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Transcript

00:00:00Music

00:00:30Music

00:01:00Music

00:01:30Let's start off well

00:01:45Let's see who it is

00:01:52Music

00:01:58Mrs. White I see the billionaire shareholder of the Vagoniletto company

00:02:01Combat strap

00:02:03Come on dear, sorry I have a little sexual problem

00:02:08Please

00:02:08My friend help me, the doctor ordered me to rest

00:02:13You see, madam, unfortunately the doctor ordered the same thing for me too.

00:02:17I them that I had to order it

00:02:19Go, go

00:02:20Maybe we're doing wrong

00:02:23Oh yeah

00:02:23So let's try to do better

00:02:25Oh yes yes

00:02:26It seems that the lady over there is doing something wrong.

00:02:30Dear, if only you knew how much good that kind of pain does to ladies.

00:02:33The lady really knows what she's talking about.

00:02:36You are specialized then

00:02:38I mean you foreigners of almost female sex at least in appearance

00:02:41Well now you'll see that soon everything will end there.

00:02:44Those two won't end up anywhere

00:02:47And from Bologna they continue without ever stopping

00:02:50Without interruption

00:02:51From Bologna

00:02:52Do you think we are close to the border, to the borders

00:02:55Oh, I'm at the borders too

00:02:58And I'm about to pass them

00:02:59I'm just a poor little sparrow lost in the hawk's talons

00:03:03And I really have a great inclination for hawks

00:03:05But you know that I feel this inclination too.

00:03:10And we're on the curve

00:03:13The curve is uphill from San Claudio in the plain

00:03:15Where you look at me with those murderous eyes

00:03:18With that look of his that strips women

00:03:20You just have to hear what other people are doing.

00:03:22Here take it

00:03:22What is it?

00:03:24There were rugs to put in the ears

00:03:25He won't feel anything anymore

00:03:26The doctor didn't prescribe me earplugs

00:03:29But that little bit of relaxation

00:03:30What only a good man can give you

00:03:32Yes but of course the sleeping pill because I didn't give it to him before

00:03:36One moment please

00:03:37Oh yeah?

00:03:38But what is he doing?

00:03:40I'm a black belt, dear

00:03:42If you move I'll rip your head off

00:03:43How do you expect your brutal charm to resist?

00:03:46The claw

00:03:47But who are you?

00:03:54Be careful dear, I'm a black belt

00:03:56If she's a black belt I'm a yellow belt

00:03:58So what?

00:03:59Then check yourself

00:04:00But listen to this idea

00:04:01And then I have a legitimate wife

00:04:03Dear Madam

00:04:04I have a wife waiting for me

00:04:06She's so cute

00:04:07He's waiting for me in Monaco

00:04:09Ingrid

00:04:16Hello Vittorio

00:04:18How are you?

00:04:19Good beautiful good

00:04:20I'm turning red

00:04:23Come I have to talk to you

00:04:26Victor

00:04:28You don't do this now

00:04:29Yes you are dead tired

00:04:30It's precisely because I'm dead tired that I want to go to bed

00:04:33Straight to bed with his beloved wife

00:04:39When you sing you sound like a kid

00:04:41A boy

00:04:43A child

00:04:44By the way, did you get it?

00:04:46Nine

00:04:46Today nine

00:04:47Oh please

00:04:48You know if I skip a day

00:04:49On

00:04:49You know that this

00:04:52The parish priest doesn't want me to take

00:04:54Why is it a sin to take it?

00:04:56Do you know?

00:04:57I sin

00:04:58Don't care about this

00:04:59But how fussy you are

00:05:01On

00:05:01And if he doesn't let you take communion?

00:05:04Think about it

00:05:04We can't afford the luxury of having a child.

00:05:06Ingrid

00:05:07He would be the son of a fast track driver

00:05:08Which arrives every three days on the third track

00:05:10So why don't you change jobs?

00:05:12Porcaccio Evo

00:05:13If you want, help me in the perfumery Vittorio

00:05:16A man's position must be based on something more stable

00:05:18And this is always travelling on a crappy train.

00:05:22Is this wobbly stable?

00:05:23What are you making fun of now?

00:05:25Mocking the railways

00:05:27Oh Vittorio, how I love it when you're so horny

00:05:32Holy shit

00:05:42And they don't spare me

00:05:43Dear and Pupi

00:05:46Holy shit

00:05:47Can you live with a headache?

00:05:50How am I doing one day on the stairs, eh?

00:05:53But right in the morning at ten o'clock when it's time to go to bed

00:05:56Puppets

00:05:57What's up, huh?

00:05:59What sounds sounds interrupts our love exercises

00:06:02I want to speak Italian to you too, yes?

00:06:04Yes, because that's what we say Vittorio and Luizende

00:06:07Oh, I want

00:06:07Can you give me sex advice?

00:06:09Bas

00:06:10My husband is very wasted

00:06:12He seems to go for defundi function

00:06:14It seems to go by defundi function

00:06:15And that's very tiring, isn't it?

00:06:17Pupi, but why is this so tiring?

00:06:20Pite

00:06:20Because he seems to be acting as a defundi

00:06:23In effect why does he find it here?

00:06:24Feed the hungry?

00:06:26And me nothing to eat?

00:06:27He is always tired

00:06:28Ah, why don't I have an Italian husband like yours?

00:06:32You forget that I see Vittorio every three days

00:06:34And you forget what to do every three days

00:06:36This kind of locomotive you male

00:06:38Ah, just let him look at me

00:06:41And I'm immediately afraid of getting pregnant

00:06:43You're very careful, right?

00:06:46You have to be very careful, Pupi, you know?

00:06:48If you do colette with Vittorio

00:06:49I'll break your muse, yes he wants...

00:06:51I don't make chocolate

00:06:52I don't know what the hell it means to make chocolate

00:06:55I just say this

00:06:57That if you have the fortune of getting an Italian husband

00:07:00I'm in trouble

00:07:02Understand you're in trouble?

00:07:03Why does this husband look like a piece of junk?

00:07:06Vassi, of poop

00:07:07Yesterday I spent three hours at the hairdresser's

00:07:10Then go with him to see striptease

00:07:12With a hairdresser?

00:07:13He doesn't care about women

00:07:14I took Alex with me so he could go out

00:07:16I thought, right?

00:07:18This beginning of big smiles

00:07:19What beginning?

00:07:21This is the end, caput

00:07:22He's always tired

00:07:24I don't know what the hell you have

00:07:25Always laughing at my dissatisfied friends

00:07:27No, I don't think I'm making fun of you.

00:07:29Satisfaction with the gala is very important

00:07:31This is always fundamental, right?

00:07:34You perhaps Spoglia, you do not know how to take him

00:07:36I'm wrong, I know how he takes it

00:07:38But what does it matter if there's nothing to take?

00:07:40I also did a lot of seduction work

00:07:43Almost professional, yeah?

00:07:44Very sexual

00:07:46For trying to wake him up, yeah?

00:07:49You, zoned

00:07:50I do what he wants

00:07:51Fantastic

00:07:52Our big Bavaria beats a Bulgarian team 3 to 0

00:07:56You only care about balls

00:07:57Ballone is a man's sport

00:07:59Male Sports

00:08:00What other things can a male do?

00:08:02The one you don't do

00:08:03What is one thing I don't do?

00:08:04Smoking a pipe?

00:08:05Smoking the wife

00:08:06This will be a real man's sport

00:08:08Yes he wants

00:08:08And without showing anything

00:08:10I left with dignity

00:08:11And with big madonni

00:08:13So what?

00:08:14I packed my cravings

00:08:15And the anger of a disappointed wife

00:08:17Is this another mistake, then?

00:08:19I don't know what else you do here

00:08:21Unless you want Vittorio to solve your problem

00:08:25Yes, this is what I want.

00:08:27I can always take a sleeper car

00:08:29And cuddle with him all night long

00:08:31Ingrid!

00:08:32Cuckoo!

00:08:33Alex?

00:08:35Ingrid!

00:08:36He was playing you

00:08:37That's why he comes

00:08:38Maybe this can become a fun fact

00:08:41No?

00:08:42Hi Alex

00:08:43HI

00:08:44Sorry if I speak Italian

00:08:46But when a man of male sex

00:08:48Talk to a woman of the opposite sex

00:08:49Alex, maybe you're looking for Puppi here

00:08:51No!

00:08:52How do you think about this?

00:08:53If I believe that Puppi was here

00:08:54I can't talk to you

00:08:55Like a male man

00:08:57To a real female

00:08:58And it's better if you don't talk.

00:09:02And how can he not speak if this is a scream of the senses

00:09:04A scream

00:09:05I scream, I of the senses

00:09:07But if you always interrupt me

00:09:08Alex, are you going to end up getting killed here, me?

00:09:11Am I going to get killed?

00:09:12I understand nothing

00:09:13I know this

00:09:15That for your senses you are like Vittorio

00:09:17The senses in what sense?

00:09:18It's too much to be left without a husband

00:09:20Alex, you talk about my senseless senses

00:09:22But don't you get bored of always being alone

00:09:24I'm only here in the middle of the week

00:09:26You instead are Cone's son, always

00:09:28Your sexual problem is a man in another half week

00:09:31You don't know who Vittorio is

00:09:32But I know with my masculine instincts that you want to possess me

00:09:35Were you with Puppi Alex last night?

00:09:37No, and you don't like this?

00:09:39I don't like it

00:09:39What if people like it a lot but you don't do it?

00:09:42Why doesn't he do it if he doesn't do anything else?

00:09:43You do nothing else when you are with widows

00:09:46But when you come home you're tired, right?

00:09:48No, I never get tired of that.

00:09:50And she doesn't want to, you know

00:09:51She has big inhibitions for men

00:09:53He doesn't want to, he can't

00:09:54Never

00:09:56Victor

00:09:58Who is this?

00:09:59Piano, Vittorio

00:10:00You still want it

00:10:02Who is he talking to?

00:10:03With Vittorio I think

00:10:04Vas?

00:10:05If you still want, I'll always know

00:10:07And you don't tell me that Vittorio will be there

00:10:09I thought he was sleeping

00:10:10Victor!

00:10:12What are you doing in here?

00:10:13I heal my major inhibition

00:10:15The bed is mine

00:10:15Hey, wait a minute.

00:10:16Are you crazy, I sleep naked?

00:10:18But what are you doing in my cabin, in my bed?

00:10:21But what can I tell you?

00:10:22Leave, leave

00:10:24Mermano that I am light

00:10:25I almost got his

00:10:26I think he only knows little about Italian

00:10:28And this important little thing

00:10:29Alex!

00:10:30Ingrid, I hope you don't think that Puppi and I

00:10:33You know that for me marriage is sacred

00:10:34With all its rights and duties

00:10:36I don't think about the law

00:10:37Now I want duty

00:10:38Marriage is sacred to me

00:10:42Even that of friends

00:10:43Understood?

00:10:47Sacred!

00:10:48Oh, Alex, that's right.

00:10:51It's very sexual, you know?

00:10:54You too, Alex

00:10:55Very sexy and petrol

00:10:57Also

00:10:57What else do you think?

00:10:59And this

00:11:00You can still a little bit

00:11:01Naturally

00:11:02Yes, yes

00:11:03Yes

00:11:04Alex, but a big teufel

00:11:07Puppi, but a little blondo

00:11:10And I freed myself

00:11:11Ingrid

00:11:13Ingrid

00:11:14No, Vittorio

00:11:15You can

00:11:16Ingrid

00:11:17No

00:11:17Can you do this here?

00:11:20What is this?

00:11:21Now, no

00:11:22You will be mine

00:11:24Fetuoso

00:11:29Rosaria

00:11:31Look, that's a balcony

00:11:38Yes

00:11:39But every time

00:11:43Are you really sure?

00:11:45Can he see through the curtain?

00:11:47Huh?

00:11:47Of course I'm sure

00:11:48Oh!

00:11:51Come and see I feel

00:11:52And special anti-awning binoculars

00:11:54And damn the German technique

00:11:56What makes me see it?

00:11:58Give me

00:11:59Oh, you're being loud

00:12:03Victor

00:12:04And curtain and roller shutter doors?

00:12:07Pure?

