- 8 mesi fa
Genere: Comico
Anno: 1949
Attori: Totò, Alda Mangini, Lia Amanda, Mario Gattari, Aroldo Tieri, Giacomo Furia, Luigi Pavese, Enzo Biliotti, Cesare Polacco, Alfredo Ragusa, Marisa Merlini, Folco Lulli, Flavio Forin, Liana Del Balzo, Pietro De Vico, Mario Riva, Mario Castellani, Lilo Weibel, Luigi A. Garrone, Nino Marchetti, Ina La Jana, Eugenio Galadini, Claudio Melini, Mario Molfesi, Gino Scotti, Attilio Torelli.
TRAMA
Beniamino Lovacchio è affamato e senza un soldo. Rimasto senza casa in seguito alla guerra, trova rifugio, momentaneamente, in un'aula scolastica. Poi, prende possesso dell'appartamento riservato al custode del cimitero; ma la paura fa novanta e decide di tornare alla scuola. Qui, però, dopo varie avventure, viene cacciato. Quando dopo verie peripezie, lui e i suoi familiari possono prendere possesso di un lussuoso appartamento, scoprono che un imbroglione lo ha affittato contemporaneamente a vari inquilini.
Anno: 1949
Attori: Totò, Alda Mangini, Lia Amanda, Mario Gattari, Aroldo Tieri, Giacomo Furia, Luigi Pavese, Enzo Biliotti, Cesare Polacco, Alfredo Ragusa, Marisa Merlini, Folco Lulli, Flavio Forin, Liana Del Balzo, Pietro De Vico, Mario Riva, Mario Castellani, Lilo Weibel, Luigi A. Garrone, Nino Marchetti, Ina La Jana, Eugenio Galadini, Claudio Melini, Mario Molfesi, Gino Scotti, Attilio Torelli.
TRAMA
Beniamino Lovacchio è affamato e senza un soldo. Rimasto senza casa in seguito alla guerra, trova rifugio, momentaneamente, in un'aula scolastica. Poi, prende possesso dell'appartamento riservato al custode del cimitero; ma la paura fa novanta e decide di tornare alla scuola. Qui, però, dopo varie avventure, viene cacciato. Quando dopo verie peripezie, lui e i suoi familiari possono prendere possesso di un lussuoso appartamento, scoprono che un imbroglione lo ha affittato contemporaneamente a vari inquilini.
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00:00:00Music
00:00:30Music
00:01:00This is one of the many cities that are in the world
00:01:24In this as in the others
00:01:26There are hundreds of thousands
00:01:27Rather millions of men
00:01:29Yet each of them is plagued by his own problem.
00:01:32For example, there are those who have the problem of arriving at the office on time.
00:01:35And who like most of this tormented humanity today
00:01:38He is undecided whether to go right or left
00:01:41In the towers on summer Sundays
00:01:43There's the problem of finding a place in the sun
00:01:45For others, however, the problem is to stand up straight.
00:01:49But all year round with the housing crisis
00:01:53The biggest and most distressing problem
00:01:55The problem of problems is the house
00:01:57Who wouldn't want to have a house more or less like this?
00:02:00Of course it's everyone's dream
00:02:03Of those who live in these human hives
00:02:05But it is above all the dream of those
00:02:07Who are still forced to live in places like these
00:02:09Like for example the temporary worker Beniamino Lomacchio
00:02:12Accident victim, evacuee, reformed, municipal employee and married with evidence
00:02:16Benjamin? Benjamin? Come on, wake up! What time do you have to go to the office?
00:02:40Oioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioio oioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioio
00:03:10to live in an environment like this, you need DDT.
00:03:13Mom, I'm a holy dog and I'm going to war with the tyrants.
00:03:16Oh no, you have to have breakfast first.
00:03:18I would like to know who took my left shoe.
00:03:21This is what I would like.
00:03:24Did you take it?
00:03:25No, not me.
00:03:26Silence, you took it.
00:03:28Do you see? I'm right.
00:03:30See what you do with your dad's left shoe?
00:03:33You put the drink in, you put it in.
00:03:34So why don't you buy me a ship?
00:03:36Come on, shut up, criminal.
00:03:37Stop hitting him.
00:03:38But do you realize that with this sail he makes my mutant?
00:03:41That is, he made a sail with my mutant.
00:03:43And then you don't tell lies.
00:03:45Did you understand?
00:03:46Yes, I understand.
00:03:47You don't tell lies.
00:03:48You don't tell lies.
00:03:49Remedies.
00:03:50You don't tell lies.
00:03:51All right.
00:03:52Is breakfast ready?
00:03:53Yes, it's ready.
00:03:54Is breakfast ready?
00:03:55Yes.
00:03:56We eat.
00:03:58Tom, take this.
00:03:59This is for you.
00:04:00Tom.
00:04:01And what is this?
00:04:02Sarti soda.
00:04:03Are you soda makers?
00:04:04But how do you have breakfast in the morning?
00:04:05Now come alive.
00:04:06But dad, you know very well that we do it for the competitions, right?
00:04:09But yes, of course.
00:04:10And until we win, we'll always eat stuff with prizes.
00:04:13And if we win, we will finally have a real home.
00:04:16Understood?
00:04:17I understand.
00:04:18And I couldn't afford a nice contest, a nice steak contest for example.
00:04:22Oh, dad, talking about steaks as soon as we wake up.
00:04:24He must have dreamed about it last night, along with all his filth.
00:04:29Rubbish?
00:04:30Steaks have become junk.
00:04:32But do me a favor.
00:04:34The steaks are rubbish, but where are we?
00:04:36But what kind of world do we live in?
00:04:38But what century is this?
00:04:39What century?
00:04:40Aida!
00:04:41You idiot!
00:04:44Aida!
00:04:46Darling, are you ready?
00:04:47Not yet, I just got up.
00:04:49But in the meantime, come up, dad wants to say hello.
00:04:51Oh yeah?
00:04:53I don't want to say hello to anyone, do I?
00:04:54But how dad?
00:04:55Don't you want to say hello to my boyfriend?
00:04:56But what boyfriend?
00:04:57That's a man who has one life, he won't have anyone to come.
00:04:59Oh, do you hear who's talking about the future?
00:05:00A man who wasn't even able to find us a home.
00:05:02No!
00:05:03If I marry Checchino, he'll find us the house.
00:05:05Better to live a hundred years in this school than just one day with Checchino.
00:05:08Is it possible?
00:05:09Who flew?
00:05:10Come on Checchinuccio.
00:05:11I'm ready right away, darling.
00:05:12How is it going?
00:05:13Let's start by saying that I don't allow you to call me Donald Duck.
00:05:16But I didn't call you Donald Duck, I called you Baparino.
00:05:18Anyway, the ship.
00:05:20Come on, put on your pants and go get some water.
00:05:22Yes ma'am, I'm going.
00:05:23Better.
00:05:24So I get this wretch out of my sight.
00:05:28Will I be your son-in-law?
00:05:29Oh no?
00:05:30I don't want sons-in-law like you.
00:05:32I just want groceries.
00:05:34Nespà?
00:05:36Absolutely, they can hear it with their own ears this morning.
00:05:38Are you kidding me?
00:05:39But where are we going?
00:05:40These are facts that do not concern me.
00:05:41Of course I'm sorry.
00:05:42But I don't miss it.
00:05:43But I don't miss it.
00:05:44But I don't miss it.
00:05:45What happens?
00:05:46It looks like we're starting school again and we won't be able to live here anymore.
