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00:00:00Music
00:00:30The imbitures, the imbitures, rock and roll
00:00:34Soap
00:00:37I prayed to you
00:00:45V сп too don, come on guys, go giornadacco
00:00:49OLED
00:01:00Mmm, big stuff.
00:01:05Not much, huh?
00:01:07Good, huh?
00:01:08Beautiful night, huh?
00:01:13And cover yourself, you dirty girl.
00:01:17If it keeps up like this I'll buy you a sister.
00:01:19And now off we go.
00:01:21Ananna up.
00:01:21And now off we go.
00:01:51And now off we go.
00:02:21Exaggerated.
00:02:35Exaggerated.
00:02:36Fairy mirror silver mirror.
00:02:57Who's the coolest in the regiment?
00:03:00You, my little captains, eh?
00:03:03Profit us.
00:03:03This ad was paid for, it is important it does not reflect the opinion of the mirror.
00:03:11The Führer, yes, they were the handsome cool captains.
00:03:14Good morning, this is your alarm clock.
00:03:25The day's programs begin with a broadcast of Italian songs.
00:03:29The dawn paints the... pink
00:03:36Miss, this is 2.14.
00:03:42Please, a full breakfast.
00:03:44Orange juice, not grapefruit juice.
00:03:47Of orange.
00:03:47Thump, thump.
00:03:53After you.
00:03:54Gnaaaah.
00:03:55Slam.
00:03:57Good morning, your breakfast.
00:03:59It was about time.
00:04:00Thank you.
00:04:01She's old.
00:04:13How old is she?
00:04:14This orangeade is old.
00:04:16That juice can't be old.
00:04:18I tell her she's old.
00:04:20A squeezed juice is never old.
00:04:21It is old today, as it was old yesterday, as it has always been old.
00:04:24But let's not say that...
00:04:25In this beautiful orangeade it is always old.
00:04:26Oh, she's old.
00:04:28This juice is very fresh.
00:04:31Can we still have some?
00:04:48Hey there, my captain.
00:04:49Hello, hello.
00:04:51Did you have the coffee?
00:04:53Yes, we do, thank you.
00:04:54She?
00:04:55Ah!
00:04:55Soluncio.
00:04:57I, I, I now demand from you
00:04:59that you make me such lucid thieves.
00:05:02But so shiny.
00:05:04But so shiny.
00:05:06As...
00:05:07As?
00:05:08As?
00:05:12The comparison doesn't come to mind.
00:05:14The comparison doesn't come to mind.
00:05:18Calm down, calm down.
00:05:19You, on the other hand, will march one hundred and fifty kilometers.
00:05:27As soon as I say go ahead, Mars,
00:05:28I don't want to see anyone here anymore.
00:05:31You must disappear!
00:05:33Clear!
00:05:34Front row!
00:05:35After you!
00:05:36March!
00:05:40Me...
00:05:41But what did they take from me the letter?
00:05:42Sergeant!
00:05:49Commands!
00:05:58And this is perfect for changing channels.
00:06:10Oh...
00:06:12And you?
00:06:20The usual slacker.
00:06:22And then, instead of one hundred and fifty,
00:06:23are you going to travel two hundred kilometers?
00:06:25No, please, Captain.
00:06:27Give me a discount.
00:06:29I'll offer you a salami.
00:06:32Six salamis.
00:06:36Huh?
00:06:38I have a tomato.
00:06:40Tomato Adam.
00:06:42And I have ice.
00:06:56An ice slush.
00:06:57Excuse me.
00:07:04I have...
00:07:05I have spaghetti.
00:07:07But are they raw?
00:07:08I even cooked them, huh?
00:07:11Good.
00:07:13Do you have butter?
00:07:15If he wants it.
00:07:16AND...
00:07:17And I have pants, huh?
00:07:20Do you have asthma?
00:07:22Huh?
00:07:22Do you have asthma?
00:07:25No, I don't have it.
00:07:26Now it comes to you.
00:07:28Ready?
00:07:29No.
00:07:29Sorry, you know, for the distraction I made.
00:07:39Sorry, that's a joke, I've been making a fool of myself since this morning.
00:07:44Go.
00:07:45So, then, the texts like this.
00:07:47Today's date.
00:07:48Dear Atlantic Pact, Atlantic Pact, Atlantic, of the city of Atlantic.
00:07:58Postal code 640799224799747221.
00:08:05One, this is one, that's fine.
00:08:07So, object.
00:08:08Clear agreements, eh?
00:08:09Object, clear agreements.
00:08:11Dearest pact, dearest pact, comma, I am not writing to tell you, to tell you, please,
00:08:20that my international, international situation is deteriorating.
00:08:28Let's underline this because I can't say it well because my tooth is falling out.
00:08:32Because I assume you already know that.
00:08:35Here you are.
00:08:36Point.
00:08:37Here you make a point.
00:08:41Oh, I'm not writing to you, I'm not writing to you, I'm not writing to you, to tell you that the balance,
00:08:51that the balance between east and west, that is, the two cardinal points, east and west, must be safeguarded
00:09:01because, because I am a soldier and I am not an acrobat.
00:09:07Point.
00:09:09We see?
00:09:09There you go, period.
00:09:12Good.
00:09:13Good.
00:09:14Good and beautiful.
00:09:16Oh, how beautiful you are, my little pantolina.
00:09:20Pantolina.
00:09:20Little Polo, what a nice little nose, what a nice little boy
00:09:25Take it easy
00:09:35I'll give you the new typewriter with a little
00:09:39Make me yours, Bohemond
00:09:41Tell me the beautiful little word
00:09:42Deep with me, in the abyss of the senses
00:09:45But I didn't understand it well
00:09:46Yes, yes, touch, touch
00:09:47Did you have breakfast today?
00:09:49Kiss me, Bohemond, I can't resist any longer soon.
00:09:51Wait, let me catch my breath
00:09:56Excuse me, lend me 9,000 lire
00:09:58Afterwards I'll have you parade in Abbono Terme
00:10:00Don't talk, kiss
00:10:02Grindstone, grindstone
00:10:06Grindstone
00:10:07Grindstone
00:10:10But who are you there?
00:10:15But what are you doing?
00:10:17I, ah, I followed him
00:10:19Sandy, keep messing around with your little rascal.
00:10:21That's not a real load of bullshit
00:10:22Hello, ouch, walk, get out of the way
00:10:23You have to go
00:10:24Stand still, don't get any closer
00:10:25That I make the spoon hand
00:10:26Your little beard and you kiss her too
00:10:28Kiss me the woman
00:10:29Kiss me the woman
00:10:32Then
00:10:33The gentleman wishes
00:10:36Sound the alarm too, thanks
00:10:38Right away
00:10:40Alarm
00:10:43Come on, let's run away quickly, come on, come on
00:10:45Madonna, don't open up here
00:10:47And what are you doing?
00:10:48Love
00:10:49But no, but it's too competitive
00:10:50Give me close, but not so close
00:10:52Actually, let me go
00:10:53Excuse me
00:10:53But think about it, these guys are killing us.
00:10:55I rely on those dessert cutlery
00:10:57Which holds the arm at the bottom
00:10:58Certainly, certainly
00:10:59Tranquility, safety and buckets
00:11:02This is our motto
00:11:03Now you have to give me some time to think
00:11:05One to two seconds
00:11:07No, make it three
00:11:07That two seconds aren't enough for you
00:11:09Three seconds
00:11:09The alarm
00:11:16So, you didn't hear the alarm?
00:11:23What are you doing here?
00:11:24Take only what is strictly necessary immediately
00:11:26And go to the courtyard
00:11:27Forward, march
00:11:29Only the bare essentials
00:11:30Belinguenti
00:11:30Move yourselves
00:11:31Rockets, he'll beat you damned
00:11:33Stones
00:11:33Walk, walk
00:11:35Hello, Colonel?
00:11:44What happens?
00:11:45And it happens that I was talking to my lady
00:11:47When two came in
00:11:48Which by the way they want to do it
00:11:49I am informing you that you have been taken hostage.
00:11:50Here's some news
00:11:52They say we were taken hostage
00:11:55That is, prisoners
00:11:56I'll have the building surrounded
00:11:58They won't escape us
00:11:58Keep calm
00:11:59Yes, of course, agreed.
00:12:01Anyway now you...
00:12:02Ready?
00:12:03They took us hostage
00:12:06We were taken hostage
00:12:08How beautiful, how beautiful
00:12:10What an electrifying situation
00:12:12Please keep calm
00:12:14Excuse me
00:12:14Stay calm
00:12:14Continue, don't make yourself known to everyone
00:12:16On
00:12:16Please keep calm
00:12:17Come on, I'm here now
00:12:19What...
00:12:20What do you want?
00:12:20What does Giulia want?
00:12:21What, am I okay like this?
00:12:22But yes, that's fine.
00:12:23For all I care
00:12:24I'm leaving anyway
00:12:26Wait, you're not going anywhere
00:12:28We started together
00:12:29Let's finish together
00:12:29Stay here
00:12:30But I'm not an irresponsible fool like you, you know?
00:12:32Sand, you're not crazy.
00:12:33I know what you are
00:12:34Look
00:12:35It's one thing to steal ballots to avoid military service.
00:12:37It's one thing
00:12:38It's kidnapping people
00:12:40I'm leaving
00:12:40Goodbye
00:12:41You are a cowardly derongel
00:12:42And you're a southerner
00:12:43Everyone in their seats
00:12:45You stay down
00:12:46Everyone in their seats
00:12:46Stay down
00:12:47What are you doing there?
00:12:48You stay!
00:12:48Yes, under orders
00:12:49Hey there are some barricades
00:12:50Wait a minute
00:12:51And what can we do?
00:12:55My captain
00:12:55Yes
00:12:59You are so graduates
00:13:02But so graduates
00:13:04But so graduates
00:13:05That...
00:13:05That?
00:13:07You can't do anything but go and clean the toilets
00:13:09This time I found the comparison
00:13:12What luck we have
00:13:13Thank you
00:13:15Fire!
00:13:19Fire is how it's written
00:13:31Ignorant
00:13:33You're back, huh?
00:13:40Yes
00:13:40I'm back
00:13:41I thought it was nicer to finish something we started together, right?
00:13:46And you've done half your duty
00:13:48Do you want to do the other half?
00:13:49Yes
00:13:49Here you are
00:13:49Grab the cannon in your hand and keep the little rascal at bay here
00:13:53That I have to talk to the colonel
00:13:54Am I doing wrong?