00:12:07Vittorio, you have a daughter, right?

00:12:09You're making fun of Germany

00:12:10I love you too

00:12:11In your opinion

00:12:12No, but what a German technique

00:12:13In this we are all Neapolitans

00:12:14Still Neapolitans

00:12:20I like it,

00:12:21Ittoe

00:12:28But the immortal...

00:12:30But yes, a lot

00:12:32Who cares

00:12:33Of two good old men

00:12:33A bit of a voyeur

00:12:34Ninth

00:12:34Oh, my goodness

00:12:37No, we are not at home

00:12:38Cup, hello?

00:12:42No

00:12:42Don't undress me

00:12:44Victor

00:12:45Ninth

00:12:47But no what?

00:12:48Nothing

00:12:49What did she have to do with it?

00:12:51I

00:12:51No, no, no

00:12:52Nobody's bare, you see

00:12:53But Laura speaks...

00:12:54You speak good Italian, right?

00:12:56No

00:12:56But do you want to take the piss out of me?

00:12:58No, no, no

00:13:00But don't even look after

00:13:02I'll let you, Brisa.

00:13:03Dear Madam

00:13:04But it's really Coppa's house

00:13:05Cup?

00:13:07Cribbio

00:13:07Loops, buckles and tassels

00:13:09But it's Coppo

00:13:10Is it stribbio or is it nappa?

00:13:11Explosions

00:13:11But what's a game for kids, eh?

00:13:13Who wanted?

00:13:13Musa the well now that I said it

00:13:15She's wrong

00:13:16Where is Coppa at home?

00:13:18Cup!

00:13:19Enough now, eh

00:13:19Is Mr. Coppa there?

00:13:20Mrs. Coppa will be very busy for at least an hour

00:13:22Maybe even for two hours

00:13:23And the husband?

00:13:24Mr. Coppa?

00:13:25Yes

00:13:25He too will be very busy for the same period

00:13:27Oh no, call me right away, ye

00:13:29Who's speaking?

00:13:31The head of personnel of the Vagoni Letto company

00:13:33My mother

00:13:34Who?

00:13:34But no, listen, I didn't say I'm your mother.

00:13:36I said I'm the chief of staff

00:13:38His mother will have a different voice

00:13:40It's true, he screams less

00:13:41You see, if you move away from there for a moment

00:13:43Those two damned kids

00:13:44I don't scream either

00:13:45Be good, you're crazy

00:13:47No, it's just that my wife likes children.

00:13:49especially how they are made

00:13:49To his wife what?

00:13:52Pinch

00:13:52Do you understand me?

00:13:55Oh yes, sure, sure

00:13:56Well, it already stings

00:13:57And so she now lives with her wife in Munich

00:14:00He is no longer in Rome

00:14:01Exact?

00:14:02Exact

00:14:03And now I live in Monaco with my wife

00:14:05But he doesn't seem to live here in Monaco

00:14:06Recently

00:14:07Yes, I used to live in Rome.

00:14:08When? I haven't even seen Rome.

00:14:10Me? I used to live in Rome, right, you know.

00:14:12And now in Monaco

00:14:13Luck, you see

00:14:14But what happened?

00:14:15Carloni Carlo

00:14:16His colleague Carloni Carlo

00:14:18Well?

00:14:18He fractured his thing, his skull

00:14:20He did it on purpose

00:14:20Maybe, but if he doesn't die, an autopsy can't be done.

00:14:23It's Bruni Mario

00:14:24Ah, I'm going to call Bruni Mario himself

00:14:26That in the face of a boil to trample the bubonic Rodrigo

00:14:28Our staff must always be perfect

00:14:31It must be very pleasing to women

00:14:32Or rather

00:14:33Even to men, well

00:14:34Indispensable Meng dies

00:14:36So I'm waiting for her

00:14:37At that time?

00:14:38Yes, right away

00:14:38But I...

00:14:39Exactly, she leaves with the 127 in 34 minutes

00:14:41Clear?

00:14:42No, look, I...

00:14:43And since he has his residence here

00:14:44Let me just say that I'm very happy to have an element like you.

00:14:47That...

00:14:48Excuse me for the expression.

00:14:49A whistle is part, sir...

00:14:51I'm running away

00:14:52And thank you, sir, I'm running away

00:14:53What is he saying?

00:15:03Fracture of a boil

00:15:04A colleague of mine cracked his skull

00:15:07And you make a substitution?

00:15:12This damned bad luck

00:15:14It couldn't have split in two hours

00:15:16What are you doing?

00:15:18I take it and I sack it, yeah?

00:15:19And attach a button that's missing on your raincoats

00:15:22Beppa

00:15:24If we knew it was going to fail, we could...

00:15:28Go out

00:15:28Shallot

00:15:29Eh

00:15:31Oh well, okay

00:15:33Tonight when they cross the border they think a lot about you

00:15:36But if he who has a wife blasphemes all his life

00:15:43You who have two, you think you can get by

00:15:45You hit your face against it

00:15:46You're heading straight for disaster.

00:15:47But listen to this

00:15:49Perfect organization, my dear

00:15:51Timetables, connections, everything regulated to the second

00:15:53Exactly like a great international espresso

00:15:55You know, everything is foreseen but not the unexpected.

00:15:57This is how you crash

00:15:58Boom

00:15:59And the time doesn't bring it

00:16:00In such traffic the most serious accidents happen suddenly.

00:16:03In what kind of traffic?

00:16:05Especially in the matrimonial one

00:16:06Oh

00:16:08Von Weyland

00:16:10Did the decayed vampire write?

00:16:12Yes

00:16:12Would you like an autograph, please?

00:16:14No

00:16:14He doesn't give autographs to anyone

00:16:16To anyone?

00:16:18Precisely

00:16:18How much do you lose?

00:16:19Come on, if he doesn't want to, bye

00:16:20Yes, indeed.

00:16:21What good thing do you bring with you?

00:16:23Drugs?

00:16:24Worse

00:16:25A little thing that can kill a woman, look

00:16:27Huh?

00:16:30When you see her run it makes an impression

00:16:32It also imitates the cry of mice

00:16:34And for my grandchildren, so they kill our grandmother, I hope

00:16:37Hey, how come you don't have any kids?

00:16:38What are you waiting for?

00:16:39Huh?

00:16:40And where?

00:16:41In Rome

00:16:41Or in Monaco

00:16:43Or maybe in Munich and Rome

00:16:44You have two wives

00:16:45I wouldn't be afraid of two children.

00:16:46No, we play but children are children

00:16:48Wives cheat on each other, children don't.

00:16:50If there's even something good in you

00:16:52Let's kiss him if he's really a good moralist.

00:16:54You're joking but

00:16:54It is true

00:16:56Getting married is a moral gesture

00:16:58The more you do it, the more moral it is

00:16:59Where is he, Johan?

00:17:01Who was it?

00:17:03Pass control

00:17:05Check, passports, please

00:17:07Do they want to promote passports?

00:17:09How come?

00:17:10But the host has the passports

00:17:11He won't be your husband, will he?

00:17:12In case my father, you know I'm not married yet

00:17:15Yes, it's true, I got a little confused.

00:17:16Easter Eye told us

00:17:18Give the control a bit

00:17:19And belly, why doesn't the 10 open?

00:17:21There's some contraband stuff

00:17:22No, that smuggling gets into trouble

00:17:23Instead you do smuggling

00:17:26About what?

00:17:27Fresh meat from female pigs

00:17:29Er von Weyland, Effman Siebitte

00:17:31Open please

00:17:32Eh, and let's save the big guy, go on

00:17:35Sorry to insist, sir.

00:17:38But you have to open, you know

00:17:38Take your time

00:17:40But if in two or three days

00:17:41They don't see me coming back

00:17:42They're giving me up for missing

00:17:44What do you want to do?

00:17:46Madam, please don't shout.

00:17:48I'll try but only see Virgo

00:17:49No, none of that.

00:17:50Looks like there's a rat around here

00:17:52Don't change the subject and I'll follow your deep thought.

00:17:54Oh but what if the mouse suddenly appeared?

00:17:56There he is

00:17:56Here he is, he's dead

00:17:57Madam, go over there.

00:17:59Wait for me in my cabin

00:18:01Wants?

00:18:01In the meantime I'll delete it

00:18:02And then I'll come and call her

00:18:04Mice bother me too

00:18:06Poor things, go away

00:18:07Miss, for now

00:18:08Alas

00:18:09Come on

00:18:10Oh, the hall

00:18:10Now he woke me up

00:18:12Sit down and let's have a whiskey

00:18:13Thank you, I'm on duty

00:18:15Ah, what can I offer you?

00:18:17A signature

00:18:18It is only for comparison with the signature

00:18:21What he had to do on his passport

00:18:23So she knows I'm a customs officer

00:18:25I know that she is Erf von Weyland

00:18:27Please

00:18:28Everything is correct

00:18:29Happy travels to you and the lady

00:18:32And to the lady

00:18:34But is he serious?

00:18:36It's true, he doesn't give autographs

00:18:38To no one either

00:18:40She was a cute damsel

00:18:43And if you insist I'll give you my address

00:18:45Because if he is married he won't want to give me his

00:18:48Very kind but it would not be moral

00:18:49Thank you

00:19:10Go

00:19:11Uncle is coming by

00:19:13You come

00:19:14You come

00:19:15There are 300 million of them

00:19:17You come

00:19:18Hey Roberti

00:19:20Come here for a bit

00:19:21How come you're not at home?

00:19:23Mom was born down uncle

00:19:24And why?

00:19:25But it's a horn thing

00:19:26Of horn

00:19:27Is my handsome brother-in-law here yet?

00:19:32A change in duty rosters

00:19:33But what happened at home?

00:19:34My dear, your wife got me wrong outside

00:19:36Teresa

00:19:37And for whom?

00:19:38She's building a kennel with all my other sisters.

00:19:41It seems he discovered something

00:19:42Something, huh?

00:19:44And what?

00:19:45To put it in one word

00:19:46Horn

00:19:47I said it above, but who didn't know?

00:19:54This one leaves, arrives

00:19:56In the meantime, to say one thing,

00:19:57I didn't let my husband go on any trips.

00:19:59And of course, the husband without the wife

00:20:01Not even when it's missing in Frascati

00:20:02Oh, why has it arrived?

00:20:04Oh, did you see what's there?

00:20:05It arrives just right

00:20:06And you climb very narrowly

00:20:07Okay, you break his head

00:20:10And then?

00:20:10He goes to the hospital and you go to jail.

00:20:12Does that seem logical to you?

00:20:13So what if he keeps the horns?

00:20:14No, he kills him

00:20:15If he has to go to jail it's much more logical

00:20:16But what the hell?

00:20:17A man serves

00:20:18If they cut off his ear it's not enough

00:20:19Yes, I would go to that other one.

00:20:21Victor

00:20:21But what brother?

00:20:22Bro, you're here

00:20:23Come on, where were you going?

00:20:24Who, me?

00:20:25As?

00:20:26What's up?

00:20:27A betrayal, a shameful, abominable thing

00:20:29Who now entered the demon?

00:20:30The husband put the ropes on us

00:20:31Wait a moment, let's try to think.

00:20:33Let me understand something

00:20:34I don't know what you're talking about

00:20:35But a man is often caught up in his feelings

00:20:37It could also be

00:20:38Oh, that's how you do it, huh?

00:20:39So you too are on Roberto's side

00:20:41The Robert

00:20:42Roberto

00:20:42Roberto cheats on her

00:20:43Is he cheating on you?

00:20:44No, he's cheating on Sister Luisa

00:20:46Roberto cheats on Luisa

00:20:48Yes, yes

00:20:48But he keeps his head stubborn

00:20:50But look, who knows what I imagined?

00:20:52Vittorio, have you gone crazy?

00:20:54Ninth

00:20:55No, it's just that the thing is very serious.

00:20:58No, but I'll break it

00:20:59And this one, Vittorio?

00:21:00But if Roberto is at home when I sleep

00:21:02Who's head is splitting?

00:21:03But what are you talking about?

00:21:04This doesn't look like a house

00:21:05And the recreational club is going to go

00:21:07You, it's better if you keep quiet

00:21:09You forgot about that nanny who was at Porta San Paolo

00:21:11Okay, but do me a favor.

