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00:00:00Thank you all
00:00:30Thank you all
00:01:00Thank you all
00:01:30Thank you all
00:01:59Thank you all
00:02:29Thank you all
00:02:59Thank you all
00:03:30Old grudges that resurface from time to time
00:03:33Thank you all
00:04:03Thank you all
00:04:33Now get busy, Big Boss, everything has to be ready tomorrow morning.
00:04:39Work hard and don't get distracted like usual.
00:04:41Mario, where do I put this?
00:05:11Look, look, look Captain, it was supposed to be a secret and instead it all ended up in the newspapers
00:05:35Everything, the location, the place, the date, the conditions and even the name of the crew
00:05:42There's another one, there's another one, there's another one
00:06:42It's a RIGHT thing, it's not that it goes from July 15th, but what it will give from July 15th to July 15th to August 15th, do you understand?
00:06:45I am sorry
00:06:46Is there anything I can do for you?
00:06:48Well, yeah, he could have me escorted home by an armed escort.
00:06:52Oh, there's your name on the paper
00:07:16What are you talking about? We haven't stolen anything yet, our names are already in the paper.
00:07:20It's not possible
00:07:21Let me see, let me see
00:07:23And who reads anything here? I can't see, those things are so small, I need a pair of glasses.
00:07:29Here, see if these I found here are good for you.
00:07:31Let's see if they're okay
00:07:32Yes, yes, they are fine.
00:07:34Yes, yes, yes, they called up a bunch of sailors, you see, to put him on a corvette.
00:07:39Ex-sailors, here you go, here you go
00:07:41But is your name on the newspaper or not?
00:07:43Here, there is no name for me, I keep you
00:07:45I am an ex-sailor
00:07:46Is my name in there?
00:07:47There's the name, there's my name
00:07:49How is my name there?
00:07:51Then they called me back too
00:07:52Umaronna
00:07:53But you know what I tell you?
00:07:55That I rather than embark again
00:07:56I'd rather end up in jail
00:07:57Go on board, I'm not coming back
00:07:59To the other
00:08:00To the other
00:08:01Anveri, this guy has gone crazy, it's better if I'm wrong
00:08:04To the other, hurry up
00:08:06Police, run!
00:08:08There are thieves here in this house
00:08:10They're clearing out the apartment
00:08:12Hurry up, they're stealing everything
00:08:15You can't work here anymore
00:08:18Come on, start the car
00:08:20Today there is no religion anymore
00:08:23Word of Arsenio Leopera
00:08:25What times?
00:08:27There is no work anywhere anymore
00:08:29Worse than ducklings
00:08:31Stop right there
00:08:36You are under arrest
00:08:38But I...
00:08:38Thank you so much, goodnight
00:08:40No, no, but thank you
00:08:42I am the thief
00:08:43And that's still not stealthy
00:08:45You have to arrest me, not that one
00:08:47What's up?
00:08:49Mandosta
00:08:49Pharmacy
00:08:52And damn it
00:08:53You?
00:09:00This phone they invented to do
00:09:03Oh you who always warned me people
00:09:05No, no, no, it's not stealthy
00:09:20No, no, no, it's not stealthy
00:09:22Do you want?
00:09:29Huh?
00:09:29Do you want?
00:09:30To me?
00:09:31Who is?
00:09:33Ah, stay here Cassiodorus John
00:09:35Is he in front of you?
00:09:37Yes?
00:09:41I am Cassiodorus John
00:09:43Am I helping myself?
00:09:44Oh no, once cute
00:09:47Keep your hands off, you know how it doesn't attack
00:09:50This one is for her
00:09:51I'm not a bitch
00:09:53John?
00:10:04John, you can go out.
00:10:05Did you see he drank it?
00:10:09Eh, the postman drank it
00:10:11But the navy certainly won't drink it.
00:10:13But why instead?
00:10:15What always say that once returned to civilian
00:10:17I wanted to change sex
00:10:18And I went to have surgery in Casablanca
00:10:20Today many people do it
00:10:21I don't see why you couldn't have done it too.
00:10:23I'm afraid we're getting ourselves into a bad situation.
00:10:26Ah, John
00:10:28Perhaps you'd rather leave
00:10:29And let your cousin Gastone get the pharmacy
00:10:31And all the rest of your uncle's property?
00:10:34No, not this
00:10:35Gastone would immediately take advantage of the opportunity
00:10:38I know him well
00:10:40Well then, my little duck
00:10:42The only way to get the exemption
00:10:44It's that I pretend to be you
00:10:45You'll see that they won't even let me enter the barracks
00:10:48It's that they'll give me my discharge right away
00:10:49Given the result of the operation
00:10:51You are a treasure
00:10:53But I can't understand why you do all this for me
00:10:57Can't you guess?
00:10:58And because I'm about to inherit the pharmacy
00:11:01But why do I love you, you idiot?
00:11:05Don't you understand?
00:11:09Garo Ernesto
00:11:10When you read these lines
00:11:12I will already be far away in the Mediterranean
00:11:15My homeland has designated a submarine for competition with your homeland's gorvette
00:11:20I'm sending you this photo
00:11:22It's a lock of my hair
00:11:24Because you don't forget your friend Fred
00:11:27In these two long months of separation
00:11:29Dear Fred
00:11:32Distance, you know, is like the wind
00:11:35Which lights great fires
00:11:37Turn off the little ones
00:11:38I will not forget you
00:11:40But who is Ernesto?
00:11:54Yes, I know
00:11:55We're doing well
00:11:57Things?
00:11:59The draft postcard
00:12:00No, but I've already done my military service, thank God.
00:12:02And now you do it again
00:12:04Do you read me the newspapers?
00:12:05No, I sell newspapers, I don't read them.
00:12:07And I'm not missing, but as I heard
00:12:10There is a race between the navy and the American submarine
00:12:14A submarine?
00:12:17And listen, Postman
00:12:18It's probably Fred's submarine
00:12:22And I don't know whose it is
00:12:24I just know he's American
00:12:25So it's Fred's submarine
00:12:28We were such good friends
00:12:31And now for this absurd race
00:12:33We will become enemies
00:12:34Listen here
00:12:51Are you staying here in a certain Maremma Giorgio?
00:12:54Yes, let it be up to me too
00:12:55No, I have to hand it over to you.
00:12:57Then hurry up
00:12:58Mr. Maremma is leaving
00:12:59Where is it?
00:13:01Change the recalls and socere
00:13:02They make my blood boil
00:13:04Come and avoid
00:13:06Come here, what can I give you from this?
00:13:08Do you want to take me?
00:13:09First you have to catch me
00:13:11Pischero
00:13:12Come here, we'll tell you what
00:13:13But we both want to have a heart attack
00:13:15Do you want more cheese?
00:13:17No thank you
00:13:18That's enough
00:13:18Then I put it in the fridge
00:13:20Be careful of us
00:13:25So it's the hoax motelena
00:13:26Cantelo
00:13:27And here
00:13:28Thank you
00:13:29But come on, what is this?
00:13:32At the market they take everything from you
00:13:34The manufacturer of the well-known detergent
00:13:37He has distributed it to all the press agencies
00:13:39A statement in which he declines
00:13:41Any liability
00:13:42As for what happened
00:13:43Meanwhile, the one we all know by now
00:13:46Like the washing machine man
00:13:48He is always hospitalized
00:13:49To the drowned department
00:13:50Of the Sant'Anna hospital
00:13:52They have already been extracted from him
00:13:5310,000 liters of water
00:13:54But what worries clinicians most
00:13:56Engaged in the delicate operation
00:13:58It is the deposited limestone
00:14:00A bit everywhere
00:14:01Excuse me
00:14:02This is where everything changes.
00:14:03In exchange for one
00:14:04Hey, hello mom
00:14:06The postcard, the postcard
00:14:07But what is it?
00:14:08But what is he doing?
00:14:09Master text
00:14:10Where is your lover?
00:14:13Speaks
00:14:13But can't you see that there's nobody there?
00:14:15I know it's here, where is it?
