- 2 weeks ago
Category
🎥
Short filmTranscript
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00:03:43even if characters like that wanted to talk they don't know much I guess we're
00:03:50gonna have to start at the top again and work down we're gonna have to try to
00:03:54find the top first you certainly didn't get anything new from these two how can
00:03:58you say that this is Madeline Haley bill she's Los Angeles Police Department
00:04:03hi how are you she had a hand in grabbing our two friends and why I've
00:04:07had man good man in Mexico for months tailing him and then dead-end he'd
00:04:12Ritchie can smell an investigator a mile away yep he's learned to be very
00:04:16leery of government men how about government women say that's a notion
00:04:21Richie would never expect us to send a woman I have a note here I made of an
00:04:26important point in this very important point Richie is a sucker for dames yes
00:04:30that's it hey um what's Jacqueline Kirk doing now now she's not good-looking
00:04:38now see Molly Dunstead could be fine only she got married and quit what about
00:04:42June Michaels she's back for the Denver police force they wouldn't let her go
00:04:46now how about her oh Richie goes for tawdry cheap-looking dames but she could
00:04:53pass what are we talking about narcotics enforcement never uses a woman on things
00:04:58like this yeah I know but we're sending her to Mexico anyway on an extradition
00:05:02matter it's all right with the chief it might be an idea worth giving a thought
00:05:07to it she might be able to pick up a few crumbs of information on Richie you
00:05:12think you can handle this during the war she was in the OSS speaks a pretty good
00:05:17Mexican how do you spell your name H a l e y
00:05:32novel
00:05:34the
00:05:39the
00:05:40the
00:05:42I'm
00:05:43the
00:05:45the
00:05:46the
00:05:47the
00:05:51the
00:05:53the
00:05:55the
00:05:57the
00:05:58Oh
00:06:28Palomitas de maíz
00:06:30Palomitas de maíz
00:06:33Palomitas de maíz
00:06:35Palomitas de maíz
00:06:45Cuatro cervezas
00:06:58Palomita de maíz
00:07:22Palomitas de maíz
00:07:24Come on.
00:07:26It's right.
00:07:28It's over in the air.
00:07:29And then at that table, is so unknown?
00:07:32I know.
00:07:34You got your arms let's see.
00:07:36Here is it.
00:07:38Here is it.
00:07:39Well, you don't have to go.
00:07:41And it's more rather than the one.
00:07:46And even though she said she loved me,
00:07:50I knew she never could be mine.
00:08:02Lips that were redder than wine.
00:08:08I knew that she never could be mine.
00:08:21The more I hung her for her kisses,
00:08:24the more she smiled a haunting smile.
00:08:28And while I knew I shouldn't linger,
00:08:31that smile detained me for a while.
00:08:38All she would grant me was a smile.
00:08:58A smile that detained me for a while.
00:09:03How long she stole my heart completely.
00:09:07Just as it figures she would do.
00:09:10And all the men in town were grinning.
00:09:14Cause she stole and they had to.
00:09:17It seems she has stolen their hearts too.
00:09:29Beware of eyes like pools of moonlight.
00:09:33Of lips much redder than the wine.
00:09:36And not the devil who's an angel.
00:09:39That waits across the borderline.
00:09:43Lips that were redder than wine.
00:09:48Lips that were redder than wine.
00:09:55Lips that were redder than wine.
00:10:00Is waving across the borderline.
00:10:12No, don't do that.
00:10:19Well, not until I tell you.
00:10:23Yes.
00:10:25Yes, that's right.
00:10:27You do exactly as I tell you, and there'll be no problem.
00:10:34We might be able to make it tonight.
00:10:38Yes.
00:10:38Wait until I contact you, will you?
00:10:41I'll come to you later.
00:10:43Bye.
00:10:46Got a light.
00:10:50Give her a light.
00:11:12Get up to the room in case somebody calls in.
00:11:14Sure, boss.
00:11:15I understand.
00:11:19What's the idea?
00:11:20Oh, I'm sorry.
00:11:21Try again.
00:11:23Unless you're afraid you'll get burnt.
00:11:25I've been burnt before.
00:11:26I've been burnt before.
00:11:34What's your harmony?
00:11:36Well, I got a...
00:11:39You're not so hot to look at.
00:11:43Finish your drink.
00:11:48And why not one more?
00:11:50One for the road.
00:11:51Together.
00:11:53Together.
00:11:56Sure.
00:11:57Together.
00:11:58I know.
00:11:59Get down the street.
00:12:00I'm sorry.
00:12:01Hey, I can bring Danes up here.
00:12:02Oh, yes you can.
00:12:06Can I?
00:12:06Sure.
00:12:07I can not please.
00:12:09You can't.
00:12:10But that's it?
00:12:11Not better.
00:12:12I'm not sure what you're doing, but what you're doing.
00:12:13Not okay.
00:12:14any more songs about it.
00:12:15Thanks, darling.
00:12:16I can't bring Danes up here.
00:12:17Well, I can't bring Danes up here.
00:12:18Well, you can.
00:12:19Now, I can't bring Danes up here.
00:12:22Oh, yes you can.
00:12:23Huh, can I?
00:12:24Can I?
00:12:26Sure.
00:12:27Which room?
00:12:29No, no, no.
00:12:30Look.
00:12:31Which room is it?
00:12:33Now.
00:12:38Hold it now.
00:12:49Know where the key is?
00:12:55Key?
00:12:56Yeah.
