- 2 days ago
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FunTranscript
00:00:00Music
00:00:30Sir, I'm sorry to disturb you.
00:00:52Is that where Mr. Gino Quirino lives?
00:00:55What does he know about the law? His boat has its writings.
00:00:57Home of the here...
00:01:01Ah, yes, that's right, it's written
00:01:05Excuse me, I need to get on board, how can I do it?
00:01:11Seamstress
00:01:11No, no, I'm not the Seamstress
00:01:13I am Dr. De Maria, Angela De Maria, social worker
00:01:17I wanted to say Sarta, as in Sarta, I'm a pa, you know? From there to there
00:01:21Understood
00:01:22Tailor
00:01:26Is there anyone on board?
00:01:30Mr. Quirino?
00:01:32Fuck you!
00:01:34What's he crazy about? How dare he do that?
00:01:36Mr. Quirino, are you drunk?
00:01:38I am Dr. Angela De Maria
00:01:40Of the juvenile social service
00:01:43And the invitation to...
00:01:44Fuck you!
00:01:46But what is he saying?
00:01:47You look at this, what kind of swear words
00:01:49I'll fix it now
00:01:51Help!
00:01:55Help!
00:01:57Quirino, help!
00:02:00What do you have that the learned does?
00:02:02Can't you see where I've ended up?
00:02:03Oh, sure I see it.
00:02:04But you're worrying
00:02:05The more it's full of assholes floating
00:02:07Anyway, give me a hand
00:02:09Yes, beak, beak, talcity
00:02:10You do it for me
00:02:12Can you give me a hand?
00:02:14Attach here, maybe
00:02:15Sorry, but I have to piss you off
00:02:17Oh, but there's a hole here
00:02:19But what is he doing? Is he touching it?
00:02:20Well, while I'm at it, right?
00:02:22Look how they are combined
00:02:23But not there in Guastracciacura
00:02:25I'll punch that guy in the face
00:02:28Oh
00:02:28I'll be back, I want you, cuckold
00:02:30Ammita, admire
00:02:31And I told you to shut up, didn't I?
00:02:34Don't tell me that Mr. Quirino is you
00:02:36Okay, I won't tell you.
00:02:37So why didn't he tell me right away?
00:02:40But come on, should I tell you or shouldn't I tell you?
00:02:42But do we really have to talk about this out here?
00:02:44Why do we have to talk about it?
00:02:45If you don't mind
00:02:46Eh, a little bit, yes
00:02:46And even if she's sorry
00:02:48We need to talk about your son.
00:02:50Ah, and what do you have to tell me, my son?
00:02:52Well, you know, it's a bit of a long speech.
00:02:54Pure
00:02:54Mmm, we're doing well
00:02:57Who's inside, right?
00:03:02You get naked and they let the clothes dry, right?
00:03:04Come on, you're rotten
00:03:05Oh, never mind, thanks
00:03:07Don't do as you please, just close the door
00:03:08To me who also cares
00:03:09You're getting cold, aren't you?
00:03:11You broke your mandolin on the guitar
00:03:14Which would then be the ass and the barley apa
00:03:16What's he doing there too but with a bad bitch, huh?
00:03:19No, oh
00:03:20Eh, you don't call the young lady an ugly bitch, you understand?
00:03:23Eh, because it's not ugly
00:03:24She can be a bit of a bitch
00:03:25But no, it doesn't seem ugly to me.
00:03:26Ah, this is Nero
00:03:28And this is Dr. Mariangela, Nero
00:03:30No, Dr. Angela De Maria
00:03:32This is Nerone De Gino instead
00:03:34And Gino is me, you understand?
00:03:36Or he has to excuse himself, he's a foundling
00:03:38Poor thing, this is a blackbird from the suburbs
00:03:40I can't get him to talk, I won't say fine, but at least clean, that's it.
00:03:43Listen, get your cock sucked and I'll help you take off your shoes.
00:03:48Listen, the bird...
00:03:49Well, get rid of the bird, it's better.
00:03:52I understood it
00:03:53Go to your house, get the fuck out of my way, come on
00:03:55Here, good
00:03:57Tell me
00:03:58Listen, Mr. Curino.
00:04:00I came here to talk about what your son wrote in his last Italian essay.
00:04:04Do you want to hear?
00:04:05Oh well, let's hear it
00:04:06Theme
00:04:07Describe your family
00:04:10Your dad's work, your mom's work, and your life at home
00:04:13And tell us about a day that you remember more intensely than the others
00:04:17Look, you don't have to get angry.
00:04:20Hey, you don't have to get pissed off, okay?
00:04:22And give a carmata
00:04:23If anyone's pissed off here, it's me.
00:04:25Because that's not on topic
00:04:26But that's teaching kids to spy, you know?
00:04:28But what the hell do I care about you guys, what the fuck are we doing in our family, sorry?
00:04:31I understand very well that you are afraid of this kind of questions, Mr. Curino.
00:04:35But what fear? What are the numbers?
00:04:38The child in his innocence told everything
00:04:41All what? All what? What are you making up? What are you making up?
00:04:43I'm not making anything up, take it, keep it, read it, read it
00:04:47What are you talking about?
00:04:49Yes, I'll scratch your wheels, eh
00:04:50But you see this
00:04:53At that time
00:04:55Saturday is my favorite day of all.
00:04:58My dad doesn't give me school because he has to go shopping.
00:05:00And when he goes shopping it's like someone going to the movies
00:05:03Listen
00:05:15Listen
00:05:17Can you make me a cheese sandwich?
00:05:19Just a moment, I'm serving the lady
00:05:20Can I already get on the ground?
00:05:22You're welcome, you're welcome
00:05:22Just don't block my passage
00:05:24No, no, thanks
00:05:25No, no, thanks
00:05:25No, no, to that one
00:05:36No, no, to that one
00:05:36There is now
00:05:41Then he also has some pickles
00:05:51The father prefers to do his shopping on credit
00:05:57Pious today and pay tomorrow
00:05:59Rather, whenever you like
00:06:00All gentlemen do this
00:06:02He has an open account with all the shops in Rome
00:06:04We go once to one and once to the other
00:06:06And it doesn't make anyone happy, says dad
00:06:08Did you want something?
00:06:34Yes, give me this sachet of oregano
00:06:37Do you want me to send her home or stay away from you?
00:06:40No, you are in trouble.
00:06:41I have the car two steps away
00:06:43How much is it?
00:06:44200, say
00:06:45Damn, it'll get worse
00:06:46How much does this cost?
00:07:1320,000 lire per shot
00:07:14I say
00:07:16Don't you want to open them one by one?
00:07:28How are you?
00:07:29I'm sure there might even be water inside.
00:07:31But who are you?
00:07:32What if I even?
00:07:33What are you mulling over?
00:07:34Is there a thing?
00:07:34But look for another one, she'll be happy
00:07:36But see if the article here
00:07:38There, put it in, go
00:07:42Did you see?
00:07:45We did the shopping for the week
00:07:46Look Bruno
00:07:50They're moving here, see?
00:07:53You know what?
00:07:53I got the idea
00:07:54What idea?
00:07:57Do you want me to explain it to you?
00:07:57I'm going to see if I can make the deal
00:08:03Understood?
00:08:06Oh, you're not moving?
00:08:07Alright
00:08:08Mass that chairs
00:08:31Eh, it really fits comfortably on the ass up here
00:08:35Does she take the book crates?
00:08:37Eh, who has time for the law, sir?
00:08:40Then for the books there is the finger colleague
00:08:41There is for greeting
00:08:42Be careful with that chair, it's very delicate.
00:08:44As if it were mine, don't worry
00:08:46Are you worried?
00:08:47Mass
00:08:52Oh, there's another move in this building too.
00:09:05With all these evictions
00:09:06Brown
00:09:07Brown
00:09:08Here you are
00:09:11Here you are
00:09:11Eh, do you like it?
00:09:15Beautiful, isn't it?
00:09:16Ah, Bruno
00:09:19Tonight I'll put two wheels on it and tomorrow I'll take you to school, eh?
00:09:22Let's all kill envy
00:09:24How much did you pay, Dad?
00:09:26Accreditation, Bruno
00:09:27Credit, right?
00:09:28Eh
00:09:29How much did you pay, mommy, we'll all die of envy
00:09:59But we don't always go shopping.
00:10:24One day, it was Sunday
00:10:26My father took me to see those who fly hanging from certain kites
00:10:29That they love artplans
00:10:31They often have to look at how they do it
00:10:33Because when I grow up I would like to be a starter
00:10:36And dad explained to me how they manage to fly without the engine.
00:10:39That they flatten in the race and get burned by the wind
00:10:42He says that flying with an engine is less satisfying.
00:10:44Because with the artaplane one seems to have wings
00:10:47Like a bird
00:10:48Like Icarus
00:10:50I told him then
00:10:51Which the teacher had explained to us just two days before at school
00:10:53And who is this Icarus?
00:10:55One who wanted to go to the sun
00:10:57An astronaut, Russian-American
00:10:59Greek
00:11:00Greek?
00:11:01Even the Greeks send shadows into a new space
00:11:03I had to explain to him that he was an ancient Greek.
00:11:05Who had attached the wings of an eagle to his back
00:11:08With wax
00:11:09Which then broke up and he fell into a deep depression.
00:11:11Oh, this Icarus was also an ancient Greek
00:11:14But he was a huge asshole
00:11:15Sure it would be nice to try
00:11:17Ah Bruno, do you want to fly?
00:11:19And how do they do it?
00:11:20We should have this thing
00:11:21Well, I know, let's borrow, right?
00:11:31Get on, come on, get on
00:11:33That's how it is
00:11:35To read well?
00:11:37Ready?
00:11:38Yes
00:11:38Arieccice
00:11:45And so
00:11:49I flew away
00:11:50I held on tight and wasn't afraid
00:11:53I felt like I was weightless
00:11:55A feather carried by the wind
00:11:57Like when you're swimming underwater
00:11:59And there's the strength that always pushes you on
00:12:01Always on
00:12:02What one wonders
00:12:03But then how the fuck can you die on the fence?
00:12:08And then
00:12:09When we were leaving
00:12:10My father warned me
00:12:11Be careful of me, Brunè types
00:12:14I have been to Bento
00:12:16But he put them exactly the same
00:12:18Inside the cow shit
00:12:19But dad
00:12:21You ended up like shit
00:12:23At least Brun would bring good luck.
00:12:27Well, what's up, Mr. Quirino?
00:12:30Doesn't he say anything?
