- 3 months ago
A long-lost engagement ring still divides childhood sweethearts who are now in their golden years. Now, her daughter (Heaton) and his nephew meet and find that their attraction is hindered by the old feud.
Cincin pertunangan yang telah lama hilang masih memisahkan sepasang kekasih masa kecil yang kini telah memasuki masa keemasan mereka. Kini, putrinya (Heaton) dan keponakannya bertemu dan menyadari bahwa ketertarikan mereka terhalang oleh perseteruan lama.
Stars: Patricia Heaton,Vincent Spano,Tony Lo Bianco
Please full watch the movie, like, share and follow this channel
thank you so much
Cincin pertunangan yang telah lama hilang masih memisahkan sepasang kekasih masa kecil yang kini telah memasuki masa keemasan mereka. Kini, putrinya (Heaton) dan keponakannya bertemu dan menyadari bahwa ketertarikan mereka terhalang oleh perseteruan lama.
Stars: Patricia Heaton,Vincent Spano,Tony Lo Bianco
Please full watch the movie, like, share and follow this channel
thank you so much
Category
🎥
Short filmTranscript
00:00:00Girl, that love is like wine, just enough makes happiness, too much makes a fool.
00:00:11Years after I first heard this, I came to know two such fools.
00:00:18Nick and Alicia were born under the same moon in the same month of the same year.
00:00:24Their fathers owned vineyards in the same valley in America.
00:00:28There was another, a poor boy named Johnny Anselmi, who worked in the fields for Alicia's father.
00:00:38Johnny was everything Nick was not.
00:00:42He was hard-working, and he loved Alicia the way the soil loved her father's grapes.
00:00:49And as we all know, what is in the soil is in the grape, and what is in the grape is in the wine.
00:00:58It was the hope of both families that Nick and Alicia would fall in love and marry, and the two vineyards would be one.
00:01:07But God had different plans.
00:01:11Johnny and Alicia grew up together as best friends, which is exactly what a man must never be to the woman he wants.
00:01:26Johnny was Alicia's rock, but Nick Dicenzo was her fire.
00:01:34Their hearts ached with a blazing passion reserved for the young.
00:01:47When Nick told her he was going off to join the army to see the world, Alicia had mixed feelings.
00:01:53What the young do not know is that there is a difference between passion and love.
00:02:09What the young do not know is a lot.
00:02:26Oh, I'm sorry, gents.
00:02:36That's what we call a full house.
00:02:40No one knew where the ring came from.
00:02:43Who's this?
00:02:43None of the other soldiers admitted to putting it on the table.
00:02:49And yet, there it was.
00:02:52Nick made up his mind.
00:02:54He would send the ring to Alicia and ask her to marry him.
00:02:59If she accepted the ring, it would be his fate.
00:03:03No one knew where the ring came from.
00:03:33Do you feel that?
00:03:42Welcome to California.
00:03:50Holy mashed potatoes.
00:03:51As the days passed and Nick heard nothing of the ring, his love and his family's friendship for the Rosas turned to bitterness.
00:04:07For Alicia, Nick's silence only meant that he had forgotten her for another.
00:04:16The Rosas and the Tichensos never spoke to or of each other again.
00:04:23Nick never married.
00:04:27He learned to live with his sorrow.
00:04:30Alicia married her best friend, Johnny.
00:04:38And had a daughter named Sarah.
00:04:41And all of them lived happily ever after.
00:04:51As happy as fools.
00:04:55And if you believe me,
00:04:57Oh, this is going to be a nightmare.
00:04:58Then you are the biggest fool of all.
00:05:01Eat a grape.
00:05:0318.
00:05:0418.5.
00:05:06That's about two and a half weeks to harvest.
00:05:0818.5?
00:05:09That's my girl.
00:05:11Now relax.
00:05:12Just take it easy.
00:05:13It's going to be a walk in the park.
00:05:14Dad, what three minutes of your 40-year marriage with Ma has ever been a walk in the park?
00:05:18Uh, give me a minute.
00:05:20Sarah, you know you're a mother.
00:05:22It's not what you say.
00:05:22It's how you say it.
00:05:23Okay, so the part about the Tichensos.
00:05:25How do I say that?
00:05:25You don't say it.
00:05:26Right.
00:05:27Just give her the broad strokes, you know?
00:05:29Broad strokes?
00:05:30How about we're going to partner up with some investors and risk everything we own?
00:05:34How about that?
00:05:35I think that's a little too broad.
00:05:36I'll just say, Ma, sit down, shut up, sign the papers.
00:05:40That's very good.
00:05:40Brian will be there at 1 o'clock, okay?
00:05:43Don't be late.
00:05:44I need you.
00:05:45You're my partner.
00:05:45I am your partner.
00:05:46You are.
00:05:47Ti amo.
00:05:48Ti amo de piu.
00:05:54Paparatti, we're going to take care of this, aren't we?
00:05:56Huh?
00:05:57Sing with me.
00:05:58Sing with me.
00:05:58Oh!
00:06:00Oh!
00:06:02Oh!
00:06:02Oh!
00:06:10No, that's not going to work.
00:06:15Okay, so get another airline.
00:06:18Where have you been?
00:06:19Do you have the boards?
00:06:20Okay, business class is fine, yeah.
00:06:22Hi.
00:06:23You have the boards.
00:06:24They're in the car.
00:06:25You're not going to say hello first?
00:06:26Hello.
00:06:27We need those visuals.
00:06:30Here's the proposal.
00:06:32We have the boards, color charts, PowerPoint projections, and a letter from the book.
00:06:38You know what?
00:06:39These are too technical.
00:06:40Dad said just give her the broad strokes.
00:06:42If I can talk a group of investors out of two and a half million, I can get your mother
00:06:45to partner with them.
00:06:45Yeah, well, your investors don't have a history with the DeCenzos.
00:06:48Don't worry.
00:06:49It'll work out.
00:06:50Where are you going?
00:06:52I'm going to get the boards.
00:06:54Yeah.
00:06:54Okay.
00:06:55Yeah, that's good.
00:06:56You see, Alicia, ten years ago, this was all Ancelotti's.
00:07:00This, the Russos, and this Giordano's.
00:07:04Now, this is all Kendall Jackson.
00:07:07This, all Mondavi.
00:07:09I know, but a wine you want to call Ammonia.
00:07:11People don't drink Ammonia.
00:07:13They clean with it.
00:07:14Ma, it's Armonia.
00:07:16It's the name of the investment group.
00:07:18Armonia Investment Group.
00:07:19Brian.
00:07:19If you look at page seven on the prospectus.
00:07:21Brian, just give it a broad strokes.
00:07:23Yeah, give me what he said.
00:07:24Yeah, Aggie.
00:07:26It's not Aggie.
00:07:27It's Alicia.
00:07:27No, not you.
00:07:28Who?
00:07:29Me?
00:07:29When?
00:07:30You?
00:07:30No, no, no.
00:07:32I can't do Wednesday.
00:07:33You know, Sarah, just before your grandfather died, when he went, uh, it was just like this.
00:07:38Okay, tell him I'll reschedule.
00:07:40Sorry, Alicia.
00:07:41Brian, could you...
00:07:43Partners.
00:07:44Why do we need partners?
00:07:45This is a family business.
00:07:46Ma, I'm having trouble getting distributors to pay attention to us, because we're too small.
00:07:50If we don't expand, that whole map is going to be one color, and that's a hundred years
00:07:55of Rosa family history just disappearing.
00:07:57Basically, it's eat or be eaten.
00:07:59I know, but investors, corporations, it's so cold, Johnny.
00:08:04It's a different world now, Al.
00:08:06And, um, if we're going to be thinking about Sarah and her kids...
00:08:10And Brian.
00:08:12Yeah, and Brian.
00:08:15Ma, what would Pop have done?
00:08:18Al, she doesn't talk.
00:08:20She talks.
00:08:21She can talk as good as you.
00:08:22She just won't do it.
00:08:23Why not?
00:08:24I don't know.
00:08:24Ever since Pop died, his whole life, she never shut up.
00:08:28Now, when I want her to talk, I get half-boe marks.
00:08:32Ma, could we just focus on the...
00:08:35Okay.
00:08:36This additional 150 acres, where are they?
00:08:41Dad, do you want to...
00:08:43Well, I think Brian probably knows the map a little bit.
00:08:46Well, actually, Sarah found the properties.
00:08:51Um...
00:08:52You know, there's this additional property.
00:08:55Yeah.
00:08:55Well, you know how hard it is to find old vines.
00:08:58And when the old man died,
00:09:00he left it to his brother, Nick, and his son, Tony.
00:09:05Don't say another word.
00:09:08No.
00:09:09The Dicenzos?
00:09:11No.
00:09:12Okay.
00:09:22Well, that didn't work.
00:09:27To my little brother, Charlie.
00:09:29To Pop.
00:09:30I'm renting a truck.
00:09:34Anything we don't want, I thought I'd take down to the church.
00:09:37Ah, this is all that's left of the Dicenzos.
00:09:40You, me, and this room is full of things.
00:09:44Memories.
00:09:46Oh, my mother.
00:09:48This was hers.
00:09:49I remember her hands in this bowl.
00:09:52Mixing the arancini.
00:09:53You want the bowl, Uncle Nick?
00:09:55Take the bowl.
00:09:56What am I going to do with the bowl?
00:09:57It's got a crack in it, too.
00:09:58You want it?
00:09:59No.
00:10:00Hey, I don't blame you.
00:10:01Junk.
00:10:02So, where are you thinking of settling?
00:10:04You're staying here, you're going back to Europe?
00:10:06Well, after we get everything packed up and sold,
00:10:09I'm heading down to Los Angeles.
00:10:11I'm going to open my own restaurant.
00:10:13L.A.
00:10:15Oof.
00:10:16The women are all too skinny.
00:10:18With the fake boobs and the surprised look.
00:10:22Hey, Bruta.
00:10:23Now this, this is something you can get your hands around, huh?
00:10:28Like a Da Vinci.
00:10:29Don't you see me?
00:10:30Like a Ferrari, huh?
00:10:32Look at the rear end that's built for speed, huh?
00:10:37Now this, this you didn't get from your dad, huh?
00:10:40This you got from me.
00:10:43Ah, your dad.
00:10:44He always was after you to settle down, huh?
00:10:47Hmm.
00:10:49You know what, Uncle Nick?
00:10:51If you can get a piece of lasagna, make you go straight to heaven.
00:10:54Then you get that same lasagna, breakfast, lunch, dinner.
