- 5 months ago
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00:00Celebrate the magic of Kashmir 10th Home Awards powered by Leather Galleria at NRG Arena, Houston, Texas.
00:13Featuring Ali Zafar, Ramshah Khan, Yasir Hussain, Dananeer Mubeen,
00:26Suja Asad, Ahmed Ali Akbar and more.
00:35Saturday, 11th October, 2025 at the NRG Arena, Houston, Texas.
00:42To get the early bird and group discounts, book your tickets now.
00:46Log on to www.hum.tv or www.ticketmaster.com.
00:54For sponsorships, contact Mr. Naveed Adam, Hum Network Ltd.
00:59This was the first time I was thinking of, this will be the first time I was thinking of.
01:05Majina, why don't you think about it?
01:08There's no risk to your side.
01:11Oh, I'm a servant of a servant of a servant.
01:14And you have to take the payment.
01:16Today, you won't do your job.
01:18Why?
01:19Because you have to do some work, when you have to do some work, you have to do some work.
01:24If we are in a place, then we will be able to run away with the baby.
01:30If there is someone else.
01:32That's it.
01:39Do you keep this bag behind the seat?
01:42No, there are my things.
01:44That's the baby's getter.
01:46You have to take it with me.
01:48It's my clothes.
01:49Imitation jewelry.
01:50Now we have blue, yellow, blue.
01:54I have to take it from my legs.
01:56But it's completely untouched.
01:58No, no.
01:59I won't wear these clothes.
02:01Why?
02:03I will give you new clothes and jewelry.
02:06You will do acting.
02:08I will do acting.
02:10That's why I will come.
02:12I want to clear you.
02:15I will take you.
02:16I will take you.
02:17I will take you.
02:18I will take you.
02:19I will not have fun in my hands.
02:21Otherwise, my love is my acting.
02:24Did you eat something in the morning?
02:28No.
02:29He is running away from home.
02:33I am nervous.
02:35I have not come to mind.
02:37I was taking you.
02:38I will try someone to drop 하나� and run away.
02:39I am sorry I didn't mean at all.
02:44It was me.
02:45I thought I have to take you an opportunity.
02:46I will beitet by the coffee.
02:47Then I will mail you on the call.
02:49Then we will go to thepflicht possibilites.
02:51Then I'll take you since away.
02:52But I want to know anything.
02:53If Sherry used to know care.
02:55So what she thinks she could be doing?
02:57Everybody's mentioned and is that Sherry?
03:00Who is it?
03:02There is no one who asked me about it, so I don't have to tell you anything.
03:08That's it.
03:10Let's get rid of all these things.
03:12Look, there are such marriages here.
03:15There are two husbands, and then they keep talking about each other.
03:22If you get to know a little bit, then you get little kids on the right side.
03:27The marriage is so long that you don't have to adjust.
03:31It's good.
03:33It will look like this.
03:35A reality show.
03:57The marriage is so long that you can go, and you don't have to go.
04:05The marriage is so long.
04:07It's a long time.
04:09The marriage here is a possibility.
04:13You are the only one who's in love,
04:18and you are the only one who's in love,
04:22you can't do that,
04:25you are the only one who's in love.
04:30I'm hungry, eat.
04:33Habib's gone, to take out the delivery.
04:36You can't come here. You are blocked from every side.
04:39You didn't have to get it?
04:41mehendi. Oh, Nasa Bibi didn't say that until my hands don't get out of my hands, I won't
04:46put my hands on my hands.
04:48She didn't get out of mehendi now?
04:50No.
04:51My mother said that the woman who broke his head and broke his head, she didn't get out of
04:57mehendi.
04:58What are you talking about the child?
05:01The child's love.
05:02Let's sign it.
05:09Sign?
05:12It's possible that we'll reach the location today.
05:15It's possible?
05:16We have to reach the location today.
05:18If I don't go to the location, where will I go?
05:21Where are you?
05:22Where are you from?
05:23Where are you from?
05:24Where are you from?
