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Blue Lights Season 3 Episode 5

#RealityFocusAmerica

Category

😹
Fun
Transcript
00:01How did you find me?
00:03Fogarty's gonna bring you down.
00:05He's running this place like it's in our city Dublin.
00:07You can't do that.
00:08Getting rid of me was a mistake.
00:10The poolers, they don't play by the rules.
00:12It's a big ask.
00:13I'm gonna need something in return.
00:14Mo McIntyre, no way.
00:16That's a list of four names.
00:17Maybe the people who are after us.
00:19Where did you get this?
00:20Ashlene went back to the house
00:21where we delivered the death notice.
00:22She went to see John O'Boyle.
00:24Ashlene, I need you to come in.
00:25That's an order.
00:26I don't wanna lose you.
00:28You just have.
00:29These are the men from that list.
00:31They're part of a bigger dissident group coming out of Derry.
00:33They're guns for hire.
00:34They're working for somebody else.
00:36The Guinness.
00:37What about the app?
00:38We're still trying to find an open phone with access to it.
00:40You don't have a clue, Grace.
00:42Well, I do.
00:43I grew up in care.
00:44Yeah.
00:45So did I.
00:46I said it because that kid needed to hear it.
00:48And I didn't.
00:49His name was George.
00:51At one of the parties, he wanted me to say his name.
00:54Just tell me what happened.
00:57There's a threat.
00:58It's active.
00:59We need to get out of here.
01:04No, no, no.
01:05No.
01:06No.
01:07No, no, no.
01:07No.
01:08No.
01:09No.
01:10No.
01:12No, no.
01:13Sorry, Father.
01:21Your grant, come on in.
01:26Oh, God.
01:28Nice.
01:29Occupational hazard.
01:32Not as bad as the ones you have.
01:36The mascots.
01:37Yeah.
01:43She had a lot of friends.
01:46Yeah, she did.
01:49I think that you're not supposed to be here.
01:52Sergeant McCluskey's outside.
01:54He said I had five minutes, so...
01:58Oh, sit in a minute.
02:13You know, I was with her a few hours before she died.
02:23She's very proud of you, Annie.
02:26Of what you're doing.
02:28Yeah.
02:31She told me.
02:32Listen, I, um...
02:42I need to tell you something.
02:47See, you're not the only one.
02:50What do you mean?
02:51Oh, I'm across two parishes up here,
02:54and in the last two years,
02:56those three police officers had to leave.
02:59Same thing.
03:00A black wreath and a bullet.
03:03All delivered differently.
03:05I should have said it the other day,
03:06but everything happened so fast.
03:08They all wanted to keep quiet.
03:12You know, this area, it's...
03:15It's not known for that sort of thing.
03:20I just can't...
03:22think of anyone around here
03:24who would go to those lengths.
03:27It doesn't make any sense.
03:28Listen to me.
03:34Someday.
03:36You need to come back here.
03:39Be part of this place again.
03:42Just have faith.
03:43Faith.
03:53Faith.
03:55Yeah.
03:57You know,
03:58the way I see it,
03:59this world is mainly
04:01faith versus shite.
04:05It's okay.
04:07It doesn't mind.
04:10Are you sure?
04:11Fear of all men,
04:13размер.
04:20Faith versus shite.
04:36Fear of all men.
04:36Fear of all men.
04:38Fear of all men.
04:39Fear of all men.
04:40Fear of all men.
04:40Fear of all men.
04:41You're not having any breakfast?
04:48I'm not hungry.
04:58Look, do you want to talk about this?
05:11Maybe you're right, Grace.
05:14Right about what?
05:17About everything you said.
05:20Maybe it's all just too much.
05:24Like, maybe at RAs you only ask so much of someone, you know?
05:30Maybe sometimes it's too much.
05:41I've got to get to work.
06:11Do you know where she's gone?
06:32It's a residential place. In Berkshire.
06:38Berkshire?
06:40They deal with PTSD.
06:46There's no phones, no contact with the outside world.
06:49Not even a TV.
06:51Just a lot of talking.
06:53You go for a walk in the hills, read a book,
06:56think about things.
07:00It's not like a magical solution.
07:04It's just a place to start from.
07:07What I'm saying is, son, it takes time.
07:16How do you know?
07:18How do you think?
07:20You check your email?
07:26Ombudsman wants to see us after shift.
07:30In person.
07:32Good luck with that, lads.
07:37Up out.
07:40No comment.
07:44Oh, shit.
07:49I thought about what you said.
07:56The answer's no.
07:58You invited me here to tell me that.
08:13I invited you here to warn you off.
08:15For your own safety.
08:16I think the horse might have bolted on that one, don't you?
08:19You need me.
08:21I think you know that.
08:24This is way beyond your pay grade.
08:28I don't have a pay grade.
08:30Look, you don't get it.
08:32You've spent your life dealing in kilos, but I move tons.
