Vai al lettorePassa al contenuto principale
  • 9 mesi fa
Genere: Comico
Anno: 1981
Attori: Felice Andreasi, Massimo Boldi, Andy Luotto, Adriana Russo, Giorgio Porcaro, Gianni Ciardo, Giorgio Ariani, Ernest Thole, Leo Gullotta, Pino Caruso, Enrico Beruschi, Pippo Baudo, Andrea Brambilla, Nino Formicola, Mirton Vaiani, Massimo Pongolini.

TRAMA
In una pseudo-caserma senza nazionalità e senza precisa collocazione si svolgono episodietti pseudo-comici: da un ridicolo alzabandiera, a un goffo sequestro di persone, alla capitolazione dei sospetti responsabili, che consentono ai sequestratori, sequestrato e compagni di andarsene dalla caserma ben finanziati verso le agognate Bermude, alle quali, però, non approderanno, perché alleggeriti e beffati a loro volta da uno sconosciuto.
Trascrizione
00:00:00Music
00:00:30The imbitures, the imbitures, rock and roll
00:00:34Soap
00:00:37I prayed to you
00:00:45V сп too don, come on guys, go giornadacco
00:00:49OLED
00:01:00Mmm, big stuff.
00:01:05Not much, huh?
00:01:07Good, huh?
00:01:08Beautiful night, huh?
00:01:13And cover yourself, you dirty girl.
00:01:17If it keeps up like this I'll buy you a sister.
00:01:19And now off we go.
00:01:21Ananna up.
00:01:21And now off we go.
00:01:51And now off we go.
00:02:21Exaggerated.
00:02:35Exaggerated.
00:02:36Fairy mirror silver mirror.
00:02:57Who's the coolest in the regiment?
00:03:00You, my little captains, eh?
00:03:03Profit us.
00:03:03This ad was paid for, it is important it does not reflect the opinion of the mirror.
00:03:11The Führer, yes, they were the handsome cool captains.
00:03:14Good morning, this is your alarm clock.
00:03:25The day's programs begin with a broadcast of Italian songs.
00:03:29The dawn paints the... pink
00:03:36Miss, this is 2.14.
00:03:42Please, a full breakfast.
00:03:44Orange juice, not grapefruit juice.
00:03:47Of orange.
00:03:47Thump, thump.
00:03:53After you.
00:03:54Gnaaaah.
00:03:55Slam.
00:03:57Good morning, your breakfast.
00:03:59It was about time.
00:04:00Thank you.
00:04:01She's old.
00:04:13How old is she?
00:04:14This orangeade is old.
00:04:16That juice can't be old.
00:04:18I tell her she's old.
00:04:20A squeezed juice is never old.
00:04:21It is old today, as it was old yesterday, as it has always been old.
00:04:24But let's not say that...
00:04:25In this beautiful orangeade it is always old.
00:04:26Oh, she's old.
00:04:28This juice is very fresh.
00:04:31Can we still have some?
00:04:48Hey there, my captain.
00:04:49Hello, hello.
00:04:51Did you have the coffee?
00:04:53Yes, we do, thank you.
00:04:54She?
00:04:55Ah!
00:04:55Soluncio.
00:04:57I, I, I now demand from you
00:04:59that you make me such lucid thieves.
00:05:02But so shiny.
00:05:04But so shiny.
00:05:06As...
00:05:07As?
00:05:08As?
00:05:12The comparison doesn't come to mind.
00:05:14The comparison doesn't come to mind.
00:05:18Calm down, calm down.
00:05:19You, on the other hand, will march one hundred and fifty kilometers.
00:05:27As soon as I say go ahead, Mars,
00:05:28I don't want to see anyone here anymore.
00:05:31You must disappear!
00:05:33Clear!
00:05:34Front row!
00:05:35After you!
00:05:36March!
00:05:40Me...
00:05:41But what did they take from me the letter?
00:05:42Sergeant!
00:05:49Commands!
00:05:58And this is perfect for changing channels.
00:06:10Oh...
00:06:12And you?
00:06:20The usual slacker.
00:06:22And then, instead of one hundred and fifty,
00:06:23are you going to travel two hundred kilometers?
00:06:25No, please, Captain.
00:06:27Give me a discount.
00:06:29I'll offer you a salami.
00:06:32Six salamis.
00:06:36Huh?
00:06:38I have a tomato.
00:06:40Tomato Adam.
00:06:42And I have ice.
00:06:56An ice slush.
00:06:57Excuse me.
00:07:04I have...
00:07:05I have spaghetti.
00:07:07But are they raw?
00:07:08I even cooked them, huh?
00:07:11Good.
00:07:13Do you have butter?
00:07:15If he wants it.
00:07:16AND...
00:07:17And I have pants, huh?
00:07:20Do you have asthma?
00:07:22Huh?
00:07:22Do you have asthma?
00:07:25No, I don't have it.
00:07:26Now it comes to you.
00:07:28Ready?
00:07:29No.
00:07:29Sorry, you know, for the distraction I made.
00:07:39Sorry, that's a joke, I've been making a fool of myself since this morning.
00:07:44Go.
00:07:45So, then, the texts like this.
00:07:47Today's date.
00:07:48Dear Atlantic Pact, Atlantic Pact, Atlantic, of the city of Atlantic.
00:07:58Postal code 640799224799747221.
00:08:05One, this is one, that's fine.
00:08:07So, object.
00:08:08Clear agreements, eh?
00:08:09Object, clear agreements.
00:08:11Dearest pact, dearest pact, comma, I am not writing to tell you, to tell you, please,
00:08:20that my international, international situation is deteriorating.
00:08:28Let's underline this because I can't say it well because my tooth is falling out.
00:08:32Because I assume you already know that.
00:08:35Here you are.
00:08:36Point.
00:08:37Here you make a point.
00:08:41Oh, I'm not writing to you, I'm not writing to you, I'm not writing to you, to tell you that the balance,
00:08:51that the balance between east and west, that is, the two cardinal points, east and west, must be safeguarded
00:09:01because, because I am a soldier and I am not an acrobat.
00:09:07Point.
00:09:09We see?
00:09:09There you go, period.
00:09:12Good.
00:09:13Good.
00:09:14Good and beautiful.
00:09:16Oh, how beautiful you are, my little pantolina.
00:09:20Pantolina.
00:09:20Little Polo, what a nice little nose, what a nice little boy
00:09:25Take it easy
00:09:35I'll give you the new typewriter with a little
00:09:39Make me yours, Bohemond
00:09:41Tell me the beautiful little word
00:09:42Deep with me, in the abyss of the senses
00:09:45But I didn't understand it well
00:09:46Yes, yes, touch, touch
00:09:47Did you have breakfast today?
00:09:49Kiss me, Bohemond, I can't resist any longer soon.
00:09:51Wait, let me catch my breath
00:09:56Excuse me, lend me 9,000 lire
00:09:58Afterwards I'll have you parade in Abbono Terme
00:10:00Don't talk, kiss
00:10:02Grindstone, grindstone
00:10:06Grindstone
00:10:07Grindstone
00:10:10But who are you there?
00:10:15But what are you doing?
00:10:17I, ah, I followed him
00:10:19Sandy, keep messing around with your little rascal.
00:10:21That's not a real load of bullshit
00:10:22Hello, ouch, walk, get out of the way
00:10:23You have to go
00:10:24Stand still, don't get any closer
00:10:25That I make the spoon hand
00:10:26Your little beard and you kiss her too
00:10:28Kiss me the woman
00:10:29Kiss me the woman
00:10:32Then
00:10:33The gentleman wishes
00:10:36Sound the alarm too, thanks
00:10:38Right away
00:10:40Alarm
00:10:43Come on, let's run away quickly, come on, come on
00:10:45Madonna, don't open up here
00:10:47And what are you doing?
00:10:48Love
00:10:49But no, but it's too competitive
00:10:50Give me close, but not so close
00:10:52Actually, let me go
00:10:53Excuse me
00:10:53But think about it, these guys are killing us.
00:10:55I rely on those dessert cutlery
00:10:57Which holds the arm at the bottom
00:10:58Certainly, certainly
00:10:59Tranquility, safety and buckets
00:11:02This is our motto
00:11:03Now you have to give me some time to think
00:11:05One to two seconds
00:11:07No, make it three
00:11:07That two seconds aren't enough for you
00:11:09Three seconds
00:11:09The alarm
00:11:16So, you didn't hear the alarm?
00:11:23What are you doing here?
00:11:24Take only what is strictly necessary immediately
00:11:26And go to the courtyard
00:11:27Forward, march
00:11:29Only the bare essentials
00:11:30Belinguenti
00:11:30Move yourselves
00:11:31Rockets, he'll beat you damned
00:11:33Stones
00:11:33Walk, walk
00:11:35Hello, Colonel?
00:11:44What happens?
00:11:45And it happens that I was talking to my lady
00:11:47When two came in
00:11:48Which by the way they want to do it
00:11:49I am informing you that you have been taken hostage.
00:11:50Here's some news
00:11:52They say we were taken hostage
00:11:55That is, prisoners
00:11:56I'll have the building surrounded
00:11:58They won't escape us
00:11:58Keep calm
00:11:59Yes, of course, agreed.
00:12:01Anyway now you...
00:12:02Ready?
00:12:03They took us hostage
00:12:06We were taken hostage
00:12:08How beautiful, how beautiful
00:12:10What an electrifying situation
00:12:12Please keep calm
00:12:14Excuse me
00:12:14Stay calm
00:12:14Continue, don't make yourself known to everyone
00:12:16On
00:12:16Please keep calm
00:12:17Come on, I'm here now
00:12:19What...
00:12:20What do you want?
00:12:20What does Giulia want?
00:12:21What, am I okay like this?
00:12:22But yes, that's fine.
00:12:23For all I care
00:12:24I'm leaving anyway
00:12:26Wait, you're not going anywhere
00:12:28We started together
00:12:29Let's finish together
00:12:29Stay here
00:12:30But I'm not an irresponsible fool like you, you know?
00:12:32Sand, you're not crazy.
00:12:33I know what you are
00:12:34Look
00:12:35It's one thing to steal ballots to avoid military service.
00:12:37It's one thing
00:12:38It's kidnapping people
00:12:40I'm leaving
00:12:40Goodbye
00:12:41You are a cowardly derongel
00:12:42And you're a southerner
00:12:43Everyone in their seats
00:12:45You stay down
00:12:46Everyone in their seats
00:12:46Stay down
00:12:47What are you doing there?
00:12:48You stay!