00:13:55Ninth!
00:13:57Up the colonel
00:13:57Look, I'm handing over my jacket as a sign of surrender.
00:13:59Come on Colonel, if I only move a good of his physique
00:14:02I give an order to the blond guy over there who is a beast
00:14:05I tell him to pull the triggers and he blows his little rascal's brains out.
00:14:08And I spread it on the cloth like it was mayonnaise
00:14:10Oh, how disgusting, come on!
00:14:13Don't pay attention to what you say blond
00:14:15Because if I say I'll crush you
00:14:17I'm not saying I'll crush you
00:14:18I'll squeeze you!
00:14:19You don't do it anyway, it's written by Catholic youth
00:14:22Ah, ah, ah
00:14:24Listen, you gotta close that sewer a little bit and slice
00:14:26Because you know very well that my uncle the priest gave me that head.
00:14:28Making me bluff
00:14:29Which made me believe that with that head
00:14:31He could have even gone to the Milan stadium
00:14:34That's true, huh?
00:14:35What's up? Is he sick?
00:14:35Nothing
00:14:36Nothing, it's the heart
00:14:37Immediately over here
00:14:47I'm going, eh
00:14:47Ah, I'm going in a hurry
00:14:48A little happy, eh
00:14:49A moment
00:14:50Heart, heart
00:14:52My heart hurts
00:14:54Very?
00:14:55To breathe
00:14:56What number, what number is there captain?
00:14:59No, I know
00:15:00Tell me, Colonel
00:15:04How, how, how, how, how would that be?
00:15:07And we should allow the two underdeveloped
00:15:09Checkmate an entire barracks?
00:15:12Are you joking, Colonel?
00:15:14Oh, you're not joking?
00:15:15Ah, ah, I understand
00:15:18She says that because she is under gunpoint.
00:15:20He actually wants me to come there and catch the two.
00:15:23Isn't that right?
00:15:24No, it's not like that
00:15:25This one is stupid
00:15:27Give it to me, go ahead
00:15:28Give it to me, make sure I talk to this one
00:15:29Give it to me
00:15:30Oh, Sandi, it's ready
00:15:31Who am I talking to?
00:15:32I want to know the degrees, first of all
00:15:34Oh, Sandi
00:15:34I have the hands of two instruments that become a beautiful
00:15:36But I'm not talking to her
00:15:38No, sorry, what degrees do you have?
00:15:39I'm captain
00:15:40Captain? Oh, finally.
00:15:42Because I want to talk as equals
00:15:43I am a pure captain
00:15:44Yes, I am captain
00:15:46Put down the phone, it costs money, look
00:15:47Take your hands off two instruments that are nothing else
00:15:49I'm not talking to you, Captain.
00:15:51So, I was saying that I'm captain pure
00:15:53Some close friends, but they always happen
00:15:55And if you are a friend of your skin, you have to protect it, dear.
00:15:58They know how to leave the colonel's office immediately
00:16:02With hands up and tail between legs
00:16:04I'll take care of your skin
00:16:06Now you've really hit rock bottom.
00:16:08Now it really goes through the telephone wires
00:16:12I'll meet you on the other side
00:16:14I'll take your ears, break them and make them into little ears.
00:16:16And you try it
00:16:17Try to come down
00:16:19Southerner
00:16:20Who did you say you, southerner?
00:16:22To you
00:16:23Now if at least it tells me to be a little brave
00:16:26And I'm not saying a little courage
00:16:27I say a little courage
00:16:28Repeat it
00:16:28Southerner
00:16:34Sende
00:16:35Calling me a southerner is like telling a little girl that she's pale.
00:16:39Al'ecrette cleanses our heads of blood and turns our balls around
00:16:43He doesn't even make the slightest gesture of touching the gun.
00:16:45That above is the blond
00:16:47The Beast
00:16:47Who has the spit gun pointed at the temple of the colonel's little beard
00:16:51So you want war?
00:16:52No, I don't want war
00:16:53I just want to get out of here the way I came in.
00:16:55You can wash this off your head
00:16:57I'm known for being a tough guy.
00:16:59Sende, captain
00:17:00I am a man of action
00:17:01Break the ladies' gardeners
00:17:02The mask of the lords
00:17:03You crush the flaccids and break the hard ones
00:17:04Eat chopped vegetables without sugar
00:17:06And you devour me, captain, like you
00:17:07And you?
00:17:08You try to eat me
00:17:09And if I try, what do you do?
00:17:12I, I, I, I'll eat your intestines
00:17:13I'll climb up your esophagus
00:17:15I'll come into your mouth
00:17:16And I'll break all your teeth
00:17:17And if you piss me off
00:17:18I'll go out and punch you in the eye too
00:17:19It is expected that I know how to be a spherical
00:17:21The bandit sard throws me to the neck
00:17:23You on all the blood
00:17:24Ah, are you like a lunatic?
00:17:26And I'm worse than Dracula
00:17:27And if I don't have teeth out
00:17:28And because as a child
00:17:29They put braces on me
00:17:30So you know what I tell you?
00:17:32What do you tell me?
00:17:32Nothing
00:17:33I don't talk to people like you.
00:17:34Andrea, Andrea
00:17:39I spied a plan to free the colonel
00:17:40The wonderful thing
00:17:41The opportunity of our lifetime
00:17:42Listen carefully
00:17:42This here is the colonel
00:17:43And this here is the building
00:17:44Where are two hostages and two kidnappers?
00:17:46We without anything happen
00:17:47We enter the building
00:17:48And you're kids
00:17:48Call the shoulders
00:17:49But you're stupid where you comb your hair
00:18:14Make yourself a drop of diesel fuel
00:18:16Which is better?
00:18:16Am I right or not?
00:18:18Colonel
00:18:19Yes, captain
00:18:20Yes, captain
00:18:21In the young
00:18:22Yes, captain
00:18:23The minister on the phone
00:18:25The minister wants you personally on the phone
00:18:27On the phone
00:18:27I arrive
00:18:28Captain
00:18:42Captain
00:18:56De gubernatis
00:18:57Parabellum
00:18:58Captain
00:18:59Parabellum
00:18:59Parabellum
00:19:00But what the fuck does that mean?
00:19:02Parabellum
00:19:02Do gubernatis
00:19:03If it's the same
00:19:04Don't waste my time
00:19:05At that time
00:19:05Why didn't he let them go?
00:19:07And why the state
00:19:08He can't afford it
00:19:09Of being brought to his knees
00:19:10From the first comers
00:19:11From the first comers
00:19:12Here they didn't want to bring us to our knees
00:19:13Nobody
00:19:14They just wanted to leave
00:19:15Less than this
00:19:16She had to accept
00:19:18Captain knows.
00:19:19What are the kidnappers asking for?
00:19:20Nowadays
00:19:21Thousands of thousands of billions
00:19:23Forgive me
00:19:25Mr. Minister
00:19:25But in my opinion the state
00:19:26It can't
00:19:27And he must not give in
00:19:28No blackmail whatsoever
00:19:29Not even the most advantageous one
00:19:30And then Mr. Minister
00:19:35It's not a pants clearance
00:19:37I don't understand captain
00:19:38There must be contact
00:19:40Then I won't tell him anymore.
00:19:41Let me speak too, captain.
00:19:43Open your ears
00:19:44And be very careful
00:19:45She first of all
00:19:47Must
00:19:48He must obey
00:19:49He must not resist
00:19:51But but but what resistance
00:19:52She has the obligation to close
00:19:54The matter as soon as possible
00:19:56If not, it becomes public knowledge to me.
00:19:59We'll close it right away
00:20:00I went to the military academy
00:20:02Mr. Minister
00:20:02More than once
00:20:03We'll close it
00:20:04With a nice action
00:20:05Captain parapallem
00:20:10Parabellum
00:20:11Don't contradict me
00:20:12In short
00:20:13Plants of strength actions
00:20:15Understood?
00:20:16It would complicate things
00:20:17And that's it
00:20:18I understand
00:20:19Here we have to save both the goat and the cabbage.
00:20:22So diplomacy is needed.
00:20:24I'll put myself in my place
00:20:26And she puts herself on mine
00:20:27Why not?
00:20:28Yes?
00:20:38And now that he's in my place
00:20:40What do you think?
00:20:42Well
00:20:43But but
00:20:44Yes now that I'm in his place
00:20:46I confess to you that I see things
00:20:48From a whole other angle
00:20:49And badly
00:20:50Yes yes
00:20:51You're right, Captain
00:20:53The State cannot
00:20:54And he must not give in to blackmail
00:20:57Of the first to come
00:20:57Only like this
00:20:59Acting with firmness
00:21:01We will finally be able to arrive
00:21:03To the triumph of democracy
00:21:04Of peace
00:21:05Of freedom
00:21:07And of justice
00:21:08Among the peoples
00:21:09That's exactly what I think too
00:21:11At your orders, Mr. Minister.
00:21:13And at this point
00:21:18He tricked me
00:21:23Sir Captain
00:21:26Sir Captain
00:21:27And who are you?
00:21:30What am I?
00:21:32Who am I?
00:21:34I am
00:21:34Nothing less
00:21:36That the Minister of Defense
00:21:37Dear you
00:21:38But
00:21:39And what are you doing here?
00:21:42What do I do?
00:21:45What am I doing here anyway?
00:21:46So say
00:21:46Can you call me a taxi?
00:21:48Eh
00:21:48Eh
00:21:49Armored
00:21:50All right
00:21:51Taxis
00:21:53Friends
00:21:54Liao
00:21:55Four and five
00:22:01They go nine
00:22:02I do the math
00:22:03And I can't find myself
00:22:04Hello
00:22:06Hello
00:22:07I feel you too, love
00:22:25Oh darling
00:22:26I'm heating things up
00:22:28How do you say
00:22:29I'm leaving everything for you
00:22:30God, what an injustice!
00:22:42You have to endure life
00:22:44My daughter
00:22:44She was Moroccan
00:22:45Moroccan
00:22:46But not the healthy ones
00:22:47Who see carpets
00:22:48Lighters
00:22:48Do you want to buy?
00:22:49No
00:22:49She was Moroccan
00:22:50And mulatto
00:22:51You think she had white breasts
00:22:53And a black one
00:22:54I was raised on cappuccinos
00:22:56Terrible
00:22:57I don't like it
00:22:57Oh
00:22:58This is all it takes
00:22:59You need a head
00:23:00Head
00:23:00Organize
00:23:01This
00:23:01But come forward
00:23:03What are you doing about?