08:36I represent very serious people.
08:41You don't work for the Ginleys, do you?
08:45They work for you.
08:49That's immaterial.
08:51Oh, I'd say it's very material.
08:53You need things to be quiet.
08:55Civilized.
08:57And they're doing the opposite.
09:00They're bringing the payers right to your door.
09:05You're under pressure.
09:06I know that feeling.
09:08Kilos.
09:09Tons.
09:10Don't make a difference.
09:12You lose one, you're fucked.
09:19Don't presume you know me.
09:25Good luck.
09:27I just...
09:40You don't like it?
09:42I don't like it all the time.
09:44I mean, I get it.
09:45You're cool.
09:51This is called tossing the grenade.
09:53How do you mean?
09:55Uh-oh.
09:56We're basically about to blow a family apart.
10:00Really?
10:02Yeah.
10:03Yeah, I'm ready.
10:04Search team, stand by.
10:05I'll give you the go ahead.
10:07Search team standby. I'll give you the go-ahead.
10:37Hello? Mr. McClelland? Yes?
10:46D.S. Sean Mulholland. This is my colleague Constable Ellis. Is your husband George McClelland then?
10:53George? Police are here. What? George? What's going on?
11:01It's all right, Orly. Go back upstairs. Mum? George? Sir, can we speak somewhere in private, please?
11:06I don't know. Sorry, what's going on? Would you just like to step through here for me, please?
11:09No, no, no. I need to know what's going on. They need to speak to him.
11:13Then they can speak to me, too. 7633, send in the search team.
11:17Do you say search team?
11:23What the fuck is going on? We need to go somewhere more private.
11:25We have a warrant to seize all electronic devices. You can't just barge in here.
11:29Any firearms? No, of course not. Anybody else in the house, sir?
11:33Er, no. Any drugs in the house? No!
11:36You don't need to live!
11:37I think it's probably wise we go somewhere a bit more private. Can we go in there?
11:40Do you need to live?
11:42OK, OK, OK. Yes, OK, OK. Yes. Yes. Come inside. It's all right.
11:48Annie.
11:54Forge. What is this?
11:56It's a business thing. It's no big deal. I'll handle it.
11:59George Maclellan, you're under arrest on suspicion of rape and making, distributing and possession of indecent images of children.
12:05You've got the wrong person and this is the wrong dress.
12:07No, it's the right person. You do not have to say anything.
12:09But I must caution you if you do not mention, when questioned, something which you later rely on in court.
12:14That's my phone. Stop. It's mine.
12:15I know. Look, we have to take everything. I'm sorry.
12:18Orla!
12:20Daddy!
12:22Daddy, what happened?
12:23Darling, come here.
12:24What did you do?
12:40Hi, Helen. I'd like to see you.
12:48Helen.
13:01This is always carried on C4. Firearms and civilians.
13:08So we're expecting trouble.
13:11Given this new intelligence, what we know about these men, their experience, their expertise.
13:16Yes, Inspector.
13:18We're expecting trouble.
13:20These are the four men on the list you gave us.
13:22They received training in Eastern Europe. Firearms. Explosives.
13:26They're the real deal.
13:28And if our assumptions are correct and they're being paid large sums of money for random attacks on police officers,
13:33well, that is as bad as it gets.
13:36How so?
13:37Well, we've no start point for a surveillance operation.
13:40An individual, location.
13:42Right now, we have nothing.
13:44All we can do is react.
13:46And how will we do that?
13:50Let's model it.
13:52Folks, can we listen up?
13:54Need you to spin a model.
13:56Random gun attack in a police vehicle.
13:58No warning.
13:59Let's make it as tricky as we can.
14:01Busy street.
14:02No prior intel.
14:03And let's assume we're going barrel to barrel.
14:07I'm forward basing two HMSU units at Blackthorn.
14:10For your protection.
14:11Make sure your people stay well away.
14:13They don't do chit chat.
14:15Kenny, bring me up BT1.
14:18Let's make it a Saturday.
14:194pm.
14:20Three vehicles.
14:21Three vehicles.
14:51Where are they taking him?
14:54For an interview at Blackthorn?
14:55He didn't do anything.
14:57He wouldn't do anything wrong.
14:59I'm sorry.
15:01Thank you, madam.
15:02Fuck off.
15:03You all good?
15:05What do you think?
15:06George McClelland has just been arrested on your watch.
15:22He made the transfer to the dissidents.
15:24Do you think he's going to talk?
15:26Maybe.
15:27Yeah.
15:29You've lost control.
15:31Well, I will get it back.
15:33In my experience, it's gone.
15:38It's gone.
15:42I will fix this.
15:48Fuck.
15:49They want to take him out.
16:04George and anyone who's with him.
16:06And they want me to tip them off.
16:07Fuck me.
16:08That ballsy.
16:09Tina, I can't have this in my conscience.