00:10:57After about three days, you want to kill yourself if you don't get a little veal scallopini soon.
00:11:01You know what I mean?
00:11:03Salute, scallopini!
00:11:04Salute!
00:11:07Hey, you want this?
00:11:08What is it?
00:11:10I don't know.
00:11:10Sure, I'll take it.
00:11:13Oh, look.
00:11:15What is that?
00:11:16It's the book from your father's wake.
00:11:19All the people have paid their respect.
00:11:21Yes.
00:11:23Wow.
00:11:24So many people.
00:11:25Everybody but the roses.
00:11:28Yeah, well, you wouldn't have let them in.
00:11:29Yeah, well, they should have had the decency to show up, so we could have thrown them out.
00:11:33You know, you lay down with dogs, you wake up with fleas.
00:11:37Oh, the roses gave you fleas?
00:11:38No, I don't want to talk about it.
00:11:41I don't want to talk about it.
00:11:43I will not touch the DeCenzo land.
00:11:46It's poison.
00:11:47Poison.
00:11:48I spit on that land.
00:11:50Ma, the DeCenzos have the best Merlot grapes in the valley.
00:11:53That's true, Al.
00:11:54Poison!
00:11:55But with our cab, the blend would be a gold mine.
00:11:58I would never even set foot on that land, let alone give those miserable skeeves one dime for it.
00:12:04It's my dream, Ma.
00:12:05Oh, yeah?
00:12:06I had a dream once, too.
00:12:07I dreamed I was giving an elephant a haircut at the living room.
00:12:10I need those grapes.
00:12:12Basta!
00:12:13Johnny, you got a trim in here.
00:12:15Dad.
00:12:17This is Brian.
00:12:19Yeah, yeah, I did it.
00:12:20I love it, but I can't talk now.
00:12:23Yeah, I'll call you later.
00:12:24What's so funny?
00:12:25I was just thinking.
00:12:26You know, life is so strange.
00:12:27I remember when the DeCenzos were big.
00:12:30Merlot, Cabernet, Franc.
00:12:32Couldn't touch.
00:12:32Yeah, big shots.
00:12:34Remember the old lady?
00:12:35Remember how she hired that poor woman to do her ironing like she was the queen of England?
00:12:40Big deal.
00:12:41Two bucks a week.
00:12:43Yeah, and now somebody's going to buy that place and wipe the name DeCenzos from the land.
00:12:47For years, they looked down their noses at us.
00:12:50You know, Johnny, we should be those people.
00:12:55Wow.
00:12:55Vengeance.
00:12:56There's no reason to buy land.
00:12:57We wouldn't be buying the place for vengeance.
00:12:59You heard, Sarah.
00:13:00The land is good.
00:13:02Poison, you say?
00:13:03What, are you crazy?
00:13:04The DeCenzos grapes were once the greatest in the valley.
00:13:07Right, Sarah?
00:13:08Well, we could get some old vines and snow, well.
00:13:11No, no.
00:13:12If I'm going to consent to this new direction, I will only do it if we buy the DeCenzos place.
00:13:18No, no.
00:13:18You better have no dealings with the DeCenzos.
00:13:20No dealings!
00:13:21We simply buy the land and burn every trace of the miserable Scarafangi that ever lived there.
00:13:28Broadstrokes.
00:13:29My father is such a genius.
00:13:41Forty years' experience.
00:13:42Yeah, let's celebrate, huh?
00:13:43I'll take a rain check.
00:13:45Why don't you spend the night?
00:13:46I can't.
00:13:46I have an 8 o'clock in Sausalito.
00:13:48Don't forget to go to Tom's and sign the prenup.
00:13:50Wait a minute.
00:13:51I thought we were doing that tomorrow.
00:13:52I already signed.
00:13:53Oh, I want to do that together.
00:13:55You know, how to make it more romantic.
00:13:57No, I've got to stop by the office tonight.
00:13:59Crap.
00:14:02Well, congratulations.
00:14:04Okay.
00:14:04Thanks.
00:14:05Bye.
00:14:05Bye.
00:14:10Hey, this is Brian.
00:14:12Hello?
00:14:13I love you.
00:14:17Hey, I can't hear you.
00:14:18You're breaking up.
00:14:19Just kidding.
00:14:21Just kidding.
00:14:31Johnny, I got agita from this.
00:14:35Oh, yeah?
00:14:35You want a glass of water?
00:14:36Yeah.
00:14:37You know, Sarah knows what she's doing.
00:14:42It's a big risk.
00:14:43Remember what she was like when she was five years old?
00:14:45Huh?
00:14:46You tell her, don't go in the pond and we find her in the ocean.
00:14:51Huh?
00:14:51And then later when she was 12 years old and I didn't want her to drive the truck, you remember
00:14:55that?
00:14:56And she taught herself how to hotwire the ignition.
00:14:58Yeah.
00:14:59I died a thousand deaths.
00:15:01I remember.
00:15:02The point is, whatever you tell her she can't do, bet your money that is exactly what she's
00:15:10going to do, and this, my darling wife, she did not get from me.
00:15:20Johnny.
00:15:20Yeah?
00:15:22When we go to sign the papers, I want to do it separate.
00:15:26I don't want to be in the same room with Nick DiCenzo.
00:15:32Okay.
00:15:37It's an ammonia company?
00:15:38You're going to make ammonia out of our grapes?
00:15:41No, that's a typo.
00:15:43It's the, it's Armonia, the Armonia Investment Group out of Sacramento.
00:15:48Armonia.
00:15:49Harmony.
00:15:50A bunch of lawyers want to make wine.
00:15:52I guess they think it's romantic.
00:15:53Romantic, right?
00:15:54Picking dead frogs out of grapes.
00:15:57Scheevy.
00:15:58Enough of me.
00:15:59Ciao, baby.
00:16:00Well, if you're comfortable with the offer, I could drop the papers, unless, of course,
00:16:03you have your own lawyer you'd like to use.
00:16:05Hey, Paula.
00:16:05I'm here for my 10 o'clock.
00:16:06Oh, I have a proctology.
00:16:08You better do it.
00:16:11You know what?
00:16:11I'm going to come back later.
00:16:13Oh, Sarah, hold on for a second.
00:16:14My name.
00:16:15Paula, would you please pull up the Anselmi Underwood pre-mall?
00:16:18Let's see what we're signing.
00:16:19I don't need to, um...
00:16:20It's not a problem.
00:16:21I don't want to interrupt.
00:16:22I want you to meet everybody.
00:16:23You're not in front of my...
00:16:23Now, do we know everyone?
00:16:26Have you all met?
00:16:27Sarah Anselmi?
00:16:28Hello.
00:16:29Nick DiCenzo.
00:16:30Oh, Chum.
00:16:31And his nephew, Tony.
00:16:32Sarah Anselmi.
00:16:32I remember you.
00:16:33From high school.
00:16:34Oh, yes.
00:16:35Hi.
00:16:35You grew up nice.
00:16:37What a relief.
00:16:37You're welcome.
00:16:39We were just discussing your offer.
00:16:42Your offer?
00:16:42Here's your prenup.
00:16:43Brian already signed.
00:16:44Who's Brian?
00:16:45Prenup?
00:16:46I thought we were selling some land.
00:16:47We have to marry somebody.
00:16:48Do we?
00:16:48Well, Sarah's family's buying your place.
00:16:50I thought it was a bunch of lawyers out of Sacramento.
00:16:52It is.
00:16:52Exactly.
00:16:53Yeah, you told us.
00:16:53But it's a partnership.
00:16:54Tom, we don't have to discuss this right now.
00:16:56Your family.
00:16:57Anselmi.
00:17:01Who's your mother?
00:17:02Alicia.
00:17:04Alicia Rosa.
00:17:06Exactly like the mother.
00:17:09It's in the eyes.
00:17:10Oh.
00:17:11That fire in your eyes.
00:17:13I see that and my head hurts.
00:17:15Do we have some problem?
00:17:17Oh, no.
00:17:17Just a little one.
00:17:18I would rather take every inch of our 150 acres and stuff it up my woo-woo than sell
00:17:24it to the roses.
00:17:25You.
00:17:26You tried to hide behind some bunch of lawyers.
00:17:29No, we weren't hiding.
00:17:30We're partners.
00:17:30Once more.
00:17:31Once more.
00:17:32God saves me from the roses.
00:17:34Uncle Nick, calm down.
00:17:35You go home and you tell your mother this.
00:17:36This is what Nick DiCenzo gives to the roses.
00:17:40Fungi.
00:17:41You understand?
00:17:42Nothing.
00:17:44No sale.
00:17:46Ciao.
00:17:48Excuse me.
00:18:04Where did he go?
00:18:05I don't know.
00:18:07Probably the shoe shine.
00:18:08He was upset he liked to get his shoes shined.
00:18:11He shouldn't have lied to us.
00:18:12Lied?
00:18:12Nobody lied to anybody.
00:18:13Come on.
00:18:14Hiding behind some investment group?
00:18:15We weren't hiding.
00:18:17You know, you're not a very trustworthy person.
00:18:19That explains the prenup.
00:18:20What is the prenup?
00:18:21Well, you're getting married to what's-his-name, right?
00:18:23Yeah, Brian.
00:18:24Yeah, well, you see, he doesn't trust you either.
00:18:25Brian trusts me completely.
00:18:27Oh, yeah, but he wants a prenup.
00:18:28Brian likes to do things in an orderly manner.
00:18:30He needs to see...
00:18:31You know what?
00:18:32Why am I even telling you this?
00:18:33This is none of your business.
00:18:34I just find this all very fascinating.
00:18:37Mr. DiCenzo.
00:18:38Tony, please.
00:18:39Mr. DiCenzo, we are about to enter into a very complex negotiation.
00:18:43You and him?
00:18:44Me and you.
00:18:45Me and you.
00:18:45I like that.
00:18:47You know, I'm sure that this banter works on a certain type of woman.
00:18:50Rest assured, I'm not that type.
00:18:52Well, I'm open-minded.
00:18:52What type are you?
00:18:53I'm trying to do a business deal with you, and you're, like, hitting on me?
00:18:57I have a boyfriend.
00:18:58Besides the guy you're marrying?
00:18:59No wonder he doesn't trust you.
00:19:00The guy I'm marrying is the boyfriend.
00:19:02Ah, simpler that way.
00:19:03Look, we have put a substantial offer for your property on the table.
00:19:10We are a legitimate buyer, and I suggest that you get your uncle to the table to sign.
00:19:24Whoa!
00:19:25You feel that?
