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00:00:00Music
00:00:30Music
00:01:00This is one of the many cities that are in the world
00:01:24In this as in the others
00:01:26There are hundreds of thousands
00:01:27Rather millions of men
00:01:29Yet each of them is plagued by his own problem.
00:01:32For example, there are those who have the problem of arriving at the office on time.
00:01:35And who like most of this tormented humanity today
00:01:38He is undecided whether to go right or left
00:01:41In the towers on summer Sundays
00:01:43There's the problem of finding a place in the sun
00:01:45For others, however, the problem is to stand up straight.
00:01:49But all year round with the housing crisis
00:01:53The biggest and most distressing problem
00:01:55The problem of problems is the house
00:01:57Who wouldn't want to have a house more or less like this?
00:02:00Of course it's everyone's dream
00:02:03Of those who live in these human hives
00:02:05But it is above all the dream of those
00:02:07Who are still forced to live in places like these
00:02:09Like for example the temporary worker Beniamino Lomacchio
00:02:12Accident victim, evacuee, reformed, municipal employee and married with evidence
00:02:16Benjamin? Benjamin? Come on, wake up! What time do you have to go to the office?
00:02:40Oioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioio oioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioioio
00:03:10to live in an environment like this, you need DDT.
00:03:13Mom, I'm a holy dog and I'm going to war with the tyrants.
00:03:16Oh no, you have to have breakfast first.
00:03:18I would like to know who took my left shoe.
00:03:21This is what I would like.
00:03:24Did you take it?
00:03:25No, not me.
00:03:26Silence, you took it.
00:03:28Do you see? I'm right.
00:03:30See what you do with your dad's left shoe?
00:03:33You put the drink in, you put it in.
00:03:34So why don't you buy me a ship?
00:03:36Come on, shut up, criminal.
00:03:37Stop hitting him.
00:03:38But do you realize that with this sail he makes my mutant?
00:03:41That is, he made a sail with my mutant.
00:03:43And then you don't tell lies.
00:03:45Did you understand?
00:03:46Yes, I understand.
00:03:47You don't tell lies.
00:03:48You don't tell lies.
00:03:49Remedies.
00:03:50You don't tell lies.
00:03:51All right.
00:03:52Is breakfast ready?
00:03:53Yes, it's ready.
00:03:54Is breakfast ready?
00:03:55Yes.
00:03:56We eat.
00:03:58Tom, take this.
00:03:59This is for you.
00:04:00Tom.
00:04:01And what is this?
00:04:02Sarti soda.
00:04:03Are you soda makers?
00:04:04But how do you have breakfast in the morning?
00:04:05Now come alive.
00:04:06But dad, you know very well that we do it for the competitions, right?
00:04:09But yes, of course.
00:04:10And until we win, we'll always eat stuff with prizes.
00:04:13And if we win, we will finally have a real home.
00:04:16Understood?
00:04:17I understand.
00:04:18And I couldn't afford a nice contest, a nice steak contest for example.
00:04:22Oh, dad, talking about steaks as soon as we wake up.
00:04:24He must have dreamed about it last night, along with all his filth.
00:04:29Rubbish?
00:04:30Steaks have become junk.
00:04:32But do me a favor.
00:04:34The steaks are rubbish, but where are we?
00:04:36But what kind of world do we live in?
00:04:38But what century is this?
00:04:39What century?
00:04:40Aida!
00:04:41You idiot!
00:04:44Aida!
00:04:46Darling, are you ready?
00:04:47Not yet, I just got up.
00:04:49But in the meantime, come up, dad wants to say hello.
00:04:51Oh yeah?
00:04:53I don't want to say hello to anyone, do I?
00:04:54But how dad?
00:04:55Don't you want to say hello to my boyfriend?
00:04:56But what boyfriend?
00:04:57That's a man who has one life, he won't have anyone to come.
00:04:59Oh, do you hear who's talking about the future?
00:05:00A man who wasn't even able to find us a home.
00:05:02No!
00:05:03If I marry Checchino, he'll find us the house.
00:05:05Better to live a hundred years in this school than just one day with Checchino.
00:05:08Is it possible?
00:05:09Who flew?
00:05:10Come on Checchinuccio.
00:05:11I'm ready right away, darling.
00:05:12How is it going?
00:05:13Let's start by saying that I don't allow you to call me Donald Duck.
00:05:16But I didn't call you Donald Duck, I called you Baparino.
00:05:18Anyway, the ship.
00:05:20Come on, put on your pants and go get some water.
00:05:22Yes ma'am, I'm going.
00:05:23Better.
00:05:24So I get this wretch out of my sight.
00:05:28Will I be your son-in-law?
00:05:29Oh no?
00:05:30I don't want sons-in-law like you.
00:05:32I just want groceries.
00:05:34Nespà?
00:05:36Absolutely, they can hear it with their own ears this morning.
00:05:38Are you kidding me?
00:05:39But where are we going?
00:05:40These are facts that do not concern me.
00:05:41Of course I'm sorry.
00:05:42But I don't miss it.
00:05:43But I don't miss it.
00:05:44But I don't miss it.
00:05:45What happens?
00:05:46It looks like we're starting school again and we won't be able to live here anymore.
00:05:48No.
00:05:49Yes.
00:05:50No.
00:05:51Do they want to send us away?
00:05:52Oh nice.
00:05:53But then we need to repeat the ministry.
00:05:54A repetition?
00:05:55Maybe he meant petition.
00:05:57I'm saying, if we make a good petition, all of us, including him,
00:06:01I assure you that by the looks of it we are a fine bunch of complainers.
00:06:05Listen, you're the one who's guilty, right?
00:06:06And thankful they'll kick him out of here soon, huh?
00:06:08We are here and we will stay here.
00:06:10No.
00:06:11Evacuate the whole world!
00:06:12Unite!
00:06:13Listen, don't you want to keep that sfinantino down as polite?
00:06:15Do you know these?
00:06:16They are unfair means.
00:06:17I have been a janitor at this school for thirty years.
00:06:19Now I have the room, I have the chickens.
00:06:21And for your sake I can't lose my job.
00:06:23You know what I tell you?
00:06:24Orange yourselves!
00:06:25Orange yourselves!
00:06:26Orange yourselves!
00:06:27Orange yourselves!
00:06:28Orange yourselves!
00:06:29Orange yourselves!
00:06:30It's a word!
00:06:31But is it possible that I, at my age, have to be ordered around by a janitor?
00:06:33But those are the things I do!
00:06:41Orange yourselves!
00:06:59Listen, old man, you absolutely have to come up with an idea.
00:07:11If you find us an apartment, Dad won't be able to stand in the way of our marriage anymore.
00:07:15If only I could make a good shot.
00:07:17An exhibition, a photograph, you know, a sensational photograph
00:07:20of those that are published on the front pages of rotogravure newspapers.
00:07:22I would become famous.
00:07:24So what?
00:07:25So, my love, I don't know, I don't know...
00:07:29Those, I say, what do we do?
00:07:31Spouse!
00:07:32How dare you talk to my daughter when she's in this condition?
00:07:35But what conditions?
00:07:36Naked?
00:07:37Is she exempt from conviction for fraud?
00:07:38But dad!