16:11Caden, your conscience is like tits on a tomcat.
16:13Tina, please.
16:14What am I going to do?
16:27Nothing.
16:30Do your job.
16:31Then do what Fogarty tells you to do.
16:36That's it.
16:37Well, you painted yourself into your coronary ear, Aidan,
16:39and you're wearing fucking clown shoes.
16:43Just do what you're told.
16:57Sandra?
16:58Yeah?
16:59Be careful out there today, yeah?
17:00Oh, you know me.
17:02Sandra, there's a court hearing today from Will McIntyre.
17:07Right.
17:09There's a possibility that we, as an organization,
17:11may withdraw our objection to his bail.
17:14What?
17:16Why?
17:19I can't...
17:21You can't what?
17:22I can't say.
17:23Helen, he was there when Gerry was killed.
17:26He's charged with joint Enterprise murder.
17:28I know, I know.
17:29You know.
17:31You know.
17:33Why are we even considering this?
17:38I'm sorry.
17:41That's all I can say, isn't it?
17:42Fine.
17:48Who are they?
17:49Mobile Support Unit.
17:52What?
17:53HMSU.
17:55Let's just say it's not a good sign.
17:58Are you okay?
17:59Let's just go, yeah?
18:00Let's just go, yeah?
18:27It's just you here today, yeah?
18:30You okay, ma'am?
18:31Yeah.
18:33I see we have some visitors in the car park.
18:36They can't that never turn their engines off.
18:39What's going on?
18:40Just keep your wits about you today, okay?
19:11The ribbon from your hair.
19:16Shake it loose and let it fall.
19:19This was Gerry's favourite song, you know?
19:22I can turn it off.
19:23No.
19:25Keep it on.
19:28Like the shadow on the wall.
19:32I get it now.
19:34I think.
19:35Only down by my side.
19:38How you're all feeling.
19:41They ask you to put your faith in this...
19:44Whatever it is.
19:47They ask us to risk our life for it and then...
19:49They just...
19:55You sure you're okay?
19:58Yeah.
20:00Sorry, I...
20:01I shouldn't be speaking like this.
20:16Sarge, stop the car.
20:18What?
20:19Pull over.
20:30Hello, sir.
20:31Hi.
20:32You okay?
20:33I'm great, son.
20:34How are you?
20:36My name's Tommy.
20:37I'm Ramey.
20:39Okay, Ramey.
20:40Well, we just wanted to make sure everything's alright.
20:43Why?
20:45Grant.
20:47And...
20:48Are you on your way somewhere?
20:50Oh, heading down to Broadway Street, son.
20:53Right.
20:54Where is that Ramey?
20:56I hope he's okay with.
20:59Ramey.
21:02Ramey, tell me this.
21:03What's your surname?
21:05Sir?
21:08Well, I...
21:10Well, I...
21:11Don't know.
21:13Well...
21:14Would you mind if I had a wee look in your pockets?
21:16I don't smoke any more, son.
21:18I gave that stuff up years ago.
21:20No, I...
21:21I just want to check for ID.
21:22That's all.
21:23Oh.
21:24You're right, son.
21:25But...
21:29I don't know.
21:34Raymond McEwan.
21:3512th to the 12th, 1955.
21:38That's sweet.
21:39Uniform from 7-2.
21:40Do we have an active Herbert Protocol form for a Raymond McEwan?
21:43Thanks.
21:447-2 from uniform.
21:46Roger that.
21:47Missing from his daughter's house since this morning.
21:49Found him?
21:50Uh...
21:51Yeah, we did.
21:53How do you know?
21:54Look.
21:59Bloody hell, mate.
22:01Do you want a lift?
22:03Oh, there.
22:07All call signs of uniform.
22:08Reminder that the terrorist threat level remains severe.
22:11Well, I'm gonna miss all those nice wee messages.
22:17Why?
22:19See what I gotta do?
22:20If you get the...
22:21the sack?
22:24I dunno.
22:26Maybe go...
22:27work behind the bar in a nice wee beach shack.
22:29Somewhere nice and warm or something, you know?
22:31You're not Tom Cruise, Shane.
22:33Uh...
22:34Annie...
22:42Do you mind if I...
22:45tell you something?
22:47That's a secret?
22:51Yeah, sure.
22:53Well...
22:55you know all the music I play in the car?
22:57Like, the electronic stuff that drives you mad?
22:59Yes.
23:00That's not really me, you know, it's not what I'm into.
23:09It's just, I'm more into, like...
23:13Well, it's one song in particular.
23:17Do you mind if I just play it for you?
23:20Yeah. Yeah, play away.
23:30Westlife?
23:34Westlife. Like you said.
23:36I might be getting the sack tomorrow, so who cares?
23:41You're not joking, are you?
23:43I'm not joking. Listen to it.
23:46It's a stone-cold banger. They're wee angels.
