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Short filmTranscript
00:00New York City. This is Fashion Week. Making it here takes more than talent. You need connections, clout, and cash. Until now.
00:13We send fashion experts to four cities to find the best undiscovered designers in America.
00:20The search began in Los Angeles at the Downtown Standard Hotel.
00:25If given the right fabrics, I can kick ass.
00:29You remind me of Todd Odom.
00:32Chicago was our next stop.
00:34I want a chance. I am the struggling artist. I am the underdog.
00:38Have you sold any of your work?
00:39Yeah, I've been selling stuff. I sell it out of my trunk.
00:42The search moved on to New York.
00:44It's edgy and nobody has done it.
00:46Who do you see wearing this besides yourself?
00:48New York.
00:50I think we're interested in seeing what you could do.
00:53Great. She won't be sorry.
00:55In Miami, the Fontainebleau Hilton was the end of the line.
00:59We want to go ahead and make you a finalist.
01:02Congratulations.
01:03I made it. I made it.
01:05A panel of judges met to discuss the finalists.
01:08Slinky, slinky.
01:09And narrowed it down to the 12 best.
01:11Project Runway offers these 12 unknown designers a chance to show America and the fashion world what they can do.
01:18Every week we'll give them a different challenge that will test their abilities to the limit.
01:23Hey!
01:24And the top names in the industry will be judging them.
01:26This just feels unfinished.
01:28I look at the fur and right away I'm like, I'm in Prada way.
01:32One designer will be cut every week until three remain.
01:36Those three will show their line at Olympus Fashion Week.
01:39Then one winner will be chosen.
01:41The winner will receive a spread in Elle Magazine, a mentorship with the Banana Republic design team and $100,000 to start their own line.
01:50It's a head start that money just can't buy.
01:53Given to one designer who earns it where it counts on the runway.
02:02This is a search for the next big fashion designer.
02:05It's a cutthroat business.
02:07The competition was fierce.
02:09Twelve contestants, three finalists, and one winner.
02:14Three designers will make their runway debut at Olympus Fashion Week.
02:17I plan to make it to Fashion Week.
02:19I think I'll be number one.
02:20And the winner of Project Runway will receive everything they need to start their own label.
02:24I think I deserve to win.
02:26People are gonna start getting pretty bitchy.
02:28Oh my.
02:29For these twelve contestants, Project Runway is a chance of a lifetime.
02:41The heart of fashion is New York.
02:43You know, if you plan to become a fashion designer, here would be the place.
02:48I never compromise my art.
02:49I try to satisfy myself and nobody else.
02:56I just finished school at Pratt Institute in Brooklyn, New York.
03:01I was recognized for two years in a row in winning best collections.
03:05I've always had this love of clothes.
03:10I mean, as a child, it was just creating like these fairytale gowns, like playing dress-up.
03:15Being in high school, I definitely tried to fit in and be like a regular person.
03:22But no matter how much I tried, I still got completely teased.
03:25How are you doing?
03:26I'm Austin.
03:27Austin, Robert.
03:28Nice to meet you.
03:29Hi, Nora.
03:30Nora, how do you do?
03:31Woo!
03:32I worked in porn for an online sex website.
03:37Yes, I was making good money, but everything I did, everything I looked at, my couch, my table,
03:42my cat, my everything, was bought with dirty money.
03:46And I wanted to concentrate on designing again.
03:48My boss said, well, if you're such a great designer, well, why aren't you doing anything?
03:52And a week later, I quit, and I was like, you know what?
03:54You're right.
03:55Can you believe these motherfuckers made me unload their luggage?
04:06Hello, everybody.
04:07Welcome.
04:08Hi.
04:09You're in New York, 12 of you, the cream of the crop.
04:13We looked at hundreds of people, and you guys made it.
04:15So I want to welcome you guys to your new home.
04:17This is the Atlas New York apartment.
04:20You guys are going to be staying here for a while, some longer than others.
04:27I'm going to give you guys your keys, and then later, I'm going to meet you at Parsons School of Design.
04:32All right, let's go.
04:43Ever since I was a young girl, I always loved fashion.
04:46So I went to school for it, and now I have my own line,
04:49selling in different boutiques.
04:51People a lot of times underestimate me and how intelligent I am.
04:56I'm a costume designer.
04:57The thing I love about costume designing is designing for different artists,
05:01and Queen Latifah was one of them.