00:21:12It's possible that in Italy you don't think of anything else

00:21:14What evidence do you have of this betrayal, huh?

00:21:16But how?

00:21:16When putting his jacket back in place

00:21:17And I found a letter in his pocket?

00:21:18I don't know

00:21:19I gave it to Mrs. Luisa

00:21:20If I find something of yours about her

00:21:21I'll give it to your wife right away

00:21:22Sir, what do you say?

00:21:23No, you're doing very well.

00:21:25Only you don't go there on a business trip.

00:21:28But what business trip?

00:21:29He's always with the German one

00:21:31Whore, like all blondes

00:21:32And how do you know she's blonde?

00:21:34Hey, look here

00:21:35Your German blonde

00:21:37By blonde germanice

00:21:39My German blonde

00:21:45One says Germany

00:21:46I think about beer

00:21:47To the said sloping ones

00:21:47You instead to the sayings

00:21:48You're the ones that swoop down on me

00:21:50Sorry, Siglinda

00:21:51But is it better for you to go to Casentas?

00:21:53Yes, you handsome little black man

00:21:54I know this

00:21:55When are you coming back?

00:21:56I'm going to New York

00:21:57I'm taking a look around Tocchio

00:21:59Listen

00:21:59You're being good, you know?

00:22:01I know bad

00:22:02I don't do it

00:22:03But if not you would have inflated

00:22:04Here you are

00:22:06Good morning

00:22:14Goodbye, I'll be fine

00:22:16The keys are inside

00:22:17He doesn't read or I'll take it into account, eh?

00:22:18We will see each other

00:22:19Let's hope so

00:22:20Nice little morretto

00:22:21What a thing

00:22:22It sucks, right?

00:22:24If Luca says so

00:22:24All right, I'll take care of it.

00:22:25As soon as he comes back he will have to explain everything to me

00:22:27But what a mother

00:22:28Mom

00:22:29Mom

00:22:30But this is Mr.

00:22:31But what pepper?

00:22:31Do you want it on me?

00:22:32Please

00:22:32Calm

00:22:34Yes, we don't hunt

00:22:36Dad, dad

00:22:39Carletto, dad is here

00:22:40Hello, Roberti

00:22:41To dad, man to man

00:22:42He shirks

00:22:43How does it start?

00:22:44Well, I'll tell you

00:22:45But how stupid these guys are sometimes

00:22:47Why is he dodging?

00:22:51First he tore it off from him

00:22:52No, calm down

00:22:53Let's try not to make a spectacle of ourselves

00:22:55But you don't even think about killing yourself

00:22:57Tonight at 9pm there's Perry Mason

00:22:58You don't have to get involved

00:23:00That you wouldn't like it either

00:23:02To take this German blonde to bed?

00:23:04What will you understand?

00:23:04There would be a lot of this falling and hanging

00:23:06A wife also values spiritual qualities

00:23:08I know tertiary

00:23:09Well, what does it mean that you are a tertiary sector?

00:23:10With the door closed for now

00:23:12What was he saying?

00:23:12Of life Maria?

00:23:13He arrived later to give travel

00:23:14Ah, this is news

00:23:16Oh, look at this criminal

00:23:17Fornicating Assessino

00:23:18This is not Vittorio

00:23:19I can smash his head in

00:23:20He is a husband without eyes

00:23:22With half a nose and an unmatched ear

00:23:24Do you know what impression it makes?

00:23:25A mouse!

00:23:26Ah, what called?

00:23:28A mouse!

00:23:29Ah, what called?

00:23:30Ah, what called?

00:23:31But what's happening?

00:23:35Come in, quickly

00:23:37Who has it?

00:23:40But anyway

00:23:41What's this story?

00:23:50A story called Belmorettino

00:23:52I do not understand

00:23:55Ah, you don't understand?

00:23:56I don't understand

00:23:57Like a married man with three children

00:23:59May he get lost behind a German blonde

00:24:01But much worse than getting lost

00:24:03Even more, to become saddened, to become lowered

00:24:05And don't scream, I can hear you

00:24:07But what do I hear? They already know everything.

00:24:08I'm wild

00:24:08As?

00:24:10Does Luisa know?

00:24:11AND?

00:24:12Deceiving a good, faithful wife like Luisa

00:24:14Come on idiots

00:24:15Oh

00:24:15But it's even more idiotic

00:24:16Forgetting love letters in your jacket pocket

00:24:18Oh, what a

00:24:20And now what are you doing? Are you crying?

00:24:23You don't move me

00:24:24You are a fornicator

00:24:25You cheated on your wife

00:24:26And don't tear out those four hairs

00:24:28That don't grow on you anymore

00:24:29And don't cry

00:24:31You speak well

00:24:32It's easy to be a moralist

00:24:34When one night yes and the other too

00:24:36Well, you can give yourself crazy joy

00:24:38In a sleeping car

00:24:39Roberto

00:24:39And then you make fun of it

00:24:40I forbid you to offend my category

00:24:42Yes

00:24:42And above all my concept of marriage

00:24:44Marriage is sacred and indissoluble

00:24:47Bravo

00:24:47If you love a woman, show it off

00:24:49If your wife shows it off

00:24:50And today break this step of love

00:24:52What you promised before the altar

00:24:55Satan you are following

00:24:57Satan

00:24:58Well, it could be.

00:24:59If you fall in love

00:25:01You have love

00:25:02Love, love

00:25:03You think, huh

00:25:03You that German blonde

00:25:05Would you marry her?

00:25:05I?

00:25:06But how does it come to mind?

00:25:08Then you don't love her

00:25:09True love is for her

00:25:11What one chooses as a wife

00:25:12And for the upapa

00:25:13You remember the door

00:25:15But they don't have any left

00:25:16He who loves, marries

00:25:18Everything else is worth little

00:25:20Who cheats on his wife

00:25:21He is an individual who must be destroyed.

00:25:23Exterminated

00:25:24Destroyed

00:25:25Crushed

00:25:26Pulverized

00:25:28No, are you crazy?

00:25:29No, that is less than him.

00:25:30You're scared

00:25:31Don't get involved

00:25:33Keep your hands to yourself

00:25:34Did you understand?

00:25:35Well, Luisa, what are you doing?

00:25:36Stop

00:25:37Ask for all this holiness for yourself

00:25:38I married a man

00:25:39Not a little bone to say goodbye

00:25:40Roberto doesn't cry

00:25:42It hurt you

00:25:43Crazy try

00:25:44Now it becomes a martini

00:25:45Stay here

00:25:48Yes darling, yes

00:25:49Well done, well done

00:25:53You were wonderful

00:25:54And now I'm going to split your head open

00:25:56I'll give it to you

00:25:56The biota

00:25:57Mom, mom

00:25:58But this is Vittorio

00:25:59It brings me so many names

00:26:00They are all the same

00:26:01The husband is worse

00:26:02Everyone except Vittorio

00:26:03What will you do to him and the women?

00:26:04You calmed seven witches

00:26:06And an altar boy

00:26:07Then the eighth witch

00:26:08The spanking

00:26:08Listen a little

00:26:09But what's going on in there?

00:26:10I don't understand your sister

00:26:11Me...

00:26:12Excuse the briefcase

00:26:13But what are you doing?

00:26:13Restart

00:26:13Help

00:26:18A little discretion

00:26:19Please

00:26:20Listen, don't...

00:26:21Bus at least not?

00:26:24But how?

00:26:25He killed her too much

00:26:26But

00:26:26But who forgave him?

00:26:28Certain

00:26:28What did the Samaritan woman do?

00:26:29Yes

00:26:30Two to nil

00:26:30The black one

00:26:31Oh, here it is

00:26:31Oh, I to you

00:26:32Tesco

00:26:33Not the head

00:26:33How much do you want?

00:26:35Able to say that this is Vittorio

00:26:36Here you go

00:26:36Put them Bernardone

00:26:37But but

00:26:38Get a grip

00:26:39Please

00:26:39If I wasn't there today

00:26:40This stick

00:26:40Where did you put it?

00:26:41Meste phases only my husband tells her

00:26:42Good guava

00:26:43Are we going out?

00:26:46Come with me

00:26:47But let's go to bed

00:26:48You also have to sew a button on me

00:26:49I can't just go out like this

00:26:51I really want to too

00:26:52You know?

00:26:53But there is something much more important

00:26:54There's a nice surprise

00:26:59You'll see

00:27:00I'm happy to give you some good news.

00:27:03Good news?

00:27:07What is this madman saying?

00:27:09Have you had a medical check-up?

00:27:10Yes, Victor

00:27:11This was the surprise

00:27:12My dear friend

00:27:13You're doing very well

00:27:14I saw the lady

00:27:15AND...

00:27:16Gorgeous

00:27:17Oh, did you like it?

00:27:18Everything is in perfect order

00:27:20Perfectly in order?

00:27:23But then we

00:27:24Yes

00:27:24You?

00:27:25Mhm

00:27:25That means my dear friend

00:27:27What if your union

00:27:28They did not come into the world

00:27:29That blessing from heaven

00:27:31What are the children?

00:27:32It will be all your fault my dear

00:27:34It's all his fault

00:27:36That's better

00:27:37For a moment I thought you

00:27:38If only these were the only problems, professor.

00:27:42And he takes a perhaps serious problem lightly.

00:27:44Really serious

00:27:45Just think that I am a specialist in

00:27:47Meaning what?

00:27:47Virile incapacity

00:27:48Oh

00:27:49Sexual frigidity

00:27:50Oh

00:27:50And impotence

00:27:51Oh

00:27:51His father must have been the one who was impotent.

00:27:53Don't touch daddy

00:27:54Then don't offend me.

00:27:55I don't offend

00:27:56Anyway

00:27:57If she wants to get well

00:27:57I

00:27:58Don't be scared

00:27:59And have faith in those who have treated you

00:28:00And sometimes healed

00:28:01People like her

00:28:02Listen, professor.

00:28:03If you think you can cure me of the snail disease

00:28:05That I don't have is wrong

00:28:06What a slug

00:28:07I don't understand

00:28:08But as he says he is a specialist

00:28:09I've never heard of the snail disease.

00:28:11Never

00:28:11I never said I was a specialist

00:28:14I am a specialist

00:28:16Love for pleasure do not contradict it

00:28:18I brought you here so they can hurt you.

00:28:19To me

00:28:19Let him talk

00:28:20Let him say it

00:28:21But if I'm fine

00:28:22Typical abnormal male relationship

00:28:23I am abnormal

00:28:24What is not normal is abnormal

00:28:26Even a doubt from your doctor is enough for you

00:28:27And he doesn't even want to discuss it.

00:28:28I believe you.

00:28:29But he knows why he doesn't want to

00:28:30Because his manhood is flawed

00:28:31Unable

00:28:32And it's something he's ashamed of.

00:28:33No

00:28:34I feel guilty

00:28:34But what about?

00:28:35About what?

00:28:36Reply

00:28:36If you give me time

00:28:37I tell him he's crazy

00:28:38Crazy

00:28:38Three times crazy

00:28:39He really needs to go to a doctor.

00:28:40But a little Vittorio

00:28:42But does it seem like the way to you?

00:28:43In short

00:28:43She wants to be examined

00:28:44Yes or no?

00:28:46Of course he wants to

00:28:46Right Vittorio?

00:28:47Of course not.

00:28:47I don't want anything else

00:28:48If I don't go to the doctor

00:28:49I feel bad

00:28:50At that time

00:28:50Come over there

00:28:51Listen

00:28:57While he goes back there

00:28:58And he undresses

00:28:58Prepare everything for a visit

00:29:00Complete

00:29:00Excuse me but

00:29:03I really have to

00:29:04He heard the professor

00:29:06Get naked

00:29:07All right

00:29:08It's not like her

00:29:10What can defend

00:29:11Even his metabolism

00:29:12It's perfect

00:29:12She in condition

00:29:13Examples

00:29:14I shouldn't say it

00:29:16For superstition's sake

00:29:17But I feel great

00:29:18It won't be those vitamins

00:29:20That Vittorio brings me

00:29:21From Germany

00:29:22But yes, but it can be

00:29:23At night they make panzers

00:29:24Let's say vitamins

00:29:25Well yes

00:29:25He says they do very well

00:29:26Especially to the liver

00:29:28The liver

00:29:28What are they supposed to be?