00:12:31And well yes, there are a few errors
00:12:32And the kid writes asshole
00:12:33Instead of asshole
00:12:34And you're right, yes.
00:12:35Maybe some redneck might have heard his fingers
00:12:37Yes, that's why that word
00:12:38In an Italian theme
00:12:39It is not written at all
00:12:40Why not?
00:12:41No
00:12:41Oh no?
00:12:42Look, I'm hermione once
00:12:43We went to look it up in the dictionary
00:12:45Understood?
00:12:45On the contrary
00:12:45But I'll show it to you too
00:12:46Asshole
00:12:48I slap it on the face
00:12:49Asshole
00:12:50Look
00:12:51Asshole
00:12:52Asshole
00:12:52Asshole
00:12:53Asshole
00:12:54Well but I can't find it
00:12:54But anyway
00:12:55It's a word
00:12:56What does it mean something?
00:12:57Like the shit cylinder
00:12:58Which can also be used
00:12:59Like the surto
00:13:00For asshole companies
00:13:01I don't care what's written there
00:13:04She trains her son to steal and cheat
00:13:06He is not ashamed
00:13:07But what is that saying?
00:13:08Not to mention the danger he put it in
00:13:09But what danger?
00:13:10She was not unconscious to me
00:13:11But this is going straight for the dick
00:13:13That's why you don't do anything stupid.
00:13:14Because she's going straight for the dick
00:13:16Kids have imagination
00:13:17Therefore, they screw up
00:13:18They like to fantasize
00:13:19And even the kids would like it
00:13:20Meanwhile, I'm more into investigating
00:13:21On the family condition
00:13:22In which the child lives
00:13:23And from what I've already seen
00:13:24And what did you see?
00:13:25What did you see?
00:13:26No, you have to tell me you saw
00:13:27In her opinion
00:13:27This is a decent place
00:13:29Where to let a child live
00:13:30For whom?
00:13:30What's wrong?
00:13:31Huh?
00:13:31No, what's missing?
00:13:32No, I bet that
00:13:33That there is not even the place for
00:13:35The place to shit
00:13:36There isn't, it's true
00:13:37How is it not there?
00:13:39He's on the outside, he's on the outside
00:13:40Eh, I really want to see it
00:13:42This model of hygiene
00:13:43Well, not inside the house
00:13:44Go and pretend to be dirty
00:13:45So, do you like watching shit?
00:13:48Huh?
00:13:48Or do you really see?
00:13:49Where?
00:13:50Here, look
00:13:50Shit on the ground, on the world
00:13:52Don't you realize that everything is a big dump?
00:13:54When you shit, you shit well
00:13:55Yes, satisfied
00:13:58But I would like to go down
00:13:59Without taking another bath
00:14:00If not, you don't mind.
00:14:01Okay, I'll help you, go on
00:14:02Yeah, well, sure.
00:14:03Come on, move it
00:14:04Give me your hand, come on
00:14:05Come on, wait, come on
00:14:06To you, to you
00:14:08But what is he doing?
00:14:10But are you leaving me?
00:14:11But you're standing up for a fact they fall
00:14:12Keep this, it's for you
00:14:15For me, what stuff?
00:14:16What is this thing?
00:14:17The summons
00:14:18She has to come and talk
00:14:20With the director of social services
00:14:21At the juvenile court
00:14:23Tomorrow at 10
00:14:24And I'm not coming
00:14:25But it would be good if she came
00:14:26In your interest and that of the child
00:14:28I advise you not to joke with the law
00:14:30And where would this place be?
00:14:32Doctor Bassi
00:14:33Second floor
00:14:335 Zoccolette Street
00:14:35Eh, you thought so
00:14:37What?
00:14:39Nothing, nothing, nothing
00:14:405 Zoccolette Street
00:14:41But let me pass
00:14:42Oh, I'm coming
00:14:43Lawyer Piadlande
00:14:44Do you want to know who he is?
00:14:46No
00:14:46It's Piadlande in the ass
00:14:47Eh, not a bad idea.
00:14:52Look what a day it is
00:14:54Ah, first it's yours
00:14:58You have to stop telling our stories
00:14:59To the first asshole who asks you a question
00:15:01Sorry, right?
00:15:02Ah, dad, what first asshole?
00:15:03He was the master
00:15:04What was I supposed to do?
00:15:05Should I not answer him?
00:15:07Eh, you answer the teacher
00:15:08History, geography
00:15:09We, how many times have they gone to Marcesso
00:15:10If we change the whores
00:15:11Do you think so?
00:15:11So what do I have to do?
00:15:12I write in the theme
00:15:14You have to do as I do
00:15:15You tell him
00:15:16I refuse to answer
00:15:18Unless my lawyer is present
00:15:19Who is?
00:15:20Piadlande
00:15:21Oh
00:15:22Oh
00:15:25Did you understand?
00:15:28He's a famous lawyer, you know?
00:15:32He's my lawyer
00:15:33Oh well
00:15:35Dad
00:15:40Are you still awake, Brunè?
00:15:43Ah, dad, listen to this
00:15:45Are you really sure?
00:15:47About what?
00:15:48That we two are not two thieves?
00:15:51Why are you asking me this question, Bru?
00:15:53Because I read in the dictionary
00:15:55That when
00:15:57In short, one
00:15:58Ah, you know the vocabulary
00:15:59The dictionary explains the words to you
00:16:00It doesn't explain people to you
00:16:02Did you understand?
00:16:03And who explains people?
00:16:06It's a little complicated, huh?
00:16:08Who do you explain them to?
00:16:09But
00:16:10I'll give you an example
00:16:11Do you remember that little spicoletta?
00:16:14That if we are eaten
00:16:15Two weeks ago?
00:16:17Eh
00:16:17They say that the fish
00:16:18It's good for the brain
00:16:20Why
00:16:20Because it has vitamin
00:16:22What is called phosphorus?
00:16:23What I don't understand
00:16:25It's that
00:16:26This phosphorus shit
00:16:28In short
00:16:29It is also found
00:16:32Inside the prosperous
00:16:33No
00:16:33Only that
00:16:35If you
00:16:37You eat the fish
00:16:38It's good for you
00:16:38If you eat a box
00:16:40Of the prosperous
00:16:41You can even die
00:16:41And what does that have to do with anything?
00:16:42Oh yes it's true
00:16:43It has nothing to do with it
00:16:44Well
00:16:45Let's go back to the spicoletta
00:16:46That little spicule
00:16:47One day
00:16:48He was smelling the sea
00:16:49As
00:16:50All happy
00:16:53All happy
00:16:54All
00:16:54All
00:16:55Up one
00:16:56Drop the hook
00:16:58The little spicule
00:16:59Open your mouth
00:17:00And zacche
00:17:00And it remains attached there
00:17:02So that one
00:17:03You're on it
00:17:04More the little spicule
00:17:05The door to the market
00:17:07The slap on the bench
00:17:08And then he says
00:17:09Well
00:17:09Almost almost
00:17:10But having 20 thousand lire per kilo
00:17:12But who said that?
00:17:13Who said that?
00:17:14Him
00:17:14Let's say
00:17:15But he couldn't
00:17:15Why the spicoletta
00:17:16I agreed with him
00:17:17No
00:17:17So since you
00:17:19That little fish
00:17:19It's good for you
00:17:20And I don't have the 20 thousand lire
00:17:21To buy it
00:17:21What should I do?
00:17:22I'll take it
00:17:23How he took it
00:17:24To arm
00:17:25And I take it from the counter
00:17:26And this is not stealing
00:17:27Understood?
00:17:28Now go to sleep
00:17:29Because tomorrow
00:17:30Where is the damn movie
00:17:31If you have to march
00:17:325 in the morning
00:17:33It's true that it does
00:17:34The part of St. Peter?
00:17:35Well yes
00:17:36It's an important part
00:17:36They give her 50 bags
00:17:38I also speak with Jesus Christ
00:17:39Are you sleeping now?
00:17:41But dad
00:17:41Will you sing to me?
00:17:42Alright
00:17:43I sing to you
00:17:44But in the meantime
00:17:44What do you have to do?
00:17:45I sleep
00:17:46Here you are
00:17:47And now it's pious from dad
00:17:48And give me an arm
00:17:49Strong
00:17:49Strong
00:17:49Strong
00:17:50Strong
00:17:50Strong
00:17:50Strong
00:17:51AND
00:17:51Muah
00:17:52But put on some sleep
00:17:54That I sing to you
00:17:55Long must
00:17:59He sleeps
00:18:01While the river
00:18:04Walk
00:18:05I follow him
00:18:08Why
00:18:09It drags me
00:18:11With himself
00:18:12And forges
00:18:14My heart
00:18:15I see a shadow
00:18:18Far away
00:18:19And a star
00:18:22Up there
00:18:24Or what will he give?
00:18:27Roman
00:18:29Accompaniment
00:18:33My heart
00:18:41My heart
00:18:42You were
00:18:43To the stars
00:18:43What would you like?
00:18:48You were
00:18:49My strange voltages!
00:19:10Legally speaking, the boy's case could be defined as a complete confession.
00:19:16Luckily, your son is not yet 14 and therefore, at least, does not have the capacity to testify.
00:19:23Article 159 of the Code of Criminal Procedure.
00:19:27Then he can't help but do anything to me.
00:19:28Wait a minute. The law imposes on parents the obligation to support, educate, and care for their children.
00:19:36And what does that mean?
00:19:37The G children, the O children.
00:19:39However, if the State ascertains that the parents are failing to fulfill this obligation, it has the power to remove the child from the paternal home.
00:19:47And in the most serious cases, even to have parental authority revoked.
00:19:52What the fuck does the homeland have to do with it now?
00:19:54Power. Fatherly power.
00:19:56They take your children away, in short.
00:20:00Jesus.
00:20:02Tell me.
00:20:03Did he want my son?
00:20:04Oh, and they put him in a public asylum. Do you believe me?
00:20:10For me what you say is the Gospel.
00:20:13But why should they take my children away from me? If I've ever had any, nothing is missing, you know.
00:20:16Then tell him. When you go to talk to the little clog, you tell him.
00:20:20Do you know what I do?
00:20:22I'm waiting for them to send me another summons.
00:20:24Yes.
00:20:24Then?
00:20:25The Carabinieri are sending you.
00:20:26Oh well, the carabinieri.
00:20:29With all the socks they have to think about, they're wasting their time with me.
00:20:32Eh.
00:20:32Hi, Aiu.
00:20:35Hello, Rosa.