00:07:39Dad, I'm running!
00:07:40Young man, be more than a young man! Get out of my house!
00:07:42Stop!
00:07:43I don't even stop for...
00:07:44Oh my God, my head!
00:07:45But...
00:07:46This is a misunderstanding!
00:07:47A misunderstanding of him, where do you find it?
00:07:49Young man, I won't let you bother my daughter anymore!
00:07:51In you, yes!
00:07:52Oh yeah?
00:07:53We'll see, it won't end like this, huh?
00:07:54Won't it end like this?
00:07:55No, it won't end like this!
00:07:56Oh yeah?
00:07:59I say!
00:08:00And how are you going?
00:08:01Ah, it's gotta end somehow!
00:08:02And hello!
00:08:03And that's it!
00:08:04Get out of my house!
00:08:06When he becomes famous, you will beg me to marry him!
00:08:08Wretch!
00:08:09Who's going?
00:08:10Who is?
00:08:11He'll get paid for it!
00:08:12Excuse me, did you notice?
00:08:17Is this your egg?
00:08:18Yes sir!
00:08:19I rented it!
00:08:20How to rent?
00:08:21I got it!
00:08:22Yes, well I took it in text!
00:08:23Did I withdraw?
00:08:24Didn't you buy it?
00:08:25I bought it on rent!
00:08:26But how dad?
00:08:27Don't tell lies!
00:08:28You stole that egg from the janitor!
00:08:30Oh yeah, huh?
00:08:31You piece of scoundrel!
00:08:32But go away!
00:08:33Good man!
00:08:34Long live the species!
00:08:35At his age!
00:08:36With that hat!
00:08:37With those stripes!
00:08:38She believes in such nonsense!
00:08:39Such trifles!
00:08:40Go!
00:08:41It's a boy!
00:08:42Degenerate!
00:08:43Benjamin!
00:08:44Yes!
00:08:45To that leftover of a reformed parent!
00:08:46Disabled!
00:08:47He's an egg thief!
00:08:48Gentleman!
00:08:49I don't allow you to make such insinuations in my presence!
00:08:52Understood?
00:08:53You are faced with a very awkward registry office adventitious person!
00:08:57And I want to know where he got this egg!
00:08:58It's still hot!
00:08:59Heat?
00:09:00Yes!
00:09:01Possible!
00:09:02It's hot!
00:09:03Well I'll tell him!
00:09:04But you have to promise me not to tell anyone!
00:09:07Do you want to know where that egg came from?
00:09:10I made that egg!
00:09:13Oh yeah, huh?
00:09:15She lays eggs, huh?
00:09:17What do you modestly want?
00:09:19Well yes!
00:09:20It was war!
00:09:22Lack of food!
00:09:23Shortage of food!
00:09:25I adapted!
00:09:26That's the right word!
00:09:28Adequate!
00:09:29Make one right now!
00:09:30As?
00:09:31On the spot?
00:09:32Just like that, make me an egg!
00:09:33But she knows that to make an egg you need atmosphere!
00:09:36If you don't make the egg right away you'll see what happens to you!
00:09:39Okay, I'll do it for him!
00:09:41This is how the egg needs to be adjusted!
00:09:44As?
00:09:46Like that, that is!
00:09:48As?
00:09:51As?
00:09:56As?
00:09:58As?
00:10:01As?
00:10:03As?
00:10:04As?
00:10:05Cucrecu!
00:10:08Give us the 27 hours you expect!
00:10:19We've been patient for 40 years, now that's enough!
00:10:22Come on, first one, who's next?
00:10:24Well, I would like to report...
00:10:25Reports are made at the police station! Father is unnatural!
00:10:27Go away! See you soon!
00:10:31I came for a death.
00:10:34Excess!
00:10:36Look, at the bottom, on the right, three steps!
00:10:40Good morning!
00:10:41I came to announce the birth of a child!
00:10:44Tonight at half past two!
00:10:46Who is the father?
00:10:48I, Pasquale Saluto!
00:10:50And no one else?
00:10:51What do you mean?
00:10:52Sometimes, you know!
00:10:54Sometimes my ass!
00:10:55Exactly, I say!
00:10:56Anyway, let's proceed in order. What name do you want to give the little boy?
00:10:59We had decided to call him Franco!
00:11:01Frank?
00:11:02Eh!
00:11:03Oh, no!
00:11:04No!
00:11:05Look, it's not politically worthwhile! Listen to me!
00:11:08Oh, yes, yes, you're right! We hadn't thought of that!
00:11:10Oh, you have to think about it!
00:11:11Umberto!
00:11:12Umberto?
00:11:13Eh!
00:11:14Umberto...
00:11:15Ninth!
00:11:16I don't recommend it, Veda!
00:11:17I don't recommend it to you!
00:11:18Tito!
00:11:19Ninth!
00:11:20Worse!
00:11:21Often at this time!
00:11:22For the love of God!
00:11:23You know, when you name a child, you have to be careful!
00:11:25It is true?
00:11:26You can be compromised, you can be cut into pieces and put into a salami like this!
00:11:28Ninth!
00:11:29For goodness sake, no!
00:11:30So, Giuliano!
00:11:33Eh!
00:11:34Eh!
00:11:35I don't mind!
00:11:36No!
00:11:37I don't mind!
00:11:38Julian, yes!
00:11:39Common name!
00:11:40Common!
00:11:41Two lire for the brand!
00:11:42Uh!
00:11:43And now I don't have any spare change!
00:11:44Don't you have it?
00:11:45But how is it done?
00:11:46But how can you do it, my son!
00:11:47Oh, holy God!
00:11:48Well!
00:11:49I'll put it back on, eh!
00:11:50Ah!
00:11:51Until we meet again!
00:11:52Until we meet again!
00:11:53Eh!
00:11:58Lovacchio, what do you do? Do you eat in the office?
00:12:00No!
00:12:01No!
00:12:02I was considering!
00:12:03Sorry, huh!
00:12:04Practice of...
00:12:05Yes, practice of...
00:12:06Thank you!
00:12:07Tomacchio, come here for a moment!
00:12:09Eh!
00:12:10A dizzying experience!
00:12:11Sorry, huh!
00:12:12You're lucky I need you, you understand!
00:12:14Do you see this?
00:12:15An application for a municipal security guard position!
00:12:17Yes!
00:12:18Since the place also includes accommodation,
00:12:20free accommodation for the caretaker and his family!
00:12:23A relative of mine who is homeless...
00:12:25Homeless?
00:12:26Homeless!
00:12:27He asked me if I support his application!
00:12:29Qualia?
00:12:30But what about hers? What does she have to do with it?
00:12:31Let me talk!
00:12:32His of him!
00:12:33Done!
00:12:34It's all done now!
00:12:35And this one, did you understand?
00:12:36Yes!
00:12:37All that's missing is the stamps and the assignment all done!
00:12:40But go ahead!
00:12:41In the stamp office!
00:12:43Yes, I mean, I don't want to appear too much, you understand?
00:12:46On the contrary...
00:12:47In fact, I have to write my relative's name in the form!
00:12:51Yes I say...
00:12:52She writes it!
00:12:53Because I don't want my handwriting to be recognized, you understand?