00:29:30Oh fiarlé

00:29:30Oh drops

00:29:31No no no

00:29:32It's a pill

00:29:33Oh

00:29:34Yes

00:29:34Vittorio makes me take it

00:29:36For two or three days in a row

00:29:37Then I stop

00:29:38And then I start again

00:29:38Two or three days

00:29:39It's new

00:29:40It's interesting.

00:29:40I'll basically take it

00:29:42Oh yeah

00:29:42In the days when he is in Rome

00:29:43These Germans

00:29:44They have a dosage

00:29:46Here you are

00:29:48Even the briefs

00:29:54Even the briefs

00:29:55Ugh

00:29:57Lie down on the bed

00:29:58By any chance, do you embarrass her?

00:30:01You think I don't even see it

00:30:03Excuse me but

00:30:03She is a woman

00:30:04Certain

00:30:05His mother too

00:30:06When he gave her a bath

00:30:07And then he didn't pass

00:30:08Her visit

00:30:09Yes but

00:30:09The nurses had mustaches

00:30:13He lies down

00:30:13She speaks speaks

00:30:16But you are a patient of the professor

00:30:18And if only she knew how many disappointments a girl experiences in here

00:30:21Yes eh

00:30:22Here we are

00:30:25Did he prepare it well?

00:30:28Yes deep

00:30:28Did he overprepare it?

00:30:34Where does he think he is?

00:30:35Excuse me

00:30:36It's abominable

00:30:37I'm sorry but

00:30:39I was a little nervous

00:30:41Are you sorry?

00:30:41It must have happened to her too

00:30:43To him?

00:30:44I do not believe

00:30:44Why?

00:30:45Because she is different

00:30:46Do you want to make me angry?

00:30:47I would try a sedative

00:30:48I don't take tranquilizers

00:30:49I'm allergic

00:30:50Not for her

00:30:51Psycho shock

00:30:53My dear young man

00:30:55Huh?

00:30:56If he really wanted to prove it to me

00:30:57His prompt efficiency

00:30:58He could have chosen a little

00:31:00For a little less

00:31:00Brutal

00:31:01But I didn't want to prove anything

00:31:04Why not?

00:31:04I'm a normal man

00:31:05Healthy

00:31:06And nothing else

00:31:07May she be healthy

00:31:10And yet to be proven

00:31:10But what is there to prove?

00:31:12If a male mates

00:31:13With conspicuous means

00:31:14To a healthy female

00:31:14And he doesn't become a father

00:31:15There is a flaw

00:31:16We'll look for it in the lab

00:31:17Do you want to relax?

00:31:19Please

00:31:19Relax

00:31:20Professor

00:31:21Can I talk?

00:31:22Not only can it

00:31:23Deghi

00:31:23Oh good

00:31:25So professor

00:31:26Let's put an end to this nonsense.

00:31:27Yes

00:31:28Bravo

00:31:28How dare she?

00:31:30No one is ever allowed to insult me

00:31:32Well, isn't there always a first time?

00:31:33Yes

00:31:34So why is he interrupting me?

00:31:35I

00:31:36View?

00:31:37She can't say that I

00:31:38Other than that it means

00:31:39It means that if Teresa can't have a child

00:31:40It's not my fault

00:31:41And among the analyses

00:31:42Hand

00:31:43And the pill

00:31:44The pill?

00:31:45Yes

00:31:45Only Teresa doesn't know it

00:31:47How can he give it to her without making himself understood?

00:31:49Well, you see, I

00:31:50The German pills

00:31:52Vitamins for liver disease

00:31:53Eh

00:31:54Even Lieutenant Sheridan isn't that good

00:31:56Compliments

00:31:58Do you know what I think?

00:31:58He will never be able to make such a perfect diagnosis again.

00:32:01Hand

00:32:02Don't be funny

00:32:03No

00:32:04Why?

00:32:05The thing is grove

00:32:06I will have my reasons

00:32:08Reasons you can't tell your wife?

00:32:11First I do it for Ingrid

00:32:12Oh yes, that's it.

00:32:14Who is Ingrid?

00:32:16If you want to tell me

00:32:17My wife

00:32:18But he's not wrong

00:32:19His wife over there is called Teresa

00:32:20Even according to reason

00:32:22I'm doing it for Teresa

00:32:23Do you want to laugh?

00:32:24Do you think what I understood?

00:32:25Can I not laugh?

00:32:26What about her and your wife?

00:32:27You're wrong, right?

00:32:28Are you telling me that I'm wrong or not?

00:32:29I'll explain everything to you

00:32:30I hope he doesn't have a heart attack

00:32:31Don't scream

00:32:32Keep calm

00:32:33So I

00:32:34She

00:32:35I don't scream

00:32:36I have

00:32:37She has

00:32:38I'm calm

00:32:38Two wives

00:32:39No

00:32:40Did you see that scream?

00:32:42But he's crazy

00:32:42It's a criminal step

00:32:44Oh no?

00:32:45Yes

00:32:45Oh no?

00:32:46Yes

00:32:46I am an honest man

00:32:47Much more honest than many others

00:32:48Because when I love

00:32:49Good

00:32:50When does she love?

00:32:52I'm getting married

00:32:53But she's insane

00:32:54But excuse me

00:32:55If you fall in love 40 times

00:32:57Oh professor, please remember

00:32:58I am in his hands

00:32:59No if she

00:33:00I do

00:33:01Yes but with everyone

00:33:02Well you can't keep going

00:33:04In this way

00:33:04She will betray herself in a certain way

00:33:06Betray myself alone, eh

00:33:07And why do I have everything organized so well?

00:33:10Everything well divided

00:33:11There is Teresa in Rome

00:33:12Ingrid in Monaco

00:33:13There is Teresa in Rome

00:33:24And in Monaco Ingrid

00:33:26Two wives

00:33:30And all at double

00:33:31And maybe he calls her his better half

00:33:34Well they are two wives

00:33:36But I'm with everyone

00:33:37Only half my week

00:33:39She means two months wives

00:33:40They form one

00:33:41But they both got married

00:33:43Yes yes

00:33:44No

00:33:44For now they don't know

00:33:46But if one day they think about it

00:33:48And they both want each other

00:33:49Half-husband

00:33:49The disaster will happen

00:33:53When she no longer understands

00:33:55If he's with one or he's with the other

00:33:56In Rome

00:33:57Or in Monaco

00:33:58Or in Rome

00:34:00Or in Monaco

00:34:02In Rome

00:34:03Or in Monaco

00:34:04In Rome

00:34:04Or in Monaco

00:34:05No, she doesn't care

00:34:07In Rome

00:34:12Or in Monaco

00:34:14In Rome

00:34:15Or in Monaco

00:34:17In Rome

00:34:19Or in Monaco

00:34:20No no no no

00:34:21Neither Rome nor Monaco

00:34:23The avenue

00:34:24But where is it going?

00:34:25In Rome or in Moleco?

00:34:47Yes?

00:34:48Sorry, we're close to the border.

00:34:51Thank you.

00:34:51I'll have to go.

00:34:52Don't be naughty, you're a big girl, Marisa.

00:34:54The director wasn't there and it was too late.

00:34:56It wasn't late, you just don't like waiting.

00:34:58But I wrote the decayed vampire, my dear.

00:35:01Think about it, if anything, it's the others who are waiting for me.

00:35:02What if they entrust my part to someone else?

00:35:04Yes, and I leave, I allow.

00:35:06I wrote the screenplay for the film.

00:35:08And the subject and also the title are yours, the cursed artichoke.

00:35:11So, you think, it was a smart move to show that I'm not expecting the director.

00:35:14Stories.

00:35:15And if you want, I'll call him tomorrow morning, you'll see, I'll take care of it.

00:35:18And stop it!

00:35:19I let myself be made fun of like with the other film, the murdered zucchini.

00:35:22Little pea, darling, why don't you want to?

00:35:26I've been waiting all night, Little Pea.

00:35:29You don't understand that otherwise I can't sleep.

00:35:34You know, dear, what I'll have to do if you force me.

00:35:37I'll call the host to take care of it.

00:35:42It's something that... but don't you enjoy doing it?

00:35:45Yes, Little Pea.

00:35:48Permit?

00:35:49Come on, dear.

00:35:50I need it again.

00:35:51Little Pisellino doesn't want to.

00:35:52Yeah, I'm sorry.

00:35:54What the hell, I'm here, right?

00:35:55It's such a pleasure.

00:35:56I love him so much, you know.

00:35:57But if it weren't for her, I think I'd go crazy.

00:36:00But I'm here and I hope to please her.

00:36:03Of course, dear.

00:36:03I've traveled the world and I've met many sleeper train conductors.

00:36:07I don't have it so ready, even five or six times a night.

00:36:10Thank you.

00:36:10Can I open?

00:36:11Yes, dear, it opens.

00:36:13Whatever he wants.

00:36:14His way, right?

00:36:15Yes, yes.

00:36:17It's cold, dear.

00:36:19Hurry up.

00:36:19Thanks, that's enough.

00:36:31These little dogs, however, are good and dear, but they drive you crazy.

00:36:35It was better then.

00:36:36Good night, ma'am.

00:36:37Well, goodnight.

00:36:37Oh mama.

00:36:46Come with me, Mr. Coppa.

00:36:49You thought you were arrested, huh?

00:36:51What a funny joke, you know the laughs.

00:36:54The fact is that you have a guilty conscience, that's why you got scared.

00:36:58If there's anyone among me who has a guilty conscience, it's you.

00:37:00Oh, my conscience is clear.

00:37:02And the son is legitimate, eh?

00:37:04I'm not the one who supports it, I don't understand you.

00:37:06And all your friends, a new one every six months?

00:37:08And my wife never knew, never.

00:37:10So I'm good to go.

00:37:11Oh, yeah?

00:37:12So I, who, I don't know, fall in love, lose my mind and legalize my position, am not okay.

00:37:17You are breaking the law.

00:37:18But we have a conscience, don't we?

00:37:20It's not contraband.

00:37:22Judas Pig.

00:37:24I forgot to give Teresa the pills.

00:37:26But go on, she thought of it.

00:37:27No, I always give it to him, I think it's a vitamin, otherwise he wouldn't take them, I don't know anything other than having a child, put the lava.

00:37:32This is more than cheating on your wife.

00:37:34Ah, but then you insist.

00:37:36Wey, at ten Gencura makes a violent and at four the general manager's fiola.

00:37:39Same places as other times.

00:37:41And remember that polygamy is even legal among some peoples.

00:37:44But why don't you emigrate? Are you going to Lapland or Barbados?

00:37:47No, you are the ones who have to emigrate.

00:37:49Your place is between miam miam with the alarm clock around your neck.

00:37:53But in any case, my life is much more just than yours.

00:37:55But it doesn't last long.

00:37:56When you don't even...

00:37:58When you don't even expect it, they take you to jail.

00:38:02Come with me, yes.

00:38:04Look, they're waiting for you in the management, okay?

00:38:07Obey because it is hate.

00:38:08But I have to prepare the carriage.

00:38:11Hurry up, Mr. Coppa.

00:38:13Oh well, I'm not making it.

00:38:18Here you are.

00:38:26Honey, sorry, I have to go.

00:38:29Don't wait for me, it could take a while.

00:38:30When?

00:38:31Years.

00:38:31Mr. Cup!

00:38:32Ingrid, I'm coming!

00:38:34Don't forget me, love.

00:38:35Remember that I loved you very much, really very much, you know.

00:38:38Always remember this.

00:38:40You come.

00:38:40Yes.

00:38:42If you can fly, you can fire, I can.

00:38:45Sir?

00:38:56Where are we?

00:38:57In Monnacone, space.

00:38:59The host, why didn't he wake us up?

00:39:01Set an itil, go away.

00:39:03And our passports?

00:39:04Wait.

00:39:04If you want, I'll call the police.

00:39:06No, shut up, we'll get dressed and go to the police ourselves.

00:39:08Good, and don't say thank you, so I don't say please, you know?

