- 1 day ago
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Short filmTranscript
02:00It's four years old, but there's enough in this to show a pattern. Names, dates, bank transfers, the full mosaic
02:07linking Guzman's Banco de la Nueva Havana to the Medellin drug cartel.
02:11And why do you come to me now?
02:13I want to come back to my own.
02:18I have decided to bring Micro Santana up from the airline.
02:23We need a warehouse for a one-week period to store a shipment of special commodities.
02:30Hefe, Hefe. I can find this place that you want, Hefe.
02:32This does not concern you, D'Agoberto.
02:36All right, you hit him.
02:37Federal agents, freeze!
02:39Don't move!
02:40Border search for someone for U.S. Customs. Where's your manifest?
02:43It is all right here, officer.
02:46Manifest, Customs Monetary Instrument reports.
02:49It is gold for my jewelry company.
02:52What would make anyone doubt me?
02:57Tonight, on Wiseguy, I was four years old.
03:01They were a Christmas present for my dad in 1960.
03:05They were smuggled out of La Caranya prison by a guard.
03:09My mom used to stand them up like that and say they were racing.
03:13But to me, they meant more than that.
03:17You see, for years, they were the only physical connection.
03:21I had to him.
03:22I would watch them for hours.
03:25And know that his hands made them.
03:27He had risked his life to get these little paper horses out to me.
03:37I don't understand what you're trying to accomplish.
03:41I'm afraid for you, cariƱo.
03:43I don't like this McPike.
03:46Guzman is the biggest thing we have down here.
03:49He gave your parents and mine hope when they had none.
03:58Everybody gets to buy a ticket to the races, baby.
04:01Everybody gets to pick a team.
04:03Everybody gets to have a champion.
04:07And that's what makes the U.S. of A a bitchin' placed by records.
04:14Baby, when I met you, you were wallowing in despair.
04:18At least I could understand that.
04:20I don't understand what you are now.
04:23Pissed off.
04:24I'm finally pissed off.
04:40If you subscribe to my theory that everything is for sale and all the pricing is negotiable,
04:47You might have a chance to survive in my world, but there's a terrible price.
04:56What is that?
04:57You will be very lonely.
05:02If everything is for sale, then it follows that every man can be bought.
05:08If every man can be bought, then no man can be trusted.
05:12If no man can be trusted, then loneliness is inevitable.
05:18Well, men die for each other in battle.
05:23Women sacrifice themselves for their children.
05:26There are human relationships that transcend money.
05:30Men who die in battle are heroic, but foolish.
05:36Why are you telling me this?
05:38Because I sense in you a different motive.
05:42And I don't know how to identify it.
05:46You've known me since I was ten.
05:49You know I was always a strange kid.
05:51I know.
05:52I know you always thought I used your father.
05:55See, see, see, see.
05:58That is because he lives in a small house and he ran my air carrier service.
06:04You felt that I used him.
06:06But he and I understood.
06:07We both got something we needed.
06:13He was a brave pilot.
06:15He flew many missions over Cuba, but he's a romantic.
06:19You and I, we are not romantic.
06:22He still believes in things which I have come to learn do not exist.
06:29My father and I hardly speak to each other anymore.
06:34And when we do, they hear us blocks away.
06:37You know, I always end with your father one thing.
06:42He has a son.
06:45And I have no son.
06:49Perhaps I was unable to produce children.
06:52God plays jokes, no?
06:55He gave me power and vision.
06:58But he kills my seed.
07:00A seed that needs to be passed on.
07:03Like this shotgun.
07:06Was passed on from my grandfather to my father.
07:12And now, from my father to me, it is the one possession that defies my own theory.
07:22Why is that?
07:24This shotgun is not for sale.
07:27Bull, bull!
07:33Hey!
07:34Hey, we got a gun!
07:47Hey, we got a gun, man!
07:49We got a gun to you!
08:06Hey, you think you just freeze us out?
08:08Calm down, calm down, Dagoberto.
08:11What is it?
08:12Deal.
08:13Yeah.
08:14Because I have Tina to send the papers over.
08:16SeƱor Guzman wants copies for his files from now on.
08:21Okay.
08:21Thanks.
08:26The ponytail is Doug's brother Cruz, Cuban date from hell.
