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Short filmTranscript
00:00New Boho Boots by Groovy Shoe.
00:26The coolest kicks in town.
00:30These killer heels are definitely something to twist and shout about.
00:38Boho, the only way to go-go.
00:47People cannot wait to get their hands on these boots.
00:50Then you mean their feet?
00:51Exactly.
00:52You'll be in next week's edition.
00:55He'll be wrapped around a fish supper come Friday.
00:57Coolest kicks in town.
00:59Made right here in our town.
01:04You can have that one.
01:06And did you say the launch is being brought forward to Saturday?
01:09Saturday?
01:10Yeah, by popular demand.
01:12Much obliged, Mr Millington.
01:13Cheerio, ladies.
01:15Bye.
01:16Right.
01:17Let's get these machines humming and make some beautiful music together.
01:21I thought we made boots.
01:22With staff numbers already down, we'll never get it finished by Saturday unless you're going
01:27to pay us overtime.
01:28Yeah, we'll have to pull double shifts.
01:30I'm afraid factory finances are rather tight at the moment, ladies.
01:35Meaning?
01:36Meaning I'm very much relying on your goodwill to get this order out on time.
01:41So you want us to work extra hours for no extra pay?
01:44Well, we don't want to see the factory go under, do we?
01:47What?
01:48The rather brutal fact is we pull together or you could all be out of a job.
02:23Have you seen this?
02:33Boho boots.
02:34They're to die for.
02:36Not that I can afford them on my wages.
02:39They don't look very comfortable.
02:41They're rather daring.
02:43Yeah, I had a pair of heels like that once.
02:46Nearly broke my neck running for the bus after a night of passion.
02:50It was a nightclub.
02:52Anyway, never mind the boots.
02:54I sniff a business opportunity.
02:56Reckon we can sell our vino at the launch party.
02:59Mr Millington's using the Spitfire after work.
03:02You could ask him.
03:03Look.
03:10We should be getting paid for this extra work.
03:13I'm talking to the union.
03:14You heard, Mr Millington.
03:15If we don't get these boots ready on time, we could be out of a job.
03:19Ah.
03:20Ladies.
03:21I cannot tell you how much I appreciate this.
03:25Oh, Uncle Arthur.
03:26Sorry, Mr Millington.
03:29The women are grumbling about the additional hours.
03:31Dermot, the thing you have to understand about women is how much they love to complain.
03:36You just have to know how to handle them.
03:39Turn on the charm.
03:40Mr Millington.
03:41Ah, the lovely Bernice.
03:44I was wondering.
03:45Well, I wonder no more.
03:46I'm sure Dermot will be able to help.
03:49Charm Dermot.
03:50If you can muster any.
03:51Hello, girls.
03:53Ah!
03:54Look, I can't see you in ages.
03:57Oh.
03:58Pamela.
03:59To what do we owe the pleasure?
04:00Had a girl pop by to see her favourite uncle?
04:03She can.
04:04But I bet she's after something.
04:06You know me so well.
04:08Just give me half an hour.
04:10Pamela, my dear, I've got a couple of things to get on top of.
04:14We have a big order to finish.
04:16I can see that.
04:17Stick the kettle on, then.
04:18I'll wait.
04:19What?
04:33Interesting.
04:42Snowball?
04:43Oh, just a small one.
04:44We're here on convent business, remember?
04:46I don't understand the fuss.
04:49They're just boots.
04:51They're boho boots.
04:53I thought they were go-go boots.
04:55The boho boot is the go-go boot.
05:01Apparently, yeah.
05:03They look great on you, Peggy.
05:06Thanks.
05:09So, how's your arty farty stuff going?
05:11I am getting my portfolio together.
05:14Much to Uncle Arthur's disgust.
05:16There's no money in art.
05:18No money in footwear, either.
05:19You've got calluses on calluses with these sewing machines.
05:23Moan, moan, moan.
05:24You don't hear the men complaining about the extra work.
05:27They're just glad of the extra cash.
05:30Shhh.
05:31Extra cash?
05:34Oi, Derek.