00:39:11He must have imagined that you were here and...

00:39:14But he doesn't want to sit down, you know, because of the emotion.

00:39:17An emotion?

00:39:19Serious?

00:39:20But are you making fun of me, Mr. Coppa?

00:39:21I.

00:39:22I know very well that you have already understood.

00:39:23You know, the management doesn't want to intervene, but I'm too virtuous.

00:39:27And I do not admit to suffering something that offends my moral and civil world.

00:39:30Meaning what?

00:39:31I reported the facts and took action.

00:39:33But why?

00:39:34You know, you've traveled more than the maximum time, that's enough.

00:39:37Management may well play dumb, but I'm promoting it.

00:39:40And starting tomorrow he will be working here in the archives as deputy assistant.

00:39:43He will no longer travel between Rome and Munich.

00:39:45No one can force her.

00:39:46Look, you see, I can't accept...

00:39:50Huh?

00:39:50I cannot accept this honor.

00:39:53You see, I'm not worthy of it.

00:39:54I mean, I'm not worthy of it, that's all.

00:39:55But a house and a wife are fine, but let's leave the employment contract aside.

00:39:59He'll be more tired of doing Rome-Monaco up and down, like...

00:40:01Yes, like...

00:40:02How does the clock work?

00:40:03The clock?

00:40:05Tick-tock, tick-tock.

00:40:06Oh, yes.

00:40:06Tick tock.

00:40:07Exactly, but what, the key, the crux, the pendulum.

00:40:09What?

00:40:10Ah, there you go, I was just thinking about that.

00:40:12It's just...

00:40:13I was born to do the...

00:40:15The commuter.

00:40:16He will enjoy his beautiful little house every day.

00:40:18For one day, and if you can take my nostalgia?

00:40:20But even if you moved to Munich, think about it.

00:40:22Do you want to continue spending the night between bumps and jolts?

00:40:25Eh, no.

00:40:25Huh?

00:40:26Eh, no, that's what she says.

00:40:27What?

00:40:28I cannot live without bumps and jolts.

00:40:30I already miss them right now.

00:40:32Are they missing?

00:40:32But that's pretty weird, Dekme.

00:40:34You see?

00:40:35I have to do it like this.

00:40:37And I'm already feeling better.

00:40:38He sees the face more relaxed, the eye more alive, he sees the eye.

00:40:43Well, I have to do that.

00:40:45Bah.

00:40:46Here the chief of staff, who did he want?

00:40:50Do you know where the conductor of the elective carriage that arrived this morning from Rome lives?

00:40:54From Rome?

00:40:55But you'll have to tell me what you need it for.

00:40:58I'm his grandmother, I made him donuts.

00:40:59Stop it, or the devil will send you.

00:41:01To tell the truth, I'm not even his grandmother.

00:41:04Because the grandfather was already married.

00:41:06A shame, right?

00:41:07Yes, yes, it's re-opened, yes.

00:41:09But do you know that life is a novel?

00:41:11Oh, come on, I'm so lonely, well.

00:41:13Tiergartenstrasse Cup 51.

00:41:16Who was he?

00:41:17His grandmother made donuts.

00:41:19My grandmother?

00:41:19But that's a lie.

00:41:20Yes, he said it well.

00:41:21I know, she's been following her grandfather around and she gets it.

00:41:24A female voice?

00:41:25Of course, otherwise he was his grandfather.

00:41:27Then it's better...

00:41:28Yes, go.

00:41:29A moment, a moment, a moment.

00:41:30No, I don't see where the thing is, the phone thing was here.

00:41:33Ah, there it is, I'm always afraid of losing.

00:41:34And then the only thing is that you put it in my bag.

00:41:37Well, do you want this promotion?

00:41:39No.

00:41:39But dear Mr. Coppa, you're throwing away a lot of this, this, what are they called?

00:41:44Of money, yes.

00:41:46Look, I don't want many of those, I just want to keep going back and forth between Munich, Rome, Rome, Munich...

00:41:52Rome, Munich, Munich, Rome, Rome, Munich...

00:41:56And in Munich or Rome?

00:41:57What does he want, who is he?

00:42:01Mrs. Coppa.

00:42:02He went out, he doesn't know.

00:42:04She knows, and you're wrong.

00:42:05But who are you?

00:42:06I am Mrs. Coppa.

00:42:07I don't understand you enough, if you can even cheat.

00:42:10You don't know my voice?

00:42:11At work, I knew the sound of the cows, but I never heard you.

00:42:14You can know.

00:42:16Why not?

00:42:16You will see that we will slowly become friends.

00:42:18I already know that you are keeping it that way, that no one is going to let themselves in here.

00:42:21As if I were not manner, only my husband can come in, no one else.

00:42:24Ah, Bottona, you take the work baskets that I attach.

00:42:29Which one, Bottona?

00:42:30Can't you see him attacking?

00:42:32Work basket, Pite.

00:42:33And there is another one who thinks he is in charge.

00:42:38This is something else, son.

00:42:40State.

00:42:46Thank you.

00:42:49TV, is it here this morning?

00:42:51I put it in my room.

00:42:53I don't want to...

00:42:53All your husband, I know, thought, what they do, watch television.

00:42:56But if you want it one evening, just tell me, and I'll lend it to you.

00:42:59We're in the same house, I say, we're not animals.

00:43:01I think you have to say, before you take.

00:43:03Ah.

00:43:07My husband, leave your keys here.

00:43:11Oh.

00:43:13How are you?

00:43:14But what are you doing?

00:43:14She came in without polishing your shoes, right?

00:43:16But who cleans up the sludge?

00:43:17Yes, and she doesn't know me, but...

00:43:19But you don't know me either, she arrived an hour ago.

00:43:22But with time, who knows, maybe we'll become friends.

00:43:24Please.

00:43:25I, here is Mr. Coppa, I would like...

00:43:27Yes, wait for the little boy and walk, otherwise he'll think badly.

00:43:30Ah, but wait.

00:43:31What is this key you have here?

00:43:35I'm so sorry to interrupt you.

00:43:37Must have two passports.

00:43:39Do you know there's a dead end?

00:43:41She used to sleep with me, she comes here often.

00:43:44Often?

00:43:45Oh, I'd sleep with her, of course.

00:43:47So give me the passports, for your father, you know, for a father, his daughter, and his daughter.

00:43:51So on the phone, inside I'm his grandmother.

00:43:52Your husband has a bomb with him, you understand?

00:43:54A bomb?

00:43:54Yes, start looking in your suitcase, don't waste any more time.

00:43:57No, she was naked, she can't say.

00:43:59Tell me the two passports.

00:44:00But when I was naked?

00:44:02Not her, the girl who was with me in the sleeper car.

00:44:06Rome-Munich, Munich-Rome, Rome-Munich.

00:44:08And in Rome, or in Munich, or better.

00:44:11And in Munich, or in Rome.

00:44:15She waits, I look at her suitcase right away.

00:44:21But this is a pill.

00:44:28What are you playing, there's nobody here.

00:44:30Since there is no one, who is she?

00:44:33And I tell you that I am speaking to you who do not know you, but what is this confidence?

00:44:37Listen, open up right now if I don't break the door down.

00:44:39Open!

00:44:40The lady doesn't want it.

00:44:43Open!

00:44:44What is this cacciara?

00:44:47She went out and went crazy.

00:44:48And I don't know you, if he were your lover...

00:44:50Ingrid, open up, I know you're there.

00:44:52This is my husband.

00:44:53It's been three hours since you.

00:44:54But another man, you didn't tell me...

00:44:55Another man?

00:44:56But what does this say?

00:44:57I want to know everything here.

00:44:58And you say the other husband over there, I'm new.

00:45:01Husband.

00:45:01Who said that the man will say stay my husband?

00:45:03You?

00:45:03I?

00:45:04You wouldn't say so.

00:45:05What to do here with my wife?

00:45:07What does he want?

00:45:08The passports.

00:45:08Already had.

00:45:09Both, thank you.

00:45:11Is everything clear?

00:45:12You can also improve the profit you make.

00:45:14I'll talk later, yeah?

00:45:18Madam, I'm so sorry to bother you.

00:45:20No, excuse me, my husband.

00:45:21Your husband, ma'am?

00:45:23He's a kind of benefactor.

00:45:25Without him I would not have met his beautiful wife.

00:45:28Sir, you who are the last one with the car, are you going to the train station?

00:45:31Yes, her too?

00:45:32If you give me a birthing pass for the scurpa, the cheeks are too bitter.

00:45:35I have to?

00:45:52How again, Mrs. Cuppa?

00:45:54Yes, woman, you send me pleasure, I.

00:45:56But she doesn't like me.

00:45:58You can send another one, but always Italian.

00:46:00I'm calling you for this.

00:46:01No, no, no, just to exercise.

00:46:05Alone at the end!

00:46:07Alone as two steps!

00:46:08Leave me alone.

00:46:09You know I have to go to my perfume shop?

00:46:14But if we have a lot of time...

00:46:17So, after you answer a lot of questions that...

00:46:21No, let's do it the other way around: first the prize, then the questions.

00:46:28Dear, do you want to go by yourself?

00:46:30I'll come to the room right away.

00:46:32But you're not going to keep me waiting, are you?

00:46:35Us.

00:46:35You have a tough head, ya?

00:46:54Ingrid!

00:46:54My beautiful blonde wife, how long will it take you?

00:47:02No!

00:47:02If you want, but then you don't do this badly.

00:47:07I know what you think.

00:47:09Do you know?

00:47:09I hope you don't take offense.

00:47:11Always a man stays with his wife's friend with bad thoughts of sex.

00:47:15I don't have bad thoughts.

00:47:17I do.

00:47:18A woman always has an affair with her friend's husband, you know?

00:47:20Listen, now I'm going to ask you a question, just between friends. Of course, you can also answer no.

00:47:26Are you missing?

00:47:27You do this, you start applying, and if I say yes, you don't say it's not worth it.

00:47:31But what did you understand, Puppi?

00:47:33I wanted to ask you, would you leave the house so suddenly, knowing that Alex is waiting for you in bed?

00:47:38Maybe, when you're pissed off, huh?

00:47:42But why should Ingrid be angry with me?

00:47:44And when Vittorio thinks, do you think he's just thinking?

00:47:47You are like many women who travel in sleeping cars.

00:47:49Well, last week I had a train car full of women, all sisters.

00:47:5422 sisters, 22, including the mother superior.

00:48:02Does he sleep in a convent perhaps when he is in Rome?

00:48:04There's no point in that, he always sleeps in the railway worker's house with all the men, eh?

00:48:09The button.

00:48:11You've already brought your wife to Rome once, yes?

00:48:13No, she's not interested in Rome.

00:48:16What if he shaves you too?

00:48:17I don't believe that.

00:48:18But it's the reason you don't talk about Vittorio.

00:48:21Do you want me to talk about myself?

00:48:22No.

00:48:23Just think about what Vittorio does when he's in Rome.

00:48:26I always think about this.

00:48:28How can you live only half of your week?

00:48:31What do you want to do, my darling?

00:48:32Work is work.

00:48:34And then, Vittorio?

00:48:36Huh?

00:48:36When you finish work and you go to that railway worker's house.

00:48:40Oh, nothing, I'm not telling you.

00:48:42The doorman gives you a key in your hand and...

00:48:44Can anyone bring a boy too?

00:48:46Are you joking?

00:48:47No.

00:48:48Women aren't allowed in.

00:48:49Don't mention it, but there aren't even any waitresses.

00:48:51Oh, Ang, what did you sew on your button then?

00:48:55Button?

00:48:56Ah, when you left I couldn't sleep, but someone did in Rome,

00:49:00ah, with a different thread of mine.

00:49:02Maybe same key person, ah?

00:49:04The one you carry with you in your life jacket.

00:49:07Yes, but in fact I was about to tell you.

00:49:09I now live with a family in a sublet.

00:49:12Good, modest people.

00:49:14Ah, how seductive.

00:49:16Ah, I couldn't live in the railway worker's house anymore.

00:49:19The roof falling in, the walls collapsing, one thing.

00:49:22And in the house there is also a young girl,

00:49:25the one who sews your button.

00:49:27Look, she was the one who sewed the button on me.