00:12:56And hurry up!
00:12:57Because the Honorable Pasta Rosa, the mayor, said he will resign without notice!
00:13:01I want this all to be over before he gets here!
00:13:03You have the name that should be written on the application, right? Camilloni Filippo!
00:13:06Camilloni!
00:13:07Camilloni!
00:13:08Colcini!
00:13:09Like Naples!
00:13:10But what does Naples have to do with it?
00:13:11Exactly, I say!
00:13:12But he understood, he understood well!
00:13:13But are you really sure that you should also provide accommodation?
00:13:15If I tell him!
00:13:16Cabbage collector!
00:13:17Trust me!
00:13:18Ah!
00:13:19Oh, Merta!
00:13:20But what does Naples have to do with it?
00:13:21Ah!
00:13:24If only I were a fool to give Filippo Camilloni a place to stay!
00:13:30I'll take care of the accommodation!
00:13:35Here, sir, this is the securities office!
00:13:37We're doing well, very well!
00:13:38The registry office is over here!
00:13:39Ah, the employee?
00:13:40They are very happy and above all very disciplined!
00:13:43Very good!
00:13:47On the other side!
00:13:55Four by four by four!
00:13:56we're doing very well
00:14:18but what does she do
00:14:24but who is this gentleman?
00:14:26but who is she?
00:14:28but who is she?
00:14:28but let it end there
00:14:30but the step
00:14:30take it
00:14:32Lady
00:14:36her husband doesn't appreciate me enough
00:14:38intervene
00:14:39What does it matter if you're poor in your pocket?
00:14:41when you're rich in here
00:14:42watch out dad is coming
00:14:43at this time
00:14:44then you better go away
00:14:45because I'm the one who makes people repeat the same old stories
00:14:46Goodbye
00:14:47vallido flower
00:14:48here yes but go go go
00:14:49and keep it quiet, please
00:14:50woe betide you if you open your mouth
00:14:52understood eh
00:14:54I heard a voice
00:15:07Here we conversed animatedly
00:15:10No
00:15:10he was bladeravating
00:15:12what do you say?
00:15:12we were talking
00:15:14I told you no
00:15:14maybe they were chatting
00:15:16No
00:15:16No
00:15:17No
00:15:18alright
00:15:18I was wrong
00:15:20Anyway, I have some news for you.
00:15:22oh yes
00:15:23what is it about
00:15:24on not keeping us in suspense
00:15:25great news
00:15:28and yet here we were babbling
00:15:31I told you no
00:15:31there was no one here
00:15:32stop it
00:15:32what is this news
00:15:34I found a home
00:15:35What
00:15:35you found
00:15:36house
00:15:37possible
00:15:38a real home
00:15:39Extremely beautiful
00:15:40a new indiego
00:15:41municipal guardian
00:15:42with free right
00:15:43four-room
00:15:44bath
00:15:45Kitchen
00:15:45telephone
00:15:46Well
00:15:47so I can call the fire department
00:15:49to the firefighters
00:15:50here it is
00:15:51with all the regulatory stamps
00:15:53today itself
00:15:54we will take possession of the new accommodation
00:15:56with annexes
00:15:57and with me
00:15:58as
00:16:00guards the cemetery
00:16:01as
00:16:03at the cemetery
00:16:04guardian at the cemetery
00:16:06guardian at the cemetery
00:16:06it's a job like all the others
00:16:10gold-plated
00:16:11and I interject
00:16:11at the cemetery
00:16:12cemetery
00:16:13he is a saint like all the others
00:16:14cemetery
00:16:16and I'm not coming
00:16:16me neither
00:16:17ah me neither
00:16:18here's how not even
00:16:19girls
00:16:20let's not play jokes
00:16:20let's remember that old Sicilian saying
00:16:22what does he say?
00:16:23your grip
00:16:24my life
00:16:25then let's think about it
00:16:26if there were no defundi
00:16:28there would be no cemeteries
00:16:29if there were no cemeteries
00:16:31we wouldn't have found the lolly
00:16:32it's clear
00:16:33Already
00:16:34but I'm not coming to the cemetery
00:16:36not even dead
00:16:36but dad
00:16:37thinks
00:16:38so far from the city
00:16:39if someone feels sick at night
00:16:41you can't even go and look for a pharmacy
00:16:43a doctor
00:16:44Nothing
00:16:45we would all die
00:16:46and where they don't find a better comedy than this
00:16:48you die
00:16:49there is a cemetery in the house
00:16:50saves you the walk
00:16:51you are reckless
00:16:52you go to the cemetery
00:16:53Enough
00:16:54are you going to the cemetery?
00:16:55Enough
00:16:55Lady
00:16:57remember
00:16:59that the wife
00:17:00must
00:17:01follow her husband
00:17:03and to the donated cemetery
00:17:04you don't look in the grave
00:17:05it's clear
00:17:06or attack
00:17:07Safe
00:17:10the permission
00:17:12sorry, don't bother
00:17:14if you enter
00:17:14by chance
00:17:15all dead
00:17:17and off you go
00:17:18what are you afraid of?
00:17:22stupid
00:17:23and screamed
00:17:26and this would be the house
00:17:37oh god of course
00:17:39I can't help you
00:17:40to give pain
00:17:41the house
00:17:42actually
00:17:43as of now
00:17:44it's not very nice
00:17:46but on the other hand
00:17:47my dear wife
00:17:48look at that
00:17:48what a view
00:17:49that we have here
00:17:49just the sight
00:17:51it's worth a million
00:17:52there is air
00:17:54there is air
00:17:55and the other rooms
00:17:57on this side
00:17:59living room
00:17:59Kitchen
00:18:00gas
00:18:01how much is there
00:18:02telephone
00:18:03the annexes
00:18:04they will be from here
00:18:04over there
00:18:06the connected ones
00:18:07but
00:18:07well listen, I
00:18:08I don't feel at ease
00:18:09me neither
00:18:10and neither do I
00:18:10Here you are
00:18:11what do you make me say?
00:18:12we two are obsessions
00:18:13they are whims
00:18:14feel that peace
00:18:16what a deathly silence
00:18:19come on guys
00:18:20but for me
00:18:21in comparison
00:18:22it was better before
00:18:22let's not start with the apology
00:18:24the past now
00:18:25is dead
00:18:25he is buried
00:18:26buried
00:18:28what tone
00:18:31what tone
00:18:32let's see
00:18:35four
00:18:35four rooms
00:18:40No
00:18:42hate
00:18:43you allowed me
00:18:44direct
00:18:45Good evening
00:18:49Good evening
00:18:50Excuse me
00:18:51but is she alive?