05:36Here, are you getting paid overtime?
05:38You and your big mouth, you're a liability.
05:43Arthur!
05:44Oh, hello, Hector.
05:46Now, you promised me some end-of-line sandals for my theatricals.
05:51I'm doing one of the Greeks.
05:53What's this?
05:54Vera, do you fancy a bit of Lysistrata?
05:58No poet's wiser than Euripides.
06:02As he says, no beast exists so shameless as womenkind.
06:12Bravo!
06:13Are you having a drink, Daisy?
06:14Oh, no.
06:15I'm here to clean.
06:16I'm moonlighting.
06:17Shh.
06:19I would have thought spirits are more on your line.
06:20Holy spirits.
06:21Good one.
06:23Bring a bottle to the factory tomorrow.
06:24We'll talk.
06:26Here, Oli.
06:42Have you got a second, second job?
06:45Hey, Rowley.
06:51Have you got a second, second job?
06:53Who needs must?
06:54Who needs shouldn't? Wait till I tell you what I found out.
06:57Er, chop, chop, Mrs Mopp.
06:59I need you on those machines when the clock strikes eight, hmm?
07:01Knock, knock. Boss in.
07:03Brought me snifter.
07:04He's in his office, but he doesn't like to be disturbed before nine.
07:06Oh, well, you've been traveling half an hour.
07:09Er, er, no, no.
07:12Never too early for a veen.
07:15Oh.
07:26Lacerations and swelling suggest a blow to the head.
07:30Perhaps it was a robbery gone wrong.
07:32The money's still in the petty cash team,
07:34but perhaps Mr Millington disturbed a burglar.
07:37Or the burglar disturbed him.
07:40Looks like he slept here last night.
07:45Blood on the corner.
07:50Hmm.
07:52Well, from the position of the body,
07:53I'd say that he hit his head as he fell.
07:56So, an accident?
07:59No, I don't think so.
08:02Best open a window.
08:03Bitter almonds.
08:04Cyanides.
08:05Cyanide.
08:13There's a coffee pot here in a half-drunk cup.
08:15Oh, yes.
08:16Splendid.
08:16I'll take them for testing.
08:21Somebody's been malting.
08:22And this hair doesn't appear to be Arthur's.
08:39Sister,
08:39time of death.
08:42Well,
08:44no rig and mortis.
08:46Body's still warm.
08:47Can't have been more than a couple of hours ago.
08:50Sister Reg said there were some workers here when she arrived.
08:53They're out there.
08:55This is horrible.
08:56We have to open as normal.
08:57The launch is on Saturday.
08:59Not being funny, Demma,
09:00but you could look a little bit more grief-struck.
09:04Feels sick.
09:08Did any of you see or speak to Mr. Millington this morning?
09:12He was in his office all night working on the launch.
09:15Nobody goes in there on pain of death.
09:17Or sacking?
09:18We wouldn't dare.
09:24Hello.
09:26Who's left their greasy mark here?
09:30There's another one here.
09:35What is it?
09:39Financial records.
09:41Sister,
09:42someone's been lighting a fire in here recently.
09:45In the heat of summer.
09:47Well,
09:48albeit
09:48British summer.
09:56Oh, yes.
09:58Someone's been burning paper.
10:00But why?
10:03I salvaged as many fragments as I could.
10:07Why the hair, Laka?
10:09Perhaps the fragments have a hot day.
10:13I need to stabilise their structural integrity before I can examine them.
10:17I'm running tests on the greasy smudges as well.
10:19OK, what about the cyanide?
10:21Oh,
10:21most peculiar.
10:23Sample from the coffee cup and pot.
10:26When I add a mixture of iron sulphate,
10:28caustic soda,
10:29and distilled water.
10:30This is usually the point you say bingo.
10:34If any cyanide were present,
10:37the liquid would turn bright blue.
10:40So it wasn't cyanide that killed him?
10:42But the smell of bitter almonds was unmistakable,
10:45and cyanide acts quickly.
10:47He must have ingested it this morning.
10:49But there isn't any sign that he ate or drank anything else.