00:19:26Welcome to California.
00:19:28Hey, what's this?
00:19:33Must have got shaken up by the court.
00:19:37Look at a postmark.
00:19:39Holy mashed potatoes.
00:19:48Hey, Ben, how you doing?
00:19:53I got something for you.
00:19:54Oh, yeah?
00:19:54What is it?
00:19:55You won't believe it, but the damnedest thing happened.
00:19:58Oh, yeah?
00:20:17Well, believe me, Tom, I wish I knew.
00:20:19It's some family history.
00:20:22You know, like an Italian whatever.
00:20:26I don't know.
00:20:27I just have to figure out a way to get past it.
00:20:34Tom, can I call you back?
00:20:37Okay.
00:20:38Bye.
00:20:38Bye.
00:20:38Bye.
00:20:38Bye.
00:20:38Bye.
00:20:38Bye.
00:20:38Bye.
00:20:40Bye.
00:20:40Bye.
00:20:42Bye.
00:20:42Bye.
00:20:42Bye.
00:20:43Bye.
00:20:43Bye.
00:20:44Bye.
00:20:44Bye.
00:20:45Bye.
00:20:46Bye.
00:20:47Bye.
00:20:48Bye.
00:20:49Bye.
00:20:50Bye.
00:20:51Bye.
00:20:53Bye.
00:20:55Bye.
00:20:57Bye.
00:20:58Bye.
00:20:58This came in the mail.
00:20:59I, I didn't mean to open it, but it was addressed to Rosa Vineyard, so, I ...
00:21:04That, that's for you.
00:21:12Bye.
00:21:13Bye.
00:21:15Bye.
00:21:17Is your father in the house?
00:21:27Um, no, he's in town.
00:21:30Brian?
00:21:31No.
00:21:32Okay.
00:21:38Ma!
00:21:38Ma!
00:21:43Oh, 40 years.
00:21:4640 years, I've carried this burning knife in my breast.
00:21:52This shame.
00:21:54Vergogna.
00:21:55Oh, my heart, it's going a million miles an hour.
00:21:59Give me some water.
00:22:00Water.
00:22:00Water.
00:22:01No, no, wine, wine.
00:22:03Wine.
00:22:05Ma!
00:22:07Nick DiCenzo!
00:22:09Oh, spawn of the devil.
00:22:11But 40 years ago?
00:22:13I mean, how come it just came today?
00:22:15Because in his divine mercy, God has seen fit to give me this present before I die.
00:22:21When he didn't write, I figured that Cratino Sparco had found somebody else.
00:22:2740 years, Ma, I've carried this pain in my breast.
00:22:32That's so sad.
00:22:34Sad?
00:22:35Sad?
00:22:37Sad?
00:22:38I'm going to have a mess, said.
00:22:40I'm going to sing like Caruso.
00:22:43Ha, ha, ha, ha, ha.
00:22:48Ooh, I'm going to go downtown this afternoon and buy a red dress to wear to that cockroach's funeral.
00:22:57Because I got him.
00:23:00I got him.
00:23:03I got him.
00:23:04I got him.
00:23:06Ooh, I got him.
00:23:07Ooh, I got him.
00:23:09Ooh, woo-hoo.
00:23:1040 years, I've carried this pain that he dumped me.
00:23:17But he didn't dump me.
00:23:19Ow!
00:23:20I dumped him.
00:23:22No, you didn't.
00:23:23You never got the ring.
00:23:24Oh, but he doesn't know it.
00:23:26And if he doesn't know it, it doesn't matter.
00:23:28This is the reason?
00:23:29This is why we hated each other?
00:23:31I got him.
00:23:33You got what?
00:23:34You got a 40-year-old letter and a ring.
00:23:36Nobody dumped anybody.
00:23:38I got him.
00:23:39In my hands today, God sent me Nick DiCenzo's calzones.
00:23:45Ma, you got to tell him.
00:23:47Are you insane?
00:23:48I have the power over him now.
00:23:51I dumped you, and I didn't even know it.
00:23:57Ha, ha, ha, ha, ha.
00:23:58Woo!
00:24:00Woo!
00:24:01Woo!
00:24:02Woo!
00:24:03Woo!
00:24:04Woo!
00:24:04Woo!
00:24:04Woo!
00:24:05Woo!
00:24:05Woo!
00:24:06Woo!
00:24:06Woo!
00:24:07Woo!
00:24:07Woo!
00:24:07Woo!
00:24:08Woo!
00:24:08Woo!
00:24:09Woo!
00:24:09Woo!
00:24:10Woo!
00:24:10Woo!
00:24:11Woo!
00:24:15Ma.
00:24:21He was so handsome.
00:24:24I suppose he still is.
00:24:27Yeah.
00:24:27I suppose he's, uh, he's charming.
00:24:31Like the devil, but an angel.
00:24:36Yeah.
00:24:37I had such a fire for him, Sarah.
00:24:41And he was, he was wild.
00:24:43He, he was a wild thing.
00:24:47He had the eye, you know.
00:24:49Yeah.
00:24:50The nephew, too.
00:24:53Oh, my God.
00:24:55Chased everything in a skirt.
00:24:57Couldn't help himself.
00:24:58Poor thing.
00:24:58You know, there are just men who love women.
00:25:01How can you be with someone like that?
00:25:03Because when he was there, when it was just him, my eyes were like, like stars, and my, my skin would be hot like fire.
00:25:14Sarah, you would look at me, Sarah, and I, I couldn't breathe.
00:25:22Have you, have you ever felt like that, honey?
00:25:24You're scaring me, Ma.
00:25:32Well, after you do, you don't sleep good.
00:25:35Well, what about Dad?
00:25:37Oh, thank God, Johnny.
00:25:38Oh, my God, thank God, Johnny.
00:25:44Oh, thank God you didn't see this.
00:25:46I got to get this thing out of here.
00:25:48Sarah, you got to do this for me.
00:25:50No.
00:25:51What do you mean no?
00:25:52You take him aside, you give this to him, and you say, Alicia thought you should have this.
00:25:59And then what?
00:26:00Explain what happened?
00:26:00Oh, just say what I'm saying.
00:26:02Alicia thought you should have this.
00:26:03But, Ma, that would be lying.
00:26:05Did I ask you to lie?
00:26:06I'm just saying like a telegram.
00:26:09Alicia thought you should have this.
00:26:11Stop.
00:26:12That would be lying.
00:26:13Do I want him to have it?
00:26:14Yes.
00:26:14So it's the truth.
00:26:15You want more truth?
00:26:16Ed.
00:26:17And choke on it, you filthy choo-cho.
00:26:20Ma, he wanted you to marry him.
00:26:22That's not fair.
00:26:23Fair?
00:26:24This is between a man and a woman.
00:26:26Fair has nothing to do with it.
00:26:36Hi.
00:27:05I was looking for your uncle.
00:27:09He's got a head like titanium.
00:27:12You're wasting your time.
00:27:13Well, I wasn't going to talk to him about that exactly.
00:27:15There's been a development.
00:27:17A development that might change the situation.
00:27:20What kind of development?
00:27:22Oh, private development.
00:27:25Private?
00:27:26My, my.
00:27:30Is he here?
00:27:31He's in the back garden.
00:27:32He's behind the house.
00:27:38I'm sorry about your dad.
00:27:45Thanks.
00:27:47Hey, you got any boxes?
00:27:49I'm running out.
00:27:50Um, no.
00:27:52You could get them at the supermarket.
00:27:54They have them in the back.
00:27:56Must be hard packing up all this stuff, huh?
00:27:58Yeah.
00:27:59A lot of work.
00:28:00No, I meant the...
00:28:04Never mind.
00:28:06Oh, my gosh.
00:28:09I haven't seen one of those in a billion years.
00:28:12Oh, yeah.
00:28:13That was my father's.
00:28:15He loved it.
00:28:18You want it?
00:28:20What?
00:28:21Well, I'm just going to take all this stuff down and give it away.
00:28:23You see anything you like, just take it.
00:28:25How could you give this away?
00:28:26I don't like hanging on to a lot of stuff.
00:28:28I like to travel light.
00:28:30This is a piece of your family.
00:28:31It's just a thing.
00:28:34No, it's your history.
00:28:36What am I supposed to do with it?
00:28:37You keep it.
00:28:38You put it in the attic.
00:28:39And?
00:28:40And, I don't know, your kids throw it away.
00:28:43I don't know.
00:28:44It's your roots.
00:28:45Maybe everybody doesn't want to be rooted.
00:28:47You ever think about that?
00:28:48Look, I work in a vineyard.
00:28:49All I know is, you don't have roots, you die.
00:28:54Yeah, vineyards.
00:28:55Come here.
00:28:56I want you to taste something.
00:28:57My father, he had two passions.
00:28:59His opera and his wine.
00:29:01His special wine.
00:29:03Which he made just for us.
00:29:06Every Christmas, he'd bring out his special wine.
00:29:11You want to taste it?
00:29:12Sure.
00:29:13Get a glass.
00:29:19You get that?
00:29:32A hint of vanilla, strawberry, slight oak.
00:29:36Mm-hmm.
00:29:38A hint of chocolate.
00:29:39Mm-hmm.
00:29:41Tastes like goat piss, doesn't it?
00:29:43Mm-hmm.
00:29:44Yeah, poor guy.
00:29:46Grew the best grapes in the world.
00:29:48He couldn't take wine to save his soul.
00:29:51That was really terrible.
00:29:54He was sweet, though.
00:29:57Uncle Nick's in the garden.
00:30:14Mr. DiCenzo?
00:30:16No, ma don't know me.
00:30:19Look, I'm not changing my mind.
00:30:22Now, you seem like a nice girl.
00:30:26But what you ask, I cannot do.
00:30:31My mother, Alicia,
00:30:34thought that you should have this.
00:30:37Did she say anything else?
00:30:51Um, uh, she, she said you should have this.
00:30:59She thought that this, you should have, was what she was thinking.
00:31:07Uh, you have this.
00:31:13Yes?
00:31:16Hmm.
00:31:17She was very beautiful.
00:31:24She still is.
00:31:27Uh, beautiful person, Amy.
00:31:30Well, gotta run now.
00:31:32Doctor's orders.
00:31:32You know, I, I was hoping that now we could just put this all behind us.
00:31:41And I'm, I'm sorry about that misunderstanding.
00:31:43With the investment group, we do have partners, and we really want to buy this land.
00:31:47You want to buy this place, huh?
00:31:48Absolutely.
00:31:49Okay.
00:31:50I'll sell it to you on one condition.