00:05:48No.
00:05:49Yes.
00:05:50No.
00:05:51Do they want to send us away?
00:05:52Oh nice.
00:05:53But then we need to repeat the ministry.
00:05:54A repetition?
00:05:55Maybe he meant petition.
00:05:57I'm saying, if we make a good petition, all of us, including him,
00:06:01I assure you that by the looks of it we are a fine bunch of complainers.
00:06:05Listen, you're the one who's guilty, right?
00:06:06And thankful they'll kick him out of here soon, huh?
00:06:08We are here and we will stay here.
00:06:10No.
00:06:11Evacuate the whole world!
00:06:12Unite!
00:06:13Listen, don't you want to keep that sfinantino down as polite?
00:06:15Do you know these?
00:06:16They are unfair means.
00:06:17I have been a janitor at this school for thirty years.
00:06:19Now I have the room, I have the chickens.
00:06:21And for your sake I can't lose my job.
00:06:23You know what I tell you?
00:06:24Orange yourselves!
00:06:25Orange yourselves!
00:06:26Orange yourselves!
00:06:27Orange yourselves!
00:06:28Orange yourselves!
00:06:29Orange yourselves!
00:06:30It's a word!
00:06:31But is it possible that I, at my age, have to be ordered around by a janitor?
00:06:33But those are the things I do!
00:06:41Orange yourselves!
00:06:59Listen, old man, you absolutely have to come up with an idea.
00:07:11If you find us an apartment, Dad won't be able to stand in the way of our marriage anymore.
00:07:15If only I could make a good shot.
00:07:17An exhibition, a photograph, you know, a sensational photograph
00:07:20of those that are published on the front pages of rotogravure newspapers.
00:07:22I would become famous.
00:07:24So what?
00:07:25So, my love, I don't know, I don't know...
00:07:29Those, I say, what do we do?
00:07:31Spouse!
00:07:32How dare you talk to my daughter when she's in this condition?
00:07:35But what conditions?
00:07:36Naked?
00:07:37Is she exempt from conviction for fraud?
00:07:38But dad!
00:07:39Dad, I'm running!
00:07:40Young man, be more than a young man! Get out of my house!
00:07:42Stop!
00:07:43I don't even stop for...
00:07:44Oh my God, my head!
00:07:45But...
00:07:46This is a misunderstanding!
00:07:47A misunderstanding of him, where do you find it?
00:07:49Young man, I won't let you bother my daughter anymore!
00:07:51In you, yes!
00:07:52Oh yeah?
00:07:53We'll see, it won't end like this, huh?
00:07:54Won't it end like this?
00:07:55No, it won't end like this!
00:07:56Oh yeah?
00:07:59I say!
00:08:00And how are you going?
00:08:01Ah, it's gotta end somehow!
00:08:02And hello!
00:08:03And that's it!
00:08:04Get out of my house!
00:08:06When he becomes famous, you will beg me to marry him!
00:08:08Wretch!
00:08:09Who's going?
00:08:10Who is?
00:08:11He'll get paid for it!
00:08:12Excuse me, did you notice?
00:08:17Is this your egg?
00:08:18Yes sir!
00:08:19I rented it!
00:08:20How to rent?
00:08:21I got it!
00:08:22Yes, well I took it in text!
00:08:23Did I withdraw?
00:08:24Didn't you buy it?
00:08:25I bought it on rent!
00:08:26But how dad?
00:08:27Don't tell lies!
00:08:28You stole that egg from the janitor!
00:08:30Oh yeah, huh?
00:08:31You piece of scoundrel!
00:08:32But go away!
00:08:33Good man!
00:08:34Long live the species!
00:08:35At his age!
00:08:36With that hat!
00:08:37With those stripes!
00:08:38She believes in such nonsense!
00:08:39Such trifles!
00:08:40Go!
00:08:41It's a boy!
00:08:42Degenerate!
00:08:43Benjamin!
00:08:44Yes!
00:08:45To that leftover of a reformed parent!
00:08:46Disabled!
00:08:47He's an egg thief!
00:08:48Gentleman!
00:08:49I don't allow you to make such insinuations in my presence!
00:08:52Understood?
00:08:53You are faced with a very awkward registry office adventitious person!
00:08:57And I want to know where he got this egg!
00:08:58It's still hot!
00:08:59Heat?
00:09:00Yes!
00:09:01Possible!
00:09:02It's hot!
00:09:03Well I'll tell him!
00:09:04But you have to promise me not to tell anyone!
00:09:07Do you want to know where that egg came from?
00:09:10I made that egg!
00:09:13Oh yeah, huh?
00:09:15She lays eggs, huh?
00:09:17What do you modestly want?
00:09:19Well yes!
00:09:20It was war!
00:09:22Lack of food!
00:09:23Shortage of food!
00:09:25I adapted!
00:09:26That's the right word!
00:09:28Adequate!
00:09:29Make one right now!
00:09:30As?
00:09:31On the spot?
00:09:32Just like that, make me an egg!
00:09:33But she knows that to make an egg you need atmosphere!
00:09:36If you don't make the egg right away you'll see what happens to you!
00:09:39Okay, I'll do it for him!
00:09:41This is how the egg needs to be adjusted!
00:09:44As?
00:09:46Like that, that is!
00:09:48As?
00:09:51As?
00:09:56As?
00:09:58As?
00:10:01As?
00:10:03As?
00:10:04As?
00:10:05Cucrecu!
00:10:08Give us the 27 hours you expect!
00:10:19We've been patient for 40 years, now that's enough!
00:10:22Come on, first one, who's next?
00:10:24Well, I would like to report...
00:10:25Reports are made at the police station! Father is unnatural!
00:10:27Go away! See you soon!
00:10:31I came for a death.
00:10:34Excess!
00:10:36Look, at the bottom, on the right, three steps!
00:10:40Good morning!
00:10:41I came to announce the birth of a child!
00:10:44Tonight at half past two!
00:10:46Who is the father?
00:10:48I, Pasquale Saluto!
00:10:50And no one else?
00:10:51What do you mean?
00:10:52Sometimes, you know!
00:10:54Sometimes my ass!
00:10:55Exactly, I say!
00:10:56Anyway, let's proceed in order. What name do you want to give the little boy?
00:10:59We had decided to call him Franco!
00:11:01Frank?
00:11:02Eh!
00:11:03Oh, no!
00:11:04No!
00:11:05Look, it's not politically worthwhile! Listen to me!
00:11:08Oh, yes, yes, you're right! We hadn't thought of that!
00:11:10Oh, you have to think about it!
00:11:11Umberto!
00:11:12Umberto?
00:11:13Eh!
00:11:14Umberto...
00:11:15Ninth!
00:11:16I don't recommend it, Veda!
00:11:17I don't recommend it to you!
00:11:18Tito!
00:11:19Ninth!
00:11:20Worse!
00:11:21Often at this time!
00:11:22For the love of God!
00:11:23You know, when you name a child, you have to be careful!
00:11:25It is true?
00:11:26You can be compromised, you can be cut into pieces and put into a salami like this!
00:11:28Ninth!
00:11:29For goodness sake, no!
00:11:30So, Giuliano!
00:11:33Eh!
00:11:34Eh!
00:11:35I don't mind!
00:11:36No!
00:11:37I don't mind!
00:11:38Julian, yes!
00:11:39Common name!
00:11:40Common!
00:11:41Two lire for the brand!
00:11:42Uh!
00:11:43And now I don't have any spare change!