10:52And here's another interesting thing.
10:54The hairs that I found on the floor
10:55aren't human.
10:57It's uniseriated.
11:03The shaft looks like a tiny ladder.
11:07Animal hair.
11:09Cat? Dog?
11:10No.
11:11The texture would be smooth if it were a dog.
11:13Spiculated.
11:14Spiky if it were a cat.
11:16This is coarse.
11:17Probably horse hair.
11:21Uncle Arthur turned the stables into a garage years ago.
11:25No pets at all.
11:27Dermot and I weren't allowed so much as a goldfish growing up.
11:31We were more than enough to look after, apparently.
11:34You were raised by your uncle?
11:37Our parents were on a ship, sunk by a U-boat.
11:41Uncle Arthur inherited us.
11:50These bristles are horse hair.
11:52Ah.
11:53So when were you in Arthur's office?
11:55I thought no one entered on the pain of death.
11:58Oh.
11:59Well.
12:07Look.
12:09The boho boot design.
12:11I barged in on Uncle Arthur yesterday afternoon to have a go at him.
12:16You stole my design.
12:22Yes.
12:30You should be flattered.
12:32I thought them good enough.
12:32I'm not flattered.
12:34I'm furious.
12:37Look.
12:38Don't kick up a fuss about your precious doodle, and I'll pay for that fancy art school you're
12:43always banging on about.
12:45How's that?
12:46We made a deal.
12:47We made a deal.
12:49Still, he took your designs without asking.
12:52That must have made you angry.
12:54Are you all right?
12:56You look very flushed.
12:59My uncle has just died.
13:01I've got to kill someone over a stolen doodle.
13:11Besides, you said he died at the factory this morning.
13:15I was at home until Dermot rang with the news.
13:18Ask the housekeeper.
13:19No, no, the boot launch is full steam ahead.
13:29No, no, no, no.
13:31The police are looking into it.
13:33They've got a nun on the case.
13:36Yeah.
13:37Miss Marple in a wimple.
13:39Solving crime through the power of prayer.
13:44No, I know.
13:45I know.
13:47All right.
13:48Well, I'll see you on Saturday.
13:50All right.
13:52Excuse me, damn it.
13:53It's Mr Millington to you, now.
13:58Mr Millington.
14:01I know you must be upset about your uncle.
14:03I'd be more upset if those boots don't get finished.
14:06About that.
14:08The men at the warehouse were promised overtime pay?
14:12Yes.
14:15Well, those lads work hard.
14:17You can't begrudge them.
14:19The women work hard.
14:21What?
14:21What?
14:22Sewing?
14:25Look, just finish those boots or I'll end your employment.
14:30I'm in charge now, love.
14:38We'll see about that.
14:39The smudge on the file is some sort of emollient.
14:43My first thought was hand cream, possibly face cream.
14:46But when I added iron chloride...
14:49The emollient contains lactic acid to remove dry skin.
15:02It's most likely a foot cream for bunions.
15:05It's most likely a foot cream for bunions.
15:09Bunions and calluses.
15:11Dermot needs us as much as we need our jobs.
15:19I need every penny I can get.
15:22Um, why aren't you lot working?
15:25You lie to us.
15:26This place isn't going under.
15:28It's booming.
15:29You just didn't want to pay us any extra.
15:31Oh, the men are getting overtime, though.
15:34And they already get twice what we do.
15:36Well, of course the men get paid more.
15:38They're the breadwinners.
15:39Most of you lot are just here for some pocket money.
15:42A chance to get out of the vacuuming.
15:44All right, ladies.
15:48Let's see how he manages to organise a boot launch without any boots.
15:53What?
15:54You wet.
15:55I'm calling a strike.
15:57Yeah!
15:58Someone get Norman at the bugle.
15:59I really can't afford...
16:01Time of the month, is it, girls?
16:03Look, just get back to work before I sack the lot of you.
16:07Daisy.
16:08I can't.
16:10Bernice, can we have a word, please?
16:14So, it's foot cream, but you use it on your hat?
16:20So?