00:31:52Okay.
00:31:53Alicia wants me to have the ring.
00:31:54Um, she must hand it to me.
00:31:57From her hand to mine, as she should have done 40 years ago.
00:32:00Um, Mr. Dean, I'm...
00:32:02She must come to me and put it in my hand.
00:32:06When she does that, I'll sell you the land.
00:32:10Well, that's enough for one day.
00:32:12I need a nap.
00:32:24It's simple.
00:32:29Hand the guy the ring, we buy the land.
00:32:32You're absolutely right, Brian.
00:32:33Except that you're wrong, because it's my mom.
00:32:35Nothing is simple.
00:32:36So did your dad to handle it.
00:32:37Did my dad ever thought he was her second choice?
00:32:40My God, it would break his heart.
00:32:41Now, this is between these two nut jobs.
00:32:45And why are we meeting with the kid?
00:32:47He called.
00:32:48There's something about the deal he wants to discuss.
00:32:50What deal?
00:32:50We don't have a deal.
00:32:51Maybe he has a solution.
00:32:52Hi, uh, we're meeting Tony DeCenzo.
00:32:55Hey!
00:32:56Come here!
00:33:06You must be Brian.
00:33:07Hi.
00:33:08You're the prenup guy.
00:33:10This is Mike.
00:33:10He owns the place.
00:33:11This is Sarah.
00:33:12This is Brian.
00:33:13I'm Tony.
00:33:14This is the fish.
00:33:14What are you doing?
00:33:15You asked me, Timian.
00:33:16I'll give you, Timian.
00:33:17What are the problems?
00:33:19The problems I asked me, Timian.
00:33:21You speak Russian?
00:33:21Honey.
00:33:22If you spoke Russian, you wouldn't understand a word I'm saying.
00:33:27Mike just loves me, unconditionally.
00:33:29This guy.
00:33:29We work together.
00:33:31Lusto de Bomania.
00:33:32You know it.
00:33:34No.
00:33:34In Provence.
00:33:36Sorry.
00:33:36What Mike does to fish, they jump in the boat if they hear he's cooking.
00:33:40I get the fish.
00:33:41You get the girl.
00:33:42Go sit down.
00:33:43I'm going to cook your lunch.
00:33:45It will knock off your eyes.
00:33:50The terms of investment banker and a consultant, I mean, what do they mean, really?
00:33:53I like to think of myself as kind of a profit psychologist.
00:33:59Everyone has it in them to make money.
00:34:01The question is, what is it that holds you back?
00:34:06I just spend it all.
00:34:07I mean, that's what it's for, right?
00:34:11So?
00:34:12What?
00:34:13The fish, did I tell you?
00:34:13Oh, I know.
00:34:14It's incredible.
00:34:15It's like a balsamic.
00:34:16Reduction.
00:34:16What is that?
00:34:17Time.
00:34:18That's amazing.
00:34:19Amazing.
00:34:21Yeah, very good.
00:34:22I'm like a GPS system for finance.
00:34:24You just punch in where you want to be, and I help you get there.
00:34:27Tony?
00:34:30Hey.
00:34:31How are you?
00:34:32When did you get back into town?
00:34:33A couple weeks ago.
00:34:34You look terrific.
00:34:36That's good, right?
00:34:37Give me a call.
00:34:38My home number's on the back.
00:34:39Absolutely.
00:34:40I will.
00:34:40I will.
00:34:40It's great seeing you.
00:34:43I have no idea who that was.
00:34:44You're my hero.
00:34:45Ryan.
00:34:47The sheriff tells me you wanted to talk to us about the non-existent deal.
00:34:51It's about the house.
00:34:53What are your plans for it?
00:34:54We were thinking of gutting it and building a storage facility.
00:34:58I was wondering if we could just leave the house out of the non-existent deal.
00:35:01Well, we'd have to reduce the price per acre.
00:35:03We don't really need the house, though.
00:35:04Is that necessary?
00:35:05The deal included the existing structure.
00:35:08Well, it's not really a structure.
00:35:10It's a house.
00:35:10Honey, I've represented this deal a certain way to the investors.
00:35:13You could just go back to them.
00:35:15Can we discuss this later?
00:35:17Yeah, you two discuss it.
00:35:18You get back to me.
00:35:22Sorry.
00:35:22I got to take this.
00:35:24This is Brian.
00:35:28He's really quite thorough.
00:35:30Yes.
00:35:31You know, he knows his stuff.
00:35:32Yeah, Brian and a blueberry.
00:35:34Hi, John.
00:35:34Lethal.
00:35:35Blueberry?
00:35:36You know, berry thing.
00:35:39Whatever it is.
00:35:41You got that feeling?
00:35:44What's that?
00:35:45With a meal like this?
00:35:47All's right with the world?
00:35:48I have no idea.
00:35:51Yeah?
00:35:52Come on.
00:35:53Where?
00:35:53We got to kiss the chef.
00:35:55Tradition.
00:35:55How many times did you tell me one of those?
00:35:58I am.
00:35:59Macaroni.
00:36:00So.
00:36:00Just terrible.
00:36:01We hated it.
00:36:02Crazy bastard.
00:36:03I don't make food.
00:36:05I make lamb.
00:36:08Hey, I help with the fish.
00:36:15Out.
00:36:16Out of my kitchen.
00:36:17Back to table.
00:36:18I make a special plon.
00:36:21Hey.
00:36:22Where'd you two disappear to?
00:36:24Plon.
00:36:24He's making us a special plon.
00:36:26Oh.
00:36:27That sounds great.
00:36:28Wait.
00:36:29Just wait.
00:36:32Brian, you were going to tell us that thing about the softened dollar.
00:36:34The softened dollar has put the import wine business into a slump.
00:36:38Bad for us.
00:36:40No.
00:36:41No, that's good for us.
00:36:42That's what I meant.
00:36:43More wine?
00:36:44Yes.
00:36:44You what?
00:36:47We kissed.
00:36:48What?
00:36:48You kissed him?
00:36:49He kissed you?
00:36:50Everybody was kissing everybody.
00:36:52I don't know.
00:36:53We just kind of mashed together.
00:36:56What's wrong with you?
00:36:57What is wrong with you?
00:36:58You're acting like a crazy person.
00:37:00You're engaged to Brian, for God's sake.
00:37:02Yeah, I know that.
00:37:03You think I don't know that?
00:37:05I am telling you, these Dicenzo men, they are bad news.
00:37:09Bad news.
00:37:10You got to get rid of this one like I got rid of the other one.
00:37:12I got news for you, Ma.
00:37:13You didn't get rid of anything.
00:37:14What are you talking about?
00:37:16He won't take the ring.
00:37:18He says if you want to give it back to him, you got to put it in his hand in person or
00:37:21he's not going to sell us the lift.
00:37:24Managia questo piedi sporchi.
00:37:26You go tell that son of a gun that you...
00:37:29Hey, Ma, forget it.
00:37:29No, forget that.
00:37:31No, I got enough problems of my own.
00:37:33I got the ring.
00:37:33I got the kiss.
00:37:35Oh.
00:37:36Oh, my God.
00:37:38Don't you see?
00:37:39Don't you see?
00:37:40What?
00:37:41It's like a big red sign in front of my nose.
00:37:43This is it.
00:37:44This is what?
00:37:45You and Tony, me and Nick.
00:37:48God is saying, stay away.
00:37:51Stay away.
00:37:52Ma, we can't do that.
00:37:54We need the land.
00:37:55No.
00:37:56The Dicenzos are bad luck for us.
00:37:59They want to curse us, but I curse them.
00:38:01Look, all you got to do is take this ring and put it in the guy's hand.
00:38:06I don't understand what the big...
00:38:09Ma.
00:38:11You still have feelings for this guy?
00:38:16What about Dad?
00:38:17May God, right this minute, inflict me with an incurable physical condition if I ever,
00:38:24for one minute, was unfaithful to your father.
00:38:27That's not what I asked.
00:38:28Buster.
00:38:29That's enough.
00:38:30We will not buy this land.
00:38:32We will have no dealings with these people.
00:38:34That's my final word.
00:38:36That's it.
00:38:36Hello?
00:38:48Hi.
00:38:49Tony, it's Sarah Anselmi.
00:38:52Yeah, I knew it was you.
00:38:53Oh, you know, that is just the kind of thing you say that really puts me off.
00:38:58What?
00:38:59Yeah, yeah, that you were certain that I was going to call.
00:39:01Like I'm one of those girls who, you know, I'm sure calls you in the middle of the night.
00:39:05Your name came up on my phone.
00:39:08Oh.
00:39:10Well, I'm calling to tell you that my mother has joined the ranks of absolutely not.
00:39:14Absolutely?
00:39:15Not, yes.
00:39:17Why?
00:39:17You don't need to know that.
00:39:18We just need to fix it.
00:39:20How?
00:39:20You just get your uncle to sign.
00:39:22I'll take care of my mother.
00:39:24Look, I'll come over.
00:39:25We'll powwow.
00:39:27Absolutely not.
00:39:29Oh, the family motto.
00:39:31Come on, we'll drink a bottle of wine.
00:39:32We'll figure this out.
00:39:33Look, I just called you to tell you that my mother is not cooperating.
00:39:36If you need companionship tonight, maybe you should call that little number from the restaurant.
00:39:40That bothered you, huh?
00:39:42No, it didn't bother me.
00:39:44You know, I forgot all about that club, but that's an excellent idea, though.
00:39:47Yeah, well, I'm sure that's not an exclusive club.
00:39:50Ooh.
00:39:52Last chance.
00:39:53That could be over in ten minutes.
00:39:54Family motto.
00:39:55Oh, my God.
00:40:25What is that?
00:40:33A little pre-wedding gift.
00:40:35I just delivered it.
00:40:37Do you like it?
00:40:38Yeah, thanks.
00:40:40It's very big.
00:40:41I made coffee.
00:40:42Great.
00:40:45I didn't sleep at all last night.
00:40:47I can't believe this whole deal is going up in smoke.
00:40:50There'll be other land we can buy.
00:40:52When I get back from New York, we'll start over.
00:40:54You're going to New York?
00:40:55You're not my only client, you know.
00:40:57Just my favorite.
00:41:01HDTV!
00:41:03Four satellite speakers sent a speaker-powered subwoofer.
00:41:06Color bars and tones.
00:41:07Let me get the cable set up.
00:41:08It'll be awesome.
00:41:10Man, I'm loving this.
00:41:12Yes!
00:41:17Hi.
00:41:19Hi.
00:41:19Whoa.