00:12:48Yes, under orders
00:12:49Hey there are some barricades
00:12:50Wait a minute
00:12:51And what can we do?
00:12:55My captain
00:12:55Yes
00:12:59You are so graduates
00:13:02But so graduates
00:13:04But so graduates
00:13:05That...
00:13:05That?
00:13:07You can't do anything but go and clean the toilets
00:13:09This time I found the comparison
00:13:12What luck we have
00:13:13Thank you
00:13:15Fire!
00:13:19Fire is how it's written
00:13:31Ignorant
00:13:33You're back, huh?
00:13:40Yes
00:13:40I'm back
00:13:41I thought it was nicer to finish something we started together, right?
00:13:46And you've done half your duty
00:13:48Do you want to do the other half?
00:13:49Yes
00:13:49Here you are
00:13:49Grab the cannon in your hand and keep the little rascal at bay here
00:13:53That I have to talk to the colonel
00:13:54Am I doing wrong?
00:13:55Ninth!
00:13:57Up the colonel
00:13:57Look, I'm handing over my jacket as a sign of surrender.
00:13:59Come on Colonel, if I only move a good of his physique
00:14:02I give an order to the blond guy over there who is a beast
00:14:05I tell him to pull the triggers and he blows his little rascal's brains out.
00:14:08And I spread it on the cloth like it was mayonnaise
00:14:10Oh, how disgusting, come on!
00:14:13Don't pay attention to what you say blond
00:14:15Because if I say I'll crush you
00:14:17I'm not saying I'll crush you
00:14:18I'll squeeze you!
00:14:19You don't do it anyway, it's written by Catholic youth
00:14:22Ah, ah, ah
00:14:24Listen, you gotta close that sewer a little bit and slice
00:14:26Because you know very well that my uncle the priest gave me that head.
00:14:28Making me bluff
00:14:29Which made me believe that with that head
00:14:31He could have even gone to the Milan stadium
00:14:34That's true, huh?
00:14:35What's up? Is he sick?
00:14:35Nothing
00:14:36Nothing, it's the heart
00:14:37Immediately over here
00:14:47I'm going, eh
00:14:47Ah, I'm going in a hurry
00:14:48A little happy, eh
00:14:49A moment
00:14:50Heart, heart
00:14:52My heart hurts
00:14:54Very?
00:14:55To breathe
00:14:56What number, what number is there captain?
00:14:59No, I know
00:15:00Tell me, Colonel
00:15:04How, how, how, how, how would that be?
00:15:07And we should allow the two underdeveloped
00:15:09Checkmate an entire barracks?
00:15:12Are you joking, Colonel?
00:15:14Oh, you're not joking?
00:15:15Ah, ah, I understand
00:15:18She says that because she is under gunpoint.
00:15:20He actually wants me to come there and catch the two.
00:15:23Isn't that right?
00:15:24No, it's not like that
00:15:25This one is stupid
00:15:27Give it to me, go ahead
00:15:28Give it to me, make sure I talk to this one
00:15:29Give it to me
00:15:30Oh, Sandi, it's ready
00:15:31Who am I talking to?
00:15:32I want to know the degrees, first of all
00:15:34Oh, Sandi
00:15:34I have the hands of two instruments that become a beautiful
00:15:36But I'm not talking to her
00:15:38No, sorry, what degrees do you have?
00:15:39I'm captain
00:15:40Captain? Oh, finally.
00:15:42Because I want to talk as equals
00:15:43I am a pure captain
00:15:44Yes, I am captain
00:15:46Put down the phone, it costs money, look
00:15:47Take your hands off two instruments that are nothing else
00:15:49I'm not talking to you, Captain.
00:15:51So, I was saying that I'm captain pure
00:15:53Some close friends, but they always happen
00:15:55And if you are a friend of your skin, you have to protect it, dear.
00:15:58They know how to leave the colonel's office immediately
00:16:02With hands up and tail between legs
00:16:04I'll take care of your skin
00:16:06Now you've really hit rock bottom.
00:16:08Now it really goes through the telephone wires
00:16:12I'll meet you on the other side
00:16:14I'll take your ears, break them and make them into little ears.
00:16:16And you try it
00:16:17Try to come down
00:16:19Southerner
00:16:20Who did you say you, southerner?
00:16:22To you
00:16:23Now if at least it tells me to be a little brave
00:16:26And I'm not saying a little courage
00:16:27I say a little courage
00:16:28Repeat it
00:16:28Southerner
00:16:34Sende
00:16:35Calling me a southerner is like telling a little girl that she's pale.
00:16:39Al'ecrette cleanses our heads of blood and turns our balls around
00:16:43He doesn't even make the slightest gesture of touching the gun.
00:16:45That above is the blond
00:16:47The Beast
00:16:47Who has the spit gun pointed at the temple of the colonel's little beard
00:16:51So you want war?
00:16:52No, I don't want war
00:16:53I just want to get out of here the way I came in.
00:16:55You can wash this off your head
00:16:57I'm known for being a tough guy.
00:16:59Sende, captain
00:17:00I am a man of action
00:17:01Break the ladies' gardeners
00:17:02The mask of the lords
00:17:03You crush the flaccids and break the hard ones
00:17:04Eat chopped vegetables without sugar
00:17:06And you devour me, captain, like you
00:17:07And you?
00:17:08You try to eat me
00:17:09And if I try, what do you do?
00:17:12I, I, I, I'll eat your intestines
00:17:13I'll climb up your esophagus
00:17:15I'll come into your mouth
00:17:16And I'll break all your teeth
00:17:17And if you piss me off
00:17:18I'll go out and punch you in the eye too
00:17:19It is expected that I know how to be a spherical
00:17:21The bandit sard throws me to the neck
00:17:23You on all the blood
00:17:24Ah, are you like a lunatic?
00:17:26And I'm worse than Dracula
00:17:27And if I don't have teeth out
00:17:28And because as a child
00:17:29They put braces on me
00:17:30So you know what I tell you?
00:17:32What do you tell me?
00:17:32Nothing
00:17:33I don't talk to people like you.
00:17:34Andrea, Andrea
00:17:39I spied a plan to free the colonel
00:17:40The wonderful thing
00:17:41The opportunity of our lifetime
00:17:42Listen carefully
00:17:42This here is the colonel
00:17:43And this here is the building
00:17:44Where are two hostages and two kidnappers?
00:17:46We without anything happen
00:17:47We enter the building
00:17:48And you're kids
00:17:48Call the shoulders
00:17:49But you're stupid where you comb your hair
00:18:14Make yourself a drop of diesel fuel
00:18:16Which is better?
00:18:16Am I right or not?
00:18:18Colonel
00:18:19Yes, captain
00:18:20Yes, captain
00:18:21In the young
00:18:22Yes, captain
00:18:23The minister on the phone
00:18:25The minister wants you personally on the phone
00:18:27On the phone
00:18:27I arrive
00:18:28Captain
00:18:42Captain
00:18:56De gubernatis
00:18:57Parabellum
00:18:58Captain
00:18:59Parabellum
00:18:59Parabellum
00:19:00But what the fuck does that mean?
00:19:02Parabellum
00:19:02Do gubernatis
00:19:03If it's the same
00:19:04Don't waste my time
00:19:05At that time
00:19:05Why didn't he let them go?
00:19:07And why the state
00:19:08He can't afford it
00:19:09Of being brought to his knees
00:19:10From the first comers
00:19:11From the first comers
00:19:12Here they didn't want to bring us to our knees
00:19:13Nobody
00:19:14They just wanted to leave
00:19:15Less than this
00:19:16She had to accept
00:19:18Captain knows.
00:19:19What are the kidnappers asking for?
00:19:20Nowadays
00:19:21Thousands of thousands of billions
00:19:23Forgive me
00:19:25Mr. Minister
00:19:25But in my opinion the state
00:19:26It can't
00:19:27And he must not give in
00:19:28No blackmail whatsoever
00:19:29Not even the most advantageous one
00:19:30And then Mr. Minister
00:19:35It's not a pants clearance
00:19:37I don't understand captain
00:19:38There must be contact
00:19:40Then I won't tell him anymore.
00:19:41Let me speak too, captain.
00:19:43Open your ears
00:19:44And be very careful
00:19:45She first of all
00:19:47Must
00:19:48He must obey
00:19:49He must not resist
00:19:51But but but what resistance
00:19:52She has the obligation to close
00:19:54The matter as soon as possible
00:19:56If not, it becomes public knowledge to me.
00:19:59We'll close it right away
00:20:00I went to the military academy
00:20:02Mr. Minister
00:20:02More than once
00:20:03We'll close it
00:20:04With a nice action
00:20:05Captain parapallem
00:20:10Parabellum
00:20:11Don't contradict me
00:20:12In short
00:20:13Plants of strength actions
00:20:15Understood?
00:20:16It would complicate things
00:20:17And that's it
00:20:18I understand
00:20:19Here we have to save both the goat and the cabbage.
00:20:22So diplomacy is needed.
00:20:24I'll put myself in my place
00:20:26And she puts herself on mine
00:20:27Why not?
00:20:28Yes?
00:20:38And now that he's in my place
00:20:40What do you think?
00:20:42Well
00:20:43But but
00:20:44Yes now that I'm in his place
00:20:46I confess to you that I see things
00:20:48From a whole other angle
00:20:49And badly
00:20:50Yes yes
00:20:51You're right, Captain
00:20:53The State cannot
00:20:54And he must not give in to blackmail
00:20:57Of the first to come
00:20:57Only like this
00:20:59Acting with firmness
00:21:01We will finally be able to arrive
00:21:03To the triumph of democracy
00:21:04Of peace
00:21:05Of freedom
00:21:07And of justice
00:21:08Among the peoples
00:21:09That's exactly what I think too
00:21:11At your orders, Mr. Minister.
00:21:13And at this point
00:21:18He tricked me
00:21:23Sir Captain
00:21:26Sir Captain
00:21:27And who are you?
00:21:30What am I?
00:21:32Who am I?
00:21:34I am
00:21:34Nothing less
00:21:36That the Minister of Defense
00:21:37Dear you
00:21:38But
00:21:39And what are you doing here?
00:21:42What do I do?
00:21:45What am I doing here anyway?
00:21:46So say
00:21:46Can you call me a taxi?
00:21:48Eh
00:21:48Eh
00:21:49Armored
00:21:50All right
00:21:51Taxis
00:21:53Friends
00:21:54Liao
00:21:55Four and five
00:22:01They go nine
00:22:02I do the math
00:22:03And I can't find myself
00:22:04Hello
00:22:06Hello
00:22:07I feel you too, love
00:22:25Oh darling
00:22:26I'm heating things up
00:22:28How do you say
00:22:29I'm leaving everything for you
00:22:30God, what an injustice!