16:21It's good for calluses.
16:22Well, you left traces of it when you went through the account.
16:26All right.
16:30I came back here last night to take a sneak peek at a book's.
16:44Mr. Millington said the factory was going bust, but not according to the accounts.
16:49He was raking it in.
16:51A blinky liability.
16:52What could you tell me about what's going on?
16:56So, perhaps you thought a change of management was in order.
17:00Maybe you thought his nephew would be a better boss.
17:02Dermot.
17:02Hmm.
17:03He's worse than his uncle.
17:05He's obnoxious and incompetent.
17:07Couldn't run an egg and spoon race.
17:09Look, if you're looking for someone with a motive, look at him.
17:12Because he called his nephew a liability?
17:15Last night, Mr. Millington was shouting about how he would never leave his beloved factory to Dermot.
17:21Not even if he was the last man in great slaughter.
17:23I'm the closest thing he had to a son.
17:30So you stand to inherit everything?
17:33Yes, as Uncle Arthur's right-hand man.
17:36Unless your uncle didn't think you were capable.
17:39You know, perhaps he was going to change his will and leave everything to Pamela.
17:44No, he wouldn't leave his precious factory to a girl.
17:49Look, I hope...
17:50I hope you're not accusing me of murder.
17:52My uncle was very good friends with your boss.
17:55We're not accusing you of anything yet.
17:58But don't go anywhere.
18:03Of course I'm not going to go anywhere, am I?
18:04I've got this blasted boot launch to sort.
18:08Denise has got all my machinists out on strike.
18:14What do we want?
18:15Fair and pay!
18:16When do we want it?
18:17Now!
18:18What do we want?
18:19Fair and pay!
18:20When do we want it?
18:21Now!
18:21It was you, wasn't it?
18:23Telling tales to the police.
18:24And you were here snooping around last night.
18:26Sorry?
18:27Is that when you poisoned my uncle?
18:29Me?
18:30I'm not the one inheriting this factory.
18:33Consider yourself fired.
18:35You can't sack me.
18:36I'm on strike!
18:37What do we want?
18:38Fair and pay!
18:39When do we want it?
18:39Now!
18:40Can I get a quote for the paper?
18:42What do you think your uncle would have to say about all this?
18:44His uncle would never have allowed it to happen.
18:47Chief Constable, thank goodness.
18:48Bernice McDowell is who you're after.
18:51Well, I'm not here on official business.
18:53I'm here because Arthur was a very good friend of mine,
18:56and I've brought Vera along to try and talk some sense into this lot.
19:00Woman to woman, as it were.
19:01Mrs. Cloud.
19:03Brilliant.
19:04When do we want it?
19:05Now!
19:06What do we want?
19:07Fair and pay!
19:08I worked in this factory during the First War,
19:10making boots for soldiers.
19:12No ho-ho boots in those days, not with the war on.
19:17What do we want?
19:18Fair and pay!
19:18You ought to be ashamed of yourself, young lady,
19:21taking advantage of this gentleman's grief.
19:24Grief?
19:25The only thing he's mourning is his profit margins.
19:28Some of these women are struggling.
19:30Struggle?
19:31You wouldn't know the meaning of the word.
19:33Getting through two wars, that was a struggle.
19:36You tell them, Vera.
19:37We were prepared to make a sacrifice for the greater good in those days.
19:42Ten hours a day I worked in that factory.
19:45And proved you were every bit as good as the men.
19:48Exactly.
19:48You're my hero.
19:51Oh?
19:52Am I?
19:53But you were earning a fraction of what the men in the factory were getting
19:56for doing the exact same job.
19:58I...
20:00Well, I hadn't...
20:03Was I?
20:04And we've barely seen a pay rise since.
20:07Unlike the men.
20:12Why should the women earn less?
20:14Because they're women.
20:18It's only a bit of sewing.
20:19Ah, bit of sewing.
20:23Show them your hands.
20:26Red raw from machine work.
20:27Oh, I remember those calluses like they were yesterday.
20:30Oh, calluses?
20:32The men were out on the front line, risking their lives.