00:18:53I am the deputy custodian
00:18:55of the cemetery
00:18:56you can see
00:18:57ah from the cap
00:18:58no no no
00:18:59from the face
00:19:00and she would be
00:19:01the new custodian
00:19:02eh
00:19:03sir yes
00:19:03on behalf of the director
00:19:05I have to pass them on
00:19:06the deliveries
00:19:07here it is
00:19:07these are tickets
00:19:09of burial
00:19:10I question
00:19:10I question
00:19:11she has to fill them
00:19:13whenever it arrives
00:19:14a new customer
00:19:15I understand
00:19:15and tell me a little
00:19:16you want to be practical
00:19:17of the environment
00:19:18the movement
00:19:19how is it here
00:19:20ah not bad
00:19:21the flow is continuous
00:19:22the convoys are numerous
00:19:23in short it's a place
00:19:24well underway
00:19:25Depends
00:19:26in periods
00:19:26you understand
00:19:27the more there is movement
00:19:28everything and more there are tips
00:19:28for example
00:19:29when he's around
00:19:30some contagious disease
00:19:31some nice epidemic
00:19:32then the business
00:19:33they go to swell
00:19:34it's understood
00:19:34a little bit of measles
00:19:35a little chickenpox
00:19:36smallpox
00:19:37a few national cigarettes
00:19:38and say a little varicose vein
00:19:40you who are alive
00:19:41satisfy my curiosity
00:19:42who is that gentleman?
00:19:43the keeper between stede funto
00:19:46beautiful portrait
00:19:48speaker
00:19:49of eyes
00:19:51It seems to me that they always follow them
00:19:53pay attention to it
00:19:54look carefully
00:19:56they are eyes that stare at me in a strange way
00:19:58he was a passionate musician
00:20:03he played the piano
00:20:05who knows the march
00:20:06funeral
00:20:06how well he did it
00:20:07poor Joseph
00:20:09he followed his boarders
00:20:12you can't live here for long
00:20:15Why?
00:20:16you always understand among the dead
00:20:17even at night
00:20:18why the night?
00:20:20there are nights
00:20:21that leave their mark
00:20:22there's up, there's up
00:20:22it doesn't just happen
00:20:23but it happens
00:20:24no, you don't have to take it that way
00:20:26at least for now
00:20:27you will have plenty of time later
00:20:29there was once upon a time
00:20:31oh god, what happened?
00:20:32there was that he was not dead yet
00:20:33which started at night
00:20:35knocking from below
00:20:35No
00:20:36he wanted to go out, you know?
00:20:37it is possible
00:20:38to leave the deceased's coffin
00:20:40no rule is allowed
00:20:41in any case
00:20:41in case of graves
00:20:43in turmoil?
00:20:44Here you are
00:20:44there's that bell
00:20:45the bell?
00:20:47for whom the bell tolls?
00:20:49and if it is connected to the niches
00:20:50the burial niches
00:20:51if the bell rings
00:20:53it means that there is someone dead
00:20:54who wants to go out
00:20:55you reach her
00:20:56I knock and ask
00:20:57did the gentleman ring?
00:21:00oh god, what is it?
00:21:01What?
00:21:02the dome clock
00:21:03I knock
00:21:03yes, you will understand
00:21:04given the environment
00:21:05the cuckoo clock
00:21:06it would have seemed too frivolous
00:21:07Good evening
00:21:09ah, good evening
00:21:11he is my deputy
00:21:13ah, good
00:21:14I have to go
00:21:15ah, I forgot
00:21:17tomorrow morning
00:21:18if you get there
00:21:19don't forget to kill
00:21:21the 27th and the 132nd
00:21:23yes, yes
00:21:2348 and 93 are free
00:21:25so the 125 leaves tomorrow morning
00:21:27is transferred
00:21:28I'll wake him up
00:21:29Good night
00:21:30Good night
00:21:31and rest in peace
00:21:33love
00:21:33what's up?
00:21:49what happened?
00:21:49my but
00:21:50Wait
00:21:51hut
00:21:52the clock
00:21:53come here
00:21:53awake
00:21:54Who?
00:21:55Who?
00:21:55he doesn't see that it's the phone
00:21:57it's the phone
00:21:59ready?
00:22:02it's you?
00:22:03yes, we are here
00:22:03I am waiting for you
00:22:04who was he?
00:22:05a mistake
00:22:06Excuse me
00:22:07Excuse me
00:22:08Excuse me
00:22:09Please
00:22:09I have now left the care of the deceased
00:22:11in the funeral chapel
00:22:12I know you have to close
00:22:13oh yeah
00:22:14let's do split time
00:22:15you should be so kind
00:22:17later
00:22:18to unite these flowers
00:22:19to those around
00:22:20the corpse
00:22:21the corpse?
00:22:21which corpse?
00:22:22that of my poor husband
00:22:23oh yeah
00:22:24ah she was the wife of a corpse
00:22:25that is, of a man who died
00:22:27he's a corpse
00:22:27of my dear Philip
00:22:29this one here
00:22:29Oh
00:22:30her husband
00:22:31eh but what a handsome man
00:22:32damn!
00:22:34is dead
00:22:35Already
00:22:36congratulations eh
00:22:37and change the skies
00:22:38with these
00:22:39because those that are there
00:22:40aren't they enough?
00:22:41at midnight they would be consumed
00:22:42yes I should change them
00:22:43at midnight
00:22:44but tell me that
00:22:45why don't they make them longer
00:22:46ten, fifteen meters
00:22:47everything to save money
00:22:48listen to me
00:22:49at midnight
00:22:50at midnight
00:22:50I wish they never ran out
00:22:53neither flowers nor skies
00:22:54to my poor Filippo
00:22:55let it go
00:22:55I will never be able to
00:22:57never
00:22:58forget
00:22:59try to console yourself sir
00:23:10never
00:23:10no one will ever be able to console me
00:23:13who will cradle me in his arms?
00:23:15because her husband
00:23:16the glue
00:23:17Yes
00:23:18who will have his tenderness?
00:23:20who will have his courage?
00:23:22Goodbye
00:23:22it's better to be good
00:23:24Yes
00:23:24sooner or later
00:23:25everyone down there
00:23:27you will have to go and finish
00:23:28but it's already
00:23:43You come
00:23:45You come
00:23:45let's go and arm ourselves
00:23:46and don't be afraid
00:23:47so much
00:23:48there is your father
00:23:49who stays awake
00:23:49All right
00:23:50All right
00:23:50All right
00:23:51but when do you pay?
00:24:12come always look
00:24:14come always look
00:24:14No, no, no, no.
00:24:44No, no, no.
00:25:14No, no, no.
00:25:44No, no, no.
00:26:14No, no, no.
00:26:44No, no, no.
00:27:14No, no, no.
00:27:44No, no, no.
00:28:14No, no, no.
00:28:44No, no, no.
00:28:46No, no, no.
00:29:16No, no, no.
00:29:46No, no, no, no.
00:30:16No, no, no, no.
00:30:46No, no, no, no.
00:31:16No, no, no, no.
00:31:46No, no, no, no.
00:32:16No, no, no, no, no.
00:32:46No, no, no, no, no.
00:33:16No, no, no, no.
00:33:46No, no, no, no, no, no.
00:34:16No, no, no, no, no, no, no.
00:34:46No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:34:48And then? Fufu-fugli.
00:34:49Fufu-fugli?
00:34:50No, your father, what's your father's name?
00:34:52Fufu-fugli, fufu-fufu.
00:34:55Fufu-fugli, fufu...
00:35:03No, no, no, no, no, no, no, no.
00:35:07Scoop it out!
00:35:12Pritettelo!
00:35:13Go ahead, okay!
00:35:14Don't be friends, come on, Fuffoni, come to me, go on, come with me, come on.