00:41:21Is this a special occasion?
00:41:24No.
00:41:24I was just, um...
00:41:30Johnny.
00:41:31I've been thinking.
00:41:35We shouldn't buy the land, the Dicenzos.
00:41:38Why not?
00:41:40It's too risky.
00:41:41Risky for who?
00:41:46For all of us.
00:41:49You...
00:41:49You told Sarah?
00:41:51Yeah.
00:41:53Um...
00:41:55Okay.
00:41:57Yeah.
00:41:58Yeah.
00:42:14Ooh.
00:42:15Yeah.
00:42:15Yeah.
00:42:15Ooh.
00:42:16Yeah.
00:42:17Ooh.
00:42:18Ooh.
00:42:18Ooh.
00:42:21Uh-huh.
00:42:21Ooh.
00:42:21Are you okay?
00:42:33Yeah, I'm fine.
00:42:36You okay?
00:42:37Yeah, I'm fine.
00:42:39Well, we're fine.
00:42:44What about Brian? Is he fine?
00:42:45Brian's fine.
00:42:46Oh.
00:42:47We're all fine.
00:42:49Yeah, good for us.
00:42:51Yeah.
00:43:02Hola, Angel. ¿Cómo está?
00:43:04Good, Johnny. Good.
00:43:06It's hot weather, though.
00:43:07Pushes things along.
00:43:08We're ready, señor.
00:43:10Okay. Well, let's get the crews in.
00:43:12Time to harvest, huh?
00:43:13Bueno.
00:43:14Come on.
00:43:15I'm going to call the car.
00:43:29Hello?
00:43:34Hello?
00:43:35Brandon, if this is you again, I'm going to call the car.
00:43:39Hello?
00:43:40Hello?
00:43:40I don't want the scallopini.
00:44:07What?
00:44:07I don't want the scallopini.
00:44:10Don't worry, don't worry.
00:44:11You're not getting anywhere near my scallopini.
00:44:13Come on, get up.
00:44:14We're going to the lawyer's office.
00:44:16We're signing the papers.
00:44:17Enough of this craziness.
00:44:18We are selling this place to the roses.
00:44:20Oh, bite your tongue.
00:44:22They are willing to let me keep the house.
00:44:24You want the house?
00:44:25Yeah.
00:44:26You don't want the house?
00:44:26I want the house.
00:44:27Why all of a sudden do you want the house?
00:44:29I don't know.
00:44:30I don't know.
00:44:30I just, I just want the house.
00:44:34What the hell is wrong with you?
00:44:37It's 10 o'clock in the morning.
00:44:38You're barging here like a maniac.
00:44:41You have one lunch with a girl, and all of a sudden...
00:44:45What?
00:44:49Look at me.
00:44:53Ow!
00:44:53Uncle Nick!
00:44:54It's the girl.
00:44:57These Rosa women are devils.
00:44:58She devils.
00:45:00What the hell are you talking about?
00:45:01It's like a worm in your heart that eats like a parasite.
00:45:05No, Basta.
00:45:06Enough!
00:45:08You see, your brain is clouded by these, these Rosa women.
00:45:13Like, uh, sirens.
00:45:16You must stuff your ears with wax.
00:45:19What?
00:45:20That woman ate my soul.
00:45:22She's not going to sit on my family's land to digest it.
00:45:26I say no.
00:45:27We will never sell this land to the Rosas.
00:45:31Here.
00:45:33Hey, you got chili or re-fries.
00:46:00Where's your plate?
00:46:05I'm looking for Sarah.
00:46:06You're the nephew.
00:46:08The kisser.
00:46:09I'm Tony.
00:46:11Are you Mrs. Anselmi?
00:46:12Sarah's gone.
00:46:14You know when she'll be back?
00:46:15Never.
00:46:16She went on a cruise.
00:46:17She died.
00:46:18She went on a cruise and then she died.
00:46:19She's out of touch.
00:46:20You have no business being here.
00:46:22Have a nice day.
00:46:24Chili or re-fries?
00:46:25I really need to talk to her.
00:46:27We don't want your land.
00:46:29The deal is off.
00:46:30Now you better go because I gotta sprinkle this whole place with holy water.
00:46:34I really need to talk to Sarah.
00:46:36And I am asking you to leave.
00:46:38If my dog was here, I'd sic him on you.
00:46:40I've got a parakeet.
00:46:41It's got a tiny little sharp beak.
00:46:44Don't make me get ugly.
00:46:45I'm warning you, Ma.
00:46:49Don't pick now to start talking.
00:46:52I'm no mood.
00:46:54Chili or re-fries?
00:47:01Hey, you want another guy's Victor sent over?
00:47:04What?
00:47:05We could use you up in the west corner.
00:47:07Go up and ask for Sarah.
00:47:10She'll show you what to do.
00:47:12Okay, thank you.
00:47:15Ay, Dios mío.
00:47:36Sarah?
00:47:38Yeah?
00:47:39I need to talk to you.
00:47:40Go away.
00:47:41Listen, your mother is sticking a parakeet on me.
00:47:44My uncle is slapping my face and stuffing his ears with wax.
00:47:47What the hell is going on?
00:47:48Ask your uncle.
00:47:48I'm asking you because you know, and he won't talk.
00:47:51All right, my mother and your uncle have a history.
00:47:54What history?
00:47:55Just, you know what?
00:47:56If you're not going to leave, then pick.
00:47:58What history?
00:48:00Ask him about a ring.
00:48:01Something happened.
00:48:02She ate his soul.
00:48:03That's what happened.
00:48:04And by the way, something happened between you and I.
00:48:06Forty years ago, your uncle sent a ring and a proposal of marriage to my mother, and nothing
00:48:10happened between you and I.
00:48:12My uncle?
00:48:12Marriage?
00:48:13No way.
00:48:13It got lost in the mail.
00:48:15Wow.
00:48:15Forty years?
00:48:16Well, two days ago, you kissed me in the kitchen.
00:48:18What your uncle doesn't know is that the ring didn't arrive until last week.
00:48:21And by the way, I didn't kiss you.
00:48:23You kissed me.
00:48:23Ha!
00:48:24And there's nothing going on between you and I?
00:48:25Ha!
00:48:26Me.
00:48:26Okay?
00:48:27Listen, I'm not going to pretend that I'm not a little, you know, puzzled by events that
00:48:31may or may not have taken place.
00:48:32Get back there.
00:48:33You get back under the deck, but I'm going to stay on your own side.
00:48:36Your uncle doesn't know that the ring was lost.
00:48:39Puzzled, huh?
00:48:40He thinks my mother rejected him after all these years.
00:48:42Are you in love with Brian?
00:48:43Your uncle is insisting that my mother put this ring in his hand.
00:48:46As well she should.
00:48:48Are you in love with Brian?
00:48:49She is never going to do that, and I am going to marry Brian, and you're going to do whatever
00:48:52the hell it is you're going to do.
00:48:53And the only problem we have here is how to settle this opera between your uncle and my mother.
00:48:58Would you keep up with my father right over there?
00:49:00Basta!
00:49:02Okay, my mother, who is a very wise person, always knew what to do.
00:49:07No matter what, death, tragedy, she always had the right words to say.
00:49:10And they are.
00:49:11Let's eat.
00:49:16A lunch with the Dicenzos?
00:49:18Yeah, how's that sound?
00:49:18Like I'd rather rip out my own teeth with pliers.
00:49:21You are.
00:49:22No, listen, I've made my feelings perfectly clear on this matter.
00:49:26You know, the world is full of land.
00:49:28It's made of it, for God's sakes.
00:49:30I'm sure some place, some of it, that does not have the Dicenzo curse on it must be for sale.
00:49:36The answer is no, Sarah.
00:49:38Never in a million years.
00:49:40If they were serving that woman's head on a silver platter, I would not sit down to lunch with the roses.
00:49:45Uncle Nick, they're willing to let us keep the house in two acres for the same price.
00:49:49Yeah, forget it.
00:49:49You know, I'm glad my father's not here to see this.
00:49:53Your father?
00:49:53He hated the roses, too.
00:49:55Yeah, but he didn't fear them.
00:49:57Fear?
00:49:58Me?
00:49:59Afraid of the roses?
00:50:01Are you out of your mind?
00:50:03I'm not afraid of anything.
00:50:04You'll just have to get your grapes someplace else.
00:50:07It's not about the grapes, Ma.
00:50:08I'm sorry, Sarah.
00:50:10You cannot ask me to do this.
00:50:11What are you doing?
00:50:28I was just going through old junk.
00:50:31No, you should really throw some of this stuff away.
00:50:34Let me see.
00:50:35Come on.
00:50:36Come on, let me see.
00:50:38Come on.
00:50:39Oh, I remember this.
00:50:46The hayride.
00:50:47I don't know why we just don't get rid of these things.
00:50:49They collect dust.
00:50:51Look at this.
00:50:51They take up space.
00:50:52It's the junior Christmas swirl.
00:50:55It's you and Nick.
00:50:57The two of you would walk into a room and sparks would fill the air.
00:51:01The way you looked at him.
00:51:04God.
00:51:05I wish I could see that look just once.
00:51:12But, hey.
00:51:14You can't control the way people who love you, love you.
00:51:17You just love them the best way you can.
00:51:22Johnny.
00:51:23No.
00:51:23Felicia.
00:51:29From the first minute I saw you, I never had any doubts that I was the right person for you.
00:51:36And I thought that you never had any doubts either until now.
00:51:40Because if you loved me without question, you could sit down at a table and have lunch with anyone without fear.
00:51:49Come on.
00:52:19Oh, Sarah.
00:52:29You got the number of that expensive hairdresser in town.
00:52:32Serafina?
00:52:33Yeah.
00:52:33I want you to call her first thing in the morning.
00:52:36Call her?
00:52:36Why?
00:52:38Just call her.
00:52:43First thing.
00:52:46Oh, thank God.
00:52:47Let's eat.
00:52:58Okay.
00:52:59Now, for a moment, we have to put everything aside.
00:53:02I mean, the land deal is important, yes.
00:53:05The situation with your mother, my uncle, crucial.
00:53:07You and me.
00:53:09Okay, okay.
00:53:11The point is, in this place now, everything in our lives that has led to this moment, what we say next, is vital.
00:53:20And the pasty, clams, oysters, baked clams, oysters, baked clams, oysters, a la mola di taranto.
00:53:31Okay.
00:53:32Cold salmon foam, mushrooms, ripien.
00:53:36Not bad.
00:53:37I know.