00:22:42You have to endure life
00:22:44My daughter
00:22:44She was Moroccan
00:22:45Moroccan
00:22:46But not the healthy ones
00:22:47Who see carpets
00:22:48Lighters
00:22:48Do you want to buy?
00:22:49No
00:22:49She was Moroccan
00:22:50And mulatto
00:22:51You think she had white breasts
00:22:53And a black one
00:22:54I was raised on cappuccinos
00:22:56Terrible
00:22:57I don't like it
00:22:57Oh
00:22:58This is all it takes
00:22:59You need a head
00:23:00Head
00:23:00Organize
00:23:01This
00:23:01But come forward
00:23:03What are you doing about?
00:23:03I can't take it anymore
00:23:05I can't take it anymore
00:23:06Up and down
00:23:06From the stairs
00:23:07Up and down
00:23:07Four pieces of furniture
00:23:08Already taken down
00:23:09Sandro
00:23:09But four pieces of furniture
00:23:10What do you want them to be?
00:23:11Four pieces of furniture
00:23:11On
00:23:12Four pieces of furniture
00:23:13But look at what furniture they are
00:23:14These dumpling woods
00:23:16Sliced wood
00:23:17I've been here for millions
00:23:18Millions of years
00:23:18In gaselma
00:23:19But what am I saying millions
00:23:20Hundreds of years
00:23:21It is impossible to carry this furniture
00:23:23Alright
00:23:23I have landlines
00:23:24Which is a power
00:23:26But always everything
00:23:27On my shoulders
00:23:28It's not possible
00:23:29Even that sliced
00:23:30I have to carry myself
00:23:30On my shoulders
00:23:31Listen to something
00:23:32Now I want to tell you this
00:23:34The thing
00:23:34The Captain
00:23:35Here is the captain
00:23:36It's very hard
00:23:37That is, he's a dumpling
00:23:38Hard
00:23:38He wants this wood down there
00:23:39Meaning what
00:23:39He got something into his head
00:23:41Then after the fact
00:23:42You look with me in a mess
00:23:42There's a death
00:23:43I'm telling it to you now
00:23:44That is, you have to try to
00:23:46Save you
00:23:47Let's organize ourselves
00:23:47That is,
00:23:48It's right to organize yourselves
00:23:48That is, defend yourselves
00:23:49That is, at this point
00:23:50Take this furniture
00:23:51And take her away
00:23:52The Colonel is right
00:23:53Clyde
00:23:54Trust me
00:23:55What did you say?
00:23:56The Colonel is right
00:23:57Sandi there you decide
00:23:58Who is right?
00:23:58Who is not right
00:23:59If I went
00:24:00And if I went
00:24:00Because it's me
00:24:01The boss in here
00:24:02You are just a subordinate
00:24:04Now I have become
00:24:05His maid
00:24:05Housekeeper or no housekeeper
00:24:07Schirok
00:24:08Volkswagen
00:24:09128 Krups
00:24:10Oh
00:24:11Decide the things I know to do
00:24:13Now for example
00:24:14I want to go towards
00:24:15The Colonel
00:24:15Which is quite nice
00:24:17So I'll take this down
00:24:18He's a good boy
00:24:20A little wild
00:24:20But good
00:24:21Oh but this is wood
00:24:23It's hot
00:24:24This is a fetish
00:24:25Oh Colonel
00:24:26Give me a hand
00:24:27Sorry I forgive you
00:24:28Go go
00:24:29Come on forward
00:24:29On your shoulders
00:24:30Force
00:24:31Savior
00:24:31I'm going slowly
00:24:32They all stood up
00:24:33Ministers here
00:24:34Captains
00:24:34Colonels
00:24:35Disputed
00:24:35Come on forward
00:24:36On
00:24:36Permit
00:24:46Permit
00:24:49Hey
00:24:51Hello beautiful
00:24:52Assassin
00:24:55Disgraced
00:24:56The turkeys
00:24:57Good morning
00:24:58Hello beautiful?
00:24:59Yes, I'm here
00:25:00The gentlemen wish
00:25:01Some mines
00:25:03Thank you
00:25:04Mine very well
00:25:04I'm very fresh
00:25:05It arrived this morning
00:25:06How many do I do?
00:25:06A kilo?
00:25:07Yes yes I'll do a kilo
00:25:08Very good
00:25:08No no no
00:25:09Look
00:25:10This is rotten
00:25:11Which?
00:25:12Via
00:25:12And a little more
00:25:19All right?
00:25:21Yes, yes, leave the little one alone
00:25:22Thank you
00:25:23Anything else?
00:25:24Yes I would like these
00:25:25Oh, some landmines?
00:25:27Very good
00:25:27Yes yes but they are fresh
00:25:28They are very fresh
00:25:29Arrived this morning from
00:25:30From Puglia
00:25:31But how come from Puglia?
00:25:32If I say that I came from Puglia
00:25:33I arrived from Puglia
00:25:35Yes yes it's fine
00:25:36But stay calm
00:25:36I don't get angry
00:25:37I'm calm
00:25:38Well?
00:25:39Huh?
00:25:39What is he doing?
00:25:40Mo
00:25:40Oh
00:25:41Say
00:25:42I was saying I would like some mines
00:25:44Beautiful
00:25:44I arrived
00:25:45But if they are fresh
00:25:46They arrived today
00:25:47They are very fresh
00:25:47Is this also from Puglia?
00:25:48Yes, he is from Puglia
00:25:49No but listen
00:25:50Are we sure they are fresh?
00:25:51But they are very fresh
00:25:52No because you know
00:25:53I don't trust traders much.
00:25:54But trust me
00:25:55Trust me
00:25:55His mother
00:25:56His mother is years old
00:25:57What is served here at my place
00:25:58For me they are not fresh
00:25:59But they are very fresh
00:26:00Too much for certain
00:26:01Look
00:26:02Oh how beautiful
00:26:05How beautiful
00:26:06Huh?
00:26:08Hmm?
00:26:10Do I have a dirty barna?
00:26:11No
00:26:11Thank you
00:26:12Give me six
00:26:13Very good
00:26:14There are ten thousand each
00:26:16Five and a six
00:26:18Oh
00:26:19Thank you
00:26:20What do I do?
00:26:21Sign?
00:26:21Yes yes
00:26:22Very good thanks
00:26:23Until we meet again
00:26:23Until we meet again
00:26:24Where are you
00:26:25Unfortunate
00:26:26I chose you
00:26:27Understood
00:26:28I chose you
00:26:29Who is?
00:26:34It's me Tella
00:26:35Can I come in?
00:26:36After you
00:26:37It's open
00:26:38Sorry dear
00:26:42I'm out of sugar
00:26:44I don't feel like going down
00:26:45Could you give me some?
00:26:46Of course dear
00:26:47Go ahead and get them in the kitchen.
00:26:49Do you know where it is true?
00:26:50TV news
00:26:51This morning at 8:30
00:26:53A two-man commando
00:26:54He entered the MG barracks
00:26:56And he took the colonel hostage
00:26:58Bohemond Thompson
00:26:59My husband
00:27:00It seems that together with the colonel
00:27:01His wife was also taken hostage.
00:27:03Hotella Thompson
00:27:04Huh?
00:27:05But I heard right
00:27:07As he said
00:27:07Hotella Thompson said it herself
00:27:08But Hotella Thompson is me
00:27:10But then who is the other one?
00:27:11But I'm the colonel's wife
00:27:13Teacher
00:27:13How is this possible?
00:27:14But one of our correspondents went to the Minister of Defense
00:27:17Who released this statement
00:27:19Gentlemen
00:27:20I can't say yet
00:27:22That the situation in the barracks is resolved
00:27:25But I can assure you
00:27:27Which is under control
00:27:28I would really like to know
00:27:29Who is that lady who is with my husband?
00:27:30Actually, now you know what I do?
00:27:32I'm going to the barracks
00:27:33I'll take that cracker
00:27:35And I trotted it
00:27:36I trotted it, you understand?
00:27:37I just spoke on the phone
00:27:39With the captain
00:27:40That I have the captain
00:27:42Who took command of the operations
00:27:44Help!
00:27:45And then I throw it down
00:27:46And then I pluck it
00:27:48I tear my hair out
00:27:49And then I hit her
00:27:51I'll take a slap
00:27:52The fists
00:27:53The tear
00:27:54The strippo
00:27:55Come here, come here
00:27:57That it's not over yet
00:27:58Let it wait
00:27:59Please
00:28:00It's zoma
00:28:01Nutella
00:28:02Farmyard
00:28:03Farmyard
00:28:04Please
00:28:07Photosecretary
00:28:08Aio
00:28:09You're hurting yourself
00:28:10The hair
00:28:10Photosecretary
00:28:12Say, Mr. Minister
00:28:13I'm here
00:28:13Look there
00:28:14Are you done?
00:28:15Let it wither
00:28:16Look at those two women who want
00:28:17Let her come too
00:28:18Do you want to think?
00:28:19With the bedine
00:28:20If they get their faces
00:28:21And then I'll take it slowly
00:28:22The coffee
00:28:23But what is he doing?
00:28:24But a beautiful never-ending mystery
00:28:26Go away
00:28:29She too
00:28:30So
00:28:30Mrs. Thompson
00:28:33And the hand
00:28:38It seems he was going shopping
00:28:39This sugar
00:28:40As we were saying
00:28:42It seems anyway
00:28:44That the commando action
00:28:46Don't have any
00:28:48Political matrix
00:28:49Therefore
00:28:50Mr. Minister
00:28:51It has to go on air
00:28:52The match
00:28:52But don't interrupt me
00:28:53For these stupid things
00:28:54Let's go
00:28:55What game is this?
00:29:02Oh
00:29:02I finished
00:29:05So I'm going around
00:29:11From the barracks
00:29:12Then I reach the building
00:29:13Where he held
00:29:14We hold the colonel hostage
00:29:15Yes
00:29:15And with the excuse
00:29:16That I have to deliver a telegram
00:29:18I'm letting it out
00:29:18The kidnappers
00:29:19Yes
00:29:19But if they happen
00:29:20I can't leave her alone
00:29:21In the middle of
00:29:21Silence
00:29:22Silence
00:29:23This is a plan
00:29:23Based on surprise
00:29:24You don't move
00:29:25Yes but
00:29:26Yes but it's difficult
00:29:27The hand
00:29:27Excuse me
00:29:28The hand
00:29:28I don't need any hand
00:29:31But I apologize
00:29:33The hand
00:29:33About the captain
00:29:36About the captain
00:29:36Dies from
00:29:42Come on captain
00:29:45Come on, you can do it
00:29:45Insist that you stay on
00:29:46Force
00:29:47Go captain
00:29:49Go captain
00:29:51Go
00:29:51Go
00:29:51But
00:30:09Fire.