00:49:29And you thank them for this by bringing pills, me?

00:49:32I'll bring them...

00:49:32No!

00:49:35Which pills?

00:49:38Grandma put the button on me, Ingrid.

00:49:39Grandma sewed the button on me!

00:49:41Why does it make me say things I don't mean?

00:49:43Which pills?

00:49:43The one that's in your suitcase and that you got me.

00:49:45Did I get you?

00:49:46Ah, this is nice.

00:49:49I'm going to get the... now.

00:49:55What are you doing?

00:49:59And so too?

00:50:05You sure it's your own, huh?

00:50:07Sarut, on too many years passed.

00:50:09We have to keep monitoring him.

00:50:12It's all your fault.

00:50:14It was you who turned everything around for me.

00:50:16Good night, Teresa.

00:50:18Good night, Ingrid.

00:50:19Teresa in Rome?

00:50:21Ingrid in Monaco.

00:50:23But if Monaco goes to Rome, if Ingrid goes to Isa.

00:50:26Where is she?

00:50:27In Munich or Rome?

00:50:30Latest edition, the railway strike.

00:50:33The attempted lynching of the director of the sleeping car company.

00:50:39But why did they take it out on me?

00:50:41A brakeman even slapped me on this guenge.

00:50:44Offer the other one.

00:50:45Offer the other one.

00:50:46Offer the other one.

00:50:46If we don't strike, it's not my fault.

00:50:48Ours is an international company.

00:50:50But what are they doing with that TV?

00:50:51You're almost my son-in-law, but who says I want to watch the game?

00:50:54We watch the news, not the game.

00:50:55No, I'm testing the new electronic exchange.

00:50:58Oh, right.

00:50:58I'm coming with her.

00:51:04The general manager of the Italian branch of the international sleeping car company

00:51:08he was involved in a serious episode of union intolerance

00:51:11following the following appeal addressed to its employees.

00:51:14Strikers and strikebreakers, if we stay united in working together

00:51:19we will make our company stronger.

00:51:21Our president is more important

00:51:23and the dividends for the shareholders will be richer.

00:51:26Despite the strike, some international trains are still running

00:51:28They also managed to reach Rome today.

00:51:32But is it Marisa?

00:51:32This is the sleeper train from Munich.

00:51:34And it comes from Monaco?

00:51:36Who was that man?

00:51:37And you take it from me, you take it from her.

00:51:39He can't let her use the trains to go for a walk.

00:51:41But what do you want from me? The girlfriend is yours.

00:51:43Yes, but the daughter is his.

00:51:44And maybe she's not my girlfriend anymore, okay.

00:51:46No, it's in the position I'm in.

00:51:47If a fear arises, I will face my resignation.

00:51:58Here I am.

00:52:00I don't know why, but I feel so tired.

00:52:01I wish you a hundred of these days, you know.

00:52:04But I was confused, we are in Munich.

00:52:06We are in Rome here.

00:52:08Rome?

00:52:09And you?

00:52:12How are you going this way?

00:52:13I travel by plane.

00:52:15For your birthday I think this is a big surprise.

00:52:18By plane?

00:52:18Ia.

00:52:19What a great idea, well done.

00:52:23Ingrid!

00:52:24No, this way, you're wrong, exit that way.

00:52:26I know, but I want to use under passage.

00:52:28But why do you use it?

00:52:29Yes, precisely because nobody uses it.

00:52:30Let's set a good example.

00:52:31Hotel Principe Alberto.

00:52:40But wait to leave.

00:52:41Of course, I've only been stuck here for three hours.

00:52:45I was hoping that you would bring your family to where you live, in Rome.

00:52:48When do you think about them?

00:52:49The night.

00:52:50You don't want to?

00:52:53Measles.

00:52:54They all have measles.

00:52:57Doesn't he also have to?

00:52:59Eh, eh, her too.

00:53:01In fact, it was she who infected everyone else.

00:53:04Ingrid, I forgot to give the passenger a passport again.

00:53:12No, the opposite.

00:53:14Listen, darling, you go ahead and I'll catch up with you later, okay?

00:53:18Excuse me.

00:53:19Hotel Principe Alberto.

00:53:20Yes, I understood that.

00:53:21Am I really leaving this time?

00:53:23Sure, in fact, please leave right away.

00:53:28Attention, to the budget...

00:53:29You!

00:53:32Vittorio, a hundred of these days.

00:53:33Are you crazy?

00:53:34You know I had a terrible night.

00:53:37Oh, yes.

00:53:37I think I fell asleep when we had already arrived in Munich.

00:53:40No, in Rome.

00:53:41But come on, let's go home now so we can rest, okay?

00:53:43Let's go.

00:53:44I'm going to be a little late today.

00:53:46I have to deal with a very important client.

00:53:49You caught a cold in church, there's not much to cough about.

00:53:53I didn't cough, I just coughed a little.

00:53:55You're not a man, you're a Boy Scout corporal.

00:53:59Little Wolf.

00:54:00So, the princess hotel of the little princes, of the principalities.

00:54:03But are we even princes?

00:54:05Huh?

00:54:06No, nobody.

00:54:07Ah, yes, the doctor.

00:54:08That doctor, you know, I don't remember his name.

00:54:11Pilgrims.

00:54:11Ah, here you are, Pellegrini.

00:54:12I thought there was a P.

00:54:13Actually, two.

00:54:14Professor Pellegrini.

00:54:16I feel very tired.

00:54:17It's playing.

00:54:23Huh?

00:54:24Professor Pellegrini?

00:54:25Yes, listen, I'm Mrs...

00:54:26Oh, I...

00:54:27Oh, sorry.

00:54:28I am...

00:54:30Do you remember me?

00:54:31I'm Vittorio Coppa.

00:54:32Do you remember?

00:54:34Sorry, I'm still not over the shock.

00:54:39Of course, doctor, of course, very kind.

00:54:41When she said, better immediately and I rush to her.

00:54:46I'm coming too.

00:54:46Oh no, what's the need?

00:54:47I do it myself.

00:55:00You give a penny, ya?

00:55:02No, look, it's not true.

00:55:04It's all a fairy tale.

00:55:04I have to make sure I come back here.

00:55:06But look, it's a fairy tale.

00:55:07No, you know there.

00:55:14There it is!

00:55:34It's been three hours since I won from Professor Pellegrini.

00:55:58Who knows what he's doing to him.

00:55:59Why don't you call him?

00:56:01No, I might bother them, maybe you know.

00:56:04Good, yes.

00:56:07Just Roberti.

00:56:10Leave everything alone and go play in grandma's room for a bit.

00:56:18Professor Pellegrini is not seeing anyone today.

00:56:21The professor...

00:56:23Sorry darling, but I really have to go to the doctor.

00:56:28He's waiting for me.

00:56:34I was there when he called.

00:56:53It was the professor himself and he told him to go right away.

00:56:55In this, men are formidable.

00:56:57They cheat you by always telling the truth.

00:56:59Did you find the one who lets herself be fooled?

00:57:02But what can you know about a man who travels all day and spends his days abroad?

00:57:05I know everything he does.

00:57:06It's not Roberto.

00:57:07Maybe he's smarter.

00:57:09Where is he sleeping?

00:57:10Huh?

00:57:10And be careful.

00:57:12Forget about it.

00:57:13He sleeps in the railway worker's house and women don't enter.

00:57:16None.

00:57:17You know what you want to know.

00:57:18Victor.

00:57:23HI.

00:57:27Little sister.

00:57:29Welcome back.

00:57:30We all love each other.

00:57:32Gymnastics is the gym.

00:57:34They are all women.

00:57:35What am I now?

00:57:35It's a salamander.

00:57:40But what a strange man this Professor Pellegrini is every time.

00:57:44Yeah, huh?

00:57:45No?

00:57:46Strange.

00:57:46Especially on Thursdays.

00:57:48Huh?

00:57:49The studio doesn't even open on Thursdays.

00:57:51It closes.

00:57:52He doesn't receive.

00:57:53Where have you been?

00:57:58Good.

00:57:59Go ahead and spy.

00:58:00Do the 007.

00:58:02Well, you should know that Professor Pellegrini made an exception for me today.

00:58:07Understood?

00:58:08Because he had mercy.

00:58:10He took pity on a poor husband who had ended up like this because he only thought about work and family.

00:58:15No, at work and family.

00:58:17And you spy on me.

00:58:18But no, Vittorio.

00:58:19Yes, Vittorio.

00:58:20And do this today, my feast day.

00:58:26Thanks for the flowers.

00:58:27Victor.

00:58:34Please.

00:58:35Are you okay here?

00:58:36Isn't there a table left to go?

00:58:37No sir, but you'll be fine here.

00:58:40Do you want more?

00:58:42Waiter who...

00:58:43Thank you.

00:58:48You know, big places are always very crowded, but in a small trattoria you don't meet anyone.

00:58:54Relax.

00:58:57What to have?

00:58:58You are very nervous.

00:59:00No, nothing, I'll call the doctor, I had completely forgotten.

00:59:06Sorry dear, I'll be right there.

00:59:07Good morning, I'm German, I guess.

00:59:11And she'll give it to me, I think.

00:59:13No, no, no, look, I'm a close friend of Vittorio's, he's almost a relative.

00:59:18Oh, sorry.

00:59:19Vittorio, set our table.

00:59:21No, no, I don't want to disturb.

00:59:22No, go ahead.

00:59:26Here you are.

00:59:27Vittorio, look who's here.

00:59:31I'm watching, I'm watching.

00:59:35What a surprise, huh.

00:59:38Come on, make the introductions.

00:59:39Why?

00:59:40This isn't your German blonde.

00:59:42No, this is yours.

00:59:42Come on, Vittorio.

00:59:43What a friend you are.

00:59:45Why do you want to keep this lovely lady hidden?

00:59:49Do you know?

00:59:51Among us friends, you have the merit of giving us the example of a moral life.

00:59:54My life is moral, do you want to argue otherwise?

00:59:56On the contrary.

00:59:59Don't worry about that.

01:00:01Stories about him from women I've never heard before.

01:00:03She knows this is what a woman likes a lot.

01:00:06Yes, you think that for him marriage is sacred.

01:00:09Why?

01:00:09Isn't it sacred, you think?

01:00:11So?

01:00:12Certain.

01:00:13I perhaps want to ask if that lady is his mistress.

01:00:16Of course, that's your lady.

01:00:19That's your lady.

01:00:20Oh, yes, of course.

01:00:22This...

01:00:23My lady.

01:00:24This is my wife.

01:00:26Of course, this is your wife.

01:00:28Why don't you come to this table too?

01:00:30I have many things that Vittorio doesn't know to talk about.

01:00:34Of course, I will be very happy to speak.

01:00:36Don't believe him, he's a complete liar.

01:00:44Even when he said you were good?

01:00:46Now, but as soon as he drinks a glass of wine.

01:00:49Transport strike, including international trains suspended starting tomorrow.

01:00:54General strike of all transport, trains, buses, planes.

01:00:57We too are in sleeping cars.

01:00:59He's giving us a birthday present. Tomorrow we're not leaving for Munich and we're staying here together.

01:01:03Ah, together with Rome?

01:01:06I had it in Mordile, tomorrow you can meet the family, ya?

01:01:09You can't, you're kidding.

01:01:12You come.

01:01:12You?

01:01:13We must rebel against this strike.

01:01:15You know, for me it's the government that wants to start a revolution against state employees.

01:01:19They're crazy.

01:01:22Okay, you had an audition in Munich, but you had to go in a sleeper car.

01:01:26Even Mary's daughters, even the friars travel in sleeping cars.

01:01:29But it is a separate compartment, and a friar never sits arm in arm with a man.

01:01:32But what is a man?

01:01:32She was loved on the news.

01:01:34Then you saw me coming.

01:01:35Everyone saw me coming, even the idiot who now doesn't want to marry you anymore.

01:01:38Not all TV comes to harm.

01:01:40But how will I do it?

01:01:41The scandal, she cheater.

01:01:43If that idiot leaves you, his other nobodies father, the vice president, will kick me out.

01:01:47If I married the father who was already two years old...

01:01:49How can you even think that?

01:01:50Do you want that old slob to marry my daughter?

