51See if you can find it.
01:05:52And before he finds it, he loves it.
01:05:53How much of a bastard you are.
01:06:02And now where do I go?
01:06:05Follow that comet.
01:06:08Yes?
01:06:09But I don't have to go to Bethlehem.
01:06:11Come on, come out whoever you are.
01:06:20I know you're there.
01:06:21Right away.
01:06:22Right away.
01:06:25Here's your marimmo.
01:06:27Ah, you're surprised, you bunch of assholes.
01:06:31Go to work and we'll settle the accounts later.
01:06:34And you who are the stumbling block
01:06:36come to me in my cabin soon
01:06:38that we need to have a nice little talk.
01:06:39At your command, Captain.
01:06:41So we'd be the assholes, huh?
01:06:50Ah, you naughty commander.
01:06:58Please.
01:07:02Captain, are you going to give me this little speech here in the dark?
01:07:05I'll give you the little speech wherever I like.
01:07:07I'll do it to you in the dark, I'll do it to you in the light,
01:07:09I'll do it to you in the dark, but I swear.
01:07:10Captain.
01:07:11Captain, what are you doing?
01:07:12Captain, don't forget that I am a man after all.
01:07:14But what captain, call me Christopher, call me Christopher,
01:07:17but they don't hurt me.
01:07:17But no, leave me.
01:07:19Christopher.
01:07:21Sofia.
01:07:22But what are you doing on this ship, Balenzi?
01:07:24And what do you do with a man?
01:07:26With a man?
01:07:28Ah, tell me rather how you got here.
01:07:30That's not a man there.
01:07:31That one there is a radiometrist.
01:07:35Woman, though.
01:07:37A woman?
01:07:38And since when are women allowed on board?
01:07:40Women have been on board since the...
01:07:43Well, it's a military secret, look.
01:07:45Rather, how did you get on this ship?
01:07:47Tell me a little.
01:07:48We hid in a box, do you know Monica is there too?
01:07:51Oh, Monica's here too, I'm glad.
01:07:54Which box, Sofia?
01:07:56There is only one cash register on this ship.
01:07:58The stuff that was in the box, Sofia, where did you put it?
01:08:01We left her on the ground.
01:08:03Oi, oi, oi, oi.
01:08:05Sofia, there was the ace in the chest, you left it on the floor.
01:08:10Christopher, there was no ace in the chest.
01:08:12You have it...
01:08:13Sofia, there was an ace up her sleeve in the box.
01:08:17But was it in the sleeve or in the cash register?
01:08:19In the hands...
01:08:21The ace up the sleeve.
01:08:24It was in the box, you understand?
01:08:26In the handle of the case.
01:08:27I'll break the handle of the case on your square head, Sofia.
01:08:31You don't understand, you don't understand, you will never understand anything.
01:08:34The only thing that is certain is that for me, for you, for Monica,
01:08:37the holidays are over, we've got it in the wick, you understand?
01:08:39This time.
01:08:47And where on earth did you get that from?
01:08:56From the hold, why?
01:08:59Leave me alone, what are you doing?
01:09:01The sailors, you can see it.
01:09:03For now I only see that you're a kisser.
01:09:06Sorry, I just wanted to make sure...
01:09:09If you were a woman...
01:09:11...or a man.
01:09:12Does he look like a man to you?
01:09:15Eh, sometimes...
01:09:17Appearances can be deceiving.
01:09:19We already know something about it.
01:09:20And then I'm like... like Saint Ommaso.
01:09:22If you don't see, you don't believe.
01:09:23Well, really Saint Ommaso...
01:09:26Touched.
01:09:33The phrase of Saint Ommaso is like my smell, like my smell.
01:09:37I smell like you want, Saint Ommaso, I must you.
01:09:40Saint Ommaso's leg is like my smell.
01:09:42HI.
01:09:42Who is?
01:09:45Do you have a cigarette?
01:09:47No, I don't have any cigarettes because I don't smoke.
01:09:50But...
01:09:50And then smoking is bad for your pocket and it's bad for your stomach too, okay?
01:09:53But isn't that a cigarette in your mouth?
01:09:55No.
01:09:56This is a cigarette.
01:09:58This is...
01:09:59This is...
01:10:00Yes, okay, this is a cigarette.
01:10:02Okay, nothing.
01:10:03I don't smoke, my head was nervous.
01:10:05Here, I see a bit of this.
01:10:06And then this, I don't know if this is what I should call this or this.
01:10:08I don't even know myself yet.
01:10:09But you know I just don't understand you.