00:53:38Sauteed turkey breast stuffed with prosciutto and margazola.
00:53:43And, say it, white truffles.
00:53:57Oh, that's strong.
00:53:59Very strong.
00:53:59Oh.
00:54:00Really?
00:54:00Oh, yeah.
00:54:01It's not good.
00:54:01Then you kiss me with all your soul, while you softly whisper, pasta, tajon.
00:54:07Oh, I don't say, maybe, I say, manja, baby.
00:54:15Get the clam.
00:54:15That's it.
00:54:16Good.
00:54:16Get the big one.
00:54:16You don't need the clam.
00:54:17Sit down.
00:54:18I need the oyster.
00:54:19All right.
00:54:19Muscles.
00:54:20Can we compromise on the muscle?
00:54:21Clams.
00:54:23Clams.
00:54:23Here we go.
00:54:24Here we go.
00:54:25All right.
00:54:25I need a man with an appetite.
00:54:29You will abandon all control when you get a little taste of my brujol.
00:54:35I see that you're starting to tremble.
00:54:39I see that you give me the look.
00:54:42I see that your mouth starts to water.
00:54:46Because you see that I'm starting to come.
00:54:49Thomas, go down there.
00:54:50Go down there.
00:54:50That one?
00:54:50Well, listen.
00:54:51You know what?
00:54:52No, no, no.
00:54:52Go to the field.
00:54:54I'm opening this thing.
00:54:57Here we go.
00:54:58All right.
00:54:59Yeah.
00:55:00Wait this.
00:55:00What is the way?
00:55:01Very heavy.
00:55:01Enough?
00:55:02I think that's enough.
00:55:02Okay, good.
00:55:03Here.
00:55:03We'll take it.
00:55:06I say mange, baby.
00:55:10Ooh, you're hungry yet?
00:55:13And when it's time to say goodnight.
00:55:16Good day.
00:55:17I'll teach you all the appetite.
00:55:20And if you want a second date, be prepared to finish everything on your plate.
00:55:28Don't say maybe.
00:55:30You should probably start cooking around nine.
00:55:31You know, I can do some of the prep tonight.
00:55:34Yeah, so, nine.
00:55:36Yeah, okay.
00:55:36I'll just bring the wine with me tomorrow.
00:55:39I can get it now if you want.
00:55:41Oh, um...
00:55:42Oh, no, no.
00:55:43You know what?
00:55:43You just...
00:55:44No, no, it's all right.
00:55:45Yeah, it's inside.
00:55:46Mm-hmm.
00:55:46Really?
00:55:47Yeah, come on in.
00:55:47Okay.
00:55:52It's just...
00:55:53I'll be right back.
00:55:56Hey, classy joint.
00:55:58Yes, it's a classy joint.
00:56:00It's the original farmhouse.
00:56:02Built in 1883.
00:56:0519th century TV?
00:56:07Oh.
00:56:09Brian gave me that TV.
00:56:10For what?
00:56:11Just nothing.
00:56:13You know, he's just like that.
00:56:15Sweet.
00:56:17It's very...
00:56:19big.
00:56:19It's a space station.
00:56:21What's this?
00:56:22Oh, this is what I wanted to serve tomorrow.
00:56:25If you like it.
00:56:26It's mine.
00:56:27It's a cab Merlot blend.
00:56:29Well, the cab is ours.
00:56:30The Merlot is from your place.
00:56:32You stole our grapes?
00:56:33No, I had my foreman buy it from your foreman.
00:56:37We had to sneak it so my mom wouldn't find out.
00:56:40We smuggled them in.
00:56:41I felt like a drug dealer.
00:56:43This is the blend of our two families.
00:56:47Dominique Borgia.
00:56:48Nostrovia.
00:56:50Oh, my God.
00:56:55What?
00:56:57This is not my father's wine.
00:57:00But it's your father's grapes.
00:57:01Sarah, you must know how good this is.
00:57:04I...
00:57:05I had an idea.
00:57:07Yeah.
00:57:09Oh!
00:57:10I'm out.
00:57:12I'll show you something.
00:57:14This is really quite extraordinary, darling.
00:57:17Oh, thank you.
00:57:19Here, look.
00:57:20You'll love this.
00:57:21Mm.
00:57:22What?
00:57:23Your family?
00:57:23Mm.
00:57:24Mug shots.
00:57:25This little girl in this picture,
00:57:27that's my Nana.
00:57:28Mm-hmm.
00:57:29And that's my great Uncle Pete.
00:57:30He had a metal plate in his head.
00:57:32In the war?
00:57:33Mm.
00:57:33Sawmill.
00:57:34He used to put magnets on it when he was sleeping.
00:57:38That's evil.
00:57:39There's my great aunt, Nettie.
00:57:41And look, just cousins, cousins, cousins.
00:57:44See?
00:57:45I would have had you pegged for that.
00:57:46Husband, 12 kids, Miss 4-H.
00:57:50Oh, well, I was Miss 4-H.
00:57:52And I was married once, just for a second.
00:57:56You know, it was this crazy on-again, off-again thing.
00:57:59Very tempestuous.
00:58:01Oh, I'd love to see you tempestuous.
00:58:03Well, it just got to the point where we were either gonna kill each other or get married,
00:58:09so we got married.
00:58:11I should have killed him.
00:58:15That explains the flat screen.
00:58:19I like that TV.
00:58:23Oh, look at that.
00:58:24There's my Nana's brother, Ropo.
00:58:26So, what's your story?
00:58:31My story?
00:58:32Mm-hmm.
00:58:33I ain't got no story.
00:58:36Everybody has a story.
00:58:38I got a lot of stories, but none that I'm gonna share with you.
00:58:43Like your uncle, huh?
00:58:44Well, you know what they say.
00:58:45You don't want to make the same mistake once.
00:58:48It's not always a mistake.
00:58:51Right, Miss Tempestuous.
00:58:53Well, my parents are happy.
00:58:55Weren't yours?
00:58:57They endured.
00:58:59Worked hard.
00:59:01Made a family.
00:59:04They didn't expect much.
00:59:11Here's a picture I wanted to show you.
00:59:15More dead people?
00:59:18Look.
00:59:19Who are they?
00:59:20That's our families.
00:59:21That's the Roses and the Dicenzos.
00:59:23Right after they moved from Calabria, right after they bought the land.
00:59:26That's my great-grandfather.
00:59:27Hmm.
00:59:28That's our first Christmas dinner together.
00:59:32La familia.
00:59:34Hmm.
00:59:34La familia.
00:59:35Yeah.
00:59:36Yeah, well, uh, I'm gonna, I'll just...
00:59:47Okay.
00:59:48Okay?
00:59:49So...
00:59:50Tomorrow?
00:59:50I'll just...
00:59:51Tomorrow.
00:59:53Okay.
00:59:53The wine.
01:00:04The wine.
01:00:05That...
01:00:06The wine.
01:00:06The wine.
01:00:07The wine.
01:00:13Al.
01:00:15Al.
01:00:15Yeah?
01:00:16My shampoo.
01:00:18You know where it is?
01:00:18Look under the sink.
01:00:19What's this?
01:00:23Oh, I'm, uh, I'm making a little something for the luncheon.
01:00:26Huh.
01:00:27What are you wearing?
01:00:28I, I don't know.
01:00:29I hadn't even thought about it, really.
01:00:31What about something dressy casual, like your new sport coat?
01:00:35Yeah.
01:00:36Yeah, it'd be good.
01:00:38Johnny.
01:00:38Yeah, I've got to take a shower.
01:00:40Under the sink, you said, right?
01:00:41Yeah.
01:00:41Come on, baby.
01:00:55Mama needs a vineyard.
01:01:03I need you a minute.
01:01:05Okay, can you just wait?
01:01:06Sarah?
01:01:07You know, frankly, I think this whole thing is a big waste of time.
01:01:10Jeez.
01:01:11You just got to get her to give him the ring, and everybody's going to be happy, and everything's
01:01:16going to work out.
01:01:17Oh, well, it would work out for him.
01:01:19That's mine.
01:01:20What does that mean?
01:01:21Oh, they're going to be here any minute.
01:01:22It means that, like, what is in it for her?
01:01:24Why are you rolling the focaccia?
01:01:26You're telling me how to make focaccia?
01:01:28I worked at Lucere de Bommonier.
01:01:29Oil.
01:01:30You used too much garlic.
01:01:31Brian's sensitive to garlic.
01:01:33Brian?
01:01:34Yeah, I told you he was coming.
01:01:36No, you didn't.
01:01:38Is that a problem?
01:01:41No.
01:01:42Just set another place.
01:01:45Are you watching the sauce?
01:01:46Yes, I am watching the sauce.
01:01:49You know what?
01:01:49Why don't you just roll your focaccia, all right?
01:01:51And I'll make my tiramisu and Bianco.
01:01:54How's that?
01:01:54So this is what we have to do.
01:01:59I'm going to get my mom to come into the kitchen.
01:02:01Then you've got to come up with some excuse to get your uncle to come in.
01:02:04Why don't we just do it at the table?
01:02:05I can't do that.
01:02:06My father.
01:02:07That would be so humiliating.
01:02:08Okay.
01:02:09Okay.
01:02:09I get it.
01:02:09I get it.
01:02:10I get it.
01:02:11Check the veal, will you?
01:02:12Oh, my God.
01:02:25It is ruined.
01:02:26It's all ruined.
01:02:28What?
01:02:28The veal?
01:02:30No, my life.
01:02:32God, don't do that.
01:02:32I thought you meant the veal.
01:02:33I'm talking about my life.
01:02:35I had my wine and my Brian and my big TV.
01:02:39You ate the big TV.
01:02:40I didn't know I did.
01:02:42And now I do.
01:02:42And so now it's all ruined.
01:02:44Sarah.
01:02:44Don't you come near me.
01:02:45This is your fault.
01:02:47My fault?
01:02:48Yeah.
01:02:49You just, you just waltzed right in here and you ruined my life.
01:02:51And now when this is all over, you're just going to waltz out again.
01:02:54You don't know that.
01:02:54What?
01:02:55What, mister?
01:02:56I don't need any roots.
01:02:58What are you, you're going to open your restaurant here?
01:03:00Where?
01:03:01In this house?
01:03:02In this house that you want, but you don't want?
01:03:05This house?
01:03:06My restaurant?
01:03:07Yeah.
01:03:07Like that's going to happen.
01:03:09Maybe I will.
01:03:09Maybe I'll do just that.
01:03:11No, you won't.
01:03:12Yes, I will.
01:03:13Don't you dare.