00:11:44Don't you have it?
00:11:45But how is it done?
00:11:46But how can you do it, my son!
00:11:47Oh, holy God!
00:11:48Well!
00:11:49I'll put it back on, eh!
00:11:50Ah!
00:11:51Until we meet again!
00:11:52Until we meet again!
00:11:53Eh!
00:11:58Lovacchio, what do you do? Do you eat in the office?
00:12:00No!
00:12:01No!
00:12:02I was considering!
00:12:03Sorry, huh!
00:12:04Practice of...
00:12:05Yes, practice of...
00:12:06Thank you!
00:12:07Tomacchio, come here for a moment!
00:12:09Eh!
00:12:10A dizzying experience!
00:12:11Sorry, huh!
00:12:12You're lucky I need you, you understand!
00:12:14Do you see this?
00:12:15An application for a municipal security guard position!
00:12:17Yes!
00:12:18Since the place also includes accommodation,
00:12:20free accommodation for the caretaker and his family!
00:12:23A relative of mine who is homeless...
00:12:25Homeless?
00:12:26Homeless!
00:12:27He asked me if I support his application!
00:12:29Qualia?
00:12:30But what about hers? What does she have to do with it?
00:12:31Let me talk!
00:12:32His of him!
00:12:33Done!
00:12:34It's all done now!
00:12:35And this one, did you understand?
00:12:36Yes!
00:12:37All that's missing is the stamps and the assignment all done!
00:12:40But go ahead!
00:12:41In the stamp office!
00:12:43Yes, I mean, I don't want to appear too much, you understand?
00:12:46On the contrary...
00:12:47In fact, I have to write my relative's name in the form!
00:12:51Yes I say...
00:12:52She writes it!
00:12:53Because I don't want my handwriting to be recognized, you understand?
00:12:56And hurry up!
00:12:57Because the Honorable Pasta Rosa, the mayor, said he will resign without notice!
00:13:01I want this all to be over before he gets here!
00:13:03You have the name that should be written on the application, right? Camilloni Filippo!
00:13:06Camilloni!
00:13:07Camilloni!
00:13:08Colcini!
00:13:09Like Naples!
00:13:10But what does Naples have to do with it?
00:13:11Exactly, I say!
00:13:12But he understood, he understood well!
00:13:13But are you really sure that you should also provide accommodation?
00:13:15If I tell him!
00:13:16Cabbage collector!
00:13:17Trust me!
00:13:18Ah!
00:13:19Oh, Merta!
00:13:20But what does Naples have to do with it?
00:13:21Ah!
00:13:24If only I were a fool to give Filippo Camilloni a place to stay!
00:13:30I'll take care of the accommodation!
00:13:35Here, sir, this is the securities office!
00:13:37We're doing well, very well!
00:13:38The registry office is over here!
00:13:39Ah, the employee?
00:13:40They are very happy and above all very disciplined!
00:13:43Very good!
00:13:47On the other side!
00:13:55Four by four by four!
00:13:56we're doing very well
00:14:18but what does she do
00:14:24but who is this gentleman?
00:14:26but who is she?
00:14:28but who is she?
00:14:28but let it end there
00:14:30but the step
00:14:30take it
00:14:32Lady
00:14:36her husband doesn't appreciate me enough
00:14:38intervene
00:14:39What does it matter if you're poor in your pocket?
00:14:41when you're rich in here
00:14:42watch out dad is coming
00:14:43at this time
00:14:44then you better go away
00:14:45because I'm the one who makes people repeat the same old stories
00:14:46Goodbye
00:14:47vallido flower
00:14:48here yes but go go go
00:14:49and keep it quiet, please
00:14:50woe betide you if you open your mouth
00:14:52understood eh
00:14:54I heard a voice
00:15:07Here we conversed animatedly
00:15:10No
00:15:10he was bladeravating
00:15:12what do you say?
00:15:12we were talking
00:15:14I told you no
00:15:14maybe they were chatting
00:15:16No
00:15:16No
00:15:17No
00:15:18alright
00:15:18I was wrong
00:15:20Anyway, I have some news for you.
00:15:22oh yes
00:15:23what is it about
00:15:24on not keeping us in suspense
00:15:25great news
00:15:28and yet here we were babbling
00:15:31I told you no
00:15:31there was no one here
00:15:32stop it
00:15:32what is this news
00:15:34I found a home
00:15:35What
00:15:35you found
00:15:36house
00:15:37possible
00:15:38a real home
00:15:39Extremely beautiful
00:15:40a new indiego
00:15:41municipal guardian
00:15:42with free right
00:15:43four-room
00:15:44bath
00:15:45Kitchen
00:15:45telephone
00:15:46Well
00:15:47so I can call the fire department
00:15:49to the firefighters
00:15:50here it is
00:15:51with all the regulatory stamps
00:15:53today itself
00:15:54we will take possession of the new accommodation
00:15:56with annexes
00:15:57and with me
00:15:58as
00:16:00guards the cemetery
00:16:01as
00:16:03at the cemetery
00:16:04guardian at the cemetery
00:16:06guardian at the cemetery
00:16:06it's a job like all the others
00:16:10gold-plated
00:16:11and I interject
00:16:11at the cemetery
00:16:12cemetery
00:16:13he is a saint like all the others
00:16:14cemetery
00:16:16and I'm not coming
00:16:16me neither
00:16:17ah me neither
00:16:18here's how not even
00:16:19girls
00:16:20let's not play jokes
00:16:20let's remember that old Sicilian saying
00:16:22what does he say?
00:16:23your grip
00:16:24my life
00:16:25then let's think about it
00:16:26if there were no defundi
00:16:28there would be no cemeteries
00:16:29if there were no cemeteries
00:16:31we wouldn't have found the lolly
00:16:32it's clear
00:16:33Already
00:16:34but I'm not coming to the cemetery
00:16:36not even dead
00:16:36but dad
00:16:37thinks
00:16:38so far from the city
00:16:39if someone feels sick at night
00:16:41you can't even go and look for a pharmacy
00:16:43a doctor
00:16:44Nothing
00:16:45we would all die
00:16:46and where they don't find a better comedy than this
00:16:48you die
00:16:49there is a cemetery in the house
00:16:50saves you the walk
00:16:51you are reckless
00:16:52you go to the cemetery
00:16:53Enough
00:16:54are you going to the cemetery?
00:16:55Enough
00:16:55Lady
00:16:57remember
00:16:59that the wife
00:17:00must
00:17:01follow her husband
00:17:03and to the donated cemetery
00:17:04you don't look in the grave
00:17:05it's clear
00:17:06or attack
00:17:07Safe
00:17:10the permission
00:17:12sorry, don't bother
00:17:14if you enter
00:17:14by chance
00:17:15all dead
00:17:17and off you go
00:17:18what are you afraid of?
00:17:22stupid
00:17:23and screamed
00:17:26and this would be the house
00:17:37oh god of course
00:17:39I can't help you
00:17:40to give pain
00:17:41the house
00:17:42actually
00:17:43as of now
00:17:44it's not very nice
00:17:46but on the other hand
00:17:47my dear wife
00:17:48look at that
00:17:48what a view
00:17:49that we have here
00:17:49just the sight
00:17:51it's worth a million
00:17:52there is air
00:17:54there is air
00:17:55and the other rooms
00:17:57on this side
00:17:59living room
00:17:59Kitchen
00:18:00gas
00:18:01how much is there
00:18:02telephone
00:18:03the annexes
00:18:04they will be from here
00:18:04over there
00:18:06the connected ones
00:18:07but
00:18:07well listen, I
00:18:08I don't feel at ease
00:18:09me neither
00:18:10and neither do I
00:18:10Here you are
00:18:11what do you make me say?