05:03On the movie set, people always say,
05:05why don't you have your line out there?
05:07So this has been, like, a dream of mine that I've always wanted to have my own line.
05:122018.
05:13Cheers.
05:14Cheers.
05:15Currently, I'm a lawyer in a prominent law firm, but I love fashion design, and it just, it makes me so happy to do it.
05:23The struggle is that I have so much to lose and so much invested in law already.
05:28But at the same time, I'd also like to be a really successful fashion designer.
05:32Hey, can you look after me? I'm so unhealthy. I'm the fattest one.
05:36I'm sharing my living space with Miss Venezuela, Audrey Hepburn, and Miss Caribbean.
05:43So they're absolute babes, and then there's me.
05:46The past ten years of my life have been completely dedicated to starting a small fashion design business based in Houston.
05:55It's been incredibly difficult.
05:57I definitely want my clothes to be more readily available throughout America.
06:05Oh, my gosh.
06:08This place is fancy.
06:10See, I could have brought my daughter with me.
06:11I am married, and I have a five-year-old daughter.
06:15I have a small business in a small town in Virginia.
06:18There is no way I would have access to the parts of the industry that Project Runway is going to afford.
06:25I feel like because I am a mom, the kitchen is really important.
06:30If we get too stressed out and we don't eat correctly, like good food and healthy food,
06:36we're not going to produce what we know we can.
06:39Number one, we have to take care of each other.
06:40We have to have our core four that we watch out for.
06:44Because you cannot care about 11 other people, but you can care about three.
06:48Wendy's great.
06:49I like to call her mom because she treats us like we're her kids, which is great.
06:53I got into fashion through my mother.
06:56She owned a hair salon, and in front of me was basically fashion.
07:00My inspiration is basically cars, sports cars like a woman.
07:04They're both sleek, sexy, and extremely dangerous.
07:08Here it is, people. Here it is.
07:14It's great. It's great.
07:17I've been designing for 12 years.
07:21I got into it because it's a family business.
07:24My parents didn't want me to get into the fashion business
07:26because the apparel business is very tough.
07:29My goal is to be a great American designer.
07:32All right, can we establish something? Who smokes? Who doesn't?
07:36I don't smoke.
07:37You smoke?
07:38Who smokes?
07:39Fashion designers smoke.
07:41Didn't you get this newsletter?
07:42I didn't know that.
07:43Honestly. I'm from L.A. We just attend.
07:46I want the world to see what I could offer to the fashion industry.
07:50In 1999, I launched my first collection.
07:54Actually, my first and only collection.
07:56But my father actually got two strokes.
08:00So, I had to basically take over the family business.
08:03It's a wedding chapel in Los Angeles, actually.
08:05Secret of life.
08:07Now, he's in excellent health, and I'm able now to follow my bliss again this year.
08:12What time did you say we had to meet her?
08:14I don't know. I was just staring at her face the whole time.
08:17I'm kidding.
08:19We are at Parsons School of Design.
08:31This will be your working space, and this is Tim Gunn.
08:35He's the head of the fashion program here.
08:38He will take care of you, but he will not solve your problems.
08:41Welcome, everyone. I'm very proud to have you here at Parsons.
08:44You will be working in the shadow of many illustrious alumni,
08:47including Donna Karan, Marc Jacobs, Narcisa Rodriguez, Tom Ford.
08:52Some of you, certainly one of you, will be joining that distinguished company at the end of the challenges of Project Runway.
08:58So welcome. We're thrilled to have you here.
09:01Let's have a look.
09:05This is where the magic happens.
09:07The fact that it's just been held at Parsons is huge, and you do think your name could be listed next to all the great designers that have come from here.
09:16Okay, everyone. This is your workspace. Over here, you'll find the Banana Republic accessories wall.
09:23And in the corner are bolts of cotton, the official fabric of Project Runway.
09:26Okay, let's go downstairs. Let's see the runway. Let's take a look where your fate will be decided.
09:41Designers, this is where the judging and elimination will take place.
09:44The first challenge is about innovation, and we will judge you on that.
09:51I want you to design a sexy, glamorous dress for a night out in town.
09:57Tim will take you to a store where all the famous designers go.
10:02And you cannot start work on this challenge until your shopping trip tomorrow.
10:06This is where your garments will be shown off. And they will be shown off by beautiful models.
10:16Models are very crucial because a model can make or break your outfit.
10:21So let's bring out the models.