20:35Dottie lost her mother to a stray bomb.
20:44I know women who crawled out from under rubble to get to work so that you could have boots to march in.
20:50What do we want?
20:56Fair pay!
20:58When do we want it?
20:59Now!
21:00What do we want?
21:01Fair pay!
21:02When do we want it?
21:03Now!
21:04They're refusing to work until Mr Millington negotiates.
21:08How exciting.
21:09Good for them.
21:10Yeah.
21:11Although not so good for us.
21:13If that launch doesn't go ahead, that's 12 cases of wine we're lumbered with.
21:16Sisterhood solidarity.
21:19We could organise food and collections in the morning.
21:21Maybe I could arrange a sing-song on the picket line.
21:25Raise everyone's spirits.
21:27A rousing chorus of kumbaya, perhaps.
21:34What do we want?
21:35Fair pay!
21:36When do we want it?
21:37Now!
21:38What do we want?
21:39Fair pay!
21:40When do we want it?
21:41Now!
21:42What do we want?
21:43Fair pay!
21:44When do we want it?
21:45Now!
21:45The three of you don't even work here.
21:47When do we want it?
21:49I'm only going in to clean.
21:52You're still breaking the picket line.
21:54I'm sorry.
21:55I need the money.
21:59Right.
21:59If I could get everyone's attention.
22:04I'm prepared to make you an offer.
22:06If you will agree to stop all of this nonsense, get back to work, then I will generously make
22:15sure that every woman gets a free pair of Boho Go-Go boots.
22:20You can shove your Boho Go-Go boots up, yeah!
22:31Morning.
22:33Is it morning?
22:34Oh, goodness.
22:36It was the lark, not the nightingale after all.
22:38Romeo and Juliet.
22:44Oh, Mrs. Clam woke up at the crack of dawn to get to the picket line.
22:49Yeah, we had to make breakfast on our own.
22:52Well, turns out, Felix is a whiz with a poached egg.
22:55Well, you know, the secret is a little dash of vinegar.
22:57Whereas I have finally stabilised the fragments of paper that we found in Arthur's fireplace.
23:04I'll need a little longer to examine them under the microscope.
23:07In the meantime, something curious.
23:09There are no fingerprints on this at all.
23:12None?
23:13Not even Arthur Millington's?
23:14None.
23:15Suggesting it was wiped clean deliberately, which seems a little like overkill, if you'll
23:20pardon my vernacular, since whoever opened the tin was wearing gloves.
23:24How do you know that?
23:25Well, because they caught their glove in the hinge.
23:36They left a piece behind.
23:38Wait, that...
23:39That looks like...
23:41Rubber.
23:42Yeah.
23:43So who at the factory has rubber gloves?
23:47I'm not a thief.
23:48But you were caught with your hand in the till, or tin, rather.
23:52There.
23:52The missing piece of your glove that we found in the petty cash tin.
23:58Look.
23:59We know no money was taken out of there.
24:03Did Arthur catch you in the act?
24:04My husband left me.
24:13Just over a month ago.
24:16Found out he hadn't been paying the rent or the bills.
24:21He'd been taking my wages, too.
24:24Spending them on God knows what.
24:26Sorry, sister.
24:27And then, the night before last, the landlord come banging on the door, threatening eviction.
24:36So you thought you'd help yourself to petty cash?
24:38Mr. Millington is usually in his office when I get here.
24:45I was getting stuff out the cleaning cupboard by his office when I saw him pop out to use the lavatory.
24:53I knew he kept the petty cash tin in his office.
24:55And then I thought I should have gloves on.
25:04What the hell do you think you're doing?
25:24It was a moment of madness.
25:29He said he was going to speak to me at the end of the day.
25:32And why were you afraid he was going to go to the police?
25:35I don't know.
25:36I was more worried he'd sack me.
25:38But if you killed him, no-one would know that you'd been sacked.
25:42I didn't kill him.
25:44I've got three kids to look after.
25:48I'm not going to abandon them like their dad did.
25:52That's why I can't go on strike.
25:55How would I feed him?