01:03:14But I thought you wanted.
01:03:15No, no, no, no, no.
01:03:16What?
01:03:17You think I, I want you here with your, your stupid rolled up focaccia and the way you make
01:03:22me laugh and.
01:03:26Okay.
01:03:27You don't want me to stay.
01:03:29You don't want me to go.
01:03:30What the hell do you want?
01:03:32I want you to have never come back here at all.
01:03:35But I did.
01:03:36So that is off the table.
01:03:37So now, what do you want now?
01:03:41You're burning the sauce.
01:03:45What do you want now?
01:03:47I just want to cancel this lunch.
01:03:49I just don't want to be here.
01:03:51I don't know.
01:03:52I don't know.
01:03:53Dad, I don't know.
01:04:05Oh, my God.
01:04:35Go, go, go. I'll be right behind you.
01:04:45This is Brian.
01:05:05This is Anselmo.
01:05:09Thank you for inviting us to your home.
01:05:12My pleasure.
01:05:13Ma, you look amazing.
01:05:16Manage a Sarah.
01:05:18Wipe that look off your face.
01:05:20Your fiancé is coming.
01:05:22What's wrong with both of you?
01:05:24Something smells great.
01:05:26Hey, Brian.
01:05:26Hi, Tony. How are you?
01:05:27Good. How are you doing?
01:05:28Uh, you know Johnny.
01:05:32Mr. Anselmo.
01:05:33Oh, call me Johnny, please.
01:05:35Pleasure.
01:05:35This is my mother-in-law.
01:05:36Mrs. Rosa, how are you?
01:05:40She doesn't speak.
01:05:44Okay. Please. Please. Everyone. Please.
01:05:46Come in. Come in.
01:05:48Can I get anyone a drink?
01:05:50Mrs. Anselmo?
01:05:51I'll have a wine.
01:05:55Ciao, tutti.
01:06:02Oh, Alicia.
01:06:04You look exactly as I remember you.
01:06:12I remember you taller.
01:06:16Johnny!
01:06:18You look terrific.
01:06:19You too, Nick.
01:06:20You too.
01:06:21It's been too long, huh?
01:06:23Matter of opinion.
01:06:24Oh, I love your jewelry, Alicia.
01:06:28Ooh, so many rings.
01:06:31Um, Nick, I want you to introduce you to my fiancé, Brian.
01:06:34Oh, ciao, Brian.
01:06:36Hi, Nick. How are you?
01:06:37And you remember my grandmother?
01:06:41Hmm.
01:06:41Uh, she doesn't talk.
01:06:43I figured, because no one's threatened to drive a nail through my eye yet.
01:06:48Okay, this is going well.
01:06:50Please, sit down, Mrs. Anselmo.
01:06:54Look, I feel I can speak freely here as the only outsider.
01:06:57Mrs. Rosa?
01:06:58I know you have old differences, but I think we all share one common goal.
01:07:03Thank you, Daddy.
01:07:04So, um, I'm asking you to please try and set those differences aside.
01:07:08If not for your own peace of mind, then for me and Sarah.
01:07:12Boy, are you in for an interesting afternoon.
01:07:16Brian, sit down.
01:07:21Oh.
01:07:26Here we go.
01:07:29Well, let's eat.
01:07:43Food.
01:07:44Food.
01:07:44Well, I suppose we should drink to something?
01:08:03I can't imagine anything we could all agree on.
01:08:06A la familia.
01:08:12A la familia.
01:08:16Salud.
01:08:16Salud.
01:08:17Salud.
01:08:17What is this?
01:08:24It's Sarah's.
01:08:25Sarah's wine.
01:08:27Pretty good.
01:08:28Pretty good?
01:08:29It's brilliant.
01:08:30My daughter's wine is brilliant.
01:08:32It's extraordinary.
01:08:33That's what I said.
01:08:34I said, pretty good.
01:08:35Well, the food is all Tony's.
01:08:37Very nice.
01:08:38I'm not hungry.
01:08:40Ma.
01:08:41It looks great, honey.
01:08:42You're not hungry either.
01:08:43Ma.
01:08:44Well, I have a thing about other people's kitchens.
01:08:46You don't know what goes on in other people's kitchens.
01:08:49They cook, right?
01:08:50You think so?
01:08:51Ma.
01:08:51Well, I'm going to eat.
01:08:54Me too.
01:08:56Ma?
01:08:56I said no.
01:08:59So, Nick.
01:09:00How long has it been?
01:09:02Must be 40 years.
01:09:03So, what's new?
01:09:05In 40 years.
01:09:06Huh?
01:09:07Everything.
01:09:09Oh, you remember that guy who was in shop with us?
01:09:12Eddie Poulsen?
01:09:13Yeah, the guy with the lisp, right?
01:09:14No, that was Eddie Berchek.
01:09:16Eddie Poulsen had the wooden leg.
01:09:18No, no, no, no.
01:09:19That was Ted Wedgelow.
01:09:20Who was Eddie Berchek?
01:09:21Oh, he had the sister, right?
01:09:23No, that was Footsie Longo.
01:09:25Footsie Longo!
01:09:26That's the guy!
01:09:27That's the guy who was in shop with us.
01:09:29So, what about him?
01:09:31He died.
01:09:32No.
01:09:32Yeah!
01:09:33Oh, what's wrong with you guys?
01:09:34Footsie Longo isn't dead.
01:09:36Dead as Julius Caesar.
01:09:38Is Footsie short for something?
01:09:40Yeah, Alfonso.
01:09:41Look at this guy.
01:09:42Look at him.
01:09:42He still hates to be wrong.
01:09:45Remember the spelling bee?
01:09:47Yeah.
01:09:48Remember how you got second prize?
01:09:50So mad you got.
01:09:52Because Johnny got first prize.
01:09:54Johnny always got first prize.
01:09:56I got second prize.
01:09:58Johnny got the booby prize.
01:10:00What?
01:10:01What?
01:10:02He's dead, all right.
01:10:03What?
01:10:03Who?
01:10:04Alfonso Longo.
01:10:05Two years ago.
01:10:06What?
01:10:07You got dead people in there?
01:10:08Brian.
01:10:08What?
01:10:09They don't want information.
01:10:10They just want to argue.
01:10:11Okay.
01:10:12No.
01:10:13I googled him.
01:10:14You googled Footsie Longo.
01:10:16What the hell does that mean?
01:10:17It means he's dead and I'm right.
01:10:20Ha-ha!
01:10:21Footsie Longo is dead.
01:10:23Ah!
01:10:24Morte, morte.
01:10:25The melanzani is wonderful.
01:10:30Hmm?
01:10:30Isn't it wonderful, Dad?
01:10:32Wonderful.
01:10:33Sarah and I did it together.
01:10:34Oh, my God!
01:10:36The antipasti!
01:10:38Would you join me in the kitchen, please?
01:10:40For what?
01:10:40So I can flip my wrists.
01:10:43Excuse me.
01:10:49Can you google anybody in there?
01:10:51Or do you have to know them?
01:10:52Did you see that?
01:10:55She gave him the look.
01:10:58Uncle Mick, I need you a moment.
01:11:00I'm eating.
01:11:01You know, Mother, you're being a royal pain in the butt.
01:11:04Oh, what did I do?
01:11:05Not everything but stab him with your fork.
01:11:07Well, today is young.
01:11:08I need to talk to you.
01:11:09I need the little girl's room.
01:11:10I'll find myself.
01:11:12Mother, don't go!
01:11:14Uncle Mick?
01:11:15What the hell can I have a bunch of this on you?
01:11:18What is going on?
01:11:19What?
01:11:20You and Tony.
01:11:21You think I can't see it?
01:11:22I mean, what are you nuts?
01:11:24What the hell is going on in there?
01:11:27Am I?
01:11:28The horns.
01:11:29They want me to wear the horns, huh?
01:11:33Well, am I?
01:11:38Sarah, where's your...
01:11:39Sorry, we'll come back.
01:11:40Is there something going on between the two of you?
01:11:43Between us?
01:11:44Something I should know about.
01:11:46My bedroom.
01:11:47The bathroom.
01:11:48My mother's in the bathroom.
01:11:49I'll use the one up there.
01:11:51Uncle Nick, do not leave the house.
01:11:52Tony, why did you get the string beans?
01:11:53Is anyone going to answer me?
01:11:55Where's your mother?
01:11:57She's in the bathroom.
01:11:58Well, where's Nick?
01:11:59He's in the bathroom.
01:12:00They're both in the bathroom?
01:12:02All right.
01:12:03Excuse me.
01:12:05Tony.
01:12:06I'm sorry, what was the question?
01:12:07Is there something going on between you and Sarah?
01:12:10I think you should talk to Sarah.
01:12:15Well, that's a yes.
01:12:17It's not.
01:12:18Take the bread.
01:12:20Well, is it a no?
01:12:21Well, it's not a yes.
01:12:27Look, Brian.
01:12:28There are no simple yeses and there are no simple noes.
01:12:32What is there?
01:12:32There's veal.
01:12:34Sauteed with sage and white wine.
01:12:36Hey.
01:12:37What the hell are you doing?
01:12:39I took a pee.
01:12:41Where's Alicia?
01:12:42Hey, she's your wife.
01:12:43That's right.
01:12:44That's right.
01:12:45She's my wife.
01:12:51Look at the old lady.
01:12:52She eats like she's going to the chair.
01:12:54Uncle Nick, I need you in the kitchen.
01:12:56Just in the kitchen.
01:12:57Well, we're going back.
01:12:58Oh, my na, John.
01:13:01No, sit.
01:13:02Good, now.
01:13:03Before Johnny gets back.
01:13:04What's before Johnny gets back?
01:13:06Isn't there something you want to give to Nick?
01:13:07Yeah.
01:13:09Typhus.
01:13:10Yeah.
01:13:11Something you should have returned years ago?
01:13:13Hmm?
01:13:14Something you'd like to place in my hand?
01:13:22Happy?
01:13:30Johnny, let's go.
01:13:31I do not wear the horns.
01:13:34You don't wear the horns?
01:13:35What horns?
01:13:35A man who wears the horns is a man with an unfaithful woman.
01:13:38Oh, God.
01:13:39I'm wearing the horns.
01:13:41No, Brian, you're not wearing the horns.
01:13:42But I don't wear the horns because I know.
01:13:46I know about the ring.
01:13:47I know about the proposal.
01:13:49I know.
01:13:51Oh, my God.
01:13:52What is it with you people?
01:13:53This is not an opera.
01:13:54It was a simple postal error.