10:25Alison, Audrey, Aaron.
10:29The models, you know, sell the dress. You know, you need a girl who is as passionate about winning as you are.
10:42I will choose your names randomly, and then you can choose your model.
10:47Austin.
10:49Olga.
10:51Robert.
10:52I pick Melissa.
10:54Alexandra.
10:55Julia.
10:57I picked my model, Julia, because she's the tallest and I think the taller the better.
11:02Vanessa.
11:04I choose Joy.
11:05Joy it is.
11:07Mario.
11:08Aaron.
11:10Kara.
11:13Morgan.
11:15Next one is Kevin.
11:17Martinique.
11:22Daniel.
11:23Mary, you're hired.
11:27Wendy.
11:28Heidi.
11:29Yes.
11:30I choose Josiane.
11:31Okay.
11:36I think I know who I choose.
11:41You're a star.
11:42Thanks.
11:45I had a couple of first choices, but Audrey, she's a gorgeous girl and I think she's going to look really great.
11:51You will have the chance to see our models very soon again.
11:55And that will be tonight, because I'm going to host a little party for you guys tonight.
12:00I thought it was a good idea to start it off nice.
12:06So you guys can relax a little bit tonight and have some fun.
12:09Because from now on, it will get tough.
12:10You have the most gorgeous hair.
12:11Boy, look at you.
12:12All the models were there and it was really all of the designers' first chance to really interact with the models that they'd chosen.
12:24You worked with Queen Latifah and Eve.
12:25I got the low down on you guys.
12:26I can't wait until the bitch moments start coming in.
12:43That's going to be my favorite to be like, bitch has lost her mind.
12:48This bitch just lost her mind.
12:50Oh, bitch is crazy.
12:53The models, they're just all breathtaking to me.
12:55I think they're all really beautiful girls,
12:57especially Olga.
12:58That chick is like sex on legs.
13:00She's hot.
13:01The designers want to see the girls walk,
13:03so yeah, why don't we?
13:04Right?
13:18All I care about is taking this prize home.
13:22I mean, the other contestants,
13:24I'd love to chum it up with all of them,
13:26you know, and stay laughing with them all the time,
13:28but I felt that that was going to distract me.
13:30Daniel is not too social.
13:33He's pretty calculated, I think, as far as why he's here.
13:36Hi, Daniel!
13:38Hi, Daniel!
13:39Go, Heidi!
13:41Go, Heidi!
13:48Go, Heidi!
13:49Go, Heidi!
13:50Go, Heidi!
13:51Go, Heidi!
13:52Go, Heidi!
13:53Go, Heidi!
13:54Go, Heidi!
13:55Go, Heidi!
13:56Go, Heidi!
13:57Go, Heidi!
14:00Coming up on Project Runway.
14:02Are you ready for your first challenge?
14:06This is where we're going to shop.
14:08For the first time, I felt fear.
14:18We met Tim in the morning, and he said,
14:20let's go shopping.
14:22Our first challenge was to design something glamorous
14:25and sexy for a night out on the town.
14:27We sort of headed in the direction
14:29of the Garment District fabric stores,
14:32and then we kept going uptown.
14:35I was asking people who lived in New York,
14:37I'm like, have you ever been to any fabric stores up here?
14:42This is our destination.
14:45The supermarket.
14:49Indeed.
14:50We show up at this grocery store,
14:53and for the first time, I felt fear.
14:56I thought we were going to be at this, like,
14:58amazing fabric store with all these, like,
15:01couture fabrics.
15:02Welcome to Gristini's, the site of your first challenge.
15:05In Heidi's words yesterday, this challenge is about
15:08creating a glamorous outfit for evening,
15:11and these are your supplies.
15:14Everything that you will use to design and fabricate this challenge
15:21must be purchased here.
15:23We're not making any other stops.
15:25This is why we're calling this challenge innovation.
15:28You must innovate.
15:29So be as unconventional as you can be in your thinking,
15:32and make it work here.
15:34You will each have $50 in this envelope,
15:37and you will have one hour.
15:39Okay, show us what you've got.
15:41I shop every day of my life.
15:43I've never approached a grocery store with fear.
15:45I don't know what to do.
15:55Crazy, though.
15:56I went off around the supermarket with an open mind,
15:59ruling out the obvious.
16:01No melons or anything that might go soggy.
16:04Why do they make, like, home interior stuff in the
16:07colors?