08:30Well, they just don't seem to fit in with the rest of the organization.
08:34But he's phasing them out.
08:36We're in a kinder, gentler business these days.
08:39Hey, you guys got some kind of big deal here, eh?
08:42But I've been a part of this, and nobody's going to push me off.
08:45I'm a run of food.
09:01All right, Mikey.
09:04If you're going to play these characters, I think it's time you learned how things work in FBIdom.
09:09You about to give me a badge and an off-the-rack wardrobe?
09:12Very funny.
09:14Now, we got a guy who sits in a room in the great state of Oz, and he's there to
09:19make sure that field operatives don't get their hair singed.
09:22And here's his number.
09:24Now, we can do a run on this guy Cruz.
09:26You have an ident number.
09:27It's on the card there.
09:29We use the book key number from the local newspaper if you want to send coded messages.
09:33Now, I'll give you a manual on all this stuff, including key words that you use it to signify a
09:37crisis situation.
09:39You're serious about this, Hutch?
09:40Oh, I'm dead serious, Mikey.
09:44Guys die doing this all the time.
09:46Sometimes they disappear and never come back.
09:49Hi, Vinny.
09:51Vinny's missing in action.
09:52I'm still rooting for Vinny.
09:53Now, come on.
09:54We'll see how it works.
10:07What's this guy's name?
10:10Lifeguard.
10:15That is Long's bookstore.
10:17Art speaking.
10:19It's the wrong number.
10:20Give him the code.
10:21Ident number 8705.
10:23How you doing?
10:24Michael, it's your very own lifeguard speaking to you.
10:28All right, I'm going to be your uncle.
10:29Pick a name you like.
10:30Uncle Bill.
10:31So, you get in trouble, you call me.
10:34I'm your Uncle Bill in Boca Raton.
10:36I run Long's bookstore.
10:38I have a special on romance fiction in case you get to rest.
10:42Yeah, where exactly are you, Uncle Bill?
10:44I mean, get me out of here in Nebraska, all right?
10:47You guys should get this routine on its feet, take it on the road.
10:50Oh, yeah, well, we would, but I teeter when I walk.
10:53How's that?
10:54Oh, it's an inside joke.
10:56Okay, you read those crisis codes and call me back a little later.
11:00We'll practice them once or twice.
11:02Welcome aboard, Michael.
11:03Yeah, I'd like to run the two names.
11:06Cruz and Dagoberto Machado, the Cuban nationals.
11:10Yeah, hold on.
11:11I'll be right back.
11:15Who is this guy?
11:16He's your lifeline.
11:18He's also a pretty good mother confessor.
11:21Some guys say he's their best friend.
11:23They never even met him.
11:25You got yourself a real bottom fish here, Mike.
11:28A sand shark.
11:30Cruz Machado, born in Havana, Cuba.
11:32He was arrested by the Castro regime for multiple murders.
11:36Apparently killed three people before he was 18 years old.
11:39I guess he must have wised off to the wrong guy because they cut out his tongue in the Cuban
11:43prison.
11:44Now, he was flush with the Marialitos.
11:46He hit our shores and began eating civilians.
11:48If he's around your case, you give him a lot of room.
11:51This guy is a sociopathic killer with at least four skags on his sheet.
11:56He's a brother, Dag.
11:57Well, I guess he's a little smarter.
11:59No convictions.
12:00He's been arrested for several assaults, but these people tend to forget what they saw before they testify.
12:06Yeah, thanks, Uncle Bill.
12:07Hey, wait, Uncle Bill.
12:09Yeah, son?
12:10Nice to meet you.
12:12Same here.
12:14I gotta go.
12:16I got another nephew calling me.
12:21You don't look so good.
12:23You think Dag's bad?
12:24We should see his brother.
12:27There's love for sale.
12:47Let go of me.
12:48He doesn't understand English, so good.
12:51Sueltame.
12:51Mr. Havana Banana, how you doing?
12:54Let it go.
12:55Hey, Pedro, you don't want to make trouble with my hermanito because you make him mad, somebody's got to die.
12:59He's got no back up on him, this guy, you know?
13:01Let it go or we're going to find out.
13:05Let it go.
13:07Sueltala.
13:08Espera, espera, espera, suave.
13:10Esperame a quien le quince.