00:14:18Sorry, I'm in a hurry
00:14:19Compliments
00:14:20The postcard
00:14:21With permission
00:14:22Two
00:14:24Two
00:14:25No
00:14:25No
00:14:27Three
00:14:27Finally
00:14:33Sarvo
00:14:34I sowed it
00:14:35But this one
00:14:38But this isn't my house
00:14:40What a day
00:14:44What a day
00:14:45What a day
00:14:47Hate
00:14:49Hate
00:14:49What is he doing here?
00:14:50I came to get the postcard
00:14:52Thank you
00:14:53Go away, they'll flash you
00:14:54Of head off
00:14:55To me
00:14:56And I'll punch you in the head
00:14:58You go all the way to the cellar
00:14:59To me
00:14:59Yes
00:15:00But I have your hair
00:15:01I'll make you bald
00:15:02To me
00:15:03I'll give you a Tuscan lip smack
00:15:05What are you doing, the house sinner?
00:15:06That you seem in the mouths
00:15:07To me
00:15:08Did you understand?
00:15:08Yes
00:15:09But you did something stupid
00:15:09A panzo of defeat
00:15:11But shut up
00:15:12But you made me hungry
00:15:13All day long
00:15:13And not to me
00:15:15Eh
00:15:15But
00:15:16Why did you go to do it?
00:15:17Spaghetti with oil
00:15:18You also have some Tuscan pecorino
00:15:20Under
00:15:20So let's go
00:15:21Yes, I knew you were paying for pints.
00:15:22I was doing a little too much
00:15:23And it has no package
00:15:24What do you have baked potato?
00:15:25Stop
00:15:26Come here
00:15:26Look, if you don't do it
00:15:27But what do you want?
00:15:28The postcard
00:15:29This is the madman
00:15:30But who are you?
00:15:31But who are you?
00:15:31But what is my name?
00:15:32Pure is written in the newspaper
00:15:33But what do you want?
00:15:34Give me the postcard
00:15:35But you who won
00:15:36Give me the postcard
00:15:37You should
00:15:38The postcard
00:15:39Thank goodness it's lost now
00:15:44The Madman
00:15:45Who is?
00:15:47Who is talking
00:15:48I took the cicopalation
00:15:49Listen
00:15:50I'll kill you if you don't give me the postcard
00:15:51Which postcard?
00:15:52The postcard with two is
00:15:53The postcard
00:15:53But how did I cut it?
00:15:54Nicola Soletti
00:15:56Nicola Soletti
00:15:58I know, I know, I know
00:15:59I know, my fucking business
00:16:00If I found a postcard
00:16:01Gives the poop
00:16:03Give the shit to these
00:16:03The postcard
00:16:04The postcard
00:16:04But I'm here by myself
00:16:06I found it
00:16:06Thank you
00:16:07She is good
00:16:09Thank you
00:16:10Thank you
00:16:10Thank goodness I gave
00:16:12All these postcards
00:16:13I went to this thought
00:16:14Oh, there's something for you
00:16:18That?
00:16:18Is it yours?
00:16:19They called you back to the Navy
00:16:20In the Navy?
00:16:22But how can I rotate pines?
00:16:24But how can I rotate pines?
00:16:25But how can I rotate pines?
00:16:27Yes
00:16:30They called me up to the Navy
00:16:33No
00:16:35Change
00:16:36But how I wheel
00:16:37I have
00:16:38I have
00:16:38Say
00:16:39But
00:16:40They called me up to the Navy
00:16:42I have Congrats
00:16:42Na
00:16:43On
00:16:45My Author
00:16:48TO
00:16:49We, we, we.
00:16:51We, we.
00:16:53We, we.
00:16:55We, we.
00:16:57Yes, yes.
00:16:59Yes, yes.
00:17:01Where should we go?
00:17:03Straight, straight.
00:17:05After so many years, shall we start the fight again?
00:17:07To the right, to the right.
00:17:09To the right, to the right.
00:17:11To the right, to the right.
00:17:13Straight on, to the right.
00:17:15To the right, to the right.
00:17:17Straight.
00:17:19Oh, Gian Piero, Gian Piero, are you hurt?
00:17:27Oh, Gian Piero, Gian Piero, are you hurt?
00:17:29But no, mom.
00:17:31Damn two wheels, I knew it.
00:17:33No, Mom, I didn't hurt myself.
00:17:35No, I don't know, did you hurt yourself or do you not want to say?
00:17:37Oh, Gian Piero, but why was it a game, Gian Piero?
00:17:39I didn't hurt myself, come on.
00:17:41It welcomes you, madame.
00:17:43Pay attention to your heart.
00:17:45There's no one left, right?
00:17:47Gian Piero, you don't make me worry.
00:17:49Oh, enough, come on.
00:17:50If you're hurt, you have to say it, you have to say it.
00:17:52Tell mommy, you tell her anyway, to be on the safe side,
00:17:55Archibald, call an ambulance immediately.
00:17:58Consider that it is here, madame.
00:18:00What?
00:18:01The ambulance was cleaned.
00:18:02But what is he doing?
00:18:03But no, sorry, Gian Piero, I don't have to go in the ambulance.
00:18:05Here, yes, thank you.
00:18:06Archibald.
00:18:07You don't have the postcard.
00:18:08Here it is, here it is.
00:18:09Archibald, do something.
00:18:11I'm already doing something, madame.
00:18:13I'm thinking what to do.
00:18:16Do this, Archibald.
00:18:17That nasty stump is taking him away.
00:18:19Against brute force, reason is worthless, madame.
00:18:23We will not abandon him.
00:18:24Don't worry.
00:18:26So what do I do?
00:18:27Am I fainting?
00:18:28It doesn't seem appropriate to me here.
00:18:30Better at home, madame.
00:18:31Stay up, stay on one eye.
00:18:53Oh!
00:18:54Oh!
00:19:19Oh!
00:19:20Well, what are you like?
00:19:23No, then I can't understand, this coin-operated jubilee here works, how is it?
00:19:32Oh, beastly!
00:19:35Here, sorry.
00:19:36To the right, to the right!
00:19:37Am I sure I can stay here?
00:19:38On the right, I said!
00:19:43How much more have I said that where I am before?
00:19:50Bye dear.
00:19:57Angela, look, we still have time.
00:20:00Giovanni, dear, but blondes with a body like that look like a sailor to you?
00:20:05No.
00:20:05So, dear, don't worry, go back to the hotel and wait for me.
00:20:09Yes, yes.
00:20:10You'll see that I'll come back with your permission.
00:20:12Hi love.
00:20:13Bye dear.
00:20:17I'm afraid this is all going to end up in a big mess.
00:20:20Do you want?
00:20:23Radio goniometrist Giovanni Cassiodoro.
00:20:30Cassiodorus!
00:20:33Sorry, sailor, but nothing has changed for me.
00:20:36She was and remains the radio goniometrist Cassiodoro Giovanni.
00:20:40But captain, can't you see that I'm a woman now?
00:20:42Touch, touch!
00:20:43But what does he want me to touch?
00:20:44Cassiodorus!
00:20:45There is nothing to touch.
00:20:45Cassiodorus!
00:20:46That is, she, as she presents herself to me, is practically a sailor who has a slightly more developed torso.
00:20:56of the others, that's all.
00:20:57But as the computer says, she's the best radio goniometer in the entire navy and the computer
00:21:01you're never wrong.
00:21:02Captain, can't you see that I'm not the same as I used to be?
00:21:05Oh, the old one, if only you knew.
00:21:07I'm not the same as I used to be either.
00:21:09I'm a few years older and...
00:21:11And I have something less.
00:21:13Well, she'll have it, she'll have something less somewhere.
00:21:16I don't want to investigate where because I don't know.
00:21:18However, there is something more on the other side.
00:21:20The two things balance each other out.
00:21:21For me, it's fine like this, closed.
00:21:23Oh God, I'm fainting.
00:21:24Oh, Captain.
00:21:25Mouth-to-mouth resuscitation might be necessary.
00:21:28Captain.
00:21:29Commands.
00:21:30Come on, give us a good one.
00:21:31Ah, there's the good one, I'm here, he, I'm here.
