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00:00:00Our free course
00:00:30Our free course
00:01:00Our free course
00:01:30Our free course
00:01:59Our free course
00:02:29Our free course
00:02:59Our free course
00:03:29Our free course
00:03:59Our free course
00:04:29Our free course
00:04:59Our free course
00:05:29No, nothing, young man.
00:05:31But I saw how you arranged those two interests
00:05:34Do you want to come stay with me?
00:05:36There is no free course
00:06:06Our free course
00:06:36And then there is a condition
00:06:37What condition?
00:06:38You buy this Japanese radio for 15 dollars
00:06:42Only $15?
00:06:43Oh yes, I stole it anyway
00:06:45Okay, okay, okay, okay
00:06:46Now I wouldn't steal anymore
00:06:56I wouldn't steal again.
00:06:56No, steal both of you.
00:07:05No way, they don't want to give me the building permit.
00:07:08You say there are too many restaurants here in Little Italy.
00:07:10I spoke to an outsider and he told me that the wheels need to be greased.
00:07:13But what anointment? That in front of me the top one hundred becomes Rockefeller.
00:07:16Becomes.
00:07:18Salvatore, you're in deep debt.
00:07:20If you don't pay, the thugs will come.
00:07:22Peppino, Peppino, what's the point of talking?
00:07:24Every time she speaks she has to give me bad news.
00:07:26But why don't you go to hospital?
00:07:28Amelia, Amelia, you are my blood cousin.
00:07:31But what is a steak, my mother?
00:07:33Shut up.
00:07:35But what has I already done for you?
00:07:37I gave you everything, I sold myself everything for you.
00:07:40I even started acting like a whore for you.
00:07:43Actually, you were doing it before, the whore.
00:07:45And that son who no one knew who his son was.
00:07:46I'm a son of a bitch, but at least we used to eat before.
00:07:49But shut up, you leech, that's all there is to it.
00:07:51He's always eating, at least if you ate your teeth he'd change them.
00:07:55Who is?
00:07:55Oh my goodness, they're knocking.
00:07:57And who will it be?
00:07:58Eh, too much from the garden, the bad one.
00:08:00Oh holy Marinella, this is Oreste Ceramello's pickpocket.
00:08:03I owe him $10,000 alone.
00:08:05Together with Ferro they want my death, they want my death, they want.
00:08:09Don't count me out, I'm going to the cellar.
00:08:11Hey, always brave, Mr. Pappino, I'm going there, walk along awake.
00:08:13It looks like an urancio to me, I think.
00:08:15Come here, come up, I have to die.
00:08:17Only my death can save us, come.
00:08:18Let me die, help me.
00:08:20Here, put me here, you know I had a breakdown.
00:08:22Yes, yes, let's set it, on the table, I'm going.
00:08:24Set the table, I'm going.
00:08:25Yes, here it is.
00:08:26See, everyone here, you cry, you cry.
00:08:27Yes, we cry, it's a warning that...
00:08:29Salvatore, open, open, open.
00:08:32Yes, open.
00:08:33Savior!
00:08:34Don't do it!
00:08:35Salvatore, why?
00:08:36Savior!
00:08:37Savior!
00:08:39Savior!
00:08:40But what happened?
00:08:41Why are you in the dark?
00:08:43I want to talk to your uncle.
00:08:44But what's the point, what's the point, if Salvatore doesn't want to talk to anyone anymore.
00:08:48Because, wait, the year is coming to get us.
00:08:52It was so good, it was so good.
00:08:55A life full of suffering.
00:08:58Why didn't you leave her with us yet?
00:09:01Savior!
00:09:02When did it happen?
00:09:03Eh, a month ago.
00:09:05As?
00:09:07Eh, a month...
00:09:09A month ago he started feeling sick
00:09:13and an hour ago he collapsed.
00:09:16Well, that's life.
00:09:17But better for him than for the rest of us.
00:09:19And I came to cash in.
00:09:21Oh my God, oh my God.
00:09:22Here there is only the uncle to collect.
00:09:25We don't even have money for the funeral.
00:09:29Not even this.
00:09:31But what funeral for someone like Iro?
00:09:33It was the unamonize.
00:09:35He's gone.
00:09:37I'm damning, what are crazy people?
00:09:38Instead, it's us, we went away for a month.
00:09:40Oh, wait a minute.
00:09:40Yes, yes, yes.
00:09:41No, you don't feel it down.
00:09:46I wanted to warn you that the death of Salvatore Esposito
00:09:49he does not pay off his debt.
00:09:51I will now report to Don Oreste Ceramella.
00:09:54Poor Salvatore, you died in vain.
00:09:57But I died.
00:09:58Wasn't his head on the other side?
00:10:00No, no, no, no, what are you saying?
00:10:02The dead man has only one head and it is on this side.
00:10:06Savior.
00:10:07Salvatore, why did you die?
00:10:11You never lacked bread or wine.
00:10:15The salad was in oil.
00:10:16Come, I'll accompany you.
00:10:17It's a house you live in.
00:10:25He's out.
00:10:26Is he gone?
00:10:27Enough, enough.
00:10:28I can't take it anymore.
00:10:29I can't do it anymore either.
00:10:30I can't die every moment.
00:10:32I can't go on like this, my daughter.
00:10:33I don't already have the license to build.
00:10:35I'm killing myself.
00:10:37Give me a knife.
00:10:38No, what do you want to do?
00:10:39Salvatore, me.
00:10:41No, it is born, it leaves.
00:10:42I want to cut the cheeses I'm dying to make.
00:10:43It's battena.
00:10:44Give me the one with the alanzo.
00:10:45It's closed.
00:10:48For me it's always open.
00:11:10Oh, what are you doing?
00:11:12Caggerente which is closed.
00:11:13Looking for Salvatore Esposito from San Fierro.
00:11:19Mom calm him down, San Fierro.
00:11:21It's me who cares about this Fierro.
00:11:24But guys, do you know you're an asshole?
00:11:26Many people have told me this.
00:11:28Well?
00:11:29Those many are right.
00:11:30Play dead if you don't...
00:11:32But what are you doing, dead?
00:11:32Calm down, calm down, calm down.
00:11:33I'm tired of playing dead.
00:11:35Is it mine?
00:11:36Sanzona dies with all the felistei.
00:11:38With all the who?
00:11:39Carugno, it's going around like a cadaccia.
00:11:41Huh?
00:11:42Nico, Nico, how are you?
00:11:47Eh, calm down, calm down.
00:11:48And why did you say I sent you sage?
00:11:50Hey, I wanted to scare you a little, didn't I?
00:11:52What a pleasure, look here, look.
00:11:54Nico Giraldi.
00:11:56His Ramelia, still a rascal, huh?
00:11:58He likes the bomb.
00:12:00This is Salvatore's friend.
00:12:02And that's my son Antonio.
00:12:04Ah, it's breath and half a liter.
00:12:06So it's a quarter.
00:12:07The family passes through here.
00:12:08But weren't you in the police force in Rome?
00:12:10In special teams.
00:12:11I resigned.
00:12:13And that's enough for the police.
00:12:15But since I'm either a thief or a policeman, I took the other side.
00:12:20I get it, that's it.
00:12:21Wouldn't you have something to eat for that?
00:12:22Why not?
00:12:23Now let's prepare two Neapolitan spaghetti.
00:12:25You come.
00:12:25I'm going to put the water on for the part.
00:12:26Well done, what a pleasure.
00:12:28And then, given that in Naples I was eating up the entire economy.
00:12:31So she wrote to me and said, come here, there's a place that's renting out.
00:12:34It is true?
00:12:35I came here and took it hoping to be able to open a nice Neapolitan trattoria.
00:12:39And now we've been waiting for three months, what's it called?
00:12:42The permit of habitability.
00:12:43Eh, that one there, that one there.
00:12:46Did you understand?
00:12:47And so we got to $25,000 in debt.
00:12:5026.030 cents.
00:12:52But for the beloved I is a tactor.
00:12:55They send me the thugs, but I know them all and I always try to outwit them.
00:12:58Once home, once there, but hide, run away, face, rich.
00:13:01Oh well, oh well, Salvatore, today we had another lucky break like this.
00:13:04Why?
00:13:04Because they sent to me.
00:13:05That's better.
00:13:06But you have to do something.
00:13:07And what can I do?
00:13:08I have to kill you.
00:13:09You tell me.
00:13:10The bleach, the hate dye, the gun.
00:13:12What do you say? How do you think I should kill you?
00:13:14Let's listen, Salvatore.
00:13:16Here in New York there is only one person who can help you.
00:13:20And who is he?
00:13:20And who is he? He's the strongest mafia boss of all.
00:13:23We know him well.
00:13:24Don Girolamo Giarra.
00:13:25Well, I know, you're preaching to the choir.
00:13:27He loved me too, but he died.
00:13:30Is dead?
00:13:30Eh, only the daughter is left, the half-grown one there, what's her name?
00:13:33Mary Sun.
00:13:34Mary Sun.
00:13:34It remains his, how ugly that one was.