23:51It is a banger, you know.
23:52Thank you. Yes, yes it is.
24:00Everything we had, and if I found someone who's just like you.
24:06Oh!
24:07We got a little world of our own.
24:10I'll tell you things that no one else knows.
24:12I'll let you in when no one else knows.
24:147-6 from Uniform. Reports of a disturbance at Beckett's Restaurant.
24:17You three, over.
24:19Roger that, Barney. Uniform from 7-6 responding.
24:22What's my goal for that?
24:24What? You love it.
24:25Aye.
24:26Oh.
24:30Sounded good, Raymond.
24:54You like Chris Christopherson?
24:56Oh, aye.
24:57You made a mind in him?
25:00I don't care what's right at all.
25:09George, did you attend a party in Dublin last June?
25:15No comment.
25:19Did you have sexual intercourse at this party?
25:27No comment.
25:27Do you know I don't know Fogarty?
25:36No comment.
25:41George, these are incredibly serious allegations.
25:46No comment.
25:48We're going to deal with each of these in turn, OK?
25:50George, we need you to understand that you have been named by the complainant.
26:00She then subsequently ID'd you using a recent photograph taken from your business website.
26:15Do you have anything to say about that?
26:19I need you to come down here.
26:21No comment.
26:22Yeah, no.
26:23George, were you aware at any time of the making, recording, or distribution of images or video of you engaged in a sexual encounter with a child under the age of 18?
26:40No comment.
26:41The allegations here are ahead of the distribution of sexual images, rape and trafficking of a minor outside the jurisdiction.
26:56What do you notice?
26:57Today, we seized your phone and laptop.
27:00Does any such material exist on those devices?
27:03Or any other devices that you own?
27:06No comment.
27:09McAllister, there's something off about him.
27:11Way off.
27:13Yep.
27:15Years ago.
27:17No comment.
27:18I touched you on the shoulder to get you to join C3.
27:21You should really consider answering.
27:23Why didn't you?
27:24No comment.
27:25Order ab keo.
27:28What?
27:28You took me in a tour of the offices and there was a poster there that said, Ordo ab keo.
27:35Ordo from keo, yeah, so?
27:38I thought it sounded like you all wanted to play God.
27:43Didn't like it.
27:45No comment.
27:47I still don't.
27:50Fuck you!
27:53What is it in there?
27:55I didn't even come out in a toilet in the first place!
27:57Jesus, the service can't be that bad.
28:01She was doing drugs in the toilet.
28:02Okay, I'll take it from here, thank you.
28:04Can I move around there, Anne?
28:05Yep.
28:06Okay, guys, do you want to clear out for me, please?
28:07Back home, please, thank you.
28:11One of the kids left the door open when they went to school.
28:14They just slipped out.
28:15Doctors say he needs to go into a home, but I just, I just can't, you know?
28:19He's still my dad.
28:21Do you want to see my lodgings?
28:23Your lodgings?
28:24I'm sorry, he still thinks he lives in Nashville.
28:27No, Daddy, these people are very busy.
28:31Remy, I'd love to see your lodgings.
28:33Oh, my goodness.
28:47The Grand Old Opry, June 1983.
28:50That's me.
28:52Wheel on.
28:53There's Chris there.
28:54You lived over there for years, didn't you, Daddy?
28:57Here, sit down.
28:58Oh, no, no, no, Daddy, no.
29:01These people have to go.
29:02No, this one.
29:07Take the ribbon from your hair
29:10Shake it loose and let it fall
29:15Laying soft upon my skin
29:20Like the shadows on the wall
29:24Come and lay down by my side
29:30Till the early morning light
29:35All I'm taking is your time
29:40Help me make it through the night
29:45That song, it means a lot
30:06To both of us
30:08Sometimes you need a song
30:12Yeah
30:14Sometimes you do
30:18Thank you
30:22Hang on
30:32I don't want you to ever give up
30:35Alright, like, promise me
30:37You won't ever get bitter or
30:39Cynical or tired
30:42Because he didn't
30:44No
30:45He never did
30:477-2 from uniform
30:50We're going to need a bit of crowd control
30:51At Beckett's Restaurant
30:527-6, already in attendance
30:54Over
30:54Uniform from 7-2
30:56Received
30:57Move back, please
30:59Move back, we have it
30:59Thank you
31:00Alright, you're alright
31:01Stay out of it
31:02Dead on
31:03Okay, you're alright
31:04You're alright
31:05See you
31:06All good, all good
31:08No, no, no, no
31:08Okay
31:08No, you're a demon
31:10I know what you are
31:12I can see it in your face
31:15You're a demon
31:17I know what you are
31:18You get back
31:19It's okay
31:19Easy, easy
31:21Get away from me, you fucking bitch
31:22I'm standing here, yep
31:23It's okay
31:24It's okay, it's okay
31:24You're right
31:25Okay
31:26It's okay
31:27Shane back, it's on the way
31:28We don't need backup, Annie
31:29We're fine
31:29We're fine, aren't we?