13:12We didn't come to hear her sing, you know?
13:15We got business.
13:16I don't want any business with you.
13:18How do you know, man?
13:20Maybe you listen.
13:21Maybe you learn something, eh?
13:22Eh?
13:23All right.
13:24Wait for me at the table in the back.
13:26Asqueroso.
13:29I like this chica, man.
13:31But if she gets angry, you must sleep with your eyes open.
13:34I heard that.
13:35I heard that.
13:35What do you want?
13:37You know what I like?
13:39I like John Wayne.
13:41I've seen this movie he was in, where there's this ladron who's pissing him off, you know?
13:46And he says, hey, I ain't gonna hit you.
13:50I ain't gonna hit you.
13:52Just like that, you know?
13:53And then he says, the hell I ain't.
13:56And he goes, pow!
13:58And he hits this pendejo right across the mouth.
14:00No warning, it just hits.
14:03You seen this movie, eh?
14:05You try to talk to me, or you just have your brains in neutral.
14:09Yeah.
14:09I know all about you, man, okay?
14:12You got the good smile, the good clothes.
14:14Talk like you walk, no?
14:16Real smooth, eh?
14:17But you know better than me and Cruz.
14:19Are you kidding me?
14:20You guys are at the bottom of the food chain.
14:24You stay away from me.
14:26You stay away from Dahlia.
14:28When I catch that maggot anywhere around her, I'll close this shop.
14:33I'll kick your little butt from here to Tampa, okay?
14:39Psst.
14:50Seems to me it'd be pretty hard to protect everybody, no?
14:53You'd be running around like crazy.
14:55Rar, rar, rar, rar, rar.
14:59My brother and I, we have certain business problems.
15:02I came over here, and I gave Mr. Guzman everything that I have.
15:07I protect him from all his enemies.
15:09But Mr. Guzman, he got real big.
15:11So now he tells me,
15:12Oye, Dagoberto,
15:14why don't you stand in that toilet?
15:16So what are you crying to me for, Dagoberto?
15:18Why don't you complain to the welfare office?
15:21Me and Cruz, we have other plans.
15:24This is where you come in.
15:25In what way?
15:27You've been working for Mr. Guzman.
15:29Real estate deals.
15:31You rent for him some big warehouse somewhere,
15:33and he brings in gold shipments and stores it in there.
15:36You say so?
15:37Well, I want to know where the warehouse is.
15:39It's pretty easy, no?
15:41You tell me where it is, I give you 20% of what's there.
15:44That's 2 million U.S. dollars.
15:47Oye, and the good part is that I pay you in advance.
15:50And if I say no?
15:55I've seen this movie.
15:57Richard Widmark, he's the killer.
16:00You've seen this picture?
16:03He has his viejita in a wheelchair, you know?
16:06And he shoves her backwards down the stairs.
16:11You've seen this movie?
16:15Richard Widmark, he's laughing at the top of the stairs.
16:17Guah, guah, guah, guah.
16:18Pretty tough, eh?
16:21But my brother Cruz, look at him.
16:24He never laughs, this guy.
16:25He's got no heart.
16:26Look at him.
16:27I need some time to think about this.
16:30I've got a number where I can reach you.
16:32We never worry, can't be reached.
16:34But don't worry.
16:36We find you.
16:41You know this girl?
16:44She's very much the kind my brother likes, you know?
16:47He cannot speak, so he's a very demanding jockey.
16:51He likes to ride him hard and put him up wet, this guy.
16:55I've seen one die already under him.
17:01Come on.
17:03See you later.
17:09See you later.
17:43Pap, you remember Dahlia Mendez.
17:48It's a pleasure, seƱorita.
17:53So, uh, what brings my son calling at 10 p.m.?
18:01Pap, when was this picture taken?
18:06Uh, yeah, this was this morning.
18:08That was this airplane before I had a wheel into this hangar.
18:15Pap,
18:17seƱor Guzman has these men working for him.
18:20Michael, not again, please.
18:22Listen to me.
18:23Dagoberto.
18:23You know who he is.
18:25He was necessary when Castro was sending men to try and kill Amado Guzman.
18:29He needed rough people around him.
18:31People to protect him from assassination.
18:34Besides, some of us believe that Amado should return in honor and assume the presidency of Cuba.