00:20:37Wow, Dad, you're so ugly. And what kind of Saint Peter did they cripple?
00:20:41They changed my part.
00:20:43Weren't you supposed to make Saint Peter talking to Jesus?
00:20:45And who am I talking to, excuse me? This is him. Well, it's not Jesus.
00:20:49Oh, dad, and he doesn't bother me that much.
00:20:51Ah, Bruce, listen to this.
00:20:53Come on.
00:20:54Come on.
00:20:55Ah.
00:20:57Listen to me.
00:20:58From now on you must not swear anymore.
00:21:00Why?
00:21:00And why the fuck shouldn't you? Otherwise it's a mess, you know?
00:21:03Oh.
00:21:04From Madonna to Jesus Christ, Saint Joseph!
00:21:07Ah, dad, why is he swearing?
00:21:09But he's not swearing, he's calling us, you understand?
00:21:12We have to turn around, you foolish person.
00:21:14Perhaps.
00:21:15Give me your hand, let me lean on it a little.
00:21:17Quirino Gino!
00:21:27With all the guys who have to think about it, they find time to piss me off too.
00:21:31He must come with us.
00:21:32Where?
00:21:33At the juvenile court.
00:21:37How do you live, Mr. Quirino?
00:21:39Like everyone else.
00:21:41I breathe, I eat.
00:21:42But don't be an idiot, what kind of job do you do?
00:21:48I play the father, and when needed, the mother too.
00:21:50But we're not joking, are we?
00:21:53And who's joking?
00:21:54It's not the job that you're doing, kid.
00:21:56Since he was born, diapers, baby bottles, Ucci Ucci Rinna O, every night.
00:21:59Ucci Ucci Rinna O, who put him to sleep little boy.
00:22:03Leave Gianna alone.
00:22:05I want to know what income you have, Mr. Quirino.
00:22:09That is, the entrance through the door.
00:22:11If I forget the key, there's a window on this side, which I'll open because I have an injured person there.
00:22:16Mr. Quirino, answer my question.
00:22:19What job does he do?
00:22:20But I said before, sorry, I have to take care of my son.
00:22:23Ah, I understand what you mean, you're talking about the second job.
00:22:26It's true, I swear I tried hard but it seems like I'm just getting a second job or they're just giving it to someone who already has their first one.
00:22:32And it seems fair to me too, because otherwise what kind of second job is it?
00:22:36Skip that word Gianna.
00:22:38Well yes.
00:22:38Hey, are you happy already?
00:22:40You can jump on the dick.
00:22:41Ah, Mr. Quirino, behave yourself or I'll have you locked up for the sake of public official attention and expense.
00:22:49Did you understand?
00:22:50Oh, excuse me, excuse me.
00:22:56My name is Angela.
00:23:00Hey, don't you want to say hello?
00:23:02Good morning, madam.
00:23:04Listen, leave this lady alone and call me Angela.
00:23:09Because I would like us to be friends.
00:23:11Why?
00:23:12Well, because you see, I want to know many things about you.
00:23:14And in exchange I'll tell you everything you want to know about me.
00:23:17But I don't care, I don't care.
00:23:20Well, Bruno, I understand.
00:23:22Listen, let's do something then.
00:23:23I'll ask you some questions.
00:23:25You know, I don't enjoy it either, but I have to do my job, you know?
00:23:29I refuse to answer unless my lawyer is present.
00:23:34What are you saying?
00:23:37You know what a nice guy you are?
00:23:39Do you know what the two of us are doing now?
00:23:42I understand that you are a tough guy and that you want your good constitutional guarantee.
00:23:46Huh?
00:23:47Look, let's make a deal.
00:23:49I'll ask you some questions.
00:23:50Huh?
00:23:50If you go, answer, if not, I'll call the lawyer and have him come.
00:23:54Do you agree?
00:23:55But you actually call the lawyer.
00:23:58I swear to you.
00:24:00With the hand.
00:24:01The hand, up.
00:24:03From man to man.
00:24:05But if he doesn't have a job, how does he provide for the child's material needs?
00:24:08Can you explain it to me?
00:24:09When he needs to take a dump.
00:24:10But speak properly.
00:24:11But why moco I said, I said when he needs to poop, because she poops.
00:24:14No, no, no, no, no.
00:24:15Well, then iron the lady.
00:24:16I see where I find the money for what the child needs.
00:24:18Well, actually I can't find it.
00:24:19But how does he provide for food, clothing, and other expenses?
00:24:22Because I enjoy a certain amount of credit, my modesty.
00:24:25It means he takes Roma and doesn't pay for it.
00:24:27Well, otherwise what the hell kind of credit is it?
00:24:29Oh, sorry.
00:24:29Oh, right.
00:24:30Seamstress.
00:24:31Do you like jumping on the dick?
00:24:33Always jumping.
00:24:35Friendly.
00:24:36It seems like where I, eh.
00:24:37First I'll rise up, though.
00:24:39Do you ever argue with your father?
00:24:41Lots of times.
00:24:43Listen, Bruno, did he ever hit you?
00:24:46Well, not him, but I do.
00:24:49Did you hit your father?
00:24:51When it makes me go crazy, I mean, when it makes me pissed off.
00:24:54But he never to me.
00:24:56Where is your mother?
00:24:57She's dead.
00:24:58Who told you she died?
00:25:01Your father?
00:25:02And why did you have to tell me that, grandpa?
00:25:04She disappeared.
00:25:06In short, dead.
00:25:07No, disappeared, if it is missing, if it is given.
00:25:11That was the Swedish one, she had come from Rome to study.
00:25:14Understood?
00:25:15One day we met, something bad happened, we saw each other, we flirted and fucked.
00:25:20Eh.
00:25:20Yes, in the sense...
00:25:21Oh yeah, you have to jump in for a fuck, sorry.
00:25:23Mr. Pirino, talk about the mother and her child.
00:25:25And my mother has that one.
00:25:27Ah, ah, ah, to mother.
00:25:29But, but that's a furnace, not a mother.
00:25:31That one, that one churning out the little ones like they were bricks.
00:25:34He just liked to fuck.
00:25:35Oh well, it's so pointless.
00:25:37Anyway, when she went to the clinic she left.
00:25:40I was standing there all happy.
00:25:42And he says to me, he says, here is your son, I'll put him in my arms.
00:25:46Then the Swede makes the phone call.
00:25:47He says, he says he was going to make a phone call.
00:25:49And I was waiting with the little gazette, in case he is seen again.
00:25:51Bruno, do you like your house?
00:25:53Huh?
00:25:53Why do you like it?
00:25:56Because it's not a home.
00:25:57It's a boat.
00:25:58My school is his only one that I live on a boat.
00:26:01I understand.
00:26:03Listen, Bruno, do you like studying?
00:26:05It's not that stupid question I asked you.
00:26:07Because if you tell me you like it, I don't believe you.
00:26:09If you want, I'll call the lawyer for you, do you want it?
00:26:12No?
00:26:16Now Miss Brega will give you the report to read and sign.
00:26:20Oh, if he even calls Brega.
00:26:22Plastic is separated when it matters.
00:26:23Please read again before signing.
00:26:25Oh well, ah.
00:26:26No, I trust her, I trust her.
00:26:27I don't like her, though.
00:26:29Neither as a father, nor as a man.
00:26:31But what do you mean?
00:26:32But I don't want to rush any decision.
00:26:34Professor De Maria will keep her under observation for some time.
00:26:37To whom? To me?
00:26:38Yes.
00:26:39No, look.
00:26:40No, let's go here and break the pace around the house all day.
00:26:42Check if he really wants it and lie to himself.
00:26:45Find a place.
00:26:46No, but what should I look for?
00:26:47But what should I look for?
00:26:49You need to take care of a healthy and more dignified home.
00:26:51We understand each other.
00:26:52Otherwise we will be forced to take the child away
00:26:55to its baneful influence.
00:26:57Is that clear?
00:26:59What would you do, vi?
00:27:01Take me off and bring me to myself.
00:27:03Take me off and I'll...
00:27:04But don't you dare.
00:27:05Don't you dare, or I'll smash everything.
00:27:07But what's happening?
00:27:10And I was telling the lady that when I arrived the chair
00:27:13he wasn't here, but he was here!
00:27:16Me, I'm going to kill myself.
00:27:19If you take me away and I'm dead, you know, I'll throw myself into the river, I'll throw myself.
00:27:22Well, if it's the Tiber you can also avoid jumping in,
00:27:25just drink a little glass and you're all dead.
00:27:27So, you know, he's no joke.
00:27:28And who's joking?
00:27:29I'm serious.
00:27:30Do you know what they say in Naples?
00:27:32You're going to hit the jackpot.
00:27:33And what the fuck does that mean?
00:27:34Lower your barrel.
00:27:36Basically, when the wind blows, you lower yourself and duck.
00:27:39Then you let it pass and you retreat back up again.
00:27:42You know like the cane.
00:27:43It's clear, right?
00:27:44Let me give you a ride.
00:27:46And don't you realize that there's always a solution to everything.
00:27:53Hi, Gine.
00:27:54HI.
00:27:55Are you feeling a little down?
00:27:57I'll leave it.
00:27:58I'll accompany him to the boat for a moment now.
00:28:00Oh, if you have to rent, let Maria Luisa know.
00:28:03I'm going back to mom, do you understand?
00:28:05And let Maria Luisa see it every now and then.
00:28:07He'll be sorry you didn't wait for him.
00:28:09Okay, okay.
00:28:10Hi, huh.
00:28:11You are marrying Maria Luisa.
00:28:15She loves you.
00:28:16She would also be a mother to the creature.
00:28:18Be patient.
00:28:19Not to mention that there are now three apartments.
00:28:22The two shops.
00:28:24I don't know if I'm explaining myself.
00:28:25These days, anyone who gets married in Zocco finds it an oil well.
00:28:29So you marry her and live, thank God, referred to, followed and loved throughout your life.
00:28:34Well, you know, I haven't done that job.
00:28:35It's to be mine, look.
00:28:38Oh, stop, stop, stop, stop.
00:28:39It's Carla.
00:28:43And who is he?
00:28:44The Zuccoletta.
00:28:45It's really her.
00:28:47Hi, I'm greeting you, you know, thank you.
00:28:48HI.
00:28:49HI.
00:28:54Seven by seven.
00:28:57I want a lawyer.
00:28:59Are you tired?
00:29:01Um.
00:29:02Brown!
00:29:03Here's dad.
00:29:06How are you, Gillo?
00:29:07Dad!
