Manolesta - FILM - Video Dailymotion

Film&Cinema |B|S|K|

Genere: Commedia  Anno: 1981  Attori: Tom Felleghy, Ennio Antonelli, Paco Cardini, Clara Colosimo, Paolo Fiorini, Tomas Milian, Armando Pugliese, Adriana Russo, Valentino Simeoni, Patrizia Tesone, Massimo Pittarello, Giovanna Ralli.   TRAMA  Gino è un poveraccio di borgata che da anni vive in un barcone abbandonato ed ancorato sul Tevere con il figlio Bruno. Questo figlioletto è tutto per Gino; che l'ha cresciuto ed allevato con amore, facendogli anche da madre, perché la vera madre, una giovane nordica, l'ha abbandonato appena nato. Una giovane assistente sociale comunica a Gino che il figlioletto, svolgendo un compito a scuola sulla sua famiglia, ha descritto il modo e gli espedienti con cui padre e figlio vivono. Da qui la minaccia di sottrarre il figlio al padre se questi non cambia vita e non trova un mestiere. Incominciano le disavventure di Gino in cerca di lavoro, sino a quando, costretto a rubare per il figlio, va in carcere. Il padre potrà evitare che il figlio venga rinchiuso in un Istituto per minori soltanto grazie all'assistente sociale che decide di sposarlo.

Transcript

00:00:00Music

00:00:30Sir, I'm sorry to disturb you.

00:00:52Is that where Mr. Gino Quirino lives?

00:00:55What does he know about the law? His boat has its writings.

00:00:57Home of the here...

00:01:01Ah, yes, that's right, it's written

00:01:05Excuse me, I need to get on board, how can I do it?

00:01:11Seamstress

00:01:11No, no, I'm not the Seamstress

00:01:13I am Dr. De Maria, Angela De Maria, social worker

00:01:17I wanted to say Sarta, as in Sarta, I'm a pa, you know? From there to there

00:01:21Understood

00:01:22Tailor

00:01:26Is there anyone on board?

00:01:30Mr. Quirino?

00:01:32Fuck you!

00:01:34What's he crazy about? How dare he do that?

00:01:36Mr. Quirino, are you drunk?

00:01:38I am Dr. Angela De Maria

00:01:40Of the juvenile social service

00:01:43And the invitation to...

00:01:44Fuck you!

00:01:46But what is he saying?

00:01:47You look at this, what kind of swear words

00:01:49I'll fix it now

00:01:51Help!

00:01:55Help!

00:01:57Quirino, help!

00:02:00What do you have that the learned does?

00:02:02Can't you see where I've ended up?

00:02:03Oh, sure I see it.

00:02:04But you're worrying

00:02:05The more it's full of assholes floating

00:02:07Anyway, give me a hand

00:02:09Yes, beak, beak, talcity

00:02:10You do it for me

00:02:12Can you give me a hand?

00:02:14Attach here, maybe

00:02:15Sorry, but I have to piss you off

00:02:17Oh, but there's a hole here

00:02:19But what is he doing? Is he touching it?

00:02:20Well, while I'm at it, right?

00:02:22Look how they are combined

00:02:23But not there in Guastracciacura

00:02:25I'll punch that guy in the face

00:02:28Oh

00:02:28I'll be back, I want you, cuckold

00:02:30Ammita, admire

00:02:31And I told you to shut up, didn't I?

00:02:34Don't tell me that Mr. Quirino is you

00:02:36Okay, I won't tell you.

00:02:37So why didn't he tell me right away?

00:02:40But come on, should I tell you or shouldn't I tell you?

00:02:42But do we really have to talk about this out here?

00:02:44Why do we have to talk about it?

00:02:45If you don't mind

00:02:46Eh, a little bit, yes

00:02:46And even if she's sorry

00:02:48We need to talk about your son.

00:02:50Ah, and what do you have to tell me, my son?

00:02:52Well, you know, it's a bit of a long speech.

00:02:54Pure

00:02:54Mmm, we're doing well

00:02:57Who's inside, right?

00:03:02You get naked and they let the clothes dry, right?

00:03:04Come on, you're rotten

00:03:05Oh, never mind, thanks

00:03:07Don't do as you please, just close the door

00:03:08To me who also cares

00:03:09You're getting cold, aren't you?

00:03:11You broke your mandolin on the guitar

00:03:14Which would then be the ass and the barley apa

00:03:16What's he doing there too but with a bad bitch, huh?

00:03:19No, oh

00:03:20Eh, you don't call the young lady an ugly bitch, you understand?

00:03:23Eh, because it's not ugly

00:03:24She can be a bit of a bitch

00:03:25But no, it doesn't seem ugly to me.

00:03:26Ah, this is Nero

00:03:28And this is Dr. Mariangela, Nero

00:03:30No, Dr. Angela De Maria

00:03:32This is Nerone De Gino instead

00:03:34And Gino is me, you understand?

00:03:36Or he has to excuse himself, he's a foundling

00:03:38Poor thing, this is a blackbird from the suburbs

00:03:40I can't get him to talk, I won't say fine, but at least clean, that's it.

00:03:43Listen, get your cock sucked and I'll help you take off your shoes.

00:03:48Listen, the bird...

00:03:49Well, get rid of the bird, it's better.

00:03:52I understood it

00:03:53Go to your house, get the fuck out of my way, come on

00:03:55Here, good

00:03:57Tell me

00:03:58Listen, Mr. Curino.

00:04:00I came here to talk about what your son wrote in his last Italian essay.

00:04:04Do you want to hear?

00:04:05Oh well, let's hear it

00:04:06Theme

00:04:07Describe your family

00:04:10Your dad's work, your mom's work, and your life at home

00:04:13And tell us about a day that you remember more intensely than the others

00:04:17Look, you don't have to get angry.

00:04:20Hey, you don't have to get pissed off, okay?

00:04:22And give a carmata

00:04:23If anyone's pissed off here, it's me.

00:04:25Because that's not on topic

00:04:26But that's teaching kids to spy, you know?

00:04:28But what the hell do I care about you guys, what the fuck are we doing in our family, sorry?

00:04:31I understand very well that you are afraid of this kind of questions, Mr. Curino.

00:04:35But what fear? What are the numbers?

00:04:38The child in his innocence told everything

00:04:41All what? All what? What are you making up? What are you making up?

00:04:43I'm not making anything up, take it, keep it, read it, read it

00:04:47What are you talking about?

00:04:49Yes, I'll scratch your wheels, eh

00:04:50But you see this

00:04:53At that time

00:04:55Saturday is my favorite day of all.

00:04:58My dad doesn't give me school because he has to go shopping.

00:05:00And when he goes shopping it's like someone going to the movies

00:05:03Listen

00:05:15Listen

00:05:17Can you make me a cheese sandwich?

00:05:19Just a moment, I'm serving the lady

00:05:20Can I already get on the ground?

00:05:22You're welcome, you're welcome

00:05:22Just don't block my passage

00:05:24No, no, thanks

00:05:25No, no, thanks

00:05:25No, no, to that one

00:05:36No, no, to that one

00:05:36There is now

00:05:41Then he also has some pickles

00:05:51The father prefers to do his shopping on credit

00:05:57Pious today and pay tomorrow

00:05:59Rather, whenever you like

00:06:00All gentlemen do this

00:06:02He has an open account with all the shops in Rome

00:06:04We go once to one and once to the other

00:06:06And it doesn't make anyone happy, says dad

00:06:08Did you want something?

00:06:34Yes, give me this sachet of oregano

00:06:37Do you want me to send her home or stay away from you?

00:06:40No, you are in trouble.

00:06:41I have the car two steps away

00:06:43How much is it?

00:06:44200, say

00:06:45Damn, it'll get worse

00:06:46How much does this cost?

00:07:1320,000 lire per shot

00:07:14I say

00:07:16Don't you want to open them one by one?

00:07:28How are you?

00:07:29I'm sure there might even be water inside.

00:07:31But who are you?

00:07:32What if I even?

00:07:33What are you mulling over?

00:07:34Is there a thing?

00:07:34But look for another one, she'll be happy

00:07:36But see if the article here

00:07:38There, put it in, go

00:07:42Did you see?

00:07:45We did the shopping for the week

00:07:46Look Bruno

00:07:50They're moving here, see?

00:07:53You know what?

00:07:53I got the idea

00:07:54What idea?

00:07:57Do you want me to explain it to you?

00:07:57I'm going to see if I can make the deal

00:08:03Understood?

00:08:06Oh, you're not moving?

00:08:07Alright

00:08:08Mass that chairs

00:08:31Eh, it really fits comfortably on the ass up here

00:08:35Does she take the book crates?

00:08:37Eh, who has time for the law, sir?

00:08:40Then for the books there is the finger colleague

00:08:41There is for greeting

00:08:42Be careful with that chair, it's very delicate.

00:08:44As if it were mine, don't worry

00:08:46Are you worried?

00:08:47Mass

00:08:52Oh, there's another move in this building too.

00:09:05With all these evictions

00:09:06Brown

00:09:07Brown

00:09:08Here you are

00:09:11Here you are

00:09:11Eh, do you like it?

00:09:15Beautiful, isn't it?

00:09:16Ah, Bruno

00:09:19Tonight I'll put two wheels on it and tomorrow I'll take you to school, eh?

00:09:22Let's all kill envy

00:09:24How much did you pay, Dad?

00:09:26Accreditation, Bruno

00:09:27Credit, right?

00:09:28Eh

00:09:29How much did you pay, mommy, we'll all die of envy

00:09:59But we don't always go shopping.

00:10:24One day, it was Sunday

00:10:26My father took me to see those who fly hanging from certain kites

00:10:29That they love artplans

00:10:31They often have to look at how they do it

00:10:33Because when I grow up I would like to be a starter

00:10:36And dad explained to me how they manage to fly without the engine.

00:10:39That they flatten in the race and get burned by the wind

00:10:42He says that flying with an engine is less satisfying.

00:10:44Because with the artaplane one seems to have wings

00:10:47Like a bird

00:10:48Like Icarus

00:10:50I told him then

00:10:51Which the teacher had explained to us just two days before at school

00:10:53And who is this Icarus?

00:10:55One who wanted to go to the sun

00:10:57An astronaut, Russian-American

00:10:59Greek

00:11:00Greek?

00:11:01Even the Greeks send shadows into a new space

00:11:03I had to explain to him that he was an ancient Greek.

00:11:05Who had attached the wings of an eagle to his back

00:11:08With wax

00:11:09Which then broke up and he fell into a deep depression.

00:11:11Oh, this Icarus was also an ancient Greek

00:11:14But he was a huge asshole

00:11:15Sure it would be nice to try

00:11:17Ah Bruno, do you want to fly?