18:39He was in constant danger.
18:40Cruz, Dago's brother, is a mental patient.
18:44He did time for murder.
18:46He's a Marielito.
18:47Michael, must we keep going through this?
18:49They have threatened your life if I don't commit a crime for them.
18:54What crime?
18:55To steal from Guzman.
18:56Gold bullion.
18:57If I say no, your life's in danger.
19:04I'm trying to protect you.
19:06This is very kind of you, Michael.
19:08You wore my old woman's heart.
19:09Pap, stop it.
19:11You see how complicated it gets?
19:13You set out to destroy the man who paid for your education.
19:16And now you sink deeper and deeper into trouble.
19:18No, you paid for it.
19:20You hocked your soul to pay for it.
19:22I bust tables and I want scholarships.
19:25Guzman did nothing for it.
19:27This is getting us nowhere.
19:30I don't want you to get hurt.
19:32You want me to walk away from this?
19:33Just say so.
19:35A man cannot ask permission to do what he knows is right.
19:37You must follow your own light, Michael, as I follow mine.
19:41You may not stop here for an excuse to quit.
19:44I will take what comes.
19:45I always have.
19:47Guzman says that you're romantic.
19:50That all soldiers are fools.
19:53That nationalism is dead.
19:55That money is king.
19:57Pap, he's laughing at you.
19:59And at all your friends in Brigade 2506.
20:04Senorita Mendez.
20:06I apologize for permitting this scene in front of you.
20:10I hope we could meet again some other time.
20:13Be careful, Mr. Santana.
20:15Cruz is not right in the head.
20:17I will be careful.
20:19I promise.
20:20Pap, Pap.
20:21Pap.
20:31You remember the night before you were arrested?
20:34I remember.
20:36I was almost four years old.
20:38We were listening to the guns in the hills above Havana.
20:43You kissed me.
20:44But you said we'd never say goodbye.
20:47Because we're separate parts of the same thing.
20:52Yes.
20:53We are.
20:54We just don't believe in the same things.
20:57And that's my failure more than yours.
21:06He loves you.
21:08Young men are cursed to see the world in high contrast.
21:11All soldiers are no fools.
21:13All lawyers are no liars.
21:14All children are not innocent.
21:16Hard lessons.
21:18Take care, my son.
21:26You told him.
21:27Yeah, I told him.
21:29Hey, it wasn't up for discussion.
21:30They were threatening him.
21:31He's my father.
21:32He had a right to know.
21:33You gotta throw a safety net under this, Frank.
21:36I got loved ones in the line of fire.
21:40This just keeps getting better and better and better.
21:43We got a killer on the loose.
21:45You came to me.
21:46You sucked me into this.
21:47Now you gotta protect my family.
21:48I didn't suck you into anything.
21:50You took my bait like a 20-pound California wide mouth.
21:54You're working your own agenda.
21:55Now I'm doing the best I can.
21:57But I will not be your emotional scapegoat.
21:59We are compromised on a lot of levels here.
22:02Now I will throw coverage over your father and Dahlia.
22:05But you lay off.
22:06Because believe me, I am carrying more guilt than I need.
22:09All right.
22:12Now your next move is to tell Guzman
22:14that these two jerks are after his gold.
22:16That makes you a very reliable guy.
22:18That also will blow a hole in his theory
22:21that everybody's for sale.
22:22Now all we gotta do is make sure
22:23that anybody sitting in the first two rows
22:25doesn't end up dead.
24:00Who did this to kill me?
24:05Who?
24:06Chris.
24:07You okay?
24:11Did you hear him?
24:12Did you cut him?
24:13He...
24:16He...
24:16He...
24:16He didn't listen.
24:17He didn't say a word.
24:20Nothing.
24:23He just...
24:25He just...
24:45Long's Bookstore.
24:46This is Bill.
24:47Yeah.
24:48Ident code 8705.
24:50You gotta find McPike.
24:52You gotta tell him to get to my place fast.
24:55It's a warning.
24:56That's all.
24:57I just wanted you to see how easy it would be.
25:00All right.
25:01I'll have a 24-hour surveillance put on Dahlia and your father.
25:04And you have to see Guzman first thing in the morning.
25:06I'd like to talk to you.
25:15Now, you have to stay in control.