00:21:34I'm going, I'm going, I'm going, I'm going.
00:21:35It is not believed.
00:21:36I'm going, I'm going, I'm going, I'm going, I'm going.
00:21:37What's happening?
00:21:38No, we were having a discussion with him and he was giving us here.
00:21:42As?
00:21:42I'll take care of it.
00:21:43Give us some pepper.
00:21:44Hey, what did you want to do to my friends, huh?
00:21:47Oh, my god.
00:21:50Maronna, come on.
00:21:51I'm going, I'm going.
00:21:53Well, like the strange ones, as long as someone sees the thing, you give it to us, well, well, aside,
00:22:01Nothing.
00:22:02Good, ai ai.
00:22:04Eh, we're good.
00:22:09Doctor?
00:22:10Am I there too?
00:22:11Yes?
00:22:23What are you looking at? What are you looking at? That's sailor Cassiotolo Giovanni.
00:22:31A sailor?
00:22:32Yes.
00:22:33That's a sailor, I'm Mare Limorroso.
00:22:36Who are you?
00:22:37Limorroso Sea.
00:22:39So I have beautiful fabrics, right?
00:22:41Ah, young men, that young lady as you call her, that one is a nomo underneath.
00:22:46But excuse me, you who also know that? Isn't it male? Isn't it female? What kind of goat is that?
00:22:50He would be a transvestite, so to speak, a sexual transvestite.
00:22:55Eh, but like you said, it seems like a scam, that you have a faggot.
00:22:59He's not really a faggot here, he just chased the world away, look, it's clear.
00:23:03Anyway, guys, as a woman she would be a very, very good Maremma Pig.
00:23:09But, but forgive me.
00:23:11I may be a bit of a Calandicchio though, I know either one is male or one is female.
00:23:15Don't take these things for what they are.
00:23:17Because you're a provincial, you have to update yourself, you understand? There's man, there's woman, and there's the third sex.
00:23:22These are holy words, but I will lay them out.
00:23:25Don't give up.
00:23:26Emfantsi.
00:23:27No, don't give yourself.
00:23:28What is it?
00:23:29Vحau.
00:23:30Vحau.
00:23:31Vحau.
00:23:32Vحau.
00:23:33Vha?
00:23:34Vحau.
00:23:36Vhau.
00:23:37Vحau.
00:23:38Vhau.
00:23:40Vhau.
00:23:42Thank you all.
00:24:12Oh, what a blow, pig, it's a man, it's a man, it's not just a walk in the park, oh oh my forehead hurts, my goodness.
00:24:42Oh, what?
00:24:52Who is he? Who is he? What is he?
00:25:11Where are you going? Shut up! What's that screaming about?
00:25:14What? They don't produce much water.
00:25:16Water? Huh?
00:25:17I'll take the water away from you.
00:25:18What? You still don't believe that's a woman?
00:25:20Okay, but that's not the case, don't scream.
00:25:22But you show me that I'm a man.
00:25:24Slowly, slowly, slowly.
00:25:27Here, look, it's a man.
00:25:28You're right. I apologize, you're right.
00:25:31But come on, can't you sleep tonight, huh?
00:25:34No, I'm so sorry, sorry.
00:25:36That?
00:25:36Did you see? The will is in the cup.
00:25:39And the man is underneath?
00:25:40Yes, but it's in the cup. Do you understand?
00:25:42And who did you want to see?
00:25:43Who did I want to see?
00:25:44But I'm a structure, yes, who did I want to see?
00:25:47You idiot, you're such a fool the second time around, you understand?
00:25:49Yes, but you have to finish.
00:25:50Let's go to sleep this.
00:25:55Yes, but they are in stock.
00:25:57I hope you're sleeping.
00:26:11Yes, but they are in stock.
00:26:12Yes, but they are in stock.
00:26:13Yes, but they are in stock.
00:26:15Yes, but they are in stock.
00:26:17Yes, yes, yes.
00:26:47Yes, yes, yes.
00:27:17Yes, yes, yes.
00:27:47Yes, yes, yes.
00:28:17Yes, yes, yes.
00:28:47Yes, yes, yes.
00:29:17Yes, yes.
00:29:47Yes, yes, yes.
00:30:17Yes, yes.
00:30:47Yes, yes, yes.
00:31:17Yes, yes, yes.
00:31:48Thank goodness, it goes.
00:31:49I didn't hurt myself.
00:31:51Guys, who are you?
00:31:53Where are you jumping from, huh?
00:31:55Don't you recognize yourselves?
00:31:56I'm Maremma, you.
00:31:57Maremma?
00:31:58How much does rations sound, huh?
00:32:00Yes, but for you there isn't one.
00:32:01It doesn't matter.
00:32:02Now it means with Maio.
00:32:03I'll have a nice confiatina
00:32:04and when I grow up we'll fix it.
00:32:06Hi, guys, eh!
00:32:07who is?
00:32:13Who is?
00:32:13Soletti, Nicola.
00:32:18Password.
00:32:19I don't know the fuck you are.
00:32:19Hi and thanks for dropping by, huh?
00:32:22Write to me or I'll come, please.
00:32:23If they dissolved, send them there.
00:32:24HI.
00:32:25Oh my god, I'm not going to that bar anymore.
00:32:53But what did they give me to drink?
00:32:54But how is this fettuccini thing?
00:32:56How do I throw it and it hits me?
00:32:58Huh?
00:32:59He will love it.
00:33:00How do I know?
00:33:01I throw it and it hits me.
00:33:03But are you still holding this wood in your hand?
00:33:04But what are you doing?
00:33:05What are you doing?
00:33:06Throw it away, okay?
00:33:07I throw it and it hits me.
00:33:08But how does it get to you?
00:33:10Who knows, throw it nearby.
00:33:11Throw it far away, like this.
00:33:13He shot me really well.
00:33:15And now I'll make some sectors for you.
00:33:18Does it do it to you?
00:33:19Close.
00:33:21How much does it cost?
00:33:22Oh, I'm fed up.
00:33:24This time he'll break it.
00:33:26The break.
00:33:26The break.
00:33:27Well done, well done.
00:33:28What do I do?
00:33:28You did very well.
00:33:30And who is that?
00:33:31The fiode Nebus?
00:33:33Maybe they called him back too.
00:33:34Bad white man roto my toy.
00:33:38Ah, this is yours.
00:33:39We've been going back and forth for three hours.
00:33:40You're bad.
00:33:41You are a bad boy.
00:33:43Cattivellato.
00:33:43I'd slap you a lot, you understand?
00:33:45Who was it?
00:33:46It was him, he still has it in his hand.
00:33:47You are wild.
00:33:49Let's go, Cunda.
00:33:50You follow him, doctor.
00:33:51Very good.
00:33:51I told you, three hours ago.
00:33:52It's been dangerous for three hours.
00:33:54It's been dangerous for three hours.
00:33:55Get the wheelbarrow, go ahead.
00:33:56Bring the stuff, go ahead.
00:33:57Over here, forward.
00:33:58Below.
00:33:59Forward, forward.
00:34:00One, two, go.
00:34:01Over here.
00:34:01One, two, one, two.
00:34:03One, two, one, two.
00:34:03One, two, one, two.
00:34:05One, two.
00:34:06Step.
00:34:07Step.
00:34:08Step.
00:34:09Over, you can't.
00:34:10So, one, two.
00:34:12Hey, seat, come on.
00:34:14Give me your hand for you.
00:34:15Go, go.
00:34:17I didn't hear the trumpet.
00:34:19But the emerald doesn't sign.
00:34:21Don't make an appointment with me.
00:34:22Go.
00:34:23Go.
00:34:23Let's go, let's go see something.
00:34:29Bye bye.
00:34:32What are you looking for?
00:34:35No, no, nothing, nothing.
00:34:37I was looking at this blanket, which is exactly the same, exactly the same as mine.
00:34:42It's beautiful, soft, pasteurized, good.
00:34:49That?
00:34:50And can you swim?
00:34:51Why did the ships end?
00:34:54Excuse me.
00:34:55Yes?
00:34:55Do you mind keeping my bra on for a bit?