00:23:03I can't take it anymore
00:23:05I can't take it anymore
00:23:06Up and down
00:23:06From the stairs
00:23:07Up and down
00:23:07Four pieces of furniture
00:23:08Already taken down
00:23:09Sandro
00:23:09But four pieces of furniture
00:23:10What do you want them to be?
00:23:11Four pieces of furniture
00:23:11On
00:23:12Four pieces of furniture
00:23:13But look at what furniture they are
00:23:14These dumpling woods
00:23:16Sliced wood
00:23:17I've been here for millions
00:23:18Millions of years
00:23:18In gaselma
00:23:19But what am I saying millions
00:23:20Hundreds of years
00:23:21It is impossible to carry this furniture
00:23:23Alright
00:23:23I have landlines
00:23:24Which is a power
00:23:26But always everything
00:23:27On my shoulders
00:23:28It's not possible
00:23:29Even that sliced
00:23:30I have to carry myself
00:23:30On my shoulders
00:23:31Listen to something
00:23:32Now I want to tell you this
00:23:34The thing
00:23:34The Captain
00:23:35Here is the captain
00:23:36It's very hard
00:23:37That is, he's a dumpling
00:23:38Hard
00:23:38He wants this wood down there
00:23:39Meaning what
00:23:39He got something into his head
00:23:41Then after the fact
00:23:42You look with me in a mess
00:23:42There's a death
00:23:43I'm telling it to you now
00:23:44That is, you have to try to
00:23:46Save you
00:23:47Let's organize ourselves
00:23:47That is,
00:23:48It's right to organize yourselves
00:23:48That is, defend yourselves
00:23:49That is, at this point
00:23:50Take this furniture
00:23:51And take her away
00:23:52The Colonel is right
00:23:53Clyde
00:23:54Trust me
00:23:55What did you say?
00:23:56The Colonel is right
00:23:57Sandi there you decide
00:23:58Who is right?
00:23:58Who is not right
00:23:59If I went
00:24:00And if I went
00:24:00Because it's me
00:24:01The boss in here
00:24:02You are just a subordinate
00:24:04Now I have become
00:24:05His maid
00:24:05Housekeeper or no housekeeper
00:24:07Schirok
00:24:08Volkswagen
00:24:09128 Krups
00:24:10Oh
00:24:11Decide the things I know to do
00:24:13Now for example
00:24:14I want to go towards
00:24:15The Colonel
00:24:15Which is quite nice
00:24:17So I'll take this down
00:24:18He's a good boy
00:24:20A little wild
00:24:20But good
00:24:21Oh but this is wood
00:24:23It's hot
00:24:24This is a fetish
00:24:25Oh Colonel
00:24:26Give me a hand
00:24:27Sorry I forgive you
00:24:28Go go
00:24:29Come on forward
00:24:29On your shoulders
00:24:30Force
00:24:31Savior
00:24:31I'm going slowly
00:24:32They all stood up
00:24:33Ministers here
00:24:34Captains
00:24:34Colonels
00:24:35Disputed
00:24:35Come on forward
00:24:36On
00:24:36Permit
00:24:46Permit
00:24:49Hey
00:24:51Hello beautiful
00:24:52Assassin
00:24:55Disgraced
00:24:56The turkeys
00:24:57Good morning
00:24:58Hello beautiful?
00:24:59Yes, I'm here
00:25:00The gentlemen wish
00:25:01Some mines
00:25:03Thank you
00:25:04Mine very well
00:25:04I'm very fresh
00:25:05It arrived this morning
00:25:06How many do I do?
00:25:06A kilo?
00:25:07Yes yes I'll do a kilo
00:25:08Very good
00:25:08No no no
00:25:09Look
00:25:10This is rotten
00:25:11Which?
00:25:12Via
00:25:12And a little more
00:25:19All right?
00:25:21Yes, yes, leave the little one alone
00:25:22Thank you
00:25:23Anything else?
00:25:24Yes I would like these
00:25:25Oh, some landmines?
00:25:27Very good
00:25:27Yes yes but they are fresh
00:25:28They are very fresh
00:25:29Arrived this morning from
00:25:30From Puglia
00:25:31But how come from Puglia?
00:25:32If I say that I came from Puglia
00:25:33I arrived from Puglia
00:25:35Yes yes it's fine
00:25:36But stay calm
00:25:36I don't get angry
00:25:37I'm calm
00:25:38Well?
00:25:39Huh?
00:25:39What is he doing?
00:25:40Mo
00:25:40Oh
00:25:41Say
00:25:42I was saying I would like some mines
00:25:44Beautiful
00:25:44I arrived
00:25:45But if they are fresh
00:25:46They arrived today
00:25:47They are very fresh
00:25:47Is this also from Puglia?
00:25:48Yes, he is from Puglia
00:25:49No but listen
00:25:50Are we sure they are fresh?
00:25:51But they are very fresh
00:25:52No because you know
00:25:53I don't trust traders much.
00:25:54But trust me
00:25:55Trust me
00:25:55His mother
00:25:56His mother is years old
00:25:57What is served here at my place
00:25:58For me they are not fresh
00:25:59But they are very fresh
00:26:00Too much for certain
00:26:01Look
00:26:02Oh how beautiful
00:26:05How beautiful
00:26:06Huh?
00:26:08Hmm?
00:26:10Do I have a dirty barna?
00:26:11No
00:26:11Thank you
00:26:12Give me six
00:26:13Very good
00:26:14There are ten thousand each
00:26:16Five and a six
00:26:18Oh
00:26:19Thank you
00:26:20What do I do?
00:26:21Sign?
00:26:21Yes yes
00:26:22Very good thanks
00:26:23Until we meet again
00:26:23Until we meet again
00:26:24Where are you
00:26:25Unfortunate
00:26:26I chose you
00:26:27Understood
00:26:28I chose you
00:26:29Who is?
00:26:34It's me Tella
00:26:35Can I come in?
00:26:36After you
00:26:37It's open
00:26:38Sorry dear
00:26:42I'm out of sugar
00:26:44I don't feel like going down
00:26:45Could you give me some?
00:26:46Of course dear
00:26:47Go ahead and get them in the kitchen.
00:26:49Do you know where it is true?
00:26:50TV news
00:26:51This morning at 8:30
00:26:53A two-man commando
00:26:54He entered the MG barracks
00:26:56And he took the colonel hostage
00:26:58Bohemond Thompson
00:26:59My husband
00:27:00It seems that together with the colonel
00:27:01His wife was also taken hostage.
00:27:03Hotella Thompson
00:27:04Huh?
00:27:05But I heard right
00:27:07As he said
00:27:07Hotella Thompson said it herself
00:27:08But Hotella Thompson is me
00:27:10But then who is the other one?
00:27:11But I'm the colonel's wife
00:27:13Teacher
00:27:13How is this possible?
00:27:14But one of our correspondents went to the Minister of Defense
00:27:17Who released this statement
00:27:19Gentlemen
00:27:20I can't say yet
00:27:22That the situation in the barracks is resolved
00:27:25But I can assure you
00:27:27Which is under control
00:27:28I would really like to know
00:27:29Who is that lady who is with my husband?
00:27:30Actually, now you know what I do?
00:27:32I'm going to the barracks
00:27:33I'll take that cracker
00:27:35And I trotted it
00:27:36I trotted it, you understand?
00:27:37I just spoke on the phone
00:27:39With the captain
00:27:40That I have the captain
00:27:42Who took command of the operations
00:27:44Help!
00:27:45And then I throw it down
00:27:46And then I pluck it
00:27:48I tear my hair out
00:27:49And then I hit her
00:27:51I'll take a slap
00:27:52The fists
00:27:53The tear
00:27:54The strippo
00:27:55Come here, come here
00:27:57That it's not over yet
00:27:58Let it wait
00:27:59Please
00:28:00It's zoma
00:28:01Nutella
00:28:02Farmyard
00:28:03Farmyard
00:28:04Please
00:28:07Photosecretary
00:28:08Aio
00:28:09You're hurting yourself
00:28:10The hair
00:28:10Photosecretary
00:28:12Say, Mr. Minister
00:28:13I'm here
00:28:13Look there
00:28:14Are you done?
00:28:15Let it wither
00:28:16Look at those two women who want
00:28:17Let her come too
00:28:18Do you want to think?
00:28:19With the bedine
00:28:20If they get their faces
00:28:21And then I'll take it slowly
00:28:22The coffee
00:28:23But what is he doing?
00:28:24But a beautiful never-ending mystery
00:28:26Go away
00:28:29She too
00:28:30So
00:28:30Mrs. Thompson
00:28:33And the hand
00:28:38It seems he was going shopping
00:28:39This sugar
00:28:40As we were saying
00:28:42It seems anyway
00:28:44That the commando action
00:28:46Don't have any
00:28:48Political matrix
00:28:49Therefore
00:28:50Mr. Minister
00:28:51It has to go on air
00:28:52The match
00:28:52But don't interrupt me
00:28:53For these stupid things
00:28:54Let's go
00:28:55What game is this?
00:29:02Oh
00:29:02I finished
00:29:05So I'm going around
00:29:11From the barracks
00:29:12Then I reach the building
00:29:13Where he held
00:29:14We hold the colonel hostage
00:29:15Yes
00:29:15And with the excuse
00:29:16That I have to deliver a telegram
00:29:18I'm letting it out
00:29:18The kidnappers
00:29:19Yes
00:29:19But if they happen
00:29:20I can't leave her alone
00:29:21In the middle of
00:29:21Silence
00:29:22Silence
00:29:23This is a plan
00:29:23Based on surprise
00:29:24You don't move
00:29:25Yes but
00:29:26Yes but it's difficult
00:29:27The hand
00:29:27Excuse me
00:29:28The hand
00:29:28I don't need any hand
00:29:31But I apologize
00:29:33The hand
00:29:33About the captain
00:29:36About the captain
00:29:36Dies from
00:29:42Come on captain
00:29:45Come on, you can do it
00:29:45Insist that you stay on
00:29:46Force
00:29:47Go captain
00:29:49Go captain
00:29:51Go
00:29:51Go
00:29:51But
00:30:09Fire.
00:30:14Come on, a kiss, come on.
00:30:16But the blow, the blow.
00:30:23Happy, Captain?
00:30:34So, we get there, we knock and we say.