00:30:14Come on, a kiss, come on.
00:30:16But the blow, the blow.
00:30:23Happy, Captain?
00:30:34So, we get there, we knock and we say.
00:30:36Telegram?
00:30:37They come out, put their feet on their hands and jump in the air.
00:30:39Perfect, it won't work badly.
00:30:41Yeah, damn it.
00:30:43But did you finish it or didn't you finish it?
00:30:45I'm done, I'm done, I'm planting landmines, not tulip bulbs.
00:30:49Yes, but hurry up, it's a courtesy.
00:30:51Hurry up, sow them yourself then.
00:30:53Nino, are you sure this is the season to plant mines?
00:30:57Listen, I...
00:30:58I'm done, I'm done.
00:31:03Telegram?
00:31:04I...
00:31:05And this one here?
00:31:11What does this have to do with anything?
00:31:14But...
00:31:15But you don't stay, but you don't stay.
00:31:20I told you, this is not the season.
00:31:23Please
00:31:24Ah!
00:31:25Ah!
00:31:25Thank you all.
00:31:55Thank you all.
00:32:25But, there is captain.
00:32:27Sergeant.
00:32:28But where is he?
00:32:29The head is here, find the rest, idiot.
00:32:34Open up!
00:32:37Open up!
00:32:39But there's nobody there!
00:32:42Open up, please!
00:32:45Open up!
00:32:47Open up!
00:32:49Open up!
00:32:50It's closed, there's nobody there.
00:32:55I'm running out of steam, I'm scared.
00:32:58Would you open the door for me, please?
00:32:59I am Colonel Thompson's wife.
00:33:01Colonel Thompson's wife?
00:33:08Is he being held hostage there?
00:33:10The Colonel...
00:33:11I tell you that I am the colonel's real wife!
00:33:14Would you open the door for me, please?
00:33:15Come!
00:33:22I'll let her in through my secret passage.
00:33:24Yes, that's fine.
00:33:25I make myself feel the breath.
00:33:27But she is a freshly peeled flower.
00:33:29She...
00:33:29And she's too beautiful to be the colonel's wife.
00:33:31She is gorgeous.
00:33:32But where is this passage?
00:33:34I feel it.
00:33:35I love her.
00:33:36I want it.
00:33:37Apple!
00:33:38Apple!
00:33:38Apple!
00:33:39But what are you doing?
00:33:41Sell here!
00:33:41Yes, hit me!
00:33:43Beat me!
00:33:43No!
00:33:44Leave it!
00:33:44Leave it!
00:33:45Not so loud!
00:33:46Oh!
00:33:47I don't...
00:33:48Oh!
00:33:49Oh!
00:33:49But you barefoot!
00:33:51Oh!
00:33:51Oh!
00:33:52But...
00:33:53But why did you do it?
00:33:54How bad!
00:33:56How bad!
00:33:57That...
00:33:57How bad!
00:33:59Where?
00:33:59How bad!
00:34:01How bad!
00:34:02Oh!
00:34:06Yes.
00:34:08Yes.
00:34:08I told you further down.
00:34:10No, higher up.
00:34:11I told you no, you have to shoot further down.
00:34:13I'm telling you it's higher up!
00:34:14Further down!
00:34:16Is the colonel at the bottom or at the top of the hierarchy?
00:34:19It's high up, but what does it have to do with anything?
00:34:20So that's how it is, look, that's how it is.
00:34:30You shot Mary Poppins, Mary Poppins.
00:34:33He told you to shoot a little lower.
00:34:36Hit me, yes, for...
00:34:37But what does he do?
00:34:38I'm undressing!
00:34:39But you're not fooling me, you're the one who pretends to be the colonel's wife.
00:34:42But can't you see that I'm a gift?
00:34:43Let yourself be loved!
00:34:44But which one to love?
00:34:45I am Focchi, Eclide's brother.
00:34:46But what ways are they?
00:34:47I am Eclide's brother.
00:34:49But what do you see in there?
00:34:50There is a...
00:34:50A woman who pretends to be his wife...
00:34:52The colonel's wife.
00:34:54Oh, yeah?
00:34:54Crazy!
00:34:55No, don't do that.
00:34:56I understand?
00:34:56She's crazy!
00:34:57She's crazy!
00:34:59She's crazy!
00:35:00If only I hadn't done that, come on, courage, if only I hadn't done that.
00:35:02What is he doing?
00:35:03What does he do?
00:35:03What hand did we make?
00:35:08How disgusting!
00:35:09Are you sick from the ciobba?
00:35:11What stuff?
00:35:12I brought the bundle and the basket to eat for my brother.
00:35:16Thank you, very kind.
00:35:17The dicks have fallen dicks.
00:35:19Crazy!
00:35:19But if you pile it up.
00:35:21Crazy!
00:35:21Today alone beats.
00:35:23Yes, pile it up, come on, courage, courage.
00:35:25Open the gates!
00:35:27Open the gates!
00:35:28How crazy, look, if...
00:35:30Poor thing, he's hitting himself today.
00:35:32Poor thing.
00:35:35This kid is so healthy, though.
00:35:36Ah, I'm here.
00:35:38Is it allowed?
00:35:45No, but I'm Clyde's brother.
00:35:47I have to go for it.
00:35:48I brought us some little things to eat.
00:35:50Look here, look here, look here, look here.
00:35:51You don't do much for me!
00:35:53Clyde!
00:35:53It's coming down!
00:35:54Who is?
00:35:56Clyde!
00:35:57Clyde!
00:35:58Warning!
00:36:00Poor thing!
00:36:00How pale!
00:36:02As a starting point!
00:36:03It makes me!
00:36:04Now she then!
00:36:05Okay, tell us what you have to tell us and hurry up, go ahead.
00:36:08Hey, it looks like Bozzano to me, doesn't it?
00:36:09Yes, yes.
00:36:10I don't tell us what I shouldn't tell us and I don't hurry, okay?
00:36:13Who knows how hungry you are?
00:36:15How elegant!
00:36:16And what a regular and current outfit he has!
00:36:19Brother, holy brother, beautiful brother!
00:36:21But why did you do all this?
00:36:24Sorry, but you don't eat!
00:36:26The inzalata was broken, but why did you do it?
00:36:29Excuse me!
00:36:29Because this bunch of southerners who are harassing you wanted me to do military service
00:36:35just when I had found a fair, regular and correct job in a panettone factory
00:36:40very Milanese.
00:36:41Excuse me, crite, but what problem did you have about the job?
00:36:44There's your house, right?
00:36:46Oh, me!
00:36:47There's your family, eh!
00:36:49There's your beautiful little brother, who is me, that's me!
00:36:52Don't even say that as a joke!
00:36:55Who ran away from home?
00:36:56Precisely because you were there!
00:37:00You know what I tell you, you're an idiot!
00:37:02There is?
00:37:03You're an idiot!
00:37:04Excuse me!
00:37:05You're an idiot!
00:37:06Why?
00:37:06An incratic choir!
00:37:08I hear you, you know what I'm telling you, you're selfish and profiteering!
00:37:11And do you want to know more?
00:37:12Sprimate!
00:37:12You're selfish!
00:37:14Oh, but what a selfish, selfish person!
00:37:15These big guys, selfish!
00:37:17You think I've always been a naive, shy, embarrassed guy!
00:37:25You think I was mentally shameful, don't you?
00:37:28That when my mother had to breastfeed me, I turned my head away out of shame!
00:37:34Yes, I turned my head away because I was afraid that someone else would suck your milk from the other breast!
00:37:38I'm a fan of this thing!
00:37:40You should think that I was naive, that I was convinced that pathetic pears were those flaccid, bruised pears that make you feel sorry, poor things!
00:37:50If you believe me, there's even the Madonna of Lourdes in comparison!
00:37:57Oh, this is also thanksgiving, right?
00:37:59Actually, you know what I tell you?
00:38:00They're right to kill you!
00:38:02And I was the one who took care of bringing you something to eat!
00:38:06They're right to kill you!
00:38:07You are such an ungrateful person!
00:38:09You are ungrateful!
00:38:11You saw it, right?
00:38:12Ah, that's why I'm coming here!
00:38:14I'm coming here!
00:38:15But when ever?
00:38:16Oh my!
00:38:17Ah, that's why I'm coming here!
00:38:18Yes, that...
00:38:19Ah, that's why I'm coming here!
00:38:49A woman!
00:39:15Nice, it's here!
00:39:24But this is a barracks of sex maniacs!
00:39:35Oh yeah, damn it!
00:39:37All of you pigs!
00:39:38Hey you two in there!
00:39:57Come out!
00:39:58This is the captain speaking to you!
00:40:00Well, I'm pleased to announce that I have a surprise for you.
00:40:04Do you see these two coffins?
00:40:06I chose them carefully myself.
00:40:08Well, if you don't come down with your hands up in 30 seconds, you're going to be stuck in there forever.
00:40:14Ah, ah, ah, ah, ah, ah.
00:40:19Your captain, your captain, there are two people asking for you.
00:40:25Shame.
00:40:29Grampa.
00:40:30Grampa.
00:40:31You always have to come and bust our balls for us grandparents.
00:40:38Well, well.
00:40:41Sand, bring something to sneak up on, we have a reputation for being Abruzzese wolves.
00:40:46Eh, okay.
00:40:47Just because you catch me in a moment of emotion.
00:40:50Hands off.
00:40:51No, you see, hands off.
00:40:52Excuse me.
00:40:53I never did anything except being a hello.
00:40:55Yes, sorry, have you tried a salacious straight?
00:40:58Yes, waxing.
00:40:59Pull and pull...
00:41:00Oh well, too bad.
00:41:03But what is this?
00:41:06It's salmon.
00:41:07Oh, oh.
00:41:09Oh, that's disgusting.
00:41:13What's up, Clyde?
00:41:14Eh, but this ham is a stinker.
00:41:17It's a nice color, but it's really disgusting.
00:41:19It tastes like salty fish.
00:41:20But you don't understand anything at all.
00:41:22Disgusting.
00:41:23Excuse me, Colonel.
00:41:24Nothing.
00:41:25Should you do military service?