01:10:11Oh, okay, it doesn't matter, I don't understand myself.
01:10:12It does not matter.
01:10:13Nothing.
01:10:13I was in the mouth.
01:10:14Eh, the burta!
01:10:15But I also have everything about myself.
01:10:16This is the smoked cigarette.
01:10:18Here you are.
01:10:19You sure are a nice guy.
01:10:20Yes I know.
01:10:21Especially the way I'm looking like this.
01:10:22Anyway, I always liked you.
01:10:26Since the first time I saw you.
01:10:27You're the cutest of all.
01:10:29Yes, listen, please, eh.
01:10:32First of all, take your hands off me, okay.
01:10:34Besides, I don't want to have anything to do with rich people.
01:10:36But I am a woman.
01:10:37Yes, with the final surprise.
01:10:39Okay, I mean, get out of this house, okay?
01:10:40But that's how it is, believe me.
01:10:41It's not true that I was a man before, I've always been a woman.
01:10:43I don't care.
01:10:44Get out of here, nice to meet you, get out.
01:10:45All right, whatever you want.
01:10:47But you don't know what you're getting.
01:10:48Yes, yes.
01:10:56But slow, do you have the bacchata, the entrance?
01:10:58All with me today here, but slow.
01:11:01John, John, come.
01:11:05It's me, Angela, your girlfriend.
01:11:10John, John, come.
01:11:15But you are a vision, you are not you.
01:11:20John, John.
01:11:23Come on, stop.
01:11:26Come on, I'm going.
01:11:29Damn, it's water too, I'm sure, I put it in a few...
01:11:35Listen, have you by any chance seen a photo?
01:11:38A photo of this?
01:11:40Yes, but with less and more, you understand?
01:11:43So you're absolutely sure that this nigger here is on the submarine we're looking for?
01:11:48I swear, they can skip it.
01:11:50And why did they choose me and not you?
01:11:52Because it was your idea.
01:11:53Oh yeah, it was my idea.
01:11:54Sing it!
01:11:55And just answer yes and no.
01:11:57Yes and no, Captain.
01:11:59So what is this idea?
01:12:01Here, go, go.
01:12:04Dunco.
01:12:04Oh, here it is.
01:12:06Shall we sit down?
01:12:07Oh well, but she can get up a lot, it doesn't bother us.
01:12:09But what do you make me do?
01:12:10Come on, up.
01:12:13Here you are.
01:12:14We had thought of using the lock of hair from the market.
01:12:19No, no, no, no, one at a time, one at a time.
01:12:21Okay, then I'll speak.
01:12:22No, because I want the metal for you more.
01:12:23Oh well, you're about to retire, give it to me, you're here.
01:12:26No, I want the medal too, if not...
01:12:28Well, then it doesn't matter.
01:12:29And who knows?
01:12:30Okay, captain, crazy.
01:12:31You both can talk together.
01:12:32Tell me what you have in mind that I need to know, but speak clearly.
01:12:35Okay, get up.
01:12:41So, what is this?
01:12:43What is it?
01:12:43Two more seconds to respond.
01:12:46But that's a little saucepan over there, you can see it with the naked eye.
01:12:48Thanks to this we will be able to locate the American submarine.
01:12:53Yes, but how?
01:12:54How?
01:12:55Using the black man's hair as a transmitter.
01:12:59And as a recipient?
01:13:01As Verdì said.
01:13:03As Verdì said.
01:13:04But what are you selling stuff at the market in the middle of the street and to the ties?
01:13:07What does Verdì have to do with it?
01:13:09Cretin!
01:13:11So, using this, we will get directly
01:13:15after an American subtitle or a bullshit mess.
01:13:18What are you?
01:13:19Understand, Captain?
01:13:20I didn't understand, that he's an idiot.
01:13:22Yes, I understand.
01:13:23You mean by swinging the lock of hair from the black man's hair
01:13:26we will be able to capture the submarine.
01:13:28So let's try.
01:13:30Here we are.
01:13:31I cannot allow this.
01:13:33Fred would never forgive me.
01:13:34Sorry mom, you're beautiful and colorful, but you can't control your heart.
01:13:56Echo signals, commander.
01:14:09But then it works.
01:14:10Works!
01:14:12Shhh!
01:14:12Silence, you're making me lose my concentration.
01:14:15Good, good, good, let us work.
01:14:18Thirteen degrees to the left.
01:14:23Thirteen degrees to the left.
01:14:25Done.
01:14:25What do you think, sailor?
01:14:39It's almost stopped, Commander.