00:18:12we two are obsessions
00:18:13they are whims
00:18:14feel that peace
00:18:16what a deathly silence
00:18:19come on guys
00:18:20but for me
00:18:21in comparison
00:18:22it was better before
00:18:22let's not start with the apology
00:18:24the past now
00:18:25is dead
00:18:25he is buried
00:18:26buried
00:18:28what tone
00:18:31what tone
00:18:32let's see
00:18:35four
00:18:35four rooms
00:18:40No
00:18:42hate
00:18:43you allowed me
00:18:44direct
00:18:45Good evening
00:18:49Good evening
00:18:50Excuse me
00:18:51but is she alive?
00:18:53I am the deputy custodian
00:18:55of the cemetery
00:18:56you can see
00:18:57ah from the cap
00:18:58no no no
00:18:59from the face
00:19:00and she would be
00:19:01the new custodian
00:19:02eh
00:19:03sir yes
00:19:03on behalf of the director
00:19:05I have to pass them on
00:19:06the deliveries
00:19:07here it is
00:19:07these are tickets
00:19:09of burial
00:19:10I question
00:19:10I question
00:19:11she has to fill them
00:19:13whenever it arrives
00:19:14a new customer
00:19:15I understand
00:19:15and tell me a little
00:19:16you want to be practical
00:19:17of the environment
00:19:18the movement
00:19:19how is it here
00:19:20ah not bad
00:19:21the flow is continuous
00:19:22the convoys are numerous
00:19:23in short it's a place
00:19:24well underway
00:19:25Depends
00:19:26in periods
00:19:26you understand
00:19:27the more there is movement
00:19:28everything and more there are tips
00:19:28for example
00:19:29when he's around
00:19:30some contagious disease
00:19:31some nice epidemic
00:19:32then the business
00:19:33they go to swell
00:19:34it's understood
00:19:34a little bit of measles
00:19:35a little chickenpox
00:19:36smallpox
00:19:37a few national cigarettes
00:19:38and say a little varicose vein
00:19:40you who are alive
00:19:41satisfy my curiosity
00:19:42who is that gentleman?
00:19:43the keeper between stede funto
00:19:46beautiful portrait
00:19:48speaker
00:19:49of eyes
00:19:51It seems to me that they always follow them
00:19:53pay attention to it
00:19:54look carefully
00:19:56they are eyes that stare at me in a strange way
00:19:58he was a passionate musician
00:20:03he played the piano
00:20:05who knows the march
00:20:06funeral
00:20:06how well he did it
00:20:07poor Joseph
00:20:09he followed his boarders
00:20:12you can't live here for long
00:20:15Why?
00:20:16you always understand among the dead
00:20:17even at night
00:20:18why the night?
00:20:20there are nights
00:20:21that leave their mark
00:20:22there's up, there's up
00:20:22it doesn't just happen
00:20:23but it happens
00:20:24no, you don't have to take it that way
00:20:26at least for now
00:20:27you will have plenty of time later
00:20:29there was once upon a time
00:20:31oh god, what happened?
00:20:32there was that he was not dead yet
00:20:33which started at night
00:20:35knocking from below
00:20:35No
00:20:36he wanted to go out, you know?
00:20:37it is possible
00:20:38to leave the deceased's coffin
00:20:40no rule is allowed
00:20:41in any case
00:20:41in case of graves
00:20:43in turmoil?
00:20:44Here you are
00:20:44there's that bell
00:20:45the bell?
00:20:47for whom the bell tolls?
00:20:49and if it is connected to the niches
00:20:50the burial niches
00:20:51if the bell rings
00:20:53it means that there is someone dead
00:20:54who wants to go out
00:20:55you reach her
00:20:56I knock and ask
00:20:57did the gentleman ring?
00:21:00oh god, what is it?
00:21:01What?
00:21:02the dome clock
00:21:03I knock
00:21:03yes, you will understand
00:21:04given the environment
00:21:05the cuckoo clock
00:21:06it would have seemed too frivolous
00:21:07Good evening
00:21:09ah, good evening
00:21:11he is my deputy
00:21:13ah, good
00:21:14I have to go
00:21:15ah, I forgot
00:21:17tomorrow morning
00:21:18if you get there
00:21:19don't forget to kill
00:21:21the 27th and the 132nd
00:21:23yes, yes
00:21:2348 and 93 are free
00:21:25so the 125 leaves tomorrow morning
00:21:27is transferred
00:21:28I'll wake him up
00:21:29Good night
00:21:30Good night
00:21:31and rest in peace
00:21:33love
00:21:33what's up?
00:21:49what happened?
00:21:49my but
00:21:50Wait
00:21:51hut
00:21:52the clock
00:21:53come here
00:21:53awake
00:21:54Who?
00:21:55Who?
00:21:55he doesn't see that it's the phone
00:21:57it's the phone
00:21:59ready?
00:22:02it's you?
00:22:03yes, we are here
00:22:03I am waiting for you
00:22:04who was he?
00:22:05a mistake
00:22:06Excuse me
00:22:07Excuse me
00:22:08Excuse me
00:22:09Please
00:22:09I have now left the care of the deceased
00:22:11in the funeral chapel
00:22:12I know you have to close
00:22:13oh yeah
00:22:14let's do split time
00:22:15you should be so kind
00:22:17later
00:22:18to unite these flowers
00:22:19to those around
00:22:20the corpse
00:22:21the corpse?
00:22:21which corpse?
00:22:22that of my poor husband
00:22:23oh yeah
00:22:24ah she was the wife of a corpse
00:22:25that is, of a man who died
00:22:27he's a corpse
00:22:27of my dear Philip
00:22:29this one here
00:22:29Oh
00:22:30her husband
00:22:31eh but what a handsome man
00:22:32damn!
00:22:34is dead
00:22:35Already
00:22:36congratulations eh
00:22:37and change the skies
00:22:38with these
00:22:39because those that are there
00:22:40aren't they enough?
00:22:41at midnight they would be consumed
00:22:42yes I should change them
00:22:43at midnight
00:22:44but tell me that
00:22:45why don't they make them longer
00:22:46ten, fifteen meters
00:22:47everything to save money
00:22:48listen to me
00:22:49at midnight
00:22:50at midnight
00:22:50I wish they never ran out
00:22:53neither flowers nor skies
00:22:54to my poor Filippo
00:22:55let it go
00:22:55I will never be able to
00:22:57never
00:22:58forget
00:22:59try to console yourself sir
00:23:10never
00:23:10no one will ever be able to console me
00:23:13who will cradle me in his arms?
00:23:15because her husband
00:23:16the glue
00:23:17Yes
00:23:18who will have his tenderness?
00:23:20who will have his courage?
00:23:22Goodbye
00:23:22it's better to be good
00:23:24Yes
00:23:24sooner or later
00:23:25everyone down there
00:23:27you will have to go and finish
00:23:28but it's already
00:23:43You come
00:23:45You come
00:23:45let's go and arm ourselves
00:23:46and don't be afraid
00:23:47so much
00:23:48there is your father
00:23:49who stays awake
00:23:49All right
00:23:50All right
00:23:50All right
00:23:51but when do you pay?
00:24:12come always look
00:24:14come always look
00:24:14No, no, no, no.
00:24:44No, no, no.