00:13:37Salvatore, she was in love with Nico, she inherited everything.
00:13:41All?
00:13:41She's rich.
00:13:43Then only you can save me, let's do this pleasure, she was in love with you.
00:13:46No, no, no, another, another, eh.
00:13:47Why?
00:13:48But do you remember how ugly that one is?
00:13:50Oh well, it can't be made prettier, with some masks, some plastic.
00:13:54But when will you justify it, Salvatore?
00:13:55A sacrifice.
00:13:57My friend, let's do this favor, let's go, please.
00:13:59I can't do it.
00:14:00A little effort.
00:14:02Just a little effort, let's go.
00:14:04Okay, okay, okay.
00:14:07Okay.
00:14:08I'm doing it just because it's you, huh.
00:14:10So I'll do something.
00:14:11What do you want to do?
00:14:12Look, you have to think that if I go to Maglia Sole, I can't tell him, to Maglia Sole give me 25 thousand dollars.
00:14:19And then what do I do to give him a change?
00:14:20And what do I know?
00:14:21And how would I know?
00:14:22That one a month ago, au, wakes up.
00:14:25This one, gave me a package.
00:14:26He pretends not to understand.
00:14:27So instead of asking for 25 thousand dollars, I ask for 30.
00:14:30Understood?
00:14:31Very good.
00:14:31So I get 5,000 of them and in San Fierro they'll have to get rid of me.
00:14:35Oh, that's what you do?
00:14:37Very good, well done.
00:14:39Have you seen how it helps me, Nico?
00:14:40That's a brother to me.
00:14:42He's Italian.
00:14:43He already kissed your hand.
00:14:44Long live Italy.
00:14:45Long live Italy.
00:14:46Long live Italy.
00:14:48Viva.
00:15:01Maria Sole, this is my son Jimmy.
00:15:08I wanted to show it to you.
00:15:09Hello aunt.
00:15:10Oh, Joy, what does your aunt, Maria Sole, say?
00:15:13Bad, bad, bad, bad.
00:15:16Jimmy.
00:15:28Look, how beautiful it is, look.
00:15:30Shut up, you save yourself.
00:15:31Yes, but don't get angry, my son.
00:15:33Whoever wants to eat snails, shit yourself, short.
00:15:34Yes, but those snails that you eat two of, I'll shit them with me.
00:15:36Okay, but that's a detail.
00:15:38Oh my goodness.
00:15:39There's the gorilla there, do you want to see if you need an invitation card?
00:15:42Santa Margherita Ligure.
00:15:44Don't worry, there's a lot of dirt here, I think.
00:15:47Be careful, don't get into trouble.
00:15:48Billy, hurry home, you're dying, you're expecting a baby.
00:15:51Thank you.
00:15:52You save a branch.
00:15:57A child.
00:15:59Well.
00:16:00My name isn't Billy, and I don't even have a wife.
00:16:04Nico!
00:16:06Nico!
00:16:07I would look like the gypsy.
00:16:09But I know if she is more beautiful than when I left you.
00:16:10Yes, because I had a cosmetic treatment in the colored one.
00:16:13I'm not colored, I'm white.
00:16:15Maria Sole, don't you remember me?
00:16:17Of course, my father, bless his soul, loved them very much.
00:16:20Nico, did you just arrive from Italy?
00:16:22Oh, sweet Italy, beloved shores.
00:16:26In Italy it's always sunny.
00:16:27Well, every now and then it even rains oil.
00:16:29Come, come.
00:16:30This is my engagement party.
00:16:31I want to introduce you to my fiancé.
00:16:33Come, come.
00:16:33He promised himself.
00:16:39And what do you do now?
00:16:41Let's shit our horns without eating snails.
00:16:44Oh, how stupid.
00:16:45I forgot that Vito Sarchieri, my fiancé,
00:16:48He has a meeting to attend on the first floor.
00:16:49But come, come, sit down.
00:16:51Come on, get rid of it.
00:16:51Oh, yeah, let's get rid of it, okay?
00:16:54A billion dollars.
00:16:58What repolite can become even one billion and one hundred million.
00:17:03And in two months, when I give you the account number and the deposit code of the Schneider bank in Cenevra,
00:17:14it will have become one billion two hundred and fifty million in completely clean money.
00:17:23After you've passed it through the Bahamas casinos and the Luxembourg International Bank.
00:17:29It's my business.
00:17:32From this moment I am responsible for all your money.
00:17:37And in two months, when I give it back to you, it will have been laundered in that bank I told you about.
00:17:44But no one, I repeat no one, should ask me how I do it and what my system is.
00:17:51Clear?
00:17:51Domenico Egitto is right.
00:17:55We, we are the heads of the Cosa Nostra family.
00:18:01And we must all have mutual affection and respect for each other.
00:18:09Here's my hundred million.
00:18:20We thank you.
00:18:21Vito Sartieri for hosting us for this reunion in the home of his future bride.
00:18:28My duty, Don Mimì.
00:18:30Vito.
00:18:31Yes?
00:18:32This wedding had to happen.
00:18:35I know the girl wasn't that velci, but the marriage of the families couldn't be dispersed.
00:18:43You understand this, right?
00:18:44Of course, Don Mimì, and I was in obedience.
00:18:48You're a good boy.
00:18:51Gitto, I'll help you.
00:18:52No thank you.
00:18:53We'll go down to the garage via the service stairs, then I'll take you there in my car.
00:18:57Well.
00:18:57Where did you leave your plane?
00:18:59I landed in New Jersey.
00:19:01Did you know that Little Italy won the trophy?
00:19:03By bike?
00:19:04Oh, the tango competition.
00:19:05Oh, good.
00:19:06Do you know how to dance the tango?
00:19:08Ah, but from Vicchio.
00:19:09Oh, how beautiful!
00:19:10Track, track!
00:19:12Guys, please, in honor of my beautiful gypsy, gypsy violin.
00:19:19Nico, don't hold me so tightly that you upset me.
00:19:21I am a busy woman.
00:19:23Amalia Su, I came here to make certain things.
00:19:27But the fate of your deaths, I wanted his.
00:19:30The other one made me find promise.
00:19:34I'll make you my lover then.
00:19:45Like Madame Bovary, you buy the buckwheat and the haystack.
00:19:48So I'll put a little money in your face.
00:20:04Nico, my true great love, you have always been.
00:20:18Yet you for me.
00:20:19In Rome, when you looked at the sarcophagi and the ruins, I always thought of you.
00:20:22Even if I am promised to Vito Sartieri, I will give you my virginity.
00:20:42The one from Iarui wouldn't be right.
00:20:43Don't stop, I feel like dying.
00:20:55Thank you.
00:20:55But what kind of guy is this boyfriend of Maria Sole?
00:21:22Don Vito is a man worthy of all respect.
00:21:25As they say, a man of consequence.
00:21:28That is to say that...
00:21:31They called him the Brooklyn creep.
00:21:35Did he sell capons?
00:21:36As if to say, he was making capons.
00:21:40If someone committed an offense against the families, he would reprimand them.
00:21:44This was when he was young, when he was a picciotto d'onore, then he became a boss and now he doesn't do these things anymore.
00:21:54Ah, here it is.
00:21:55He understood that these things should not be done.
00:21:58He makes others do them.
00:21:59Because there are still people doing that job.
00:22:01And what's wrong with that?
00:22:03I do it too when necessary.
00:22:08Permit.
00:22:09Nico, my love, so do you understand?
00:22:14I'll pick you up tomorrow morning at nine and take you to my little apartment.
00:22:20Oh, but this one knows, she heard.
00:22:23Oh, don't worry, an American doesn't understand Italian.
00:22:26You know, all my friends have little apartments.
00:22:28They bring their boy to do the... what do you say?
00:22:31Ah, I bet in the little apartment where there's never anyone.
00:22:34It is true.
00:22:35Yet I really like doing what's-his-name.
00:22:42Listen here, Amaiasù.
00:22:44Yes?
00:22:44But what are you wearing this thing, what is it called?
00:22:47Well, you know, I'm ashamed to say certain words.
00:22:51Oh, Nico.
00:22:53Can you imagine that tomorrow morning I'll be yours?
00:22:55And I think about it, I think about it.
00:22:57If only you knew how much I'd give him what his name is?
00:23:00Nico, but you have to be careful.
00:23:03I'm engaged, woe betide me if I got pregnant.
00:23:05Remember, before you do what they say, you have to put on the what's-it-called raincoat.
00:23:10And I believe you, otherwise we'll all get him, as they say.
00:23:13So we agreed for tomorrow morning.
00:23:15We agree, yes.
00:23:18Who are you?
00:23:21Well, I'm someone who used to be with Miss America and now I ended up with Miss Universe.
00:23:24And where is she from?
00:23:25I Chicago.
00:23:26Oh, yeah?
00:23:27Well, that gave me an idea, now I'm going too.
00:23:29Oh.
00:23:29Allow me.
00:23:40Here we are on my beloved shore to do what's-it-called.
00:23:44Let's hope it works for me as they say.