01:14:40And the silhouette is small.
01:14:41It could be a fishing boat,
01:14:43but it could also be the turret of a submarine.
01:14:46Let's hope, let's hope.
01:14:47That?
01:14:50I feel dizzy.
01:14:52And don't look here.
01:14:53Look up.
01:14:54Let me work.
01:14:56I feel it, I feel it.
01:14:58He feels it, he feels it.
01:15:00Hey, what are you cursing for?
01:15:02Did they hear it?
01:15:03What are you ringing in your ear?
01:15:05Let me do the math.
01:15:06And for 4 hours I take us in.
01:15:0928 degrees to starboard.
01:15:1128 degrees to starboard.
01:15:13Done.
01:15:1528 degrees to starboard.
01:15:17And don't get pissed off.
01:15:18What are you getting so pissed off about?
01:15:19Here we go, commander.
01:15:20We're almost on top of it.
01:15:22Move aside.
01:15:23Get out of here.
01:15:24What's up?
01:15:25The submarine.
01:15:26We are above the submarine.
01:15:27Get out of here and crush him.
01:15:28Get out of here.
01:15:29Here we are.
01:15:29Now we're right on top.
01:15:31But we get it, miracle.
01:15:32Let's go.
01:15:35Take it easy, counters.
01:15:37I want to come and see the submarine too.
01:15:42I was an indigenous person.
01:15:44Lala, commander.
01:15:45You see, there's something floating.
01:15:47Captain, but I don't see the submarine.
01:15:49It was a castagliato with that pendulum.
01:16:07Romeo?
01:16:07I am here.
01:16:08Where did you put the pendulum?
01:16:10Here it is.
01:16:10Take it out a little.
01:16:12Now you can stick that one up wherever I say.
01:16:15You will see that as a suppository it works better.
01:16:22Hey!
01:16:22Don Marco!
01:16:23Are you telling me?
01:16:25For America, which way am I going?
01:16:29Straight ahead.
01:16:31But look, it's far away.
01:16:32Eh, never mind.
01:16:33I'll stop early anyway.
01:16:35Oh, if you happen to be around there, come and visit me.
01:16:37Ask for Columbus.
01:16:38Columbus who?
01:16:39The lieutenant.
01:16:40No, Christopher!
01:16:57That?
01:16:58Mr. Giampiero, is it me?
01:17:01Oh, I'm talking to him.
01:17:02Here too?
01:17:04But what the hell do you want?
01:17:05Here, I'll make you take the pill.
01:17:08You never know.
01:17:16Ciumacchella?
01:17:17Stilla?
01:17:19Ciumacchella?
01:17:20Treasure?
01:17:20Where are you?
01:17:21Hey!
01:17:22But what are you doing here?
01:17:23And what are you doing?
01:17:24Nothing, I came to get some water.
01:17:26Yes, I'll give you the water.
01:17:28But what did you come to do?
01:17:29And I came to the floor to throw away wine.
01:17:31And wine, drink water, okay?
01:17:33Buzzers!
01:17:33Try to leave immediately, because I'm here, at this hour,
01:17:38I have an appointment, okay?
01:17:40Go, go, away!
01:17:41You have an appointment too.
01:17:42And how?
01:17:42Or do you know what I think?
01:17:43Huh?
01:17:44That all three of them had an appointment with the same pension.
01:17:47And you know what he has...
01:17:48What did he do?
01:17:49He fooled all three of us!
01:17:51Come on, try it and you'll see.
01:17:53But if...
01:17:54Come on!
01:17:55No, no, no, leave me alone.
01:17:56I don't like these messed up things like this.
01:17:58Hey, there's no mess, come on, I want to give you proof.
01:18:01But stay still, what are you doing?
01:18:02Relax!
01:18:03I'm undressing to give you proof, look!
01:18:04But I don't even want to look, oh well, it makes me sick,
01:18:07It's from the developmental age that I've always been delicate, okay?
01:18:09Oh, and where does this one go?
01:18:10Okay, okay.
01:18:13In this he is really stripping himself.
01:18:15No!
01:18:15I'm ready now, you can see for yourself.
01:18:23But no...
01:18:24Now are you convinced that I am a woman?
01:18:26Yes, but it's as if men were living in you, though...
01:18:29AND...
01:18:30Salcio, it's like you're missing...
01:18:32What are you missing there?
01:18:36But...
01:18:36But do I want to see?
01:18:37Yes...
01:18:38Wow!
01:18:40Here are our bombs.