00:30:36Telegram?
00:30:37They come out, put their feet on their hands and jump in the air.
00:30:39Perfect, it won't work badly.
00:30:41Yeah, damn it.
00:30:43But did you finish it or didn't you finish it?
00:30:45I'm done, I'm done, I'm planting landmines, not tulip bulbs.
00:30:49Yes, but hurry up, it's a courtesy.
00:30:51Hurry up, sow them yourself then.
00:30:53Nino, are you sure this is the season to plant mines?
00:30:57Listen, I...
00:30:58I'm done, I'm done.
00:31:03Telegram?
00:31:04I...
00:31:05And this one here?
00:31:11What does this have to do with anything?
00:31:14But...
00:31:15But you don't stay, but you don't stay.
00:31:20I told you, this is not the season.
00:31:23Please
00:31:24Ah!
00:31:25Ah!
00:31:25Thank you all.
00:31:55Thank you all.
00:32:25But, there is captain.
00:32:27Sergeant.
00:32:28But where is he?
00:32:29The head is here, find the rest, idiot.
00:32:34Open up!
00:32:37Open up!
00:32:39But there's nobody there!
00:32:42Open up, please!
00:32:45Open up!
00:32:47Open up!
00:32:49Open up!
00:32:50It's closed, there's nobody there.
00:32:55I'm running out of steam, I'm scared.
00:32:58Would you open the door for me, please?
00:32:59I am Colonel Thompson's wife.
00:33:01Colonel Thompson's wife?
00:33:08Is he being held hostage there?
00:33:10The Colonel...
00:33:11I tell you that I am the colonel's real wife!
00:33:14Would you open the door for me, please?
00:33:15Come!
00:33:22I'll let her in through my secret passage.
00:33:24Yes, that's fine.
00:33:25I make myself feel the breath.
00:33:27But she is a freshly peeled flower.
00:33:29She...
00:33:29And she's too beautiful to be the colonel's wife.
00:33:31She is gorgeous.
00:33:32But where is this passage?
00:33:34I feel it.
00:33:35I love her.
00:33:36I want it.
00:33:37Apple!
00:33:38Apple!
00:33:38Apple!
00:33:39But what are you doing?
00:33:41Sell here!
00:33:41Yes, hit me!
00:33:43Beat me!
00:33:43No!
00:33:44Leave it!
00:33:44Leave it!
00:33:45Not so loud!
00:33:46Oh!
00:33:47I don't...
00:33:48Oh!
00:33:49Oh!
00:33:49But you barefoot!
00:33:51Oh!
00:33:51Oh!
00:33:52But...
00:33:53But why did you do it?
00:33:54How bad!
00:33:56How bad!
00:33:57That...
00:33:57How bad!
00:33:59Where?
00:33:59How bad!
00:34:01How bad!
00:34:02Oh!
00:34:06Yes.
00:34:08Yes.
00:34:08I told you further down.
00:34:10No, higher up.
00:34:11I told you no, you have to shoot further down.
00:34:13I'm telling you it's higher up!
00:34:14Further down!
00:34:16Is the colonel at the bottom or at the top of the hierarchy?
00:34:19It's high up, but what does it have to do with anything?
00:34:20So that's how it is, look, that's how it is.
00:34:30You shot Mary Poppins, Mary Poppins.
00:34:33He told you to shoot a little lower.
00:34:36Hit me, yes, for...
00:34:37But what does he do?
00:34:38I'm undressing!
00:34:39But you're not fooling me, you're the one who pretends to be the colonel's wife.
00:34:42But can't you see that I'm a gift?
00:34:43Let yourself be loved!
00:34:44But which one to love?
00:34:45I am Focchi, Eclide's brother.
00:34:46But what ways are they?
00:34:47I am Eclide's brother.
00:34:49But what do you see in there?
00:34:50There is a...
00:34:50A woman who pretends to be his wife...
00:34:52The colonel's wife.
00:34:54Oh, yeah?
00:34:54Crazy!
00:34:55No, don't do that.
00:34:56I understand?
00:34:56She's crazy!
00:34:57She's crazy!
00:34:59She's crazy!
00:35:00If only I hadn't done that, come on, courage, if only I hadn't done that.
00:35:02What is he doing?
00:35:03What does he do?
00:35:03What hand did we make?
00:35:08How disgusting!
00:35:09Are you sick from the ciobba?
00:35:11What stuff?
00:35:12I brought the bundle and the basket to eat for my brother.
00:35:16Thank you, very kind.
00:35:17The dicks have fallen dicks.
00:35:19Crazy!
00:35:19But if you pile it up.
00:35:21Crazy!
00:35:21Today alone beats.
00:35:23Yes, pile it up, come on, courage, courage.
00:35:25Open the gates!
00:35:27Open the gates!
00:35:28How crazy, look, if...
00:35:30Poor thing, he's hitting himself today.
00:35:32Poor thing.
00:35:35This kid is so healthy, though.
00:35:36Ah, I'm here.
00:35:38Is it allowed?
00:35:45No, but I'm Clyde's brother.
00:35:47I have to go for it.
00:35:48I brought us some little things to eat.
00:35:50Look here, look here, look here, look here.
00:35:51You don't do much for me!
00:35:53Clyde!
00:35:53It's coming down!
00:35:54Who is?
00:35:56Clyde!
00:35:57Clyde!
00:35:58Warning!
00:36:00Poor thing!
00:36:00How pale!
00:36:02As a starting point!
00:36:03It makes me!
00:36:04Now she then!
00:36:05Okay, tell us what you have to tell us and hurry up, go ahead.
00:36:08Hey, it looks like Bozzano to me, doesn't it?
00:36:09Yes, yes.
00:36:10I don't tell us what I shouldn't tell us and I don't hurry, okay?
00:36:13Who knows how hungry you are?
00:36:15How elegant!
00:36:16And what a regular and current outfit he has!
00:36:19Brother, holy brother, beautiful brother!
00:36:21But why did you do all this?
00:36:24Sorry, but you don't eat!
00:36:26The inzalata was broken, but why did you do it?
00:36:29Excuse me!
00:36:29Because this bunch of southerners who are harassing you wanted me to do military service
00:36:35just when I had found a fair, regular and correct job in a panettone factory
00:36:40very Milanese.
00:36:41Excuse me, crite, but what problem did you have about the job?
00:36:44There's your house, right?
00:36:46Oh, me!
00:36:47There's your family, eh!
00:36:49There's your beautiful little brother, who is me, that's me!
00:36:52Don't even say that as a joke!
00:36:55Who ran away from home?
00:36:56Precisely because you were there!
00:37:00You know what I tell you, you're an idiot!
00:37:02There is?
00:37:03You're an idiot!
00:37:04Excuse me!
00:37:05You're an idiot!
00:37:06Why?
00:37:06An incratic choir!
00:37:08I hear you, you know what I'm telling you, you're selfish and profiteering!
00:37:11And do you want to know more?
00:37:12Sprimate!
00:37:12You're selfish!
00:37:14Oh, but what a selfish, selfish person!
00:37:15These big guys, selfish!
00:37:17You think I've always been a naive, shy, embarrassed guy!
00:37:25You think I was mentally shameful, don't you?
00:37:28That when my mother had to breastfeed me, I turned my head away out of shame!
00:37:34Yes, I turned my head away because I was afraid that someone else would suck your milk from the other breast!
00:37:38I'm a fan of this thing!
00:37:40You should think that I was naive, that I was convinced that pathetic pears were those flaccid, bruised pears that make you feel sorry, poor things!
00:37:50If you believe me, there's even the Madonna of Lourdes in comparison!
00:37:57Oh, this is also thanksgiving, right?
00:37:59Actually, you know what I tell you?
00:38:00They're right to kill you!
00:38:02And I was the one who took care of bringing you something to eat!
00:38:06They're right to kill you!
00:38:07You are such an ungrateful person!
00:38:09You are ungrateful!
00:38:11You saw it, right?
00:38:12Ah, that's why I'm coming here!
00:38:14I'm coming here!
00:38:15But when ever?
00:38:16Oh my!
00:38:17Ah, that's why I'm coming here!
00:38:18Yes, that...
00:38:19Ah, that's why I'm coming here!
00:38:49A woman!
00:39:15Nice, it's here!
00:39:24But this is a barracks of sex maniacs!
00:39:35Oh yeah, damn it!
00:39:37All of you pigs!
00:39:38Hey you two in there!
00:39:57Come out!
00:39:58This is the captain speaking to you!
00:40:00Well, I'm pleased to announce that I have a surprise for you.
00:40:04Do you see these two coffins?
00:40:06I chose them carefully myself.
00:40:08Well, if you don't come down with your hands up in 30 seconds, you're going to be stuck in there forever.
00:40:14Ah, ah, ah, ah, ah, ah.
00:40:19Your captain, your captain, there are two people asking for you.
00:40:25Shame.
00:40:29Grampa.
00:40:30Grampa.
00:40:31You always have to come and bust our balls for us grandparents.
00:40:38Well, well.
00:40:41Sand, bring something to sneak up on, we have a reputation for being Abruzzese wolves.
00:40:46Eh, okay.
00:40:47Just because you catch me in a moment of emotion.
00:40:50Hands off.
00:40:51No, you see, hands off.
00:40:52Excuse me.
00:40:53I never did anything except being a hello.
00:40:55Yes, sorry, have you tried a salacious straight?
00:40:58Yes, waxing.
00:40:59Pull and pull...
00:41:00Oh well, too bad.
00:41:03But what is this?
00:41:06It's salmon.
00:41:07Oh, oh.
00:41:09Oh, that's disgusting.
00:41:13What's up, Clyde?
00:41:14Eh, but this ham is a stinker.
00:41:17It's a nice color, but it's really disgusting.
00:41:19It tastes like salty fish.
00:41:20But you don't understand anything at all.
00:41:22Disgusting.
00:41:23Excuse me, Colonel.
00:41:24Nothing.
00:41:25Should you do military service?
00:41:27Sand, give me dock with me.
00:41:28You have to bring orecchiette, rap cimili, the ambascio uno, the anzana, a little word.
00:41:32Yes, he likes French cuisine.
00:41:34Ah, here it is.
00:41:35Actually, do you want to do something nice, you little rascal?
00:41:38Bring some hot peppers, Colonel, I saw you looking down with the little rascal.
00:41:42Go get the chili pepper, come on.
00:41:45With your permission, Colonel.
00:41:47Yes, I'm going, Colonel.
