00:18The third crate here contained that decoder, but what's this Valley of the Kings one?
00:23I'd better head over to Stage A to find out.
00:30Stage A to find out.
00:32Stage A to find out.
00:41Stage A to find out.
00:45This must be the code to the safe
01:15This must be the code to the safe
01:33There we go!
02:03Hmm, maybe I should try out this phone number.
02:25You've reached the office of Lydia Lynn, Tinseltown Paddler celebrity journalist.
02:31Leave a juicy message after the beep.
02:37That was interesting.
03:01Let's go.
03:07Let's go.
03:11Let's go.
03:13Let's go.
03:17Let's go.
03:21Let's go.
03:27Let's go.
03:31Let's go.
03:53This is the crate from the manifest in Arthur's office.
04:01The Ark is buried here.
04:25The Ark is buried here.
04:35A coated lock.
04:45The Ark is buried here.
04:51The Ark is buried here.
04:53It's a great place.
04:55The Ark is buried here.
04:57The Ark is buried here.
04:59I'm a dead.
05:01The Ark is buried here.
06:03Well, well, the gang's all here.
06:13Where have you been?
06:14Believe it or not, I was actually worried about you.
06:17As well you should have been.
06:18I was hiding from Mr. Spy Cam here.
06:23You talking to me?
06:23Who else would I be talking to?
06:26George, I saw...
06:27I saw your makeshift photo lab, along with the photos of Ida you took behind her back.
06:49Or should I say, of her back?
06:51You were snooping in my room?
06:53She's a detective, Freak Lips.
06:56How did you know she was a detective?
06:58I told her.
07:00I was trying to calm her down after...
07:03After someone put that snake in her locker.
07:11Someone put a snake in your locker?
07:13Apparently taking pictures of me wasn't enough.
07:16I did not put that snake in your locker.
07:19Come on, who else would have done it?
07:21Actually, you.
07:23Hey, look.
07:24Ida may not be my favorite person, but I would never risk traumatizing her like that.
07:29It would jeopardize the picture.
07:31Probably true, but that snake wasn't meant for her.
07:34It was meant for me.
07:36While I was checking out that video, Chip, you shoved that snake into Ida's locker.
07:41You knew the wardrobe room would be my next stop.
07:44You knew it would be my next stop after I saw the cloak on the video chip,
07:55because you'd already seen that it was missing from the reference model.
07:58You let all the reptiles out of their cages, too, just in case I somehow missed the snake.
08:04Eww!
08:05Oh my gosh, you're both freaks!
08:07You tried to scare Nancy off the case?
08:10She realized I actually knew what I was doing, and was afraid I might somehow...
08:15And was afraid I might somehow keep her from finding that lost footage.
08:22You broke into your own prop room to make it look like someone else took that flesh boom, didn't you?
08:27And you tried to frame me for the snake stuff with that stupid swizzle stick.
08:32Okay, okay.
08:33So maybe the idea of finding that lost footage made me do things that were a little... excessive.
08:38But I never used any of the flash boom, because finding the entrance to the original Pharaoh set is impossible.
08:45And I never put anybody's life in danger like you did.
08:49Since when is feeding a cat a threat to anybody's life?
08:52I'm talking about the accidents.
08:55Oops.
08:56You're the reason that black cat's always running around distracting the crew?
09:00I just thought it would hype the Lois Manson curse rumor that I...
09:03Sort of started.
09:05But so what?
09:06Curses are great publicity.
09:08The Tinseltown Tattler lapped it up when I...
09:11Sort of called them and told them about it.
09:13But that's nowhere near as bad as what peeping George here has been doing.
09:17I was taking pictures of that mark on your back.
09:20What mark on my back?
09:22The one that's just like the mark Lois Manson had on her back.
09:25The one that meant she was cursed.
09:28There really is a curse, people.
09:30Seriously, mate.
09:32You need to shut this production down before history repeats itself and somebody gets killed.
09:37You moron.
09:38That's a scar from a tattoo I had removed when I landed this part.
09:41You actually believe in curses?
09:44You're darn right I do.
09:45Hey, look what happened to the people who opened the tomb of King Tut.
09:49A week later, they were calling us more.
09:50All right, that's enough.
09:51Just do I go around to you?
09:52Enough!
09:53Run!
09:53Hide!
09:53The big bad curse is...
09:55What?
09:56Just go to your rooms and get a good night's sleep.
10:01All of you.
10:02Now.
10:02We've got a picture to finish.
10:08You know, Mr. Hitchens, something Eda said earlier has been bothering me.
10:13All these accidents, yet no one's been hurt.
10:16I think I know who's been causing them.
10:19I think you do, too.
10:21Eda was right about publicity.
10:23The surest way to create a blockbuster is to get the media talking about the picture before it opens.
10:29So, you caused the accidents, taking care that no one got hurt, but instead of reporting them, you closed the set, knowing word would leak out anyway, and that all the secrecy would attract lots of media attention.
10:42Correct.
10:43But from what I just witnessed, I'm afraid this film is headed for catastrophe no matter how many mishaps I arrange or how much publicity they generate.
10:52No, only one thing can save me from financial ruin.
10:56That lost footage.
10:58Please, Nancy, you must find it.
12:27Time to revisit that sarcophagus and try out this new lockpick.
14:57It's a passageway that leads farther underground.
15:19Oh boy, I guess I have to climb down through this sarcophagus.
15:23Oh boy, I guess I have to climb down through this.
15:29Darn, the passage is blocked, but it looks like someone's been using Flash Boom to get deeper underground.
15:48This is my chance to finish the excavation and find that lost footage first.
15:55Oh boy, I guess I have to climb down through this.
16:03Oh boy, I guess I have to climb down through this.
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