00:35:29Go, okay, okay, go, go.
00:35:33Well done, well done, Fuffù is beautiful, like this.
00:35:38No, no, no, but have I already read that Fuffoni?
00:35:41There's no need to scold him, first day of school, I'm at ICE.
00:35:45Well, yes, yes, the Countess is right.
00:35:48You idiots, go to the blackboard and get some chalk.
00:35:51Go, go, yes, that's how you go.
00:35:57Fuffoni, to his people.
00:35:58So, listen up.
00:36:01Let's see if you can solve this little problem.
00:36:04Yes, yes.
00:36:04A lady buys 375 kg of potatoes from a greengrocer.
00:36:11at the price of 45.80 lire per kilogram.
00:36:17How much will I have paid the lady in total?
00:36:20What is the name of the greengrocer?
00:36:21Well, that's it.
00:36:22It's a pedagogical system that I was completely unaware of.
00:36:26Okay, the greengrocer's name is Ubaldo.
00:36:31Ubaldo Pistacchioni.
00:36:32And paternity?
00:36:33D, D, D, D, N, M, I got it.
00:36:38And where does she live?
00:36:40But what without the lady's address?
00:36:43But, but, but, but, but.
00:36:45But...
00:36:47...74856-499, let's lower two digits. The 33 and the 44 and the 44 and the 44...
00:36:50...and door 9 to door 9 to door... And what's his little brother like?
00:36:53Oh! But excuse me, if you don't tell me, you're being obstructive.
00:36:56But this guy is heroic.
00:36:59Oh okay, no.
00:37:014812...
00:37:02...1619...
00:37:04...19 and 2...
00:37:06...22...
00:37:07...22...
00:37:08...23...
00:37:08...24...
00:37:09...25...
00:37:10...7...
00:37:10...9...
00:37:11...9...
00:37:12And his phone number?
00:37:13As?
00:37:14Well, okay, a wounded man, I'll find him in the list.
00:37:169...
00:37:17...9...
00:37:18...30...
00:37:19...745...
00:37:22...and a quarter.
00:37:23745 and a quarter.
00:37:25Oh, but good, good.
00:37:28You deserve some candy.
00:37:32And a big kiss too.
00:37:34Mom!
00:37:36Oh, but how strange life speaks.
00:37:38Baby, a meat!
00:37:40That? That's my husband.
00:37:41It's him!
00:37:42They have some Cimri!
00:37:43He broke, but he swerved, second on the knees of a woman in her underwear.
00:37:45Coward, criminal!
00:37:47Lady!
00:37:53Look, I've chosen myself!
00:37:55Let's die!
00:37:56Get it!
00:38:08It's the fact!
00:38:09It's the fact that he split my ass!
00:38:12Take him alive!
00:38:14Get it!
00:38:15Floor.
00:38:26Young man, I tell you I trust you.
00:38:29May I know where you are taking us?
00:38:30This is a painter's studio, my friend.
00:38:32Since he will be out of Rome for a few months, you could come and live there.
00:38:35Well, I thought it was worse.
00:38:37Airy, spacious, quirky.
00:38:41Ah, but there are other little groins.
00:38:43The painter is Gran Cassi.
00:38:45As?
00:38:46Gran Cassi, Gran Cassi, yes.
00:38:48Like trombone.
00:38:49Yes, he is a specialist in a women's field, he does not dedicate himself to anything else.
00:38:51Let's call him Phrixus.
00:38:54Yes, yes, not bad, this building suits me, it defeats me.
00:38:59Here, here, you see, dad, you can make something useful to me.
00:39:02So can I hope for your consent?
00:39:03Well, young man, it's not out of the question.
00:39:06It is not excluded.
00:39:07So we can kiss, dad, what else do you see?
00:39:09Pegamino, what are you doing?
00:39:11Eh, nothing, I realize the locals.
00:39:15It's a crazy thing, there's no sense of the future anymore.
00:39:17Mom, what is that stuff?
00:39:18Oh, don't look at that stuff there.
00:39:20And you, are you looking at these paintings?
00:39:21Yes, yes.
00:39:22But not so distracted, like this.
00:39:25Oh, right.
00:39:26Oh, and let's get to work, eh?
00:39:28Put this duvet down and do something, move.
00:39:30Well, mind you, you, dad, for outsiders, are the painter Gran Cassi.
00:39:33Yes, yes.
00:39:34And remember, no one goes down the stairs,
00:39:35because if they find out that the studio is inhabited by strangers there would be trouble.
00:39:38So we understand each other, we understand each other.
00:39:39You, for outsiders, play the Gran Cassi.
00:39:40No, you are the painter Gran Cassi.
00:39:41Yes, the painter Gran Cassi plays.
00:39:42In the meantime I'm going downstairs to give Aunt Gentrude a call,
00:39:45to see if he can still see with the mattress, eh?
00:39:47Come on, you can take it.
00:39:48Yes, you move, you clean up.
00:39:49Go, go, go.
00:39:50Go, go, go.
00:39:50Go, yes, yes.
00:39:57Huh?
00:39:58Young man!
00:39:59Oh well!
00:39:59Well, we're going up to the rooftops to see the view, eh?
00:40:02What-what-what view?
00:40:03The view?
00:40:04Ah, well, young man, remember that I am not yet consenting.
00:40:10However, given the time and the circumstances,
00:40:12panorama too, but with discretion, eh?
00:40:17Here, for example, this, this is a convenience that I needed.
00:40:23That's what I needed.
00:40:24There he is.
00:40:36Who goes there?
00:40:41Who goes there?
00:40:47Good morning, master.
00:40:48Good morning.
00:40:49I'm the one who called.
00:40:52You must excuse me for the delay.
00:40:59But, miss.
00:41:02Shall we get started right away?
00:41:05But, I say, madam, miss, I don't know, I say.
00:41:07What, I don't have to undress?
00:41:09Don't you remember the phone call?
00:41:10We already agree, right?
00:41:13Naked, don't you prefer?
00:41:14Yes, of course, but, I mean, her undressing, like that, in front of a masculine man.
00:41:20Oh, no, and why?
00:41:22I understand, habit.
00:41:23Victor, as a doctor, sees women only from a professional perspective.
00:41:29Which side do you see me from?
00:41:31Me, eh, from all sides.
00:41:33You see, I'm used to seeing things from every side,
00:41:36and from all points of view.
00:41:38Oh, how does he do it?
00:41:40I dissect, I anatomize, I study specific things.
00:41:42Is this a principle of yours?
00:41:43No, no, that is my beginning, that is my end.
00:41:47I understand, master.
00:41:50Do you want to see me like this?
00:41:56So, master, I'll explain to you what this is about.
00:41:59I couldn't tell her everything over the phone.
00:42:01I want to offer a man I love an indelible memory of my beauty.
00:42:05So, even when I'm no longer young,
00:42:06he will have the image of my natural body,
00:42:08just like it was in the most beautiful years of our love.
00:42:12Master, are you listening to me?
00:42:12But, I say, how can I paint her face,
00:42:17if the veil is not removed?
00:42:18Never, she will never see my face.
00:42:21Oriental women do not reveal their faces in front of men they do not know.
00:42:24I am Persian.