25:58Now all my friends hate me.
26:02If they're your friends, I suspect they'll understand.
26:08What do I want?
26:09Fair pay!
26:10When do I want it?
26:11Now!
26:12So we still don't know how, when or where Arthur was poisoned?
26:20What do I want?
26:21What's going on?
26:22When do I want it?
26:24Now!
26:28What have you done now?
26:30Borrowed some machinists from Gemford's.
26:33Had to pay a chunk for the privilege.
26:35You see, nobody's irreplaceable.
26:37You could have used that money to pay your own workers the overtime.
26:40You're as bad as Uncle Arthur.
26:44Look, Pam.
26:47Here's a headline for you.
26:48Emotional women throw toys out of pram.
26:51I'll use that.
26:52Emotional?
26:53Emotional?
26:54Not you, Peggy.
26:55I'm sure your emotions are, well, under control.
26:57Excuse me!
26:58Ladies who've just got off the bus, we are on strike, because groovy shoe do not pay a fair wage to women.
27:17Ladies, we are worth as much as the men.
27:21We're worth more than most.
27:23We deserve to be taken seriously.
27:26Yes.
27:27We deserve to be paid what we're worth.
27:30Silly old bat.
27:31What did you call me?
27:32Mr Millington looks like he's about to face the firing squad.
27:38Please!
27:39Please have mercy!
27:40I'll give you anything you want!
27:41Ready!
27:42Aim!
27:43Fire!
27:44Oh dear.
27:45You don't even work here.
27:46I stand in solidarity.
27:47And I call on all women to stand in solidarity in a general women's strike.
27:56What?
27:57I hereby call on every one of you.
27:59I'll give you anything you want!
28:00I'll give you anything you want!
28:01Ready!
28:02Aim!
28:03Fire!
28:04Oh dear.
28:05You don't even work here.
28:06I stand in solidarity.
28:07And I call on all women to stand in solidarity in a general women's strike.
28:12What?
28:13I hereby call on every woman in great slaughter to down tools.
28:20Oh, let's see how emotional the men get when nobody cooks their tea, washes their clothes,
28:27looks after the children.
28:29Let's see how well great slaughter functions without women!
28:34You can use that one, Norm.
28:36Don't come off it, Vera!
28:38And!
28:39I looked up that play you've chosen for G-Sats!
28:43Thy sistrata!
28:44Absolute filth!
28:45Gracious!
28:46What's the play about?
28:47It's about a group of women who go on a strike to stop a war.
28:53It's a comedy.
28:54Sounds like a tragedy to me.
28:55We shall not, we shall not be moved!
28:56We shall not, we shall not be moved!
28:57We shall not, we shall not be moved!
29:00We shall not, we shall not be moved!
29:03We shall not, we shall not be moved!
29:07We shall not, we shall not be moved!
29:09We shall not, we shall not be moved!
29:11Oh, Fritz-Lotters at a standstill. All the women are striking.
29:27Yeah, everywhere you go, just confused-looking men.
29:31We were worried that you two might join the protest.
29:34I thought about it.
29:36Why?
29:37WPCs get paid less than PCs.
29:39Yeah, but that's because you're on a different pay scale.
29:42Exactly.
29:43Which isn't a quality.
29:48Sister Bronifast has found something.
29:51I've managed to piece together parts of the document.
29:55Used a light box to take away some of the charring.
29:58It appears to be a scientific study on acetonitrile.
30:01In particular, it's toxicity.
30:03Toxicity?
30:04Well, it can be used to assist in the manufacture of...
30:09Oh, come along.
30:26Aha!
30:27What is it, sister?
30:29A murder weapon.
30:30Acetonitrile.
30:32Well, they must use it to help make the boots.
30:34Well, they shouldn't.
30:35Blays havoc with your breathing.
30:37It was in the papers.
30:39Peggy.
30:40On it.
30:41Come on, Norm.
30:42Where are we going?
30:43The bugle.
30:45So this is what poisoned Mr Millington?
30:47I thought it was cyanide.
30:50Oh, but it is.