01:13:57A postal error?
01:13:58The package was lost in the mail.
01:14:01It happens.
01:14:02What package?
01:14:03Nothing.
01:14:03Brian.
01:14:04Alicia's package with the ring and the proposal.
01:14:06Brian, zip it.
01:14:07She didn't get it till last week.
01:14:09I thought we were all talking about the same thing.
01:14:12Aren't we?
01:14:12There was a saying in my village when I was a girl that love is like a wine.
01:14:37Just enough makes happiness.
01:14:39Too much makes a fool.
01:14:46Aha!
01:14:47Aha!
01:14:48Aha!
01:14:50What?
01:14:50You never got it.
01:14:52I knew it.
01:14:53You knew what?
01:14:54So I didn't get it.
01:14:55So I got it last week.
01:14:56A little time.
01:14:58The answer would have been the same.
01:15:00Tell me that.
01:15:01Uncle Nick, come on.
01:15:03No, no, no.
01:15:04Tell me that now in front of God and all these people.
01:15:08You would have said no.
01:15:09I'm not going to answer that question.
01:15:11That is a ridiculous question.
01:15:13I'm not going to dignify it with an answer.
01:15:15Come on, Nick.
01:15:16Can't you both...
01:15:17Sarah.
01:15:18Answer the question.
01:15:20What?
01:15:22For 40 years, I wake up.
01:15:26I ask myself the same question.
01:15:2840 years.
01:15:29Now, I would like an answer.
01:15:31You, Johnny.
01:15:32After 40 years of marriage, after all we've shared, you want words?
01:15:37I want words.
01:15:39I can think of two.
01:15:41Ma!
01:15:41What?
01:15:42Dad!
01:15:43Sarah!
01:15:44Wait a minute.
01:15:44Wait a minute.
01:15:46I want what's mine.
01:15:48What?
01:15:49The ring.
01:15:49If you're not going to accept it, I want it returned from your hand to mine.
01:15:55It's a point of honor.
01:15:56You wouldn't know honor if it bit you on the...
01:15:59Ma!
01:16:00Whatever.
01:16:01I want my ring.
01:16:03Please.
01:16:03Please, give him the ring.
01:16:05Stay out of it!
01:16:06Give him the damn ring, Ma.
01:16:08Stay out of it!
01:16:10The ring.
01:16:13Sarah's got it.
01:16:14Yeah, I...
01:16:16Wait, I put it on my...
01:16:20Oh, my God, I lost it.
01:16:23You lost it?
01:16:24I should have expected it.
01:16:25Lost again!
01:16:27I see.
01:16:28You Rosa women are all the same.
01:16:30You have a piece of a man's soul, and you throw it away.
01:16:34I know what you mean.
01:16:35Why, you're crazy!
01:16:36You know that?
01:16:37You're crazy!
01:16:37She lost it!
01:16:39You know, Johnny owes me a big thank you.
01:16:41Thanks to me, he finally sees what kind of woman he marries.
01:16:57Some things don't change.
01:17:00Well, Nick, you okay?
01:17:02What?
01:17:03A loaf of bread?
01:17:05She hit me with a shovel once.
01:17:08Excuse me.
01:17:09This is silk.
01:17:11Well, that was successful.
01:17:21Did anyone think the veal was a little dry?
01:17:24At least my wine was a big hit.
01:17:26Sarah, we should go.
01:17:27I can't.
01:17:29You can't?
01:17:30My family is falling apart, don't you see?
01:17:33Yeah.
01:17:36Yeah, I see.
01:17:37Maybe you should go after him.
01:17:53You know, I don't need you telling me what to do.
01:17:55Okay.
01:17:56Buon appetito.
01:18:13Brian!
01:18:14Brian, where are you going?
01:18:15I see the way you look at him.
01:18:16A blind man could see it.
01:18:18No, wait a minute.
01:18:19Why can't you just admit you have feelings for him?
01:18:21All right, all right.
01:18:23I have feelings for him.
01:18:24How can you say that?
01:18:25Brian.
01:18:26No, no!
01:18:28I'm not as strong a man as your father.
01:18:29I can't wait 50 years hoping that one day you'll look at me in the same way.
01:18:36I don't know what to say.
01:18:43Before we were engaged, we were friends, right?
01:18:47And friends are supposed to want the best for their friends.
01:18:52You know, I just don't have my mother's energy.
01:18:5950 years from now, when you come for lunch, I just want it to be lunch.
01:19:11Okay.
01:19:19I want my TV back!
01:19:21You hear me?
01:19:22It's mine!
01:19:22It's mine!
01:19:23And I want it back!
01:19:24Okay.
01:19:25Okay.
01:19:52You couldn't find him?
01:19:53Who, Johnny?
01:19:55No.
01:19:56I don't know where the hell he went.
01:19:58If you don't mind, I'd like to be alone now.
01:20:00Eh, he'll come back.
01:20:03He was like this, remember?
01:20:05He'd run off and brood and then he'd come back.
01:20:10Ha, Johnny.
01:20:11Me.
01:20:12I didn't come back.
01:20:13Why?
01:20:14I was a kid.
01:20:19So were you.
01:20:20You know it was why kids do anything, right?
01:20:24You want the truth?
01:20:25I was scared.
01:20:26Yeah.
01:20:27I was scared.
01:20:29I was scared if I came back, I'd never be able to leave again.
01:20:34I mean, this place.
01:20:37It was never me.
01:20:38You've never been happy here.
01:20:43I know.
01:20:45I know.
01:20:50You meant a lot to me.
01:20:51You meant a lot to me, Nicky.
01:20:55You're my first crush, my first love.
01:21:00You taught me how to love, Nick.
01:21:03In spite of everything, Nick, you were a gift in my life.
01:21:14And you and mine.
01:21:21Get your hands off of my wife.
01:21:24It's Johnny, it's not what it looks like.
01:21:26What do you mean?
01:21:26Oh, Neil!
01:21:30Oh!
01:21:32Johnny!
01:21:34You fought for me.
01:21:35You fought for me.
01:21:37I think I fell on my keys.
01:21:39You risked your life for me.
01:21:41Risked his life?
01:21:42I'm 65 years old.
01:21:44It takes me 20 minutes to get up in the morning and take a leak.
01:21:46Oh, Johnny.
01:21:54Alicia, you're giving me the look.
01:21:59Oh, Johnny.
01:22:00Oh, Johnny.
01:22:02Oh, Johnny.
01:22:04Oh, Johnny.
01:22:06Oh, Johnny.
01:22:23Oh, il vento, venite al genèi, barcetta mia, Santa Lucia, Santa Lucia.
01:22:41Oh, il vento, venite al genèi, barcetta mia, sara?
01:22:54Say something.
01:22:56Uh, how'd it go with Brian?
01:22:59Yeah, how'd it go with Brian?
01:23:03Is that all you can say?
01:23:05It's not all. It's just what I'm saying now.
01:23:11Oh, sorry. Wow, that's rough. He's a good guy. Sorry.
01:23:18Yeah, sorry. Right.
01:23:22I, uh, wow. I didn't mean, you know, to...
01:23:28No, you are not to blame. No, you're not the disease. You're a symptom of the disease.
01:23:35That's good to know.
01:23:36You don't have to feel any sense of, um...
01:23:39Obligation? Obligation. Thank you.
01:23:41And also, don't feel like you have to come up with any magical words of consolation, or...
01:23:47Don't feel guilty about this, because it's not your fault.
01:23:50Sarah, shut up. Sorry.
01:23:52Okay. I don't know how I feel.
01:23:58I mean, I thought this might happen, and I kind of hoped, you know, I guess that it would happen.
01:24:05But now that it's happening, I guess I... I mean, it's happening, right?
01:24:12Yeah. It's happening.
01:24:14Yeah. Okay. Um...
01:24:19How do you feel?
01:24:21I don't know. Tony... I feel... I feel like I have to go home.
01:24:33Good. And we decided to bury it. Yeah, yeah, yeah. In the garage. Yeah.
01:24:48So he wouldn't find out.
01:24:49And then your father went to the garage, the floor caped in, he stayed on the roof of the car.
01:24:54Oh, Sarah, your dessert is beautiful.
01:24:58Oh, honey, it looks delicious.
01:25:00I can't wait.
01:25:01What the hell is going on?
01:25:03What?
01:25:04Ten minutes ago, you all wanted to kill each other.
01:25:05Oh, we worked it out.
01:25:07You worked it out?
01:25:09Sarah, Tony, we want you to know that we talked.
01:25:11And the land, everything you want, is all fine.
01:25:14We're gonna sign the papers tomorrow, eh?
01:25:16First thing. And Sarah, just go make your wine.
01:25:28Honey, honey, you okay? You all right?
01:25:30What is it?
01:25:31Where is Brian?
01:25:35Trouble.
01:25:36Hey, don't start.
01:25:37The kisser.
01:25:38I didn't do anything.
01:25:39Don't start.
01:25:40You don't just start throwing accusations.
01:25:42Accusations.
01:25:43You'll be lucky if that's all I throw.
01:25:47Little girl got the cake.
01:25:51Ma, you haven't said a word in 20 years. Now you speak?
01:25:57I wanted the cake.
01:26:03Oh, Mama.
01:26:10Okay.
01:26:23Who gets it?
01:26:40Good night.
01:26:41Good night.
01:26:42Good night.
01:26:43Really?
01:26:44It's okay.
01:26:45I love you.
01:26:51I love you.
01:27:05I've been waiting for a long time.
01:27:06You're right.
01:27:07You're right.
01:27:08I'm ready.
01:27:09Bravo!
01:27:33Bravo!
01:27:37Bravo!
01:28:01Salud!
01:28:03Salud!
01:28:05Oh, that looks great.
01:28:07Well, of course, my nephew did.
01:28:11Happy holidays!
01:28:13How's everybody doing over here?
01:28:15Wonderful.
01:28:17Are you enjoying the wine?
01:28:19We are featuring our Cabrillo blend.
01:28:21Have a little more.
01:28:23Congratulations.
01:28:25There were once two fools named Sarah and Tony.
01:28:31Fantastic appetizers tonight.
01:28:33And the veal is out of it.
01:28:35Their families owned neighboring vineyards in America.
01:28:39They joined their lands and made great food and especially wonderful wine.
01:28:45And as we all know, what is in the soil is in the grape.
01:28:51And what is in the grape is in the wine.
01:28:53And what is in the wine is in our hearts.
01:28:57Salute, amore.
01:28:59Salute, amore.
01:29:09.
Be the first to comment