00:25:14No, no, no.
00:25:44No, no, no.
00:26:14No, no, no.
00:26:44No, no, no.
00:27:14No, no, no.
00:27:44No, no, no.
00:28:14No, no, no.
00:28:44No, no, no.
00:28:46No, no, no.
00:29:16No, no, no.
00:29:46No, no, no, no.
00:30:16No, no, no, no.
00:30:46No, no, no, no.
00:31:16No, no, no, no.
00:31:46No, no, no, no.
00:32:16No, no, no, no, no.
00:32:46No, no, no, no, no.
00:33:16No, no, no, no.
00:33:46No, no, no, no, no, no.
00:34:16No, no, no, no, no, no, no.
00:34:46No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:34:48And then? Fufu-fugli.
00:34:49Fufu-fugli?
00:34:50No, your father, what's your father's name?
00:34:52Fufu-fugli, fufu-fufu.
00:34:55Fufu-fugli, fufu...
00:35:03No, no, no, no, no, no, no, no.
00:35:07Scoop it out!
00:35:12Pritettelo!
00:35:13Go ahead, okay!
00:35:14Don't be friends, come on, Fuffoni, come to me, go on, come with me, come on.
00:35:29Go, okay, okay, go, go.
00:35:33Well done, well done, Fuffù is beautiful, like this.
00:35:38No, no, no, but have I already read that Fuffoni?
00:35:41There's no need to scold him, first day of school, I'm at ICE.
00:35:45Well, yes, yes, the Countess is right.
00:35:48You idiots, go to the blackboard and get some chalk.
00:35:51Go, go, yes, that's how you go.
00:35:57Fuffoni, to his people.
00:35:58So, listen up.
00:36:01Let's see if you can solve this little problem.
00:36:04Yes, yes.
00:36:04A lady buys 375 kg of potatoes from a greengrocer.
00:36:11at the price of 45.80 lire per kilogram.
00:36:17How much will I have paid the lady in total?
00:36:20What is the name of the greengrocer?
00:36:21Well, that's it.
00:36:22It's a pedagogical system that I was completely unaware of.
00:36:26Okay, the greengrocer's name is Ubaldo.
00:36:31Ubaldo Pistacchioni.
00:36:32And paternity?
00:36:33D, D, D, D, N, M, I got it.
00:36:38And where does she live?
00:36:40But what without the lady's address?
00:36:43But, but, but, but, but.
00:36:45But...
00:36:47...74856-499, let's lower two digits. The 33 and the 44 and the 44 and the 44...
00:36:50...and door 9 to door 9 to door... And what's his little brother like?
00:36:53Oh! But excuse me, if you don't tell me, you're being obstructive.
00:36:56But this guy is heroic.
00:36:59Oh okay, no.
00:37:014812...
00:37:02...1619...
00:37:04...19 and 2...
00:37:06...22...
00:37:07...22...
00:37:08...23...
00:37:08...24...
00:37:09...25...
00:37:10...7...
00:37:10...9...
00:37:11...9...
00:37:12And his phone number?
00:37:13As?
00:37:14Well, okay, a wounded man, I'll find him in the list.
00:37:169...
00:37:17...9...
00:37:18...30...
00:37:19...745...
00:37:22...and a quarter.
00:37:23745 and a quarter.
00:37:25Oh, but good, good.
00:37:28You deserve some candy.
00:37:32And a big kiss too.
00:37:34Mom!
00:37:36Oh, but how strange life speaks.
00:37:38Baby, a meat!
00:37:40That? That's my husband.
00:37:41It's him!
00:37:42They have some Cimri!
00:37:43He broke, but he swerved, second on the knees of a woman in her underwear.
00:37:45Coward, criminal!
00:37:47Lady!
00:37:53Look, I've chosen myself!
00:37:55Let's die!
00:37:56Get it!
00:38:08It's the fact!
00:38:09It's the fact that he split my ass!
00:38:12Take him alive!
00:38:14Get it!
00:38:15Floor.
00:38:26Young man, I tell you I trust you.
00:38:29May I know where you are taking us?
00:38:30This is a painter's studio, my friend.
00:38:32Since he will be out of Rome for a few months, you could come and live there.
00:38:35Well, I thought it was worse.
00:38:37Airy, spacious, quirky.
00:38:41Ah, but there are other little groins.
00:38:43The painter is Gran Cassi.
00:38:45As?
00:38:46Gran Cassi, Gran Cassi, yes.
00:38:48Like trombone.
00:38:49Yes, he is a specialist in a women's field, he does not dedicate himself to anything else.
00:38:51Let's call him Phrixus.
00:38:54Yes, yes, not bad, this building suits me, it defeats me.
00:38:59Here, here, you see, dad, you can make something useful to me.
00:39:02So can I hope for your consent?
00:39:03Well, young man, it's not out of the question.
00:39:06It is not excluded.
00:39:07So we can kiss, dad, what else do you see?
00:39:09Pegamino, what are you doing?
00:39:11Eh, nothing, I realize the locals.
00:39:15It's a crazy thing, there's no sense of the future anymore.
00:39:17Mom, what is that stuff?
00:39:18Oh, don't look at that stuff there.
00:39:20And you, are you looking at these paintings?
00:39:21Yes, yes.
00:39:22But not so distracted, like this.
00:39:25Oh, right.
00:39:26Oh, and let's get to work, eh?
00:39:28Put this duvet down and do something, move.
00:39:30Well, mind you, you, dad, for outsiders, are the painter Gran Cassi.
00:39:33Yes, yes.
00:39:34And remember, no one goes down the stairs,
00:39:35because if they find out that the studio is inhabited by strangers there would be trouble.
00:39:38So we understand each other, we understand each other.
00:39:39You, for outsiders, play the Gran Cassi.
00:39:40No, you are the painter Gran Cassi.
00:39:41Yes, the painter Gran Cassi plays.
00:39:42In the meantime I'm going downstairs to give Aunt Gentrude a call,
00:39:45to see if he can still see with the mattress, eh?
00:39:47Come on, you can take it.
00:39:48Yes, you move, you clean up.
00:39:49Go, go, go.
00:39:50Go, go, go.
00:39:50Go, yes, yes.
00:39:57Huh?
00:39:58Young man!
00:39:59Oh well!
00:39:59Well, we're going up to the rooftops to see the view, eh?
00:40:02What-what-what view?
00:40:03The view?
00:40:04Ah, well, young man, remember that I am not yet consenting.
00:40:10However, given the time and the circumstances,
00:40:12panorama too, but with discretion, eh?
00:40:17Here, for example, this, this is a convenience that I needed.
00:40:23That's what I needed.
00:40:24There he is.
00:40:36Who goes there?
00:40:41Who goes there?
00:40:47Good morning, master.
00:40:48Good morning.
00:40:49I'm the one who called.
00:40:52You must excuse me for the delay.
00:40:59But, miss.
00:41:02Shall we get started right away?
00:41:05But, I say, madam, miss, I don't know, I say.
00:41:07What, I don't have to undress?
00:41:09Don't you remember the phone call?
00:41:10We already agree, right?
00:41:13Naked, don't you prefer?
00:41:14Yes, of course, but, I mean, her undressing, like that, in front of a masculine man.
00:41:20Oh, no, and why?
00:41:22I understand, habit.
00:41:23Victor, as a doctor, sees women only from a professional perspective.
00:41:29Which side do you see me from?
00:41:31Me, eh, from all sides.
00:41:33You see, I'm used to seeing things from every side,
00:41:36and from all points of view.