00:41:27Sand, give me dock with me.
00:41:28You have to bring orecchiette, rap cimili, the ambascio uno, the anzana, a little word.
00:41:32Yes, he likes French cuisine.
00:41:34Ah, here it is.
00:41:35Actually, do you want to do something nice, you little rascal?
00:41:38Bring some hot peppers, Colonel, I saw you looking down with the little rascal.
00:41:42Go get the chili pepper, come on.
00:41:45With your permission, Colonel.
00:41:47Yes, I'm going, Colonel.
00:41:48She, I saw that on her jeep there is a lucky horn.
00:41:51Instead of the cornet, you have to put the hot pepper.
00:41:54The shape is the same, because now I'll explain.
00:41:57The hand goes with spoons, but every now and then they also said something else, right?
00:42:01So, from the chili pepper snatch, boom, I start like in Goldrake, that one.
00:42:04Hammer drilling, knows no shame.
00:42:06Why don't you try, Bohemond?
00:42:08Be careful.
00:42:12Madam, bring us dinner too.
00:42:18Thank you.
00:42:19He's coming right away.
00:42:20Oh, congratulations, madam, well done.
00:42:24Bravo.
00:42:25You're welcome, my masterpiece.
00:42:31But, but what is it?
00:42:34It's an ass.
00:42:35As?
00:42:36An ass.
00:42:37Things?
00:42:37A cu-cu-cu-cu-cu.
00:42:39What is it?
00:42:39A little ass.
00:42:41An ass?
00:42:42Touch, touch.
00:42:45How is it cooked?
00:42:46But, very, but how is this ass cooked, ma'am?
00:42:49But, but, with the pressure cooker.
00:42:51So, on the contrary, with a pressure cooker, you can see the cooking.
00:42:54And then it's too much for us, madam.
00:42:55This is too much, take it away, thanks, we can't eat.
00:42:57Thank you.
00:42:58Excuse me.
00:42:59Excuse me.
00:42:59Actually, I, I would eat a little piece of it right now.
00:43:02Really?
00:43:02A little piece, I don't know.
00:43:03Better to go to bed this evening.
00:43:05I would include it in the Milanese cuisine.
00:43:06Here, ma'am, thank you, take it away, thank you.
00:43:08Gentlemen, please take a seat, there's more.
00:43:11Don't despair, there are so many things.
00:43:13In fact, I'll call the kitchen right now.
00:43:16Lady?
00:43:17Yes, it's still Thompson.
00:43:18Yes, listen, bring that dessert, that famous dessert.
00:43:21But no, but, but the special dessert, the one she prepared with her own hands.
00:43:25But how which one?
00:43:26The famous dessert.
00:43:28Ah, here comes Ines.
00:43:29With the cake.
00:43:30Oh, thanks.
00:43:31But never candles?
00:43:32And nothing, my birthday?
00:43:33Uh, happy birthday.
00:43:34I do it every two years, yes.
00:43:35The seedling is very much there.
00:43:36Have you seen Clyde?
00:43:38Clyde, did you see how beautiful it is?
00:43:39I didn't even give you the gift.
00:43:40Then they say these things go out of fashion, but deep down they're beautiful.
00:43:44Congratulations, what a game.
00:43:45I used to be a kid and we made these cakes full of candles.
00:43:48They are very beautiful things that are always remembered with pleasure.
00:43:52Thanks, grandma, go ahead, go ahead, grandma.
00:43:56Congratulations!
00:43:57Bravo!
00:43:58A handsome colonel.
00:43:59It's good, yes, it's a nice mistake he made.
00:44:01It's a nice collusion that he made together.
00:44:03How beautiful and all white.
00:44:05But, not bad.
00:44:07Are you bothering me?
00:44:08A cake.
00:44:09Ah, but that's not bad.
00:44:12Happy birthday, Colonel.
00:44:14Best wishes.
00:44:15Best wishes.
00:44:16Happy birthday to you.
00:44:20Happy birthday to you.
00:44:23Happy birthday to me
00:44:27Happy birthday to you
00:44:31Happy birthday to me
00:44:35Happy birthday to me
00:44:38From the repertoire of Luigi Armstrong
00:44:53Oh, the foot, the foot doesn't go
00:44:56No, no, no, no
00:44:58How hot
00:45:06Excuse me
00:45:07Huh?
00:45:11No
00:45:12Excuse me
00:45:15Do you know where the GM barracks is?
00:45:19You come
00:45:20And I support you
00:45:22But what does he do?
00:45:25But what does he do?
00:45:27Are you leaving me?
00:45:28Excuse me, referring
00:45:30It was a mirage
00:45:31We have patience
00:45:32All right, mirage granted
00:45:34I'm going that way in peace
00:45:36We have patience
00:45:37What times, what times
00:45:38Excuse me, huh
00:45:39Sante, there's your aunt
00:45:41You too here
00:45:42But aren't you a soldier and a soldier?
00:45:44The gentleman in
00:45:45The Lord left 99 sheep
00:45:49To go and look for the lost one
00:45:51In the letter of St. Paul to the Corinthians
00:45:54It's readable, isn't it?
00:45:56No?
00:46:01It is read in the letter of St. Paul to the Corinthians
00:46:05It's readable, isn't it?
00:46:08Leave it alone, aunt
00:46:09Let it be
00:46:10That much on the straight line V
00:46:12As you say
00:46:12I'm not going back even if I'm dead
00:46:14Do you remember when you told me
00:46:16What goes with the little rascals?
00:46:17It was to make some imburi acts
00:46:19Eh, me two months ago
00:46:20I discovered
00:46:21Let these acts be filled in
00:46:22What do you call them?
00:46:23Everyone does them
00:46:24And very normal succumbs
00:46:25But you made them yourself
00:46:27Son Benedict
00:46:28Chaos of force majeure
00:46:31Because when I did them
00:46:32With a little beard
00:46:33You made me kneel down
00:46:34On Turkish wheat
00:46:35You made me pray
00:46:36But look
00:46:37I assure you that your
00:46:38It was a treatment
00:46:40Of absolute consideration, right?
00:46:41Look, you got me confused.
00:46:43So the ideas
00:46:44Within the sexual sphere
00:46:46Which I don't understand anymore now
00:46:47If the hand is like a spoon
00:46:48I have to do it
00:46:49And the little beardless man
00:46:49I have to do it to myself
00:46:50While I speak
00:46:51We're running away now
00:46:52But poor things
00:46:53And we leave them alone
00:46:54But it's either them or us
00:46:55We don't care about that
00:46:55They were so funny
00:46:57But what's wrong with you?
00:46:58If he tries to walk
00:46:59Come on, come on
00:46:59Come on, move it!
00:47:00Open the door
00:47:00Come on, go out
00:47:01What's up?
00:47:03There is the colonel
00:47:03He's cutting the rope
00:47:04With the secretary
00:47:05Like cutting the rope
00:47:06So there is alone
00:47:07Without us
00:47:07But it's bad
00:47:08Stop, Colonel.
00:47:08Stop, the ground
00:47:09It's undermined
00:47:10As?
00:47:11It's full of mines
00:47:12But what mines?
00:47:13He thought we'd steal it
00:47:14But there are no mines
00:47:15There are mines
00:47:16Yes, there are
00:47:16It's full everywhere
00:47:17As if it were raining
00:47:18How? I didn't understand.
00:47:19There are mines
00:47:20The mines?
00:47:21Yes
00:47:21Where?
00:47:22Where is her foot?
00:47:23Here?
00:47:23Yes
00:47:24No
00:47:24It's full of mines
00:47:27No
00:47:28There are mines
00:47:31Eh, if you do that
00:47:34But after that, boom
00:47:34It explodes
00:47:35We jump into the air
00:47:36Understood?
00:47:36Where are the mines?
00:47:38To the right
00:47:38To the right
00:47:40To the right
00:47:40Come here, come here
00:47:41Gird yourself with me
00:47:42Wait, follow me
00:47:43Very quietly
00:47:44Raise your leg
00:47:44Floor
00:47:45Left
00:47:45Very left wing
00:47:47Very left wing
00:47:47Yes, like that
00:47:47More, stay down
00:47:48Stay down, stay down
00:47:48Come on, lift your leg
00:47:49After you
00:47:49I'm going a little further
00:47:51I'm going a little further
00:47:52No, further back
00:47:53To the right
00:47:53Yes, on the right
00:47:54I'm taking a walk
00:47:54I'm taking a walk
00:47:55Shall I take a walk?
00:47:56Yes
00:47:57I take a step
00:47:58I have to do another round
00:47:59No, no, on the left
00:47:59Do I have to do it the first time?
00:48:00Yes, casket
00:48:01With the casket
00:48:02You tell me to make the casket
00:48:02Yes, jellies
00:48:03Here you go, gentlemen, ready.
00:48:04Stay still, stay calm
00:48:06Stand still
00:48:06You were such a good boy
00:48:08The city
00:48:09The city
00:48:10He polluted you
00:48:11If you stayed in your village
00:48:12This did not happen
00:48:13Clyde
00:48:14Go back to your village
00:48:16Which is so beautiful, right?
00:48:17I'd rather go back to the South
00:48:19Where the oysters
00:48:20They call them Angoro Coz
00:48:21I'd rather kill myself
00:48:23Yes
00:48:23I'm doing a double kick
00:48:24With life I amend
00:48:25Look, how capable he is, you know?
00:48:27And kill them once and for all
00:48:29Let's end this once and for all, shall we?
00:48:32Gentle
00:48:33Yes, because I'll kill you
00:48:34Ugly, cockroach-like, black, small, squat and terongel
00:48:37What?
00:48:48You go back to your little village fettende
00:48:50Who sends you gunshots at the station
00:48:54To stir up the dregs of the south
00:48:56You return to the South
00:49:07No, let's see if the other one doesn't turn black too now
00:49:13The vegetables have disappeared
00:49:17But what vegetables, the hostages
00:49:19I knew it, that priest was a bad omen.
00:49:21And now...
00:49:22And now I'm chasing them
00:49:23I'm going there from the stairs
00:49:23Left?
00:49:26Right left
00:49:27From here, from there
00:49:28Right, left
00:49:29From here, from there
00:49:30Colonel, stay still for a bit, stay still.
00:49:32And the banana
00:49:32Where are they, huh?
00:49:34And in front, left
00:49:35Right, center
00:49:36Where am I?
00:49:37Back, Colonel
00:49:39So, back
00:49:40Ah, finally someone who has a clear idea
00:49:43We are safe
00:49:44Saved
00:49:45Thank you, very kind indeed for saving us
00:49:48She deserves to be, perhaps, decorated
00:49:50Do you have something?