00:11:19And how do they do it?

00:11:20We should have this thing

00:11:21Well, I know, let's borrow, right?

00:11:31Get on, come on, get on

00:11:33That's how it is

00:11:35To read well?

00:11:37Ready?

00:11:38Yes

00:11:38Arieccice

00:11:45And so

00:11:49I flew away

00:11:50I held on tight and wasn't afraid

00:11:53I felt like I was weightless

00:11:55A feather carried by the wind

00:11:57Like when you're swimming underwater

00:11:59And there's the strength that always pushes you on

00:12:01Always on

00:12:02What one wonders

00:12:03But then how the fuck can you die on the fence?

00:12:08And then

00:12:09When we were leaving

00:12:10My father warned me

00:12:11Be careful of me, Brunè types

00:12:14I have been to Bento

00:12:16But he put them exactly the same

00:12:18Inside the cow shit

00:12:19But dad

00:12:21You ended up like shit

00:12:23At least Brun would bring good luck.

00:12:27Well, what's up, Mr. Quirino?

00:12:30Doesn't he say anything?

00:12:31And well yes, there are a few errors

00:12:32And the kid writes asshole

00:12:33Instead of asshole

00:12:34And you're right, yes.

00:12:35Maybe some redneck might have heard his fingers

00:12:37Yes, that's why that word

00:12:38In an Italian theme

00:12:39It is not written at all

00:12:40Why not?

00:12:41No

00:12:41Oh no?

00:12:42Look, I'm hermione once

00:12:43We went to look it up in the dictionary

00:12:45Understood?

00:12:45On the contrary

00:12:45But I'll show it to you too

00:12:46Asshole

00:12:48I slap it on the face

00:12:49Asshole

00:12:50Look

00:12:51Asshole

00:12:52Asshole

00:12:53Asshole

00:12:54Well but I can't find it

00:12:54But anyway

00:12:55It's a word

00:12:56What does it mean something?

00:12:57Like the shit cylinder

00:12:58Which can also be used

00:12:59Like the surto

00:13:00For asshole companies

00:13:01I don't care what's written there

00:13:04She trains her son to steal and cheat

00:13:06He is not ashamed

00:13:07But what is that saying?

00:13:08Not to mention the danger he put it in

00:13:09But what danger?

00:13:10She was not unconscious to me

00:13:11But this is going straight for the dick

00:13:13That's why you don't do anything stupid.

00:13:14Because she's going straight for the dick

00:13:16Kids have imagination

00:13:17Therefore, they screw up

00:13:18They like to fantasize

00:13:19And even the kids would like it

00:13:20Meanwhile, I'm more into investigating

00:13:21On the family condition

00:13:22In which the child lives

00:13:23And from what I've already seen

00:13:24And what did you see?

00:13:25What did you see?

00:13:26No, you have to tell me you saw

00:13:27In her opinion

00:13:27This is a decent place

00:13:29Where to let a child live

00:13:30For whom?

00:13:30What's wrong?

00:13:31Huh?

00:13:31No, what's missing?

00:13:32No, I bet that

00:13:33That there is not even the place for

00:13:35The place to shit

00:13:36There isn't, it's true

00:13:37How is it not there?

00:13:39He's on the outside, he's on the outside

00:13:40Eh, I really want to see it

00:13:42This model of hygiene

00:13:43Well, not inside the house

00:13:44Go and pretend to be dirty

00:13:45So, do you like watching shit?

00:13:48Huh?

00:13:48Or do you really see?

00:13:49Where?

00:13:50Here, look

00:13:50Shit on the ground, on the world

00:13:52Don't you realize that everything is a big dump?

00:13:54When you shit, you shit well

00:13:55Yes, satisfied

00:13:58But I would like to go down

00:13:59Without taking another bath

00:14:00If not, you don't mind.

00:14:01Okay, I'll help you, go on

00:14:02Yeah, well, sure.

00:14:03Come on, move it

00:14:04Give me your hand, come on

00:14:05Come on, wait, come on

00:14:06To you, to you

00:14:08But what is he doing?

00:14:10But are you leaving me?

00:14:11But you're standing up for a fact they fall

00:14:12Keep this, it's for you

00:14:15For me, what stuff?

00:14:16What is this thing?

00:14:17The summons

00:14:18She has to come and talk

00:14:20With the director of social services

00:14:21At the juvenile court

00:14:23Tomorrow at 10

00:14:24And I'm not coming

00:14:25But it would be good if she came

00:14:26In your interest and that of the child

00:14:28I advise you not to joke with the law

00:14:30And where would this place be?

00:14:32Doctor Bassi

00:14:33Second floor

00:14:335 Zoccolette Street

00:14:35Eh, you thought so

00:14:37What?

00:14:39Nothing, nothing, nothing

00:14:405 Zoccolette Street

00:14:41But let me pass

00:14:42Oh, I'm coming

00:14:43Lawyer Piadlande

00:14:44Do you want to know who he is?

00:14:46No

00:14:46It's Piadlande in the ass

00:14:47Eh, not a bad idea.

00:14:52Look what a day it is

00:14:54Ah, first it's yours

00:14:58You have to stop telling our stories

00:14:59To the first asshole who asks you a question

00:15:01Sorry, right?

00:15:02Ah, dad, what first asshole?

00:15:03He was the master

00:15:04What was I supposed to do?

00:15:05Should I not answer him?

00:15:07Eh, you answer the teacher

00:15:08History, geography

00:15:09We, how many times have they gone to Marcesso

00:15:10If we change the whores

00:15:11Do you think so?

00:15:11So what do I have to do?

00:15:12I write in the theme

00:15:14You have to do as I do

00:15:15You tell him

00:15:16I refuse to answer

00:15:18Unless my lawyer is present

00:15:19Who is?

00:15:20Piadlande

00:15:21Oh

00:15:22Oh

00:15:25Did you understand?

00:15:28He's a famous lawyer, you know?

00:15:32He's my lawyer

00:15:33Oh well

00:15:35Dad

00:15:40Are you still awake, Brunè?

00:15:43Ah, dad, listen to this

00:15:45Are you really sure?

00:15:47About what?

00:15:48That we two are not two thieves?

00:15:51Why are you asking me this question, Bru?

00:15:53Because I read in the dictionary

00:15:55That when

00:15:57In short, one

00:15:58Ah, you know the vocabulary

00:15:59The dictionary explains the words to you

00:16:00It doesn't explain people to you

00:16:02Did you understand?

00:16:03And who explains people?

00:16:06It's a little complicated, huh?

00:16:08Who do you explain them to?

00:16:09But

00:16:10I'll give you an example

00:16:11Do you remember that little spicoletta?

00:16:14That if we are eaten

00:16:15Two weeks ago?

00:16:17Eh

00:16:17They say that the fish

00:16:18It's good for the brain

00:16:20Why

00:16:20Because it has vitamin

00:16:22What is called phosphorus?

00:16:23What I don't understand

00:16:25It's that

00:16:26This phosphorus shit

00:16:28In short

00:16:29It is also found

00:16:32Inside the prosperous

00:16:33No

00:16:33Only that

00:16:35If you

00:16:37You eat the fish

00:16:38It's good for you

00:16:38If you eat a box

00:16:40Of the prosperous

00:16:41You can even die

00:16:41And what does that have to do with anything?

00:16:42Oh yes it's true

00:16:43It has nothing to do with it

00:16:44Well

00:16:45Let's go back to the spicoletta

00:16:46That little spicule

00:16:47One day

00:16:48He was smelling the sea

00:16:49As

00:16:50All happy

00:16:53All happy

00:16:54All

00:16:55Up one

00:16:56Drop the hook

00:16:58The little spicule

00:16:59Open your mouth

00:17:00And zacche

00:17:00And it remains attached there

00:17:02So that one

00:17:03You're on it

00:17:04More the little spicule

00:17:05The door to the market

00:17:07The slap on the bench

00:17:08And then he says

00:17:09Well

00:17:09Almost almost

00:17:10But having 20 thousand lire per kilo

00:17:12But who said that?

00:17:13Who said that?

00:17:14Him

00:17:14Let's say

00:17:15But he couldn't

00:17:15Why the spicoletta

00:17:16I agreed with him

00:17:17No

00:17:17So since you

00:17:19That little fish

00:17:19It's good for you

00:17:20And I don't have the 20 thousand lire

00:17:21To buy it

00:17:21What should I do?

00:17:22I'll take it

00:17:23How he took it

00:17:24To arm

00:17:25And I take it from the counter

00:17:26And this is not stealing

00:17:27Understood?

00:17:28Now go to sleep

00:17:29Because tomorrow

00:17:30Where is the damn movie

00:17:31If you have to march

00:17:325 in the morning

00:17:33It's true that it does

00:17:34The part of St. Peter?

00:17:35Well yes

00:17:36It's an important part

00:17:36They give her 50 bags

00:17:38I also speak with Jesus Christ

00:17:39Are you sleeping now?

00:17:41But dad

00:17:41Will you sing to me?

00:17:42Alright

00:17:43I sing to you

00:17:44But in the meantime

00:17:44What do you have to do?

00:17:45I sleep

00:17:46Here you are

00:17:47And now it's pious from dad

00:17:48And give me an arm

00:17:49Strong

00:17:50Strong

00:17:51AND

00:17:51Muah

00:17:52But put on some sleep

00:17:54That I sing to you

00:17:55Long must

00:17:59He sleeps

00:18:01While the river

00:18:04Walk

00:18:05I follow him

00:18:08Why

00:18:09It drags me

00:18:11With himself

00:18:12And forges

00:18:14My heart

00:18:15I see a shadow

00:18:18Far away

00:18:19And a star

00:18:22Up there

00:18:24Or what will he give?

00:18:27Roman

00:18:29Accompaniment

00:18:33My heart

00:18:41My heart

00:18:42You were

00:18:43To the stars

00:18:43What would you like?

00:18:48You were

00:18:49My strange voltages!

00:19:10Legally speaking, the boy's case could be defined as a complete confession.

00:19:16Luckily, your son is not yet 14 and therefore, at least, does not have the capacity to testify.

00:19:23Article 159 of the Code of Criminal Procedure.

00:19:27Then he can't help but do anything to me.

00:19:28Wait a minute. The law imposes on parents the obligation to support, educate, and care for their children.

00:19:36And what does that mean?

00:19:37The G children, the O children.

00:19:39However, if the State ascertains that the parents are failing to fulfill this obligation, it has the power to remove the child from the paternal home.

00:19:47And in the most serious cases, even to have parental authority revoked.