30:51And this is the clever part.
30:53If you ingest acetonitrile, then your body converts it into cyanide.
30:57So, in effect...
30:59You poison yourself.
31:01The chemical process can take about eight hours,
31:03so Arthur may have swallowed acetonitrile the night before,
31:06but only been poisoned by cyanide early the next morning.
31:10Well, we know where he was the night before he died.
31:12The door's locked.
31:20The lady's on straight.
31:21Well, if that doesn't just put the tin hat on everything.
31:25All right, that old mess crummy there.
31:27I put a lid in her puzzle.
31:28Ha-ha.
31:29No thank you, Tom, though I'm sure it's delicious.
31:33What's going on?
31:34Pub shut!
31:36One moment, please.
31:38Because the blasted landlady's on strike,
31:40and I've had to cancel my rehearsal of Lysistrata.
31:44Isn't that that play where the women go on strike?
31:49Yes, thank you, Felix.
31:51I do see the irony.
31:53Scopey there, scopey, scopey.
31:56All this, Paul!
31:57What?
31:58You're right.
32:00Don't blame me.
32:01Blame the blimmin' women.
32:02Look, tell you what, first round's on me.
32:04Pub shut!
32:05Shut up!
32:05Not for us.
32:19There.
32:20Splash marks.
32:22And a ring where the varnish has corroded.
32:24It where the poisoned Arthur's drink had shaky hands.
32:27They didn't get it quite all in the glass.
32:29What was Arthur drinking that night?
32:31Brandy.
32:32Hang on.
32:33Well, brandy would have masked the smell of ether from the acetonitrile.
32:37Okay, so the place was full that night.
32:41Anyone could have had access to Arthur's drink?
32:42We may have found something.
32:44What have you got?
32:44Local girl dies of asthma attack.
32:48Any mention of the girl's name?
32:49It hadn't been released when they went to press.
32:51But we found an obituary in the following week's paper.
32:55Cora Ashfield?
32:56Working at the factory, she's connected to all our suspects.
32:59This doesn't exactly narrow it down.
33:09Bingo.
33:12Give me fire in my heart, keep me striking.
33:15Give me striking!
33:16Give me fire in my heart, I pray.
33:20Pray!
33:20Give me fire in my heart, keep me striking.
33:23Keep me striking!
33:24Keep me striking till we get more pain.
33:27Here, get that down, yeah.
33:33Castle to grind St Vincent.
33:35Put hairs on your chest.
33:36Thank you so much.
33:39We'll see you and your kiddies, right?
33:40Who needs a husband?
33:41You've got friends, eh?
33:43Men, more trouble than they were.
33:45That's all right.
33:47Miss Millington?
33:47What do you want with Pam?
33:54Because if you want her, you're going to have to come through us.
34:00It's all right, Bernie.
34:04Shall we talk inside?
34:05You don't still think I killed my own uncle over a silly boot design?
34:27No, of course not.
34:28Your motive went much deeper than a motif.
34:31What's going on?
34:35Pam wouldn't hurt her fly.
34:36You should come with us, Miss Millington.
34:37No, I'm not leaving my sister.
34:42Cora Ashfield.
34:46She died of an asthma attack.
34:49But you knew there was more to it.
34:53Acetanitrile.
34:53You confronted your uncle with scientific proof of its toxicity.
34:57Yes, but he wouldn't listen.
35:02I'll pay for that fancy art school you're always banging on about.
35:06How's that?
35:08Oh, that's not even what I came to talk about.
35:11There's an ingredient you use in the factory.
35:14It's lethal.
35:17Cora Ashfield shouldn't have died.
35:20This factory killed her.
35:22Don't be dramatic.
35:24She died of an asthma attack.
35:25What's that?
35:30A study into the toxicity of acetanitrile.
35:35Cora always felt dreadful after a shift here,
35:38and she was working closely with it.
35:41Well, if you have a weak chest,
35:44perhaps don't take a job working with solvents.
35:46Did you already know about this?
35:55Nobody forced her to work here.
35:59Pamela, you're a clever girl.