00:41:38Oh, how does he do it?
00:41:40I dissect, I anatomize, I study specific things.
00:41:42Is this a principle of yours?
00:41:43No, no, that is my beginning, that is my end.
00:41:47I understand, master.
00:41:50Do you want to see me like this?
00:41:56So, master, I'll explain to you what this is about.
00:41:59I couldn't tell her everything over the phone.
00:42:01I want to offer a man I love an indelible memory of my beauty.
00:42:05So, even when I'm no longer young,
00:42:06he will have the image of my natural body,
00:42:08just like it was in the most beautiful years of our love.
00:42:12Master, are you listening to me?
00:42:12But, I say, how can I paint her face,
00:42:17if the veil is not removed?
00:42:18Never, she will never see my face.
00:42:21Oriental women do not reveal their faces in front of men they do not know.
00:42:24I am Persian.
00:42:26Of course, a little modesty is needed,
00:42:28other than from us,
00:42:29that women let everyone see their faces.
00:42:30So shall we get started?
00:42:32I can't hold back much longer,
00:42:33My darling doesn't know anything and I want to surprise him.
00:42:35If he didn't see me for a long time he would get suspicious,
00:42:39he is jealous to the point of madness.
00:42:40But what are you doing, master?
00:42:42Hurry up, please.
00:42:43Right away, let's get started.
00:42:45I've heard so much good about you, master,
00:42:47who is one of the best modern painters.
00:42:49What school is he from?
00:42:51I from the Caribaldi school,
00:42:52I was there as if displaced.
00:42:53Yes, yes.
00:42:53Which current do Sfollotti belong to?
00:42:56Well, you know, alternating current,
00:42:57with these shifts.
00:42:59I mean, is it futurist, impressionist, realist?
00:43:02I am a social democrat, a monarchist, a republican.
00:43:04Historical?
00:43:05No, geographical.
00:43:08But what if I don't stretch out?
00:43:12Who could it be? Someone in his family?
00:43:14No, my family's will never come through the door.
00:43:17But who will it be?
00:43:19Who goes there?
00:43:21And there?
00:43:22Helmet-on.
00:43:22Oh no, thanks.
00:43:23We don't need rugs.
00:43:24There is.
00:43:24But leave it, but here.
00:43:25Atma!
00:43:29Down with the scabaraca!
00:43:31Down with the scabaraca!
00:43:33Down with the scabaraca!
00:43:35Another scabaraca!
00:43:36Another scabaraca!
00:43:37Another scabaraca!
00:43:38Another scabaraca!
00:43:40Look here!
00:43:41No, no, no, no, no, no, no.
00:43:42True, true!
00:43:45Here you have to hold on to breathe!
00:43:46Better Milo!
00:43:47Yes, hold on for...
00:43:48But what do you do with Pingo?
00:43:49Who can save themselves?
00:43:50But what are you doing?
00:43:50Today!
00:43:51The Colosseum.
00:44:05And this is the only home you know how to give your family.
00:44:07I'm fed up.
00:44:08What are you?
00:44:09Heater!
00:44:09But you're never satisfied, you know.
00:44:11We just put in the bathroom and you already want the stove.
00:44:13We'll talk about it this winter.
00:44:14What are you saying?
00:44:15I'm tired of living under arches.
00:44:16And you complain.
00:44:17They are places that the whole world envies us and you despise them.
00:44:20This year hundreds of trillions of pilgrims will arrive from all over the globe
00:44:25to enjoy these beauties and you despise them.
00:44:27Ah, I know you bring us nothing but trouble.
00:44:29The trouble with Bina Ghecchino, that wretch.
00:44:31Which doesn't happen to me anymore.
00:44:33It's all his fault.
00:44:35Ah, he's coming to the hotel.
00:44:36Oh, good.
00:44:36Here's lunch.
00:44:47Princess, please.
00:44:50Oh, Colosseum.
00:44:51Yes, yes, Colosseum.
00:44:53Colosseum.
00:44:54If you allow me, princess, I will be your guide.
00:44:56No, no, be afraid, princess.
00:44:58Our security service keeps troublemakers and photographers away.
00:45:02And inside the amphitheater there is no one.
00:45:04End.
00:45:05Yes you do, very well.
00:45:07We're doing very well.
00:45:09Save me and with a hundred others like me you will win the Gallo company album.
00:45:13Fifth scam.
00:45:15Nothing this time, but don't be discouraged and you will win...
00:45:18A wasp?
00:45:19A wasp?
00:45:19Which wasp?
00:45:20No, Dad, it's the name of the vehicle you win.
00:45:23Ah, the wasp?
00:45:24Shut up.
00:45:25A wasp.
00:45:26The scams continue.
00:45:28Congratulations.
00:45:28You won a million.
00:45:30The scams continue.
00:45:31A million?
00:45:32One million.
00:45:33Is that true, a million?
00:45:34One million.
00:45:34No.
00:45:35We won a million.
00:45:35A million?
00:45:36One million!
00:45:36One million!
00:45:37One million!
00:45:37One million!
00:45:37One million!
00:45:38No!
00:45:38No!
00:45:38Viva!
00:45:38Viva!
00:45:39But don't give it to me!
00:45:40Oh!
00:45:41We're doing well!
00:45:42We're doing very well, princess!
00:45:45From here came the Christians, who, due to the bloodthirsty madness of certain emperors, were thrown to the beauties.
00:45:52Viva!
00:45:53Ah, but fortunately those bloodthirsty emperors are no longer with us today.
00:45:57And today's Rome is Christian, it is meek and kneels to receive your highness.
00:46:06And this would be the A.A. Arcioccasione, panoramic villa, enchanting location, own arch, for sale one million liquid.
00:46:35And tell me, would you like the liquid right away?
00:46:42Well, it would be preferable, it's true, as they say, a little liquid always comes in handy.
00:46:47He didn't take it away.
00:46:48He opens his eye.
00:46:51Guys, let's go.
00:47:03Please come in.
00:47:03It's a shame that the elevator isn't working today.
00:47:10Come, come.
00:47:12This would be running water.
00:47:14Running water, yes.
00:47:15And how much does he want per month?
00:47:17650,000.
00:47:18When?
00:47:18650,000.
00:47:20Yes?
00:47:22Let's go.
00:47:25Permit?
00:47:26After you.
00:47:27Make yourself comfortable.
00:47:29Thank you, you're welcome.
00:47:30Urgemi, ex peripheral, not the usual scam.
00:47:34It has very central rooms, sunny all outside, elevator that gives you bathroom, services, assorted bistros on the panoramic terrace, dependent elevator and also skid-proof.
00:47:40Low rent.
00:47:41And tax-free.
00:47:41Very luxurious?
00:47:42Confirmed by the bus and garden of cypresses and glass plants.
00:47:45Fixed price.
00:47:46Half a liter of red nil and chicken now.
00:47:48Don't worry, we'll definitely find what you need.
00:47:50Ah, ah, ah, I need it with some urgency.
00:47:52Ah, but he won't have to wait long, I assure you.
00:47:55Ready?
00:47:57Yes, housing agency.
00:47:59He's someone who offers an apartment.
00:48:02Say it, say it.
00:48:03Ah, today's book?
00:48:04Very good.
00:48:06Five bedrooms, two bathrooms, terrace, heated bathroom, lift.
00:48:11Yes, fully furnished.
00:48:14Fitto blocked.
00:48:14As?
00:48:16Ah, yes, good exit to furniture relief.