00:12:57Key.
00:13:04Now, now, now.
00:13:05Wait a minute.
00:13:06Just a minute.
00:13:10Oh, no.
00:13:12You stay here.
00:13:19Here we go.
00:13:24Wait, wait.
00:13:26I just want to make you comfortable.
00:13:32No, no, no.
00:13:33Let's fly.
00:13:36What?
00:13:38What?
00:13:39What?
00:13:40What?
00:13:41What?
00:13:42What?
00:13:43What?
00:13:44What?
00:13:45What?
00:13:46What?
00:13:47What?
00:13:48I can't.
00:13:49But why?
00:13:50And I'm going to get there.
00:13:51What?
00:13:52What?
00:13:53My son's relatives.
00:13:54I can't.
00:13:55And I'm a god.
00:13:56How you do?
00:13:57What else?
00:13:58What do you do at Hacker?
00:14:00Can I to your house come here?
00:14:01How do you add?
00:14:02What always do I give her,
00:14:12What are you doing at Hacker?
00:14:13I don't know cómo.
00:14:14What?
00:14:15You done who?
00:14:16Can I just put your hands up?
00:16:17Hello, guys.
00:16:30Stupid fool.
00:17:01Hi.
00:17:02Hi.
00:17:08What's the dame?
00:17:17A friend of mine.
00:17:19Get rid of her.
00:17:22She's a friend of mine.
00:17:24Get her out of here.
00:17:26Hey, you.
00:17:27Oh, you're not going to listen to him, are you?
00:17:29Yeah.
00:17:30Feed it.
00:17:31Vamos.
00:17:32Scram.
00:17:33Oh.
00:17:34Yeah.
00:17:35Feed it.
00:17:36Vamos.
00:17:37Scram.
00:17:38Oh.
00:17:41OK.
00:17:42OK.
00:17:43OK.
00:17:44OK.
00:17:45Good.
00:17:46Good.
00:17:52Oh.
00:17:53Don't think it hasn't been fun.
00:17:55Well, see you around.
00:17:56I hope you don't think we're being impolite.
00:18:02Oh, no.
00:18:03Drop in tomorrow.
00:18:04It's not like we're strangers.
00:18:05You're very nice.
00:18:10You'll find me much nicer when you get to know me better.
00:18:12I'd like to know you better.
00:18:13What do you want, Macklin?
00:18:14You know what I want.
00:18:15I guess Harvey Gumbin sent you.
00:18:16I'm sure I'll be here.
00:18:19I'll be with you.
00:18:20I'll be with you.
00:18:21I'll be with you.
00:18:22You'll be with you.
00:18:23And I'll be with you.
00:18:24I'd like to know you better.
00:18:34What do you want, Macklin?
00:18:36You know what I want.
00:18:38I guess Harvey Gumbin sent you.
00:18:40How is Harvey? I've been trying to get in touch with him.
00:18:43Thought we might do a couple of deals.
00:18:44Okay, you're tough. What's your angle?
00:19:06Harvey says you've got a shipment going on.
00:19:08He says it clears the harbor tonight.
00:19:11Harvey says he wants it.
00:19:12You tell Harvey to...
00:19:14The only thing I'm going to tell Harvey is what boat the stuff is on.
00:19:19First, you've got to tell me.
00:19:22He won't talk, Al.
00:19:24How about giving him a little convincer?
00:19:26Some gunpowder on the arm.
00:19:29You light it and sometimes it splits the skin wide open.
00:19:32Sounds good.
00:19:33Trying to scare me, Johnny?
00:19:36Not you, Richie. Your hide's too tough.
00:19:38But I don't think the little lady there holds still very long.
00:19:40She doesn't know anything.
00:19:42Who'd tell her?
00:19:44That's right. I mean, who would tell me?
00:19:46I don't know.
00:19:49How about you, Dusick?
00:19:51Pete don't tell me anything.
00:19:52He'll tell you that himself.
00:19:55Wrap him up.
00:20:00Tell him, boss. Why don't you tell him?
00:20:02I don't know a thing.
00:20:03That's right, Dusick.
00:20:04You don't know a thing.
00:20:05I don't know a thing.
00:20:35Why don't you just tell us and save us all this trouble, Richie?
00:20:40You'd sell your life for a couple of stinking bucks, wouldn't you?
00:20:43Maybe you're selling yours, Macklin.
00:21:05It's a tune about the north wind.
00:21:14She painted gray.
00:21:17She painted gray.
00:21:21How far offshore is she anchored?
00:21:23She anchored up the cow bed.
00:21:25That's right.
00:21:26That's right where she is.
00:21:28Works like truth serum.
00:21:31Some day you're not going to be so lucky, Macklin.
00:21:35This is Macklin speaking.
00:21:37It's the tuna boat, the north wind.
00:21:40Yeah, that's the one.
00:21:40I'll tell him.
00:21:44Harvey says thanks.
00:21:45Anything you'd like to say to Harvey?
00:21:48He says don't mention it, Harvey.
00:21:51See you later, partner.
00:21:52I told you someday you weren't going to be so lucky.
00:22:05Wait a second, Mr. Ritchie, wait.
00:22:07Mr. Ritchie, wait a second.
00:22:09Thanks, baby.
00:22:26Come on, I want to talk to you.
00:22:27Well, I don't know anything.
00:22:28Come on!
00:22:29I...
00:22:29I...
00:22:39I don't know anything.