00:49:51I don't know, a medal
00:49:52Is it nothing?
00:49:53No, search, search
00:49:54What is ribittine
00:49:55Look, let's see, eh
00:49:56Five thousand
00:49:57Put the fresh inside
00:49:59And take
00:50:00What five thousand
00:50:01Five thousand are useful
00:50:02Put the fresh inside
00:50:03That you don't understand anything anymore
00:50:04Becoming a beautiful
00:50:05That there is a trembling hand
00:50:06The finger snaps
00:50:06Andi, do the dance, back
00:50:08Go ahead, go away
00:50:08Inside, clear
00:50:09When I say something
00:50:10I say it
00:50:11Forward, up, away
00:50:12And then we'll do the math
00:50:13Come on, walk
00:50:13Come on, come on
00:50:15I say one thing
00:50:16You know, five thousand lire
00:50:17They always come in handy
00:50:17Prices go up and down
00:50:19Like a swing that calms down
00:50:21Oh
00:50:22And this is done too
00:50:23Go
00:50:23Love me
00:50:49Love me
00:50:51Do it
00:50:53Wait for the mouth
00:51:00Wait
00:51:03Tell me something
00:51:29I am you
00:51:30I'm caressing my belly
00:51:32Thank you
00:51:33It moves
00:51:38It moves
00:51:40And you two in there
00:51:45Listen to me carefully
00:51:46Can you hear me?
00:51:47This is the captain speaking to you.
00:51:50He has it in for you
00:51:51Listen, be quiet
00:51:52Let's hear what
00:51:53I will discuss a certain
00:51:53I'll give you five more minutes.
00:51:56If at the end of five minutes
00:51:58You will not have come out
00:51:59With hands raised
00:52:00I blow it up
00:52:01The entire building
00:52:02Hate
00:52:03Did you hear?
00:52:03That one blows up the building
00:52:04The cursed bone
00:52:06He can't do that.
00:52:07As long as we're here too
00:52:09It's true dear
00:52:10That he can't do it
00:52:11Don't say strangles
00:52:12He couldn't do it
00:52:13But if he does it afterwards instead
00:52:15Hand
00:52:16It's not him
00:52:17What the hell?
00:52:18It's not him who should give the ultimatum
00:52:19But we
00:52:20Oh exactly.
00:52:21That is you
00:52:22Here you are
00:52:23Force
00:52:24After you
00:52:24What the hell?
00:52:26It is you who must set conditions
00:52:28In exchange for the release of the hostages
00:52:29It's not true dear
00:52:30But what the fuck do I know?
00:52:32Who's touching
00:52:33I do not know
00:52:33I'm seeing here where I was
00:52:34In the last war I
00:52:36I only have three minutes left
00:52:38Now I'll show you
00:52:39Those southerners at the captain's slice
00:52:41Who is Nicola Zappacosta?
00:52:42Confidentially called
00:52:44From the skin friends of the bar
00:52:46From Ambrose Clyde
00:52:47Now I'm writing to you
00:52:48Tell us four of them
00:52:50Oh signed
00:52:53Nicola Zappacosta
00:52:54Alias Clyde
00:52:56Oh sand sky
00:52:57Here are the requests for the captain
00:52:58Go ahead, go
00:52:59Take it down
00:53:00Bring down the requests
00:53:00Make the vretti
00:53:01Come on
00:53:01Oh go down
00:53:02No sorry can I know
00:53:03What did you ask for?
00:53:04So we asked
00:53:05A motorcycle with a sidecar
00:53:07The sidecar is for him
00:53:08Diziano as you wanted it
00:53:09The interior of Fake Leopard
00:53:11Vichez
00:53:12And the money?
00:53:13We asked for money
00:53:14Two hundred thousand lire
00:53:15With many
00:53:15With many
00:53:17I don't trust checks
00:53:18Bravo
00:53:18But I say we are crazy
00:53:20It's too much
00:53:21You told yourself not to overdo it
00:53:23Do you want us to remove the inside of Leopard?
00:53:25But no but nothing
00:53:27You didn't ask for anything
00:53:28What?
00:53:29Ten million dollars
00:53:34A minibus and a minibus and a plane
00:53:35With enough fuel to reach the Bermudas
00:53:37That's right captain.
00:53:38But I'll take this potato nose you have
00:53:42And I even make a mush out of it
00:53:45And I take the Colonel's one and I turn it around and make it look like Rocky Marciani's one.
00:53:50The boxer
00:53:50And I'll tear off his ears, including the trumpets and the stadium pavilion
00:53:55And then I take these ears and have them said by a fencing Apulian ear
00:53:59Look, I'm turning it so much that I make it pop out to the right
00:54:03And I'll tear his hair out of a hard one
00:54:05I make a tough one the subjects
00:54:06And now yes, for solidarity
00:54:09I take hat for hat of the colonel's baldness
00:54:11That even the doctor left behind can't do anything about it
00:54:13Even if the phone to Garnier
00:54:14And I'll kick him in the butt
00:54:16You'll save yourself some time on this one because if the chili pepper didn't do any good
00:54:21Imagine what happens if I listen to that.
00:54:24Enough, enough, captain, stop it, I can't take it anymore
00:54:27I can't stop anymore
00:54:28And so as not to warn the minister
00:54:30You understand this must do this
00:54:33Come on, let the minister know
00:54:34Captain para
00:54:36For what
00:54:38Parabellum
00:54:39Parabellum yes it is Latin
00:54:41It's Latin, you know?
00:54:42Did you go to high school, Captain?
00:54:45No, Mr. Minister.
00:54:46I went to the military academy
00:54:48Bravo
00:54:48Thank you
00:54:49However Parabellum is Latin
00:54:51Si dispace in Parabellum
00:54:52If you want peace, prepare for war
00:54:54And we jokingly added as kids
00:54:56Si bis bellum para culum
00:54:58Be serious captain
00:55:01Excuse me
00:55:02Oh okay
00:55:04Yes yes I'm very angry with her I'm captain
00:55:06Oh why why
00:55:07A kidnapping that was offered to us below cost
00:55:10Thanks to his stubbornness it turned into a bad business
00:55:13Yes but no one is forcing us to accept it, Mr. Minister.
00:55:16On the contrary
00:55:16I have a plan in mind
00:55:18But what plan is a plan?
00:55:19I make the plans here
00:55:20She has to surrender to the enemy and that's it.
00:55:22I, Mr. Minister
00:55:23Oh yes, for once let's go
00:55:25I will get the conquibus
00:55:26With what?
00:55:27The conquibus
00:55:28The money
00:55:29The grain, in short
00:55:30I went to the military academy, Mr. Minister.
00:55:32And patience
00:55:33Oh
00:55:33So I'll get right into action.
00:55:35Oh
00:55:40The line went down
00:55:42The phone is shit
00:55:45Undersecretary
00:55:50Undersecretary
00:55:52Excuse me, Mr. Minister, but
00:55:57I was down in the archives
00:55:59Excuse me
00:56:00Yes I'm coming right away
00:56:01Here I am
00:56:02Hurry up
00:56:03I don't have time to waste
00:56:05Hurry up
00:56:06Here I am, Mr. Minister, I'm here.
00:56:07Take note
00:56:08Right away
00:56:09Here you are
00:56:11Please
00:56:12At that time
00:56:13I need them
00:56:14Ten million dollars
00:56:16Excuse me, Mr. Minister, but
00:56:19Those from last month
00:56:20He's already spent it all
00:56:21But what is there?
00:56:22Those were my personal ones
00:56:24Excuse me
00:56:26Listen, excuse me.
00:56:35I was room
00:56:36There is magic
00:56:36Leafhopper
00:56:38I was all fooling myself
00:56:39You were taken first
00:56:41Goodbye Nini
00:56:42I pray for you
00:56:44May
00:56:45There is
00:56:45There is
00:56:46There is magic
00:56:48There's no point in insisting.
00:56:50It's frassia
00:56:51Here the die is cast
00:56:52All or nothing
00:56:54And you have to think about it.
00:56:55Clyde
00:56:56You have to think about it
00:56:57It doesn't look like usual
00:56:58What do you put in anditesis?
00:57:00A certain revisionism
00:57:01Psychological
00:57:02Of an ideological stratification
00:57:03Of a reactionary exploitation
00:57:05You have to think about it
00:57:06Sixty-eight
00:57:07But what sixty-eight?
00:57:09It's sixty-eight
00:57:10That the sixty-eight
00:57:10It has been cancelled
00:57:11Hand
00:57:12Still in service
00:57:13The sixty-eight
00:57:14Clyde
00:57:15The bus
00:57:15Where we met
00:57:17Ah we met
00:57:18In 1968
00:57:19But no in the
00:57:21On the
00:57:22You must learn to speak well
00:57:23Italian
00:57:24Inalphabet
00:57:25Sorry but I don't remember at all
00:57:28We were returning from a demonstration
00:57:32And you were holding on
00:57:32Under the flag
00:57:34The whole choice
00:57:35All of it
00:57:35Rolled up
00:57:36AND
00:57:37You have me
00:57:38Hit with the pole
00:57:40Memories?
00:57:41Yes but it wasn't the auction
00:57:43It was the auction
00:57:44But it wasn't the auction
00:57:45Euphrasia
00:57:45Yes
00:57:46If she wasn't the auction
00:57:48Euphrasia was the auction
00:57:48It wasn't the auction
00:57:49It is necessary to point out
00:57:50She had understood it
00:57:51That wasn't the auction
00:57:52No, I don't
00:57:52Here you see, he understood it too
00:57:54This clarification is needed
00:57:55I don't understand
00:57:56Because it's the truth
00:57:58Saint of heaven
00:57:59You know what the truth is
00:58:00The truth is that you are a dirty
00:58:02Male chauvinist
00:58:03Here's why
00:58:04Because you thrive in this role
00:58:06Of dirty
00:58:07Male chauvinist
00:58:07Male chauvinist
00:58:08Here's why
00:58:08This is the only thing
00:58:10To terrongere
00:58:10What I have left
00:58:11And I'm leaving
00:58:12A virilomini
00:58:14From the top of the hair
00:58:16At the tip of the toes
00:58:17This is what you are
00:58:18Yes ande beautiful
00:58:19If you came here by chance
00:58:21If they sent you
00:58:22I owe it to myself
00:58:22Because if you came by chance
00:58:24You can go dancing too
00:58:26If they sent you instead
00:58:27Also
00:58:28Bravo
00:58:29And that's all there is to it
00:58:30What are you going to say?