00:41:48She, I saw that on her jeep there is a lucky horn.
00:41:51Instead of the cornet, you have to put the hot pepper.
00:41:54The shape is the same, because now I'll explain.
00:41:57The hand goes with spoons, but every now and then they also said something else, right?
00:42:01So, from the chili pepper snatch, boom, I start like in Goldrake, that one.
00:42:04Hammer drilling, knows no shame.
00:42:06Why don't you try, Bohemond?
00:42:08Be careful.
00:42:12Madam, bring us dinner too.
00:42:18Thank you.
00:42:19He's coming right away.
00:42:20Oh, congratulations, madam, well done.
00:42:24Bravo.
00:42:25You're welcome, my masterpiece.
00:42:31But, but what is it?
00:42:34It's an ass.
00:42:35As?
00:42:36An ass.
00:42:37Things?
00:42:37A cu-cu-cu-cu-cu.
00:42:39What is it?
00:42:39A little ass.
00:42:41An ass?
00:42:42Touch, touch.
00:42:45How is it cooked?
00:42:46But, very, but how is this ass cooked, ma'am?
00:42:49But, but, with the pressure cooker.
00:42:51So, on the contrary, with a pressure cooker, you can see the cooking.
00:42:54And then it's too much for us, madam.
00:42:55This is too much, take it away, thanks, we can't eat.
00:42:57Thank you.
00:42:58Excuse me.
00:42:59Excuse me.
00:42:59Actually, I, I would eat a little piece of it right now.
00:43:02Really?
00:43:02A little piece, I don't know.
00:43:03Better to go to bed this evening.
00:43:05I would include it in the Milanese cuisine.
00:43:06Here, ma'am, thank you, take it away, thank you.
00:43:08Gentlemen, please take a seat, there's more.
00:43:11Don't despair, there are so many things.
00:43:13In fact, I'll call the kitchen right now.
00:43:16Lady?
00:43:17Yes, it's still Thompson.
00:43:18Yes, listen, bring that dessert, that famous dessert.
00:43:21But no, but, but the special dessert, the one she prepared with her own hands.
00:43:25But how which one?
00:43:26The famous dessert.
00:43:28Ah, here comes Ines.
00:43:29With the cake.
00:43:30Oh, thanks.
00:43:31But never candles?
00:43:32And nothing, my birthday?
00:43:33Uh, happy birthday.
00:43:34I do it every two years, yes.
00:43:35The seedling is very much there.
00:43:36Have you seen Clyde?
00:43:38Clyde, did you see how beautiful it is?
00:43:39I didn't even give you the gift.
00:43:40Then they say these things go out of fashion, but deep down they're beautiful.
00:43:44Congratulations, what a game.
00:43:45I used to be a kid and we made these cakes full of candles.
00:43:48They are very beautiful things that are always remembered with pleasure.
00:43:52Thanks, grandma, go ahead, go ahead, grandma.
00:43:56Congratulations!
00:43:57Bravo!
00:43:58A handsome colonel.
00:43:59It's good, yes, it's a nice mistake he made.
00:44:01It's a nice collusion that he made together.
00:44:03How beautiful and all white.
00:44:05But, not bad.
00:44:07Are you bothering me?
00:44:08A cake.
00:44:09Ah, but that's not bad.
00:44:12Happy birthday, Colonel.
00:44:14Best wishes.
00:44:15Best wishes.
00:44:16Happy birthday to you.
00:44:20Happy birthday to you.
00:44:23Happy birthday to me
00:44:27Happy birthday to you
00:44:31Happy birthday to me
00:44:35Happy birthday to me
00:44:38From the repertoire of Luigi Armstrong
00:44:53Oh, the foot, the foot doesn't go
00:44:56No, no, no, no
00:44:58How hot
00:45:06Excuse me
00:45:07Huh?
00:45:11No
00:45:12Excuse me
00:45:15Do you know where the GM barracks is?
00:45:19You come
00:45:20And I support you
00:45:22But what does he do?
00:45:25But what does he do?
00:45:27Are you leaving me?
00:45:28Excuse me, referring
00:45:30It was a mirage
00:45:31We have patience
00:45:32All right, mirage granted
00:45:34I'm going that way in peace
00:45:36We have patience
00:45:37What times, what times
00:45:38Excuse me, huh
00:45:39Sante, there's your aunt
00:45:41You too here
00:45:42But aren't you a soldier and a soldier?
00:45:44The gentleman in
00:45:45The Lord left 99 sheep
00:45:49To go and look for the lost one
00:45:51In the letter of St. Paul to the Corinthians
00:45:54It's readable, isn't it?
00:45:56No?
00:46:01It is read in the letter of St. Paul to the Corinthians
00:46:05It's readable, isn't it?
00:46:08Leave it alone, aunt
00:46:09Let it be
00:46:10That much on the straight line V
00:46:12As you say
00:46:12I'm not going back even if I'm dead
00:46:14Do you remember when you told me
00:46:16What goes with the little rascals?
00:46:17It was to make some imburi acts
00:46:19Eh, me two months ago
00:46:20I discovered
00:46:21Let these acts be filled in
00:46:22What do you call them?
00:46:23Everyone does them
00:46:24And very normal succumbs
00:46:25But you made them yourself
00:46:27Son Benedict
00:46:28Chaos of force majeure
00:46:31Because when I did them
00:46:32With a little beard
00:46:33You made me kneel down
00:46:34On Turkish wheat
00:46:35You made me pray
00:46:36But look
00:46:37I assure you that your
00:46:38It was a treatment
00:46:40Of absolute consideration, right?
00:46:41Look, you got me confused.
00:46:43So the ideas
00:46:44Within the sexual sphere
00:46:46Which I don't understand anymore now
00:46:47If the hand is like a spoon
00:46:48I have to do it
00:46:49And the little beardless man
00:46:49I have to do it to myself
00:46:50While I speak
00:46:51We're running away now
00:46:52But poor things
00:46:53And we leave them alone
00:46:54But it's either them or us
00:46:55We don't care about that
00:46:55They were so funny
00:46:57But what's wrong with you?
00:46:58If he tries to walk
00:46:59Come on, come on
00:46:59Come on, move it!
00:47:00Open the door
00:47:00Come on, go out
00:47:01What's up?
00:47:03There is the colonel
00:47:03He's cutting the rope
00:47:04With the secretary
00:47:05Like cutting the rope
00:47:06So there is alone
00:47:07Without us
00:47:07But it's bad
00:47:08Stop, Colonel.
00:47:08Stop, the ground
00:47:09It's undermined
00:47:10As?
00:47:11It's full of mines
00:47:12But what mines?
00:47:13He thought we'd steal it
00:47:14But there are no mines
00:47:15There are mines
00:47:16Yes, there are
00:47:16It's full everywhere
00:47:17As if it were raining
00:47:18How? I didn't understand.
00:47:19There are mines
00:47:20The mines?
00:47:21Yes
00:47:21Where?
00:47:22Where is her foot?
00:47:23Here?
00:47:23Yes
00:47:24No
00:47:24It's full of mines
00:47:27No
00:47:28There are mines
00:47:31Eh, if you do that
00:47:34But after that, boom
00:47:34It explodes
00:47:35We jump into the air
00:47:36Understood?
00:47:36Where are the mines?
00:47:38To the right
00:47:38To the right
00:47:40To the right
00:47:40Come here, come here
00:47:41Gird yourself with me
00:47:42Wait, follow me
00:47:43Very quietly
00:47:44Raise your leg
00:47:44Floor
00:47:45Left
00:47:45Very left wing
00:47:47Very left wing
00:47:47Yes, like that
00:47:47More, stay down
00:47:48Stay down, stay down
00:47:48Come on, lift your leg
00:47:49After you
00:47:49I'm going a little further
00:47:51I'm going a little further
00:47:52No, further back
00:47:53To the right
00:47:53Yes, on the right
00:47:54I'm taking a walk
00:47:54I'm taking a walk
00:47:55Shall I take a walk?
00:47:56Yes
00:47:57I take a step
00:47:58I have to do another round
00:47:59No, no, on the left
00:47:59Do I have to do it the first time?
00:48:00Yes, casket
00:48:01With the casket
00:48:02You tell me to make the casket
00:48:02Yes, jellies
00:48:03Here you go, gentlemen, ready.
00:48:04Stay still, stay calm
00:48:06Stand still
00:48:06You were such a good boy
00:48:08The city
00:48:09The city
00:48:10He polluted you
00:48:11If you stayed in your village
00:48:12This did not happen
00:48:13Clyde
00:48:14Go back to your village
00:48:16Which is so beautiful, right?
00:48:17I'd rather go back to the South
00:48:19Where the oysters
00:48:20They call them Angoro Coz
00:48:21I'd rather kill myself
00:48:23Yes
00:48:23I'm doing a double kick
00:48:24With life I amend
00:48:25Look, how capable he is, you know?
00:48:27And kill them once and for all
00:48:29Let's end this once and for all, shall we?
00:48:32Gentle
00:48:33Yes, because I'll kill you
00:48:34Ugly, cockroach-like, black, small, squat and terongel
00:48:37What?
00:48:48You go back to your little village fettende
00:48:50Who sends you gunshots at the station
00:48:54To stir up the dregs of the south
00:48:56You return to the South
00:49:07No, let's see if the other one doesn't turn black too now
00:49:13The vegetables have disappeared
00:49:17But what vegetables, the hostages
00:49:19I knew it, that priest was a bad omen.
00:49:21And now...
00:49:22And now I'm chasing them
00:49:23I'm going there from the stairs
00:49:23Left?
00:49:26Right left
00:49:27From here, from there
00:49:28Right, left
00:49:29From here, from there
00:49:30Colonel, stay still for a bit, stay still.
00:49:32And the banana
00:49:32Where are they, huh?
00:49:34And in front, left
00:49:35Right, center
00:49:36Where am I?
00:49:37Back, Colonel
00:49:39So, back
00:49:40Ah, finally someone who has a clear idea
00:49:43We are safe
00:49:44Saved
00:49:45Thank you, very kind indeed for saving us
00:49:48She deserves to be, perhaps, decorated
00:49:50Do you have something?
00:49:51I don't know, a medal
00:49:52Is it nothing?
