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00:00And finishing off Manhattan's historic buildings in style with the Grand Central Terminal, New York City Station.
00:05She has been part of many great moments in American cinema.
00:08And it is true that its architecture allows for a dynamic and inspiring staging.
00:12She houses an entire civilization in one of her lockers in Men in Black 2.
00:15Who are you, stranger?
00:17J.
00:18Hmm!
00:19Black to J, black to J, oh J it's here!
00:24Oh, benevolent J, guardian of the night!
00:26Come here!
00:26Well what?
00:27She is part of the imagination of the protagonists in Michel Gondry's Eternal Sunshine.
00:31It transforms into a giant ballroom in Terry Gilliam's Fisher King.
00:35It is the home of the Duke of New York in John Carpenter's New York 1997.
00:39Michael Bay blows it up in Armageddon.
00:42Of course, it's Michael Bay.
00:43We find it in an animated setting in the first Madagascar.
00:46And she's at the heart of the conflict in the first Avengers.
00:48Who will defend Earth against the aliens inside the building.
00:51But above all, outdoors, offering us unbeatable entertainment.
00:57As you will have understood, the building is an inexhaustible source of inspiration for cinema artists.
01:05It works just as well in a science fiction universe as in a musical or even animation.
01:10But if there is one film in which the station is sublimated by the staging, it remains in Brian De Palma's impasse.
01:15The strength of this sequence comes from the way De Palma uses the environment to increase the tension.
01:21He uses this veritable giant maze to keep us in suspense until the end.
01:24Even giving us hope of an escape for the character of Carlito played by Al Pacino.
01:30But there is no hope in Brian De Palma's cinema.
01:32And this bitter ending concludes one of the most incredible chases in American cinema.
01:37Thanks for watching this video!
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