00:23:46How excited I feel, I feel like I have an itch all over me.
00:23:50It's not the nail, is it?
00:23:52Don't turn around until I tell you to.
00:23:55Little surprise!
00:23:56Oh my God, the mother cat.
00:24:02Have you gone crazy?
00:24:04You're crazy.
00:24:09But Maria Su, what are you making up?
00:24:11How beautiful, beautiful, beautiful, beautiful you are.
00:24:15Handsome?
00:24:17And the beauty is the beast.
00:24:18You come.
00:24:18Listen, Maria Su, I have to talk to you about something important.
00:24:21Sorry, but you know that duty comes first and pleasure comes second.
00:24:25But come on, come on, that little warmth that's awful outside, come on.
00:24:29Is it bad outside?
00:24:30Why do you give him gifts?
00:24:32Nico.
00:24:33But Maria Su, we need to talk for a moment now.
00:24:35Sorry, here, here, kennel here, kennel, kennel.
00:24:38Here.
00:24:39Listen, eh.
00:24:40Oh, Puppi, no.
00:24:42Puppi what?
00:24:42Do you remember the Marilyn Monroe movie?
00:24:45But Maria Su, why am I here talking about the film now?
00:24:49I...
00:24:50I have a problem, Maria Su, I...
00:24:52Tell me, Nico.
00:24:53I am sad.
00:24:55I can't do anything when I'm sad.
00:24:57I don't get angry.
00:25:00And you know that, right?
00:25:02And as they say, you don't want to worry.
00:25:04I don't understand.
00:25:06What does it mean?
00:25:07That the dick has some thoughts, Maria Su.
00:25:08Oh, what are you thinking, my love?
00:25:12Maria Su, I have it here, my friend.
00:25:14Yes.
00:25:15I love him like a brother, a little bald man.
00:25:17Yes.
00:25:18Salvatore, who worked on this heart, right?
00:25:19Yes, yes, yes.
00:25:21He's trying to open a pizzeria at Italitali.
00:25:25And he's got shit up to this point.
00:25:28He can't pay his debts.
00:25:29Did you understand?
00:25:30And if you don't pay your debts, that's it.
00:25:32But, Nico, that's why I'm here today.
00:25:36I give you everything I have.
00:25:38But you don't owe me everything.
00:25:40You don't owe me everything.
00:25:40You owe me just what I need and that's it.
00:25:42But everything, everything, Nico, look.
00:25:44Everything I have is yours.
00:25:46Here, look.
00:25:48This is $38.
00:25:49Here, here.
00:25:50They're all yours.
00:25:53What are you joking about?
00:25:55I like the ass.
00:25:55But that's all I have, Nico.
00:25:58Eh, the money that Papi left me
00:26:00the organization manages them.
00:26:02You know, they're stuck until my wedding.
00:26:04And they give me a weekly pass for $50.
00:26:06But, Nico, but, Nico, let's love each other anyway.
00:26:09We don't care about money.
00:26:11Oh, Pupidù.
00:26:13Who is?
00:26:13Oh God, it will be Vito.
00:26:15Only he has the key.
00:26:16Nico, Nico, hide quickly.
00:26:17Hide in here.
00:26:18Come on, quickly, quickly.
00:26:20Oh God, God.
00:26:22Maria Sole, are you there?
00:26:24Well yes.
00:26:25I saw your car downstairs.
00:26:27Why are you here?
00:26:28I was passing by here by chance.
00:26:30And then I thought I'd come up for...
00:26:33to give some air to these poor pieces of furniture.
00:26:36Furniture doesn't need air.
00:26:39Go to the kitchen and make us some coffee.
00:26:40Yes, Vito.
00:26:41And don't come back unless I call you.
00:26:42Yes.
00:26:44It's a little cold here.
00:26:45There must be a little bit of nine in this closet.
00:26:48What's up?
00:26:49No, I...
00:26:49I wanted to ask you...
00:26:51How do you want your coffee?
00:26:53What the hell kind of questions are you asking?
00:26:57A coffee, a coffee, like all coffees.
00:27:00Go, go.
00:27:02Yes.
00:27:04So, Vito, what happened?
00:27:06Go, go.
00:27:07Yes.
00:27:08Why didn't you stop by my office?
00:27:10instead of making me come all the way here?
00:27:12Ninth.
00:27:13No office.
00:27:15Neither mine nor yours.
00:27:16For certain topics, you need a place like this.
00:27:21It was registered to Maria Sole, nobody knows anything about it.
00:27:25The FBI has put our phones under surveillance
00:27:27and I get called here from the telephone booths.
00:27:31Ah, you worry me.
00:27:32No.
00:27:33Don't worry, lawyer.
00:27:37We're going to pull off a billion dollar heist.
00:27:39A billion?
00:27:40Yes, sir.
00:27:42All the Cosa Nostra loot that Gitto Cardone
00:27:44he took charge of cleaning up and transferring it to Switzerland.
00:27:48In Switzerland? So what?
00:27:50Since Gitto took over
00:27:52one hundred million from each of us
00:27:54Nobody knows, not even the air,
00:27:58where he keeps them hidden.
00:28:00But I, with a trick,
00:28:03I had Gitto himself tell me.
00:28:06Since he is the owner
00:28:08of Miami's largest funeral home,
00:28:11do you know what he does?
00:28:12Through fake repatriation
00:28:14of some corpse
00:28:15he can send the money wherever he wants.
00:28:18But this time
00:28:19the loot
00:28:21I'll get it here,
00:28:24in my safe.
00:28:25And then
00:28:26I'll clean it up myself.
00:28:28But Gitto Cardone will know
00:28:29that it was you who took it,
00:28:31since you're the only one who knows
00:28:32the hiding place of the money.
00:28:34But poor Gitto
00:28:35it will no longer be
00:28:37of this world.
00:28:39You didn't give the commission, did you?
00:28:41to some of your henchmen, huh?
00:28:44Lawyer,
00:28:45but you really get me, huh?
00:28:46For an idiot.
00:28:49I give the assignment
00:28:51to a professional
00:28:53came from Europe on purpose
00:28:57that no one knows,
00:28:59me neither,
00:29:01who has to call me here
00:29:02from a telephone booth
00:29:03between
00:29:04two minutes.
00:29:26Ready?
00:29:28Merello speaks.
00:29:30We have to get the job done
00:29:31this evening,
00:29:32because tomorrow
00:29:32we're leaving for Europe again.
00:29:35Okay.
00:29:36Everything is already set up.
00:29:38Go to 273
00:29:39of Main Street
00:29:40of Chinatown.
00:29:43There is the shop
00:29:43of a certain
00:29:43Chan Chukai.
00:29:46Contact him.
00:29:47As a sign of recognition
00:29:49I would tell him this word.
00:29:50Sumatra.
00:29:52He will deliver you
00:29:53an envelope
00:29:53and you can fix it
00:29:55Gitto Cardone
00:29:55this evening.
00:29:57Okay.
00:29:57I would like to remind you
00:29:58the contract.
00:29:59$50,000 now,
00:30:0050,000
00:30:01to the work done.
00:30:03Agree.
00:30:05$50,000 now
00:30:06and 50,000
00:30:08when I read in the newspaper
00:30:09the news of the death
00:30:10by Gitto Cardone.
00:30:13You will find it
00:30:14to a night club
00:30:14what is called
00:30:15Hurricane
00:30:15where he works
00:30:17his lover
00:30:18Fiona Strike,
00:30:18an Indian singer.
00:30:20Yes, yes,
00:30:21Chan Chukai
00:30:22it doesn't close.
00:30:22he says that they want him
00:30:27three hours
00:30:28to go
00:30:28from Nujesi
00:30:30up to Chinatown.
00:30:33It's done quicker
00:30:33to go to Europe
00:30:34with the Concord.
00:30:35Maria Sole,
00:30:36we're going.
00:30:38And the coffee?
00:30:39You drink it.
00:30:40It's good for you
00:30:41the skin.
00:30:42Amalia Sole,
00:31:00but how much mothballs
00:31:01was there a finger?
00:31:02Nico,
00:31:02are they gone?
00:31:04Now we are alone
00:31:05with our passion.
00:31:07Nico,
00:31:08let's play a nice game.
00:31:09I undress you
00:31:10and you undress me.
00:31:11Wait, wait,
00:31:12listen, listen,
00:31:13Look.
00:31:15I know a game
00:31:15even more beautiful.
00:31:16Yes?
00:31:17You go to the bathroom
00:31:18of the year.
00:31:18Yes.
00:31:18Huh?
00:31:19Yes.
00:31:20You strip completely naked.
00:31:21Yes.
00:31:21And you put yourself
00:31:22in the shower.
00:31:23Yes.
00:31:23Agree?
00:31:24What game is this?
00:31:25If he calls while fucking
00:31:26in the rain.
00:31:27All right?
00:31:28I undress here
00:31:28and then you get it.
00:31:30Go, go.
00:31:31Here you go, good.