01:19:06Now we've made so many mistakes
01:19:09and if holes really did remain in the water
01:19:12there would be no more water.
01:19:15The submarine would have remained dry
01:19:17and we could have caught him.
01:19:20These are the latest bombs.
01:19:22If we don't have some luck now,
01:19:24goodbye submarine, victory, goodbye vacation.
01:19:26Stop making a fuss!
01:19:34Captain!
01:19:35Look over there!
01:19:36Look over there!
01:19:36Believe me, this is the captain, I don't know who he is!
01:19:39I apologize.
01:19:41You haven't let me sleep a wink for two days!
01:19:50There are only 24 hours left until the deadline.
01:19:53I think we did it, guys.
01:19:54The idea of hiding in this cave
01:19:57it was really great.
01:19:58They'll have to pay us for this mess.
01:20:00Let's get to the point of the scope.
01:20:02I want to see what's happening outside.
01:20:24Oh, damn!
01:20:43That's right, sir, damn it!
01:20:45Quick turnaround!
01:20:45Here I go to the bottom!
01:20:50Every man for himself!
01:20:51Did you understand where the American submarine got stuck?
01:21:09It's down here!
01:21:10But what are you doing?
01:21:39Can't you see I'm fishing?
01:21:40It gave me a rough sea, I immediately got the stommer.
01:21:42Hate!
01:21:43Tede, where are you?
01:21:44From Naples.
01:21:45Can you notice?
01:21:46No!
01:21:47But how?
01:21:48Are you from Naples and don't know how to notice?
01:21:50And what is it?
01:21:50You disgust me!
01:21:51But why?
01:21:52Where are you from?
01:21:53Fiumicino.
01:21:54And can you fly?
01:21:55No!
01:21:56But is there an airport in Fiumicino?
01:21:58And you can't fly?
01:21:59I do not!
01:22:01And you don't!
01:22:01For me that's crazy.
01:22:04Yes, he's really crazy.
01:22:08And he doesn't know how to notice Naples.
01:22:12Help!
01:22:13Help!
01:22:15I want to talk to the captain, help!
01:22:18A man overboard!
01:22:21Help!
01:22:22But it's Giovanni!
01:22:23Help!
01:22:24Help!
01:22:24And who is he?
01:22:28But my boyfriend.
01:22:29Her boyfriend?
01:22:42Well, she wanted to talk to me.
01:22:44What do you have to tell me?
01:22:46I know where the American submarine is.
01:22:51But if you know, tell me right away, right?
01:22:53Yes, but only under certain conditions.
01:22:57But whatever the conditions, as long as it's not about money because we don't have a cent.
01:23:01No money.
01:23:03And I'll add that it makes me dizzy.
01:23:05First, I would like immunity for having been replaced.
01:23:09He agreed.
01:23:10Second, I would like my Angela back.
01:23:13Is Angela a protractor?
01:23:14Yes.
01:23:15And me?
01:23:16And she.
01:23:17And her?
01:23:18She.
01:23:19And her?
01:23:20You, I say?
01:23:21She.
01:23:21Do you agree?
01:23:22Yes, I agree too.
01:23:24Well, if you agree then...
01:23:25Agreed.
01:23:26Agreed.
01:23:28What do I care about that one anyway?
01:23:30He's only interested in the submarine.
01:23:32The submarine.
01:23:33Oh!
01:23:38Come on guys, with the glasses!
01:23:39Minus sixteen, fifteen, fourteen, thirteen, twelve...
01:23:45Am I wrong or did they knock?
01:23:46I really think so.
01:23:48Let me look.
01:23:58Here are eight wins.
01:24:00Here are eight wins.
01:24:30Here are eight wins.
01:24:33So, little franatino!
01:24:34No, no, no.
01:25:04I'm happy about that.
01:25:06Thank you.
01:25:12I'm happy about that.
01:25:13Thank you, that's not the case, Your Excellency, thank you.
01:25:19I'm happy about that.
01:25:26I'm happy about that.
01:25:34I'm happy about that.
01:25:41Thank you.
01:25:43This minister is strong.
01:25:47I'm happy about that.
01:25:48Thank you.
01:25:48I'm going to her, she's happy.
01:26:00Biancar, ready?
01:26:02Episodes.
01:26:02Oh, no, no, go away, go away, go away.
01:26:11You don't run away, I won't cut your head off.
01:26:14Ah, no, eh, ah, no.
01:26:21Fire.
01:26:21Ninth.
01:26:38No.
01:26:38Thank you all.
01:27:08Thank you all.
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