00:58:31What was supposed to be
00:58:32The woman of your life
00:58:34But what woman is a woman?
00:58:35Ufrasì that you are a man
00:58:37You still haven't figured it out
00:58:38But
00:58:39I have a man
00:58:42I'm not saying
00:58:43Have you heard?
00:58:44I have a man
00:58:45I who fight daily
00:58:47Against the man
00:58:48I'm not saying
00:58:48I look like a man to you
00:58:49We see
00:58:50And like Tangier
00:58:51Keep your hands to yourself
00:58:52But so crazy
00:58:53But so crazy
00:58:54Oh, this one here
00:58:56Stop
00:58:56Lowered
00:58:58Be careful, you're going to kill each other.
00:58:59It's dangerous
00:59:00I'm getting hot
00:59:02Stop
00:59:02Everyone down
00:59:03Shoot
00:59:04Calm
00:59:04You shoot it
00:59:05At the
00:59:06At the
00:59:07She must have seen me
00:59:18On television
00:59:18Real?
00:59:19Already
00:59:19Relax
00:59:20Now I'll count to three
00:59:22At number three
00:59:23His hands will come untied
00:59:24Let's hope so
00:59:24A
00:59:26Two
00:59:27Three
00:59:28Look at me carefully
00:59:30I was the one who tied them to you
00:59:31And I'll untie them for you
00:59:33A
00:59:34Two
00:59:35Three
00:59:36I order you
00:59:37Make an effort
00:59:37As
00:59:38Make an effort
00:59:39Make an effort
00:59:40Make an effort
00:59:41Finally
00:59:41Thank you
00:59:42Damn
00:59:46Hey
00:59:59Listen soldier
01:00:00There is some paper
01:00:01No nothing
01:00:02I am sorry
01:00:03Sargente
01:00:03Hey listen
01:00:07No nothing
01:00:07Paper
01:00:08Sargente
01:00:08Hey listen
01:00:38Are you tired?
01:01:06Are you tired?
01:01:10And I can't take it anymore
01:01:11Don't worry
01:01:12I'll take care of it
01:01:13Oh
01:01:17What were they now?
01:01:21Hate
01:01:22But of course
01:01:25Pinocchio
01:01:26He couldn't see
01:01:27Look outside
01:01:28The scales
01:01:30Fairy
01:01:34If you see me the captain
01:01:39It gives me 30 days
01:01:41But who asked you?
01:01:43But how?
01:01:45But look
01:01:45Fairy
01:01:47Pinocchio
01:01:50I vote for Pinocchio
01:01:51We get together
01:01:53And he kills himself
01:01:54And the fairy is killed
01:01:54But look
01:01:55Pinocchio
01:01:58Help
01:02:01Listen
01:02:11Put a little here
01:02:13Yes
01:02:13Codona a little
01:02:20Listen
01:02:21Fill me up here
01:02:22That he is a lunatic
01:02:24Listen
01:02:24Here you are
01:02:25Yes
01:02:27Andras
01:02:27All right
01:02:34All right
01:02:36Where?
01:02:37Listen
01:02:38Then I'm going straight ahead
01:02:39As a right?
01:02:40No no no right
01:02:40Rather than zaga
01:02:41Then once I got there
01:02:42In front of the entrance door
01:02:44Imagine for me
01:02:44There's that girl
01:02:45Strong she capital
01:02:46And how do I get there, excuse me?
01:02:47And how do I get there?
01:02:49How do I get there?
01:02:50I'm getting there all fired up
01:02:52He shot himself while shooting
01:02:53How do these capital thoughts come to you?
01:02:55Then when I'm ray
01:02:56I'll hide behind
01:02:57Those two trash cans
01:02:58Do you see them?
01:02:58Yes you see them
01:02:59What are we doing inside the bins?
01:03:02I already explained it to you before
01:03:03Now we're getting right down there
01:03:04Let's get out of the bins
01:03:06Let's jump into the colonel's room
01:03:07Let's free the hostages
01:03:08And we finally become national heroes
01:03:11Yes and already
01:03:11Now all the national heroes
01:03:13They put them in a box
01:03:14To preserve them better
01:03:15What if those two kill our hostages?
01:03:17And we give him a funeral
01:03:18And beautiful ceremonies come
01:03:20Yes?
01:03:21Yes
01:03:21What are you doing?
01:03:40Excuse me, Captain.
01:03:42He's joking
01:03:43But vafer in fact
01:03:44But vafer in fact
01:03:45But vafer in fact
01:03:45Madonna
01:03:58They wounded the captain
01:04:13I have to save him
01:04:14HI
01:04:17Hello Captain
01:04:19Hello Captain
01:04:20What happened?
01:04:21I'll save her
01:04:22Leave me
01:04:22Cretin
01:04:23I'm pretending
01:04:24Leave me
01:04:25I save her
01:04:26I'm shooting it
01:04:26It's nothing
01:04:27I'll save her
01:04:28Don't you sing?
01:04:41I feel tied down
01:04:42My grandfather
01:04:43My grandfather
01:04:43When he was in chains
01:04:44He sang
01:04:45He sang
01:04:46But he sings
01:04:49Sing
01:04:50Sing
01:04:50Alcohol
01:04:55Alcohol
01:04:55Alcohol
01:04:56Alcohol
01:04:58Alcohol
01:04:59In the
01:04:59He doesn't raise his head anymore
01:05:01Alcohol
01:05:02And when the blood
01:05:06They will march in the sky
01:05:10They will march in the sky
01:05:13And they will march
01:05:14And they will march
01:05:16And they will march
01:05:16And they will march
01:05:17And they will march
01:05:18Oh they will march
01:05:19And they will martyr
01:05:20And they will martyr
01:05:21And when is it
01:05:22And when the blood
01:05:24Oh what's up?
01:05:29Nothing
01:05:29Like nothing
01:05:31I was lost
01:05:31No
01:05:31But what was it you were telling yourself?
01:05:33But I don't say anything
01:05:34But why not?
01:05:35I missed hearing something
01:05:36You feel rather
01:05:38Now genius
01:05:39May all your blows
01:05:39They failed
01:05:40The bins
01:05:41The mines
01:05:42All these things
01:05:42Let's do as deep
01:05:45Oh
01:05:46We enter from the duct
01:05:47Of the air conditioning
01:05:49Yes, that's how we get stuck.
01:05:50And we're fine this time too.
01:05:51But you don't understand anything
01:05:52My wonderful idea
01:05:53My wonderful idea
01:05:54God, I'm so good
01:05:56What an ass I have
01:05:58Working with you
01:05:59Urfido
01:06:00Help
01:06:09Help
01:06:10Help
01:06:10Help
01:06:11Free me
01:06:12How I help
01:06:13Let me out
01:06:17Let me out
01:06:19Please
01:06:20Yes, we wait a moment
01:06:21What do you want to go?
01:06:23They're waiting for me
01:06:24To you
01:06:24Eh
01:06:25I'm already terribly
01:06:31Late
01:06:32Come, come
01:06:34For the Piave
01:06:37Over there
01:06:38Thank you
01:06:39And thank goodness I found it
01:06:48The Blue Fairy
01:06:49If I found the witch Grimhilde
01:06:51How it reduced me
01:06:52Maybe she would make me take a license
01:06:55And run
01:06:57And run
01:06:57Oh darling
01:06:58What I wouldn't do to be humping you in an air-conditioned room right now
01:07:01Humping from the front
01:07:03From the park
01:07:04But I wouldn't do to be humping you in an air-conditioned room right now
01:07:10What
01:07:10Is it a boy or a girl
01:07:14And not capitalized
01:07:16Oh my god dad
01:07:20A son
01:07:22You, exactly
01:07:23Forgive me dad
01:07:24But how did you do it?
01:07:26You a Knaus
01:07:28Oh Gina
01:07:30Silence
01:07:34Silence
01:07:34If you say a southern Knaus
01:07:36Glide
01:07:37Mom
01:07:42Mom, you're here too
01:07:45But there is a saint
01:07:46How long has it been since we saw each other?
01:07:48It's been three days since we've seen each other.
01:07:50Look at something incredible mom
01:07:53Look at that muddy outfit you're wearing
01:07:55Glide
01:07:56You are amazing
01:07:58You haven't aged at all
01:08:00What does he do?
01:08:01Oh no
01:08:10This is too much
01:08:10I'll never pass through here again
01:08:12You can
01:08:14Fuck you
01:08:15Wretched
01:08:16From giaccino
01:08:18Everything when
01:08:19The base is falling
01:08:20Everything when
01:08:21Scale the base
01:08:22From
01:08:23Pooh
01:08:23Wretched
01:08:25Gloduccio
01:08:25Gloduccio
01:08:25Gloduccio
01:08:26Gloduccio
01:08:26Gloduccio
01:08:26Gloduccio
01:08:27Gloduccio
01:08:28Gloduccio
01:08:28Gloduccio
01:08:29Yes
01:08:30Mr. President
01:08:31Yes
01:08:32Yes he is right
01:08:33I agree
01:08:34I see it right away
01:08:35Don't worry, I'll keep you informed.
01:08:37And respect me to your lady
01:08:40Thank you
01:08:40Undersecretary
01:08:52Undersecretary
01:08:56Excuse me, Mr. Minister.
01:09:08Excuse me
01:09:09Just tell me
01:09:11Go ahead and say it
01:09:12Tell me
01:09:12And so
01:09:14I have decided
01:09:16He resigns
01:09:17I?
01:09:17But you're crazy
01:09:18No
01:09:19I'm going to the barracks
01:09:20To replace the captain in the negotiations
01:09:22And so I take charge of the situation.
01:09:24Oh, I agree with that too.
01:09:25I don't think so
01:09:26Oh, excuse me.
01:09:28To do it first
01:09:29Take the tangent
01:09:30Ring road
01:09:32Mr. Undersecretary
01:09:34It's called a ring road
01:09:36What beautiful music
01:09:41Oh yeah
01:09:41Don't stop to listen to the music
01:09:44Cretin
01:09:44You have 133 kilometers left
01:09:46Lavative
01:09:46After you
01:09:47Marche
01:09:47And don't huff and puff
01:09:48Horse
01:09:51Ladder guard
01:09:53The captain disguised as a woman
01:10:04Aciapalo
01:10:04Saint Madonna
01:10:06Captain
01:10:08This backhanded shot
01:10:09She really shouldn't have done that to me.
01:10:10But which captain?