16:11I'm done.
16:12This is what I'm getting.
16:13This is all I need.
16:14Maybe if I have money left over,
16:15I'll get some extra of this just in case.
16:17But, um, yeah.
16:18I already have the whole thing planned out.
16:20What's the Q-tips for?
16:21Um, for me.
16:22I didn't bring any.
16:28I believe that all these materials have their own
16:30beautiful, spiritual quality.
16:33So these, what are we getting?
16:35Two.
16:39Do you have any ribbon?
16:42I took every last drop of ribbon.
16:44I know some other people are looking for it,
16:46but I just took everything.
16:51My main ingredient are the corn husks.
16:54Which, if you think about it, is really, like,
16:56nature's fabric.
16:57Because it's, like, a fiber.
16:59It even has, like, a weft and a warp to it, almost.
17:04I saw this lounge chair up there, and I said,
17:06oh, my God, that blue lounge chair is freaking fabulous.
17:11How much are these a piece?
17:12Do you know?
17:13What do I mean?
17:15I got some silver, sparkly paper, and I was like,
17:17oh, that's awesome.
17:18I can totally use that.
17:19And then I started looking around for things
17:21that would kind of coordinate with it.
17:26Project Runway, you have five minutes.
17:29Attention, runway shoppers.
17:32I'm having them right now.
17:36Project Runway, this is it.
17:37Check out.
17:39You have 55 feet.
17:4050 for feet.
17:4350 cents.
17:44I need 50 cents.
17:46Can I break this in half and then pay for half?
17:47Look.
17:49I'm a serious designer, and I like serious challenges.
17:53This design project, I feel it's going to be no sweat.
17:55Designers, you have from now until midnight tonight.
18:06Tomorrow, you'll have a few hours before the runway judging.
18:10Innovate and go for it, okay?
18:12Okay, my fish is getting stinky.
18:13Do you have a freezer in here?
18:14Yes, I got fish.
18:18I grabbed a bunch of brown pantyhose and brown socks, and I'm going to do a really pretty dress.
18:27I picked some interesting things, I mean, I picked mop heads, which I'm going to plan to make like a hulu skirt.
18:37Then I bought falafel bread to make like a corset top.
18:41I was basically freaking out.
18:42I'm like, oh no, what am I going to do?
18:44I have nothing but like this corn husk and like a potato chip bag.
18:48This is the very first competition, I'm going to like screw it for myself.
18:52My idea was to make this carnival thing.
18:55I'm really using extremely bizarre materials.
18:59I don't know how I'm actually going to make it.
19:06There, done.
19:11Mario, shower curtain, and I'm done.
19:15I'm done already.
19:16I just like draped it around, like tied it together and that's it.
19:18It's like whatever.
19:20Come on, you have a long time still.
19:22Mario is a rebel here.
19:24He's just, I don't care.
19:25I'm doing this.
19:26I'm going to wrap the fabric.
19:28We were all working.
19:30Mario is like sitting on the table, sleeping, taking cigarette breaks.
19:34He doesn't care.
19:35That's his style.
19:37It's very amateurish with no true direction and no sense of purpose or style.
19:42Is Mario smarter than me because he bought a shower curtain and he made it in 15 minutes?
19:46Or is he looking for the easy way out?
19:53What is wrong with you?
19:56Don't try this at home, folks.
19:58It takes trained professionals to take one inch strips of tin foil and bind a jacket.
20:04Daniel's approach is so, like, Bob Barker.
20:10What do we have next?
20:11We have a fashion challenge and it's going to be great.
20:14Like, ugh.
20:16It makes me, like, want to leave the room.
20:20So what's going on with your design?
20:22Creatively I'm fine.
20:23But mentally, man, are you feeling the cutthroat-ness of it in there?
20:30Yeah.
20:34It's not pushing through because it's not fabric.
20:37I've been, like, tugging it through.
20:44Half the day had been spent fussing with this weaving.
20:47I know I'm a good designer and I can do it, but am I an idiot for picking these, like, corn husks?
20:53Now, to keep that together, are you just going to use, like, clear tape on one side?
20:55I might just totally redo this.
20:57Austin!
20:58No, Austin, you just, like, spent hours on it.
21:00I know, but it doesn't look good.
21:02Okay, you know why?
21:03You just don't like it right now because, look, you have so much around it and it's not clean.
21:07Yeah, but first of all, I'd have to, like, weave an even bigger piece to make a whole bodice.