00:23:09I...
00:23:11I...
00:23:13Could you...
00:23:21Tell me the way out of this place?
00:23:22Si, señorita.
00:23:24Por esa puerta.
00:23:34Si, si.
00:23:35Por ahí.
00:23:39Come here, you.
00:23:40Come here.
00:23:41She moves faster with a gun in her hand.
00:23:44Come on in.
00:23:45The boss wants to talk to you.
00:23:46You're a bit brave, strong.
00:23:47Sit down.
00:23:48What did you mean by hitting me on the chin?
00:23:49He had to slug you, kid, to get you to come along.
00:23:52That's a lot of heat on you.
00:23:54You want a cigarette?
00:23:56How long you been with Richie?
00:23:59The boss asked you how long you been with Richie.
00:24:02The boss asked you how long you been with Richie.
00:24:06Five minutes.
00:24:07What are you giving us?
00:24:08It's true.
00:24:09Give her credit for dummying up.
00:24:11Did you ever make a trip for Richie?
00:24:13What trip?
00:24:14Carrying stuff over the border.
00:24:17You ask me, boss, you'll dump her.
00:24:18I'll make the trip alone.
00:24:19I don't want you to go alone, Johnny.
00:24:20I want you to make the trip with a dame.
00:24:22You know, man and wife.
00:24:23Make it look respectable.
00:24:24You know, you're a man and wife.
00:24:25You're a man and wife.
00:24:26You're a man.
00:24:27You're a man.
00:24:28You're a man.
00:24:29You're a man.
00:24:30You're a man.
00:24:31You're a man.
00:24:32You're a man.
00:24:33You're a man.
00:24:34You're a man.
00:24:35Make it look respectable.
00:24:37I'll get you one of them tourist passes.
00:24:39OK.
00:24:40Just make sure it's a dame that'll stay in line.
00:24:42All dames will stay in line as long as the payoff is big enough at the end.
00:24:46You'll be ready to leave at daylight.
00:24:48Both of you.
00:24:49With her?
00:24:50She hasn't said a word.
00:24:52Go ahead.
00:24:53Say something for my friend.
00:24:58How much is the payoff?
00:25:00Let's see.
00:25:01She knows what to say.
00:25:02Hey, Miguel.
00:25:03Sandy.
00:25:04Go up to the hotel, pay the lady's bill, and get her clothes.
00:25:08What's your name?
00:25:09Gladys LaRue.
00:25:10Como?
00:25:11Gladys LaRue.
00:25:12Gladys LaRue.
00:25:13Gladys LaRue.
00:25:14Si, senor.
00:25:16Gladys LaRue.
00:25:17Gladys LaRue.
00:25:18Gladys LaRue.
00:25:19Gladys LaRue.
00:25:20Si, senor.
00:25:21Sounds a good man.
00:25:28Good morning.
00:25:29Damn guys LaRue.
00:25:30Good morning.
00:25:33I wish you were definitionNIN.
00:25:38Gladys LaRue.
00:25:39Yeah OK.
00:25:43Good morning.
00:25:46Now, you make sure you get there Friday noon at the zoo in Los Angeles.
00:26:01The only thing you haven't told me is who I'm supposed to meet in Los Angeles.
00:26:04You'll find out when you get there.
00:26:06Now, noon in front of the monkey cages.
00:26:08Have you got that?
00:26:09Got it.
00:26:10Here.
00:26:11Get in the car.
00:26:12Got it.
00:26:16Come on Miguel, let's go.
00:26:37Miguel, you take good care of Mr. and Mrs. Johnny Macklin.
00:26:54You see they gotta cross that border safely.
00:27:07What town is this?
00:27:37Hidalgo.
00:27:38We'll sleep here tonight.
00:27:39Come on.
00:27:40Move on.
00:27:41Wait a minute.
00:27:44You know what that is?
00:27:46Sure.
00:27:47Put it on.
00:27:48It goes with the tourist pass.
00:27:49Come on.
00:27:50Put it on.
00:27:51It's part of the job.
00:27:52Congratulations.
00:27:54Hey, muchacho.
00:28:04Good afternoon, sir.
00:28:05Have you got a vacant room?
00:28:06Oh, si, senor.
00:28:07The old vacancy.
00:28:08Oh, you're welcome to the Casa Hermosa.
00:28:09We always try to treat the best we know how to treat the Americanos.
00:28:14Give me a room in the front overlooking the road.
00:28:15Oh, si, senor.
00:28:17Mr. and Mrs. Smith, huh?
00:28:19This way, senor.
00:28:20Por aquí.
00:28:21Venga.
00:28:22Al carro.
00:28:23No lugar.
00:28:24My driver will bring the bags up.
00:28:25Muy bien, senor.
00:28:26Pass.
00:28:27No lugar.
00:28:28My driver will bring the bags up.
00:28:34Muy bien, senor.
00:28:36My driver will bring the bags up.
00:28:38Muy bien, señor.
00:28:54Looking for somebody?
00:28:56No. Only the police, the Mexican federal men, Uncle Sam, several assorted hijackers, and Pete Richards.
00:29:02Don't you think we should have taken two rooms?
00:29:06Why?
00:29:07It might be safer.
00:29:09Safer from what?
00:29:12Let's get this straight right now.
00:29:15I'm not going to stand for any...
00:29:17Relax.
00:29:18How do you expect to enjoy your honeymoon if you don't relax?
00:29:21I just want it understood that this arrangement is strictly for convenience.