00:29:07From Abbacetto to dad.
00:29:09Beautiful, beautiful.
00:29:11Good evening, Mr. Quirino.
00:29:13Does it often happen that you leave your child alone for the whole day?
00:29:19But Bruno, go home and put the water on the stove, eh, I'll add it to you right away.
00:29:23All right, Dad.
00:29:25Hi, Bruno.
00:29:27HI.
00:29:27So, what did he decide?
00:29:30I know I want to know what you and that other Zuccoletta decided.
00:29:33Now will you leave my son or will you take him away?
00:29:34Well, that's up to her.
00:29:36Oh, is it up to me?
00:29:37So, let's do something.
00:29:39Starting tomorrow I'm changing my life.
00:29:40I find a steady job.
00:29:41All right?
00:29:42Here, good.
00:29:43But there's the catch.
00:29:46Who washes, who irons, what did you do to them to eat?
00:29:48This job that I've been doing for seven years, who does it?
00:29:51You'll tell me, I have hands in the orphanage, but it doesn't exist.
00:29:54Because his father was at the orphanage for eleven years, you understand?
00:29:56And I don't lock my son up, because he needs to talk to me, he needs
00:30:01to discuss, he needs to send a fuck and I want to be there, understand?
00:30:04I'm used to having a monologue with my son, you understand?
00:30:06The dialogue.
00:30:07The dialogue, the monologue, who cares?
00:30:09However, he can always take a woman on hours, so she can work peacefully.
00:30:14Ah, good, how damn, she found the solution.
00:30:18What an asshole they thought of him, and I'm already making a mess, and what's the big deal?
00:30:22And who pays for it?
00:30:23She, of course, with her work.
00:30:25Oh, me?
00:30:26And if you understand, I go to work when they have a salary to give it to someone who does the work for you
00:30:34which I used to do for free, but this isn't bullshit.
00:30:37And what does he want to do?
00:30:38Keep stealing?
00:30:39But do you realize the example Bruno is setting?
00:30:41Oh, I didn't try?
00:30:44Before you call me a thief, you have to think, understand?
00:30:47And you don't have to hear it too loudly because I was behind your ass.
00:30:50And then I sent the police away, you understand?
00:30:52I steal because I love my son.
00:30:53But you steal because you only love the deaf.
00:30:57She is a bully and a bully.
00:30:58And you want me to fuck you, my little boy.
00:31:00But take it and go, go.
00:31:02But go to hell, go.
00:31:03She is a civilian.
00:31:04I know you from your mistress.
00:31:05And I, I report her.
00:31:07Get them done.
00:31:09Animal, troglodyte.
00:31:10Read for fucking with your fingers.
00:31:12And he gets to fuck off.
00:31:14And who is it that made all this mess here?
00:31:27When we came back from school you weren't there.
00:31:30So Angela first took me to eat at a restaurant.
00:31:33Then he said, well, let's do some cleaning, it needs it.
00:31:38He took a rag and started cleaning.
00:31:42And I won.
00:31:43Dad's ready.
00:31:46Did you study today?
00:31:48Yes.
00:31:48Huh?
00:31:49Yes.
00:31:50What did you study?
00:31:53The seven times table.
00:31:55Oh yeah?
00:31:56So, seven by eight?
00:31:57The cat broke.
00:31:58Oh, Dad, we've been reviewing the seven times table all day.
00:32:02What do you mean, we're reviewing?
00:32:04You and who?
00:32:04Me and Angela.
00:32:06Ah, you and Angela.
00:32:18Is this the sauce I made yesterday?
00:32:20No.
00:32:21And who did it?
00:32:22Angela.
00:32:25Good, huh?
00:32:26It sucks, it does.
00:32:29He's as bland as she is.
00:32:30And what the fuck do you want?
00:32:33What good food are we having tonight?
00:32:34What do you eat?
00:32:35Look, first there's a fettuccine al su.
00:32:38Want to take a look at the menu?
00:32:39And secondly, if he keeps breaking the balls, there's a little bird on the spit.
00:32:43Understood?
00:32:43Ninth.
00:32:44Look at this, come on, if you have to come and eat spaghetti, damn it.
00:32:48What are you laughing at, ah bru?
00:32:49Today I'm feeling bad, huh?
00:32:50Brown?
00:33:01Hi Bruno.
00:33:02HI.
00:33:03I wanted to talk to you a little.
00:33:04Are you coming home with me?
00:33:07I have something for you.
00:33:09What?
00:33:10One thing, I'll give it to you in the car, come on.
00:33:13You know.
00:33:15On.
00:33:17That's it.
00:33:18Let's go.
00:33:24And that thing you were supposed to give me?
00:33:27Oh yes, look, I got you, I thought you might be interested.
00:33:31Here, here.
00:33:33And if you don't like it, we can change it too.
00:33:35No, no, these are the kind of planes that actually fly.
00:33:38If it loads the gear that turns the propeller.
00:33:42And it flies 50-60 meters.
00:33:44My ladder, a friend of mine has one too.
00:33:47So do you like it?
00:33:48My balls.
00:33:49Damn, I wanted to kill you.
00:33:53Good on my guitar, accompany me softly.
00:34:00Dad, dad, look what a beautiful gift he got.
00:34:05Look what Angela gave me.
00:34:07Who told you to give this gift to my son?
00:34:14I thought that...
00:34:15You thought wrong.
00:34:18You don't have to think.
00:34:19There's no need for anyone to leech, you understand?
00:34:21Yes, but I...
00:34:22But nothing about you, you're the social worker.
00:34:24In many faces he witnesses what a stranglehold he has made.
00:34:26Look, eh.
00:34:27Look at your gift, here.
00:34:29No, Dad, no!
00:34:30Here, satisfied now.
00:34:35Brù, what are you crying about?
00:34:38Why is Brù crying?
00:34:39It was mine.
00:34:40But even the dear Rallimi, right?
00:34:42Come on, you're going to get an eye, aren't you, Dad?
00:34:43On.
00:34:44Did you see what he did to him, kid?
00:34:47Who has never cried in his life, has never cried.
00:34:49You are a real bad guy, Mr. Quirino.
00:34:51Look, what Bruno needs is the dream, you understand?
00:34:54And you already did it to me like you, little darling.
00:34:56You ground it up for me, you ground it up for me.
00:34:58I have to explain to you what.
00:34:59I understand, I'm leaving, I'm leaving.
00:35:00But we always pretend.
00:35:03Choke!
00:35:10Brown.
00:35:14I'm sleeping.
00:35:22Do you want me to tell you a joke so you can tell it again tomorrow at school, your friends?
00:35:26No.
00:35:30Oh well, I'll tell you anyway.
00:35:32So you can count it again tomorrow.
00:35:33And so.
00:35:36Do you like poisonous mushrooms, Brù?
00:35:38No.
00:35:39Eh, they're killing me.
00:35:44Did you like it?
00:35:45This is bullshit.
00:35:48Well, yes, that's true, it's bullshit.
00:35:50This joke has never made anyone laugh.
00:35:51There is reason.
00:35:53I'll tell you the other one, okay?
00:35:56Or do you know why America is always cold, Brù?
00:35:59No.
00:36:00Because they discovered it.
00:36:03This one's cool, huh?
00:36:04Ah, Brù.
00:36:06But what did you happen to grind and I didn't notice?
00:36:09No.
00:36:11Eh, I know why you're angry.
00:36:13Quinti Gisaki, wow.
00:36:30So this one that suits me.
00:36:49No, look, I'll choose here later.
00:36:53No, look, I'll choose here later.
00:36:56No, look, I'll choose here later.
00:37:00No.
00:37:01It's something else.
00:37:31Listen, sorry.
00:37:32Say.
00:37:32Is this the guy you really want?
00:37:34Yes, but her baby is too small.
00:37:36No, no, it's for my brother who is 9 years old.
00:37:39But I don't know if my wife...
00:37:42He looks at my pubic area for a moment, I'll show it to my wife.
00:37:45It's down there in the oven.
00:37:46I'm coming back.
00:37:46Sure, I'll watch it.
00:37:48Oh, thanks.
00:37:49I'm flashing, okay?
00:37:50Hello, little one.
00:37:58But where is he?
00:38:00Mario!
00:38:01But look at you, this kid, where does he put you?
00:38:04Oh my God.
00:38:06But how did you get this far?
00:38:07You scared me.
00:38:09Madam, have you seen your husband?
00:38:10He came to show him the propeller plane.
00:38:12My husband?
00:38:12But my husband is in Germany working for Volkswagen,
00:38:15blessed is he who sees it.
00:38:16He tricked me.
00:38:17These dads should go this way.
00:38:19No, no, no, eh, yes.
00:38:23Ah, but do you know what's happening?
00:38:26He's always up there, he's always up there,
00:38:28you always have it.
00:38:29Ah, look here it is, look here it arrives.
00:38:31HI.
00:38:32Angela, did you see?
00:38:34Dad bought me the plane back, we're assembling it.
00:38:38Mr. Quirino, can you come down for a moment?
00:38:40I need to talk to you for a moment.
00:38:42Wait, Bru, eh.
00:38:43Oh well, here it is.
00:38:48Wait, let's continue together, eh, Bru?
00:38:50You're not moving, understood?
00:38:53Well, I...
00:38:55I would like to apologize for yesterday,
00:38:57because deep down you had been kind,
00:38:58you had bought a little gift from Cassino
00:39:00and I behaved like a jerk, I mean...
00:39:02Yes, yes, okay, can we come in for a moment?
00:39:05Sure, of course.
00:39:06Ah, you beautiful bitch!
00:39:12Eh, good, it's beautiful, eh, you like it, I'll smear it, smear it!
00:39:16He likes it, but he doesn't like someone, absurd.
00:39:19It's just another way to get noticed, right?
00:39:22You're welcome, guys!
00:39:23Yes!
00:39:26At that time?
00:39:26This is my report.
00:39:30My office manager will deliver it tomorrow morning.
00:39:36Well, no...
00:39:36If I don't find this relationship, she loses Bruno.
00:39:39She doesn't want to get it into her head that this is the law.
00:39:41Right or wrong, Gino, I don't know, but...
00:39:43Excuse me, I called Gino.
00:39:46Oh, it's okay, call me whatever you like.
00:39:48I am democratic.
00:39:49I have no intention of sending this report.
00:39:52But she has to help me.
00:39:54She loves Bruno, I know, I understand.
00:39:56And Bruno loves her too.
00:39:57Do you want your son to stay with you or not?