21:12I do tend to, like, get myself into these, like, over-elaborate projects and end up, like, you know, screwing myself in the end.
21:20Coming up on the Project Runway.
21:26Today is the D-Day.
21:27I know.
21:28Today is the funeral.
21:29Everybody else's model was dressed and my model's not here.
21:32If she doesn't come, that would be the fun to me.
21:34Go to the street and go get a model.
21:35We were given a challenge to make a sexy outfit for a night on the town.
21:51I used butcher paper for the jacket, but it was a great color.
21:54It reminded me of a suede or even, like, a taffeta.
21:58I felt that it was stylish compared to Star.
22:02I don't think that she has enough experience as a designer to realize that you need style.
22:08I'm really terrified that I'm going to be the one to go home just because my dress is really gaudy and I'm feeling like it's pretty disgusting.
22:17How is everyone?
22:24I came back.
22:25Hey!
22:26How are you doing?
22:27Good.
22:28What's happening with the bus line?
22:30Um, well, right here, it's going to be painted.
22:34Oh.
22:35But that's why I got this.
22:37On the model?
22:38Yes, painted on the model.
22:39Okay.
22:40Does she know?
22:41No.
22:42What's going on, Vanessa?
22:45I've got so excited about putting all this black stuff everywhere that I kind of lost the shape.
22:52Does it need to be full length?
22:54No, but I've just, I've done all this work on it.
22:56I know, but sometimes you have to let it go.
23:00My heart just started to study.
23:03I really just didn't want to look stupid on the runway.
23:07Maybe I'll make some little flowers or something.
23:09You just have a lot of work to do.
23:11I know.
23:12Go on.
23:13Go and see the next person.
23:14Let me finish.
23:15Okay.
23:16Daniel, okay, you've made great progress.
23:19Thank you, Tim.
23:20Great progress.
23:21I'm imbuing the spirits of Picasso and Marcel Duchamp.
23:26My theory is that anyone could be elegant at any time if they just apply themselves.
23:31And basically applying themselves means to stop thinking, find the purity in the design
23:36and the garment.
23:37It's a production about Daniel.
23:38When you're within about three feet of him, you get into his orbit and you believe.
23:43But then when you step back, you look at what he's done, you ask yourself, what is that?
23:47Is this looking too much like butcher paper?
23:49It is butcher paper.
23:50It can't be helped.
23:51So I hate to cut this short, Tim, but I got to get back to it.
23:56Thank you so much.
23:57All right.
23:58I love how Daniel just brushed Tim off saying that, listen, Tim, I got to get back to work,
24:03man.
24:04You know, I'm sorry.
24:05You know, you wasted my time.
24:06Tim was leaving kind of like scratching his head.
24:09Like what just happened?
24:10I mean, I think he was moving.
24:11He was in shock himself too.
24:12All right.
24:13Everyone, just one last thing at midnight and everybody out.
24:19Good night.
24:20Thanks.
24:21I am feeling the race against time now, yes.
24:37It's definitely meant to be a placemat and not a garment.
24:56Luckily tomorrow we have a couple hours, which is I think just the amount of time I'll
25:01need to pull it all together.
25:06What a night.
25:07Since I've been here, I've had this opportunity to just really think about what I'm doing
25:25with my life.
25:26I mean, I certainly have a lot of abilities as a lawyer, but I'm learning so much and
25:31really would like to stay as long as possible.
25:34I know someone's going home today.
25:35It makes me very, very sad.
25:36Notice how I'm wearing all black?
25:37Yeah.
25:38Today.
25:39Today is the D-Day.
25:40I know.
25:41Today is the funeral.
25:43We'll be going home in a garment bag today.
25:44Not us.
25:45Not us.
25:46Okay, everyone.
25:47We have exactly two hours to achieve a lot.
25:48We're going to be bringing your models in.
25:49You're going to be doing a fitting with the model.
25:50And then you're going to be tweaking and refining and doing whatever you need to do to your garment.
25:51Your models will go to the Florida.
26:02Okay, everyone, we have exactly two hours to achieve a lot.
26:10We're going to be bringing your models in,
26:12you're going to be doing a fitting with the model,
26:14and then you're going to be tweaking and refining
26:17and doing whatever you need to do to your garment.
26:19Your models will go to the L'Oreal hair and makeup rooms
26:22to get prepped for the show.
26:24Okay.