25:18If you're gonna go crazy, I have to know.
25:21You tell me now.
25:23I can wait.
25:26Not for long.
25:28All right.
25:29It's fair enough.
25:30I'm sorry it took me so long to get the cover down.
25:33It's okay.
25:35She'll get through.
25:36She's tough.
25:39She's...
25:40Kuwana.
25:44They want to know the address of the warehouse.
25:47They threatened my father and my girlfriend.
25:49They want to steal the gold.
25:51Did they offer you money as well?
25:53Two million dollars in cash.
25:55Up front.
25:59How do you want me to play this?
26:00Play it along.
26:02I will tell you what to say.
26:05If Doug and Cruz are planning to steal from me,
26:08maybe there are others.
26:10Maybe the cancer goes deeper than the two of them.
26:14Play them along.
26:15Give them the address.
26:17I will tell you what to say.
26:19What about the gold?
26:20We'll move it sooner.
26:23Michael?
26:26You have surprised me.
26:30Most men would not stand up to such a threat.
26:34Or resist the money.
26:36Well, don't make too much of it.
26:38I don't like being threatened.
26:39Or maybe I'm just another fool like my father.
26:42Or a romantic like the men in Brigade 2506.
26:46The difference is you did it for me.
26:50We'll do great things together.
27:08He has passed the test.
27:12Finally, I found one man
27:17I can trust.
27:24Wise guy will continue.
27:48Your brother kidnaps my girl.
27:51breaks into my house,
27:53decapitates the chicken,
27:54spills blood all over the place.
27:56Is he trying to get my attention
27:57or just piss me off?
28:00He's got a strange sense of humor, eh?
28:06Here you go, man.
28:07I give you some money.
28:07You fix up your place, okay?
28:10I want that.
28:13You know, I've seen this movie
28:14where this Nazi,
28:15he's got Dustin Hoffman
28:16strapped in a dentist's chair.
28:18And he's grinding his teeth off
28:20with a drill.
28:21Now, me, I got a guy like that, man.
28:23I got a much better place
28:25to put that drill than in his mouth.
28:26I'm not a guy you want to fool around with,
28:28okay, Dag?
28:28I'm not above violent solutions.
28:31Now, you keep Cruz out of my sight.
28:33If I catch him near my girlfriend
28:34or my father again,
28:35I'll kill him.
28:36You're not it?
28:41You know, I do the best I can,
28:43but Cruz, he's hard to figure.
28:46I give him orders,
28:47but he hates orders worse than sunshine.
28:51You're not such a good guy.
28:53I try to make a deal with you,
28:54try to make you a rich man.
28:56You go to Guzman
28:56and you tell him everything.
28:58That wasn't very nice.
29:02You're thinking,
29:02how does this piece of puke
29:03know what I'm telling Mr. Guzman, right?
29:06I'm listening.
29:07It was a test, okay?
29:09The whole thing is a test.
29:10It's like in the treasure of Sierra Madre
29:13when Walter Houston used to...
29:15Cut the crap.
29:15I want a movie review about a paper.
29:17What test?
29:19Me and Cruz were sent to tell you that, okay?
29:22So now Mr. Guzman thinks
29:23that you're pretty great.
29:24That's good for you.
29:24Puts you in good shape.
29:26A test.
29:29But that still don't change
29:30how it is for me
29:31because I'm still in that toilet.
29:34So I'm thinking,
29:34maybe this is a good idea, no?
29:36Because maybe me and you and Cruz
29:38will steal the gold anyway.
29:40Same deal.
29:41You get 20% up front,
29:42you just tell us the editor
29:43where the warehouse is, eh?
29:44If I turned that down once,
29:46what makes you think
29:47I'd go along with it this time?
29:49Seems like I gotta keep
29:50giving you pictures, eh?
29:57I didn't get the focus right on some,
29:59but they still tell a good story, okay?
30:01You see that funny guy
30:02growing through his hair?
30:04It's a federal name, McPike.
30:06It took me two days
30:07to figure it out.
30:10Buenaso!
30:11You're playing Mr. Guzman
30:12off to the G, huh?
30:16But if I show him these pictures,
30:18you're gonna turn from a prince
30:19back to a Havana banana, okay?
30:25So what do you say, huh?
30:28We're gonna do business,
30:29Mr. Big Deal?