01:01:53If anything, he would marry her lover, the driver.

01:01:55And then I'll marry the son.

01:01:57Look, it's very difficult.

01:01:58He feels like he's bringing them to the corn and the doors.

01:02:01Which doesn't suit him at all.

01:02:04Cesarino!

01:02:05The council met urgently.

01:02:07When?

01:02:07Not even half an hour ago.

01:02:08What do you have against me?

01:02:09I discuss the results of his appeal on TV.

01:02:11Caesar.

01:02:11Marisa, there is now an irreparable sleeping car between us.

01:02:14Ah, but it's a drama of jealousy.

01:02:16That I'm jealous?

01:02:17It's stupid, I didn't leave.

01:02:19I wasn't in the sleeper car, it wasn't me, stupid.

01:02:21Swear.

01:02:22I swear this to you on the most precious thing, our love.

01:02:24But having thought that is an insult and I assure you, you will pay for it.

01:02:27If even your father fell for it.

01:02:29The squalid images of Termini station in Rome.

01:02:32Deserted, lifeless.

01:02:34Total paralysis occurred today,

01:02:36with the suppression of international trains

01:02:38and the participation in the strike by the employees of the sleeping car company.

01:02:42However, the images we show you should not mislead you.

01:02:46Words and ideas live on.

01:02:49Friends, don't strike!

01:02:52You can't imagine how important it is for some of us not to strike!

01:02:57Calm down, calm down!

01:02:58There are those who have a wife and a family

01:03:00and there are those who are in even more trouble.

01:03:02Signs that my appeal has not fallen on deaf ears.

01:03:06Think, friends, of those who wait to go to their wife

01:03:10or worse, to someone who has a wife to send away.

01:03:12Well, it's that he takes the plane, you might say.

01:03:14Well, here, good, but you can't, they're on strike.

01:03:17And what's he doing? He's not going crazy!

01:03:22It's better if you send for him.

01:03:24The appeal worked.

01:03:25Yes, why not?

01:03:26For a mother who absolutely has to go from Rome, let's say to Germany.

01:03:30A mother who never even had a child.

01:03:33But at least we will feel happier, more at peace.

01:03:40Good, I'll feel more at peace too.

01:03:43Friends, for these wives, that is, for these mothers who do not leave,

01:03:47Let's call off this strike!

01:03:49Or at least let's postpone it for a week,

01:03:52a couple of days, in between, but what do you want?

01:03:55Yes, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel.

01:04:01It's a peel, it's a peel, it's a peel, it's a peel, it's a peel, it's a peel.

01:04:04But what do you want?

01:04:04It's a peel, it's a peel, it's a peel.

01:04:06It's a shell we deserved, they accepted your demands that I was telling myself on the Vendola bridge, white flag.

01:04:15congratulations on your appeal

01:04:24Thank you

01:04:25your beautiful father it would be a nice gesture

01:04:28I won't talk to him until I'm sure the girl in the sleeping car wasn't his daughter.

01:04:33she apologizes

01:04:34commands

01:04:34Can you tell me what time we can go on strike?

01:04:36well you know the strikers don't go to work

01:04:39ah yes she is their first feature

01:04:42but excuse me, what strike should I go on?

01:04:44that of railway trains

01:04:45oh yes

01:04:45well they could also have a timetable if it's a stop-and-go strike, a staggered strike, a sessional strike

01:04:51the hours vary with the category, the union

01:04:53if I strike them in a chain, in white

01:04:55if you want to vaguely inform me

01:04:56tell me what you know is ready

01:04:58my husband said stay here, I'm going on strike

01:05:00oh yes

01:05:01I'm vague, I'll go and call right away

01:05:04I'm sorry ma'am

01:05:06but at this moment the strike in my category is starting

01:05:09Until we meet again

01:05:10It's always a pleasure to deal with you again

01:05:13oh good morning, how are you?

01:05:17she's angry about last night maybe

01:05:19No

01:05:19I found you told that I'm waiting here

01:05:21where is he?

01:05:22well now he will definitely be with you

01:05:24with his colleagues in the electoral carriage

01:05:28I don't know what time it is, but it's a strike

01:05:30yes, and indeed there is a strike

01:05:32that's exactly why a strike

01:05:34to set the times in case

01:05:35oh no no, thanks Dante

01:05:36but don't continue because you don't understand

01:05:38can you do me a favor instead?

01:05:41willingly, whatever he wants

01:05:43How can you refuse a favor to such a beautiful woman?

01:05:47she knows that Vittorio seems to travel

01:05:49I'm always very alone in Monaco

01:05:51I know nothing about the case where he lives here

01:05:53Can't you give the address of where he lives?

01:05:56Vittorio's address?

01:05:58the address...

01:05:59I'll gladly give it to you

01:06:00I'd love that

01:06:01via... via Fausta

01:06:0327, interior 7

01:06:07And...

01:06:09Until we meet again

01:06:12Until we meet again

01:06:13well if...

01:06:14if you could go to him and maybe buy it

01:06:19I don't know where he lives and I don't know how to buy a man

01:06:21It's like buying a bottle of ham

01:06:23there will be a big price difference

01:06:25I'll try, but what if your father asked him?

01:06:28we would save a lot of money and we would also be safer

01:06:30my father is too honest, he can't do it

01:06:32thanks, then I'm dishonest

01:06:34and also a fool who throws away money

01:06:35maybe, but for once I ask you something

01:06:37I'll do everything for you, I'll even go to this guy and buy it

01:06:40but I want the address

01:06:41I can also buy the wife, I would make a whole block

01:06:43you know, now I'm sorry

01:06:45no, I go there and tell him that it's about a lady's honor

01:06:48daughter of its general manager

01:06:49and as a good gentleman he already sets a friendly price

01:06:52Do you want to bring this address?

01:06:54why not?

01:06:55Thank you

01:06:55no, no, no, where are you going?

01:06:58the lady goes to the terminal station

01:06:59yes, yes, just mount it

01:07:00but don't go on strike

01:07:02it's over, luckily we can go back to Monaco

01:07:04did he give you this address?

01:07:07What is your relative like, do you know?

01:07:10I have to talk to him, you know

01:07:11cup

01:07:12yes, yes like hello

01:07:15or as tinsel

01:07:15p like like mush

01:07:17as in air

01:07:18cup, already

01:07:19what, if I'm kidding

01:07:22but listen, if you also know how to write it

01:07:24but why does it make me breathless?

01:07:25he's not at home and when will he come back?

01:07:28I'm speaking from Munich and it's urgent

01:07:29where can I find it?

01:07:31but how here?

01:07:32but the service order speaks clearly

01:07:34he is in Rome

01:07:34wait, wait, wait

01:07:35maybe

01:07:36yes, maybe there was a change

01:07:39if he is in Monaco

01:07:40oh yes, yes, yes, of course

01:07:41it's clear

01:07:42I beg your pardon if I disturbed you

01:07:44Who did I speak to, excuse me?

01:07:46with Mrs. Coppa

01:07:47ah, mom

01:07:47but no, not the mother, the wife

01:07:49but I'm speaking well with Rome

01:07:51so now back to Rome

01:07:53I knew it

01:07:54but how again?

01:07:56I have never moved from Rome

01:07:57but about me

01:07:58but I didn't speak well

01:07:59not many days ago the phone with her

01:08:00here in Monaco, Mrs. Roma

01:08:02Mrs. Coppa

01:08:03with me?

01:08:04with Mrs. Coppa

01:08:05with Vittorio Coppa's wife

01:08:06Moses

01:08:07in Monaco

01:08:08Moses really?

01:08:09he remembers that she called

01:08:10where I live with her husband

01:08:11as?

01:08:13I live in Monaco with my husband?

01:08:14Yes

01:08:14but look, you're making a big mistake, you know?

01:08:17oh well, she gave it to me too

01:08:19his address in Monaco

01:08:20I?

01:08:22Mrs. Coppa

01:08:22I told her where I live in Monaco

01:08:24but I also wrote it

01:08:25do you want me to read it to you?

01:08:25Yes

01:08:26Yes

01:08:26as?

01:08:29tirgartenstrasse 24

01:08:31tirgartenstrasse 24

01:08:33Monk

01:08:34more is needed

01:08:35thank you very much

01:08:35this is too much

01:08:38you understand a little friend

01:08:40but two wives, two ladies Coppa

01:08:42sacred marriage

01:08:43but who understood?

01:08:44but that was crazy

01:08:45spoke in Munich

01:08:46with Vittorio's wife

01:08:47another lady Coppa

01:08:49I didn't break his head

01:08:51it's not possible

01:08:52it's not possible

01:08:53what are you doing this walk

01:08:54and you see everything with your little eyes

01:08:55but I went from Mocca to Monaco

01:08:56he has already missed the train

01:08:57and you go there by plane

01:08:58but yes, it's an idea

01:08:59you arrive while he is still travelling

01:09:00if everything is okay, start again and shut up

01:09:01this is the address

01:09:04Mrs. Coppa

01:09:14yes, but please come in

01:09:16I think it's better

01:09:16sorry if she doesn't speak Italian well

01:09:18learning a language seems like a torture

01:09:20but Italian really bitter damn

01:09:22I think we have a lot to talk about

01:09:23so I learn

01:09:24she tells me everything I don't know

01:09:26and we get along I think

01:09:27but she hasn't asked me yet

01:09:29what does he call me

01:09:30oh, I don't give much importance to a name

01:09:32and now we have a lot of work to do

01:09:34I have a husband who seems to travel

01:09:36which arrives here very soon

01:09:37so I would all be

01:09:39oh, when he comes

01:09:41only half a week left in Monaco

01:09:43here we eat

01:09:44where is she from?

01:09:51um, from Rome

01:09:52Rome, think how happy Vittorio is with this

01:09:56my husband is also Italian

01:09:57Sicilian

01:09:58I don't know if maybe she also knows

01:10:00like the true Sicilian man

01:10:02don't you know a man from Sicily?

01:10:05ah, I mean, no

01:10:06I thought I knew him

01:10:08do I bite maybe?

01:10:10no, not yet

01:10:13but now we have to tidy up the room

01:10:15and make the bed too

01:10:16ah, yes, the bed is very important

01:10:19I'm going over there

01:10:20come back, I'll give them to you

01:10:23the half-time wives

01:10:27we'll have breakfast later

01:10:49Oh

01:10:50Oh

01:10:50devil

01:10:53huh?

01:10:54Oh

01:10:55Oh

01:10:56Oh

01:10:57Oh

01:10:58Oh

01:11:11Oh

01:11:11already here

01:11:11I make a dessert and come back right away

01:11:14a moment that will be an eternity for me

01:11:15strange, for a moment it seemed to me

01:11:33she is his wife married

01:11:37nothing but

01:11:37in church and in town hall

01:11:39via Fausta 27 where you live

01:11:42but why?

01:11:43then she knew

01:11:44he knows of his family who are very hospitable

01:11:46he's not making fun of my family, you know?

01:11:48I say what he says

01:11:50which is also his family

01:11:51Enough

01:11:52because it's her husband's family

01:11:53family cut it off for me anyway

01:11:55but who told him?

01:11:56you have measles

01:11:57but what measles?

01:11:59But do you think how much he made fun of us?

01:12:00I didn't believe her, she didn't believe him that much

01:12:03it's here

01:12:04we know everything

01:12:05you think he made me believe

01:12:07than here in Monaco

01:12:08he lived at the railway worker's house

01:12:10like in Rome

01:12:10but I pile it up

01:12:12no, I'll kill him first

01:12:14it's up to me, I said it before

01:12:15this one then

01:12:16now we do

01:12:18so in Rome

01:12:19in Monaco

01:12:21in Monaco

01:12:22to Teresa

01:12:22No

01:12:23Teresa is in Rome

01:12:25in Rome

01:12:26in Rome and in Munich

01:12:28in Monaco

01:12:30taken in Monaco

01:12:32No

01:12:33yes yes

01:12:36Victor

01:12:38Yes

01:12:44listen a little

01:12:46I'm feeling

01:12:49get me the bath salts

01:12:51what are you doing in the bedroom?

01:12:52yes yes

01:12:53bath salts

01:12:54for my little wife

01:12:56do you know where the bath salts are?