00:31:32Tada,
00:31:32taratara,
00:31:33tada,
00:31:34taratara,
00:31:35taratara,
00:31:36taratara,
00:31:36taratara,
00:31:37taratara.
00:31:53Nico,
00:31:54my little devil,
00:31:55come and do what's his name.
00:31:57Nico?
00:31:58But I don't understand,
00:31:59but are you crazy?
00:31:59But how do you want to replace yourself?
00:32:01to two professional chancellors?
00:32:02Savior,
00:32:03I know the password
00:32:04and that's enough.
00:32:05But these people aren't joking.
00:32:06If those who called arrive
00:32:07they go jazz.
00:32:08How do we do it?
00:32:10Savior,
00:32:10there is a two and a half hour advantage,
00:32:11but if you keep walking like this
00:32:12then we never get there.
00:32:14And then there are dicks.
00:32:14Do you know how much Maria Sola gives to me?
00:32:1638 dollars
00:32:17which is 35 thousand lire.
00:32:19Is that enough for you?
00:32:19There's nothing to be done.
00:32:21But let me commit suicide.
00:32:21Here you go.
00:32:22I want to throw myself under the car.
00:32:25I want to throw myself under the car.
00:32:27Everything is in order.
00:32:28This gives us $50,000.
00:32:30Come on, let me know,
00:32:30whoever saw it, saw it.
00:32:31Let's go,
00:32:32we have arrived.
00:32:41Good morning.
00:32:42Do they wish?
00:32:43What's up?
00:32:43Ciancianciu,
00:32:44Cianbercu.
00:32:45Cianciu Kai,
00:32:46my brother.
00:32:47Cianciu Kai, yes.
00:32:47There he is.
00:32:48Ah.
00:32:50What can I do for you?
00:32:51Um,
00:32:52Sumatra.
00:32:53Oh, yes,
00:32:54Sumatra.
00:32:55Very nice.
00:32:55I really like Sumatra.
00:32:57And I like it a lot
00:32:58on sister.
00:32:59Ischia is beautiful too
00:33:00where they sing,
00:33:01we dance and whistle.
00:33:03And you?
00:33:04Where are you from?
00:33:05I'm from Java.
00:33:06Ah,
00:33:06where they sing,
00:33:07we dance and we fuck.
00:33:11Here you go.
00:33:12Thank you.
00:33:13Hello, Fandeggi.
00:33:15And who understands you?
00:33:17And 50,000?
00:33:25What 50,000?
00:33:26I have the order
00:33:26to deliver to you
00:33:27tickets only
00:33:28for Miami.
00:33:30What kind of jokes are these?
00:33:31Gentleman,
00:33:32I mind my own business.
00:33:34The 50,000 dollars
00:33:35they will be delivered to you
00:33:35in Miami
00:33:36by Eusebio Navarro.
00:33:38Eusebio Navarro?
00:33:39Yes,
00:33:39there is the address
00:33:40written on the sheet.
00:33:41Oh, here?
00:33:42Yes, sir.
00:33:43Fuck you.
00:33:44Fuck you.
00:33:45What the fuck?
00:33:46Huh?
00:33:47Things?
00:33:47There's nothing to be done,
00:33:52everything is going wrong,
00:33:52everything is going wrong.
00:33:53Don't put it in the urinal
00:33:54ahead of time,
00:33:55Served,
00:33:55everything will be fine instead.
00:33:56But I to the creditors
00:33:57that I bring him
00:33:57tickets to Miami
00:33:58shall I bring them?
00:33:59But you didn't understand
00:33:59that in Miami
00:34:00are we going?
00:34:01Served,
00:34:01if we want the 50,000
00:34:02and we come back here.
00:34:03There's a mortgage anyway
00:34:04the half of advantages.
00:34:05Ninth,
00:34:05there's nothing to be done.
00:34:06But let me kill,
00:34:07let me throw myself under a car.
00:34:08Where are you?
00:34:09And that you don't support me
00:34:10nothing good.
00:34:10But if you're such an asshole
00:34:11that you want to kill yourself,
00:34:12killed,
00:34:12so the money
00:34:13I consider myself all of me.
00:34:14Alright,
00:34:14but that's how I did it.
00:34:15Walk,
00:34:15Served,
00:34:16come on,
00:34:16walk,
00:34:16walk,
00:34:17Served,
00:34:17walk.
00:34:18You made me go out
00:34:18Truly,
00:34:19What kind of friend are you?
00:34:20I spoke with Ciancio Cai,
00:34:21he has nothing to do with it.
00:34:22After all,
00:34:23he had the order
00:34:23to deliver the envelope
00:34:24to whom he had introduced himself
00:34:25with the agreed word
00:34:26and those two
00:34:27who came before
00:34:28they had told him.
00:34:30Two hours later
00:34:30the others have arrived,
00:34:32that Marello...
00:34:33Okay,
00:34:33ok,
00:34:34arrange for Marello to be liquidated,
00:34:36give him an expense reimbursement.
00:34:38But how did they do it?
00:34:39those two
00:34:39do you know the password?
00:34:41Who is the poor thing,
00:34:42curse?
00:34:43Calm down Vito,
00:34:44calm,
00:34:44that's not the point.
00:34:46What you need to know
00:34:47is that intention
00:34:48they have those two.
00:34:48It's clear
00:34:49that someone
00:34:49he intercepted
00:34:50my phone call
00:34:51and he heard
00:34:51the password.
00:34:53And if this someone
00:34:54it's from the police
00:34:55or worse yet,
00:34:57of the organization.
00:34:59Soon,
00:34:59call Navarro in Miami,
00:35:01tell them to stop,
00:35:01you block them,
00:35:02kill them
00:35:02and then leave immediately
00:35:04with Crocinski.
00:35:06They'll restore the cart.
00:35:27Yes, sir.
00:35:28Yes.
00:35:33Clear what I want to do, sir.
00:35:34Of course.
00:35:36Asuncion.
00:35:37Yes.
00:35:38Llama por telefono
00:35:39to Juan Manuel and Octavio.
00:35:40And why?
00:35:41Por qué lo digo yo, coño.
00:35:42Ah.
00:35:46How hot it is here in Miami,
00:35:48it's cold in New York
00:35:49and almost good.
00:35:49The view,
00:35:49it's full of old people,
00:35:50Santa Carla Beach.
00:35:51Yes.
00:35:52Yes.
00:35:53Te, bievi de nuevo,
00:35:54it's good for you.
00:35:55No, I don't feel like it.
00:35:55Long live you.
00:35:55But listen to me,
00:35:56long live you.
00:35:57Long live you.
00:35:57No, no, no.
00:35:58Excuse me, is this Eusebio Navarro? Are you?
00:36:28Yes, sir, to serve you.
00:36:31How are you?
00:36:33Fire?
00:36:34No.
00:36:42Thank you.
00:36:44Do you want to get something?
00:36:45No, the args of eating disgust me.
00:36:48You're like...
00:36:50...we come from New York...
00:36:55...because we have to collect a buston from you for the mission...
00:37:01...with the granon inside.
00:37:05Did you understand?
00:37:10AND...
00:37:12...here...
00:37:13...this is the message of...
00:37:16...you got it here, right?
00:37:20Muchachos, it's the shadow of New York.
00:37:22And what do you mean?
00:37:24Ah, are those yours?
00:37:27Yes, friend, yes.
00:37:28What a friend you are.
00:37:58What happens, things go wrong?
00:37:59What a friend you are.
00:38:00What a friend you are.
00:38:01What a friend you are.
00:38:02What a friend you are.
00:38:03And what a friend you are.
00:38:04My name is...
00:38:05...that things are going badly.
00:38:18Vito Sartieri understood everything and called that big guy Navarro from New York
00:38:34who set that trap for us to kill us
00:38:36So there's nothing left to do, I have to throw myself under a car
00:38:39You don't have to throw yourself anywhere, I told you you'd find the money and I'll find it for you
00:38:43I know, I thank you for your generosity, but where is this money?
00:38:46Where is it? Here, do you see that poster? Look, where is Svento here?
00:38:51Fiona Strike, see? She sings in a nightclub where a certain Gitto Cardone was always there.
00:38:56who would be a boss to love local life
00:38:58A very holy mother!
00:39:00Oh, a very saintly mother indeed.
00:39:01The two killers from New York were supposed to come and kill this Cardone in that nightclub
00:39:05because that one was there every night, right?
00:39:07But if we go to this Cardone and tell him everything, we'll be serving him his life, right?
00:39:12And you think that after that you don't even have the 30,000 dollars you need?
00:39:16But what is 30,000 dollars to someone like him?
00:39:19But what do you think about China?
00:39:20You're right, you're a phenomenon.
00:39:21But what do we have to do now? Do we have to find this solution?
00:39:24No, we have to change first, we can't go to the nightclub like this
00:39:27We need to find two cool dresses
00:39:28And where do we find them at this point?
00:39:29But if they find, Americans never sleep
00:39:31Ah, can we find them?