00:19:52What the fuck does the homeland have to do with it now?

00:19:54Power. Fatherly power.

00:19:56They take your children away, in short.

00:20:00Jesus.

00:20:02Tell me.

00:20:03Did he want my son?

00:20:04Oh, and they put him in a public asylum. Do you believe me?

00:20:10For me what you say is the Gospel.

00:20:13But why should they take my children away from me? If I've ever had any, nothing is missing, you know.

00:20:16Then tell him. When you go to talk to the little clog, you tell him.

00:20:20Do you know what I do?

00:20:22I'm waiting for them to send me another summons.

00:20:24Yes.

00:20:24Then?

00:20:25The Carabinieri are sending you.

00:20:26Oh well, the carabinieri.

00:20:29With all the socks they have to think about, they're wasting their time with me.

00:20:32Eh.

00:20:32Hi, Aiu.

00:20:35Hello, Rosa.

00:20:37Wow, Dad, you're so ugly. And what kind of Saint Peter did they cripple?

00:20:41They changed my part.

00:20:43Weren't you supposed to make Saint Peter talking to Jesus?

00:20:45And who am I talking to, excuse me? This is him. Well, it's not Jesus.

00:20:49Oh, dad, and he doesn't bother me that much.

00:20:51Ah, Bruce, listen to this.

00:20:53Come on.

00:20:54Come on.

00:20:55Ah.

00:20:57Listen to me.

00:20:58From now on you must not swear anymore.

00:21:00Why?

00:21:00And why the fuck shouldn't you? Otherwise it's a mess, you know?

00:21:03Oh.

00:21:04From Madonna to Jesus Christ, Saint Joseph!

00:21:07Ah, dad, why is he swearing?

00:21:09But he's not swearing, he's calling us, you understand?

00:21:12We have to turn around, you foolish person.

00:21:14Perhaps.

00:21:15Give me your hand, let me lean on it a little.

00:21:17Quirino Gino!

00:21:27With all the guys who have to think about it, they find time to piss me off too.

00:21:31He must come with us.

00:21:32Where?

00:21:33At the juvenile court.

00:21:37How do you live, Mr. Quirino?

00:21:39Like everyone else.

00:21:41I breathe, I eat.

00:21:42But don't be an idiot, what kind of job do you do?

00:21:48I play the father, and when needed, the mother too.

00:21:50But we're not joking, are we?

00:21:53And who's joking?

00:21:54It's not the job that you're doing, kid.

00:21:56Since he was born, diapers, baby bottles, Ucci Ucci Rinna O, every night.

00:21:59Ucci Ucci Rinna O, who put him to sleep little boy.

00:22:03Leave Gianna alone.

00:22:05I want to know what income you have, Mr. Quirino.

00:22:09That is, the entrance through the door.

00:22:11If I forget the key, there's a window on this side, which I'll open because I have an injured person there.

00:22:16Mr. Quirino, answer my question.

00:22:19What job does he do?

00:22:20But I said before, sorry, I have to take care of my son.

00:22:23Ah, I understand what you mean, you're talking about the second job.

00:22:26It's true, I swear I tried hard but it seems like I'm just getting a second job or they're just giving it to someone who already has their first one.

00:22:32And it seems fair to me too, because otherwise what kind of second job is it?

00:22:36Skip that word Gianna.

00:22:38Well yes.

00:22:38Hey, are you happy already?

00:22:40You can jump on the dick.

00:22:41Ah, Mr. Quirino, behave yourself or I'll have you locked up for the sake of public official attention and expense.

00:22:49Did you understand?

00:22:50Oh, excuse me, excuse me.

00:22:56My name is Angela.

00:23:00Hey, don't you want to say hello?

00:23:02Good morning, madam.

00:23:04Listen, leave this lady alone and call me Angela.

00:23:09Because I would like us to be friends.

00:23:11Why?

00:23:12Well, because you see, I want to know many things about you.

00:23:14And in exchange I'll tell you everything you want to know about me.

00:23:17But I don't care, I don't care.

00:23:20Well, Bruno, I understand.

00:23:22Listen, let's do something then.

00:23:23I'll ask you some questions.

00:23:25You know, I don't enjoy it either, but I have to do my job, you know?

00:23:29I refuse to answer unless my lawyer is present.

00:23:34What are you saying?

00:23:37You know what a nice guy you are?

00:23:39Do you know what the two of us are doing now?

00:23:42I understand that you are a tough guy and that you want your good constitutional guarantee.

00:23:46Huh?

00:23:47Look, let's make a deal.

00:23:49I'll ask you some questions.

00:23:50Huh?

00:23:50If you go, answer, if not, I'll call the lawyer and have him come.

00:23:54Do you agree?

00:23:55But you actually call the lawyer.

00:23:58I swear to you.

00:24:00With the hand.

00:24:01The hand, up.

00:24:03From man to man.

00:24:05But if he doesn't have a job, how does he provide for the child's material needs?

00:24:08Can you explain it to me?

00:24:09When he needs to take a dump.

00:24:10But speak properly.

00:24:11But why moco I said, I said when he needs to poop, because she poops.

00:24:14No, no, no, no, no.

00:24:15Well, then iron the lady.

00:24:16I see where I find the money for what the child needs.

00:24:18Well, actually I can't find it.

00:24:19But how does he provide for food, clothing, and other expenses?

00:24:22Because I enjoy a certain amount of credit, my modesty.

00:24:25It means he takes Roma and doesn't pay for it.

00:24:27Well, otherwise what the hell kind of credit is it?

00:24:29Oh, sorry.

00:24:29Oh, right.

00:24:30Seamstress.

00:24:31Do you like jumping on the dick?

00:24:33Always jumping.

00:24:35Friendly.

00:24:36It seems like where I, eh.

00:24:37First I'll rise up, though.

00:24:39Do you ever argue with your father?

00:24:41Lots of times.

00:24:43Listen, Bruno, did he ever hit you?

00:24:46Well, not him, but I do.

00:24:49Did you hit your father?

00:24:51When it makes me go crazy, I mean, when it makes me pissed off.

00:24:54But he never to me.

00:24:56Where is your mother?

00:24:57She's dead.

00:24:58Who told you she died?

00:25:01Your father?

00:25:02And why did you have to tell me that, grandpa?

00:25:04She disappeared.

00:25:06In short, dead.

00:25:07No, disappeared, if it is missing, if it is given.

00:25:11That was the Swedish one, she had come from Rome to study.

00:25:14Understood?

00:25:15One day we met, something bad happened, we saw each other, we flirted and fucked.

00:25:20Eh.

00:25:20Yes, in the sense...

00:25:21Oh yeah, you have to jump in for a fuck, sorry.

00:25:23Mr. Pirino, talk about the mother and her child.

00:25:25And my mother has that one.

00:25:27Ah, ah, ah, to mother.

00:25:29But, but that's a furnace, not a mother.

00:25:31That one, that one churning out the little ones like they were bricks.

00:25:34He just liked to fuck.

00:25:35Oh well, it's so pointless.

00:25:37Anyway, when she went to the clinic she left.

00:25:40I was standing there all happy.

00:25:42And he says to me, he says, here is your son, I'll put him in my arms.

00:25:46Then the Swede makes the phone call.

00:25:47He says, he says he was going to make a phone call.

00:25:49And I was waiting with the little gazette, in case he is seen again.

00:25:51Bruno, do you like your house?

00:25:53Huh?

00:25:53Why do you like it?

00:25:56Because it's not a home.

00:25:57It's a boat.

00:25:58My school is his only one that I live on a boat.

00:26:01I understand.

00:26:03Listen, Bruno, do you like studying?

00:26:05It's not that stupid question I asked you.

00:26:07Because if you tell me you like it, I don't believe you.

00:26:09If you want, I'll call the lawyer for you, do you want it?

00:26:12No?

00:26:16Now Miss Brega will give you the report to read and sign.

00:26:20Oh, if he even calls Brega.

00:26:22Plastic is separated when it matters.

00:26:23Please read again before signing.

00:26:25Oh well, ah.

00:26:26No, I trust her, I trust her.

00:26:27I don't like her, though.

00:26:29Neither as a father, nor as a man.

00:26:31But what do you mean?

00:26:32But I don't want to rush any decision.

00:26:34Professor De Maria will keep her under observation for some time.

00:26:37To whom? To me?

00:26:38Yes.

00:26:39No, look.

00:26:40No, let's go here and break the pace around the house all day.

00:26:42Check if he really wants it and lie to himself.

00:26:45Find a place.

00:26:46No, but what should I look for?

00:26:47But what should I look for?

00:26:49You need to take care of a healthy and more dignified home.

00:26:51We understand each other.

00:26:52Otherwise we will be forced to take the child away

00:26:55to its baneful influence.

00:26:57Is that clear?

00:26:59What would you do, vi?

00:27:01Take me off and bring me to myself.

00:27:03Take me off and I'll...

00:27:04But don't you dare.

00:27:05Don't you dare, or I'll smash everything.

00:27:07But what's happening?

00:27:10And I was telling the lady that when I arrived the chair

00:27:13he wasn't here, but he was here!

00:27:16Me, I'm going to kill myself.

00:27:19If you take me away and I'm dead, you know, I'll throw myself into the river, I'll throw myself.

00:27:22Well, if it's the Tiber you can also avoid jumping in,

00:27:25just drink a little glass and you're all dead.

00:27:27So, you know, he's no joke.

00:27:28And who's joking?

00:27:29I'm serious.

00:27:30Do you know what they say in Naples?

00:27:32You're going to hit the jackpot.

00:27:33And what the fuck does that mean?

00:27:34Lower your barrel.

00:27:36Basically, when the wind blows, you lower yourself and duck.

00:27:39Then you let it pass and you retreat back up again.

00:27:42You know like the cane.

00:27:43It's clear, right?

00:27:44Let me give you a ride.

00:27:46And don't you realize that there's always a solution to everything.

00:27:53Hi, Gine.

00:27:54HI.

00:27:55Are you feeling a little down?

00:27:57I'll leave it.

00:27:58I'll accompany him to the boat for a moment now.

00:28:00Oh, if you have to rent, let Maria Luisa know.

00:28:03I'm going back to mom, do you understand?

00:28:05And let Maria Luisa see it every now and then.

00:28:07He'll be sorry you didn't wait for him.

00:28:09Okay, okay.

00:28:10Hi, huh.

00:28:11You are marrying Maria Luisa.

00:28:15She loves you.

00:28:16She would also be a mother to the creature.

00:28:18Be patient.

00:28:19Not to mention that there are now three apartments.

00:28:22The two shops.

00:28:24I don't know if I'm explaining myself.