00:48:18How much?
00:48:20400,000.
00:48:22Agree?
00:48:23Yes, could you please send me your address?
00:48:25Fine thanks.
00:48:27Everything will be fine in half an hour.
00:48:28Agree?
00:48:29Did you see?
00:48:30I told you there wasn't long to wait.
00:48:32And already?
00:48:32And where is he going now?
00:48:33Oh, beautiful, where are you going?
00:48:34To occupy an apartment.
00:48:35As far as ours goes?
00:48:36And that I'm stupid?
00:48:36I've been looking for a house for three years.
00:48:38I set up this agency specifically to find her
00:48:39and now that I've found it I'm giving it to them.
00:48:40Health!
00:48:42But that's crazy stuff.
00:48:44What is from the other world?
00:48:45Permit?
00:48:46Call her, let her come.
00:48:47Madam, sir, will they be looking for a house?
00:48:50A house?
00:48:50Pretty.
00:48:51Where?
00:48:52Oh, wait, when?
00:48:54Six rooms, luxuriously furnished, all comforts,
00:48:56magnificent location, densely packed.
00:48:59Furniture relief and severance pay, a total of one million.
00:49:02A million?
00:49:03We have it just right, just a million.
00:49:04But wait a minute, isn't this a scam?
00:49:07Aren't you someone from the cemetery?
00:49:09No, what does he say?
00:49:10Some painter who has left the studio and the model arrives?
00:49:12But I also dream about it.
00:49:13No?
00:49:14Safe?
00:49:14Enzio, come on.
00:49:16Well then, hurray, let's go.
00:49:20And this is the bedroom.
00:49:22As I told you, all the comforts are there.
00:49:24Fireplace, armchair, sofa, various items, a perfect lighting system,
00:49:28a very modern Lecco.
00:49:29So, how do they see?
00:49:31A great part.
00:49:32But wait a minute, I don't see the nightstands.
00:49:34The bedside tables?
00:49:34Oh yeah.
00:49:35Oh no, trepato, the bedside tables aren't there, I'm in absentia.
00:49:40But dad, you don't use the nightstands the next day.
00:49:43Of course.
00:49:43But I don't see that instead of the bedside tables there are two small dining tables.
00:49:46The canteens, the cute ones, right?
00:49:48Yes, yes.
00:49:48And tell you a little about it.
00:49:50And where is the toilet?
00:49:51The toilet.
00:49:52Yes, I said it in French.
00:49:53Yes, I understand.
00:49:54There's a bathroom here, the tiglia.
00:49:55So, we want to go.
00:49:56Yes, we are accustomed to great comforts.
00:49:58I understand.
00:49:58Will be.
00:50:09Let's see the ribs.
00:50:12But what?
00:50:16Crazy thing.
00:50:17These modern furnishings take no account of physical hydraulic needs.
00:50:23But...
00:50:23This is the bathroom.
00:50:24All tiled, electric water heater.
00:50:26Industrial current?
00:50:27Industrial, of course.
00:50:28It goes, it goes, oh well, sweet, in short, nothing is missing.
00:50:32Oh no, oh no, the bedside tables were missing.
00:50:35But dad.
00:50:36But what popes, were they lacking?
00:50:37Oh yes, if I fail.
00:50:39Anyway, deal.
00:50:42What does that old French saying go?
00:50:43The chauffeurs, they are the chauffeurs.
00:50:45Ah, very good.
00:50:47You're a good consortium, you are.
00:50:48Oh my God, you bastard.
00:50:50I forgot, I have a small detail.
00:50:51The bedside tables?
00:50:52No, he sees a million for the severance pay and the furniture relief.
00:50:56It must be paid immediately.
00:50:57Young man.
00:50:57In cash.
00:50:58Young man, what do you think we are?
00:51:00For my state cadets?
00:51:01Ninth.
00:51:01Or the I don't know.
00:51:02Is money wasted?
00:51:04Yes.
00:51:04But for goodness sake.
00:51:05Here you go.
00:51:06Well.
00:51:08Here you go.
00:51:09Excuse me, right?
00:51:10Please.
00:51:12Thank you so much.
00:51:13One moment, one moment.
00:51:15The receipt?
00:51:16Ah, but of course.
00:51:20So, thank you and congratulations on your hunger.
00:51:23Oh, goodness.
00:51:24He has the receipt.
00:51:25Here it is, all in order.
00:51:26Everything in order.
00:51:27My beloved ones.
00:51:28Mine too.
00:51:28But so many, huh?
00:51:29Until we meet again.
00:51:30Until we meet again.
00:51:31Goodbye.
00:51:40There he is.
00:51:43So, is everything okay?
00:51:44I managed to sell it to him for a million cash.
00:51:46Wow, what a great shot.
00:51:47It's the classic, chicken.
00:51:48Imagine that it was condensed from a receipt.
00:51:49And you?
00:51:51Who did you send it to?
00:51:51I sold it to a group of foreign tourists.
00:51:53Well.
00:51:54I showed it to him when the goalkeeper wasn't there.
00:51:56200,000 down payment.
00:51:57Optimal.
00:51:57I was the one who said we needed a Holy Year to do good business.
00:52:00Guys, that idea with those fake keys was great.
00:52:02Let's go.
00:52:03This bathroom is truly a marvel.
00:52:05I'm so happy.
00:52:06This house is full of comforts.
00:52:07You see, Amalia, there's even a baby bath.
00:52:10Yes.
00:52:10Nézzétek, l'anno, milyen szép lakásbérőtén az itt tartozkodás utra.
00:52:24Ebben a városban.
00:52:28Na hát, ez a ház.
00:52:29Szép, ugye?
00:52:30Szép kis lakás.
00:52:31Ma reggel kerestem ki.
00:52:32Nekem nagyon tetszett.
00:52:33Meg is.
00:52:34Nézzétek, gyerekek, ez az a ti hálószobátok.
00:52:37Így, így.
00:52:37Nézzétek, gyerekek, az a ti hálószobátok.
00:52:41Vannít három ágy, nagy seriö meglesztek.
00:52:43Így.
00:52:44Neither, neither, neither.
00:52:45Nézzétek, gyerekek, gyerekek, gyerekek, gyerekek.
00:52:47Így.
00:52:48Náháj.
00:52:51Oh, but who eats a suitcase?
00:52:53Vagyate, see, dear, if you left it in the hall.
00:52:56As?
00:52:56In the hall.
00:52:57What?
00:52:58In the hall.
00:52:59And who is the hall?
00:53:00The door?
00:53:01At the top.
00:53:03In the antechamber.
00:53:04Here in the upper neighborhoods we say hall.
00:53:06It's finer.
00:53:07Oh, yes.
00:53:08The hall.
00:53:09I don't know.
00:53:10So, I'm going to look down in the hall.
00:53:14What happened?
00:53:31Are you feeling sick?
00:53:32Huh?
00:53:33No, no, today you sit like this.
00:53:35But disgusting?
00:53:36But disgusting?
00:53:36Serto, Garo, it's very chic.
00:53:37It's fine.
00:53:39Oh, just a little.
00:53:39What was I supposed to do in the hall?
00:53:41To get the suitcase.
00:53:42There?
00:53:43The suitcase?
00:53:43But why isn't it there anymore?
00:53:44No, no, on the contrary, there are too many of them in Iosa.
00:53:46But what are you saying?
00:53:47Mom, mom, I'm hallucinating.
00:53:49I'm really scared, I'll give him hallucinations.