00:39:31Everything is always open here
00:39:32No, first we have to find two cool dresses
00:40:02I've got you, I've got you, I've got you in my grip
00:40:09I've got you, I've got you in my grip
00:40:12Oye, look, look, how beautiful, what, how beautiful
00:40:17Excuse me, excuse me, but look at this drunkard, look
00:40:24Come on sir, come over there, up
00:40:26Go to if, go to if
00:40:27And me?
00:40:28Take it away, yeah
00:40:29Come on, yes
00:40:30Come on, be a good boy
00:40:33Come, go with him
00:40:36Go with him, come with me
00:40:37Bravo
00:40:37Look, you don't send it abroad
00:40:39A double whiskey
00:40:41If you're not true, I'll beat you black and blue with my whip
00:40:46If you misbehave or make a mistake, it's my whip
00:40:53If you're not mine, I'll bring you back online with my whip
00:41:01Yeah, yeah, yeah
00:41:03Like before, you'll ask for more of my whip
00:41:08I've got you, I've got you, I've got you in my whip
00:41:14I've got you, I've got you in my whip
00:41:17I've got you, I've got you, I've got you in my whip
00:41:21I've got you, got you, got you in my whip
00:41:24It may be beautiful, but is it dangerous?
00:41:29I love you
00:41:56And there's always you
00:42:00That I love you
00:42:03I love you
00:42:07I want to be your wonderful world
00:42:12I want to be your wicked queen
00:42:15I want to be your fantasy
00:42:18Your sad or masochistic dream
00:42:22I've got you, I've got you, I've got you in my crib
00:42:26I've got you, I've got you in my way
00:42:29One lash, one slash is all you get
00:42:33One lash you'll never forget
00:42:36How beautiful it is
00:42:43I would definitely marry her
00:42:45She is Cardone's woman
00:42:47And what is it?
00:42:49It is clear that he was forced
00:42:50But it's clear that she's a good girl
00:42:52Yes, yes, he studied at the Ursuline.
00:42:54Oh yeah?
00:42:55Yes
00:42:55Yes, how beautiful it is
00:42:57Please come out we need to have a chat
00:43:06Do you remember, Nico?
00:43:08We met the gentleman at Maria Solaggiarra's house in New York
00:43:12Do I recognize it?
00:43:12Hey, sure.
00:43:13HI
00:43:13Let's not make a fuss
00:43:17No jokes
00:43:18Let's go outside
00:43:19There are too many people here
00:43:20Now I like this singer's number
00:43:23You didn't understand
00:43:25I like the singer too
00:43:26But now I want you
00:43:27Hey, sure.
00:43:57Yes!
00:44:27No, no, no, no, no, no, no.
00:44:57No, no, no, no, no, no.
00:45:27No, no, no, no, no, no, no.
00:45:57No, no, no, no, no, no, no.
00:46:27No, no, no, no, no, no, no.
00:46:29No, no, no, no, no, no, no, no.
00:46:59No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:47:29But damn
00:47:42Stop, where are you going?
00:47:51He who stops is lost
00:47:52But what are you doing, are you going back?
00:47:54Eh, at least I can see
00:47:55But I get a stiff neck
00:47:59Oh mama
00:48:07You are at court
00:48:14Here we end up at the morgue
00:48:16They've been keeping us company for a while now
00:48:25Careful
00:48:49Shut up
00:48:50Stop
00:48:51The traffic light is red
00:49:02Well then you better stop, right?
00:49:04I'm going through the same thing
00:49:05I heard thunder
00:49:12Maybe there's a storm
00:49:14But what a storm
00:49:16Mr. Ford is a moron
00:49:18It must be the first floor tenant
00:49:20Who pulled the chain
00:49:21It must be my father
00:49:28Who comes back drunk as usual
00:49:30You're right, Charlie.
00:49:31She has to stop drinking
00:49:32And he drives without a license
00:49:34The administration should do something
00:49:37To solve the parking problem
00:49:38There are too many cars for me
00:49:40What is extraordinarily beautiful and adorable about Miami
00:49:55It's just that it's a city full of tranquility and peace.
00:49:57But where, where did we end up?
00:50:02But what do I know?
00:50:03So tell me
00:50:05Why did you act like this?
00:50:07Who are those two to you?
00:50:09Nothing at all
00:50:10But I thought of your interests first
00:50:12The other two, the ones I hooked with the whip
00:50:14They are men by Vito Sartieri
00:50:15Your friend from New York
00:50:17Ah, Vito
00:50:19Why did you recognize them?
00:50:19Yes, one of the two is called Lua Donadis
00:50:23And he was a bouncer at Mocambo in New York
00:50:26When I worked there three years ago
00:50:27And last night with his partner
00:50:29They were taking two spectators out
00:50:31Certainly not to go looking for shells on the beach
00:50:34But if Vito Sartieri wanted to send those two
00:50:36To teach a lesson to someone in the territory you control
00:50:39He should have at least warned you first.
00:50:41All right, bullshit
00:50:44What do we care if Sartieri has an account?
00:50:46To be with someone we don't even know
00:50:49Thank you
00:50:50Anyway you should try to find out something
00:50:52About those two that the Sartieri Gorillas wanted to kidnap
00:50:56Maybe you're right
00:50:57You see, you are...
00:51:00You are more than a lover to me
00:51:05You are my true advisor
00:51:07You're the woman a man of my mold needs.
00:51:11Gitto, listen
00:51:12Do you want me to take care of it?
00:51:15You know, to not make it too official and loud.
00:51:18Okay, agreed.
00:51:21I don't know if you are more beautiful or smarter
00:51:27How do you prefer me?
00:51:31Naked
00:51:32I don't understand, but instead of coming here, why didn't we go to a tree?
00:51:49Because this is the safest place, I serve you
00:51:51And why?
00:51:53But did you forget I was at the police station?
00:51:55So what?
00:51:55I know these people, I know them without any fear.
00:51:58These people do their bidet with sorphoric acid
00:52:02Oh my goodness, and you went against these people because of me?
00:52:06But what kind of friend are you, what kind of friend?
00:52:08How can I get out of this obligation, how can I?
00:52:10Kiss me standing, Diego
00:52:11Of course, you deserve it.
00:52:12But...
00:52:13So what should we do?
00:52:15We have to wait here until we get in touch with Cardone
00:52:17We love you money and we're going back to New York
00:52:20Hello nurse
00:52:21Who among you should have appendicitis surgery?
00:52:22He, he
00:52:23Come on, let's hurry up, the professor is waiting for us.
00:52:26And but I already had appendicitis surgery four years ago.
00:52:29Eh, that's appendicitis one
00:52:31Here it is, they took it away from me
00:52:32Ah, that's true.
00:52:34So it's her who has to have appendicitis
00:52:35And she has to have hemorrhoid surgery with Dr. Stumer.
00:52:38Yes, right.
00:52:39No, what hemorrhoids?
00:52:41Save you
00:52:41It's better that you are going
00:52:43Otherwise they'll kick your ass like a paw here
00:52:44We're going, we're going out the window
00:52:45Yes, let's go, otherwise they'll really make my hemorrhoids go down.
00:52:48Look who's here
00:52:50Guys, where do you think you're going?
00:52:52Fiona
00:52:52My Fiona
00:52:54Why don't you operate on my appendicitis, eh?
00:52:57Come on, quickly, let's hurry up
00:52:59Come with us, quickly
00:53:00Come on, what's up with this disguise?
00:53:02But what does he want?
00:53:03I'm someone who saved your skin once and wants to save you again.
00:53:06Come on, let's go
00:53:07What are all these people?
00:53:10What is he doing here?
00:53:10Listen, sweetie, why don't you just be quiet?
00:53:15Let's move
00:53:24Floor
00:53:44I'm not the time
00:53:58They screwed us
00:53:59You come
00:53:59Tell me, did you come to Iricaine last night with a program?
00:54:17We had to say something personal to Don Gitto Cardone
00:54:19A very important piece of information that we value around $30,000
00:54:23Do you think he will give us?
00:54:24But, if the information is worth that amount
00:54:29That's why it's worth even more.
00:54:30Then there is no problem
00:54:32For Gitto Cardone, writing you a check for $30,000 is like spitting out the window.
00:54:37We, on the other hand, are the ones who walk under the balcony and get spit on the head.
00:54:42Let's hear it, what does this information consist of?
00:54:44Oh no, no, no, no, no
00:54:46Eh, you'd like that, poor coke
00:54:47What is she doing with us?
00:54:49Nico, how dare you talk like that?
00:54:51Eh, I don't understand, this is the bullshit
00:54:53He's playing the fool, I have to tell him he's playing the fool
00:54:55It's the asshole, can't you see that it's the asshole?
00:54:57But you're wrong, Fionna is a good girl, she's all water and soap
00:55:00But what soap and water, yes, this is whiskey and fucking
00:55:03They are following us, they are the tailors' men
00:55:15No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:55:45Damn, they were quick to find us.
00:55:49Damn, death, what's happening to me?
00:55:52Imagine, I came back to me
00:55:53And you have been heard
00:55:54Look, it's you two they have it in for.