00:49:53No, search, search
00:49:54What is ribittine
00:49:55Look, let's see, eh
00:49:56Five thousand
00:49:57Put the fresh inside
00:49:59And take
00:50:00What five thousand
00:50:01Five thousand are useful
00:50:02Put the fresh inside
00:50:03That you don't understand anything anymore
00:50:04Becoming a beautiful
00:50:05That there is a trembling hand
00:50:06The finger snaps
00:50:06Andi, do the dance, back
00:50:08Go ahead, go away
00:50:08Inside, clear
00:50:09When I say something
00:50:10I say it
00:50:11Forward, up, away
00:50:12And then we'll do the math
00:50:13Come on, walk
00:50:13Come on, come on
00:50:15I say one thing
00:50:16You know, five thousand lire
00:50:17They always come in handy
00:50:17Prices go up and down
00:50:19Like a swing that calms down
00:50:21Oh
00:50:22And this is done too
00:50:23Go
00:50:23Love me
00:50:49Love me
00:50:51Do it
00:50:53Wait for the mouth
00:51:00Wait
00:51:03Tell me something
00:51:29I am you
00:51:30I'm caressing my belly
00:51:32Thank you
00:51:33It moves
00:51:38It moves
00:51:40And you two in there
00:51:45Listen to me carefully
00:51:46Can you hear me?
00:51:47This is the captain speaking to you.
00:51:50He has it in for you
00:51:51Listen, be quiet
00:51:52Let's hear what
00:51:53I will discuss a certain
00:51:53I'll give you five more minutes.
00:51:56If at the end of five minutes
00:51:58You will not have come out
00:51:59With hands raised
00:52:00I blow it up
00:52:01The entire building
00:52:02Hate
00:52:03Did you hear?
00:52:03That one blows up the building
00:52:04The cursed bone
00:52:06He can't do that.
00:52:07As long as we're here too
00:52:09It's true dear
00:52:10That he can't do it
00:52:11Don't say strangles
00:52:12He couldn't do it
00:52:13But if he does it afterwards instead
00:52:15Hand
00:52:16It's not him
00:52:17What the hell?
00:52:18It's not him who should give the ultimatum
00:52:19But we
00:52:20Oh exactly.
00:52:21That is you
00:52:22Here you are
00:52:23Force
00:52:24After you
00:52:24What the hell?
00:52:26It is you who must set conditions
00:52:28In exchange for the release of the hostages
00:52:29It's not true dear
00:52:30But what the fuck do I know?
00:52:32Who's touching
00:52:33I do not know
00:52:33I'm seeing here where I was
00:52:34In the last war I
00:52:36I only have three minutes left
00:52:38Now I'll show you
00:52:39Those southerners at the captain's slice
00:52:41Who is Nicola Zappacosta?
00:52:42Confidentially called
00:52:44From the skin friends of the bar
00:52:46From Ambrose Clyde
00:52:47Now I'm writing to you
00:52:48Tell us four of them
00:52:50Oh signed
00:52:53Nicola Zappacosta
00:52:54Alias Clyde
00:52:56Oh sand sky
00:52:57Here are the requests for the captain
00:52:58Go ahead, go
00:52:59Take it down
00:53:00Bring down the requests
00:53:00Make the vretti
00:53:01Come on
00:53:01Oh go down
00:53:02No sorry can I know
00:53:03What did you ask for?
00:53:04So we asked
00:53:05A motorcycle with a sidecar
00:53:07The sidecar is for him
00:53:08Diziano as you wanted it
00:53:09The interior of Fake Leopard
00:53:11Vichez
00:53:12And the money?
00:53:13We asked for money
00:53:14Two hundred thousand lire
00:53:15With many
00:53:15With many
00:53:17I don't trust checks
00:53:18Bravo
00:53:18But I say we are crazy
00:53:20It's too much
00:53:21You told yourself not to overdo it
00:53:23Do you want us to remove the inside of Leopard?
00:53:25But no but nothing
00:53:27You didn't ask for anything
00:53:28What?
00:53:29Ten million dollars
00:53:34A minibus and a minibus and a plane
00:53:35With enough fuel to reach the Bermudas
00:53:37That's right captain.
00:53:38But I'll take this potato nose you have
00:53:42And I even make a mush out of it
00:53:45And I take the Colonel's one and I turn it around and make it look like Rocky Marciani's one.
00:53:50The boxer
00:53:50And I'll tear off his ears, including the trumpets and the stadium pavilion
00:53:55And then I take these ears and have them said by a fencing Apulian ear
00:53:59Look, I'm turning it so much that I make it pop out to the right
00:54:03And I'll tear his hair out of a hard one
00:54:05I make a tough one the subjects
00:54:06And now yes, for solidarity
00:54:09I take hat for hat of the colonel's baldness
00:54:11That even the doctor left behind can't do anything about it
00:54:13Even if the phone to Garnier
00:54:14And I'll kick him in the butt
00:54:16You'll save yourself some time on this one because if the chili pepper didn't do any good
00:54:21Imagine what happens if I listen to that.
00:54:24Enough, enough, captain, stop it, I can't take it anymore
00:54:27I can't stop anymore
00:54:28And so as not to warn the minister
00:54:30You understand this must do this
00:54:33Come on, let the minister know
00:54:34Captain para
00:54:36For what
00:54:38Parabellum
00:54:39Parabellum yes it is Latin
00:54:41It's Latin, you know?
00:54:42Did you go to high school, Captain?
00:54:45No, Mr. Minister.
00:54:46I went to the military academy
00:54:48Bravo
00:54:48Thank you
00:54:49However Parabellum is Latin
00:54:51Si dispace in Parabellum
00:54:52If you want peace, prepare for war
00:54:54And we jokingly added as kids
00:54:56Si bis bellum para culum
00:54:58Be serious captain
00:55:01Excuse me
00:55:02Oh okay
00:55:04Yes yes I'm very angry with her I'm captain
00:55:06Oh why why
00:55:07A kidnapping that was offered to us below cost
00:55:10Thanks to his stubbornness it turned into a bad business
00:55:13Yes but no one is forcing us to accept it, Mr. Minister.
00:55:16On the contrary
00:55:16I have a plan in mind
00:55:18But what plan is a plan?
00:55:19I make the plans here
00:55:20She has to surrender to the enemy and that's it.
00:55:22I, Mr. Minister
00:55:23Oh yes, for once let's go
00:55:25I will get the conquibus
00:55:26With what?
00:55:27The conquibus
00:55:28The money
00:55:29The grain, in short
00:55:30I went to the military academy, Mr. Minister.
00:55:32And patience
00:55:33Oh
00:55:33So I'll get right into action.
00:55:35Oh
00:55:40The line went down
00:55:42The phone is shit
00:55:45Undersecretary
00:55:50Undersecretary
00:55:52Excuse me, Mr. Minister, but
00:55:57I was down in the archives
00:55:59Excuse me
00:56:00Yes I'm coming right away
00:56:01Here I am
00:56:02Hurry up
00:56:03I don't have time to waste
00:56:05Hurry up
00:56:06Here I am, Mr. Minister, I'm here.
00:56:07Take note
00:56:08Right away
00:56:09Here you are
00:56:11Please
00:56:12At that time
00:56:13I need them
00:56:14Ten million dollars
00:56:16Excuse me, Mr. Minister, but
00:56:19Those from last month
00:56:20He's already spent it all
00:56:21But what is there?
00:56:22Those were my personal ones
00:56:24Excuse me
00:56:26Listen, excuse me.
00:56:35I was room
00:56:36There is magic
00:56:36Leafhopper
00:56:38I was all fooling myself
00:56:39You were taken first
00:56:41Goodbye Nini
00:56:42I pray for you
00:56:44May
00:56:45There is
00:56:45There is
00:56:46There is magic
00:56:48There's no point in insisting.
00:56:50It's frassia
00:56:51Here the die is cast
00:56:52All or nothing
00:56:54And you have to think about it.
00:56:55Clyde
00:56:56You have to think about it
00:56:57It doesn't look like usual
00:56:58What do you put in anditesis?
00:57:00A certain revisionism
00:57:01Psychological
00:57:02Of an ideological stratification
00:57:03Of a reactionary exploitation
00:57:05You have to think about it
00:57:06Sixty-eight
00:57:07But what sixty-eight?
00:57:09It's sixty-eight
00:57:10That the sixty-eight
00:57:10It has been cancelled
00:57:11Hand
00:57:12Still in service
00:57:13The sixty-eight
00:57:14Clyde
00:57:15The bus
00:57:15Where we met
00:57:17Ah we met
00:57:18In 1968
00:57:19But no in the
00:57:21On the
00:57:22You must learn to speak well
00:57:23Italian
00:57:24Inalphabet
00:57:25Sorry but I don't remember at all
00:57:28We were returning from a demonstration
00:57:32And you were holding on
00:57:32Under the flag
00:57:34The whole choice
00:57:35All of it
00:57:35Rolled up
00:57:36AND
00:57:37You have me
00:57:38Hit with the pole
00:57:40Memories?
00:57:41Yes but it wasn't the auction
00:57:43It was the auction
00:57:44But it wasn't the auction
00:57:45Euphrasia
00:57:45Yes
00:57:46If she wasn't the auction
00:57:48Euphrasia was the auction
00:57:48It wasn't the auction
00:57:49It is necessary to point out
00:57:50She had understood it
00:57:51That wasn't the auction
00:57:52No, I don't
00:57:52Here you see, he understood it too
00:57:54This clarification is needed
00:57:55I don't understand
00:57:56Because it's the truth
00:57:58Saint of heaven
00:57:59You know what the truth is
00:58:00The truth is that you are a dirty
00:58:02Male chauvinist
00:58:03Here's why
00:58:04Because you thrive in this role
00:58:06Of dirty
00:58:07Male chauvinist
00:58:07Male chauvinist
00:58:08Here's why
00:58:08This is the only thing
00:58:10To terrongere
00:58:10What I have left
00:58:11And I'm leaving
00:58:12A virilomini
00:58:14From the top of the hair
00:58:16At the tip of the toes
00:58:17This is what you are
00:58:18Yes ande beautiful
00:58:19If you came here by chance
00:58:21If they sent you
00:58:22I owe it to myself
00:58:22Because if you came by chance
00:58:24You can go dancing too
00:58:26If they sent you instead
00:58:27Also
00:58:28Bravo
00:58:29And that's all there is to it
00:58:30What are you going to say?
00:58:31What was supposed to be
00:58:32The woman of your life
00:58:34But what woman is a woman?
00:58:35Ufrasì that you are a man
00:58:37You still haven't figured it out
00:58:38But
00:58:39I have a man
00:58:42I'm not saying
00:58:43Have you heard?