00:34:57I can't get it.
00:34:58I have to leave myself.
00:34:59Why don't you let them leave it to you, they're eating you up with their eyes?
00:35:02What am I eating with my eyes?
00:35:04Shut up, you idiot!
00:35:06Forget about it.
00:35:07But what did you bring back with you?
00:35:09I was never looking at him.
00:35:11From whom?
00:35:12To you!
00:35:13But how come I have a wife and three children?
00:35:16Oh my, but when I think that I was a man before, too, it gives me the shivers.
00:35:25Really?
00:35:25Do you want to hear?
00:35:26Everyone present, Captain?
00:35:45It was about time.
00:35:49Come on, I'm going!
00:35:51Sailors!
00:35:53The X hour is about to strike.
00:35:56Tomorrow morning at dawn we will set sail for the mission that has been assigned to us.
00:36:01And there's no point in me telling you
00:36:03that this is a mission that can cover us in glory or in shit.
00:36:10It depends on you, on your courage, on your brotherhood, on your spirit of sacrifice.
00:36:17Do you want to cover yourself in shit?
00:36:18No!
00:36:19Well, then all that's left for us to do is cover ourselves in glory.
00:36:23And then in the end it will be our flag that will fly on the pole of victory.
00:36:28Because the cause is just.
00:36:31Sailor, what's your name?
00:36:32Soletti di cola, aka Gironimo has cheated the elevator of the cities,
00:36:36on a bill that ate the galettes,
00:36:37to be done on the water, at the end of 60 Michele.
00:36:40Are you from Turin?
00:36:41No.
00:36:42Answer my question.
00:36:43What is Sailor, the flag for us?
00:36:47The flag is the...
00:36:48Mom?
00:36:49The flag...
00:36:51But what is mom?
00:36:51No, you don't know.
00:36:54You don't know, you don't know.
00:36:56So who knows?
00:36:57The mother.
00:36:58I know, Captain, the flag is the mother of the Turinese.
00:37:02But what does mom say about that guy?
00:37:05The flag is the mother of us all.
00:37:08And she's a beautiful, tall, svelte mom.
00:37:12And colorful too.
00:37:14You want it to be black and white, come on, what do you say?
00:37:17Make yourselves free, go free,
00:37:19but make sure you all come back in one piece, please.
00:37:21Leave me free.
00:37:24Be careful!
00:37:25Break ranks, you marchers!
00:37:28But how were you reading, did you have the flyer for me?
00:37:52Were you reading?
00:37:52What do you say?
00:37:53But how were you reading, what do you say?
00:37:54But can you read?
00:37:55I made the third differential.
00:37:57Eh, for the disabled.
00:37:59Here it is for me, Tiffany disco,
00:38:00free entry plus one drink for all sailors.
00:38:04We are sailors, let's go, let's go.
00:38:06Free entry, let's go.
00:38:07Unfortunately, dear, we are in a dance and we must keep dancing.
00:38:23There is nothing else to do.
00:38:24But I can't allow that.
00:38:26But now we can no longer go back.
00:38:28I would risk being charged with impersonation.
00:38:30And you, by remission, it's not worth it, right?
00:38:33And then, after all, 30 days go by quickly.
00:38:3530 days and 30 nights with a pack of maniacs ready to pounce on you.
00:38:39Don't worry, dear, I won't turn your pretty little head into a basket of romances.
00:38:42And how will you keep them all at bay?
00:38:44But nothing will happen, because you see, dear, they are convinced that deep down I am a man.
00:38:49You understand?
00:38:51Are you really sure about this?
00:38:52But I do, you don't.
00:38:54No?
00:38:54Let's go, let's go calmly.
00:39:02Come on, guys, come on.
00:39:08Force.
00:39:09At that time?
00:39:31Soon the sailors will be tamed like little angels, Captain.
00:39:34Perfect.
00:39:35He cooked all the drinks.
00:39:36This disco idea was a really great idea.
00:39:40The leaflet trap worked.
00:39:41Almost everyone fell for it.
00:39:43Are ours ready?
00:39:44They are aboard the van, already disguised as fedain.
00:39:47And they'll be here in exactly 25 minutes.
00:39:50It will be a breeze.
00:39:51Our men will collect all the sailors and take them away.
00:39:54And then I really want to see how they'll manage to find another crew of supermen
00:39:59for tomorrow morning at dawn.
00:40:00They'll never make it.
00:40:02They will give up the challenge and we will have started to win.
00:40:04Certain.
00:40:10But they didn't come to get the soporific anymore?
00:40:13Damn!
00:40:13Instead of narcotin I gave him the hide, that drug that makes you invisible.
00:40:17So what do we do now?
00:40:18I really don't know.
00:40:20Did they tell you what to do with this stuff?
00:40:22No.
00:40:22It's better not to tell anyone, as the hide-and-seek effect doesn't last long and it doesn't
00:40:26it hurts, okay?
00:40:30So, the husband says to the wife, right?
00:40:33Darling, it's time to get ready, right?
00:40:35And the wife looks out.
00:40:37I mean, while the husband says to the wife, pass the ready, right?
00:40:41The wife looks out the window.
00:40:47Madonna, you didn't like it.
00:40:49Listen, I'm sorry, he didn't make it because he won't understand.
00:40:51So, there's the husband and the wife, right?
00:40:54There is the husband and the wife.
00:40:56He tells his wife.
00:40:58Wait.
00:40:59He says, pass the ready.
00:41:01Pass the ready.
00:41:02The wife looks out.
00:41:08You didn't like it, you miss it.
00:41:11Wait, wait.
00:41:12The husband says to the wife.
00:41:14Wait, you say.
00:41:15Darling, look, wait.
00:41:18Dear, come on by.
00:41:21Pass the ready.
00:41:23And the wife looks out, looks out.
00:41:25But he always does that.
00:41:27Is it over?
00:41:28Wait, you heart-ass whore.
00:41:29No, no, you wait.
00:41:30Let's drink, come on, let's drink.
00:41:31Health.
00:41:33Health.
00:41:34I did not understand.
00:41:36I did not understand.
00:41:38Hey.
00:41:39Me?
00:41:40Hey, I don't have time to remember any more jokes, I don't know.
00:41:43We are here.
00:41:44No, we're here, he says.
00:41:45In front of you, tell, tell.
00:41:46Hey, talk.
00:41:47Who is the jubilee here?
00:41:48No, what jubilee?
00:41:49Speak, tell me, let me hear.
00:41:50Tell a joke.
00:41:52But don't say if he cuts off his hat in the face as a joke.
00:41:59The wife looks out a lot.
00:42:01I love it like crazy.
00:42:03You are very beautiful.
00:42:08Hey, where are you?
00:42:15I'm here, can't you see me?
00:42:17No, but I hear you.
00:42:19Oh, yeah, huh?
00:42:24Pig!
00:42:27Sorry, Sam, but I was falling, I didn't know where to grab them.
00:42:31What kind of impression do you make on me?
00:42:31He said, excuse me.
00:42:32Come on, let's talk.
00:42:33I never do that.
00:42:35But however...
00:42:37Because you have to be careful.
00:42:39My sister got a coil.
00:42:41Do you know the spiral?
00:42:42She got pregnant anyway.
00:42:44But he doesn't see any mosquitoes anymore.
00:42:46More mosquitoes.
00:42:46But this one?
00:42:48But what are those doing?
00:42:49Do they dance alone?
00:42:50Wow.
00:42:52Hey, what is this?
00:42:53Wait, are you dancing alone?
00:42:55Our friends, I don't know how it ends.
00:42:57If they are boated.
00:42:58Where are you?
00:42:58Huh?
00:42:59Hey, you know what to do?
00:43:01They get something to drink and then they go looking for each other.
00:43:03Yes.
00:43:03Come on, let's go.
00:43:04Da-da-da-da.
00:43:06Good evening.
00:43:07Good evening.
00:43:08Good evening.
00:43:08What do you give us to drink?
00:43:10Does he have a gut scar?
00:43:11Actually, this is all that's left.
00:43:14Give it to me here.