30:34Yeah, we're gonna do some business.
30:37They were tailing you, Santana.
30:40If I was working with a trained agent,
30:42this would have never happened.
30:43I love that.
30:45Oh, I get it.
30:46Oh, yeah.
30:47It's my fault.
30:48Let me tell you something.
30:49I've been dealing with you
30:50like you're a civilian.
30:51I have to be more careful.
30:52You and I both have to be more careful
30:54from now on.
30:55I'm gonna start setting up
30:56secret meetings with you.
30:57So what am I supposed to do
30:58with these two college graduates?
31:00You go ahead and give them
31:02the transportation plan
31:03for the bullion.
31:04Are they still pulling it out downriver?
31:06Yeah.
31:07Tonight.
31:08There's an armored car
31:09doing a fake pickup.
31:10Then the bullion leads on a tugboat
31:13called the Elizabeth Ann.
31:14At 10 o'clock, it heads downriver.
31:17Dag wants me on board.
31:19They're gonna be on the 3rd Street Bridge.
31:21They're gonna jump on the boat
31:23as it passes under,
31:24take the boat from the rent-a-cocks,
31:25and I'm supposed to get pushed overboard.
31:27All right.
31:28We'll have you covered.
31:29We'll make it look like
31:30a normal customs stop,
31:31but you be careful with these guys.
31:33They love wet work.
31:34That's all right.
31:35I love the water.
31:37Talk to you later.
31:43It is time to get out of here.
31:46Michael, you're in charge.
31:47You know where to go.
31:49Yes.
32:29The head's going down
32:30at the 3rd Street Bridge.
32:32That's about two miles
32:33further down the river.
32:57You're in charge,
32:58you're in charge.
32:58It's time to get out of here,
32:59so that's it.
33:04So
33:41My head!
34:00Let's go, let's go.
34:13Come on, come on!
34:18Cops, cops, open fire, open fire!
34:35We need air cover.
34:37We're taking machine gun fire from a full freighter about 100 yards south of the bridge.
34:51Come on, boys! Where's the plane? Where's the helicopter?
34:56Come on, boys! Where's the plane? Where's the helicopter?
34:56Get him in the boat, let's go!
35:00Don't shoot him.
35:01Let's go!
35:05Oh!
35:17Come on! They're getting away!
35:26Come on, boys! Where's the plane? Where's the helicopter?
35:46Come on, boys!
35:47I lost him.
36:11I had a man aboard, Michael Santana. Where is he?
36:14He's gone. He was kidnapped.
36:16Are you in charge of this investigation?
36:19Temporarily. I understand you were shipping gold bullion on this thing.
36:23That's correct.
36:24Sort of a stupid way to transport that kind of cargo, isn't it?
36:27The plane was approved by our insurance carrier.
36:31I'm very concerned about Santana.
36:34Well, according to the Burns guards,
36:35he tried to keep them from killing this one.
36:38He was hit in the head and knocked unconscious.
36:40That's all they could tell us.
36:43What's wrong, ma'am?
36:46I'll wait in the car.
37:03Get a hold of yourself, please.
37:08Guzman, tell the switchboard
37:11I'm expecting a call from Doug Machado.
37:15I'm headed back to my office.
37:19I don't want this call to be fumbled.
37:22Make sure I get it. Clear?
37:29There's a man that's in an awful big hurry.
37:47Hello, Senor Blair.
37:51Yeah, right? There you go.
37:55I don't worry about him. He's in therapy.
37:58Look, I don't want no trouble, Dad.
38:01You said no trouble.
38:02You're the one with the nuclear habit, okay?
38:04I don't fix it.
38:05You'll be jonesing up and down Highway 1.
38:07Come on.
38:13I don't want trouble. You said nobody would know.
38:15Look, I gotta know what it's worth, okay?
38:1718 carat, 24, lo que sea, F. Here.
38:19Blue de este.
38:28This isn't gold.
38:32It's lead.
38:36Oh, my God. Oh, my God.
38:45What happened, Dag?
38:46You gotta hand it to Guzman.
38:49He suckered you into stealing $100 worth of lead
38:51and gets paid back by his insurance
38:53on $10 million in gold.
38:56Where does it leave you, man, huh?
38:58You're still hanging from this chain bleeding, amigo.