00:58:44I have a man
00:58:45I who fight daily
00:58:47Against the man
00:58:48I'm not saying
00:58:48I look like a man to you
00:58:49We see
00:58:50And like Tangier
00:58:51Keep your hands to yourself
00:58:52But so crazy
00:58:53But so crazy
00:58:54Oh, this one here
00:58:56Stop
00:58:56Lowered
00:58:58Be careful, you're going to kill each other.
00:58:59It's dangerous
00:59:00I'm getting hot
00:59:02Stop
00:59:02Everyone down
00:59:03Shoot
00:59:04Calm
00:59:04You shoot it
00:59:05At the
00:59:06At the
00:59:07She must have seen me
00:59:18On television
00:59:18Real?
00:59:19Already
00:59:19Relax
00:59:20Now I'll count to three
00:59:22At number three
00:59:23His hands will come untied
00:59:24Let's hope so
00:59:24A
00:59:26Two
00:59:27Three
00:59:28Look at me carefully
00:59:30I was the one who tied them to you
00:59:31And I'll untie them for you
00:59:33A
00:59:34Two
00:59:35Three
00:59:36I order you
00:59:37Make an effort
00:59:37As
00:59:38Make an effort
00:59:39Make an effort
00:59:40Make an effort
00:59:41Finally
00:59:41Thank you
00:59:42Damn
00:59:46Hey
00:59:59Listen soldier
01:00:00There is some paper
01:00:01No nothing
01:00:02I am sorry
01:00:03Sargente
01:00:03Hey listen
01:00:07No nothing
01:00:07Paper
01:00:08Sargente
01:00:08Hey listen
01:00:38Are you tired?
01:01:06Are you tired?
01:01:10And I can't take it anymore
01:01:11Don't worry
01:01:12I'll take care of it
01:01:13Oh
01:01:17What were they now?
01:01:21Hate
01:01:22But of course
01:01:25Pinocchio
01:01:26He couldn't see
01:01:27Look outside
01:01:28The scales
01:01:30Fairy
01:01:34If you see me the captain
01:01:39It gives me 30 days
01:01:41But who asked you?
01:01:43But how?
01:01:45But look
01:01:45Fairy
01:01:47Pinocchio
01:01:50I vote for Pinocchio
01:01:51We get together
01:01:53And he kills himself
01:01:54And the fairy is killed
01:01:54But look
01:01:55Pinocchio
01:01:58Help
01:02:01Listen
01:02:11Put a little here
01:02:13Yes
01:02:13Codona a little
01:02:20Listen
01:02:21Fill me up here
01:02:22That he is a lunatic
01:02:24Listen
01:02:24Here you are
01:02:25Yes
01:02:27Andras
01:02:27All right
01:02:34All right
01:02:36Where?
01:02:37Listen
01:02:38Then I'm going straight ahead
01:02:39As a right?
01:02:40No no no right
01:02:40Rather than zaga
01:02:41Then once I got there
01:02:42In front of the entrance door
01:02:44Imagine for me
01:02:44There's that girl
01:02:45Strong she capital
01:02:46And how do I get there, excuse me?
01:02:47And how do I get there?
01:02:49How do I get there?
01:02:50I'm getting there all fired up
01:02:52He shot himself while shooting
01:02:53How do these capital thoughts come to you?
01:02:55Then when I'm ray
01:02:56I'll hide behind
01:02:57Those two trash cans
01:02:58Do you see them?
01:02:58Yes you see them
01:02:59What are we doing inside the bins?
01:03:02I already explained it to you before
01:03:03Now we're getting right down there
01:03:04Let's get out of the bins
01:03:06Let's jump into the colonel's room
01:03:07Let's free the hostages
01:03:08And we finally become national heroes
01:03:11Yes and already
01:03:11Now all the national heroes
01:03:13They put them in a box
01:03:14To preserve them better
01:03:15What if those two kill our hostages?
01:03:17And we give him a funeral
01:03:18And beautiful ceremonies come
01:03:20Yes?
01:03:21Yes
01:03:21What are you doing?
01:03:40Excuse me, Captain.
01:03:42He's joking
01:03:43But vafer in fact
01:03:44But vafer in fact
01:03:45But vafer in fact
01:03:45Madonna
01:03:58They wounded the captain
01:04:13I have to save him
01:04:14HI
01:04:17Hello Captain
01:04:19Hello Captain
01:04:20What happened?
01:04:21I'll save her
01:04:22Leave me
01:04:22Cretin
01:04:23I'm pretending
01:04:24Leave me
01:04:25I save her
01:04:26I'm shooting it
01:04:26It's nothing
01:04:27I'll save her
01:04:28Don't you sing?
01:04:41I feel tied down
01:04:42My grandfather
01:04:43My grandfather
01:04:43When he was in chains
01:04:44He sang
01:04:45He sang
01:04:46But he sings
01:04:49Sing
01:04:50Sing
01:04:50Alcohol
01:04:55Alcohol
01:04:55Alcohol
01:04:56Alcohol
01:04:58Alcohol
01:04:59In the
01:04:59He doesn't raise his head anymore
01:05:01Alcohol
01:05:02And when the blood
01:05:06They will march in the sky
01:05:10They will march in the sky
01:05:13And they will march
01:05:14And they will march
01:05:16And they will march
01:05:16And they will march
01:05:17And they will march
01:05:18Oh they will march
01:05:19And they will martyr
01:05:20And they will martyr
01:05:21And when is it
01:05:22And when the blood
01:05:24Oh what's up?
01:05:29Nothing
01:05:29Like nothing
01:05:31I was lost
01:05:31No
01:05:31But what was it you were telling yourself?
01:05:33But I don't say anything
01:05:34But why not?
01:05:35I missed hearing something
01:05:36You feel rather
01:05:38Now genius
01:05:39May all your blows
01:05:39They failed
01:05:40The bins
01:05:41The mines
01:05:42All these things
01:05:42Let's do as deep
01:05:45Oh
01:05:46We enter from the duct
01:05:47Of the air conditioning
01:05:49Yes, that's how we get stuck.
01:05:50And we're fine this time too.
01:05:51But you don't understand anything
01:05:52My wonderful idea
01:05:53My wonderful idea
01:05:54God, I'm so good
01:05:56What an ass I have
01:05:58Working with you
01:05:59Urfido
01:06:00Help
01:06:09Help
01:06:10Help
01:06:10Help
01:06:11Free me
01:06:12How I help
01:06:13Let me out
01:06:17Let me out
01:06:19Please
01:06:20Yes, we wait a moment
01:06:21What do you want to go?
01:06:23They're waiting for me
01:06:24To you
01:06:24Eh
01:06:25I'm already terribly
01:06:31Late
01:06:32Come, come
01:06:34For the Piave
01:06:37Over there
01:06:38Thank you
01:06:39And thank goodness I found it
01:06:48The Blue Fairy
01:06:49If I found the witch Grimhilde
01:06:51How it reduced me
01:06:52Maybe she would make me take a license
01:06:55And run
01:06:57And run
01:06:57Oh darling
01:06:58What I wouldn't do to be humping you in an air-conditioned room right now
01:07:01Humping from the front
01:07:03From the park
01:07:04But I wouldn't do to be humping you in an air-conditioned room right now
01:07:10What
01:07:10Is it a boy or a girl
01:07:14And not capitalized
01:07:16Oh my god dad
01:07:20A son
01:07:22You, exactly
01:07:23Forgive me dad
01:07:24But how did you do it?
01:07:26You a Knaus
01:07:28Oh Gina
01:07:30Silence
01:07:34Silence
01:07:34If you say a southern Knaus
01:07:36Glide
01:07:37Mom
01:07:42Mom, you're here too
01:07:45But there is a saint
01:07:46How long has it been since we saw each other?
01:07:48It's been three days since we've seen each other.
01:07:50Look at something incredible mom
01:07:53Look at that muddy outfit you're wearing
01:07:55Glide
01:07:56You are amazing
01:07:58You haven't aged at all
01:08:00What does he do?
01:08:01Oh no
01:08:10This is too much
01:08:10I'll never pass through here again
01:08:12You can
01:08:14Fuck you
01:08:15Wretched
01:08:16From giaccino
01:08:18Everything when
01:08:19The base is falling
01:08:20Everything when
01:08:21Scale the base
01:08:22From
01:08:23Pooh
01:08:23Wretched
01:08:25Gloduccio
01:08:25Gloduccio
01:08:25Gloduccio
01:08:26Gloduccio
01:08:26Gloduccio
01:08:26Gloduccio
01:08:27Gloduccio
01:08:28Gloduccio
01:08:28Gloduccio
01:08:29Yes
01:08:30Mr. President
01:08:31Yes
01:08:32Yes he is right
01:08:33I agree
01:08:34I see it right away
01:08:35Don't worry, I'll keep you informed.
01:08:37And respect me to your lady
01:08:40Thank you
01:08:40Undersecretary
01:08:52Undersecretary
01:08:56Excuse me, Mr. Minister.
01:09:08Excuse me
01:09:09Just tell me
01:09:11Go ahead and say it
01:09:12Tell me
01:09:12And so
01:09:14I have decided
01:09:16He resigns
01:09:17I?
01:09:17But you're crazy
01:09:18No
01:09:19I'm going to the barracks
01:09:20To replace the captain in the negotiations
01:09:22And so I take charge of the situation.
01:09:24Oh, I agree with that too.
01:09:25I don't think so
01:09:26Oh, excuse me.
01:09:28To do it first
01:09:29Take the tangent
01:09:30Ring road
01:09:32Mr. Undersecretary
01:09:34It's called a ring road
01:09:36What beautiful music
01:09:41Oh yeah
01:09:41Don't stop to listen to the music
01:09:44Cretin
01:09:44You have 133 kilometers left
01:09:46Lavative
01:09:46After you
01:09:47Marche
01:09:47And don't huff and puff
01:09:48Horse
01:09:51Ladder guard
01:09:53The captain disguised as a woman
01:10:04Aciapalo
01:10:04Saint Madonna
01:10:06Captain
01:10:08This backhanded shot
01:10:09She really shouldn't have done that to me.
01:10:10But which captain?
01:10:11I am the wife of that park there
01:10:13And give me a hand please
01:10:14Pig
01:10:17Pig
01:10:17I'll kill you
01:10:18I'll strangle you
01:10:19Don't worry dear
01:10:20I won't let him touch you
01:10:21Not even with a finger
01:10:21Ah, what a temperament though, eh
01:10:23But what do you want?