00:42:26Of course, a little modesty is needed,
00:42:28other than from us,
00:42:29that women let everyone see their faces.
00:42:30So shall we get started?
00:42:32I can't hold back much longer,
00:42:33My darling doesn't know anything and I want to surprise him.
00:42:35If he didn't see me for a long time he would get suspicious,
00:42:39he is jealous to the point of madness.
00:42:40But what are you doing, master?
00:42:42Hurry up, please.
00:42:43Right away, let's get started.
00:42:45I've heard so much good about you, master,
00:42:47who is one of the best modern painters.
00:42:49What school is he from?
00:42:51I from the Caribaldi school,
00:42:52I was there as if displaced.
00:42:53Yes, yes.
00:42:53Which current do Sfollotti belong to?
00:42:56Well, you know, alternating current,
00:42:57with these shifts.
00:42:59I mean, is it futurist, impressionist, realist?
00:43:02I am a social democrat, a monarchist, a republican.
00:43:04Historical?
00:43:05No, geographical.
00:43:08But what if I don't stretch out?
00:43:12Who could it be? Someone in his family?
00:43:14No, my family's will never come through the door.
00:43:17But who will it be?
00:43:19Who goes there?
00:43:21And there?
00:43:22Helmet-on.
00:43:22Oh no, thanks.
00:43:23We don't need rugs.
00:43:24There is.
00:43:24But leave it, but here.
00:43:25Atma!
00:43:29Down with the scabaraca!
00:43:31Down with the scabaraca!
00:43:33Down with the scabaraca!
00:43:35Another scabaraca!
00:43:36Another scabaraca!
00:43:37Another scabaraca!
00:43:38Another scabaraca!
00:43:40Look here!
00:43:41No, no, no, no, no, no, no.
00:43:42True, true!
00:43:45Here you have to hold on to breathe!
00:43:46Better Milo!
00:43:47Yes, hold on for...
00:43:48But what do you do with Pingo?
00:43:49Who can save themselves?
00:43:50But what are you doing?
00:43:50Today!
00:43:51The Colosseum.
00:44:05And this is the only home you know how to give your family.
00:44:07I'm fed up.
00:44:08What are you?
00:44:09Heater!
00:44:09But you're never satisfied, you know.
00:44:11We just put in the bathroom and you already want the stove.
00:44:13We'll talk about it this winter.
00:44:14What are you saying?
00:44:15I'm tired of living under arches.
00:44:16And you complain.
00:44:17They are places that the whole world envies us and you despise them.
00:44:20This year hundreds of trillions of pilgrims will arrive from all over the globe
00:44:25to enjoy these beauties and you despise them.
00:44:27Ah, I know you bring us nothing but trouble.
00:44:29The trouble with Bina Ghecchino, that wretch.
00:44:31Which doesn't happen to me anymore.
00:44:33It's all his fault.
00:44:35Ah, he's coming to the hotel.
00:44:36Oh, good.
00:44:36Here's lunch.
00:44:47Princess, please.
00:44:50Oh, Colosseum.
00:44:51Yes, yes, Colosseum.
00:44:53Colosseum.
00:44:54If you allow me, princess, I will be your guide.
00:44:56No, no, be afraid, princess.
00:44:58Our security service keeps troublemakers and photographers away.
00:45:02And inside the amphitheater there is no one.
00:45:04End.
00:45:05Yes you do, very well.
00:45:07We're doing very well.
00:45:09Save me and with a hundred others like me you will win the Gallo company album.
00:45:13Fifth scam.
00:45:15Nothing this time, but don't be discouraged and you will win...
00:45:18A wasp?
00:45:19A wasp?
00:45:19Which wasp?
00:45:20No, Dad, it's the name of the vehicle you win.
00:45:23Ah, the wasp?
00:45:24Shut up.
00:45:25A wasp.
00:45:26The scams continue.
00:45:28Congratulations.
00:45:28You won a million.
00:45:30The scams continue.
00:45:31A million?
00:45:32One million.
00:45:33Is that true, a million?
00:45:34One million.
00:45:34No.
00:45:35We won a million.
00:45:35A million?
00:45:36One million!
00:45:36One million!
00:45:37One million!
00:45:37One million!
00:45:37One million!
00:45:38No!
00:45:38No!
00:45:38Viva!
00:45:38Viva!
00:45:39But don't give it to me!
00:45:40Oh!
00:45:41We're doing well!
00:45:42We're doing very well, princess!
00:45:45From here came the Christians, who, due to the bloodthirsty madness of certain emperors, were thrown to the beauties.
00:45:52Viva!
00:45:53Ah, but fortunately those bloodthirsty emperors are no longer with us today.
00:45:57And today's Rome is Christian, it is meek and kneels to receive your highness.
00:46:06And this would be the A.A. Arcioccasione, panoramic villa, enchanting location, own arch, for sale one million liquid.
00:46:35And tell me, would you like the liquid right away?
00:46:42Well, it would be preferable, it's true, as they say, a little liquid always comes in handy.
00:46:47He didn't take it away.
00:46:48He opens his eye.
00:46:51Guys, let's go.
00:47:03Please come in.
00:47:03It's a shame that the elevator isn't working today.
00:47:10Come, come.
00:47:12This would be running water.
00:47:14Running water, yes.
00:47:15And how much does he want per month?
00:47:17650,000.
00:47:18When?
00:47:18650,000.
00:47:20Yes?
00:47:22Let's go.
00:47:25Permit?
00:47:26After you.
00:47:27Make yourself comfortable.
00:47:29Thank you, you're welcome.
00:47:30Urgemi, ex peripheral, not the usual scam.
00:47:34It has very central rooms, sunny all outside, elevator that gives you bathroom, services, assorted bistros on the panoramic terrace, dependent elevator and also skid-proof.
00:47:40Low rent.
00:47:41And tax-free.
00:47:41Very luxurious?
00:47:42Confirmed by the bus and garden of cypresses and glass plants.
00:47:45Fixed price.
00:47:46Half a liter of red nil and chicken now.
00:47:48Don't worry, we'll definitely find what you need.
00:47:50Ah, ah, ah, I need it with some urgency.
00:47:52Ah, but he won't have to wait long, I assure you.
00:47:55Ready?
00:47:57Yes, housing agency.
00:47:59He's someone who offers an apartment.
00:48:02Say it, say it.
00:48:03Ah, today's book?
00:48:04Very good.
00:48:06Five bedrooms, two bathrooms, terrace, heated bathroom, lift.
00:48:11Yes, fully furnished.
00:48:14Fitto blocked.
00:48:14As?
00:48:16Ah, yes, good exit to furniture relief.
00:48:18How much?
00:48:20400,000.
00:48:22Agree?
00:48:23Yes, could you please send me your address?
00:48:25Fine thanks.
00:48:27Everything will be fine in half an hour.
00:48:28Agree?
00:48:29Did you see?
00:48:30I told you there wasn't long to wait.
00:48:32And already?
00:48:32And where is he going now?
00:48:33Oh, beautiful, where are you going?
00:48:34To occupy an apartment.
00:48:35As far as ours goes?
00:48:36And that I'm stupid?
00:48:36I've been looking for a house for three years.