00:43:17There's a little bit left, huh?
00:43:18Eh, but he lets himself get down.
00:43:19Give me three glasses.
00:43:20You drink too.
00:43:23Well, hair, huh?
00:43:26Thank you.
00:43:32Look, I want to give you some because you have none left.
00:43:35Yes.
00:43:35Thank you.
00:43:35We'll give it to you because there's a good Arcore.
00:43:37Cinci.
00:43:38Cinci.
00:43:38I am sorry.
00:43:44They told me.
00:43:45School for nonsense.
00:43:47It was good, huh?
00:43:49Eh, but strong though, eh?
00:43:50If you are broken the pure glasses.
00:43:52Wow.
00:43:54Me too, everything.
00:43:55In Russian style.
00:43:57Bring good luck, come on.
00:44:08There is no me.
00:44:38I'll make sure we don't get fooled.
00:44:40But how did you understand? You're English.
00:44:43I read the subtitles.
00:44:45We need to teach him a lesson, come on.
00:44:47But get up.
00:44:49Did you want two sailors?
00:44:51Here we are, we are here.
00:44:53We are one, it is him.
00:44:55Ah, finally, we found it too.
00:44:57Come and get us, you desert singers.
00:45:00At Fedraining, I'm afraid this is true: we're dressed as sailors because I have to make my first communion.
00:45:06Coward.
00:45:07And what do I care?
00:45:09Better alone than in bad company.
00:45:11To the assertion!
00:45:13Take it easy, take it easy, we'll take care of you too.
00:45:16And you, you and we are enough.
00:45:18You want a little laugh, huh?
00:45:19No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:45:37It's a magnetic gaze, my optical strength, do you see it or are you reducing it to me?
00:45:44I'm better than the box.
00:45:46Now come on, let's give it a thump.
00:45:48Oh, nice, yeah, oh, go on.
00:45:49Oh, come on, come on, let's go, come on.
00:45:51You're here already, huh?
00:45:55Why did we get some overalls?
00:45:57Come on, come on, come on.
00:46:02It's you?
00:46:05Did you do that yourself?
00:46:07Come on, be careful, we're tight.
00:46:10But there is a newspaper, arrived.
00:46:19We're in a good place, okay?
00:46:21But they don't stay, these people die before they are touched.
00:46:24We are too strong, we are very strong.
00:46:26Two bombs.
00:46:27Where are you?
00:46:29Show yourselves.
00:46:30See, don't hear.
00:46:32How lucky, I didn't hurt myself.
00:46:41In fact, it seems to me that I walk even better than before.
00:46:49Yes, yes, we are truly under siege.
00:46:54Rather, get on board.
00:46:56The only thing that seemed there to me was the liver.
00:47:03Now I'm dying on the ship with my daughter
00:47:05and I tell him that I massacred the Fedaics.
00:47:08I don't even know those.
00:47:10Yet it's true.
00:47:12Next up.
00:47:13Next up.
00:47:17Excuse me, but you remind me so much of my pallia.
00:47:20Yes, but the milk is finished.
00:47:22Oh, climb.
00:47:24Here I am, Stefania.
00:47:25Where were we at?
00:47:27At the start.
00:47:33The arm!
00:47:35Leave me your arm!
00:47:37He's breaking my arm!
00:47:40Hi, Beric.
00:47:41You spin this power.
00:47:45Kills as I fly.
00:47:46You can't get a single one of these Petaini.
00:47:49As you can see, they don't run away.
00:47:52What are you doing tonight?
00:47:53Shall we go for a pizza?
00:47:55Perfiriveni.
00:47:55Perfiriveni.
00:47:57But you have to come, enough!
00:48:05But you have to come, the yaki!
00:48:08No, no, no!
00:48:09Soak up what!
00:48:18You prefer to fly, lift!
00:48:27Leave me alone! Leave me alone!
00:48:39Enough with the wine for today, the doctor said I have to drink less!
00:48:47God, you made football, I'm tired!
00:48:50Very!
00:48:51Take care of me!
00:48:53But do you see them?
00:48:55No, I hear them!
00:49:06These are already gone, let's beat the others, come on!
00:49:09Bravo!
00:49:10Whoever kills him and you disappear like mushrooms, you go ahead!
00:49:21And now that's enough!
00:49:25We're out!
00:49:30Richie!
00:49:41But they should have been out a while ago!
00:49:43Oh yes!
00:49:46Here they come out!
00:49:47We are the strongest sailors in the world!
00:49:50If two of them managed to neutralize the Marine command, they are truly supermen!
00:50:08Come on, Bob!
00:50:10Okay!
00:50:11We two are not men, we are Martians!
00:50:14Look at that pile!
00:50:15Well, come on now!
00:50:16You are cowardly sailors!
00:50:17Oh yeah?
00:50:18You cowards are!
00:50:19You hid and left us alone!
00:50:20Just the two of us!
00:50:21You worked your ass off so hard!
00:50:22And tell that to him who doesn't believe it!
00:50:23Well, let's do it this way, it's better!
00:50:24Eh, but it doesn't even seem a little exaggerated!
00:50:25Well, that's not a little exaggerated!
00:50:26Eh, but it doesn't even seem a little exaggerated!
00:50:27Eh, but it doesn't even seem a little exaggerated!
00:50:28Why?
00:50:29Um, did you work so hard?
00:50:31Hey, that's not it!
00:50:32And so, by the way, you are my waste!
00:50:33You are sent!
00:50:34Why should we know!
00:50:35Oh, that's not true!
00:50:36You are sent!
00:50:37And to everyone, that's all there is to it, I'm here!
00:50:38Yes!
00:50:39And I saw something!
00:50:40Which instead is widespread!
00:50:41Yes!
00:50:42At that time...
00:50:44You cowards are!
00:50:45You are hidden!
00:50:46You left us alone!
00:50:47And say!
00:50:48And what about asking?
00:50:49And me.
00:50:50What?
00:50:51Thank you all.
00:51:21Thank you all.
00:51:51Thank you all.
00:52:21Thank you all.
00:52:51Thank you all.
00:53:21Thank you all.
00:53:52Goodbye, Archibald.
00:53:53His heart, madame.
00:53:54Pay attention to your heart.
00:53:57Don't worry about me, Archibald.
00:54:00Go away.
00:54:02I know the corbetta is about to set sail.
00:54:06Archibald.
00:54:06Yes, madam.
00:54:07Please take care of our son.
00:54:13Madam, you had to make a little sigh.
00:54:16It escaped me.
00:54:18It will never happen.
00:54:19I hope so, madame.
00:54:21Look, if it gets out that I've let myself go, as a butler you've ruined it.
00:54:28Finished.
00:54:29Finished.
00:54:29Finished.
00:54:58Departure of the corvette.
00:55:22Ready.
00:55:24Oh, my gosh.
00:55:28God damn it.
00:55:29I can't even take a little fly by these days.
00:55:31Jesus, you sons of bitches when I get down and I'll take it away.
00:55:34Weigh anchor.
00:55:43Weigh anchor.
00:55:44And the orders.
00:55:45Move.
00:55:46Hurry up.
00:55:47Hurry up, we have to leave.
00:55:49Up, with this anchor.
00:55:50Let's go.
00:55:51We're finally off.
00:55:53And up there, come on.
00:55:58So, ragù.
00:56:02Be quick with this anchor.
00:56:03Come on, let's go, boys.
00:56:04Come on, go ahead.
00:56:06Let's go, let's go, let's go.
00:56:09Hurry, it's been there for three more hours.
00:56:10But what does it take to pull the anchor?
00:56:13What do we have to leave for?
00:56:14Hurry up.
00:56:14On.
00:56:18Rudder, starboard and engine, at half power.
00:56:20Yes, to me.
00:56:22Like you.
00:56:22Who should I tell, sorry?
00:56:23I tell you, you tell the helmsman, matched.
00:56:26So, go.
00:56:27Rudder, starboard, engine, full speed ahead.
00:56:29Half, come on, half, not all.
00:56:31Shall we save?
00:56:32Half.
00:56:32So you'll give me half of it, you understand?
