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  • 2 days ago
We’ve previously looked at Josh Smith's tune “Triple J Hoedown,” specifically the live version, from his album Live at the Spud, recorded at the Baked Potato in Los Angeles. We’ve made it all the way up to the solo section (at least his solo)! In this video, he'd like to walk you through his approach to the first part of his solo section.

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Transcript
00:00all right Josh Smith here again we've been talking about my tune Triple J Hoedown the live version
00:10from Live at the Spud for the last couple months and we've made it up to the solo section at least
00:14my solo and so this tune the solo starts with a very open section almost just me and drums for a
00:23while so in a trio format you're already afforded so much freedom and by freedom I mean freedom to
00:31rhythmically do what I want freedom to harmonically do what I want because I'm not tethered down to
00:37anybody else's polyphonic chords or you know harmony freedom to you know use different sounds
00:44like Leslie's and things like that that sometimes I would stray away from when I have other
00:48instrumentation and this song is a great example of that because I can kind of go anywhere and I do
00:53on this recording you know it's different than any other night's recording of this tune so we start
00:59off in this big open G and basically the guys are following me waiting for me to play certain cues
01:08and things and I kind of go where I want so I start with a lot of open string hybrid stuff
01:14I think my first lick actually is
01:17so that lick is just a you know kind of major pentatonic with a lot of chromatic notes in
01:30between and open strings but what I really love is that that tension at the end when I play the
01:35ringing open G with the F
01:37and resolve it those kind of things when it's just you and drums or the bass is pedaling a whole
01:44note or something you know the audience reacts to things like that because it's tension
01:49so the solo kind of starts like that and you can hear what an improv it is in the solo
01:54because I think at one point I actually quote a Thelonious Monk song called Well You Need It
02:00and I couldn't do that if I had a keyboard player playing just the changes to the song you know
02:10what I mean I couldn't just go wherever I want at any moment so the trio format allows me the freedom
02:16to do those kind of things and then the guys have played with me a lot so they listen and and you
02:21know that's not something I would play there every night but they know that song so the second I play
02:25it Travis plays you know underneath it and Gary reacts to it and again that's just the benefits
02:33and and and you know some of the great things about playing in a trio but also playing with
02:37the same guys a lot and starting to develop that language together
02:41so this solo has so many different things going on I go from straight up hybrid picking country
02:50stuff like that
02:54to really jazzy stuff
02:59until basically I keep raising the intensity but I'm building towards when I will bring Travis back in
03:19and we're going to change it from a vamp on the one to a blues progression with a two five one
03:24turnaround so you'll hear me kind of build it
03:27and I'll play I'll kind of keep building it
03:38basically I just cue visually again one of the perks of playing with guys often and and being
03:56able to look over and just cue okay here we go I'm cueing to the four chord on a blues and from
04:01there we're in a blues progression so I walk
04:04and then we're playing a two five one so I play some stuff like
04:18so right there I played an A minor arpeggio A minor seven to to a D
04:32and then back to G in place of the normal five four turnaround in a blues
04:41we do two two choruses of that where I'm playing through the changes
04:46all right so the next month I'm going to come back and play through a full course
04:49and show you all the ways to get around this groove
04:52over the changes through the two five one
04:55and I throw the kitchen sink in so we're going to we're going to look for that next month
04:59you
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