00:28:25These days, anyone who gets married in Zocco finds it an oil well.

00:28:29So you marry her and live, thank God, referred to, followed and loved throughout your life.

00:28:34Well, you know, I haven't done that job.

00:28:35It's to be mine, look.

00:28:38Oh, stop, stop, stop, stop.

00:28:39It's Carla.

00:28:43And who is he?

00:28:44The Zuccoletta.

00:28:45It's really her.

00:28:47Hi, I'm greeting you, you know, thank you.

00:28:48HI.

00:28:49HI.

00:28:54Seven by seven.

00:28:57I want a lawyer.

00:28:59Are you tired?

00:29:01Um.

00:29:02Brown!

00:29:03Here's dad.

00:29:06How are you, Gillo?

00:29:07Dad!

00:29:07From Abbacetto to dad.

00:29:09Beautiful, beautiful.

00:29:11Good evening, Mr. Quirino.

00:29:13Does it often happen that you leave your child alone for the whole day?

00:29:19But Bruno, go home and put the water on the stove, eh, I'll add it to you right away.

00:29:23All right, Dad.

00:29:25Hi, Bruno.

00:29:27HI.

00:29:27So, what did he decide?

00:29:30I know I want to know what you and that other Zuccoletta decided.

00:29:33Now will you leave my son or will you take him away?

00:29:34Well, that's up to her.

00:29:36Oh, is it up to me?

00:29:37So, let's do something.

00:29:39Starting tomorrow I'm changing my life.

00:29:40I find a steady job.

00:29:41All right?

00:29:42Here, good.

00:29:43But there's the catch.

00:29:46Who washes, who irons, what did you do to them to eat?

00:29:48This job that I've been doing for seven years, who does it?

00:29:51You'll tell me, I have hands in the orphanage, but it doesn't exist.

00:29:54Because his father was at the orphanage for eleven years, you understand?

00:29:56And I don't lock my son up, because he needs to talk to me, he needs

00:30:01to discuss, he needs to send a fuck and I want to be there, understand?

00:30:04I'm used to having a monologue with my son, you understand?

00:30:06The dialogue.

00:30:07The dialogue, the monologue, who cares?

00:30:09However, he can always take a woman on hours, so she can work peacefully.

00:30:14Ah, good, how damn, she found the solution.

00:30:18What an asshole they thought of him, and I'm already making a mess, and what's the big deal?

00:30:22And who pays for it?

00:30:23She, of course, with her work.

00:30:25Oh, me?

00:30:26And if you understand, I go to work when they have a salary to give it to someone who does the work for you

00:30:34which I used to do for free, but this isn't bullshit.

00:30:37And what does he want to do?

00:30:38Keep stealing?

00:30:39But do you realize the example Bruno is setting?

00:30:41Oh, I didn't try?

00:30:44Before you call me a thief, you have to think, understand?

00:30:47And you don't have to hear it too loudly because I was behind your ass.

00:30:50And then I sent the police away, you understand?

00:30:52I steal because I love my son.

00:30:53But you steal because you only love the deaf.

00:30:57She is a bully and a bully.

00:30:58And you want me to fuck you, my little boy.

00:31:00But take it and go, go.

00:31:02But go to hell, go.

00:31:03She is a civilian.

00:31:04I know you from your mistress.

00:31:05And I, I report her.

00:31:07Get them done.

00:31:09Animal, troglodyte.

00:31:10Read for fucking with your fingers.

00:31:12And he gets to fuck off.

00:31:14And who is it that made all this mess here?

00:31:27When we came back from school you weren't there.

00:31:30So Angela first took me to eat at a restaurant.

00:31:33Then he said, well, let's do some cleaning, it needs it.

00:31:38He took a rag and started cleaning.

00:31:42And I won.

00:31:43Dad's ready.

00:31:46Did you study today?

00:31:48Yes.

00:31:48Huh?

00:31:49Yes.

00:31:50What did you study?

00:31:53The seven times table.

00:31:55Oh yeah?

00:31:56So, seven by eight?

00:31:57The cat broke.

00:31:58Oh, Dad, we've been reviewing the seven times table all day.

00:32:02What do you mean, we're reviewing?

00:32:04You and who?

00:32:04Me and Angela.

00:32:06Ah, you and Angela.

00:32:18Is this the sauce I made yesterday?

00:32:20No.

00:32:21And who did it?

00:32:22Angela.

00:32:25Good, huh?

00:32:26It sucks, it does.

00:32:29He's as bland as she is.

00:32:30And what the fuck do you want?

00:32:33What good food are we having tonight?

00:32:34What do you eat?

00:32:35Look, first there's a fettuccine al su.

00:32:38Want to take a look at the menu?

00:32:39And secondly, if he keeps breaking the balls, there's a little bird on the spit.

00:32:43Understood?

00:32:43Ninth.

00:32:44Look at this, come on, if you have to come and eat spaghetti, damn it.

00:32:48What are you laughing at, ah bru?

00:32:49Today I'm feeling bad, huh?

00:32:50Brown?

00:33:01Hi Bruno.

00:33:02HI.

00:33:03I wanted to talk to you a little.

00:33:04Are you coming home with me?

00:33:07I have something for you.

00:33:09What?

00:33:10One thing, I'll give it to you in the car, come on.

00:33:13You know.

00:33:15On.

00:33:17That's it.

00:33:18Let's go.

00:33:24And that thing you were supposed to give me?

00:33:27Oh yes, look, I got you, I thought you might be interested.

00:33:31Here, here.

00:33:33And if you don't like it, we can change it too.

00:33:35No, no, these are the kind of planes that actually fly.

00:33:38If it loads the gear that turns the propeller.

00:33:42And it flies 50-60 meters.

00:33:44My ladder, a friend of mine has one too.

00:33:47So do you like it?

00:33:48My balls.

00:33:49Damn, I wanted to kill you.

00:33:53Good on my guitar, accompany me softly.

00:34:00Dad, dad, look what a beautiful gift he got.

00:34:05Look what Angela gave me.

00:34:07Who told you to give this gift to my son?

00:34:14I thought that...

00:34:15You thought wrong.

00:34:18You don't have to think.

00:34:19There's no need for anyone to leech, you understand?

00:34:21Yes, but I...

00:34:22But nothing about you, you're the social worker.

00:34:24In many faces he witnesses what a stranglehold he has made.

00:34:26Look, eh.

00:34:27Look at your gift, here.

00:34:29No, Dad, no!

00:34:30Here, satisfied now.

00:34:35Brù, what are you crying about?

00:34:38Why is Brù crying?

00:34:39It was mine.

00:34:40But even the dear Rallimi, right?

00:34:42Come on, you're going to get an eye, aren't you, Dad?

00:34:43On.

00:34:44Did you see what he did to him, kid?

00:34:47Who has never cried in his life, has never cried.

00:34:49You are a real bad guy, Mr. Quirino.

00:34:51Look, what Bruno needs is the dream, you understand?

00:34:54And you already did it to me like you, little darling.

00:34:56You ground it up for me, you ground it up for me.

00:34:58I have to explain to you what.

00:34:59I understand, I'm leaving, I'm leaving.

00:35:00But we always pretend.

00:35:03Choke!

00:35:10Brown.

00:35:14I'm sleeping.

00:35:22Do you want me to tell you a joke so you can tell it again tomorrow at school, your friends?

00:35:26No.

00:35:30Oh well, I'll tell you anyway.

00:35:32So you can count it again tomorrow.

00:35:33And so.

00:35:36Do you like poisonous mushrooms, Brù?

00:35:38No.

00:35:39Eh, they're killing me.

00:35:44Did you like it?

00:35:45This is bullshit.

00:35:48Well, yes, that's true, it's bullshit.

00:35:50This joke has never made anyone laugh.

00:35:51There is reason.

00:35:53I'll tell you the other one, okay?

00:35:56Or do you know why America is always cold, Brù?

00:35:59No.

00:36:00Because they discovered it.

00:36:03This one's cool, huh?

00:36:04Ah, Brù.

00:36:06But what did you happen to grind and I didn't notice?

00:36:09No.

00:36:11Eh, I know why you're angry.

00:36:13Quinti Gisaki, wow.

00:36:30So this one that suits me.

00:36:49No, look, I'll choose here later.

00:36:53No, look, I'll choose here later.

00:36:56No, look, I'll choose here later.

00:37:00No.

00:37:01It's something else.

00:37:31Listen, sorry.

00:37:32Say.

00:37:32Is this the guy you really want?

00:37:34Yes, but her baby is too small.

00:37:36No, no, it's for my brother who is 9 years old.

00:37:39But I don't know if my wife...

00:37:42He looks at my pubic area for a moment, I'll show it to my wife.

00:37:45It's down there in the oven.

00:37:46I'm coming back.

00:37:46Sure, I'll watch it.

00:37:48Oh, thanks.

00:37:49I'm flashing, okay?

00:37:50Hello, little one.

00:37:58But where is he?

00:38:00Mario!

00:38:01But look at you, this kid, where does he put you?

00:38:04Oh my God.

00:38:06But how did you get this far?

00:38:07You scared me.

00:38:09Madam, have you seen your husband?

00:38:10He came to show him the propeller plane.

00:38:12My husband?

00:38:12But my husband is in Germany working for Volkswagen,

00:38:15blessed is he who sees it.

00:38:16He tricked me.

00:38:17These dads should go this way.

00:38:19No, no, no, eh, yes.

00:38:23Ah, but do you know what's happening?

00:38:26He's always up there, he's always up there,

00:38:28you always have it.

00:38:29Ah, look here it is, look here it arrives.

00:38:31HI.

00:38:32Angela, did you see?

00:38:34Dad bought me the plane back, we're assembling it.

00:38:38Mr. Quirino, can you come down for a moment?

00:38:40I need to talk to you for a moment.

00:38:42Wait, Bru, eh.

00:38:43Oh well, here it is.

00:38:48Wait, let's continue together, eh, Bru?

00:38:50You're not moving, understood?

00:38:53Well, I...

00:38:55I would like to apologize for yesterday,

00:38:57because deep down you had been kind,

00:38:58you had bought a little gift from Cassino

00:39:00and I behaved like a jerk, I mean...

00:39:02Yes, yes, okay, can we come in for a moment?

00:39:05Sure, of course.

00:39:06Ah, you beautiful bitch!

00:39:12Eh, good, it's beautiful, eh, you like it, I'll smear it, smear it!

00:39:16He likes it, but he doesn't like someone, absurd.

00:39:19It's just another way to get noticed, right?

00:39:22You're welcome, guys!

00:39:23Yes!

00:39:26At that time?

00:39:26This is my report.