00:48:38I set up this agency specifically to find her
00:48:39and now that I've found it I'm giving it to them.
00:48:40Health!
00:48:42But that's crazy stuff.
00:48:44What is from the other world?
00:48:45Permit?
00:48:46Call her, let her come.
00:48:47Madam, sir, will they be looking for a house?
00:48:50A house?
00:48:50Pretty.
00:48:51Where?
00:48:52Oh, wait, when?
00:48:54Six rooms, luxuriously furnished, all comforts,
00:48:56magnificent location, densely packed.
00:48:59Furniture relief and severance pay, a total of one million.
00:49:02A million?
00:49:03We have it just right, just a million.
00:49:04But wait a minute, isn't this a scam?
00:49:07Aren't you someone from the cemetery?
00:49:09No, what does he say?
00:49:10Some painter who has left the studio and the model arrives?
00:49:12But I also dream about it.
00:49:13No?
00:49:14Safe?
00:49:14Enzio, come on.
00:49:16Well then, hurray, let's go.
00:49:20And this is the bedroom.
00:49:22As I told you, all the comforts are there.
00:49:24Fireplace, armchair, sofa, various items, a perfect lighting system,
00:49:28a very modern Lecco.
00:49:29So, how do they see?
00:49:31A great part.
00:49:32But wait a minute, I don't see the nightstands.
00:49:34The bedside tables?
00:49:34Oh yeah.
00:49:35Oh no, trepato, the bedside tables aren't there, I'm in absentia.
00:49:40But dad, you don't use the nightstands the next day.
00:49:43Of course.
00:49:43But I don't see that instead of the bedside tables there are two small dining tables.
00:49:46The canteens, the cute ones, right?
00:49:48Yes, yes.
00:49:48And tell you a little about it.
00:49:50And where is the toilet?
00:49:51The toilet.
00:49:52Yes, I said it in French.
00:49:53Yes, I understand.
00:49:54There's a bathroom here, the tiglia.
00:49:55So, we want to go.
00:49:56Yes, we are accustomed to great comforts.
00:49:58I understand.
00:49:58Will be.
00:50:09Let's see the ribs.
00:50:12But what?
00:50:16Crazy thing.
00:50:17These modern furnishings take no account of physical hydraulic needs.
00:50:23But...
00:50:23This is the bathroom.
00:50:24All tiled, electric water heater.
00:50:26Industrial current?
00:50:27Industrial, of course.
00:50:28It goes, it goes, oh well, sweet, in short, nothing is missing.
00:50:32Oh no, oh no, the bedside tables were missing.
00:50:35But dad.
00:50:36But what popes, were they lacking?
00:50:37Oh yes, if I fail.
00:50:39Anyway, deal.
00:50:42What does that old French saying go?
00:50:43The chauffeurs, they are the chauffeurs.
00:50:45Ah, very good.
00:50:47You're a good consortium, you are.
00:50:48Oh my God, you bastard.
00:50:50I forgot, I have a small detail.
00:50:51The bedside tables?
00:50:52No, he sees a million for the severance pay and the furniture relief.
00:50:56It must be paid immediately.
00:50:57Young man.
00:50:57In cash.
00:50:58Young man, what do you think we are?
00:51:00For my state cadets?
00:51:01Ninth.
00:51:01Or the I don't know.
00:51:02Is money wasted?
00:51:04Yes.
00:51:04But for goodness sake.
00:51:05Here you go.
00:51:06Well.
00:51:08Here you go.
00:51:09Excuse me, right?
00:51:10Please.
00:51:12Thank you so much.
00:51:13One moment, one moment.
00:51:15The receipt?
00:51:16Ah, but of course.
00:51:20So, thank you and congratulations on your hunger.
00:51:23Oh, goodness.
00:51:24He has the receipt.
00:51:25Here it is, all in order.
00:51:26Everything in order.
00:51:27My beloved ones.
00:51:28Mine too.
00:51:28But so many, huh?
00:51:29Until we meet again.
00:51:30Until we meet again.
00:51:31Goodbye.
00:51:40There he is.
00:51:43So, is everything okay?
00:51:44I managed to sell it to him for a million cash.
00:51:46Wow, what a great shot.
00:51:47It's the classic, chicken.
00:51:48Imagine that it was condensed from a receipt.
00:51:49And you?
00:51:51Who did you send it to?
00:51:51I sold it to a group of foreign tourists.
00:51:53Well.
00:51:54I showed it to him when the goalkeeper wasn't there.
00:51:56200,000 down payment.
00:51:57Optimal.
00:51:57I was the one who said we needed a Holy Year to do good business.
00:52:00Guys, that idea with those fake keys was great.
00:52:02Let's go.
00:52:03This bathroom is truly a marvel.
00:52:05I'm so happy.
00:52:06This house is full of comforts.
00:52:07You see, Amalia, there's even a baby bath.
00:52:10Yes.
00:52:10Nézzétek, l'anno, milyen szép lakásbérőtén az itt tartozkodás utra.
00:52:24Ebben a városban.
00:52:28Na hát, ez a ház.
00:52:29Szép, ugye?
00:52:30Szép kis lakás.
00:52:31Ma reggel kerestem ki.
00:52:32Nekem nagyon tetszett.
00:52:33Meg is.
00:52:34Nézzétek, gyerekek, ez az a ti hálószobátok.
00:52:37Így, így.
00:52:37Nézzétek, gyerekek, az a ti hálószobátok.
00:52:41Vannít három ágy, nagy seriö meglesztek.
00:52:43Így.
00:52:44Neither, neither, neither.
00:52:45Nézzétek, gyerekek, gyerekek, gyerekek, gyerekek.
00:52:47Így.
00:52:48Náháj.
00:52:51Oh, but who eats a suitcase?
00:52:53Vagyate, see, dear, if you left it in the hall.
00:52:56As?
00:52:56In the hall.
00:52:57What?
00:52:58In the hall.
00:52:59And who is the hall?
00:53:00The door?
00:53:01At the top.
00:53:03In the antechamber.
00:53:04Here in the upper neighborhoods we say hall.
00:53:06It's finer.
00:53:07Oh, yes.
00:53:08The hall.
00:53:09I don't know.
00:53:10So, I'm going to look down in the hall.
00:53:14What happened?
00:53:31Are you feeling sick?
00:53:32Huh?
00:53:33No, no, today you sit like this.
00:53:35But disgusting?
00:53:36But disgusting?
00:53:36Serto, Garo, it's very chic.
00:53:37It's fine.
00:53:39Oh, just a little.
00:53:39What was I supposed to do in the hall?
00:53:41To get the suitcase.
00:53:42There?
00:53:43The suitcase?
00:53:43But why isn't it there anymore?
00:53:44No, no, on the contrary, there are too many of them in Iosa.
00:53:46But what are you saying?
00:53:47Mom, mom, I'm hallucinating.
00:53:49I'm really scared, I'll give him hallucinations.
00:53:51You are here, Don Obama.
00:53:54Darling.
00:53:54I'm telling you it's not a question of tigole, it's a question of valice.
00:53:58There have become five.
00:54:00Don't you believe it?
00:54:01No, look.
00:54:03It's not a question of tigole.
00:54:06Tigole, a horn.