00:56:34But what about half a door ahead?
00:56:37Received?
00:56:45Mouth the poor thing, the chain has become old.
00:56:50But what's happening?
00:56:52Help!
00:56:54Help!
00:56:54Help!
00:56:55I look amazing!
00:57:05Mouth, poor thing, stay here!
00:57:12But what do you think is happening?
00:57:14I don't know!
00:57:14But I have a stomach ache, I can't stand it.
00:57:20Excuse me, madam, who are you?
00:57:22I am the mother of the Riaccio bronzes.
00:57:25Congratulations, madame.
00:57:27Truly two beautiful children.
00:57:29Beautiful, but naughty.
00:57:30The first time I let them out, they never came home.
00:57:33Annicciate, here I am.
00:57:47Help!
00:57:49But how does this chain cloak get stuck?
00:57:51Mouth and rough.
00:58:06Oh my God, I got the wrong weapon, madame.
00:58:12Damn, you were bragging.
00:58:13Behind me, how did you do it?
00:58:15I noticed, though.
00:58:16Oh mama.
00:58:18Oh my God, Sanchen.
00:58:20Oh my goodness, my stomach.
00:58:21Hate.
00:58:23Hate.
00:58:24Oh God, Sanchen, help.
00:58:26Sanchen, help, I can't take it.
00:58:28The stomach.
00:58:29The stomach, oh my, the stomach.
00:58:31Oh my God, I ate something that made me sick.
00:58:34We want to make up our minds, the council.
00:58:35Help!
00:58:36Forward or backward?
00:58:40Sanchen, help.
00:58:41Sanchen, help, I can't take it.
00:58:43After, I want...
00:58:44I already thought, a lawyer.
00:58:47Bruscolotti steps in decisively on him, throwing it vertically.
00:58:50Ritore!
00:58:51To the ground, bellicose!
00:58:52To the ground, belligerent!
00:58:53It was closed!
00:59:00And how do you get bruglietto?
00:59:02Yes, but...
00:59:03Yes, but...
00:59:04Yes, but...
00:59:04Course, one, two, four, command!
00:59:12Twenty degrees to port, speed five knots, helmsman.
00:59:15But you, sailor, never take your eyes off that screen.
00:59:19Yes, Captain.
00:59:21You know that not...
00:59:22Oh well, it can tell you nothing.
00:59:25Don't worry, Captain, I'll stick to it.
00:59:28The smallest dot, the faintest signal, anything that moves, could be our target, you know that, dear?
00:59:35Coffee, Captain.
00:59:40Here it is.
00:59:43And now, I haven't stamped nor missed anything this year.
00:59:48Anna, come on, at least tell me there are no brakes.
00:59:51Ask the captain, little singer!
00:59:55Captain, I'm the one who has this nose to bear, I was from Arpini.
00:59:58I was from Arpini.
01:00:00Oh my God, your handlebars are broken.
01:00:01Do you want a coffee, since you had it brought to me, dear?
01:00:04But I'm so nervous.
01:00:05Huh?
01:00:06I feel a bad end.
01:00:07Oh my God, I don't like it.
01:00:09Look, you're worth your while, at least if we're worth it to you and me.
01:00:18Again, this rennet, from the tari.
01:00:21Oh God, what a shock, let's go out.
01:00:23Dad sure is a terrible driver.
01:00:26It's not the only thing that can hurt, your father.
01:00:29Oh yes, he'll be angry when he finds out we're on board.
01:00:32Who cares, we couldn't give up on vacation, sorry.
01:00:35Oh, hey!
01:00:36Hoping it's a holiday.
01:00:38Sailor, will you leave me?
01:00:40But really?
01:00:41It's an order.
01:00:42But captain, look, it's you who's holding me.
01:00:44Oh, yes, that's true, yes.
01:00:46And I hadn't noticed, look.
01:00:47I'm not becoming a big bloke.
01:00:54Get out of my way, you're ugly and I don't like you.
01:00:57I, I only brought the coffee.
01:01:03Here, with the genes.
01:01:06Bless you.
01:01:06Oh, thank you, if there isn't, no, a candle that big would fall.
01:01:24But I have a hat, which there.
01:01:28If it reaches Russia, it will trigger a world conflict.
01:01:30Oh, my god, vacation.
01:01:31Oh!
01:01:32Oh, my god, vacation.
01:02:02Oh mama.
01:02:08Is it a boy or a girl?
01:02:09It's the bomb.
01:02:11And there.
01:02:13Let us save and may God give me strength.
01:02:15Oh!
01:02:17Oh!
01:02:18Oh!
01:02:20Oh!
01:02:22Oh!
01:02:23Oh!
01:02:24Oh!
01:02:25Oh!
01:02:26Oh!
01:02:27Oh!
01:02:28Oh!
01:02:29Oh!
01:02:30Oh!
01:02:31Oh!
01:02:31Oh!
01:02:32Oh!
01:02:33Oh!
01:02:34Oh!
01:02:35Oh!
01:02:36Oh!
01:02:37Oh!
01:02:38Oh!
01:02:39Oh!
01:02:40Oh!
01:02:41Oh!
01:02:42Oh!
01:02:43Oh!
01:02:44Oh!
01:02:45Oh!
01:02:46Oh!
01:02:47Oh!
01:02:48Oh!
01:02:49Oh!
01:02:50Oh!
01:02:51Oh!
01:02:52Oh!
01:02:53Oh!
01:02:54Oh!
01:02:55Oh!
01:02:56Oh!
01:02:57Oh!
01:02:58Oh!
01:02:59Oh!
01:03:00Yes, yes, yes, yes.
01:03:30Yes, yes, yes.
01:04:00Yes, yes, yes.
01:04:30Yes, yes, yes.
01:05:00Yes, yes, yes.
01:05:30Yes, cuckold me.
01:05:31To you.
01:05:31But how come you take her away and call me a cuckold?
01:05:34If you allow yourself a cake made with my dreams, do you know what I'll do to you?
01:05:38Taffo.
01:05:39Eh.
01:05:40Where is he?
01:05:40Who?
01:05:41Where is she?
01:05:41But like before you opened the door and told me to stay away.
01:05:43That one is missing and I can't seem to find it down there.
01:05:44Did he bring me?
01:05:45But I don't know, move if I meet her.
01:05:46Let's hope.
01:05:47In fact, if I meet her again.
01:05:48But I'll try.
01:05:49You too can search.
01:05:51See if you can find it.
01:05:52And before he finds it, he loves it.
01:05:53How much of a bastard you are.
01:06:02And now where do I go?
01:06:05Follow that comet.
01:06:08Yes?
01:06:09But I don't have to go to Bethlehem.
01:06:11Come on, come out whoever you are.
01:06:20I know you're there.
01:06:21Right away.
01:06:22Right away.
01:06:25Here's your marimmo.
01:06:27Ah, you're surprised, you bunch of assholes.
01:06:31Go to work and we'll settle the accounts later.
01:06:34And you who are the stumbling block
01:06:36come to me in my cabin soon
01:06:38that we need to have a nice little talk.
01:06:39At your command, Captain.
01:06:41So we'd be the assholes, huh?
01:06:50Ah, you naughty commander.
01:06:58Please.
01:07:02Captain, are you going to give me this little speech here in the dark?
01:07:05I'll give you the little speech wherever I like.
01:07:07I'll do it to you in the dark, I'll do it to you in the light,
01:07:09I'll do it to you in the dark, but I swear.
01:07:10Captain.
01:07:11Captain, what are you doing?
01:07:12Captain, don't forget that I am a man after all.
01:07:14But what captain, call me Christopher, call me Christopher,
01:07:17but they don't hurt me.
01:07:17But no, leave me.
01:07:19Christopher.
01:07:21Sofia.
01:07:22But what are you doing on this ship, Balenzi?
01:07:24And what do you do with a man?
01:07:26With a man?
01:07:28Ah, tell me rather how you got here.
01:07:30That's not a man there.
01:07:31That one there is a radiometrist.
01:07:35Woman, though.
01:07:37A woman?
01:07:38And since when are women allowed on board?