00:39:30My office manager will deliver it tomorrow morning.

00:39:36Well, no...

00:39:36If I don't find this relationship, she loses Bruno.

00:39:39She doesn't want to get it into her head that this is the law.

00:39:41Right or wrong, Gino, I don't know, but...

00:39:43Excuse me, I called Gino.

00:39:46Oh, it's okay, call me whatever you like.

00:39:48I am democratic.

00:39:49I have no intention of sending this report.

00:39:52But she has to help me.

00:39:54She loves Bruno, I know, I understand.

00:39:56And Bruno loves her too.

00:39:57Do you want your son to stay with you or not?

00:40:00Oh, look, if you still don't understand, it really means you're from another planet.

00:40:03Then I'll give her a hand.

00:40:04I'll pick up Bruno from school, cook for him, take care of him.

00:40:07Am I a social worker or not?

00:40:09Oh, yes, it's not you.

00:40:10No, I was saying, I'll keep Bruno until she comes back, then I'll leave.

00:40:14But until I get back from where, excuse me?

00:40:16But from work.

00:40:17But from which job?

00:40:19Listen, Mr. Gino, you are registered with the employment agency.

00:40:23I'm a little undecided, let's be clear, could you give me some advice?

00:40:26What do you recommend?

00:40:27Mr. Quirino, you are not enrolling in university here.

00:40:29What sector did you work in?

00:40:31Construction, mechanics, agriculture, tertiary sector.

00:40:33I've been an actor a couple of times, but in a secondary, not tertiary, role.

00:40:36Excuse me, but is it possible that you have never worked in this world?

00:40:40Oh, I have a child to look after.

00:40:41What do you think?

00:40:42I have to be a housewife, I have to cook, I have to wash, I have to iron, I have to do the shopping.

00:40:47In the end, there is no more time to do anything.

00:40:49A?

00:40:50Okay, one by one, this one looking at the hair.

00:40:52Come on, write.

00:40:57Good morning.

00:40:58Good morning.

00:40:58So are you signed up?

00:40:59Yes, they classified me as an unskilled laborer waiting for my first job.

00:41:03But we'll have to wait.

00:41:05Do you know how many millions of unemployed there are in Italy?

00:41:08Two million.

00:41:09And they all come before me.

00:41:10It's up to you to wait.

00:41:11But don't worry, I have a friend and I'll get you a job.

00:41:14No, no, but you don't have to bother.

00:41:15Let's let him do his thing, shall we?

00:41:17Watch out for the wind!

00:41:22Since there is no hope of having a real house, from today, when he comes back from work,

00:41:27She will spend a couple of hours making this more dignified and welcoming.

00:41:36Look, I'll teach you how to do it.

00:41:37Who is it? Try it!

00:41:51Soro me, instead you try again.

00:41:53I can do better.

00:41:55Ah, ah yes, damn this one, look where you're stealing from.

00:41:58Look, eh, it's one, it's two, it's three.

00:42:00Good, Bruno.

00:42:02How did it go with the foreman?

00:42:03Ah, very well, I love tied.

00:42:04As soon as he saw me from the first snort the prisons,

00:42:06he told me, I want to see the second one, he can go alone too, he can go.

00:42:10Oh, good.

00:42:10Ah, Bruno, come on, go on, eh.

00:42:12Dad, today instead of eating you drink.

00:42:14You shut up, a little broth in the evening is good for you.

00:42:16How do you like your eggs?

00:42:18Oh, me with ham.

00:42:19Me with the onion.

00:42:21Well.

00:42:22So I'll make you four mixed up and then you can divide them up, okay?

00:42:26Have you heard Bru when we all speak the same language?

00:42:29Speaking of language, when he repaints the name on the boat,

00:42:32excuse me if I tell you, but I, Quirino, would write it with my ass.

00:42:38But with your ass you can write whatever you want.

00:42:50Could you make less noise?

00:42:51But it's not me making noise, the broth.

00:42:54Okay, as soon as we're done eating we'll continue assembling the plane.

00:42:57And who offers it to us, and who offers it to us?

00:42:59No, no, no.

00:43:00Look, it's already late and sleep is falling.

00:43:02Afterwards you go to sleep, understood?

00:43:04Ah, Bru, what do you want to do, huh?

00:43:05It's time to sift, if we're put at the mother-in-law's mercy.

00:43:08Goodnight, darling.

00:43:11Good night, Mom.

00:43:14He called me mom.

00:43:17Goodnight, Bruni.

00:43:19Goodnight, Mom.

00:43:20Eh, when he's a sleepyhead, he loves me too.

00:43:24Once when I was little it even stuck to my breast.

00:43:26It's clear, you miss your mom.

00:43:30Ah, dad, are you going to sing?

00:43:32Ready, ready, darling, always ready, always at your command, dad.

00:43:37Fruit flower

00:43:42The woman in love

00:43:46She's half crazy

00:43:48The woman in love

00:43:53She's half crazy

00:43:56When she got a husband

00:43:59And she's completely crazy

00:44:02Peach blossom

00:44:09If you don't fall asleep here

00:44:12When I finish

00:44:15If you don't fall asleep here

00:44:19When I finish

00:44:22I'm so sleepy that at times

00:44:27And I fall for it

00:44:29Oh, what did you sing to yourself?

00:44:48Oh, no, it's just that I was thinking about something

00:44:51Before Bruno was born

00:44:54Huh?

00:44:54Yes, I say

00:44:55When she didn't have to take care of the baby

00:44:57How did he live?

00:44:58He was working or

00:44:59Or was he stealing then too?

00:45:02But I stole, I stole

00:45:03But look, I even feel sorry for rich people, you know?

00:45:06Really?

00:45:06Those over there have the silverware

00:45:08The furs

00:45:09The author's paintings

00:45:10The jewels

00:45:10They

00:45:11AND

00:45:11If you steal something from him

00:45:13You're also doing him a favor

00:45:14But it is

00:45:15A nice favor

00:45:16But yes

00:45:17With all the face they have towards us

00:45:18To pile up the money

00:45:19A pile, a pile, a pile

00:45:20They even forget that they are rich

00:45:22And if you go to their house, purelli

00:45:24And you steal his bullshit, right?

00:45:26Those do

00:45:26Oh, God, help

00:45:27No, here there

00:45:28We are ruined thieves

00:45:29Huh?

00:45:29But it's not true

00:45:30Deep down they are happy

00:45:31And do you know why?

00:45:32Because he reminded them that they are rich

00:45:34And it gave him happiness

00:45:35Huh?

00:45:36It's like this

00:45:37You rather feel

00:45:41And tell me a little about it

00:45:41Yes

00:45:42But you, do you have a man?

00:45:49Because I don't know

00:45:50You're always here

00:45:51Abundances of our gasses

00:45:52I say

00:45:53Why do you do it?

00:45:54Why don't you stay with your man, right?

00:45:56Good evening, Mr. Querino

00:45:58Oh, it's not that I offended you.

00:46:01HI

00:46:03Agurro, are you in pain, sir?

00:46:06It's a little tight

00:46:07Let's go to bed

00:46:08Yes, this is true.

00:46:09But if we want it here

00:46:10And we do it for him

00:46:10Wait a moment

00:46:11Yes

00:46:11Yes, yes

00:46:12I really think it is

00:46:13Yes, yes

00:46:14Yes, yes

00:46:15Listen, do me a favor

00:46:17And go get me sheet 6 of the project

00:46:19Right away

00:46:19Agurro, what did you do here?

00:46:29I know everything

00:46:30But how do we get out?

00:46:31What do I remember?

00:46:32Why does it only take a minute and I'm a pain?

00:46:35What the hell am I bothering?

00:46:36Do you know what you broke?

00:46:38Did you break up?

00:46:39Did you realize you broke up?

00:46:40Already here?

00:46:45Don't make a mess because I just finished cleaning

00:46:48Bruno doesn't know?

00:46:51A friend of mine who is a teacher agreed to give him some private lessons.

00:46:54You know, the kid is a little behind

00:46:55But don't worry, it doesn't cost anything.

00:46:58It's a favor he's doing me.

00:47:00Why so early today?

00:47:03Did you finish early?

00:47:05We don't have

00:47:05Oh, I finished first

00:47:07I had a disagreement with the foreman.

00:47:11On a small dome at the door

00:47:14And he fired me

00:47:17But how is this possible?

00:47:20I ask him

00:47:21But let's start well

00:47:23But what are you doing, Mr. Quirino?

00:47:27Is he undressing?

00:47:29And who goes to bed dressed?

00:47:32I woke up at four when I was little, you know?

00:47:34If you don't like turning away, you understand?

00:47:36Ah, she acts grumpy

00:47:39It seems he has never seen it

00:47:40And how much does the Umbadino have?

00:47:47Does she know?

00:47:48I don't think three thousand

00:47:49Mass what thieves that are

00:47:51Excuse me Dante, the holy honor

00:47:56Have you almost eaten here already?

00:47:57Yes, it's usually one thousand five

00:47:58I'm new here then

00:47:59That's why I can never...

00:48:02Here you are

00:48:03On behalf

00:48:04Waiter?

00:48:06Yes?

00:48:06Please peel the apple

00:48:08Oh yes, yes, I'll take care of it

00:48:09He doesn't care

00:48:11Here you are

00:48:13But be nice

00:48:15Leave, but eat mozziglia

00:48:17It does even more good than the drop

00:48:18Eh, the apple

00:48:21Here it is, it's clean

00:48:22Listen please

00:48:23Could you bring me some sauce?

00:48:24Ah, right away, yes

00:48:24You understand?

00:48:25We are now in review

00:48:27Yes

00:48:27It's useless to judge each other

00:48:28Yes

00:48:29But his soul did it

00:48:30Oh yes, very, very much

00:48:31Oh yes

00:48:32Darnit

00:48:33But what is he doing?

00:48:34But my patience

00:48:34Excuse me

00:48:36But what a companion

00:48:36Wait, go to the toilet

00:48:37It's a bit of hygienic comfort

00:48:38It dries better

00:48:38It's the end of the world

00:48:39But what kind of individual is he?

00:48:41No, look, forget it

00:48:42Okay, Pirino

00:48:43Bring this to table number three

00:48:45What, jam?

00:48:47But what jam?

00:48:48This is vorga caviar

00:48:49But things are going badly for him

00:48:50Fish Pussa

00:48:51In bad way

00:48:51But gentlemen go crazy

00:48:53Yes

00:49:02It's obvious that I don't know the gentleman

00:49:03Here she is

00:49:03Beautiful burning

00:49:04Quirino

00:49:05Yes

00:49:06Good, good, good

00:49:14I already understood

00:49:15I didn't cut it

00:49:16I'm going away for myself

00:49:17Sea storm

00:49:18Thank you

00:49:18But what the fuck did he give me?