00:29:25That's right. We're strictly on Errol.
00:29:32Why shouldn't you make a sweet piece?
00:29:46What do you have to know around here to get something to eat?
00:29:50Do you know what, Patron?
00:29:51Yes, Patron.
00:29:52Yes, Patron.
00:29:53Okay.
00:29:54I'll take the next door.
00:29:55How are you?
00:29:56Good morning.
00:29:57We are very happy.
00:29:59Let's go.
00:30:00You're allowed to go away, Patron.
00:30:01I'm going to walk away.
00:30:02Let's go, Patron.
00:30:03I'll come away, Patron.
00:30:04I'll be happy now, Patron.
00:30:05The best man to come away.
00:30:06You're welcome.
00:30:07Now you know why Miguel never takes his head.
00:30:09...
00:30:19Lock up.
00:30:23Oh, shut up.
00:30:49Oh, shut up.
00:30:59Oh, shut up.
00:31:04Oh, shut up.
00:32:40Hello, Don Juanito.
00:32:43Acabo de comprar todo para la comida.
00:32:45Salchicha, queso, jamón, de todo.
00:32:49You got some for yourself?
00:32:50Si. Esto y esto.
00:32:53Ajá.
00:32:55Telegrama for your sweetheart.
00:32:57No, no. For my mother.
00:32:59For birthday.
00:33:00Muchos días de estos, eh, Juanito?
00:33:11Miguel.
00:33:13Dígame.
00:33:14You better stick close to the car tonight.
00:33:16We may be leaving here in a hurry.
00:33:17Comprende?
00:33:18Si, señor.
00:33:19Doce pesos, señor.
00:33:21Gracias.
00:33:23Un momentito, su recibo.
00:33:25More important.
00:33:29Come on, open up. It's me.
00:33:30Come on, baby.
00:34:00Don't talk to any strangers.
00:34:02I don't know any strangers.
00:34:30Like I do, I'm alright.
00:35:30Open up!
00:36:00I hear your reading.
00:36:19Sounds good.
00:36:23You know what people do when they're hungry, don't you?
00:36:26Eat?
00:36:27Of yourself.
00:36:28Well, thank you.
00:36:30And, uh, what do people do when they're thirsty?
00:36:43I don't know.
00:37:04What's your name?
00:37:20What's your name?
00:37:33Your real name?
00:37:35What possible difference would that make?
00:37:38Oh, you sound like you're from Kansas or Missouri or someplace.
00:37:41Where are you from?
00:37:42Oh, here and there.
00:37:44It's my favorite place.
00:37:47Mine, too.
00:37:48I love you, too.
00:38:29I'm just going to turn the lights out.
00:38:52I was just going to turn them out myself.
00:38:56You're going to do a shoot them out?
00:38:59I'm just going to turn them all out.
00:39:02I'm just going to turn them over.
00:39:05I'm just going to turn them over.
00:39:44Miguel, they are coming.
00:39:49They are here.
00:39:49Richie?
00:39:50Si.
00:39:53Is the car outside?
00:39:54Si, senor.
00:39:55Out the window.
00:39:55I'll pass this stuff to you.
00:39:57Come on, get going.
00:40:04Where are they, Pepe?
00:40:05Por aquí.
00:40:06This way.
00:40:07Gracias.
00:40:14What are you doing?
00:40:23I've got to go out with this goo on my face.
00:40:25Are you off your nut?
00:40:26Come on.
00:40:44How close can you come?
00:40:59If Miguel doesn't get back before Richie does, you'll find out.
00:41:01Is Miguel trying to lose him?
00:41:03Is that it?
00:41:03That's the general idea.
00:41:04But if he doesn't...
00:41:06Then what is usually known is a lot of trouble.
00:41:10Get back.
00:41:14Good evening, Mrs. Macklin.
00:41:44I'm trying to make up my mind.
00:41:54Do you get a touch of class or not?
00:41:57When you make up your mind, let me know.
00:42:01You must have traveled with better company than Richie sometime or other.
00:42:04What do you know about better company?
00:42:08I kept my eyes open in two countries.
00:42:10I learned things that way.
00:42:12That's what I figured.
00:42:13I figured maybe we could pool our information.
00:42:16Like what?
00:42:17Like who Harvey Gumbin is tied up with.
00:42:21Where he gets his stuff.
00:42:23Who he delivers it to.
00:42:24I forgot to tell you.
00:42:26I can also keep my mouth shut in two languages.
00:42:28Look out!
00:42:29Look out, amigo.
00:42:42He's blocking the path.
00:42:44Let's go!
00:42:46Hurry up!
00:42:46Yeah, quick!
00:42:48He picked a fine time to get stuck.
00:42:51That's truer than you think.
00:42:55She's a bright girl, Macklin.
00:42:58Too bad she wasn't bright enough to stay away from you.
00:43:01That would be asking an awful lot of a girl.
00:43:02I hope you haven't got a good reason to live.
00:43:07Offhand, I can think of at least three.
00:43:09I told you, you wouldn't always be so lucky, Macklin.
00:43:13Look, Richie, maybe we can make a deal.
00:43:15A deal?
00:43:20Nobody can say I didn't leave him laughing.
00:43:21Get the car.
00:43:51You've got to go faster.
00:43:53Maybe if I got awful bushed.
00:43:54Don't tell me Miguel's asleep again.
00:44:10He... he's not asleep.