01:07:40Women have been on board since the...
01:07:43Well, it's a military secret, look.
01:07:45Rather, how did you get on this ship?
01:07:47Tell me a little.
01:07:48We hid in a box, do you know Monica is there too?
01:07:51Oh, Monica's here too, I'm glad.
01:07:54Which box, Sofia?
01:07:56There is only one cash register on this ship.
01:07:58The stuff that was in the box, Sofia, where did you put it?
01:08:01We left her on the ground.
01:08:03Oi, oi, oi, oi.
01:08:05Sofia, there was the ace in the chest, you left it on the floor.
01:08:10Christopher, there was no ace in the chest.
01:08:12You have it...
01:08:13Sofia, there was an ace up her sleeve in the box.
01:08:17But was it in the sleeve or in the cash register?
01:08:19In the hands...
01:08:21The ace up the sleeve.
01:08:24It was in the box, you understand?
01:08:26In the handle of the case.
01:08:27I'll break the handle of the case on your square head, Sofia.
01:08:31You don't understand, you don't understand, you will never understand anything.
01:08:34The only thing that is certain is that for me, for you, for Monica,
01:08:37the holidays are over, we've got it in the wick, you understand?
01:08:39This time.
01:08:47And where on earth did you get that from?
01:08:56From the hold, why?
01:08:59Leave me alone, what are you doing?
01:09:01The sailors, you can see it.
01:09:03For now I only see that you're a kisser.
01:09:06Sorry, I just wanted to make sure...
01:09:09If you were a woman...
01:09:11...or a man.
01:09:12Does he look like a man to you?
01:09:15Eh, sometimes...
01:09:17Appearances can be deceiving.
01:09:19We already know something about it.
01:09:20And then I'm like... like Saint Ommaso.
01:09:22If you don't see, you don't believe.
01:09:23Well, really Saint Ommaso...
01:09:26Touched.
01:09:33The phrase of Saint Ommaso is like my smell, like my smell.
01:09:37I smell like you want, Saint Ommaso, I must you.
01:09:40Saint Ommaso's leg is like my smell.
01:09:42HI.
01:09:42Who is?
01:09:45Do you have a cigarette?
01:09:47No, I don't have any cigarettes because I don't smoke.
01:09:50But...
01:09:50And then smoking is bad for your pocket and it's bad for your stomach too, okay?
01:09:53But isn't that a cigarette in your mouth?
01:09:55No.
01:09:56This is a cigarette.
01:09:58This is...
01:09:59This is...
01:10:00Yes, okay, this is a cigarette.
01:10:02Okay, nothing.
01:10:03I don't smoke, my head was nervous.
01:10:05Here, I see a bit of this.
01:10:06And then this, I don't know if this is what I should call this or this.
01:10:08I don't even know myself yet.
01:10:09But you know I just don't understand you.
01:10:11Oh, okay, it doesn't matter, I don't understand myself.
01:10:12It does not matter.
01:10:13Nothing.
01:10:13I was in the mouth.
01:10:14Eh, the burta!
01:10:15But I also have everything about myself.
01:10:16This is the smoked cigarette.
01:10:18Here you are.
01:10:19You sure are a nice guy.
01:10:20Yes I know.
01:10:21Especially the way I'm looking like this.
01:10:22Anyway, I always liked you.
01:10:26Since the first time I saw you.
01:10:27You're the cutest of all.
01:10:29Yes, listen, please, eh.
01:10:32First of all, take your hands off me, okay.
01:10:34Besides, I don't want to have anything to do with rich people.
01:10:36But I am a woman.
01:10:37Yes, with the final surprise.
01:10:39Okay, I mean, get out of this house, okay?
01:10:40But that's how it is, believe me.
01:10:41It's not true that I was a man before, I've always been a woman.
01:10:43I don't care.
01:10:44Get out of here, nice to meet you, get out.
01:10:45All right, whatever you want.
01:10:47But you don't know what you're getting.
01:10:48Yes, yes.
01:10:56But slow, do you have the bacchata, the entrance?
01:10:58All with me today here, but slow.
01:11:01John, John, come.
01:11:05It's me, Angela, your girlfriend.
01:11:10John, John, come.
01:11:15But you are a vision, you are not you.
01:11:20John, John.
01:11:23Come on, stop.
01:11:26Come on, I'm going.
01:11:29Damn, it's water too, I'm sure, I put it in a few...
01:11:35Listen, have you by any chance seen a photo?
01:11:38A photo of this?
01:11:40Yes, but with less and more, you understand?
01:11:43So you're absolutely sure that this nigger here is on the submarine we're looking for?
01:11:48I swear, they can skip it.
01:11:50And why did they choose me and not you?
01:11:52Because it was your idea.
01:11:53Oh yeah, it was my idea.
01:11:54Sing it!
01:11:55And just answer yes and no.
01:11:57Yes and no, Captain.
01:11:59So what is this idea?
01:12:01Here, go, go.
01:12:04Dunco.
01:12:04Oh, here it is.
01:12:06Shall we sit down?
01:12:07Oh well, but she can get up a lot, it doesn't bother us.
01:12:09But what do you make me do?
01:12:10Come on, up.
01:12:13Here you are.
01:12:14We had thought of using the lock of hair from the market.
01:12:19No, no, no, no, one at a time, one at a time.
01:12:21Okay, then I'll speak.
01:12:22No, because I want the metal for you more.
01:12:23Oh well, you're about to retire, give it to me, you're here.
01:12:26No, I want the medal too, if not...
01:12:28Well, then it doesn't matter.
01:12:29And who knows?
01:12:30Okay, captain, crazy.
01:12:31You both can talk together.
01:12:32Tell me what you have in mind that I need to know, but speak clearly.
01:12:35Okay, get up.
01:12:41So, what is this?
01:12:43What is it?
01:12:43Two more seconds to respond.
01:12:46But that's a little saucepan over there, you can see it with the naked eye.
01:12:48Thanks to this we will be able to locate the American submarine.
01:12:53Yes, but how?
01:12:54How?
01:12:55Using the black man's hair as a transmitter.
01:12:59And as a recipient?
01:13:01As Verdì said.
01:13:03As Verdì said.
01:13:04But what are you selling stuff at the market in the middle of the street and to the ties?
01:13:07What does Verdì have to do with it?
01:13:09Cretin!
01:13:11So, using this, we will get directly
01:13:15after an American subtitle or a bullshit mess.
01:13:18What are you?
01:13:19Understand, Captain?
01:13:20I didn't understand, that he's an idiot.
01:13:22Yes, I understand.
01:13:23You mean by swinging the lock of hair from the black man's hair
01:13:26we will be able to capture the submarine.
01:13:28So let's try.
01:13:30Here we are.
01:13:31I cannot allow this.
01:13:33Fred would never forgive me.
01:13:34Sorry mom, you're beautiful and colorful, but you can't control your heart.
01:13:56Echo signals, commander.
01:14:09But then it works.
01:14:10Works!
01:14:12Shhh!
01:14:12Silence, you're making me lose my concentration.
01:14:15Good, good, good, let us work.
01:14:18Thirteen degrees to the left.
01:14:23Thirteen degrees to the left.
01:14:25Done.
01:14:25What do you think, sailor?
01:14:39It's almost stopped, Commander.
01:14:40And the silhouette is small.
01:14:41It could be a fishing boat,
01:14:43but it could also be the turret of a submarine.
01:14:46Let's hope, let's hope.
01:14:47That?
01:14:50I feel dizzy.
01:14:52And don't look here.
01:14:53Look up.
01:14:54Let me work.
01:14:56I feel it, I feel it.
01:14:58He feels it, he feels it.
01:15:00Hey, what are you cursing for?
01:15:02Did they hear it?
01:15:03What are you ringing in your ear?
01:15:05Let me do the math.
01:15:06And for 4 hours I take us in.
01:15:0928 degrees to starboard.
01:15:1128 degrees to starboard.
01:15:13Done.
01:15:1528 degrees to starboard.
01:15:17And don't get pissed off.
01:15:18What are you getting so pissed off about?
01:15:19Here we go, commander.