00:49:22This crazy woman

00:49:22Cut, smooth

00:49:23But then what does she care?

00:49:25If I like the old

00:49:26And no

00:49:28I absolutely have to modernize

00:49:29But dad

00:49:31And I can study you

00:49:32With all this mess

00:49:33I already told you

00:49:34I don't want to hear you swear

00:49:36And what a dad too

00:49:38It's a swear word

00:49:39Actually

00:49:40Mr. Pirino

00:49:41He can't make it go that way

00:49:42That breaks the eardrums a little less

00:49:44Sure, sure

00:49:45The thing

00:49:45Did you hear the lady?

00:49:46You have some manners

00:49:47Shut up

00:49:48Oh, shut up

00:49:49You have nothing to do with me

00:49:51No, I say

00:49:52He won't believe it, will he?

00:49:53To take me for a ride, right?

00:49:55Eh, maybe

00:49:56I came for the loss

00:50:16Come in

00:50:18She is related

00:50:21No, I just know

00:50:22Come on

00:50:24Another mouse

00:50:27Madam, there was a visit

00:50:32No, come on

00:50:34Come on

00:50:35Madam, excuse me.

00:50:37There was an error

00:50:38I came for the loss

00:50:39Madder Bathroom

00:50:40Maybe I'll come back when he's better.

00:50:41Ninth

00:50:42For goodness sake

00:50:43Don't go away

00:50:44It's been three days

00:50:45That we are without water

00:50:47Adelina, take him to the bathroom

00:50:48It's so hard to get a plumber

00:50:50I'm sure that poor Augustus

00:50:52It will include

00:50:52But you see that poor Augustus is dead

00:51:09You decide

00:51:10Yes, yes.

00:51:40Yes, yes.

00:52:10Yes, I made your wife get water,

00:52:13Now you have to find someone to take it away from him.

00:52:18The cake that I lose a place, that one gets pissed off,

00:52:20Then my eyes get blurry and I can't understand anything anymore.

00:52:22I arrived here and I was even afraid to go back to my house.

00:52:25Tell me what the fuck I should do.

00:52:26Find a wife.

00:52:28So it's an obsession.

00:52:29Oh well, or there might be another solution.

00:52:32Which?

00:52:33Do you actually know what happens to paper money?

00:52:37Well, it doesn't really end up in my pocket, look.

00:52:39Ah, witty.

00:52:41I mean when it became a stinker,

00:52:43something that makes you sick to look at,

00:52:45Hi Claudio, I'm so full of hassles,

00:52:47make it stand up, it's not there, understood?

00:52:49In short, something to throw away, like this ten thousand lira.

00:52:53It's burning, look.

00:52:55Oh, I know, but what the fuck are you doing?

00:52:56Do you burn money like a daisy?

00:52:57That one takes a hit, you know.

00:52:59No, I, sorry, eh, I don't burn anything.

00:53:02But the State, yes, the State goes to the banks,

00:53:05he takes the used coin and sends it to the mint.

00:53:08The tick puts it inside a bag

00:53:10and this bag is put inside the oven.

00:53:12So what?

00:53:13But how come?

00:53:15A friend of ours works at the mint bakery

00:53:18and this friend told me that just one of these bags

00:53:21it would be enough to fix all of us,

00:53:24if we then want to say that one of these bags knows...

00:53:26Ah, I know, I know, but how did you find out?

00:53:27But do you think those people are burning a million bucks?

00:53:29without worrying about precautions, sorry?

00:53:31And instead it would be a very, very easy thing.

00:53:34No, no, I know, I'm done with these things.

00:53:36I have my children, if they put me in a cage

00:53:38then what the fuck do you care about him, tell me?

00:53:40Okay, but many children take it away from you anyway.

00:53:42and then who do we steal this money from?

00:53:44In the oven.

00:53:45We steal burned paper, do you understand this concept?

00:53:47No, no, no, you know it, you know it.

00:53:49Look, I know, rip-off for rip-off,

00:53:53calera for calera know what I'm telling you

00:53:54I know that I prefer to get married.

00:53:56Sin.

00:53:57Hey, wait, do you want me to give you a ride?

00:53:59No, I want to be late, I don't want to meet up with that guy at home.

00:54:02Hi, I know.

00:54:02HI.

00:54:04Oh, go on.

00:54:09Oh, and you thought so.

00:54:11You thought he wasn't waiting for me.

00:54:14And how do you serve it?

00:54:14But what are you doing, Mr. Quirino, are you doing this on purpose?

00:54:17No, because if he does it on purpose, it's better if he says so right away.

00:54:20It's possible that he can't make a job last.

00:54:21more than a week or two.

00:54:22But how long do you think I can go on like this?

00:54:25Tell me, tell me.

00:54:26Eh, I don't know, you tell me, you tell me.

00:54:28Look, my chances of finding work are slim.

00:54:30they have a limit.

00:54:32And my patience too.

00:54:33At that time?

00:54:34Look, in a little while you won't have to bother yourself anymore, understood?

00:54:37I had an immoral crisis

00:54:38and I realized that I want to pay the debt that weighs on life.

00:54:42But what is he saying?

00:54:43And I say that I have decided that I want to give a mother to my son

00:54:46and that I want to get married.

00:54:49Well, that's what I want to tidy up the thing about.

00:54:51to the system of life.

00:54:52I know if I can explain myself.

00:54:55What does he mind?

00:54:56No, no, for goodness sake, it's very good.

00:54:59And did he talk to Bruno about it?

00:55:01Should I talk to him?

00:55:02You understand, it's quite big.

00:55:05He asked me what I think.

00:55:07I will do the same with my office manager.

00:55:10And we had to talk to someone else, huh?

00:55:15I don't know, with the grocer, or the grocer, or the barber,

00:55:19maybe with the local policeman.

00:55:22And do you already have in mind who?

00:55:24She's a good girl.

00:55:26Guadambi well, work,

00:55:29you have apartments of his,

00:55:30and who is better off than us.

00:55:31Who knows him?

00:55:36Yes, why not, one of these days.

00:55:38No, no, now, now, if we go there later.

00:55:40At this time?

00:55:41He's working at this time.

00:55:43What do you do, night shift?

00:55:45Yes, there, look, over there,

00:55:46they arrive at that traffic light, turn right.

00:55:49Do you work in an industrial plant?

00:55:52No, water, water, you're far away.

00:55:55You have phones, switchboard operator.

00:55:57Well, he used to work with the phone, yes, but...

00:56:00But she had to be dependent,

00:56:01he now works privately.

00:56:03But what does a nurse do, anyway?

00:56:04Water, water.

00:56:06The babysitter?

00:56:07What is the babysitter?

00:56:09Well, a damn.

00:56:10Eh, eh, focarello, a kind of bag.

00:56:17Turn left here.

00:56:27But, but by any chance won't he do the...

00:56:30The slut...

00:56:31Oh, but how the fuck fried?

00:56:33But she is a reckless fool.

00:56:37Look at this, the crazy stuff.

00:56:40A prostitute!

00:56:43And you want to give your son a prostitute as a mother?

00:56:46Because now the slut can't be a good mother.

00:56:48But, do you realize?

00:56:50It may be for her, for me, but not for the court.

00:56:53If she marries a prostitute, Mr. Curino,

00:56:55it's the straw that breaks the camel's back.

00:56:57They're taking Bruno away from her, do you understand?

00:56:58Yes or no?

00:56:59This is a very serious matter.

00:57:00What a nice little ass.

00:57:02Eh, this must be a new one.

00:57:04Feel the drop a little, turn it a little, let's see.

00:57:06Yes, move from a peephole.

00:57:08But go away, you ugly bastard!

00:57:10Do you want it to seem like I asked him for free?

00:57:14Ah, but then you're not exactly illiterate.

00:57:16But you know what?

00:57:18And you swear well.

00:57:22Brown.

00:57:25Brown.

00:57:31Brown!

00:57:32What's up?

00:57:34Are you awake, Bruno?

00:57:36If I answered you, it means you're awake.

00:57:38And why are you awake?

00:57:40Because you woke me up.

00:57:42Oh, that's right.

00:57:43Ah, Bruno, would you mind if I...

00:57:45And you?

00:57:47If I would marry again.

00:57:48And with whom?

00:57:49Ah, I don't know.

00:57:51But I still have to search.

00:57:52Is this girl you're so fond of becoming my mother?

00:57:55Eh.

00:57:56Since I got there first this evening, I'd like to choose it myself.

00:58:00Oh well, but the one who becomes your mother becomes my wife, though.

00:58:04So what?

00:58:05Well, I'd like to have my say too, wouldn't I?

00:58:07Oh well, I'll hear your opinion too.

00:58:10Thank you.

00:58:11Please.

00:58:12First of all, before I start looking, what would you like: blonde, brown, or brunette?

00:58:17But, first of all, speak little, because two chatterboxes in the family are enough.

00:58:23And then, and then it must be small, because there wasn't much room to ski here, eh.

00:58:29There's a little friend of mine who thinks it's just right.

00:58:34But where are you taking Bruno?

00:58:35You wait for me here, I'll go and see if he's there.

00:58:51Luciano!

00:59:05Dad, this is Luciana.

00:59:10Nice to meet you, Luciana.

00:59:11Luciana is a friend of mine, she's nice.

00:59:14He lets me play with the animals, he lets me get in for free.

00:59:17And now that he saw you he said it can be done, isn't that right, Luciano?

00:59:23Can it be done, who, in Bru?

00:59:24But didn't you say you wanted this wife to be small?

00:59:29I understand.

00:59:30Of course, for more space there really isn't much left, eh.

00:59:35And listen, look, I don't know what to say.

00:59:39I'd like to think about it for a moment, okay?

00:59:42Very nice to have met you, eh.

00:59:45Shall we go, Bru?

00:59:46Hi, Lucia.

00:59:47HI.

00:59:48Goodbye, Lucia.

00:59:48HI.

00:59:48Bru, she has a black and calf, but she's too small, don't you think?

01:00:01She looks like a little doll.

01:00:03I mean, what do they do with that?

01:00:05If we didn't poop, we could put it on the dresser, but then...

01:00:09A Bru, A Bru, are you sad?

01:00:14Huh?

01:00:14Once upon a time we all spent the day together, playing, singing, talking.

01:00:20Do you remember?

01:00:21But now, when you come home from work, you're always tired and pissed off.

01:00:26Ah, Dad, why did you start working?

01:00:28Because they say that a father who doesn't work isn't a good father.