01:10:11I am the wife of that park there
01:10:13And give me a hand please
01:10:14Pig
01:10:17Pig
01:10:17I'll kill you
01:10:18I'll strangle you
01:10:19Don't worry dear
01:10:20I won't let him touch you
01:10:21Not even with a finger
01:10:21Ah, what a temperament though, eh
01:10:23But what do you want?
01:10:24I was winning
01:10:24You came here
01:10:25Not for the plans
01:10:26I was winning
01:10:27There were three floors
01:10:27I'll kill you
01:10:29What are you doing love?
01:10:30Treat me if anything
01:10:31Stratta my plans
01:10:32Stratta my plans
01:10:32Stratta my plans
01:10:34Strata
01:10:35Leaves
01:10:36Leaves
01:10:36Leaves
01:10:36Leaves
01:10:37Yet I have to find it
01:10:40I have to find it
01:10:41I need an idea
01:10:42For a new plan
01:10:43We see
01:10:44Nothing
01:10:45Nothing
01:10:46Nothing
01:10:48Give it to me here
01:10:48But that's not one of the two trash cans that ruined my top floor
01:11:04Hmm
01:11:06Hmm
01:11:08Hmm
01:11:10Hmm
01:11:40Sir Captain
01:11:56We composed a blues
01:12:11Make yourself heard
01:12:13Make yourself heard
01:12:14And when the saints
01:12:20They will march in the sky
01:12:22And they will march
01:12:23And they will march
01:12:25And they will march
01:12:26You will march
01:12:27And the foot
01:12:28And they will march
01:12:30And when the saints
01:12:31And they will march
01:12:32And they will march
01:12:33And they will march
01:12:34And they will march
01:12:35Gentlemen kidnappers
01:12:38In front of you
01:12:40In front of you
01:12:42Rather below you
01:12:44Even if usually
01:12:46The clothes I wear
01:12:48And more rigorous
01:12:50There is the Minister of Defense
01:12:52I have to tell you
01:12:54That your conditions
01:12:56They have been fully accepted
01:12:59Come on
01:13:00Make peace
01:13:01Guys, let's hear what the minister says.
01:13:03The minister
01:13:05Oh
01:13:06It's you
01:13:07That you sold me out
01:13:09Accepting it when we are about to give it
01:13:11Psst
01:13:12Oh
01:13:13Eh
01:13:14But there are a thousand to
01:13:15Ninth
01:13:16We have a revolver
01:13:17Come on, come on, come on, come on
01:13:18And the money?
01:13:19How much?
01:13:20Ten thousand
01:13:21Eh, I don't have them, sorry.
01:13:22Ten thousand or nothing
01:13:23Wait, let's see
01:13:245 thousand is what I want to give to the dealers here
01:13:26Alright, come on, come on, come on
01:13:27Here, come on, come on
01:13:28Thank you
01:13:29And to this end
01:13:33It will arrive soon
01:13:35Here's a minibus
01:13:37Under the required conditions
01:13:39Stop, I'm done
01:13:40Oh
01:13:41Oh
01:13:42Oh
01:13:43Oh
01:13:44Hands up
01:13:45You too dear, come on
01:13:47That gun, move
01:13:48It's not nice though
01:13:49These things are not done
01:13:50So many sacrifices thrown away
01:13:53Of dreams of glory
01:13:54But what dreams of glory
01:13:55Goodbye Bahamas vacation
01:13:56In Bermuda
01:13:57What Bahamas
01:13:58But how is it not obvious?
01:13:59In Bermuda
01:14:00No, no, because here the situation has completely changed.
01:14:02How, how?
01:14:03You were supposed to go to Bermuda
01:14:05And with $10 million to spend too
01:14:07But I say
01:14:08We've gone crazy
01:14:09It will never happen to us again
01:14:10A similar occasion
01:14:11But do you realize that in 40 years of career
01:14:14You've never taken a vacation
01:14:15Sorry, dear, you're having a party
01:14:17Yes
01:14:18But, but, but, but
01:14:19Clopatria is right
01:14:20And what do you risk?
01:14:21Nothing, you're being held hostage
01:14:23Right, no one can tell us anything
01:14:25Look, the ladies are absolutely right.
01:14:27Listen, Colonel
01:14:28Give me a trace to me
01:14:29Better a vacation today than hurt them tomorrow
01:14:31Clyde is right too
01:14:32So, Ciappone
01:14:33A tea and a tea
01:14:34Now I'm thinking about it
01:14:35Does melon hurt you?
01:14:40We give up
01:14:41What the fuck?
01:14:48No, no, no, no
01:14:49Nickaka
01:14:50Ninth
01:14:51Between
01:15:04What happens?
01:15:05On the radio they said it was a kidnapping
01:15:06A kidnapping?
01:15:07Yes Yes
01:15:08But how?
01:15:09But the calm of Sunday
01:15:10Look at a bag. It's probably full of dandruff.
01:15:17Who knows what will be written there.
01:15:19Why are you stopping to collect the envelopes? Keep running.
01:15:22To run, I said.
01:15:25Change shampoo.
01:15:27Gentlemen, in this particular circumstance it is obligatory...
01:15:33...it's a must to try the right sheets.
01:15:39I don't know about these. Here they are.
01:15:42Gentlemen, then, this complex affair is about to conclude brilliantly.
01:15:52Well, once again the State did not give in.
01:15:57There were no downturns, losses were very limited.
01:16:02The stock market is rising.
01:16:04No, this is a note from the undersecretary who is stupid.
01:16:06So no. Everything suggests a bright future ahead,
01:16:11irresistibly, towards the triumph of democracy,
01:16:15of peace, freedom and justice among peoples.
01:16:18Oh no, what the hell! Ladies first. What manners do they have?
01:16:30You're welcome, madame.
01:16:32Madam.
01:16:32Good morning, thank you.
01:16:41Come on, walk, before you break, I'll give myself Cortigalli's earring.
01:16:46After you.
01:16:48Come on, get cold, before you break,
01:16:50the cool mistake of the minibus, holy Madonna.
01:16:52After you.
01:16:53Oh, and now for us.
01:16:55Come on, minister, give me the fresh air.
01:16:57After you.
01:16:57As?
01:16:58The fresh inconstant.
01:17:00Ah, the dough, it's his.
01:17:02Oh, finally.
01:17:08Captain, where are you looking like that?
01:17:11What do you expect 10 million dollars to be?
01:17:14There's rampant inflation, and soon they won't be doing anything anymore.
01:17:18We got you.
01:17:21You are presented with the fresh incondant.
01:17:23Oh, I'll put my suitcase here from...
01:17:24Oh, where's the driver? Where's the driver?
01:17:26And who knows where the driver is?
01:17:27Oh, where is the driver?
01:17:29Where is the driver?
01:17:30Sergio, where?
01:17:31Driver!
01:17:32Oh, I love you, I love you.
01:17:35Oh, I love you, I love you, I love you.
01:17:41Taggia felt, taggia tucca, taggia kisses, taggia does everything.
01:17:49Amora, I love you.
01:17:51Driver, driver, driver, driver, driver, driver, driver, driver, driver.
01:17:57Where is the driver?
01:17:58Where is the driver?
01:17:58Just me, driver, driver.
01:18:01Capri, capri, space, the driver.
01:18:05Please write now that you're arriving.
01:18:08Eh, have a good trip.
01:18:10HI.
01:18:11Put one hand here, put the other one too.
01:18:26Portobello.
01:18:27The seventh moon was that saying and ronger who always walked and laughed.
01:18:44I love you.
01:18:45What do we do with these then?
01:18:46These?
01:18:46Do we want to throw them away?
01:18:47But yes, let's throw them away.
01:18:48Sorry, but this is a robbery.
01:19:11Make me a cardinal costume.
01:19:28Sure, boss.
01:19:29The next move is the Vatican.
01:19:32Here are the Bermuda shorts.
01:19:59Give me the sea moustache.
01:20:01Yes.
01:20:11Excuse me, but why do you always throw it away?
01:20:12It's because it's a disposable mirror.
01:20:14The calls, Mr. Minister.
01:20:15Yes.
01:20:22Ready?
01:20:23Mr. Minister?
01:20:24Yes, one moment, sorry.
01:20:26Here, captain.
01:20:27Hello, Mr. Minister?
01:20:29There's nobody here.
01:20:31Anyway, don't worry.
01:20:32I said we don't give up and we won't give up.
01:20:37That's enough.
01:20:38If he keeps his career and wants his good production,
01:20:40he gets it into his head that the matter is closed.
01:20:42It's an order, you understand?
01:20:43All right, Mr. Minister.
01:20:45Yours truly, Mr. Minister.
01:20:46Well, what are you doing there, you with that phone in your hand?
01:20:53Put it down!
01:20:54Put down the phone, you idiot!
01:20:55But fuck whoever died for you, who gave us the revolution.
01:20:59Where I got the smuffi from there, how they are to be beaten if everything is known and here.
01:21:02You have all the busy and fast race that looks out,
01:21:04that from the window today to break her.
01:21:06Well, he gave us the jubilee here.
01:21:08The Jubilee.
01:21:09Eh.
01:21:09But, they made me run like crazy
01:21:12There's the sciatone
01:21:13And I broke my arm too
01:21:16And my head is spinning
01:21:18Me, I miss you
01:21:19Captain Parabellum
01:21:24Order the soldier Marathon
01:21:26To continue his run
01:21:28Idiot, I said to continue
01:21:31Oh no captain, that's enough now
01:21:33The movie is over
01:21:39The decision of the Council of Ministers
01:21:42Poor thing
01:21:43It's coming, it's coming
01:21:46Ours is coming
01:21:48Eh
01:21:48They said tomorrow
01:21:52The sad days will end
01:21:54Eh
01:21:54Poor thing
01:21:56It's coming, it's coming
01:21:58Ours is coming
01:22:00Eh
01:22:00They will give a prize in lire
01:22:04To all honest citizens
01:22:05Poor thing
01:22:07And to the poor
01:22:09Viglielo
01:22:10Everyday
01:22:10An ingestive
01:22:11After meals
01:22:12Wow
01:22:13For those who don't have a job
01:22:16There will be new places
01:22:19Poor thing
01:22:20Dementia
01:22:22Dementia
01:22:22Dementia
01:22:23Dementia
01:22:23Poor thing
01:22:24Dementia
01:22:25Dementia
01:22:26Dementia
01:22:27Poor thing
01:22:27Wow
01:22:28We are bumblebees
01:22:30We are us
01:22:32A people of saints
01:22:33Navigators and ironworkers
01:22:35Everyday
01:22:37Thank you all.
Commenti

Consigliato