00:40:00Oh, look, if you still don't understand, it really means you're from another planet.
00:40:03Then I'll give her a hand.
00:40:04I'll pick up Bruno from school, cook for him, take care of him.
00:40:07Am I a social worker or not?
00:40:09Oh, yes, it's not you.
00:40:10No, I was saying, I'll keep Bruno until she comes back, then I'll leave.
00:40:14But until I get back from where, excuse me?
00:40:16But from work.
00:40:17But from which job?
00:40:19Listen, Mr. Gino, you are registered with the employment agency.
00:40:23I'm a little undecided, let's be clear, could you give me some advice?
00:40:26What do you recommend?
00:40:27Mr. Quirino, you are not enrolling in university here.
00:40:29What sector did you work in?
00:40:31Construction, mechanics, agriculture, tertiary sector.
00:40:33I've been an actor a couple of times, but in a secondary, not tertiary, role.
00:40:36Excuse me, but is it possible that you have never worked in this world?
00:40:40Oh, I have a child to look after.
00:40:41What do you think?
00:40:42I have to be a housewife, I have to cook, I have to wash, I have to iron, I have to do the shopping.
00:40:47In the end, there is no more time to do anything.
00:40:49A?
00:40:50Okay, one by one, this one looking at the hair.
00:40:52Come on, write.
00:40:57Good morning.
00:40:58Good morning.
00:40:58So are you signed up?
00:40:59Yes, they classified me as an unskilled laborer waiting for my first job.
00:41:03But we'll have to wait.
00:41:05Do you know how many millions of unemployed there are in Italy?
00:41:08Two million.
00:41:09And they all come before me.
00:41:10It's up to you to wait.
00:41:11But don't worry, I have a friend and I'll get you a job.
00:41:14No, no, but you don't have to bother.
00:41:15Let's let him do his thing, shall we?
00:41:17Watch out for the wind!
00:41:22Since there is no hope of having a real house, from today, when he comes back from work,
00:41:27She will spend a couple of hours making this more dignified and welcoming.
00:41:36Look, I'll teach you how to do it.
00:41:37Who is it? Try it!
00:41:51Soro me, instead you try again.
00:41:53I can do better.
00:41:55Ah, ah yes, damn this one, look where you're stealing from.
00:41:58Look, eh, it's one, it's two, it's three.
00:42:00Good, Bruno.
00:42:02How did it go with the foreman?
00:42:03Ah, very well, I love tied.
00:42:04As soon as he saw me from the first snort the prisons,
00:42:06he told me, I want to see the second one, he can go alone too, he can go.
00:42:10Oh, good.
00:42:10Ah, Bruno, come on, go on, eh.
00:42:12Dad, today instead of eating you drink.
00:42:14You shut up, a little broth in the evening is good for you.
00:42:16How do you like your eggs?
00:42:18Oh, me with ham.
00:42:19Me with the onion.
00:42:21Well.
00:42:22So I'll make you four mixed up and then you can divide them up, okay?
00:42:26Have you heard Bru when we all speak the same language?
00:42:29Speaking of language, when he repaints the name on the boat,
00:42:32excuse me if I tell you, but I, Quirino, would write it with my ass.
00:42:38But with your ass you can write whatever you want.
00:42:50Could you make less noise?
00:42:51But it's not me making noise, the broth.
00:42:54Okay, as soon as we're done eating we'll continue assembling the plane.
00:42:57And who offers it to us, and who offers it to us?
00:42:59No, no, no.
00:43:00Look, it's already late and sleep is falling.
00:43:02Afterwards you go to sleep, understood?
00:43:04Ah, Bru, what do you want to do, huh?
00:43:05It's time to sift, if we're put at the mother-in-law's mercy.
00:43:08Goodnight, darling.
00:43:11Good night, Mom.
00:43:14He called me mom.
00:43:17Goodnight, Bruni.
00:43:19Goodnight, Mom.
00:43:20Eh, when he's a sleepyhead, he loves me too.
00:43:24Once when I was little it even stuck to my breast.
00:43:26It's clear, you miss your mom.
00:43:30Ah, dad, are you going to sing?
00:43:32Ready, ready, darling, always ready, always at your command, dad.
00:43:37Fruit flower
00:43:42The woman in love
00:43:46She's half crazy
00:43:48The woman in love
00:43:53She's half crazy
00:43:56When she got a husband
00:43:59And she's completely crazy
00:44:02Peach blossom
00:44:09If you don't fall asleep here
00:44:12When I finish
00:44:15If you don't fall asleep here
00:44:19When I finish
00:44:22I'm so sleepy that at times
00:44:27And I fall for it
00:44:29Oh, what did you sing to yourself?
00:44:48Oh, no, it's just that I was thinking about something
00:44:51Before Bruno was born
00:44:54Huh?
00:44:54Yes, I say
00:44:55When she didn't have to take care of the baby
00:44:57How did he live?
00:44:58He was working or
00:44:59Or was he stealing then too?
00:45:02But I stole, I stole
00:45:03But look, I even feel sorry for rich people, you know?
00:45:06Really?
00:45:06Those over there have the silverware
00:45:08The furs
00:45:09The author's paintings
00:45:10The jewels
00:45:10They
00:45:11AND
00:45:11If you steal something from him
00:45:13You're also doing him a favor
00:45:14But it is
00:45:15A nice favor
00:45:16But yes
00:45:17With all the face they have towards us
00:45:18To pile up the money
00:45:19A pile, a pile, a pile
00:45:20They even forget that they are rich
00:45:22And if you go to their house, purelli
00:45:24And you steal his bullshit, right?
00:45:26Those do
00:45:26Oh, God, help
00:45:27No, here there
00:45:28We are ruined thieves
00:45:29Huh?
00:45:29But it's not true
00:45:30Deep down they are happy
00:45:31And do you know why?
00:45:32Because he reminded them that they are rich
00:45:34And it gave him happiness
00:45:35Huh?
00:45:36It's like this
00:45:37You rather feel
00:45:41And tell me a little about it
00:45:41Yes
00:45:42But you, do you have a man?
00:45:49Because I don't know
00:45:50You're always here
00:45:51Abundances of our gasses
00:45:52I say
00:45:53Why do you do it?
00:45:54Why don't you stay with your man, right?
00:45:56Good evening, Mr. Querino
00:45:58Oh, it's not that I offended you.
00:46:01HI
00:46:03Agurro, are you in pain, sir?
00:46:06It's a little tight
00:46:07Let's go to bed
00:46:08Yes, this is true.
00:46:09But if we want it here
00:46:10And we do it for him
00:46:10Wait a moment
00:46:11Yes
00:46:11Yes, yes
00:46:12I really think it is
00:46:13Yes, yes
00:46:14Yes, yes
00:46:15Listen, do me a favor
00:46:17And go get me sheet 6 of the project
00:46:19Right away
00:46:19Agurro, what did you do here?
00:46:29I know everything
00:46:30But how do we get out?
00:46:31What do I remember?
00:46:32Why does it only take a minute and I'm a pain?
00:46:35What the hell am I bothering?
00:46:36Do you know what you broke?
00:46:38Did you break up?
00:46:39Did you realize you broke up?
00:46:40Already here?
00:46:45Don't make a mess because I just finished cleaning
00:46:48Bruno doesn't know?
00:46:51A friend of mine who is a teacher agreed to give him some private lessons.
00:46:54You know, the kid is a little behind
00:46:55But don't worry, it doesn't cost anything.
00:46:58It's a favor he's doing me.
00:47:00Why so early today?
00:47:03Did you finish early?
00:47:05We don't have
00:47:05Oh, I finished first
00:47:07I had a disagreement with the foreman.
00:47:11On a small dome at the door
00:47:14And he fired me
00:47:17But how is this possible?
00:47:20I ask him
00:47:21But let's start well
00:47:23But what are you doing, Mr. Quirino?
00:47:27Is he undressing?
00:47:29And who goes to bed dressed?
00:47:32I woke up at four when I was little, you know?
00:47:34If you don't like turning away, you understand?
00:47:36Ah, she acts grumpy
00:47:39It seems he has never seen it
00:47:40And how much does the Umbadino have?
00:47:47Does she know?
00:47:48I don't think three thousand
00:47:49Mass what thieves that are
00:47:51Excuse me Dante, the holy honor
00:47:56Have you almost eaten here already?
00:47:57Yes, it's usually one thousand five
00:47:58I'm new here then
00:47:59That's why I can never...
00:48:02Here you are
00:48:03On behalf
00:48:04Waiter?
00:48:06Yes?
00:48:06Please peel the apple
00:48:08Oh yes, yes, I'll take care of it
00:48:09He doesn't care
00:48:11Here you are
00:48:13But be nice
00:48:15Leave, but eat mozziglia
00:48:17It does even more good than the drop
00:48:18Eh, the apple
00:48:21Here it is, it's clean
00:48:22Listen please
00:48:23Could you bring me some sauce?
00:48:24Ah, right away, yes
00:48:24You understand?
00:48:25We are now in review
00:48:27Yes
00:48:27It's useless to judge each other
00:48:28Yes
00:48:29But his soul did it
00:48:30Oh yes, very, very much
00:48:31Oh yes
00:48:32Darnit
00:48:33But what is he doing?
00:48:34But my patience
00:48:34Excuse me
00:48:36But what a companion
00:48:36Wait, go to the toilet
00:48:37It's a bit of hygienic comfort
00:48:38It dries better
00:48:38It's the end of the world
00:48:39But what kind of individual is he?
00:48:41No, look, forget it
00:48:42Okay, Pirino
00:48:43Bring this to table number three
00:48:45What, jam?
00:48:47But what jam?
00:48:48This is vorga caviar
00:48:49But things are going badly for him
00:48:50Fish Pussa
00:48:51In bad way
00:48:51But gentlemen go crazy
00:48:53Yes
00:49:02It's obvious that I don't know the gentleman
00:49:03Here she is
00:49:03Beautiful burning
00:49:04Quirino
00:49:05Yes
00:49:06Good, good, good
00:49:14I already understood
00:49:15I didn't cut it
00:49:16I'm going away for myself
00:49:17Sea storm
00:49:18Thank you
00:49:18But what the fuck did he give me?
00:49:22This crazy woman
00:49:22Cut, smooth
00:49:23But then what does she care?