00:53:51You are here, Don Obama.
00:53:54Darling.
00:53:54I'm telling you it's not a question of tigole, it's a question of valice.
00:53:58There have become five.
00:54:00Don't you believe it?
00:54:01No, look.
00:54:03It's not a question of tigole.
00:54:06Tigole, a horn.
00:54:07If you don't get them, you're going to end up in the asylum.
00:54:09And I saw you too.
00:54:10It must have been an optical illusion.
00:54:11I do not know.
00:54:12Come on, great line.
00:54:18It's so thick.
00:54:19He's not a Salmese.
00:54:21He's not a Salmese.
00:54:22I tell you, how do I tell you?
00:54:23He's not a Salmese.
00:54:24But what is it?
00:54:24I've had a cold for a couple of days.
00:54:52Hey, look.
00:54:56And I'll take your belly.
00:54:57No, there's no need.
00:54:59It didn't get cold.
00:55:00What what?
00:55:00It's a cooling hallucination.
00:55:02Then take the pill.
00:55:02But how many times do I have to tell you?
00:55:03It's a cooling hallucination.
00:55:14Damn the pills.
00:55:24Well, what are you getting now?
00:55:26There are hallucinations and hallucination.
00:55:27Good grief.
00:55:28But what would it be like?
00:55:29What would it be like?
00:55:29That hallucination is a hallucinated one.
00:55:31As soon as I took the pill, it disappeared.
00:55:32But are you happy?
00:55:33Counting a horn.
00:55:34Yeah, you other normal people have these things, you can't understand them.
00:55:36You see, my friend, hallucinations fall into two distinct and separate categories.
00:55:41There are good hallucinations, there are bad hallucinations.
00:55:44And your room?
00:55:44Good.
00:55:45You see, the rooms are all occupied.
00:56:04Can I give her a bath?
00:56:05To the bathroom?
00:56:06Yes.
00:56:06Bathroom, well, bathroom.
00:56:08Oh, yes, yes.
00:56:08And how much should I pay?
00:56:10How much a thousand?
00:56:11Five thousand.
00:56:12Five thousand?
00:56:13Oh, good, five thousand thousand.
00:56:15One, two, three, four, five.
00:56:18Thank you.
00:56:18I still have two passes.
00:56:20Oh, good.
00:56:20Two passes.
00:56:21Goodbye, eh.
00:56:24I'm coming right away, dear.
00:56:25I'm going to the bathroom for a moment, okay?
00:56:39Amalia.
00:56:41Amalia.
00:56:41What else is there?
00:56:41The suitcases, the suitcases, the suitcases, the suitcases, the suitcases.
00:56:45And what about the suitcases?
00:56:46They have increased.
00:56:47Have the suitcases increased?
00:56:47Yes.
00:56:48And how many are there?
00:56:48Two hundred, I don't know.
00:56:49Two-hundred.
00:56:50Listen, this suitcase thing has to end, huh?
00:56:51I saw her.
00:56:51Go ahead, take another pill, move.
00:56:53Another pill, move.
00:57:23Where are you?
00:57:39But was there something wrong in the bathroom?
00:57:41No, nothing, everything's fine.
00:57:43Everything's fine, shall I tell them to myself?
00:57:44Yes.
00:57:44Aida!
00:58:04They sleep.
00:58:05I wasn't expecting you anymore.
00:58:08Did I promise you?
00:58:09Why at this hour?
00:58:10Oh, leave me alone.
00:58:10I've been to nightclubs hoping to take a scandalous photograph, but nothing.
00:58:14That's mine.
00:58:14But he'll come, you know?
00:58:15The day will come when I will be able to photograph some important people.
00:58:23I won't let you see.
00:58:24Hey, Benemino.
00:58:31Well, wake up.
00:58:34Huh?
00:58:34Wake up.
00:58:35Bullshit.
00:58:36I heard some noise.
00:58:37Who's going?
00:58:37Who is?
00:58:38How about for me?
00:58:38But it's not possible.
00:58:39Yes, I'm telling you there must be someone at home.
00:58:41Oh, we're alone at home.
00:58:43No, no, I heard a noise.
00:58:44I'm telling you I heard voices.
00:58:46But go and see, come on.
00:58:47I?
00:58:47And you?
00:58:48So, unarmed?
00:58:49And take care of something, come on.
00:58:50Come on, little one.
00:58:51One moment, one moment.
00:58:51Go, hurry up.
00:58:52Hey, who is it?
00:58:53Ascalzone, ascalzone, he'll throw it away.
00:59:19Come on, darling, come in, who are you afraid of?
00:59:30You know very well that I bought this apartment for you.
00:59:32You won't hit me anymore.
00:59:33What are you saying?
00:59:34The other day I was out of my mind.
00:59:36After all, you explained everything to me and it's not your fault.
00:59:38But Ascalzone is that bastard who passed himself off as a painter.
00:59:41But if I find him in the gutter again, I'll ruin him, I'll smash him, I swore it on Baometo.
00:59:45Calm down, love.
00:59:46But yes.
00:59:47Let's go to our nest.
00:59:48Nobody will disturb us.
00:59:50Nobody knows I'm here.
00:59:57Here is the car of the tyrant, of the enemy of our independence.
01:00:00I know him, with a female who dominates him.
01:00:03Now is the time to act.
01:00:05Let justice be done in the name of the prophet.
01:00:11Quick, give me the bomb.
01:00:15Benjamin?
01:00:16Benjamin?
01:00:18Benjamin?
01:00:18It's been a long time since we've been here.
01:00:32It seems like a century.
01:00:33I suspected it was you.
01:00:34But how did it come to you?
01:00:35I never get to see her during the day.
01:00:37I'm not one of hers.
01:00:37It's all her husband's fault.
01:00:39If he finds you here making up the same old stories, he's wandering around the house.
01:00:42Woe betide you if you get caught.
01:00:44Do you want something to drink, darling?
01:00:45Yes my love.
01:00:47It's been a long time.
01:00:48It's been a long time.
01:00:52Oh.
01:01:22Thank you all.
01:01:52Thank you all.
01:02:22Thank you all.
01:02:52Thank you all.
01:03:22The ambassador of the cubist in his underwear.
01:03:24Oh, finally!
01:03:25What a shot!
01:03:26This photo will be my fortune.
01:03:27There is a mistake, there is a misunderstanding.
01:03:30I don't know anyone, I assure you.
01:03:32So, don't stop the car.
01:03:51There is a bomb connected to the brake.
01:03:53If it stops we'll blow up, you know what?
01:03:57Careful!
01:04:21But what do we do?
01:04:25Look ahead, stupid!
01:04:27Stupid!
01:04:27Go, there it is!
01:04:31One look was enough.
01:04:33One look was enough.
01:04:45One look was enough.
01:04:46One look was enough.
01:04:48Impossible, we have to wait until the twenty is finished.
01:04:51Careful!
01:05:16Citizens, this monument we will now discover.
01:05:43work and glory to an illustrious artist, it depicts our country rising from the materials.
01:05:59Here is the summary of the reconstruction.
01:06:08It's him!
01:06:10It's him!
01:06:11It's him!
01:06:12It's always him!
01:06:13And take him, the madman!
01:06:15It's a little worse!
01:06:23Ah!
01:06:27Now this is a magnificent place.
01:06:29A beautiful villa.
01:06:30A wonderful park.
01:06:33Itapodak, Sigrigavis.
01:06:35But what more do you want?
01:06:36Thank you all.
01:07:06Thank you all.
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