01:12:59here it is

01:13:00Thank you love

01:13:01here are the bath salts

01:13:03for the lady

01:13:04Thank you sweetie

01:13:05I'll do it right away

01:13:05Victor

01:13:13Victor

01:13:16there he is

01:13:16are you here?

01:13:31you forgot bath salts

01:13:33bath salts

01:13:35I gave them to you, didn't I?

01:13:38No

01:13:39No

01:13:39if you don't want to take

01:13:40I'll go to the room

01:13:41no, it's just what I thought

01:13:43but when was it

01:13:45the salts

01:13:48but look

01:13:50bath salts

01:13:51but if you gave them to yourself a moment ago

01:13:53oh yeah

01:13:53you gave them to me

01:13:54a moment ago

01:13:56but

01:13:58Monaco Rome

01:14:05Rome Teresa

01:14:07Teresa Monaco

01:14:08for ingrid it changes

01:14:10where is his wife?

01:14:12who is his wife?

01:14:14does he have a wife?

01:14:15he doesn't have a wife

01:14:16but he has two wives

01:14:17what does she do?

01:14:18does he live here?

01:14:21or does he live there?

01:14:22think about it for a bit

01:14:23don't you know?

01:14:24where you go?

01:14:26she has two wives

01:14:27half and half

01:14:28lives two lives

01:14:30half and half

01:14:31it explodes and gets lost

01:14:32he neither takes nor gives

01:14:33will defeat

01:14:35you vittorio

01:14:37great idea he had

01:14:46he made me slip away

01:14:48poor guy

01:14:49it's my son who's running away

01:14:50she doesn't want to kill anymore?

01:14:51Well

01:14:51I can do whatever I want with my husband

01:14:53what does he mean he does what he wants?

01:14:55my husband does nothing to her

01:14:56don't even touch

01:14:57as?

01:14:59are you joking or is there proof?

01:15:00if anything he would also be her husband

01:15:02a cabbage would be Vittorio and my husband

01:15:05as much as a single wedding is worth

01:15:07Right

01:15:07and she will tell us which of the two

01:15:09thank you all

01:15:11thank you all

01:15:12thank you all

01:15:14Thank you all.

01:15:44Thank you all.

01:16:14Thank you all.

01:16:44It's very important. What else is this, German or Italian?

01:16:48Are you kidding? Italian?

01:16:51We're all from Naples here.

01:16:52Afterwards, afterwards, I knew it, blessed.

01:16:55But do you know that yes, yes, it still takes a little while?

01:16:56I thought we were in Munich.

01:16:57Alex, I feel sick.

01:17:09You can't be sick, haven't you eaten pizza yet?

01:17:11I'm taking it home, right?

01:17:13At home? Are you crazy?

01:17:14It comes from a wife, right?

01:17:16From which wife?

01:17:17From Ingrid.

01:17:17I... Teresa?

01:17:20Ingrid!

01:17:21Tiergartenstrasse, Munich.

01:17:23No, not there, not there, not there.

01:17:25I want to go to Rome.

01:17:27I have to go to Rome.

01:17:28In Rome.

01:17:29Rome.

01:17:30Over there.

01:17:31Rome.

01:17:31They all sell with perfect regularity.

01:17:36Special praise goes to the Italian director of the Vagone Letti company for his well-known strong, overwhelming, effective appeal.

01:17:45Paid?

01:17:46The idea is mine.

01:17:47The advertising office has orders to do the same with other newspapers.

01:17:49But I found Marisa's train conductor and do you know who he is?

01:17:52Do you think I have time to deal with this nonsense?

01:17:55And then we still talk about it.

01:17:56Marisa swore she didn't take that trip.

01:17:58I believe in it, my daughter.

01:17:59Even my father, however, says, it's always better to check.

01:18:03But have you had these comings and goings of conductor here?

01:18:05That tele I called to thank him for being supported by his companions.

01:18:08This other one who has now come to testify.

01:18:09It's not another, it's the same.

01:18:11It's always him.

01:18:12It's a good item, it has great information.

01:18:15We don't want them at home anymore.

01:18:17Lucky if...

01:18:18Sorry, I'd like to buy it, but I don't...

01:18:19This is Mr. Coppa.

01:18:21Please join us.

01:18:22Yes.

01:18:23Bring me the toothbrush.

01:18:24It's pajamas.

01:18:25Sorry Sam, we're in a hurry.

01:18:27The host will be here shortly.

01:18:28My father observes that you thank him and that you value his gesture.

01:18:31Of less importance is his appeal.

01:18:32Right, I tell him.

01:18:33She saw my appeal.

01:18:34Thank you for obeying.

01:18:35Dad says to make sure he doesn't ask for a bonus.

01:18:38Let alone dream of wanting something.

01:18:39The bonus will go to his general manager.

01:18:41What does he have to do with it?

01:18:42He also made the appeal, let's give the raise.

01:18:43Already asked.

01:18:44It's already denied.

01:18:46Oh, I see you're happy.

01:18:48Bye dear.

01:18:49But why?

01:18:49Are you here?

01:18:50Propita now?

01:18:52Good morning, Marisa.

01:18:52Ah, you are really fiery and impetuous.

01:18:55When does this story end?

01:18:56It doesn't do much, you'll see.

01:18:58Excuse me, there's that host you called.

01:19:00Ah, I'm happy.

01:19:01Kendry, with all the work I have, the paperwork, the advice, the appeals on television,

01:19:09do I even have to take care of these things?

01:19:12Good morning, you already know why I called you.

01:19:15It's about getting to the point...

01:19:16This is what a certain lady claims.

01:19:18I know, I know.

01:19:19Do you know?

01:19:20Then he knows her.

01:19:22Of course I know her.

01:19:23Be clear in your answer.

01:19:25I confess everything.

01:19:26Would you like to tell us when you saw this lady recently?

01:19:31Huh, that lady?

01:19:36Yes.

01:19:36But I don't know her, I don't know her at all.

01:19:39Huh?

01:19:40What now, idiot?

01:19:41You were so sure you wore horns that it's a real shame to send you out without them, but can I make up for it?

01:19:45No, Marisa, not the horns.

01:19:48Such an honest girl, isn't it foolish to suspect her?

01:19:51Huh?

01:19:52Mr. Director, I had to lie, but I want to be honest with you.

01:19:55Don't even try!

01:19:56I've never seen it.

01:19:58Good, do you know why I called you?

01:20:00Yes, Brigadier, Mr. Director, I know.

01:20:04He also knows about my appeal to the employees, it concerns his case.

01:20:08I imagine, I know cases like mine have been on the rise.

01:20:11We're not even talking about a raise, but I want you to know that if I live to be a hundred I'll never forget the ones he sliced.

01:20:16But what did I do, anyway?

01:20:17What every man does.

01:20:19I have, I have, I have, I have, never.

01:20:21You really have a lot of courage, you know?

01:20:23Yes, okay, fine, I've had two women instead of one, but that's not what all men do.

01:20:26But I know I married them both.

01:20:28Are you trying to make me believe you don't have a girlfriend, perhaps?

01:20:32How do you know?

01:20:32I could tell you a lot about what happens on Vagoriletto, some nice stories.

01:20:36If fiat, woe to her...

01:20:37We want to tell the truth.

01:20:38No.

01:20:38Who knows how many times he thought about marrying a woman he loved, even though he was already married.

01:20:42And I must have thought about it, and of course...

01:20:45I didn't do it anyway.

01:20:47I did it.

01:20:48I did it because I loved them both.

01:20:50I believe in marriage.

01:20:51I have never cheated on my wives, I am a faithful husband, not a dirty man like you others.

01:20:54But I see why you're getting married.

01:20:55Under the law, we are all equal, Mr. Judge.

01:21:03But for medicine, no!

01:21:04There are those who cannot satisfy a wife and those who are born bigamous.

01:21:08He is an abnormal person who confuses sexual impulse with a feeling he calls love.

01:21:12And he loves with her whom he marries.

01:21:14While others marry their wives and love their lovers.

01:21:17Bravo.

01:21:17Have you heard how he speaks?

01:21:19But this is blessed.

01:21:20Bigamy is antisocial.

01:21:22He loves only his own wives and does not give his sexual support to other women.

01:21:25Better, me.

01:21:26Silence!

01:21:26Auctions are welcome!

01:21:28If for you it is a crime to marry more than one woman, for me it is more and a cyclical barbel.

01:21:32Bravo.

01:21:33And neither.

01:21:34We all wish we had many wives, but then we think...

01:21:37It's hard to please one, not always.

01:21:41It never happens.

01:21:42But if bigamist is impudence, insolence,

01:21:44to mate with two wives and make them happy.

01:21:47To the point where everyone wants it,

01:21:50Get rid of this physical and offensive monster.

01:21:53Bravo.

01:21:57Bravo.

01:22:00Silence.

01:22:03The court thanks the expert for his clear presentation

01:22:07and move on to the second point.

01:22:09it will be necessary to establish which of the two marriages is the valid one

01:22:14and which one is invalid.

01:22:17Exactly.

01:22:18Exactly this.

01:22:19When did the Teresa Cup wedding take place?

01:22:24October 8, 1966.

01:22:26And the one about the Ingrid Cup?

01:22:28Excuse me a moment.

01:22:29October 8, 1966.

01:22:32Silence!

01:22:33But it's safe.

01:22:34Of course.

01:22:34Defendant, this simultaneity is not possible.

01:22:39Unfortunately, yes, that's correct.

01:22:41We got married in Terracina and...

01:22:42Liar.

01:22:44Us?

01:22:44In Terracina?

01:22:45Me and Ingrid.

01:22:46Ah, gut.

01:22:47So, how did you rush to escape to Rome?

01:22:50Silence!

01:22:51Enough!

01:22:52I tell the police to make you go out of the classroom.

01:22:55But excuse me, there must be a way to establish

01:22:57which marriage was contracted first.

01:22:59On the Teresa Cup certificate...

01:23:02Well?

01:23:02There is only the date, there is no time.

01:23:05Ah, no, it's time.

01:23:06And on the other one?

01:23:06Not even on the Ingrid Cup certificate.

01:23:10But then, if that's the case, she is validly...

01:23:12married with both cups?

01:23:14Sorry, that's excellent.

01:23:16Silence!

01:23:17With formasse.

01:23:17He's not a husband, he's with one or the other, Mr. Judge.

01:23:20I'm getting married.

01:23:21Legitimate wife, I am before God.

01:23:23This most unfortunate that two relatives, Enrico Robben in Munich,

01:23:27He led me to the altar on May 3, 1965.

01:23:31Evening over.

01:23:31Seduced, abandoned, she left me.

01:23:33Console, console, your honor.

01:23:35Authentic and true magic, eh.

01:23:38Another wife.

01:23:39But then things change, but that's where they're not married at all, sorry, dear.

01:23:44For legal purposes, there is only one valid marriage.

01:23:47This one with...

01:23:48with Anzalone and Serafina, the real Coppa.

01:23:51Your Honor, what is my sentence?

01:23:55To the left, right?

01:23:56Only.

01:23:58Vittoriozzo, sooner or later you have to come home.

01:24:01I'm waiting for you and my brothers are waiting for you too.

01:24:05Is that true, Picciotti?

01:24:06Your Honor.

01:24:07One year is too short, what do I do with one year?

01:24:09It's too little.

01:24:10It's always my triga, your honor.

01:24:14Gentleman of the court, Mr. Judge, my wife, look at her.

01:24:18Sentence me for life.

01:24:19May I, Benedetto?

01:24:20Ah, I don't think so.

01:24:22You know that if you think it can happen, Calli?

01:24:24When does the male vomit look at his wife?

01:24:26Now, me.

01:24:27I don't believe he's been there for a year, with three loaded wives,

01:24:31who founded the company Umione wife of Vittorio Coppa.

01:24:34Then he wants him to go out,

01:24:35and none of them three think that he is calm there, that he is resting there.

01:24:39He does it so that he gets a good one.

01:24:40And when he goes out he jumps from one wife to another,

01:24:42and he can't even get married.

01:24:49Go and come back, and don't be fooled.

01:25:19Thank you all.

Professione Bigamo - FILM

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