00:49:25If I like the old
00:49:26And no
00:49:28I absolutely have to modernize
00:49:29But dad
00:49:31And I can study you
00:49:32With all this mess
00:49:33I already told you
00:49:34I don't want to hear you swear
00:49:36And what a dad too
00:49:38It's a swear word
00:49:39Actually
00:49:40Mr. Pirino
00:49:41He can't make it go that way
00:49:42That breaks the eardrums a little less
00:49:44Sure, sure
00:49:45The thing
00:49:45Did you hear the lady?
00:49:46You have some manners
00:49:47Shut up
00:49:48Oh, shut up
00:49:49You have nothing to do with me
00:49:51No, I say
00:49:52He won't believe it, will he?
00:49:53To take me for a ride, right?
00:49:55Eh, maybe
00:49:56I came for the loss
00:50:16Come in
00:50:18She is related
00:50:21No, I just know
00:50:22Come on
00:50:24Another mouse
00:50:27Madam, there was a visit
00:50:32No, come on
00:50:34Come on
00:50:35Madam, excuse me.
00:50:37There was an error
00:50:38I came for the loss
00:50:39Madder Bathroom
00:50:40Maybe I'll come back when he's better.
00:50:41Ninth
00:50:42For goodness sake
00:50:43Don't go away
00:50:44It's been three days
00:50:45That we are without water
00:50:47Adelina, take him to the bathroom
00:50:48It's so hard to get a plumber
00:50:50I'm sure that poor Augustus
00:50:52It will include
00:50:52But you see that poor Augustus is dead
00:51:09You decide
00:51:09You decide
00:51:10Yes, yes.
00:51:40Yes, yes.
00:52:10Yes, I made your wife get water,
00:52:13Now you have to find someone to take it away from him.
00:52:18The cake that I lose a place, that one gets pissed off,
00:52:20Then my eyes get blurry and I can't understand anything anymore.
00:52:22I arrived here and I was even afraid to go back to my house.
00:52:25Tell me what the fuck I should do.
00:52:26Find a wife.
00:52:28So it's an obsession.
00:52:29Oh well, or there might be another solution.
00:52:32Which?
00:52:33Do you actually know what happens to paper money?
00:52:37Well, it doesn't really end up in my pocket, look.
00:52:39Ah, witty.
00:52:41I mean when it became a stinker,
00:52:43something that makes you sick to look at,
00:52:45Hi Claudio, I'm so full of hassles,
00:52:47make it stand up, it's not there, understood?
00:52:49In short, something to throw away, like this ten thousand lira.
00:52:53It's burning, look.
00:52:55Oh, I know, but what the fuck are you doing?
00:52:56Do you burn money like a daisy?
00:52:57That one takes a hit, you know.
00:52:59No, I, sorry, eh, I don't burn anything.
00:53:02But the State, yes, the State goes to the banks,
00:53:05he takes the used coin and sends it to the mint.
00:53:08The tick puts it inside a bag
00:53:10and this bag is put inside the oven.
00:53:12So what?
00:53:13But how come?
00:53:15A friend of ours works at the mint bakery
00:53:18and this friend told me that just one of these bags
00:53:21it would be enough to fix all of us,
00:53:24if we then want to say that one of these bags knows...
00:53:26Ah, I know, I know, but how did you find out?
00:53:27But do you think those people are burning a million bucks?
00:53:29without worrying about precautions, sorry?
00:53:31And instead it would be a very, very easy thing.
00:53:34No, no, I know, I'm done with these things.
00:53:36I have my children, if they put me in a cage
00:53:38then what the fuck do you care about him, tell me?
00:53:40Okay, but many children take it away from you anyway.
00:53:42and then who do we steal this money from?
00:53:44In the oven.
00:53:45We steal burned paper, do you understand this concept?
00:53:47No, no, no, you know it, you know it.
00:53:49Look, I know, rip-off for rip-off,
00:53:53calera for calera know what I'm telling you
00:53:54I know that I prefer to get married.
00:53:56Sin.
00:53:57Hey, wait, do you want me to give you a ride?
00:53:59No, I want to be late, I don't want to meet up with that guy at home.
00:54:02Hi, I know.
00:54:02HI.
00:54:04Oh, go on.
00:54:09Oh, and you thought so.
00:54:11You thought he wasn't waiting for me.
00:54:14And how do you serve it?
00:54:14But what are you doing, Mr. Quirino, are you doing this on purpose?
00:54:17No, because if he does it on purpose, it's better if he says so right away.
00:54:20It's possible that he can't make a job last.
00:54:21more than a week or two.
00:54:22But how long do you think I can go on like this?
00:54:25Tell me, tell me.
00:54:26Eh, I don't know, you tell me, you tell me.
00:54:28Look, my chances of finding work are slim.
00:54:30they have a limit.
00:54:32And my patience too.
00:54:33At that time?
00:54:34Look, in a little while you won't have to bother yourself anymore, understood?
00:54:37I had an immoral crisis
00:54:38and I realized that I want to pay the debt that weighs on life.
00:54:42But what is he saying?
00:54:43And I say that I have decided that I want to give a mother to my son
00:54:46and that I want to get married.
00:54:49Well, that's what I want to tidy up the thing about.
00:54:51to the system of life.
00:54:52I know if I can explain myself.
00:54:55What does he mind?
00:54:56No, no, for goodness sake, it's very good.
00:54:59And did he talk to Bruno about it?
00:55:01Should I talk to him?
00:55:02You understand, it's quite big.
00:55:05He asked me what I think.
00:55:07I will do the same with my office manager.
00:55:10And we had to talk to someone else, huh?
00:55:15I don't know, with the grocer, or the grocer, or the barber,
00:55:19maybe with the local policeman.
00:55:22And do you already have in mind who?
00:55:24She's a good girl.
00:55:26Guadambi well, work,
00:55:29you have apartments of his,
00:55:30and who is better off than us.
00:55:31Who knows him?
00:55:36Yes, why not, one of these days.
00:55:38No, no, now, now, if we go there later.
00:55:40At this time?
00:55:41He's working at this time.
00:55:43What do you do, night shift?
00:55:45Yes, there, look, over there,
00:55:46they arrive at that traffic light, turn right.
00:55:49Do you work in an industrial plant?
00:55:52No, water, water, you're far away.
00:55:55You have phones, switchboard operator.
00:55:57Well, he used to work with the phone, yes, but...
00:56:00But she had to be dependent,
00:56:01he now works privately.
00:56:03But what does a nurse do, anyway?
00:56:04Water, water.
00:56:06The babysitter?
00:56:07What is the babysitter?
00:56:09Well, a damn.
00:56:10Eh, eh, focarello, a kind of bag.
00:56:17Turn left here.
00:56:27But, but by any chance won't he do the...
00:56:30The slut...
00:56:31Oh, but how the fuck fried?
00:56:33But she is a reckless fool.
00:56:37Look at this, the crazy stuff.
00:56:40A prostitute!
00:56:43And you want to give your son a prostitute as a mother?
00:56:46Because now the slut can't be a good mother.
00:56:48But, do you realize?
00:56:50It may be for her, for me, but not for the court.
00:56:53If she marries a prostitute, Mr. Curino,
00:56:55it's the straw that breaks the camel's back.
00:56:57They're taking Bruno away from her, do you understand?
00:56:58Yes or no?
00:56:59This is a very serious matter.
00:57:00What a nice little ass.
00:57:02Eh, this must be a new one.
00:57:04Feel the drop a little, turn it a little, let's see.
00:57:06Yes, move from a peephole.
00:57:08But go away, you ugly bastard!
00:57:10Do you want it to seem like I asked him for free?
00:57:14Ah, but then you're not exactly illiterate.
00:57:16But you know what?
00:57:18And you swear well.
00:57:22Brown.
00:57:25Brown.
00:57:31Brown!
00:57:32What's up?
00:57:34Are you awake, Bruno?
00:57:36If I answered you, it means you're awake.
00:57:38And why are you awake?
00:57:40Because you woke me up.
00:57:42Oh, that's right.
00:57:43Ah, Bruno, would you mind if I...
00:57:45And you?
00:57:47If I would marry again.
00:57:48And with whom?
00:57:49Ah, I don't know.
00:57:51But I still have to search.
00:57:52Is this girl you're so fond of becoming my mother?
00:57:55Eh.
00:57:56Since I got there first this evening, I'd like to choose it myself.
00:58:00Oh well, but the one who becomes your mother becomes my wife, though.
00:58:04So what?
00:58:05Well, I'd like to have my say too, wouldn't I?
00:58:07Oh well, I'll hear your opinion too.
00:58:10Thank you.
00:58:11Please.
00:58:12First of all, before I start looking, what would you like: blonde, brown, or brunette?
00:58:17But, first of all, speak little, because two chatterboxes in the family are enough.
00:58:23And then, and then it must be small, because there wasn't much room to ski here, eh.
00:58:29There's a little friend of mine who thinks it's just right.
00:58:34But where are you taking Bruno?
00:58:35You wait for me here, I'll go and see if he's there.
00:58:51Luciano!
00:59:05Dad, this is Luciana.
00:59:10Nice to meet you, Luciana.
00:59:11Luciana is a friend of mine, she's nice.
00:59:14He lets me play with the animals, he lets me get in for free.
00:59:17And now that he saw you he said it can be done, isn't that right, Luciano?
00:59:23Can it be done, who, in Bru?
00:59:24But didn't you say you wanted this wife to be small?
00:59:29I understand.
00:59:30Of course, for more space there really isn't much left, eh.
00:59:35And listen, look, I don't know what to say.
00:59:39I'd like to think about it for a moment, okay?
00:59:42Very nice to have met you, eh.
00:59:45Shall we go, Bru?
00:59:46Hi, Lucia.
00:59:47HI.
00:59:48Goodbye, Lucia.
00:59:48HI.
00:59:48Bru, she has a black and calf, but she's too small, don't you think?
01:00:01She looks like a little doll.
01:00:03I mean, what do they do with that?
01:00:05If we didn't poop, we could put it on the dresser, but then...
01:00:09A Bru, A Bru, are you sad?
01:00:14Huh?
01:00:14Once upon a time we all spent the day together, playing, singing, talking.
01:00:20Do you remember?
01:00:21But now, when you come home from work, you're always tired and pissed off.
01:00:26Ah, Dad, why did you start working?
01:00:28Because they say that a father who doesn't work isn't a good father.
01:00:32Dad, but when you're old, I know that everything has grown up.
01:00:35So what?
01:00:37Well, then I'll have to work too.
01:00:39Ah, but it's natural, right?
01:00:40So if I have to work together, when are we supposed to be together?
01:00:46Eh, good.
01:00:48But go and explain here.
01:00:50Come on, give Daddy a kiss.