00:55:57Run, we'll cover you, don't waste time
00:56:00Go towards the canal, there are some boats, take one
00:56:03In the swamps?
00:56:04Yes, go, come on, quickly, come on
00:56:15Go run away, we follow
00:56:45But do you know how to drive this beast?
00:57:09No, I'm talking now
00:57:10Saint Benedict of Tronzo, help us
00:57:12Save the mess, I'll assist, otherwise they'll catch us
00:57:15But what do you want to do, where are we going to end up?
00:57:16But what do I know, when someone runs away, they run away
00:57:19Samba Civitaveccia Vergine
00:57:39Saint Nicholas of Tolentino, I'll get you out of this mess.
00:57:42Saint Pancras and Saint Modestus
00:57:44Get rid of the pain in the ass like this
00:57:46But who's going to be with this guy?
00:57:52Holy shit, they were eyes and shit
00:57:53And we go there to provide
00:57:54Oh, the bitch is stifling, they're shooting
00:58:00Saint Teresa of Gallunga
00:58:01I can't take it anymore
00:58:14Hold on, I've got it.
00:58:15Hey, Jerry, quick, over there!
00:58:34But I beg them
00:58:41But what do you want to do, Nick?
00:58:43What do you want to do?
00:58:44The slalom is giant
00:58:45They called me the nade at Terminillo
00:58:47And you want to make me a mess
00:58:49!
00:58:51This is the game with my
00:58:52You're not there
00:58:53But what do you want to do?
00:58:54This is the game
00:58:55My
00:58:58This is mine
00:58:59My
00:59:00But some
00:59:01This is mine
00:59:03This is mine
00:59:05This is mine
00:59:06Thank you all.
00:59:36Thank you all.
01:00:06Did you call?
01:00:09We're out of gas, Salvatore.
01:00:11What do you mean?
01:00:12Salvatore would say that we've run out of gas.
01:00:15With a gadget like this that pumps gas.
01:00:17What happens if you run out of gas, Salvatore?
01:00:19It stops.
01:00:20Here, good.
01:00:21Well, how do we do it?
01:00:22But get down and push.
01:00:23And how does it descend? Where does it descend? It leaves the water.
01:00:25Salvatore, the water is shallow here.
01:00:26But are you sure it's touchable?
01:00:27Salvatore yes, but look what this is.
01:00:37The coconuts, the coconuts.
01:00:39Coconut, coconut.
01:00:41And there is no coconut.
01:00:42But what are you asking for?
01:00:43Now there is no coconut.
01:00:44Are you crazy?
01:00:45But what coconut, coconut?
01:00:46The coconuts, the coconuts, the coconuts, trill.
01:00:48Onward.
01:00:50Come on, what a beast.
01:00:51Move over there, beast.
01:00:53And finally, Salvatore.
01:00:54Nothing, we're starving here.
01:00:56It's my fault, but why don't you have me killed?
01:00:58Do me this favor, let me kill you.
01:01:00But do you want to do this favor, yes or no?
01:01:01Salvatore, jump in.
01:01:03You throw away the mortars, throw them away, right?
01:01:05Kill yourself.
01:01:06You always want to kill yourself, kill yourself, right?
01:01:08So I wouldn't eat you up.
01:01:09Okay, don't kill me.
01:01:09But I said to kill me, to say that he really kills me.
01:01:12How do we do it?
01:01:13I don't want to die, do you understand?
01:01:14I don't want to die.
01:01:15And that I have to die?
01:01:20Good, good, good, good, good, good.
01:01:22What happened? What happened?
01:01:23That?
01:01:23If it's not a coconut, darkening trill, there was an engine coming here.
01:01:30Put your ear, put your ear.
01:01:31Where?
01:01:31Put your ear to the water, to the water.
01:01:32Yes.
01:01:34Annaccia, what happened?
01:01:36A coconut, trill.
01:01:37Like you?
01:01:38If you're eating the ear, look, no.
01:01:40He was a darling, trill, he was.
01:01:41Mortefame, if you can get close to her.
01:01:43Yes, shut up, shut up, shut up, shut up, shut up, shut up.
01:01:44Mico!
01:01:46Look.
01:01:47Mico, it's me, Maria Sole.
01:01:50Maria Sole, we are here.
01:01:53Mico, I'm coming.
01:01:55I finally found you.
01:01:58But how did he manage to fish in the middle of these swamps?
01:02:00It's the power of love.
01:02:01Mico, my love, here I am.
01:02:04Do you realize that she even scared away the coconuts, trills, that one?
01:02:07Nico, treat her well, she came to save us, okay?
01:02:11Nico, my love.
01:02:13Miss Maria Sole, God bless you.
01:02:15I was following you for an hour, then I lost track of you, but that explosion put me back on the right path.
01:02:20Thanks, we ran out of gas.
01:02:22Nico, my love, I have some fantastic, wonderful news to tell you.
01:02:26Think about it, I left Vito Sartieri and joined you to live with you, all my life, with you.
01:02:33Are you happy?
01:02:34You're not saying anything?
01:02:35It is truly true that great joys take away the words.
01:02:38Yes, yes, it's like you say.
01:02:39But now show us the coconuts, trills, so they faint for days and we know we're going, eh?
01:02:43Yes, yes, yes, we lose.
01:02:44Yes, yes, yes, yes, yes.
01:03:14In New York I heard a phone call from Vito Sartieri, which allowed me to track you down.
01:03:20He's an evil guy, you know, he wants to kill you.
01:03:23He's jealous of you, he must have read my diary.
01:03:25What, do you even keep a diary?
01:03:26Yes, I also draw pictures with it.
01:03:29I also drew the two of us, doing what they say.
01:03:33What did he draw?
01:03:34Then I'll explain it to you.
01:03:35Oh, so what?
01:03:36Nico, look, this is our kingdom.
01:03:39We will always live here, like Tarzan.
01:03:42I know Tarzan.
01:03:44And are you a citizen?
01:03:45No, I'm Jane, he quotes.
01:03:47Me quote?
01:03:49Yes, it really does look like a monkey.
01:03:51Yes, who is speaking, yes.
01:03:52Nico, look at this hut, nobody knows it.
01:03:55We will be here forever.
01:03:57We will live by hunting, fishing and whatever else they say.
01:04:00But what are you as they say?
01:04:02Then I'll explain, okay?
01:04:03Ah, Maria Su, did you have a fantastic idea?
01:04:05You are so smart, oh, so beautiful and so smart.
01:04:07You did really well, Maria Su.
01:04:09But there's something to eat here, right?
01:04:11Hey, flour, huh?
01:04:12What if I eat the crocodile broth, excuse me?
01:04:13Now you wait for us here and Salvatore and I will go buy something to eat, eh?
01:04:17No, no, no, no, no, no.
01:04:19You in New York, but she is seduced and abandoned.
01:04:22Now I don't fall for it anymore.
01:04:23You'll either be mine or nobody's.
01:04:25Ah, Maria Su, but I know you, of course.
01:04:28Let's go buy something to eat together, that's fine.
01:04:31Do you see this?
01:04:33If you don't keep your promises, I'll shoot you dead, as they say.
01:04:37But how do you say this?
01:04:38The pea, Salvatore, do you understand now?
01:04:39Finally.
01:04:41Calm down, calm down, Maria Su, I am scrupulous, I am Catholic, apostolic, Roman, do you understand?
01:04:45And I can't decide on another man's wife, it's a sin.
01:04:48And you were engaged to Vito Sartieri.
01:04:49You're right, but now that I've left Vito, we could love each other here in a holy way.
01:04:56That's fine, but if you wait for us here, Salvatore and I will go buy something to eat.
01:05:01No, Salvatore will leave, alone.
01:05:04While the two of us will remain here, for eternity.
01:05:07But what was he saying?
01:05:08What's he joking about?
01:05:09Move my friend and I'll leave him to you.
01:05:11What's crazy about this?
01:05:12What are you doing?
01:05:13Are you shooting?
01:05:13I want to stay with you, throw him for a shotgun, no, dirty girl.
01:05:16Come on, let me carry your arm into the house.
01:05:19Who is?
01:05:20Oh, yes, my love, yes.
01:05:23Beautiful, go on.
01:05:24But I'll carry you into our nest in my arms like newlyweds do.
01:05:27Close your eye, okay?
01:05:28Close, love, close.
01:05:32Help!
01:05:33Help!
01:05:35Help!
01:05:36Help!
01:05:37Help!
01:05:40Help!
01:05:41Nico!
01:05:42What am I doing here alone?
01:05:45Attack from what they say!
01:05:49Help!
01:06:02Help!
01:06:05I win, but you think carefully.
01:06:06Have you really decided on a new kill?
01:06:08Salvatore, but have you paid your debts?
01:06:09No.
01:06:10Look, if I don't kill Cardone, he'll kill you.
01:06:12And I'd rather keep my friend alive than kill a son of a bitch.
01:06:15I kill Cardone and you make one of the jumpers' money.
01:06:18But you have to help me though.