01:00:32Dad, but when you're old, I know that everything has grown up.

01:00:35So what?

01:00:37Well, then I'll have to work too.

01:00:39Ah, but it's natural, right?

01:00:40So if I have to work together, when are we supposed to be together?

01:00:46Eh, good.

01:00:48But go and explain here.

01:00:50Come on, give Daddy a kiss.

01:00:55First of all, we need to see what's being stolen, let me explain.

01:00:58Why is someone who steals a piece of bread a thief?

01:01:02No, he's a hungry guy.

01:01:04But it's not what you steal that's important, but how you steal it.

01:01:08That's important.

01:01:09And if you put your imagination into it, you understand?

01:01:11If you invent the scam.

01:01:12Because your dad will be ignorant and won't speak clean.

01:01:14Whatever you like.

01:01:15But he has the brain.

01:01:17Damn I have it.

01:01:19And I want to tell you that if they patent the burglar alarm, they should patent thefts too.

01:01:26And your dad would have some patents.

01:01:28And instead I'm an asshole.

01:01:32But dad doesn't drink, otherwise he'll get drunk.

01:01:39Your dad is the king of assholes.

01:01:43Seriously, there's no one bigger asshole than us.

01:01:45No, Dad, that's not true.

01:01:46Look, if there were a world championship to determine who was the king of assholes, your dad would come in second.

01:01:54Why second?

01:01:55Because I'm an asshole.

01:01:56Did you understand?

01:01:57You owe me a role model for doing just the opposite.

01:02:01You have to do the opposite of me.

01:02:02Because you have to become a gentleman down.

01:02:04But dad, I don't want to become a gentleman.

01:02:06But I have to go to school for that.

01:02:08To make you different from me.

01:02:09But I like you the way you are.

01:02:11Just because I know your dad, though, that's wrong.

01:02:1412,500, sir.

01:02:16Oh, yeah, okay, okay.

01:02:18How do you want it if it's 12,500?

01:02:20Right away, what do you want?

01:02:21Okay, yes, 10, 11, 12 and 500 lire missing.

01:02:26And it can't be done?

01:02:27You thought so.

01:02:27Ah, Bru, look if you still have those 500 lire I gave you the other day.

01:02:33500...

01:02:34Here you are.

01:02:3510, I eat.

01:02:36Thank you.

01:02:37Are we going home?

01:02:38Yes.

01:02:39I'm taking this with me, it's paid for.

01:02:41Goodnight, darling.

01:02:46Dad isn't singing to me tonight.

01:02:48Well, I'm afraid Dad won't be able to sing tonight, you know?

01:02:52Why Umbria when is it?

01:02:55He's out getting some air.

01:02:58Sleep now, eh.

01:02:59Angela.

01:03:01Yes?

01:03:01Would you marry me, dad?

01:03:06I?

01:03:08And what do you say, love?

01:03:09What's on your mind?

01:03:11I think you like it.

01:03:14But...

01:03:15That you fell in love.

01:03:17But do you want to stop them?

01:03:19You two are always fighting.

01:03:21Two people who are always arguing can't get married, right?

01:03:24At the movies, when two people are always arguing, it means they're in love.

01:03:29Yes, but we're not at the cinema here.

01:03:31Now go to sleep.

01:03:32Good night.

01:03:32Okay, I'm sleeping.

01:03:35Good night, Mom.

01:03:40Enough, still here.

01:03:41Oh.

01:03:44What is Bruno doing?

01:03:46Rest assured.

01:03:47I put her to bed.

01:03:48Ah.

01:03:49Good night.

01:03:50But what goodnight?

01:03:50Come here, right?

01:03:52Why were you waiting for us?

01:03:54I was curious to know why Bruno didn't go to school today.

01:03:58Where have you been all day?

01:04:01Well, I could tell you that it's none of our business, but then you say that you use the words asci.

01:04:04I already said it.

01:04:05Oh, I already said that.

01:04:07And then I apologize.

01:04:08I'm used to it now.

01:04:10Ah, what did he do about the wedding then?

01:04:12You can't wait too long.

01:04:14Did you find the girl?

01:04:15Girl, the girl, the girls.

01:04:19I do it like this and look, they line up.

01:04:21Just the whistle, that's it.

01:04:25Is there credit?

01:04:26Is there credit?

01:04:30Look, look what you think of Mark Antony.

01:04:34I've worn half of Rome, you know?

01:04:36I only know whores.

01:04:47All whores.

01:04:48Too bad she only knows me.

01:04:50You're not a slut, no.

01:04:53Or yes?

01:04:54Huh?

01:04:55Raise that hand over there.

01:04:57Go to me.

01:04:57Good night, Mr. Quirino.

01:05:12I have good love.

01:05:13Every morning, around this time,

01:05:22the garbage truck arrives

01:05:24who comes to collect the garbage bags.

01:05:26Are you following me?

01:05:27You follow me.

01:05:28You follow me physically, but not verbally.

01:05:31Rosano, what the fuck are you talking about?

01:05:32I'm following you.

01:05:33Look.

01:05:34But without looking.

01:05:35Did you look?

01:05:36Rosano, but should I look or not look?

01:05:37Look, look.

01:05:39Did you look?

01:05:40I looked, you know.

01:05:41When our friend who works at the ovens

01:05:44he replaced the money bag with another identical one,

01:05:47he takes him to a toilet on the first floor

01:05:49and overlooks the courtyard.

01:05:51Are you following me?

01:05:52I'm following you.

01:05:53At this point our friend

01:05:54he takes the bag with the coin

01:05:56and puts it in a garbage bag.

01:05:58Then he opens the window and looks out into the courtyard,

01:06:00he takes the bag and throws it on top

01:06:02to the other bags that are in the courtyard.

01:06:03But excuse me, instead of throwing it out the backyard window,

01:06:05why didn't I throw it out the window that looks out?

01:06:07We're downstairs, we want to fly.

01:06:09No, because the only place it can get to

01:06:11it's that toilet over there,

01:06:12while all the other rooms instead

01:06:14are under strict surveillance.

01:06:16And how do you get the bag out of the yard?

01:06:18Because the truck arrives the next morning

01:06:19of urban cleaning

01:06:20and he brings everything,

01:06:21deaf and garbage.

01:06:23And are we screwed?

01:06:24No, because the garbage truck is fake

01:06:26and on top there are violets and maciste

01:06:27disguised as clean Urbini.

01:06:29What if it concerns the equality of fan control?

01:06:31We don't give a damn,

01:06:32because there is so much money,

01:06:33the bag of money on top of the truck no longer fits.

01:06:36Is the bag a debt?

01:06:37Good, a dehito the sack?

01:06:39But you know,

01:06:40you're already messing with my brain, huh?

01:06:42But who the fuck cared about this piece of shit?

01:06:44Excuse me,

01:06:45who the fuck was it?

01:06:46You?

01:06:47I.

01:06:47But you know,

01:06:47what are you making up?

01:06:49Wake up, Gino,

01:06:50wakes up.

01:06:51The garbage bag

01:06:52with the bag of money inside

01:06:54disappears before the truck

01:06:56of urban cleaning

01:06:57come and pick him up

01:06:58and after our friend

01:06:59he threw it into the yard.

01:07:00Are you following me?

01:07:01I follow you, you know,

01:07:01I do something else.

01:07:02But at this point

01:07:03mammoth and strongman

01:07:04that they thought

01:07:04that our friend

01:07:05of the mint

01:07:06and nofotente

01:07:06he probably found

01:07:08a system

01:07:08to get the money out

01:07:09in some other way

01:07:10to screw us all.

01:07:11But this friend of the mint

01:07:12the sack

01:07:12he threw it away,

01:07:12do you know?

01:07:13And he'll think I'm a macho and a hardass

01:07:14they agreed

01:07:15to fuck him.

01:07:17But the most enraged of all

01:07:18it will be me

01:07:18because I have the right

01:07:19to think

01:07:20that the three

01:07:20they agreed

01:07:21to fuck me.

01:07:22But how would I do it?

01:07:23to enter the courtyard?

01:07:24In a wagon?

01:07:24With the double bottom?

01:07:25Exactly.

01:07:26Mass that burpi, yes.

01:07:27And instead, of course.

01:07:32Excuse me, excuse me.

01:07:33Hey, sorry,

01:07:33a moment,

01:07:34where is she going?

01:07:37Replacement

01:07:38of material

01:07:38deteriorated.

01:07:40I'm bringing a new cart

01:07:41and I take it back

01:07:42an old one.

01:07:43Let us see.

01:07:46All right,

01:07:47good.

01:07:48Thank you.

01:07:48Good evening, Bruno.

01:07:55Good evening, good evening.

01:08:00HI.

01:08:01HI.

01:08:07Wait, let us see.

01:08:13Go.

01:08:18It's five o'clock,

01:08:20we can close.

01:08:48Until next time.

01:09:18Thank you all.

01:09:48Wow, how much you weigh in money.

01:10:18Thank you all.

01:10:48Thank you all.

01:11:18Thank you all.

01:11:48And now I think I see one coming down from the Mint building on a rope.

01:11:53Think about it.

01:11:54I even think I know him.

01:11:56I know my purchase.

01:11:57And he's right.

01:11:58It's really him.

01:12:00They're ripping us off.

01:12:01Let's start the vignolotta!

01:12:03Stop!

01:12:05Come on, make your scene!

01:12:05Stop!

01:12:06Yes!

01:12:07Yes!

01:12:08Yes!

01:12:09Let's get here! Let's get here!

01:12:39Thank you all.

01:13:09Thank you all.

01:13:39Oh, stop, stop, stop, wait, wait, wait, wait, come on, come on, come on.

01:13:48Oh, stop.

01:13:52Oh my God, I'm going to climb out of here!

01:14:09Bring us now, what do I do!

01:14:22The millstone isn't there, and he certainly didn't put the bow in!

01:14:46And now it should work?

01:14:47Try and teach!

01:14:50There you go! Come on, let's go!

01:14:52You do it, I'll watch your back!

01:14:54Yes, you watch the balls!

01:15:03Corinth, run away, I'll go around behind!

01:15:14Try the dome!

01:15:15Oh, oh!

01:15:22Am I?

01:15:25Oh, no!

01:15:33Trees, you're caught, but you're caught!

01:15:36But take this tree trunk!

01:15:38And I'm going to eat the pan!

01:15:39And I'm going to wear a sister's coat!

01:15:41And I'm going to eat pudella!

01:15:44And I'm going to eat pudella!

01:15:45And I'm going to eat pudella!

01:15:48And I'm going to my sister's head!

01:15:50Yes, yes, yes, yes.

01:16:20Give me a look here, you.