01:00:55First of all, we need to see what's being stolen, let me explain.
01:00:58Why is someone who steals a piece of bread a thief?
01:01:02No, he's a hungry guy.
01:01:04But it's not what you steal that's important, but how you steal it.
01:01:08That's important.
01:01:09And if you put your imagination into it, you understand?
01:01:11If you invent the scam.
01:01:12Because your dad will be ignorant and won't speak clean.
01:01:14Whatever you like.
01:01:15But he has the brain.
01:01:17Damn I have it.
01:01:19And I want to tell you that if they patent the burglar alarm, they should patent thefts too.
01:01:26And your dad would have some patents.
01:01:28And instead I'm an asshole.
01:01:32But dad doesn't drink, otherwise he'll get drunk.
01:01:39Your dad is the king of assholes.
01:01:43Seriously, there's no one bigger asshole than us.
01:01:45No, Dad, that's not true.
01:01:46Look, if there were a world championship to determine who was the king of assholes, your dad would come in second.
01:01:54Why second?
01:01:55Because I'm an asshole.
01:01:56Did you understand?
01:01:57You owe me a role model for doing just the opposite.
01:02:01You have to do the opposite of me.
01:02:02Because you have to become a gentleman down.
01:02:04But dad, I don't want to become a gentleman.
01:02:06But I have to go to school for that.
01:02:08To make you different from me.
01:02:09But I like you the way you are.
01:02:11Just because I know your dad, though, that's wrong.
01:02:1412,500, sir.
01:02:16Oh, yeah, okay, okay.
01:02:18How do you want it if it's 12,500?
01:02:20Right away, what do you want?
01:02:21Okay, yes, 10, 11, 12 and 500 lire missing.
01:02:26And it can't be done?
01:02:27You thought so.
01:02:27Ah, Bru, look if you still have those 500 lire I gave you the other day.
01:02:33500...
01:02:34Here you are.
01:02:3510, I eat.
01:02:36Thank you.
01:02:37Are we going home?
01:02:38Yes.
01:02:39I'm taking this with me, it's paid for.
01:02:41Goodnight, darling.
01:02:46Dad isn't singing to me tonight.
01:02:48Well, I'm afraid Dad won't be able to sing tonight, you know?
01:02:52Why Umbria when is it?
01:02:55He's out getting some air.
01:02:58Sleep now, eh.
01:02:59Angela.
01:03:01Yes?
01:03:01Would you marry me, dad?
01:03:06I?
01:03:08And what do you say, love?
01:03:09What's on your mind?
01:03:11I think you like it.
01:03:14But...
01:03:15That you fell in love.
01:03:17But do you want to stop them?
01:03:19You two are always fighting.
01:03:21Two people who are always arguing can't get married, right?
01:03:24At the movies, when two people are always arguing, it means they're in love.
01:03:29Yes, but we're not at the cinema here.
01:03:31Now go to sleep.
01:03:32Good night.
01:03:32Okay, I'm sleeping.
01:03:35Good night, Mom.
01:03:40Enough, still here.
01:03:41Oh.
01:03:44What is Bruno doing?
01:03:46Rest assured.
01:03:47I put her to bed.
01:03:48Ah.
01:03:49Good night.
01:03:50But what goodnight?
01:03:50Come here, right?
01:03:52Why were you waiting for us?
01:03:54I was curious to know why Bruno didn't go to school today.
01:03:58Where have you been all day?
01:04:01Well, I could tell you that it's none of our business, but then you say that you use the words asci.
01:04:04I already said it.
01:04:05Oh, I already said that.
01:04:07And then I apologize.
01:04:08I'm used to it now.
01:04:10Ah, what did he do about the wedding then?
01:04:12You can't wait too long.
01:04:14Did you find the girl?
01:04:15Girl, the girl, the girls.
01:04:19I do it like this and look, they line up.
01:04:21Just the whistle, that's it.
01:04:25Is there credit?
01:04:26Is there credit?
01:04:30Look, look what you think of Mark Antony.
01:04:34I've worn half of Rome, you know?
01:04:36I only know whores.
01:04:47All whores.
01:04:48Too bad she only knows me.
01:04:50You're not a slut, no.
01:04:53Or yes?
01:04:54Huh?
01:04:55Raise that hand over there.
01:04:57Go to me.
01:04:57Good night, Mr. Quirino.
01:05:12I have good love.
01:05:13Every morning, around this time,
01:05:22the garbage truck arrives
01:05:24who comes to collect the garbage bags.
01:05:26Are you following me?
01:05:27You follow me.
01:05:28You follow me physically, but not verbally.
01:05:31Rosano, what the fuck are you talking about?
01:05:32I'm following you.
01:05:33Look.
01:05:34But without looking.
01:05:35Did you look?
01:05:36Rosano, but should I look or not look?
01:05:37Look, look.
01:05:39Did you look?
01:05:40I looked, you know.
01:05:41When our friend who works at the ovens
01:05:44he replaced the money bag with another identical one,
01:05:47he takes him to a toilet on the first floor
01:05:49and overlooks the courtyard.
01:05:51Are you following me?
01:05:52I'm following you.
01:05:53At this point our friend
01:05:54he takes the bag with the coin
01:05:56and puts it in a garbage bag.
01:05:58Then he opens the window and looks out into the courtyard,
01:06:00he takes the bag and throws it on top
01:06:02to the other bags that are in the courtyard.
01:06:03But excuse me, instead of throwing it out the backyard window,
01:06:05why didn't I throw it out the window that looks out?
01:06:07We're downstairs, we want to fly.
01:06:09No, because the only place it can get to
01:06:11it's that toilet over there,
01:06:12while all the other rooms instead
01:06:14are under strict surveillance.
01:06:16And how do you get the bag out of the yard?
01:06:18Because the truck arrives the next morning
01:06:19of urban cleaning
01:06:20and he brings everything,
01:06:21deaf and garbage.
01:06:23And are we screwed?
01:06:24No, because the garbage truck is fake
01:06:26and on top there are violets and maciste
01:06:27disguised as clean Urbini.
01:06:29What if it concerns the equality of fan control?
01:06:31We don't give a damn,
01:06:32because there is so much money,
01:06:33the bag of money on top of the truck no longer fits.
01:06:36Is the bag a debt?
01:06:37Good, a dehito the sack?
01:06:39But you know,
01:06:40you're already messing with my brain, huh?
01:06:42But who the fuck cared about this piece of shit?
01:06:44Excuse me,
01:06:45who the fuck was it?
01:06:46You?
01:06:47I.
01:06:47But you know,
01:06:47what are you making up?
01:06:49Wake up, Gino,
01:06:50wakes up.
01:06:51The garbage bag
01:06:52with the bag of money inside
01:06:54disappears before the truck
01:06:56of urban cleaning
01:06:57come and pick him up
01:06:58and after our friend
01:06:59he threw it into the yard.
01:07:00Are you following me?
01:07:01I follow you, you know,
01:07:01I do something else.
01:07:02But at this point
01:07:03mammoth and strongman
01:07:04that they thought
01:07:04that our friend
01:07:05of the mint
01:07:06and nofotente
01:07:06he probably found
01:07:08a system
01:07:08to get the money out
01:07:09in some other way
01:07:10to screw us all.
01:07:11But this friend of the mint
01:07:12the sack
01:07:12he threw it away,
01:07:12do you know?
01:07:13And he'll think I'm a macho and a hardass
01:07:14they agreed
01:07:15to fuck him.
01:07:17But the most enraged of all
01:07:18it will be me
01:07:18because I have the right
01:07:19to think
01:07:20that the three
01:07:20they agreed
01:07:21to fuck me.
01:07:22But how would I do it?
01:07:23to enter the courtyard?
01:07:24In a wagon?
01:07:24With the double bottom?
01:07:25Exactly.
01:07:26Mass that burpi, yes.
01:07:27And instead, of course.
01:07:32Excuse me, excuse me.
01:07:33Hey, sorry,
01:07:33a moment,
01:07:34where is she going?
01:07:37Replacement
01:07:38of material
01:07:38deteriorated.
01:07:40I'm bringing a new cart
01:07:41and I take it back
01:07:42an old one.
01:07:43Let us see.
01:07:46All right,
01:07:47good.
01:07:48Thank you.
01:07:48Good evening, Bruno.
01:07:55Good evening, good evening.
01:08:00HI.
01:08:01HI.
01:08:07Wait, let us see.
01:08:13Go.
01:08:18It's five o'clock,
01:08:20we can close.
01:08:48Until next time.
01:09:18Thank you all.
01:09:48Wow, how much you weigh in money.
01:10:18Thank you all.
01:10:48Thank you all.
01:11:18Thank you all.
01:11:48And now I think I see one coming down from the Mint building on a rope.
01:11:53Think about it.
01:11:54I even think I know him.
01:11:56I know my purchase.
01:11:57And he's right.
01:11:58It's really him.
01:12:00They're ripping us off.
01:12:01Let's start the vignolotta!
01:12:03Stop!
01:12:05Come on, make your scene!
01:12:05Stop!
01:12:06Yes!
01:12:06Yes!
01:12:06Yes!
01:12:07Yes!
01:12:08Yes!
01:12:08Yes!
01:12:09Let's get here! Let's get here!
01:12:39Thank you all.
01:13:09Thank you all.
01:13:39Oh, stop, stop, stop, wait, wait, wait, wait, come on, come on, come on.
01:13:48Oh, stop.
01:13:52Oh my God, I'm going to climb out of here!
01:14:09Bring us now, what do I do!
01:14:22The millstone isn't there, and he certainly didn't put the bow in!
01:14:46And now it should work?
01:14:47Try and teach!
01:14:50There you go! Come on, let's go!
01:14:52You do it, I'll watch your back!
01:14:54Yes, you watch the balls!
01:15:03Corinth, run away, I'll go around behind!
01:15:14Try the dome!
01:15:15Oh, oh!
01:15:22Am I?
01:15:25Oh, no!
01:15:33Trees, you're caught, but you're caught!
01:15:36But take this tree trunk!
01:15:38And I'm going to eat the pan!
01:15:39And I'm going to wear a sister's coat!
01:15:41And I'm going to eat pudella!
01:15:44And I'm going to eat pudella!
01:15:45And I'm going to eat pudella!
01:15:48And I'm going to my sister's head!
01:15:50Yes, yes, yes, yes.
01:16:20Give me a look here, you.
01:16:24Look back there.
01:16:42It's another one, the truck doesn't care!