01:15:20We're almost on top of it.
01:15:22Move aside.
01:15:23Get out of here.
01:15:24What's up?
01:15:25The submarine.
01:15:26We are above the submarine.
01:15:27Get out of here and crush him.
01:15:28Get out of here.
01:15:29Here we are.
01:15:29Now we're right on top.
01:15:31But we get it, miracle.
01:15:32Let's go.
01:15:35Take it easy, counters.
01:15:37I want to come and see the submarine too.
01:15:42I was an indigenous person.
01:15:44Lala, commander.
01:15:45You see, there's something floating.
01:15:47Captain, but I don't see the submarine.
01:15:49It was a castagliato with that pendulum.
01:16:07Romeo?
01:16:07I am here.
01:16:08Where did you put the pendulum?
01:16:10Here it is.
01:16:10Take it out a little.
01:16:12Now you can stick that one up wherever I say.
01:16:15You will see that as a suppository it works better.
01:16:22Hey!
01:16:22Don Marco!
01:16:23Are you telling me?
01:16:25For America, which way am I going?
01:16:29Straight ahead.
01:16:31But look, it's far away.
01:16:32Eh, never mind.
01:16:33I'll stop early anyway.
01:16:35Oh, if you happen to be around there, come and visit me.
01:16:37Ask for Columbus.
01:16:38Columbus who?
01:16:39The lieutenant.
01:16:40No, Christopher!
01:16:57That?
01:16:58Mr. Giampiero, is it me?
01:17:01Oh, I'm talking to him.
01:17:02Here too?
01:17:04But what the hell do you want?
01:17:05Here, I'll make you take the pill.
01:17:08You never know.
01:17:16Ciumacchella?
01:17:17Stilla?
01:17:19Ciumacchella?
01:17:20Treasure?
01:17:20Where are you?
01:17:21Hey!
01:17:22But what are you doing here?
01:17:23And what are you doing?
01:17:24Nothing, I came to get some water.
01:17:26Yes, I'll give you the water.
01:17:28But what did you come to do?
01:17:29And I came to the floor to throw away wine.
01:17:31And wine, drink water, okay?
01:17:33Buzzers!
01:17:33Try to leave immediately, because I'm here, at this hour,
01:17:38I have an appointment, okay?
01:17:40Go, go, away!
01:17:41You have an appointment too.
01:17:42And how?
01:17:42Or do you know what I think?
01:17:43Huh?
01:17:44That all three of them had an appointment with the same pension.
01:17:47And you know what he has...
01:17:48What did he do?
01:17:49He fooled all three of us!
01:17:51Come on, try it and you'll see.
01:17:53But if...
01:17:54Come on!
01:17:55No, no, no, leave me alone.
01:17:56I don't like these messed up things like this.
01:17:58Hey, there's no mess, come on, I want to give you proof.
01:18:01But stay still, what are you doing?
01:18:02Relax!
01:18:03I'm undressing to give you proof, look!
01:18:04But I don't even want to look, oh well, it makes me sick,
01:18:07It's from the developmental age that I've always been delicate, okay?
01:18:09Oh, and where does this one go?
01:18:10Okay, okay.
01:18:13In this he is really stripping himself.
01:18:15No!
01:18:15I'm ready now, you can see for yourself.
01:18:23But no...
01:18:24Now are you convinced that I am a woman?
01:18:26Yes, but it's as if men were living in you, though...
01:18:29AND...
01:18:30Salcio, it's like you're missing...
01:18:32What are you missing there?
01:18:36But...
01:18:36But do I want to see?
01:18:37Yes...
01:18:38Wow!
01:18:40Here are our bombs.
01:19:06Now we've made so many mistakes
01:19:09and if holes really did remain in the water
01:19:12there would be no more water.
01:19:15The submarine would have remained dry
01:19:17and we could have caught him.
01:19:20These are the latest bombs.
01:19:22If we don't have some luck now,
01:19:24goodbye submarine, victory, goodbye vacation.
01:19:26Stop making a fuss!
01:19:34Captain!
01:19:35Look over there!
01:19:36Look over there!
01:19:36Believe me, this is the captain, I don't know who he is!
01:19:39I apologize.
01:19:41You haven't let me sleep a wink for two days!
01:19:50There are only 24 hours left until the deadline.
01:19:53I think we did it, guys.
01:19:54The idea of hiding in this cave
01:19:57it was really great.
01:19:58They'll have to pay us for this mess.
01:20:00Let's get to the point of the scope.
01:20:02I want to see what's happening outside.
01:20:24Oh, damn!
01:20:43That's right, sir, damn it!
01:20:45Quick turnaround!
01:20:45Here I go to the bottom!
01:20:50Every man for himself!
01:20:51Did you understand where the American submarine got stuck?
01:21:09It's down here!
01:21:10But what are you doing?
01:21:39Can't you see I'm fishing?
01:21:40It gave me a rough sea, I immediately got the stommer.
01:21:42Hate!
01:21:43Tede, where are you?
01:21:44From Naples.
01:21:45Can you notice?
01:21:46No!
01:21:47But how?
01:21:48Are you from Naples and don't know how to notice?
01:21:50And what is it?
01:21:50You disgust me!
01:21:51But why?
01:21:52Where are you from?
01:21:53Fiumicino.
01:21:54And can you fly?
01:21:55No!
01:21:56But is there an airport in Fiumicino?
01:21:58And you can't fly?
01:21:59I do not!
01:22:01And you don't!
01:22:01For me that's crazy.
01:22:04Yes, he's really crazy.
01:22:08And he doesn't know how to notice Naples.
01:22:12Help!
01:22:13Help!
01:22:15I want to talk to the captain, help!
01:22:18A man overboard!
01:22:21Help!
01:22:22But it's Giovanni!
01:22:23Help!
01:22:24Help!
01:22:24And who is he?
01:22:28But my boyfriend.
01:22:29Her boyfriend?
01:22:42Well, she wanted to talk to me.
01:22:44What do you have to tell me?
01:22:46I know where the American submarine is.
01:22:51But if you know, tell me right away, right?
01:22:53Yes, but only under certain conditions.
01:22:57But whatever the conditions, as long as it's not about money because we don't have a cent.
01:23:01No money.
01:23:03And I'll add that it makes me dizzy.
01:23:05First, I would like immunity for having been replaced.
01:23:09He agreed.
01:23:10Second, I would like my Angela back.
01:23:13Is Angela a protractor?
01:23:14Yes.
01:23:15And me?
01:23:16And she.
01:23:17And her?
01:23:18She.
01:23:19And her?
01:23:20You, I say?
01:23:21She.
01:23:21Do you agree?
01:23:22Yes, I agree too.
01:23:24Well, if you agree then...
01:23:25Agreed.
01:23:26Agreed.
01:23:28What do I care about that one anyway?
01:23:30He's only interested in the submarine.
01:23:32The submarine.
01:23:33Oh!
01:23:38Come on guys, with the glasses!
01:23:39Minus sixteen, fifteen, fourteen, thirteen, twelve...
01:23:45Am I wrong or did they knock?
01:23:46I really think so.
01:23:48Let me look.
01:23:58Here are eight wins.
01:24:00Here are eight wins.
01:24:30Here are eight wins.
01:24:33So, little franatino!
01:24:34No, no, no.
01:25:04I'm happy about that.
01:25:06Thank you.
01:25:12I'm happy about that.
01:25:13Thank you, that's not the case, Your Excellency, thank you.
01:25:19I'm happy about that.
01:25:26I'm happy about that.
01:25:34I'm happy about that.
01:25:41Thank you.
01:25:43This minister is strong.
01:25:47I'm happy about that.
01:25:48Thank you.
01:25:48I'm going to her, she's happy.
01:26:00Biancar, ready?
01:26:02Episodes.
01:26:02Oh, no, no, go away, go away, go away.
01:26:11You don't run away, I won't cut your head off.
01:26:14Ah, no, eh, ah, no.
01:26:21Fire.
01:26:21Ninth.
01:26:38No.
01:26:38Thank you all.
01:27:08Thank you all.
Consigliato
1:33:05
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