01:10:24I was winning
01:10:24You came here
01:10:25Not for the plans
01:10:26I was winning
01:10:27There were three floors
01:10:27I'll kill you
01:10:29What are you doing love?
01:10:30Treat me if anything
01:10:31Stratta my plans
01:10:32Stratta my plans
01:10:32Stratta my plans
01:10:34Strata
01:10:35Leaves
01:10:36Leaves
01:10:36Leaves
01:10:36Leaves
01:10:37Yet I have to find it
01:10:40I have to find it
01:10:41I need an idea
01:10:42For a new plan
01:10:43We see
01:10:44Nothing
01:10:45Nothing
01:10:46Nothing
01:10:48Give it to me here
01:10:48But that's not one of the two trash cans that ruined my top floor
01:11:04Hmm
01:11:06Hmm
01:11:08Hmm
01:11:10Hmm
01:11:40Sir Captain
01:11:56We composed a blues
01:12:11Make yourself heard
01:12:13Make yourself heard
01:12:14And when the saints
01:12:20They will march in the sky
01:12:22And they will march
01:12:23And they will march
01:12:25And they will march
01:12:26You will march
01:12:27And the foot
01:12:28And they will march
01:12:30And when the saints
01:12:31And they will march
01:12:32And they will march
01:12:33And they will march
01:12:34And they will march
01:12:35Gentlemen kidnappers
01:12:38In front of you
01:12:40In front of you
01:12:42Rather below you
01:12:44Even if usually
01:12:46The clothes I wear
01:12:48And more rigorous
01:12:50There is the Minister of Defense
01:12:52I have to tell you
01:12:54That your conditions
01:12:56They have been fully accepted
01:12:59Come on
01:13:00Make peace
01:13:01Guys, let's hear what the minister says.
01:13:03The minister
01:13:05Oh
01:13:06It's you
01:13:07That you sold me out
01:13:09Accepting it when we are about to give it
01:13:11Psst
01:13:12Oh
01:13:13Eh
01:13:14But there are a thousand to
01:13:15Ninth
01:13:16We have a revolver
01:13:17Come on, come on, come on, come on
01:13:18And the money?
01:13:19How much?
01:13:20Ten thousand
01:13:21Eh, I don't have them, sorry.
01:13:22Ten thousand or nothing
01:13:23Wait, let's see
01:13:245 thousand is what I want to give to the dealers here
01:13:26Alright, come on, come on, come on
01:13:27Here, come on, come on
01:13:28Thank you
01:13:29And to this end
01:13:33It will arrive soon
01:13:35Here's a minibus
01:13:37Under the required conditions
01:13:39Stop, I'm done
01:13:40Oh
01:13:41Oh
01:13:42Oh
01:13:43Oh
01:13:44Hands up
01:13:45You too dear, come on
01:13:47That gun, move
01:13:48It's not nice though
01:13:49These things are not done
01:13:50So many sacrifices thrown away
01:13:53Of dreams of glory
01:13:54But what dreams of glory
01:13:55Goodbye Bahamas vacation
01:13:56In Bermuda
01:13:57What Bahamas
01:13:58But how is it not obvious?
01:13:59In Bermuda
01:14:00No, no, because here the situation has completely changed.
01:14:02How, how?
01:14:03You were supposed to go to Bermuda
01:14:05And with $10 million to spend too
01:14:07But I say
01:14:08We've gone crazy
01:14:09It will never happen to us again
01:14:10A similar occasion
01:14:11But do you realize that in 40 years of career
01:14:14You've never taken a vacation
01:14:15Sorry, dear, you're having a party
01:14:17Yes
01:14:18But, but, but, but
01:14:19Clopatria is right
01:14:20And what do you risk?
01:14:21Nothing, you're being held hostage
01:14:23Right, no one can tell us anything
01:14:25Look, the ladies are absolutely right.
01:14:27Listen, Colonel
01:14:28Give me a trace to me
01:14:29Better a vacation today than hurt them tomorrow
01:14:31Clyde is right too
01:14:32So, Ciappone
01:14:33A tea and a tea
01:14:34Now I'm thinking about it
01:14:35Does melon hurt you?
01:14:40We give up
01:14:41What the fuck?
01:14:48No, no, no, no
01:14:49Nickaka
01:14:50Ninth
01:14:51Between
01:15:04What happens?
01:15:05On the radio they said it was a kidnapping
01:15:06A kidnapping?
01:15:07Yes Yes
01:15:08But how?
01:15:09But the calm of Sunday
01:15:10Look at a bag. It's probably full of dandruff.
01:15:17Who knows what will be written there.
01:15:19Why are you stopping to collect the envelopes? Keep running.
01:15:22To run, I said.
01:15:25Change shampoo.
01:15:27Gentlemen, in this particular circumstance it is obligatory...
01:15:33...it's a must to try the right sheets.
01:15:39I don't know about these. Here they are.
01:15:42Gentlemen, then, this complex affair is about to conclude brilliantly.
01:15:52Well, once again the State did not give in.
01:15:57There were no downturns, losses were very limited.
01:16:02The stock market is rising.
01:16:04No, this is a note from the undersecretary who is stupid.
01:16:06So no. Everything suggests a bright future ahead,
01:16:11irresistibly, towards the triumph of democracy,
01:16:15of peace, freedom and justice among peoples.
01:16:18Oh no, what the hell! Ladies first. What manners do they have?
01:16:30You're welcome, madame.
01:16:32Madam.
01:16:32Good morning, thank you.
01:16:41Come on, walk, before you break, I'll give myself Cortigalli's earring.
01:16:46After you.
01:16:48Come on, get cold, before you break,
01:16:50the cool mistake of the minibus, holy Madonna.
01:16:52After you.
01:16:53Oh, and now for us.
01:16:55Come on, minister, give me the fresh air.
01:16:57After you.
01:16:57As?
01:16:58The fresh inconstant.
01:17:00Ah, the dough, it's his.
01:17:02Oh, finally.
01:17:08Captain, where are you looking like that?
01:17:11What do you expect 10 million dollars to be?
01:17:14There's rampant inflation, and soon they won't be doing anything anymore.
01:17:18We got you.
01:17:21You are presented with the fresh incondant.
01:17:23Oh, I'll put my suitcase here from...
01:17:24Oh, where's the driver? Where's the driver?
01:17:26And who knows where the driver is?
01:17:27Oh, where is the driver?
01:17:29Where is the driver?
01:17:30Sergio, where?
01:17:31Driver!
01:17:32Oh, I love you, I love you.
01:17:35Oh, I love you, I love you, I love you.
01:17:41Taggia felt, taggia tucca, taggia kisses, taggia does everything.
01:17:49Amora, I love you.
01:17:51Driver, driver, driver, driver, driver, driver, driver, driver, driver.
01:17:57Where is the driver?
01:17:58Where is the driver?
01:17:58Just me, driver, driver.
01:18:01Capri, capri, space, the driver.
01:18:05Please write now that you're arriving.
01:18:08Eh, have a good trip.
01:18:10HI.
01:18:11Put one hand here, put the other one too.
01:18:26Portobello.
01:18:27The seventh moon was that saying and ronger who always walked and laughed.
01:18:44I love you.
01:18:45What do we do with these then?
01:18:46These?
01:18:46Do we want to throw them away?
01:18:47But yes, let's throw them away.
01:18:48Sorry, but this is a robbery.
01:19:11Make me a cardinal costume.
01:19:28Sure, boss.
01:19:29The next move is the Vatican.
01:19:32Here are the Bermuda shorts.
01:19:59Give me the sea moustache.
01:20:01Yes.
01:20:11Excuse me, but why do you always throw it away?
01:20:12It's because it's a disposable mirror.
01:20:14The calls, Mr. Minister.
01:20:15Yes.
01:20:22Ready?
01:20:23Mr. Minister?
01:20:24Yes, one moment, sorry.
01:20:26Here, captain.
01:20:27Hello, Mr. Minister?
01:20:29There's nobody here.
01:20:31Anyway, don't worry.
01:20:32I said we don't give up and we won't give up.
01:20:37That's enough.
01:20:38If he keeps his career and wants his good production,
01:20:40he gets it into his head that the matter is closed.
01:20:42It's an order, you understand?
01:20:43All right, Mr. Minister.
01:20:45Yours truly, Mr. Minister.
01:20:46Well, what are you doing there, you with that phone in your hand?
01:20:53Put it down!
01:20:54Put down the phone, you idiot!
01:20:55But fuck whoever died for you, who gave us the revolution.
01:20:59Where I got the smuffi from there, how they are to be beaten if everything is known and here.
01:21:02You have all the busy and fast race that looks out,
01:21:04that from the window today to break her.
01:21:06Well, he gave us the jubilee here.
01:21:08The Jubilee.
01:21:09Eh.
01:21:09But, they made me run like crazy
01:21:12There's the sciatone
01:21:13And I broke my arm too
01:21:16And my head is spinning
01:21:18Me, I miss you
01:21:19Captain Parabellum
01:21:24Order the soldier Marathon
01:21:26To continue his run
01:21:28Idiot, I said to continue
01:21:31Oh no captain, that's enough now
01:21:33The movie is over
01:21:39The decision of the Council of Ministers
01:21:42Poor thing
01:21:43It's coming, it's coming
01:21:46Ours is coming
01:21:48Eh
01:21:48They said tomorrow
01:21:52The sad days will end
01:21:54Eh
01:21:54Poor thing
01:21:56It's coming, it's coming
01:21:58Ours is coming
01:22:00Eh
01:22:00They will give a prize in lire
01:22:04To all honest citizens
01:22:05Poor thing
01:22:07And to the poor
01:22:09Viglielo
01:22:10Everyday
01:22:10An ingestive
01:22:11After meals
01:22:12Wow
01:22:13For those who don't have a job
01:22:16There will be new places
01:22:19Poor thing
01:22:20Dementia
01:22:22Dementia
01:22:22Dementia
01:22:23Dementia
01:22:23Poor thing
01:22:24Dementia
01:22:25Dementia
01:22:26Dementia
01:22:27Poor thing
01:22:27Wow
01:22:28We are bumblebees
01:22:30We are us
01:22:32A people of saints
01:22:33Navigators and ironworkers
01:22:35Everyday
01:22:37Thank you all.
Consigliato
1:35
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