36:01You know which side your bread is buttered.
36:03You do want to go to art school, don't you?
36:11But that doesn't mean I killed him.
36:14I was some girl she hardly knew.
36:17Hardly knew?
36:19Look at the necklace Cora's wearing.
36:20It's the same engraved motif that's on the groovy shoe boho boots.
36:24What's your design?
36:26A design that you didn't think anyone else had seen.
36:29A design that you created specially for Cora.
36:32She was your friend.
36:34She was more than that.
36:37I loved her.
36:39And you blamed your uncle for her death?
36:41He put profit before people.
36:44So you killed him with the same toxin that killed Cora?
36:47You can't prove that.
36:49Whoever slipped the poison into Arthur's drink
36:52spilled some of it on the table and on their own hands.
36:56Even if they washed them straight away,
36:57they would have given themselves very mild cyanide poisoning.
37:01Which is why you felt sick the morning of your uncle's death.
37:04And why you looked flushed when we visited you at the mill.
37:09If you show me your hands now,
37:11I suspect there'll be a nasty rash on them.
37:14How did you poison his drink without him seeing?
37:28I put the acetanide trial in a miniature brandy bottle.
37:44Cheers, Pamela.
37:53Offered him a free top-up.
37:56I knew he wouldn't say no.
37:58Anything to save a few bob.
38:02That's all that mattered to him.
38:05Money.
38:06Of everything.
38:07I'd shown him proof that acetanide trial was dangerous.
38:14That it killed Cora.
38:17I thought even he'd be horrified.
38:21But all he was interested in was covering up.
38:25Protecting the business.
38:26Cora died.
38:42And he wasn't even sorry.
38:45And now...
38:47I'm not sorry either.
38:49Norman, write about the acetanide trial.
39:09About Cora, please.
39:11But the launch.
39:13Dammit.
39:14Let something good come out of this.
39:16Good?
39:16You can change things now.
39:19Make the factory safe.
39:22I wouldn't know where to begin.
39:24I can help.
39:26You.
39:27I know I'm not your biggest fan, Mr Millington,
39:31but surely we can look after the workers
39:33and both get what we want?
39:35Please, Dermot.
39:36Be your own man.
39:38Not Uncle Arthur's.
39:39I'm willing to negotiate if you are.
39:44I suppose we could...
39:46talk.
39:47You can relax now, Mr Millington.
40:13One of the catwalk models is stuck on a train.
40:17Mm.
40:20I don't suppose you...
40:21No chance.
40:22I make him without modelling.
40:24But don't worry.
40:25I will find you a willing volunteer.
40:27Those two seem to be getting a little better.
40:34He's paying us the overtime
40:36and he's agreed to discuss a small pay rise.
40:41How are you, Daisy?
40:42Much better, thank you.
40:44It's like Bernice says,
40:46who needs a man when you've got good friends?
40:48I've been wanting to apologise.
40:57I don't think I fully, well,
41:01appreciated the efforts women such as you put in during the war.
41:06Or since.
41:07You never did compliment me on that crumble I made in March.
41:11March.
41:12I apologise.
41:18I also have to tell you
41:20that I've decided not to go ahead
41:22with my production of Lysistrata.
41:25I'm sure there are, well,
41:28less salacious texts we can choose.
41:31There certainly are.
41:33Ah, good.
41:34So, where is, er, is Peggy?
41:41Ah.
41:43Right.
41:45Now, your esteemed colleagues here
41:48have been talking to me, WPC Button,
41:52about how much they value you.
41:56So, the station would like to offer
41:59a gesture of appreciation for your service.
42:03Thank you so much.
42:15Mr. Melinton,
42:17I think we've found your replacement model.
42:21What?
42:22New boho boots by Groovy Shoe.
42:34The coolest kicks in town.
42:38These killer heels are definitely
42:40something to twist and shout about.
42:46Boho, the only way to go.
42:49Boho.
42:53Sensational.
42:54Boho.
42:56Boho.
42:59Boho.
43:08Boho.
43:08Boho.
43:12Boho.
43:13Boho.
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