01:06:19Me? And I can't do anything about it.
01:06:22At least the photographs you take?
01:06:23Oh, those, yes.
01:06:24And then that's it.
01:06:26Wait here, huh?
01:06:26All right.
01:06:28Who is?
01:06:30Friends.
01:06:31Stay tight, sir.
01:06:33It's closed, no, no.
01:06:35You cannot enter.
01:06:38You can't come in, sir.
01:06:39Ah, I don't have any complaints to come in.
01:06:48I would like to know where Saltieri is.
01:06:51I know it, sir.
01:06:58Listen, you have to tell me your number.
01:07:02and from where you call and talk to sallylights,
01:07:06since the police control them to a draw.
01:07:08I don't know anything, sir.
01:07:11And I have to prepare the bananas, please.
01:07:14All these bananas here?
01:07:16Oh yes, all of them, all of them, yes.
01:07:19Do you like bananas?
01:07:20Yes, sir, very much, yes.
01:07:22If you, mind you, don't tell me what I asked you,
01:07:30I'll give you all of them.
01:07:31I don't know, sir.
01:07:33Don't you know?
01:07:33No, sir.
01:07:36So, now you're going to get your hands on all these bananas, huh?
01:07:40Come on.
01:07:42Let's get started.
01:07:42Yes, sir.
01:07:44On.
01:07:46Ah, we'll explain it if we do, okay?
01:07:48Come on, come on.
01:07:49I'm going because I have time to drink.
01:07:51Ah, svirto, huh?
01:07:53Come on, fill up another one.
01:08:11I said svirto.
01:08:15You'll see that the more hands you have, the more fun they get.
01:08:17Come on, he eats the little curls,
01:08:19otherwise we'll be here for months.
01:08:20Full another one.
01:08:21Come on, huh?
01:08:25As.
01:08:31You're messing around, huh?
01:08:33Wait a minute, I'm keeping my mouth full.
01:08:34Don't worry,
01:08:35that those that throne in your mouth
01:08:36I'll let you in from the other side.
01:08:44No.
01:08:51So, now he'll give you the number.
01:08:55And be good,
01:08:56if not after these nine bananas
01:08:58I'll even make you eat the drops.
01:09:01No, por favor, not the drops.
01:09:04No drops, please.
01:09:06And then he gives the number.
01:09:06He holds that calling from a public place to 68, 683.
01:09:2168, 683.
01:09:23At 9 o'clock, at 10 o'clock.
01:09:25At 9 at 10.
01:09:27And also at 5 to 6.
01:09:29And also at 5 to 6.
01:09:30I don't want to, no.
01:09:32I almost don't want to, no.
01:09:37You were very good, you know.
01:09:41As a reward, I want to give you a gift.
01:09:44Here, eat this banana.
01:09:46Good, huh?
01:09:56Ready.
01:09:57We are the ones who took the Arcinese commission in place of those other two.
01:10:00I don't know what you're talking about. I don't know you.
01:10:09Oh, there's one more thing I want to tell him.
01:10:11That despite the pitfalls, tricks, shooters and various things,
01:10:15We'll get it done for him anyway at work.
01:10:18I don't understand what you're talking about.
01:10:21But, let's be clear, one hour before the funeral
01:10:24I'll be in a green car sitting in Cocknut Grove,
01:10:29Miami New legend.
01:10:32Do we understand each other?
01:10:33Either someone sends me or she comes personally with the hundred thousand bucks.
01:10:39Otherwise all the families will immediately know what you're up to.
01:10:42I repeat, I don't understand what you're talking about.
01:10:44Do you understand me if I tell you to go fuck yourself?
01:10:46Come on and I'll close.
01:10:47Do you think he will come?
01:11:07I'm sure of it.
01:11:09He will come and spill the beans.
01:11:10He called me to tell me he wants to speak to you personally.
01:11:14From what I understand it's just a matter of money.
01:11:17And did you promise him any?
01:11:19Yes, as many as you want.
01:11:22You did well, little one.
01:11:23We must always be generous with promises,
01:11:25especially when you have no intention of keeping them.
01:11:30One moment, please.
01:11:31What happened?
01:11:33Please.
01:11:33What do you want this?
01:11:35Here they are.
01:11:36The tallest one in the suit is him.
01:11:37That.
01:11:38But he looks like a bearded man.
01:11:41There is nothing.
01:11:42Hey, my handsome friend.
01:11:44My courage is good.
01:11:45Look there seat.
01:11:46No, no, no.
01:11:47You're excusing me.
01:11:49I'm very handsome.
01:11:50At that time.
01:11:52At that time.
01:11:53And you drive me.
01:11:54Eh, as if it's leaving.
01:11:56You want a little bruised though.
01:11:57Do you want to drink or what is it?
01:12:00Huh?
01:12:00Do you want tomatoes?
01:12:01Oh, maybe half a liter if there is...
01:12:02But if he wanted to talk to me,
01:12:06why didn't he come here?
01:12:07At my table.
01:12:08Maybe he's waiting for me to leave.
01:12:11Then go away, go.
01:12:12Go to your dressing room.
01:12:14I don't feel like waiting all this time.
01:12:16But sucks.
01:12:23Good, him.
01:12:24Wait.
01:12:25Huh?
01:12:26Huh?
01:12:26Huh?
01:12:26Huh?
01:12:26Huh?
01:12:26Huh?
01:12:26Huh?
01:12:26Huh?
01:12:26Huh?
01:12:27Huh?
01:12:27Huh?
01:12:27Huh?
01:12:28Huh?
01:12:28Huh?
01:12:28Huh?
01:12:28Huh?
01:12:28Huh?
01:12:28Huh?
01:12:29Huh?
01:12:29Huh?
01:12:29Huh?
01:12:29Huh?
01:12:30Huh?
01:12:31Huh?
01:12:32Huh?
01:12:32Huh?
01:12:32Huh?
01:12:32Huh?
01:12:32Huh?
01:12:33Huh?
01:12:33Huh?
01:12:34Huh?
01:12:34Huh?
01:12:35Huh?
01:12:35Huh?
01:12:36Huh?
01:12:36Beautiful, beautiful, beautiful.
01:12:37Excuse me, keep a cage.
01:12:38Huh?
01:12:38No.
01:12:39Look, but you stay here without a cage.
01:12:40Huh?
01:12:40What are you doing?
01:12:41Huh?
01:12:41No, because I'm here, you see, I have an animal here, a weeder, which is here
01:12:46and I'm afraid it will be a snap.
01:12:47But what is sarchiapone?
01:12:48Look, the morse stupefy.
01:12:50But what is sarchiapone?
01:12:51Look, because if you sell it to the zoo they'll give you a lot of money.
01:12:54Look, look, look, come and see.
01:12:55It must be lowered, it must be lowered.
01:12:56Here you go.
01:12:57Here you go.
01:12:58Here you go.
01:12:59I deny Geraldo, is that you?
01:13:05Mr. Cardone.
01:13:08In person.
01:13:10You kept me waiting, huh?
01:13:12Huh?
01:13:13Please.
01:13:16Ah, so, you allowed me to...
01:13:19Here you are.
01:13:24Thank you, very kind.
01:13:27Fiona told me that you have something explosive for me and that it will definitely hit me.
01:13:32Oh, why not?
01:13:35Oh, why not?
01:13:37Oh, why not?
01:13:39Oh, why not?
01:13:55They killed Don Citto Cardone.
01:13:57Look, look.
01:13:58Look.
01:14:00Look, look.
01:14:02Look.
01:14:04Notify the lawyer, then block the seats on the plane
01:14:23Think about the flowers
01:14:25Well
01:14:25A three and a half meter crown
01:14:27All right
01:14:28All red roses
01:14:29Agree
01:14:30Hello, Don Mimi?
01:14:36I am Sartieri
01:14:37Have you read it?
01:14:39Ah, Jesus, Jesus
01:14:40I am literally shocked
01:14:43Even for the shipment that he was supposed to make
01:14:47Shall we talk about it in Miami at the funeral rite?
01:14:52All right
01:14:52I kiss your hands
01:15:00Calm down, don't come any closer
01:15:24Hey, to this
01:15:27Oh, I'm in a panic
01:15:29This is a mannequin
01:15:30It's incredible
01:15:31Hey, to this
01:16:01It seems alive
01:16:13And that one, the little friend
01:16:17And the wife is in Sicily with the children
01:16:21But who could it have been?
01:16:24We will know
01:16:25And is there anything known about our capital?
01:16:28Or has it already been done?
01:16:29We will know this too
01:16:31Friends
01:16:38A vile and sacrilegious hand
01:16:41He cut short the noble existence
01:16:44Of our brother Cardone
01:16:46There are no words
01:16:48To describe it
01:16:49The high sense of goodness
01:16:51Honesty and loyalty
01:16:53What distinguished him
01:16:55I repeat, friends
01:17:00There are no words
01:17:02Cofo
01:17:05It was me, Your Excellency.
01:17:09And why?