31:31Do you want to tell me your name?
31:32I'm Shane
31:32What's your name?
31:33Get back
31:33Get back
31:34What's her name?
31:34Back
31:35Cecilia
31:35Cecilia
31:36Cecilia
31:37Listen to me
31:39Listen to me, talk to me
31:40Do you want to sit down?
31:41You can talk
31:41Alright, alright
31:42Look at me
31:43Easy, easy
31:44Cecilia
31:45Easy, easy
31:46Look at me
31:47Easy
31:48Settle down now
31:49Easy, easy
31:50Settle down
31:51Look at me
31:51It's okay
31:52Just calm down
31:53Calm down
31:54Okay
31:55Easy
31:55Look at me
31:56You're alright
31:57We're gonna be okay
31:58Alright
31:59I just need you to calm down
32:00Step right back
32:01Right back behind the table
32:02I'm gonna take a wee step forward now
32:04Okay
32:05I'm gonna take a wee step forward
32:06And now we're just gonna take a wee beat here
32:08Okay
32:08It's gonna be fine
32:10Alright
32:10Get back
32:12Get back
32:13Put it on
32:15You're fucking
32:16Get up
32:18Get up
32:18Stop resisting
32:20Hold me
32:20You're part of me
32:22Hold behind your back
32:22Stop moving
32:24Stop moving
32:25Um
32:25Stop moving
32:26Stop moving
32:27Stop moving
32:28You're all evil
32:30Cecilia
32:31Cecilia
32:31Is it
32:31Be quiet
32:32Be quiet
32:33Just relax
32:34Okay
32:34What are you doing
32:36It's me
32:36Tommy give me an ambulance
32:38Fuck
32:39Don't give me an ambulance
32:41Tommy
32:42Fuck me
32:42You're having an evening
32:43Run
32:44Uniform
32:44It's 7-2
32:45Shane's been stabbed
32:46Top of the leg
32:47With glass
32:48There's a lot of blood
32:49We need an ambulance
32:50At this location
32:51Immediately
32:52Tommy
32:53Oh fuck
32:54Sit
32:54Sit
32:55Sit
32:55Morning
32:56Paramedic
32:57Four minutes
32:57Doug
32:58We'll have four minutes
32:59Farney
32:59Honey
32:59Please
33:00Please
33:01PSNI priority
33:18Life at risk
33:19I need the duty manager
33:20At the ambulance call centre
33:21Please
33:22Ambulance control
33:23Sergeant Neil here
33:24PSNI Blackthorne
33:25I have an emergency situation
33:27With one of my officers
33:28And I need a paramedic
33:29Qualified call operator
33:31With trauma experience
33:32To speak to her
33:32And I need it
33:33In about five seconds
33:34Aye
33:35I can do that
33:35But we're on different radio nets
33:37Okay
33:37Hang on
33:38Annie
33:42Listen to me
33:43Do you have your headphones
33:44What
33:45Take out your phone
33:47Put in your headphones
33:47And answer the next call
33:48You get okay
33:49Just do it
33:50Tommy hold this
33:52Hold this
33:53Okay
33:54You're alright mate
34:00You're alright
34:00You're alright
34:02It's 077
34:0500900
34:07516
34:08What's the injury?
34:09He's been stabbed
34:10At the top of his thigh
34:10What's her name?
34:14Whitey
34:14Annie
34:15Her name's Annie
34:16Annie?
34:18Yes
34:19I'm Mary
34:19Yes
34:19I'm a paramedic
34:20And I'm gonna talk you through this
34:21Until we get to you
34:22Okay?
34:23Annie
34:24Okay yeah yeah
34:25The wound is at the top of his thigh
34:27Yes?
34:28Yes yes
34:29And you're applying the pressure?
34:31Yes but it's not stopping
34:32On the count of three
34:33I need you to take your hand away from the wound
34:35And tell me what you see
34:36What do you mean?
34:36I can't do that
34:37What do you mean?
34:37I need you to do this Annie
34:39It's just for a few seconds
34:40Okay
34:40Three
34:41Three
34:41Two
34:42One
34:42Go
34:43Fuck it
34:44It's spurtin' out everywhere
34:45Is the blood bright red?
34:47Yes
34:47Okay Annie
34:48That's probably his femoral artery
34:50Listen to me very carefully
34:52I need you to get a cloth
34:53A napkin
34:54A napkin
34:54A towel
34:54Anything
34:55Okay Tommy
34:56Give me a cloth
34:56A napkin
34:57Something
34:57Just give me something
34:58Roll the end up into a ball
35:00Roll into a ball Tommy
35:02Now I need you to put it in the wound
35:03One hand on top of the other
35:05And push down as hard as you can
35:07With everything you've got
35:08Both hands
35:09Push it into the wound
35:10Okay yeah
35:11Is it stopping?