01:16:24Look back there.

01:16:42It's another one, the truck doesn't care!

01:16:46Sorry, but it's cold.

01:16:48Take off the lighthouse lights, eh!

01:16:50But the scale gives them!

01:17:10Did you hear?

01:17:10It stopped!

01:17:12The petrol, but there is, I only put five litres in it!

01:17:14Chorus, chorus, I love myself!

01:17:20But if you want to be more stupid, they'll blame the guns with 200 lire of gasoline!

01:17:32There's the truck!

01:17:33There isn't!

01:17:41And where did you choose?

01:17:42Because I know!

01:17:44But come on, I'm dying!

01:17:45Since there is something left!

01:17:48I kind of did it!

01:17:49I propose to push!

01:17:51He said a prosperous one!

01:17:55And turn it off, no!

01:17:57Yes, goodbye!

01:18:05I'll find the fishy Antrodombino in this shithole, won't I?

01:18:10And what the fuck is this?

01:18:12No, but look, go on!

01:18:13Maybe the Colosseum will appear and I'll have water at home in five minutes!

01:18:16No, no, no, I don't think it's the Colosseum!

01:18:26Oh, but where am I?

01:18:46If it's meant to be, I'll leave Ammerd and find myself in the toilet.

01:18:49Stay on horseback here, just find the front door

01:18:56Do you want?

01:19:06Where do I find it?

01:19:08Ponte Police Station, where are you from?

01:19:11Hey, out of the toilet, Marshal

01:19:13And what does he keep in there?

01:19:17Softness

01:19:17Softness, take a look, go on

01:19:19And therefore, given the demonstrably asocial nature of the accused

01:19:29Which, as has been amply demonstrated through investigations and testimonies,

01:19:34He leads a seriously reprehensible existence

01:19:37Intolerant of any work worthy of the name

01:19:41Without a stable home

01:19:43He has consistently demonstrated a high degree of criminal capacity.

01:19:48He was still a boy

01:19:50When he was locked up in a reformatory

01:19:53For a sordid story of smuggling

01:19:55His behavior in that real

01:19:57Look here, boy, there you go

01:19:59See, you see something

01:20:00He wants to hear

01:20:01He says your son ran away from home and is missing.

01:20:17He wants to know where they can look for it

01:20:19The defendant should sit down.

01:20:20Please sit down.

01:20:22I apologize, Mr. Judge.

01:20:24This is a private matter of my client.

01:20:27The defendant should stand up.

01:20:28So, should I get up or should I sit down? Excuse me.

01:20:30Get up

01:20:31If he has something to say, he can speak.

01:20:33My son ran away and can't be found.

01:20:35And there it is

01:20:35Mr. Pirino, this does not concern the procedure

01:20:38If she has something to say

01:20:40In his defense, speak

01:20:42What can I say, there is one

01:20:46That my son has only me

01:20:49And if, well, they lock me up, they lock him up too.

01:20:53And the only body he has to have is a father like me.

01:20:54Of course, I know, the fact that I love him passes

01:20:57Nothing matters in here

01:20:58Here it only matters if

01:20:59If I work, if I have a stable fear

01:21:02Well, my stable home is not

01:21:03If it catches your eye

01:21:04And then I work, I don't have any more work

01:21:07Even though I've never done it with my son, nothing is missing.

01:21:09Of course, I don't know how other fathers do.

01:21:13Those disrespectable ones who raise daughters

01:21:18They respect neither themselves, nor their own lives, nor the lives of others.

01:21:21But come on, Mr. Judge, we have to put up with it.

01:21:24Mr. Quirino, Mr. Quirino, Mr. Quirino, please, let's stay on topic.

01:21:28Of the theft of which you are accused

01:21:31So, are you declaring yourself guilty or innocent?

01:21:34Guilty, for goodness sake

01:21:35He said it too, but she did

01:21:38That I wanted to joke

01:21:41But the truth is, I thought it was really a joke.

01:21:44That money was burning there.

01:21:48So I tell him, why the State

01:21:50Instead of burning this money, why don't you give it to the poor?

01:21:53You'll tell me, why is this money so tight?

01:21:55But even the poor are in dire straits

01:21:57So why do you burn the poor wretches too?

01:22:00But come on, unheard of, enough

01:22:01Okay, we understand, sit down.

01:22:05Mr. President, considering all the mitigating circumstances

01:22:10The prosecution is asking for 16 months of imprisonment

01:22:12The prosecution is asking for 16 months of imprisonment

01:22:42Augusto Fantoni!

01:22:44Augusto Fantoni!

01:22:47Called Augusto Fantoni

01:22:49I have to talk to him on behalf of his wife.

01:22:52I know

01:22:54And who are you?

01:22:57I'm a friend of your wife

01:22:59Augun, the lawyer I don't want to wait

01:23:03Your wife says

01:23:05That one way or another he has to be satisfied

01:23:08Yes, no, leave the case

01:23:10Did you understand?

01:23:12I'm sending you to tell

01:23:13That the lawyer

01:23:15You they paid

01:23:17And from here do we talk to the prisoners?

01:23:22Yes

01:23:22But why didn't I think of her?

01:23:25He can't move from the bed

01:23:27From whose bed?

01:23:29From the lawyer's bed

01:23:30All the madinas

01:23:33The usual story

01:23:35Make the bone part

01:23:36That's a nice space

01:23:37And then he's the lawyer

01:23:39What's best for you?

01:23:42To dad

01:23:42Sa Bruno

01:23:43Quirinocino

01:23:44You know your son

01:23:46A bru

01:23:48What are you up to?

01:23:51What are you doing?

01:23:52Are you asleep?

01:23:52To dad

01:23:53One question at a time

01:23:54If not, we'll get drunk.

01:23:56A bru

01:23:57Why did you run away?

01:23:59How are you?

01:24:00Are you OK

01:24:01Don't worry

01:24:02How are you doing brunette?

01:24:05Great, great

01:24:06I eat better than you

01:24:07A bru

01:24:08You're not in the middle

01:24:09But go to Rosario

01:24:10From the rosary

01:24:12Carabinieri have already been born

01:24:14A bru

01:24:15You can't keep running away

01:24:17You have to introduce yourself

01:24:19Yes, he introduces himself to me.

01:24:21But they lock up

01:24:22Come on, boys

01:24:23Come on, boys

01:24:23Come on, the police are here.

01:24:24Boys

01:24:25Help, Dad

01:24:26Help

01:24:27But who are you with this regard?

01:24:28Dad, the guards are coming down

01:24:30Brown

01:24:30But what are you doing?

01:24:32Leave it alone

01:24:33But no, it's never where he sees from

01:24:35Dad

01:24:36Where do you see, oh

01:24:37Dad

01:24:40Brown

01:24:41Brown

01:24:45Brown

01:24:52Quirino

01:25:09Who is Gino for Quirino?

01:25:15Dad

01:25:17Dad

01:25:18Dad

01:25:19A bru

01:25:20A bru

01:25:21Get on, get on, get on

01:25:23Come on, come on, give me a kiss

01:25:24A little kiss

01:25:25You're cold, damn it

01:25:30No, it's the glass that's cold

01:25:32Love

01:25:34Ciccio

01:25:36When are they locking him up?

01:25:40Next week

01:25:41Oh

01:25:42I got the child to stay in Rome

01:25:44So at least once a week

01:25:45I'll take it to him to see it

01:25:46I am a friend of the director of the institute

01:25:49You'll see that

01:25:49Yes, well

01:25:51Rest assured

01:25:52They'll treat him well

01:25:53I don't want to go there

01:25:55I don't want to go there

01:25:56You don't like it

01:25:57But, but he's telling you the joke

01:25:59Do you know why Indians look like that?

01:26:01Huh?

01:26:02Why do they look at each other like that?

01:26:03They see nothing

01:26:04You don't like bru

01:26:09Mr. Quirino

01:26:10There is one thing that

01:26:12What can I tell you?

01:26:13But I don't know if

01:26:14All right

01:26:15I'll tell him anyway

01:26:16Maybe it will seem crazy to you

01:26:18But for Bruno

01:26:19For the child

01:26:20I am myself

01:26:21I started to think that

01:26:23Why do we lock him up?

01:26:25And then

01:26:26I was actually thinking

01:26:27That she and I

01:26:28Perhaps

01:26:29He understands

01:26:30No

01:26:31Listen Gino

01:26:32There would be a solution

01:26:34Here you are

01:26:35I informed myself

01:26:36It can be done

01:26:38And so I'll keep Bruno.

01:26:40You understand?

01:26:41Did you understand?

01:26:43No

01:26:43In short, I

01:26:45What I wanted to tell you

01:26:46It's that

01:26:47It's just that we two, deep down

01:26:50But is it possible that you don't understand?

01:26:53Because I had understood

01:26:54And I was afraid

01:26:55To understand

01:26:55Because she seemed crazy to me

01:26:57He spoke very quickly

01:26:58Not even if he was messing around with me

01:26:59And he told me

01:27:00Don't worry about it

01:27:00Which could have been just a passing thing.

01:27:02Which was seen afterwards

01:27:03In the meantime, it's enough that Mipio

01:27:04He could have stayed with her

01:27:05Since she became the mother

01:27:07According to the law

01:27:08In short

01:27:08I had believed that she

01:27:09If he wanted to trust me

01:27:11Instead not even for fuck's sake

01:27:12This morning we wanted to show up

01:27:13Both

01:27:13I don't know if you understood

01:27:14And since my Bruno

01:27:16I really love you

01:27:17And she keeps breaking me

01:27:18I was fond of it

01:27:19It ended up

01:27:20What if we are married

01:27:21In the director's office

01:27:22One came with a band

01:27:23That made his belly bulge

01:27:25He started talking

01:27:26And nobody understood a damn thing

01:27:27Then he said

01:27:28That with the woman like that

01:27:29I have to change my life

01:27:30That I had been lucky

01:27:31To meet her

01:27:32That there was also a nice deck

01:27:34In short

01:27:34My wife likes it

01:27:35And to me

01:27:36He was making me do it

01:27:37The figure of the shit

01:27:38In front of everyone

01:27:39For witnesses

01:27:40There were Rosario

01:27:41That's his bitch

01:27:41And two other good people

01:27:43Who were in jail with me

01:27:44A man who killed his wife

01:27:46And the other one who robbed

01:27:47An old lady

01:28:02That's his bitch

01:28:32What were there?

01:28:33What were there?

01:28:35What were there?

01:28:36That's his bitch

01:28:38What were there?

01:28:39Chia

01:28:53What were there?

01:28:54What were there?

Manolesta - FILM

Categoria

Trascrizione

Commenti

Consigliato