26:26Great. Make it work.
26:32The morning of was pretty hectic.
26:35Everybody's running around doing their own thing.
26:38It's a lot of pressure.
26:40I'm not going home today. You want to go home?
26:42No.
26:43You don't want to go home, do you?
26:44We ain't going home.
26:46Austin having not refrigerated this produce,
26:50the corn husks had shrunk.
26:52They were now corn chips.
26:53At least there isn't any additional shrinkage.
26:57I was definitely worried.
27:03I had a lot of things to work out.
27:06I just didn't know how I was going to finish it.
27:11How are you feeling?
27:12That feels fine, yeah.
27:14It's coming. It's coming.
27:16It's coming.
27:17Oh, come on.
27:19Everybody's been working with their models
27:20for about half an hour now,
27:21and my model's not here.
27:24She's being hand-painted,
27:26so I need time to do the hand-painting.
27:29I was really worried because
27:31I didn't know if I was going to have a model.
27:34If she doesn't come,
27:35that would be the most ingenious thing to do.
27:38I think a girl actually just...
27:39Go for it!
27:40I'll be back!
27:41I didn't know if I was going to have a model.
28:03You know, they were trying to call Morgan.
28:04They just couldn't reach her.
28:05I don't know really what I'm doing.
28:11That'd be cute.
28:13Excuse me!
28:14Have you ever thought of modeling?
28:16No, I haven't.
28:17Good.
28:18There you go!
28:19Heidi Plum's going to be there.
28:22Do you know who Heidi Plum is?
28:23The supermodel?
28:24Yeah, I do.
28:27What do you think?
28:28No.
28:29Okay.
28:30Um, my mother is out of town,
28:40and she usually wakes me up.
28:43Morgan?
28:44Yeah.
28:45This is really bad.
28:46I know.
28:47Really bad.
28:48And poor Kara has crashed and burned.
28:50She's out on the street,
28:51literally looking for a model.
28:52Come here.
28:56Come here.
29:00Morgan arrived.
29:04Okay.
29:05My agency just dropped me.
29:08Why?
29:09Because you're late?
29:15Morgan?
29:18I'm so sorry, Kara.
29:20Everything's going to be fine.
29:22Let's get you some coffee.
29:23Let's get you cleaned up.
29:24Morgan, sweet girl, but it's tragic.
29:30It's not what I envision.
29:34It's much better.
29:36I think it's a killer dress.
29:41He's nice.
29:42He has an endearing story.
29:43But damn it, he is playing to the camera stuff
29:47and kissing asses.
29:48It's like, he should be kissing our asses.
29:51How, um...
29:53All right, everybody.
30:03Let's go.
30:04Let's be committed.
30:12Welcome to the runway,
30:14where your first challenge will be judged.
30:16Everyone knows that the fashion business is ruthless.
30:22One day you're in,
30:23and the next day you're out.
30:26Today, one designer will be selected
30:28as the winner of this challenge,
30:30and one of you will be out.
30:34This week's challenge
30:36was about innovation,
30:38and we will judge you
30:40on your use of unconventional materials.
30:43Now, let's meet the judges.
30:46We have Michael Kors,
30:48who's one of the most influential designers in America.
30:53Nina Garcia is the fashion director
30:55for the top-selling Elle magazine.
31:01Our guest judge for today is Patricia Field.
31:04We all know her from
31:05Dressing the Beautiful Girls on Sex and the City.
31:07We will be scoring your designs
31:10as they come down the runway.
31:12Let's start the show.
31:13Let's start the show.
31:37My corn dress started to shrivel and dry up,
31:43and it didn't look very good.
31:45I am nervous that I may be eliminated.
31:54The stakes for me are huge,
31:56because if I do well,
31:58I am going to have a better chance
32:00of realizing my dream
32:01of being a real fashion designer
32:04who can really deliver
32:05the goods on all levels.
32:10I actually didn't watch the judges
32:16when my model walked,
32:18so I have no idea
32:18how they responded to it.
32:20I didn't have any confidence in myself
32:22or in my design.
32:23If these people remotely
32:31have an eye for creativity,
32:32then they won't eliminate me.
32:34If these people remotely
32:35have an eye for creativity,
32:36then they won't eliminate me.
32:53When it comes down to it,
33:06it's who can walk the best,
33:08and Morgan can walk.
33:10Regardless if she's late
33:11or tragic or whatever's going on in her life,
33:13she can walk.