00:44:13Why aren't you even going to sleep?
00:44:21Not unless I run out of gas.
00:44:27Got a cigarette?
00:44:39Don't ever lose that gadget, baby.
00:44:51I'm sorry.
00:45:11A little narcotics and a dead man in the car.
00:45:13It's a great time to pick up a cop.
00:45:16Catching up with his past.
00:45:21Why are you stopping?
00:45:23Ever try to lose one of these Mexican motorcycle gachas?
00:45:25Can't be done.
00:45:46We've got a sick man in the car, officer.
00:45:48We've got to get him to a doctor quick.
00:45:50We've got to get him to the front.
00:45:52Okay?
00:45:56And Mr. Gumbin said you weren't so smart.
00:45:59He's right.
00:46:00If I was, I would have gone to work in my father's broom factory like my mother wanted.
00:46:20...
00:46:22...
00:46:32...
00:46:35...
00:46:36Oh
00:47:06We'll go to the line, for me go.
00:47:36I, uh, guess I lost you.
00:47:38Please, Oliver, this man's very sick.
00:47:44I, uh, guess I lost you.
00:47:46Please, Oliver, this man's very sick.
00:47:48El huele el estomago.
00:47:50Lo encontramos en el camino.
00:47:52Un médico.
00:47:54Bueno, sígame, pero esta vez no se pierda.
00:47:56Si.
00:47:58Ya quiere más cerveza.
00:48:02Este hombre no está enfermo, está borracho.
00:48:04Borracho.
00:48:06Oh, me gusta de beberro.
00:48:08Vámonos, vámonos, vállese.
00:48:10Creía que estaba enfermo.
00:48:12Su permiso, turista, señor.
00:48:14Ah, sí.
00:48:20Ah. Señor y señora John McClane.
00:48:23McClane.
00:48:24Eh, sí. Andamos sin luna de cielo.
00:48:27Ah, recién casados.
00:48:28Oh, qué linda esta abuelita. Felicidades.
00:48:30Felicidades.
00:48:31Gracias.
00:48:32Felicidades.
00:48:33Adiós.
00:48:34Adiós.
00:48:35Adiós.
00:48:36Adiós.
00:48:37Hasta luego.
00:48:38Oh, el amor es lindo aquí en todas las partes.
00:48:46The moon's over as soon as they find Miguel's body.
00:48:48We've got to ditch this car.
00:48:50The moon's over as soon as they find Miguel's body.
00:48:56Okay, ready?
00:48:57Am I ready?
00:48:58Come on, give me a hand.
00:48:59I can't do it by myself.
00:49:03There she goes.
00:49:04Well, that does it. Let's go.
00:49:19Airport, ten kilometers.
00:49:20Come on.
00:49:21Uh, how many miles in a kilometer?
00:49:23You mean how many kilometers in a mile?
00:49:24Well, yes.
00:49:25Ten kilometers is about six or seven miles.
00:49:27Sure happy I'm with a smart fellow like you.
00:49:32Seven miles.
00:49:33Oh, quit beefing.
00:49:34It can't be more than five and a half now.
00:49:35Five and a half?
00:49:36Why didn't you ditch the car closer to the airport?
00:49:39All right.
00:49:40Let's go over here and sit down.
00:49:41Something's got to come along this road sometime.
00:49:42Maybe we can hitch a ride.
00:49:43Mm-hmm.
00:49:44With Pete Ritchie.
00:50:09It's a great way to make a living.
00:50:13You picked it.
00:50:16I know what I'm doing.
00:50:17Do you?
00:50:19Making a living?
00:50:24You're not tired, are you?
00:50:26Oh, no.
00:50:30How long have you been kicking around this racket?
00:50:34Let's see.
00:50:35It started when I was kindergarten.
00:50:39I sold the stuff to my little pals.
00:50:43How'd you get mixed up with Harvey Gumbin?
00:50:45Well, that goes back a long way, too.
00:50:48They put me in reform school when I was four.
00:50:50Threw me in with a lot of hardened criminals of seven or eight.
00:50:54I learned plenty, but they couldn't hold me.
00:50:56I broke out when I was five.
00:50:58I met Gumbin and I've been with him ever since.
00:51:00The victim's a bus. Grab your stuff.
00:51:08Oh!
00:51:09That must have been the Limited, hm?
00:51:13I remember when I got home.
00:51:14Gumbin's rattlesnack.
00:51:15That's it, Rob.
00:51:16I
00:51:37was a spouse.
00:51:40What happened after kindergarten?
00:51:51Well, uh, when I was in my teens, I was sent up.
00:51:55But I broke out within a month, and then I, I met Rocky.
00:51:59Who was Rocky?
00:52:00The only man I ever kissed.
00:52:04I felt so sorry, seeing him lying there on the cold cement.
00:52:09Mortally wounded.
00:52:11What happened to him?
00:52:13I shot him.
00:52:15I made sure that he'd never kiss another girl.
00:52:20Does that answer your question?
00:52:26There comes a ride.
00:52:39Do you speak English?
00:52:48Sure, why?
00:52:49I don't understand your Spanish very well, senor.
00:52:53Oh.
00:52:53We're trying to get to the airport.
00:52:56Yes, the bus wouldn't stop for us.
00:52:58Ah, that Tomás, always in a hurry, go no place.
00:53:02Get in.
00:53:03Oh, I'll sit here.
00:53:04Can we go now?
00:53:05Si.
00:53:06I mean, yes.