39:03Well, maybe we can make a deal, huh?
39:07He had a big, gray, five-gated stallion.
39:11El Diablo, the perfect horse for him.
39:14My father was shot in our villa above Havana in our courtyard.
39:22The gray stallion rearing and kicking,
39:27charging out into the courtyard.
39:30El Diablo kicked one of Castro's captains
39:34back through the fence.
39:37The man swung and fired, bringing the horse down.
39:42Screaming on top of my father's dead body.
39:47They died.
39:50Almost in the same moment.
39:57Many things masquerade as pure love.
40:04I have learned to be very suspicious.
40:11Hello?
40:12SeƱor Guzman.
40:14Yes?
40:15You're a very clever man.
40:17You give us this idea and all this test.
40:20You know we will try it anyway, but you have switched the bullion.
40:24A very clever man.
40:26You collect from the insurance and we have nothing.
40:29Yes, Santana.
40:30Bruce is going to kill Santana.
40:32He wants to beat him to death.
40:34You will listen to him die.
40:37I will hold the receiver close.
40:38You can hang up or you can listen.
40:39I do not care.
40:41Calle.
40:50No.
40:51No.
40:51Stop.
40:54I don't want you hurt, I will pay.
40:56How much?
40:57Two million dollars.
40:58Two million dollars.
41:00That's not enough.
41:01That's all I've got.
41:03And it is clean money.
41:06This is the price or I hang up.
41:10Okay, you know where I left my boat last summer?
41:12Yes.
41:13You meet me there in less than an hour.
41:15I need more time to get the money.
41:17Less than an hour.
41:21You call it in, 2354 San Diego Drive.
41:25Right, that's on the beach near the marina.
41:312354 San Diego Drive.
41:33You don't stop for the lights.
42:04I'm gonna get back into this thing any minute now.
42:07I know it.
42:35Let's go.
42:36Maybe you think you made a mistake about the way you treat me.
42:39Okay?
42:42Okay.
42:43Let's see the money.
42:46Let's go.
42:49What do you think?
42:51What do you think?
42:55What do you think?
43:05What do you think?
43:08Manito.
43:36Don't say anything.
43:38We'll talk later.
43:41They were always enthusiastic, but careless.
44:05I'm afraid I don't really understand.
44:09I never switched anything that was lead bullion when it arrived.
44:14But you pay taxes as if it was gold.
44:18You will come to learn these answers to all these questions.
44:24My business is a good deal more complicated than it appears on the surface.
44:32I thought you might like this.
44:35This is your father's.
44:37And now it is yours.
44:40I can't be your son.
44:43I already have a father.
44:49Big L.
44:51Your father will always be your father.
44:55I would never try and change that.
44:56But he is a man for a campfire.
45:00He comes from a simpler time.
45:03He did not even come to learn about the value of his son.
45:09Like my father.
45:12Like yours.
45:14He always dealt with politics or polemics.
45:18He talked.
45:19It is a different world.
45:22You and I will not talk.
45:24We will deal with power.
45:27My gift to you.
45:33You have stirred ashes in me,
45:36which I thought were cold long ago.
45:41I'm not sure I like the way it feels.
45:49And just a trifle to spare.
45:53You leave the Pennsylvania station about a quarter to four.
45:57Read a magazine and then you're in Baltimore.
46:06Hello.
46:07I'm your father.
46:10What's going on?
46:11I just wanted to tell you that...
46:18I've been thinking about you, that's all.
46:21You wake me at two o'clock in the morning just to tell me that?
46:26I love you, Pop.
46:30I love you too.
46:36I'll call you in the morning, okay?
46:38Until I tell her that I'll never roam.
46:43So Chattanooga choo-choo.
46:45Won't you choo-choo me home?
46:47Chattanooga, Chattanooga.
46:49Get aboard.
46:50Chattanooga, Chattanooga.
46:52All aboard.
46:54Chattanooga, Chattanooga.
46:55Number four.
46:56Except for my eyes.
47:01Etc, demek.
47:03All aboard.
47:19You took your seat on camera.
47:20There's a corner that works our way series.
47:20And all aboard.
47:20We got about and let aasing huh?
47:25In the morning and the morning,
47:54Transcription by CastingWords
48:02CastingWords
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