33:14I'm not out to flash the judges.
33:40I want to wow them
33:41with great concept, design,
33:43not like glitter on the runway.
33:52I had innovation
33:53in the cut of the jacket.
33:56I had innovation
33:56in tailoring the butcher paper.
33:58I know the designs of Michael Kors.
34:00I read Elle magazine a lot.
34:02I know what they're looking for.
34:13I feel really confident
34:26with the dress.
34:27It's a look that I wanted to go for.
34:29And seriously,
34:30I don't care if I get eliminated.
34:33I don't compromise my art.
34:34I want to ask all 12 designers
34:46to please come on the stage.
34:47We've tallied your scores.
35:02If I say your name,
35:04I want you to please step forward.
35:06The judges are looking up at you,
35:22and you have no idea how they voted,
35:34and it is excruciating.
35:38I had a prediction
35:38of who I thought was going to go,
35:40so I was in that group,
35:42and I'm like,
35:42ah, f***.
35:44None of you are out.
35:46Your scores have qualified you
35:48to stay in for the next challenge.
35:51You may leave the runway.
35:51When they said,
35:56you know,
35:56you're safe for the next round,
35:58you couldn't see it,
35:59but I just wanted to jump off the stage
36:01and say,
36:01you know,
36:02just scream.
36:03The six of you that remain
36:05had the highest
36:06and the lowest scores.
36:10We will ask you questions
36:11on your designs.
36:13The judges will deliberate,
36:15and one of you
36:15will be named the winner.
36:16The winner will have immunity
36:19for the next challenge
36:20and cannot be eliminated
36:22next week.
36:24And one of you will be out.
36:28I'm just so nervous,
36:29I can't even think.
36:32There I was,
36:33probably in the three
36:34of the worst category.
36:37Just the thought of being
36:40the first ones at home
36:41really was horrible.
36:42The six of you
36:54represent the best
36:55and the worst.
36:58Let's bring back your models.
37:05Patricia,
37:06do you want to start?
37:07Austin,
37:08you know,
37:09you're a corn dress.
37:10Did you boil the corn leaves
37:13and sculpt them
37:14from a soft condition?
37:16Basically,
37:16I shocked all the fresh corn
37:18and I put it together
37:19fresh.
37:22It dried out.
37:23I'm hoping,
37:24I'm praying,
37:25the judges will take
37:26into consideration
37:27that I used
37:29something organic.
37:31Wendy,
37:32what were you thinking?
37:34Because I see
37:34very little clothes.
37:36I met my model
37:39and she said
37:41she was from Brazil.
37:42All right,
37:42I get it.
37:43So you were going to Rio.
37:44I just wish
37:45I would have seen
37:46more clothes.
37:50Vanessa,
37:51I wanted to ask you
37:53about your inspiration.
37:54My inspiration
37:55was Cajun,
37:56but it doesn't look
37:56very Cajun
37:57because it's supposed
37:58to have mini lobsters.
38:00What are they called?
38:01Crawfish.
38:01Crawfish, right.
38:02And they were going
38:03to be trapped
38:03in the net,
38:04but it really
38:05didn't need them.
38:06So, do you wear
38:07black a lot?
38:08I love black.
38:09Yeah?
38:09All women love black.
38:10You know,
38:10even though I'm sitting
38:12here wearing black,
38:13you're wearing black,
38:13I would have loved
38:14to have seen more color.
38:16Somehow,
38:16the crawfish,
38:17I have a feeling,
38:17would have not smelled
38:19fabulously,
38:20but they really
38:20would have done something.
38:23Daniel,
38:24can we see
38:24what is underneath
38:25the dress?
38:25Please, dear.
38:29This jacket,
38:29I made a pattern first
38:31because I only had
38:32a limited amount
38:32of this butcher paper,
38:33which I got for free
38:34from the store.
38:35And it took me
38:36a long time
38:36to make this binding,
38:37which is a tinfoil.
38:39And I tried to give it
38:40the best treatment
38:41that I could
38:41for the amount
38:42of time that we had.
38:44Nora,
38:44I think you did
38:45an amazing job.
38:47I think it's interesting,
38:48it's innovative,
38:50and at the same time,
38:51it's actually
38:52kind of wearable.
38:55Yeah,
38:55I think it's great.
38:56I think it's really,
38:57it's terrific.
38:58We have not heard
38:59so much about your star.