00:53:07For three years, I was school teacher, also inspector of water supply.
00:53:12I have now 14 acres of land and 12 children.
00:53:14Twelve children, huh?
00:53:15Almost one to an acre.
00:53:16That's very interesting.
00:53:17But is there an airline that goes up to the border?
00:53:18No.
00:53:19No.
00:53:20No.
00:53:21No.
00:53:22No.
00:53:23No.
00:53:24No.
00:53:25No.
00:53:26No.
00:53:27No.
00:53:28No.
00:53:29No.
00:53:30No.
00:53:31No.
00:53:32No.
00:53:33No.
00:53:34No.
00:53:35No.
00:53:36But don't worry.
00:53:37I will fix it for you.
00:53:38I am un hombre muy importante.
00:53:39I have a friend.
00:53:40Little Pablo, he's a piloto.
00:53:41Does he have his own plane?
00:53:42Un pequeño.
00:53:43That means a little plane.
00:53:44Have you got money?
00:53:45Si.
00:53:46Un poco.
00:53:47That means little money.
00:53:48Ha ha.
00:53:49Bueno, bueno.
00:53:50Does he have his own plane?
00:53:52Un pequeño.
00:53:53That means a little plane.
00:53:55Have you got money?
00:53:56Si.
00:53:57Un poco.
00:53:58That means little money.
00:54:11What is this?
00:54:12A detour?
00:54:13Oh, one more thing, senor.
00:54:15I have telephone.
00:54:16I will call little Pablo at the aeropuerto.
00:54:19Huh?
00:54:20Go back.
00:54:21I'll be right back.
00:54:26I hope the aeropuerto isn't being watched.
00:54:28We have no choice.
00:54:30That's why there's a chance we'll have to take it.
00:54:35My father, he say, make you welcome.
00:54:38Oh, thank you.
00:54:39Yeah, thanks.
00:54:40Thanks.
00:54:47Hola.
00:54:48Give it to me.
00:54:50What am I going to do with this woman?
00:54:51She has no conception of mother's signs.
00:54:53Dámelo a mí.
00:54:54Yo oigo mejor.
00:54:55Hola.
00:54:56Hola.
00:54:57Hola.
00:54:58Hola.
00:54:59Hola.
00:55:00Hola.
00:55:02My wife.
00:55:03Hola.
00:55:04Every day she have big washing.
00:55:06I can understand that.
00:55:07Look.
00:55:10Pretty full wash line.
00:55:11No, senor, it's not wash line.
00:55:13Telephone wire.
00:55:14Oh.
00:55:15Mal mas fuerte, little Pablo.
00:55:16Tengo mala conexión.
00:55:17Oh.
00:55:18Welcome to my home.
00:55:19Little Pablo is on the phone if you wish to speak with him.
00:55:21Oh, gracias.
00:55:22Hola, Pablo.
00:55:23Hey, ma.
00:55:24Yes.
00:55:25ی که که که که که که که که که که که که که که که که که که که و که که که که که که که که.
00:55:32Hello.
00:55:33Welcome to my home.
00:55:35Little Pablo is on the phone if you wish to speak with him.
00:55:36Oh, gracias.
00:55:38Hola.
00:55:39Pablito.
00:55:47Esta bien, Pablito, a Encinara.
00:55:50Le vamos a pagar $75.
00:55:55Oh, gracias.
00:55:57He'll do it. He'll fly us to Encinara for $75.
00:55:59Good. I will drive you, huh?
00:56:01Fine.
00:56:03Uh, what's that?
00:56:05Oh, that?
00:56:07Oh, one more thing, senor.
00:56:09I am also Alguacil Mayor.
00:56:11Well, that means, uh, Sheriff, huh?
00:56:13Si.
00:56:14Yo soy un hombre muy importante, no?
00:56:16Yeah.
00:56:18Well, thanks for everything.
00:56:19Oh, it's all right.
00:56:20Oh, that's one of me.
00:56:23Hola.
00:56:27Hola.
00:56:28Déjame avalar.
00:56:29Where do you eat my heart?
00:56:31How can anyone hear through 20 persons with underwear?
00:56:33Hola.
00:56:34I wanna fix that up.
00:56:35Be right back, huh?
00:56:36Hola.
00:56:37¿Me está usted oyendo, señora?
00:56:42Hágame el favor de avisarle a Porfirio que se vaya inmediatamente al aeropuerto.
00:56:46Hola.
00:56:51Es la policía.
00:56:52Voy a quitar mi robo del tendedero.
00:56:58Hola.
00:57:00Decía.
00:57:03Sí, podemos oír mejor.
00:57:11Hola.
00:57:12Hola.
00:57:13Hola.
00:57:15Es una policía.
00:57:16Quantos hombres.
00:57:17Necesito el teléfono.
00:57:18Un pedo de mí.
00:57:19Hola.
00:57:32Y que vigile a dos asesinos que son muy peligrosos.
00:57:33Si, yo se lo diré. Adios.
00:57:36Well, did you give the message?
00:57:38There are two criminals at large suspected of murder.
00:57:41No.
00:57:41You're to go to the airport immediately to see that they don't escape.
00:57:44Si, of course. But who am I looking for? I must call back the police.
00:57:47I have the description.
00:57:49Oh?
00:57:49There's a man and a woman.
00:57:50The man is tall, handsome, extremely well-dressed, dark wavy hair, very charming manner.
00:57:54Si.