35:15It's not stopping
35:16It's not stopping
35:17Tommy give me a tourniquet
35:22A tourniquet Tommy
35:22Annie
35:23Listen
35:24If the wound is too high
35:25A tourniquet is not going to work
35:26Okay
35:27You just need to keep doing what I tell you
35:29You need to push it in more
35:30Right inside the wound
35:32Okay
35:32Okay
35:33He's passing out
35:37He's passing out
35:38Just full pressure
35:42Okay
35:42You're doing great Annie
35:44The amulet is nearly with you
35:46Hang in there Sheehan
35:54Hang in there
35:55Hang in there
35:56You're going to fucking fizzle
36:09Come on
36:10Ambulance
36:23What's your emergency?
36:24My child
36:25Please not breathing
36:26Okay
36:26You listen to me very carefully
36:28I need you to keep doing that
36:31Can you come with us?
36:31Yeah
36:32Yeah
36:32Sandra
36:33Yeah
36:34Go
36:34Go
36:35I haven't done anything wrong
36:37His handguns are burning me
36:40Yeah
36:40They're fucking burning
36:42They're burning me
36:43Alright
36:44You're fucking fucking
36:45Enough
36:46Enough
36:46Sarge I need a minute with her
37:11What's wrong
37:13I need to speak to her
37:15Why?
37:18Sorry Sarge
37:19I just need a few minutes with her
37:22Please
37:23Sorry
37:41You're sorry?
37:43Sorry
37:43You've just stabbed a police officer
37:46You think sorry
37:48You think sorry is going to make a difference here?
37:53I don't know how or
37:55Or what?
37:57It's called cocaine induced psychosis
37:58It happens to some people
38:01Out of the blue
38:02Sometimes for ten minutes
38:04Sometimes for half an hour
38:05You see it quite a lot
38:07I don't
38:08I've never been in trouble
38:12You're in trouble now Cecilia
38:14What do you do?
38:20Property yeah ma'am
38:22I'm in property
38:24You got it on the app?
38:28That's where you got the cocaine?
38:33What's your passcode Cecilia?
38:37Cecilia please
38:40The guy you stabbed
38:43His name's Shane
38:44He drives me mad
38:47But
38:47He's my friend
39:074-7-4-1
39:10When was the last time
39:19He visited Dublin?
39:20No college
39:21Should I pitch him?
39:24McClelland?
39:25McCalister
39:26You want to pitch a solicitor?
39:31When it comes to serious
39:32Callie, what do you know?
39:43Stevie.
39:46He what?
39:47When?
39:49And how is he?
39:52No comment.
39:53Have you ever met this girl?
39:55For the benefit of the recording, I am now showing Mr. McClelland
39:58a photograph of a young woman.
40:00No comment.
40:01George, have you ever met?
40:03Look, I told you, no comment.
40:06I'd, uh...
40:09I'd like to take a break here.
40:10I...
40:12I need to consult with my clan.
40:22Just keep the pressure on it.
40:23Keep pushing.
40:24Don't let up.
40:27Push harder.
40:28Peace.
40:32Just keep the pressure on it.
40:33Keep pushing.
40:34Don't let go.
40:35Sip, I...
40:36I fucking can't.
40:42Sian?
40:45Sian?
40:47Help him.
40:48I am, okay?
40:49I am.
40:50Sian.
40:51Sian.
40:52Crash team on arrival.
41:03Broken glass?
41:04Went into his femoral artery.
41:06Jesus.
41:08Is he gonna be okay?
41:09He's gonna be okay.
41:16Right.
41:17Unattached.
41:18Good.
41:21Heart rate is slow in.
41:24Ready here.
41:28Okay.
41:29Here we go.
41:30Here we go.
41:32Rotate.
41:33Don't worry.
41:34Let's go.
41:35Okay.
41:36Let's go.
41:37Common room one.
41:38We have a meal with stab room.
41:39We'll touch right leg.
41:40We'll touch both of our body.
41:41Hades for it.
41:42Passive.
41:43Close.
41:44Close.
41:45Close.
41:46Close.
41:47Close.
41:48Close.
41:49Close.
41:50Close.
41:51Close.
41:52Close.
41:53Close.
41:54Close.
41:55Close.
41:56Close.
41:57Close.
41:58Close.
41:59Close.
42:00Close.
42:01Close.
42:02Aidan.
42:03Aidan, what happens now?
42:05They're gonna bail you pending tests on your..
42:09Electronic devices.
42:10Right.
42:11Okay.
42:12Thank God for that.
42:17But you can't go home.
42:18What?
42:19Why not?
42:20There's a child in the house.
42:24She's..
42:26She's my fucking daughter.
42:27No, no.
42:28No, no, it's just the way it is.
42:34Is there somewhere else you can go?
42:38Um...