00:54:07If you don't get them, you're going to end up in the asylum.
00:54:09And I saw you too.
00:54:10It must have been an optical illusion.
00:54:11I do not know.
00:54:12Come on, great line.
00:54:18It's so thick.
00:54:19He's not a Salmese.
00:54:21He's not a Salmese.
00:54:22I tell you, how do I tell you?
00:54:23He's not a Salmese.
00:54:24But what is it?
00:54:24I've had a cold for a couple of days.
00:54:52Hey, look.
00:54:56And I'll take your belly.
00:54:57No, there's no need.
00:54:59It didn't get cold.
00:55:00What what?
00:55:00It's a cooling hallucination.
00:55:02Then take the pill.
00:55:02But how many times do I have to tell you?
00:55:03It's a cooling hallucination.
00:55:14Damn the pills.
00:55:24Well, what are you getting now?
00:55:26There are hallucinations and hallucination.
00:55:27Good grief.
00:55:28But what would it be like?
00:55:29What would it be like?
00:55:29That hallucination is a hallucinated one.
00:55:31As soon as I took the pill, it disappeared.
00:55:32But are you happy?
00:55:33Counting a horn.
00:55:34Yeah, you other normal people have these things, you can't understand them.
00:55:36You see, my friend, hallucinations fall into two distinct and separate categories.
00:55:41There are good hallucinations, there are bad hallucinations.
00:55:44And your room?
00:55:44Good.
00:55:45You see, the rooms are all occupied.
00:56:04Can I give her a bath?
00:56:05To the bathroom?
00:56:06Yes.
00:56:06Bathroom, well, bathroom.
00:56:08Oh, yes, yes.
00:56:08And how much should I pay?
00:56:10How much a thousand?
00:56:11Five thousand.
00:56:12Five thousand?
00:56:13Oh, good, five thousand thousand.
00:56:15One, two, three, four, five.
00:56:18Thank you.
00:56:18I still have two passes.
00:56:20Oh, good.
00:56:20Two passes.
00:56:21Goodbye, eh.
00:56:24I'm coming right away, dear.
00:56:25I'm going to the bathroom for a moment, okay?
00:56:39Amalia.
00:56:41Amalia.
00:56:41What else is there?
00:56:41The suitcases, the suitcases, the suitcases, the suitcases, the suitcases.
00:56:45And what about the suitcases?
00:56:46They have increased.
00:56:47Have the suitcases increased?
00:56:47Yes.
00:56:48And how many are there?
00:56:48Two hundred, I don't know.
00:56:49Two-hundred.
00:56:50Listen, this suitcase thing has to end, huh?
00:56:51I saw her.
00:56:51Go ahead, take another pill, move.
00:56:53Another pill, move.
00:57:23Where are you?
00:57:39But was there something wrong in the bathroom?
00:57:41No, nothing, everything's fine.
00:57:43Everything's fine, shall I tell them to myself?
00:57:44Yes.
00:57:44Aida!
00:58:04They sleep.
00:58:05I wasn't expecting you anymore.
00:58:08Did I promise you?
00:58:09Why at this hour?
00:58:10Oh, leave me alone.
00:58:10I've been to nightclubs hoping to take a scandalous photograph, but nothing.
00:58:14That's mine.
00:58:14But he'll come, you know?
00:58:15The day will come when I will be able to photograph some important people.
00:58:23I won't let you see.
00:58:24Hey, Benemino.
00:58:31Well, wake up.
00:58:34Huh?
00:58:34Wake up.
00:58:35Bullshit.
00:58:36I heard some noise.
00:58:37Who's going?
00:58:37Who is?
00:58:38How about for me?
00:58:38But it's not possible.
00:58:39Yes, I'm telling you there must be someone at home.
00:58:41Oh, we're alone at home.
00:58:43No, no, I heard a noise.
00:58:44I'm telling you I heard voices.
00:58:46But go and see, come on.
00:58:47I?
00:58:47And you?
00:58:48So, unarmed?
00:58:49And take care of something, come on.
00:58:50Come on, little one.
00:58:51One moment, one moment.
00:58:51Go, hurry up.
00:58:52Hey, who is it?
00:58:53Ascalzone, ascalzone, he'll throw it away.
00:59:19Come on, darling, come in, who are you afraid of?
00:59:30You know very well that I bought this apartment for you.
00:59:32You won't hit me anymore.
00:59:33What are you saying?
00:59:34The other day I was out of my mind.
00:59:36After all, you explained everything to me and it's not your fault.
00:59:38But Ascalzone is that bastard who passed himself off as a painter.
00:59:41But if I find him in the gutter again, I'll ruin him, I'll smash him, I swore it on Baometo.
00:59:45Calm down, love.
00:59:46But yes.
00:59:47Let's go to our nest.
00:59:48Nobody will disturb us.
00:59:50Nobody knows I'm here.
00:59:57Here is the car of the tyrant, of the enemy of our independence.
01:00:00I know him, with a female who dominates him.
01:00:03Now is the time to act.
01:00:05Let justice be done in the name of the prophet.
01:00:11Quick, give me the bomb.
01:00:15Benjamin?
01:00:16Benjamin?
01:00:18Benjamin?
01:00:18It's been a long time since we've been here.
01:00:32It seems like a century.
01:00:33I suspected it was you.
01:00:34But how did it come to you?
01:00:35I never get to see her during the day.
01:00:37I'm not one of hers.
01:00:37It's all her husband's fault.
01:00:39If he finds you here making up the same old stories, he's wandering around the house.
01:00:42Woe betide you if you get caught.
01:00:44Do you want something to drink, darling?
01:00:45Yes my love.
01:00:47It's been a long time.
01:00:48It's been a long time.
01:00:52Oh.
01:01:22Thank you all.
01:01:52Thank you all.
01:02:22Thank you all.
01:02:52Thank you all.
01:03:22The ambassador of the cubist in his underwear.
01:03:24Oh, finally!
01:03:25What a shot!
01:03:26This photo will be my fortune.
01:03:27There is a mistake, there is a misunderstanding.
01:03:30I don't know anyone, I assure you.
01:03:32So, don't stop the car.
01:03:51There is a bomb connected to the brake.
01:03:53If it stops we'll blow up, you know what?
01:03:57Careful!
01:04:21But what do we do?
01:04:25Look ahead, stupid!
01:04:27Stupid!
01:04:27Go, there it is!
01:04:31One look was enough.
01:04:33One look was enough.
01:04:45One look was enough.
01:04:46One look was enough.
01:04:48Impossible, we have to wait until the twenty is finished.
01:04:51Careful!
01:05:16Citizens, this monument we will now discover.
01:05:43work and glory to an illustrious artist, it depicts our country rising from the materials.
01:05:59Here is the summary of the reconstruction.
01:06:08It's him!
01:06:10It's him!
01:06:11It's him!
01:06:12It's always him!
01:06:13And take him, the madman!
01:06:15It's a little worse!
01:06:23Ah!
01:06:27Now this is a magnificent place.
01:06:29A beautiful villa.
01:06:30A wonderful park.
01:06:33Itapodak, Sigrigavis.
01:06:35But what more do you want?
01:06:36Thank you all.
01:07:06Thank you all.