00:57:55And the woman is very short, dumpy looking, nose like a tomato, long stringy hair, a glass eye, green.
00:58:01Si. They will not get back, Porfirio.
00:58:05We have to hurry. We have to go to the aeropuerto, eh?
00:58:11Adios.
00:58:14Adios.
00:58:15Adios, simpatico.
00:58:18Adios, señorita.
00:58:19But what are you waiting for?
00:58:31This is it.
00:58:42Come on.
00:59:01How soon, little Pablo?
00:59:03In a jiffy, señor.
00:59:06What gives with the sheriff?
00:59:07Well, he's still sniffing around the entrance for a short fatten woman with stringy hair.
00:59:12No offense.
00:59:15What's little Pablo doing? Trying to stretch her luck?
00:59:18It would be in badge tape if the police do any checking with our friend.
00:59:21They don't hang the washing on the telephone wires around here.
00:59:24We can leave anytime.
00:59:25Let's go, baby.
00:59:28Ensign out a next stop and then across the border.
00:59:30Yeah.
00:59:30The border.
00:59:33Oh, be better to ride with me, señor.
00:59:35Sure.
00:59:36Yes.
00:59:54Bofidio say you must come home soon to your job, no, señor?
00:59:57Yes.
00:59:59Bofidio say you are very much lovebirds, eh?
01:00:02Yes.
01:00:03How long are you married?
01:00:04Five weeks.
01:00:06Three weeks.
01:00:06Five weeks.
01:00:07Three weeks.
01:00:08People who are not long time married should tell each other more information.
01:00:12We're working on it.
01:00:14Are we, honey?
01:00:34What's the matter?
01:00:49Look what he's doing.
01:00:51Eat it.
01:00:52What's wrong with that?
01:00:53You think he'd offer us some?
01:00:55I'm hungry.
01:00:56What, again?
01:00:57We just ate last night.
01:00:58No gas.
01:01:06No gas?
01:01:07No gas in one tank.
01:01:08I switch over to other one.
01:01:09Why don't you switch tanks?
01:01:19Nothing happens.
01:01:20Great.
01:01:21What do we do now?
01:01:22I make a landing on the beach.
01:01:25You can't land on the beach, can you?
01:01:26Isn't the sand too soft?
01:01:28It can't be too soft for me.
01:01:29It can't be too soft for me.
01:02:00Let's go.
01:02:00Let's go.
01:02:18Get up.
01:02:20What do you want to hold me?
01:02:20Are you scared?
01:02:21No, I'm weak.
01:02:23Perdóname, señor.
01:02:25You will help me, please?
01:02:27No, go ahead.
01:02:30How long is it going to take you to switch tanks?
01:02:32Ten minutes.
01:02:33Can't you cut it down to five?
01:02:34Si, señor, that I can do, but why?
01:02:36We're going to need to stand hard for the take-off.
01:02:38You mean we got to wait until the tide goes off tonight?
01:02:40No, no, no, not tonight. Too dark. Tomorrow.
01:02:43Tomorrow? What are we going to do about food?
01:02:46This is a problem.
01:02:47All I have is but one paquete of gum for chewing.
01:02:51What flavor?
01:03:13There.
01:03:14Come on, you might as well sit down and take it easy.
01:03:18That operation is going to take a little while, you know?
01:03:24Ham and eggs and hot biscuits in the morning.
01:03:27And coffee, gallons of it.
01:03:29Are you feeling all right?
01:03:30Encinata, just around the next bend.
01:03:34Do they have bathtubs in Encinata?
01:03:36For tourists.
01:03:37What would you call us?
01:03:39Want me to tell you?
01:03:40No.
01:03:41I'll tell you.
01:03:42We're a couple of idiots.
01:03:43Mm-hmm.
01:03:4490,000 cops after us.
01:03:45Say nothing but my friends coming up from the south.
01:03:47We're living on fish.
01:03:48Who made the bed?
01:03:49You know, I might not be a very smart guy.
01:03:51But sometimes I get the feeling that you're not telling me everything.
01:03:52You know, I get the same feeling about you.
01:03:53I mean, you never learned a trick like that in jail.
01:03:57I pick that up when I was on the lam.
01:04:00Why were killing the bloodhounds they sent after me?
01:04:02A couple of days ago.
01:04:03You know, I was.
01:04:04I was.
01:04:05I was.
01:04:06I said, I'm.
01:04:07I was.
01:04:08I was.
01:04:09I was.
01:04:10I was.
01:04:11I was.
01:04:12I was.
01:04:13I was.
01:04:14I was.
01:04:15I was.
01:04:16I was.
01:04:17I was.
01:04:18I was.
01:04:19I was.
01:04:20I was.
01:04:21I was.
01:04:22I was.
01:04:23I was.
01:04:24I was.
01:04:25I was.
01:04:26A couple of days ago, I ought to believe that.
01:04:30Why not tonight?
01:04:32I don't know.
01:04:35I thought you were an awfully tough guy, but...
01:04:39No, I don't.
01:04:42I thought a couple of things about you.
01:04:44No, I don't.
01:04:56Oh, it's pretty here.
01:05:09I told you it was.
01:05:10Except you can be seen easily.
01:05:13If enough people are looking for you, you can be seen anyplace.
01:05:15What makes you so smart, Johnny?
01:05:21This way, please.
01:05:26Do you like what the bags in the middle?
01:05:56No, you can just put them down there.
01:06:04Muchas gracias, Señor Jackson.