42:40Yeah, I've a rental apartment on Sunderland Road.
42:45It's empty.
42:48Number?
42:5067. Aidan, are they gonna come after me?
42:53Who?
42:54You know who?
42:55I mean, are they gonna think that I talked?
43:00George, George, listen to me.
43:03Number one, you haven't talked, and you're not going to.
43:07Number two, you're a prominent accountant,
43:11not some low-level drug dealer.
43:15You're okay.
43:18Okay, yeah, okay, so...
43:21I just have to, um...
43:22I just have to get through this somehow, and then...
43:25Yeah, okay.
43:27Yeah, that's it, George. Just...
43:29Get through this.
43:31Okay?
43:33Get through today.
43:36Thanks, Aidan.
43:38I mean, I...
43:39I...
43:40I don't know what I'd do...
43:42You know...
43:44Without you, so...
43:46Thanks.
43:51We'll have early results on electronics first thing tomorrow.
43:54We'll bring them back in then.
43:56I'll get George immediate reception.
43:59Yeah.
44:01You all right?
44:06Oh.
44:10You know, I make a living out of deciding how happy people are in a scale of one to ten.
44:15Right now, you're about a three.
44:17Yeah, that sounds about right, sir.
44:21Listen, we'll get there in the end.
44:24Now, if you excuse me, I'm gonna say a wee one and a half.
44:27Hey.
44:41How's Shane?
44:43He's lost the amount of blood.
44:45Well, he's gonna pull through, right?
44:48I don't know.
44:51Jesus Christ, Stevie.
44:52Grizz?
44:54Yeah.
44:56When you get back, we should talk.
44:57Yeah.
45:00Yeah, we're okay.
45:02Okay.
45:25Is that not gonna open.
45:35Okay?
45:37Let's begin.
45:39Okay, guys.
45:41Let's see.
45:48Where are you guys?
45:50Who are you?
46:11A friend.
46:17I can't believe this is happening to me.
46:20George.
46:26What?
46:28You know, this didn't happen to you.
46:32This is something you did.
46:35It wasn't anybody else.
46:37It was you.
46:39It was just you.
46:42And everything you've lost,
46:45everything you're about to lose,
46:47you deserve to lose it.
47:06You're a C3.
47:07Cully.
47:13Do you want to talk to me?
47:21Hmm.
47:41Sorry.
47:42They told me to come in here.
47:43Yeah, um,
47:46are you...
47:47I'm Harry.
47:49Shane's dad.
47:53Annie.
47:54Thank you for what you did.
48:14Sorry to hear about your mother.
48:15Sorry, um,
48:21how did you know about that?
48:23Oh, Shane told me.
48:25For the life of me,
48:26I don't know why he did this job.
48:30I have a...
48:31building supply company.
48:33We do all right, you know.
48:35I mean, we do well.
48:38There's a job waiting for him there.
48:39Good life.
48:42Plenty of money.
48:47But I just wouldn't listen.
48:52Stubborn's a mule.
48:59Did he ever tell you
49:01why he wanted to do it?
49:05He just said it was important.
49:08Mr. Radley?
49:09He's out of surgery.
49:13Is he okay?
49:14He's in the ICU.
49:15Recovery.
49:16So he's okay?
49:17Shane lost half the blood
49:18in his body.
49:19I'm told it was difficult,
49:20but he's stable.
49:27Um,
49:28Mr. Radley,
49:29can I have a private word?
49:31No, no, hold on.
49:32She saved his life.
49:34And her stay.
49:36There was a complication.
49:38What?
49:39The surgeons did a procedure
49:41called a femoral graft,
49:42but the blood supply
49:44to his leg
49:44was cut off
49:45for a long time.
49:46We're not confident
49:47that Shane
49:48will regain the use of it.
49:51What?
49:54Ever?
49:55things aren't what they used to be,
50:07that's for sure,
50:08huh?
50:12Like,
50:12when I joined up,
50:14people that we were after,
50:16they were fighting for a cause.
50:19They might not have agreed with it,
50:21but
50:21in a strange way
50:23we respected it.
50:29I remember one time
50:30having a
50:31three-hour conversation
50:33with an IRA gunman
50:34about the Catholic theology
50:37of the just war.
50:40Smart fucker.
50:48But the one that really got me
50:49was a fella from West Tyrone.
50:55Sniper.
50:58Seven bodies under his belt.
51:00All British soldiers.
51:04Everyone.
51:07A situation like that,
51:08you want to know
51:08how he got there?
51:10So I asked him.
51:11When he was nine,
51:15him and his mother
51:16went into town
51:16for the Friday shop.
51:19British Army foot patrol there.
51:22Do you remember
51:23what the Brits were like
51:24in those days?
51:25Pointing their fucking rifles
51:26at everyone.
51:28Making wee snidey comments
51:30as you went past.
51:31I always thought
51:32they were their own worst enemy.