01:17:10Why
01:17:11Because my ass is spinning
01:17:14And my heart beats
01:17:15Here's why
01:17:17Because I don't like it
01:17:19That speaks well
01:17:19From people
01:17:20When people died
01:17:21Because you have to speak well
01:17:22From people
01:17:22When people are alive
01:17:23Did you understand?
01:17:24And I save everyone
01:17:26That one there
01:17:26He's a real son of a bitch
01:17:27He was a real son of a bitch
01:17:29Why did he live?
01:17:30From the son of a whore
01:17:31To demonstrate
01:17:33That the son of a whore
01:17:34Is dead
01:17:35From the son of a whore
01:17:36That she now
01:17:37Here at the funeral
01:17:38Let's put it on
01:17:39That was good
01:17:40That was here
01:17:40Who was so generous
01:17:41It makes him look good
01:17:42From a terrifying asshole
01:17:43So this one here
01:17:44He lived for nothing
01:17:45Did you understand?
01:17:45But who is this crazy person?
01:17:46Who has the courage to come in?
01:17:48I entered alone
01:17:49And I came because
01:17:51I think I have
01:17:51There is more right than all
01:17:53What is here?
01:17:53Because I know
01:17:54That I shot that one there
01:17:55What?
01:17:57I see
01:17:58They let us talk
01:17:59So
01:18:01It was you who did it
01:18:04By order
01:18:05I dress ladies here
01:18:08But
01:18:08But
01:18:09But you don't want to believe
01:18:11To this idiot
01:18:12You call me an idiot
01:18:13You kill them
01:18:15You can even call me an idiot now
01:18:16And you owe me a hundred thousand bags
01:18:17After I did the job for you
01:18:18And instead he made me pay
01:18:19With a burst of machine gun fire
01:18:21And now you call me an idiot
01:18:22But it's crazy
01:18:24It's absurd
01:18:24Alright
01:18:27Listen, a little
01:18:29But
01:18:29She had a curiosity
01:18:31But you do it
01:18:32You wash it in the sink
01:18:32Or in the bidet
01:18:33But what is he saying?
01:18:35No
01:18:35Since you have the face
01:18:36Like the ass
01:18:37You can try
01:18:41Your agreements
01:18:41Yes
01:18:42Servant
01:18:43In the meantime, this
01:18:46It's proof number one
01:18:48Make greedy
01:18:50But this one who shoots
01:18:55It's Gianni Melazza
01:18:56One of yours
01:18:57I don't know anything
01:18:59Maybe he acted
01:19:00On his own initiative
01:19:01I didn't give him any orders.
01:19:02Why should I have
01:19:03Look
01:19:05Look at Gitto Cardone
01:19:07What happened?
01:19:23Where the fuck am I here?
01:19:25Who is?
01:19:26And this is proof number two.
01:19:27But it's not a joke
01:19:29It's just a joke
01:19:31What are you making up?
01:19:33Now there's test number three
01:19:34Wait
01:19:35The fact is excellence
01:19:39That he really
01:19:40He wanted to kill Cardone
01:19:41And take it out
01:19:42Well
01:19:44I
01:19:44I made people believe
01:19:46That I would have killed him
01:19:47He fired the shots
01:19:48That put to sleep
01:19:49Those who serve
01:19:50To catch animals
01:19:51In Africa
01:19:52So I'm straight
01:19:53De Vito Sartieri
01:19:53What did he think?
01:19:54I
01:19:55I kill Cardone
01:19:57And I get the big bundle
01:19:58Donate me
01:20:00And all you others
01:20:01I don't know anything
01:20:04Of this whole story
01:20:05And this man is crazy
01:20:06And this man is crazy
01:20:08But he killed Milazzo
01:20:09And where is the money?
01:20:13If he didn't touch them
01:20:15They have to stay there
01:20:17And now I'll open number four for you.
01:20:20Jesus Joseph and Mary
01:20:32They took me to my house
01:20:33As you can see
01:20:38Everything in order
01:20:39Our money
01:20:40I'm still here
01:20:41These then
01:20:42It's your money
01:20:43Gentlemen
01:20:44Of course Fiona
01:20:45And why do you ask me then?
01:20:47And why do you care?
01:20:48Knowing so much?
01:20:49It's not up to me
01:20:50What does it matter to me?
01:20:50But the FBI is very interested in it
01:20:52Who?
01:20:53And Interpol
01:20:54Stop everyone
01:20:55Nobody move
01:20:56You are all under arrest gentlemen.
01:20:57Good, good
01:20:58Respect the environment
01:20:59What are we talking about? What is it?
01:21:01Currency trafficking
01:21:02Tax evasion
01:21:05Criminal association
01:21:07And I save everyone
01:21:09Acute bullshit
01:21:11So, are you giving this blouse away to Salvatore?
01:21:19Do you like it?
01:21:20It's to die for
01:21:20And you can keep it.
01:21:21Thank you
01:21:22But Nico
01:21:23I have to tell you something
01:21:23To your friend
01:21:24You could say you were part of
01:21:25Of the Interpol special team
01:21:27Be patient
01:21:28And how could I tell you?
01:21:28The first asshole I found
01:21:30Oh, you're right about that.
01:21:31And what do I do?
01:21:32How do I get back to New York?
01:21:33With proud and companions
01:21:34The debts to me
01:21:35Who pays me for them?
01:21:35That one is killing me
01:21:36Savior
01:21:37I told you I'd pay for them
01:21:38And he's good, isn't he?
01:21:39I'll make you pay for them
01:21:40Bravo
01:21:40And it's hot
01:21:42Look, look at this field
01:21:44Look
01:21:45Look at the field
01:21:46Look what's going on?
01:21:47The other field is exactly the same
01:21:48Do you understand?
01:21:49And instead
01:21:49If I get out of this mess
01:21:50I'm marrying her
01:21:51Even though she's a policewoman
01:21:52That's a great daughter
01:21:53But when ever
01:21:56That's a good girl
01:21:57You're fixated
01:21:58That she's a daughter of whores
01:21:59You didn't understand it
01:22:00No, it's her who didn't understand me.
01:22:01Leave it alone
01:22:02But I give it four
01:22:03Yes
01:22:04You wait here
01:22:05Yes listen here
01:22:06Do me a favor
01:22:07Once you go talk to him
01:22:08Tell us about me
01:22:09Yes yes
01:22:09Put in a good word for us
01:22:11Don't worry
01:22:11You are a friend
01:22:13Only you can do me this favor
01:22:23At Interpol they don't teach you
01:22:46That you have to knock
01:22:47Before entering
01:22:48And at the FBI they don't teach you
01:22:51That commitments are kept
01:22:52What do you mean?
01:22:54Listen
01:22:55We have maintained
01:22:56All commitments
01:22:57Okay
01:22:57A
01:22:59The gun in the flower vase
01:23:02Two
01:23:03The fake drunk
01:23:06That helped you
01:23:06To the Hurricane
01:23:07Three
01:23:08The intervention in force
01:23:11At the Funeral House
01:23:12Okay
01:23:12What is missing?
01:23:14Who pays the debts
01:23:15The Esposito Observer
01:23:18But those really
01:23:21He should pay them
01:23:22The Italian section
01:23:23Of Interpol
01:23:24Isn't that right?
01:23:25But you don't know that
01:23:26That Italian money
01:23:27Nobody wants to see them anymore
01:23:28They don't change them
01:23:30I don't miss it
01:23:30Those Coca-Cola caps
01:23:32I am sorry
01:23:33Then I'll take care of it right away.
01:23:35Give me the phone
01:23:36Zuzza
01:23:39Zuzza
01:23:44Ready?
01:23:45Marshal Giraldi
01:23:56Do you have any other orders for me?
01:24:00Zuzza
01:24:01Zuzza
01:24:05Nico
01:24:09So what?
01:24:10The debts have been paid
01:24:11Don't worry
01:24:12Ah, thank goodness
01:24:13Thank you
01:24:14Remember to put it there too
01:24:16That good word
01:24:17Eh, I'm going to put in
01:24:18All I can
01:24:19Ah, good
01:24:20Bravo
01:24:20Thank you
01:24:20Thank you very much
01:24:21You are a friend
01:24:22A doubt arises in me
01:24:33Nico
01:24:39But how?
01:24:43You make me wait outside
01:24:44And then you do this to me
01:24:45Alright
01:24:46Well, I saved your life.
01:24:50Alright
01:24:53That we have split up
01:24:57Joy and sorrow
01:24:58That we are like brothers
01:25:02Like blood brothers
01:25:06To me
01:25:06Nico
01:25:09Nico
01:25:11Nico
01:25:12Nico but you were absent from my house
01:25:17It's a little respect
01:25:20Taxi
01:25:22At the reply
01:25:32And what are you doing here?
01:25:38Nico
01:25:38Love
01:25:40And what are you doing here?
01:26:10Do you want to pay the price
01:26:36For a trip to paradise
01:26:38Come up and see me sometime
01:26:41If you want to have some fun
01:26:44And don't know where to run
01:26:47Come up and see me sometime
01:26:50If you want to be a new one
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