01:06:12I'm now Senora Jackson, hmm?
01:06:14I got more names than a phone book.
01:06:21I must be loco.
01:06:23That makes two of us.
01:06:26This room is very attractive.
01:06:30Yeah, it ought to be for 125 pesos a day.
01:06:33How long are we staying?
01:06:35We cross the border tomorrow.
01:06:37Have you a plan?
01:06:38There's Gumbin's plan.
01:06:40Top of the music box is inlaid with gold.
01:06:43They slap a duty tax on us.
01:06:45We object, they insist, we give in.
01:06:47Sleight of hand, see?
01:06:48What about birdcaves?
01:06:49I thought maybe gold.
01:06:50No, but it was a game of gold.
01:06:52No, it was a game of gold.
01:06:54I thought maybe gold.
01:06:55No, but it was against the law to transport birds across the border.
01:06:59So we argue back and forth.
01:07:01We take the cage and give them the bird.
01:07:03They insist, you object.
01:07:05No, me.
01:07:06I never object.
01:07:08We have to go tomorrow.
01:07:13Yeah.
01:07:14You get cleaned up.
01:07:15I'll meet you down at the bar.
01:07:25I'll meet you down at the bar.
01:07:47Gracias, señor.
01:07:49Glad you tried a few, sir.
01:07:56And a couple of Panatols clear out.
01:08:06Gracias, señor.
01:08:07I'll let you see.
01:08:08I'll let you see.
01:08:14No, sir.
01:08:16No, sir.
01:08:17Let's go.
01:08:25Hi, Alonzo.
01:08:26Hello, Donnie.
01:08:27Is this where you Mexican G-men spend all your time?
01:08:29I'd like to, if some of you gringos didn't keep us jumping all the time.
01:08:33Pete Ritchie's following me.
01:08:35I know he is. I would just teach that he's in town.
01:08:37In town? That's good.
01:08:40I'm trying to coax him across the border.
01:08:42What about Harry Gumbi?
01:08:44I'm ready to pick him up. I think we know all we need to know about our friend Harvey.
01:08:48Good. Who's that girl with you?
01:08:51She's been working for Ritchie.
01:08:53We're carrying a load up to Los Angeles for Gumbin.
01:08:56I'm going to turn her in at the border.
01:08:59I ought to turn you in.
01:09:00You know it's illegal even for an officer to smuggle narcotics.
01:09:03Oh, no.
01:09:05Get some sugar or milk and switch it for the stuff we're carrying.
01:09:08You want a key to my room?
01:09:09I've got a key to your room.
01:09:14I want to place a call to the United States Customs Bureau at the border.
01:09:41I want to place a call to the border.
01:09:44I want to place a call to the border.
01:09:46Hello.
01:09:51Yes.
01:09:52Yes, put him through.
01:09:53Mr. Peterson.
01:09:56It's for you.
01:09:57McAvoy calling from Ensenada.
01:10:02Peterson speaking.
01:10:04Yes.
01:10:06I'll establish liaison with the narcotics enforcement and the Los Angeles police.
01:10:12What do you want us to do with the girl?
01:10:14Pick her up and keep her there.
01:10:16I'll go up to Los Angeles alone.
01:10:18Yeah.
01:10:19Mm.
01:10:40Come on, amigo.
01:10:43You clean up good.
01:10:44I ordered a daiquiri for you, all right?
01:10:46How did you know?
01:10:48It's a nice dress.
01:10:50I mean, you make it look nice.
01:10:52It's disguised.
01:10:54It might come in handy.
01:10:56It's a nice dress.
01:10:58It's a nice dress.
01:11:00I mean, you make it look nice.
01:11:02It's disguised.
01:11:04It might come in handy.
01:11:08It might come in handy.
01:11:14It's a nice dress.
01:11:24I'll be careful.
01:11:36I didn't know you were musical.
01:11:38You ought to hear me with a martini.
01:11:40You're full of surprises.
01:11:44Yeah.
01:11:46That's me.
01:11:48Where are you going?
01:11:49We're going to dig up a car.
01:11:50We're checking out.
01:11:51Right now, but I thought...
01:11:52Richie's in town.
01:11:53We're starting for the border.
01:11:54Oh.
01:11:55You stay here till I get back.
01:12:06Macklin.
01:12:07I wouldn't try that, Johnny.
01:12:09Just keep walking.
01:12:10Where to?
01:12:12Fire the elevator first.
01:12:24You're doing fine up to now.
01:12:38Floors, please.
01:12:39Three.
01:12:44Are you enjoying your stay in Ensenada, senor?
01:12:47It's delightful.
01:13:00All right.
01:13:01Open it.
01:13:03I'll get it.
01:13:09You're under arrest, Richie.
01:13:21A very funny fellow.
01:13:23Talks like he fell out of a tree.
01:13:24Yeah.
01:13:25Now he's playing like he's a cop.
01:13:26Talks like he fell out of a tree yeah now he's playing like he's a cop come on get your hands up get him up pronto
01:13:33He's got another one in his sling
01:13:35He is a cop
01:13:37But it says on his badge I had a dozen chances to kill you dirty double-crossing cop
01:13:49Is your gun yeah take him down the back way you could make me happier come on
01:13:56Oh
01:13:58Amigo on behalf of uncle salmon yours truly real gross is on behalf of the Mexican government bar California don't mention it
01:14:26How long a drive is it to Tijuana about two hours
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