01:16:46Sorry, but it's cold.
01:16:48Take off the lighthouse lights, eh!
01:16:50But the scale gives them!
01:17:10Did you hear?
01:17:10It stopped!
01:17:12The petrol, but there is, I only put five litres in it!
01:17:14Chorus, chorus, I love myself!
01:17:20But if you want to be more stupid, they'll blame the guns with 200 lire of gasoline!
01:17:32There's the truck!
01:17:33There isn't!
01:17:41And where did you choose?
01:17:42Because I know!
01:17:44But come on, I'm dying!
01:17:45Since there is something left!
01:17:48I kind of did it!
01:17:49I propose to push!
01:17:51He said a prosperous one!
01:17:55And turn it off, no!
01:17:57Yes, goodbye!
01:18:05I'll find the fishy Antrodombino in this shithole, won't I?
01:18:10And what the fuck is this?
01:18:12No, but look, go on!
01:18:13Maybe the Colosseum will appear and I'll have water at home in five minutes!
01:18:16No, no, no, I don't think it's the Colosseum!
01:18:26Oh, but where am I?
01:18:46If it's meant to be, I'll leave Ammerd and find myself in the toilet.
01:18:49Stay on horseback here, just find the front door
01:18:56Do you want?
01:19:06Where do I find it?
01:19:08Ponte Police Station, where are you from?
01:19:11Hey, out of the toilet, Marshal
01:19:13And what does he keep in there?
01:19:17Softness
01:19:17Softness, take a look, go on
01:19:19And therefore, given the demonstrably asocial nature of the accused
01:19:29Which, as has been amply demonstrated through investigations and testimonies,
01:19:34He leads a seriously reprehensible existence
01:19:37Intolerant of any work worthy of the name
01:19:41Without a stable home
01:19:43He has consistently demonstrated a high degree of criminal capacity.
01:19:48He was still a boy
01:19:50When he was locked up in a reformatory
01:19:53For a sordid story of smuggling
01:19:55His behavior in that real
01:19:57Look here, boy, there you go
01:19:59See, you see something
01:20:00He wants to hear
01:20:01He says your son ran away from home and is missing.
01:20:17He wants to know where they can look for it
01:20:19The defendant should sit down.
01:20:20Please sit down.
01:20:22I apologize, Mr. Judge.
01:20:24This is a private matter of my client.
01:20:27The defendant should stand up.
01:20:28So, should I get up or should I sit down? Excuse me.
01:20:30Get up
01:20:31If he has something to say, he can speak.
01:20:33My son ran away and can't be found.
01:20:35And there it is
01:20:35Mr. Pirino, this does not concern the procedure
01:20:38If she has something to say
01:20:40In his defense, speak
01:20:42What can I say, there is one
01:20:46That my son has only me
01:20:49And if, well, they lock me up, they lock him up too.
01:20:53And the only body he has to have is a father like me.
01:20:54Of course, I know, the fact that I love him passes
01:20:57Nothing matters in here
01:20:58Here it only matters if
01:20:59If I work, if I have a stable fear
01:21:02Well, my stable home is not
01:21:03If it catches your eye
01:21:04And then I work, I don't have any more work
01:21:07Even though I've never done it with my son, nothing is missing.
01:21:09Of course, I don't know how other fathers do.
01:21:13Those disrespectable ones who raise daughters
01:21:18They respect neither themselves, nor their own lives, nor the lives of others.
01:21:21But come on, Mr. Judge, we have to put up with it.
01:21:24Mr. Quirino, Mr. Quirino, Mr. Quirino, please, let's stay on topic.
01:21:28Of the theft of which you are accused
01:21:31So, are you declaring yourself guilty or innocent?
01:21:34Guilty, for goodness sake
01:21:35He said it too, but she did
01:21:38That I wanted to joke
01:21:41But the truth is, I thought it was really a joke.
01:21:44That money was burning there.
01:21:48So I tell him, why the State
01:21:50Instead of burning this money, why don't you give it to the poor?
01:21:53You'll tell me, why is this money so tight?
01:21:55But even the poor are in dire straits
01:21:57So why do you burn the poor wretches too?
01:22:00But come on, unheard of, enough
01:22:01Okay, we understand, sit down.
01:22:05Mr. President, considering all the mitigating circumstances
01:22:10The prosecution is asking for 16 months of imprisonment
01:22:12The prosecution is asking for 16 months of imprisonment
01:22:42Augusto Fantoni!
01:22:44Augusto Fantoni!
01:22:47Called Augusto Fantoni
01:22:49I have to talk to him on behalf of his wife.
01:22:52I know
01:22:54And who are you?
01:22:57I'm a friend of your wife
01:22:59Augun, the lawyer I don't want to wait
01:23:03Your wife says
01:23:05That one way or another he has to be satisfied
01:23:08Yes, no, leave the case
01:23:10Did you understand?
01:23:12I'm sending you to tell
01:23:13That the lawyer
01:23:15You they paid
01:23:17And from here do we talk to the prisoners?
01:23:22Yes
01:23:22But why didn't I think of her?
01:23:25He can't move from the bed
01:23:27From whose bed?
01:23:29From the lawyer's bed
01:23:30All the madinas
01:23:33The usual story
01:23:35Make the bone part
01:23:36That's a nice space
01:23:37And then he's the lawyer
01:23:39What's best for you?
01:23:42To dad
01:23:42Sa Bruno
01:23:43Quirinocino
01:23:44You know your son
01:23:46A bru
01:23:48What are you up to?
01:23:51What are you doing?
01:23:52Are you asleep?
01:23:52To dad
01:23:53One question at a time
01:23:54If not, we'll get drunk.
01:23:56A bru
01:23:57Why did you run away?
01:23:59How are you?
01:24:00Are you OK
01:24:01Don't worry
01:24:02How are you doing brunette?
01:24:05Great, great
01:24:06I eat better than you
01:24:07A bru
01:24:08You're not in the middle
01:24:09But go to Rosario
01:24:10From the rosary
01:24:12Carabinieri have already been born
01:24:14A bru
01:24:15You can't keep running away
01:24:17You have to introduce yourself
01:24:19Yes, he introduces himself to me.
01:24:21But they lock up
01:24:22Come on, boys
01:24:23Come on, boys
01:24:23Come on, the police are here.
01:24:24Boys
01:24:25Help, Dad
01:24:26Help
01:24:27But who are you with this regard?
01:24:28Dad, the guards are coming down
01:24:30Brown
01:24:30But what are you doing?
01:24:32Leave it alone
01:24:33But no, it's never where he sees from
01:24:35Dad
01:24:36Where do you see, oh
01:24:37Dad
01:24:40Brown
01:24:41Brown
01:24:45Brown
01:24:52Quirino
01:25:09Who is Gino for Quirino?
01:25:15Dad
01:25:17Dad
01:25:18Dad
01:25:19A bru
01:25:20A bru
01:25:21Get on, get on, get on
01:25:23Come on, come on, give me a kiss
01:25:24A little kiss
01:25:25You're cold, damn it
01:25:30No, it's the glass that's cold
01:25:32Love
01:25:34Ciccio
01:25:36When are they locking him up?
01:25:40Next week
01:25:41Oh
01:25:42I got the child to stay in Rome
01:25:44So at least once a week
01:25:45I'll take it to him to see it
01:25:46I am a friend of the director of the institute
01:25:49You'll see that
01:25:49Yes, well
01:25:51Rest assured
01:25:52They'll treat him well
01:25:53I don't want to go there
01:25:55I don't want to go there
01:25:56You don't like it
01:25:57But, but he's telling you the joke
01:25:59Do you know why Indians look like that?
01:26:01Huh?
01:26:02Why do they look at each other like that?
01:26:03They see nothing
01:26:04You don't like bru
01:26:09Mr. Quirino
01:26:10There is one thing that
01:26:12What can I tell you?
01:26:13But I don't know if
01:26:14All right
01:26:15I'll tell him anyway
01:26:16Maybe it will seem crazy to you
01:26:18But for Bruno
01:26:19For the child
01:26:20I am myself
01:26:21I started to think that
01:26:23Why do we lock him up?
01:26:25And then
01:26:26I was actually thinking
01:26:27That she and I
01:26:28Perhaps
01:26:29He understands
01:26:30No
01:26:31Listen Gino
01:26:32There would be a solution
01:26:34Here you are
01:26:35I informed myself
01:26:36It can be done
01:26:38And so I'll keep Bruno.
01:26:40You understand?
01:26:41Did you understand?
01:26:43No
01:26:43In short, I
01:26:45What I wanted to tell you
01:26:46It's that
01:26:47It's just that we two, deep down
01:26:50But is it possible that you don't understand?
01:26:53Because I had understood
01:26:54And I was afraid
01:26:55To understand
01:26:55Because she seemed crazy to me
01:26:57He spoke very quickly
01:26:58Not even if he was messing around with me
01:26:59And he told me
01:27:00Don't worry about it
01:27:00Which could have been just a passing thing.
01:27:02Which was seen afterwards
01:27:03In the meantime, it's enough that Mipio
01:27:04He could have stayed with her
01:27:05Since she became the mother
01:27:07According to the law
01:27:08In short
01:27:08I had believed that she
01:27:09If he wanted to trust me
01:27:11Instead not even for fuck's sake
01:27:12This morning we wanted to show up
01:27:13Both
01:27:13I don't know if you understood
01:27:14And since my Bruno
01:27:16I really love you
01:27:17And she keeps breaking me
01:27:18I was fond of it
01:27:19It ended up
01:27:20What if we are married
01:27:21In the director's office
01:27:22One came with a band
01:27:23That made his belly bulge
01:27:25He started talking
01:27:26And nobody understood a damn thing
01:27:27Then he said
01:27:28That with the woman like that
01:27:29I have to change my life
01:27:30That I had been lucky
01:27:31To meet her
01:27:32That there was also a nice deck
01:27:34In short
01:27:34My wife likes it
01:27:35And to me
01:27:36He was making me do it
01:27:37The figure of the shit
01:27:38In front of everyone
01:27:39For witnesses
01:27:40There were Rosario
01:27:41That's his bitch
01:27:41And two other good people
01:27:43Who were in jail with me
01:27:44A man who killed his wife
01:27:46And the other one who robbed
01:27:47An old lady
01:28:02That's his bitch
01:28:32What were there?
01:28:33What were there?
01:28:35What were there?
01:28:36That's his bitch
01:28:38What were there?
01:28:39Chia
01:28:53What were there?
01:28:54What were there?
01:28:54What were there?
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