51:34So,
51:36she tries to get past them.
51:38One of the soldiers
51:39steps up to her and says,
51:40nice tits, love.
51:43Gizzy squeeze.
51:45All his mates
51:46burst out laughing.
51:49Now that wee lad's mummy,
51:51she was a good Catholic woman.
51:53She was mortified.
51:55Stuck her son by the hand
51:56and walked straight back home.
51:58Crying all the way,
51:58trying not to.
52:01That wee boy's
52:02looking at his mummy.
52:05Even though he's only young.
52:09He was embarrassed for her.
52:10a deep burning shame.
52:18And in that moment,
52:19that wee lad
52:19made himself a promise.
52:21He says,
52:22when I grow up,
52:24I'm gonna kill those bastards.
52:27And he did.
52:30He fucking came through
52:31on that promise, all right?
52:32Butterfly flapping its wings
52:36causes a hurricane
52:37fifteen years later.
52:39Seven men dead.
52:41All because of the thin line
52:43between shame and rage.
52:47Chaos, Aidan.
52:51You're in the middle
52:52of the chaos, mate.
52:53So what was it
53:01in the beginning, Aidan?
53:03When did all this start?
53:06It started a long time ago.
53:11Yeah, that makes sense.
53:13I believe that.
53:13But there is a way out.
53:22I'm sorry.
53:26Aidan.
53:28Help me.
53:31Help me to help you.
53:32You don't know what you're up against.
53:35Well, at least I know that.
53:51They're gonna take him out.
53:52Who?
53:53Who are they gonna take out?
53:57Who?
54:03George.
54:04When?
54:05Aidan.
54:07When?
54:13Get my Lewis car again.
54:14Fucking now.
54:16Channel 3.
54:17Where's that car?
54:40What car?
54:41The one carrying George McClellan.
54:43Uh, Cabinnell Street.
54:45They're gonna hit them.
54:46What?
54:46They're gonna kill George.
54:48Tell them to get on Channel 3,
54:50Special Ops.
54:52Uh, 165 from Blackphone.
54:54Grace, can you hear me?
54:57Stevie?
54:59Uh, Channel 3.
55:00Switch to Channel 3, Grace.
55:01Stevie?
55:01What the fuck?
55:02You can't broadcast on that channel.
55:13Sorry, Colin.
55:14165 from Ops Centre.
55:15Do you copy?
55:16Over.
55:17Who's that?
55:17Who's that?
55:19Sorry, who's this?
55:20This is C4, Special Operations.
55:23Your life and the lives of your passengers are in danger.
55:25There's an active threat.
55:27From this moment on, I need you to follow my instructions the second I give them.
55:30Do you understand?
55:34Yeah, yeah.
55:35Yeah, I understand.
55:36Is your vehicle armoured or soft-skinned?
55:43We're, um...
55:46We're soft-skinned.
55:47Soft-skinned.
55:49Shit.
55:51What?
55:52So, what's happening?
55:53I need the non-driving officer to draw the weapon.
55:55I, uh, I don't carry.
56:00Fuck.
56:02Fuck.
56:04Right, Sean.
56:06Take that.
56:08Get the DP down.
56:09George, down.
56:11Get down.
56:11Okay, okay, okay.
56:13165, are there any vehicles behind you?
56:16Yeah.
56:17Yeah, we have a red BMW.
56:20V-O-1-8-O-D-A.
56:25Ma'am.
56:31Make a model check out, but...
56:33But what?
56:34ANPR pinged the same car four minutes ago in Urie.
56:37Shit.
56:40Okay.
56:41That's our target.
56:43Target for what?
56:48I'm sorry, what's happening?
56:51HMSU Blackthorn forward base.
56:54Crash out.
56:54Thank God, what's your ETA?
57:00Hello, guys?
57:02Seven minutes.
57:03So, what should we do?
57:06Who's behind us?
57:07Where should we go?
57:09What's happening?
57:12Will somebody tell me what I should do?
57:16What should I do?
57:20Will someone tell me what to do?
57:22Stevie?
57:24Stevie?
57:24Stevie?
57:24Stevie?
57:24Stevie?
57:26Stevie?
57:26Stevie?
57:26Stevie?
57:26Stevie?
57:28Stevie?
57:28Stevie?
57:29Stevie?
57:29Stevie?
57:30Stevie?
57:30Stevie?
57:31Stevie?
57:32Stevie?
57:32Stevie?
57:33Stevie?
57:34Stevie?
57:35Stevie?
57:36Stevie?
57:37Stevie?
57:38Stevie?
57:39Stevie?
57:40Stevie?
57:41Stevie?
57:42Stevie?
57:43Stevie?
57:44Stevie?
57:45Stevie?
57:46Stevie?
57:47Stevie?
57:48Stevie?
57:49Stevie?
57:50Stevie?
57:51Stevie?
57:52Transcription by CastingWords
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