39:00Do you want to explain
39:01a little bit
39:02what you were thinking?
39:03My initial inspiration
39:05was an ironing board cover,
39:07which is this part here,
39:10and I liked the color.
39:12And then I really like
39:13this wrapping paper,
39:15especially when it's crinkled.
39:19I don't really know
39:20how wearable it is.
39:24I want to ask
39:25all the designers
39:25and models
39:26to please leave the stage.
39:27I'm going to have
39:28a little chat
39:29with my judges.
39:37What's the worst thing?
39:39What are you worried
39:39about the most?
39:40Going home.
39:41Going out.
39:43Okay.
39:44So I'm not going to go out.
39:45A lot of them,
39:48they started adding things
39:50onto things
39:51onto things.
39:52It was like one of these.
39:53Rather than one concept.
39:55Exactly.
39:56The bikini,
39:57the candy,
39:58there were no clothes.
40:00That's my pet peeve.
40:01There are no clothes.
40:01But it was happy.
40:02When I got to Daniel,
40:04I was just like,
40:04oh my God.
40:06Like garbage bag couture again.
40:07It was like,
40:08what's the easiest thing
40:09and boring thing I could do?
40:10I didn't like stars either.
40:12I think it was like,
40:13totally expected.
40:14Get some tinfoil.
40:15Tinfoil and make a party dress.
40:16It's like the garbage bag dress.
40:33In fashion,
40:34it's all about what's in
40:35and what's out.
40:37And we have made our decision.
40:40Vanessa,
40:44you're in.
40:46You can leave the runway.
40:52Nora,
40:53you're in.
41:01Wendy,
41:02you're in.
41:03You can leave the runway.
41:04You're in.
41:10There are three of you left.
41:12One of you will be the winner
41:14and one of you
41:15will be out.
41:22But the winner is Austin.
41:25To choose corn husks,
41:27show true innovation.
41:30Thank you all.
41:33Thank you very, very much.
41:36Austin,
41:37that means that you're safe
41:38for the next challenge.
41:39It was really wonderful.
41:40Probably, you know,
41:41one of my most
41:42wonderful moments of my life.
41:44You can leave the runway.
41:47Daniel and Star,
42:00one of you
42:02must go.
42:06Daniel,
42:07we felt you didn't challenge yourself enough.
42:10Your choice of materials and design
42:12were far too simple.
42:14Star,
42:16you weren't innovative enough
42:19with your materials
42:19or design.
42:21You need to show us
42:22a better concept.
42:25Star,
42:27you're still in.
42:31But you just barely
42:33made it.
42:36You can leave the runway.
42:37And that means Daniel
42:41is out.
42:48Auf Wiedersehen.
42:51Good luck.
42:55I'm pretty,
42:56pretty shocked.
42:58I didn't expect that.
42:59I wish you the very best.
43:05You too.
43:10Oh well.
43:12I was disappointed,
43:14but
43:14if you believe in theatrics,
43:17then there are a lot of designers
43:18for you to choose from.
43:19However,
43:21you know,
43:22if you believe in honour,
43:23dignity,
43:24integrity,
43:25if you believe in artistic credence,
43:27and if you believe in
43:28artistic honesty,
43:30and if you believe in following your bliss,
43:32then I'm Daniel Franco,
43:34and I'd like to wish you bliss.
43:36Next on Project Runway.
43:48Are you all ready
43:48for your next challenge?
43:49I'm not amused by this.
43:51You don't think I'm worthy
43:53of you being nice to me?
43:54It's all about envy.
43:55People are starting
43:56to get paranoid
43:57and delusional.
43:58I'm asking you,
43:59that's all.
44:00You're an asswipe.
44:01I didn't take the bitches' die.
44:02Ow!
44:04Get your garments
44:05and meet me outside.
44:07We weren't told
44:08where we were being taken.
44:09All right,
44:10let's let him in.
44:11Who wants to talk to Jesus?
44:12I was horrified.
44:13I don't like my weaknesses
44:14to be on display.
44:15I was experiencing
44:16a lot of envy.
44:18There are 11 of you now.
44:20This evening,
44:20there will be 10.
44:21Your work looks
44:23a little unfinished.
44:24I have not cried
44:25like that in years.
44:26Fashion can be
44:27a real bitch sometimes.
44:30Visit projectrunway.com
44:32to learn more about
44:32the fashions
44:33you've seen
44:34on today's show.
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43:49
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