05:25Can you tell me about the car?
05:26I understand. You're talking about the dialogue.
05:28I'm talking about the dialogue.
05:30I'm talking about the location.
05:31I'm talking about the truth.
05:33No.
05:35Are you running from your house?
05:39No.
05:40It's a big deal.
05:41Who's going to go to this month in an outing?
05:44No.
05:45But you go to the artist?
05:47Okay?
05:48Who did you see me in the drama?
05:50No.
05:51I haven't seen it in the drama.
05:52I haven't seen it in the drama.
05:53Now, you'll also say that I don't watch the drama.
05:55Why do you watch the drama?
05:57What do you watch the drama?
05:58The drama is happening in our old days.
06:00Wow!
06:01What the drama is happening.
06:03Wow!
06:04Wow!
06:05What the drama is happening?
06:06What do you see me?
06:07You are having a drama.
06:08It's the love.
06:09And the drama is not the drama.
06:10They are doing it.
06:11What you're doing with living with your house.
06:13What is the drama?
06:14What is it?
06:16No.
06:17I mean I mean..
06:18What do you mind?
06:19How do you care about those of your home?
06:20What do you mean?
06:22If you pay 10,000,000 rupees and your mind doesn't have a problem at all.
06:26It's not bad.
06:27I've still asked you anything in the car about your house.
06:30Please tell me, you said you didn't have to cast someone else.
06:34No, no, I was saying on your story.
06:38It's my problem, leave it.
06:40You just take me to the location and take it away from there exactly 30 days.
06:48Okay, but I'll eat this.
06:51I'll have coffee too.
06:56We'll go shopping and then we'll go to the location.
07:00I'm going to get a phone.
07:13We are the former former U.S.
07:16We are the former U.S.
07:19Today, we will not fight against small and small things.
07:24Today, we will not fight against small and small things.
07:28or not, it will not get out.
07:32Why should not get an age?
07:34How dare people stop thinking?
07:36He gave her, you wouldn't have to be willing to give in a way.
07:38Don't you?
07:40No.
07:42Yes, that's the same way,
07:44but instead I will not show your life
07:48I will not show you.
07:52Yes!
07:54Yes!
07:56We will not show you success!
07:58So that's not my family,
08:00you are not your generation!
08:02Yes!
08:04You will be able to live.
08:06You will be able to live.
08:12Your daughter,
08:16after your mother,
08:18I will not be able to live.
08:20No, you are my mother.
08:27You are my three daughters.
08:34The idea came first.
08:42What is this?
08:56Hello?
08:58Hello?
08:59The house is big.
09:00I will have to take the house today.
09:02Today?
09:03No.
09:04How can I go?
09:05I can meet you.
09:07But I have to go to the club club.
09:09Or even in the time of my auntie and uncle.
09:13My house is in my house.
09:15You understand me?
09:16You have to go to the house before.
09:18You have to go to the house.
09:19Now, you have to go to the house.
09:21Please.
09:22Please, Farid.
09:23I will go.
09:25You will be able to come to the house.
09:28So you will be able to get the shock from the beginning.
09:55I'm telling you.
09:56These girls are in some sort of a mess.
09:59These girls are always in some sort of a mess.
10:02I want to explain this.
10:04So?
10:05If they explain it, what happens?
10:07Then you stay away from me from my husband?
10:10Yes.
10:11I didn't have to do this.
10:13I didn't have to do this.
10:14I didn't have to do this.
10:15What does it mean?
10:17What?
10:19You are like someone else?
10:20Who, who?
10:21It's amazing.
10:23That's all?
10:24No.
10:25You have to do this while you have to do this.
10:27And what kind of a mess you are?
10:28I was at the Meta.
10:30No, it's bankrupt.
10:31My God.
10:32My God.
10:33My God welcome so much.
10:34My mind is his fingers.
10:35Yeah, my God.
10:36You're very tired.
10:37You're a bit different.
10:38I'm missing a couple of different things.
10:39I got to do this.
10:41Why?
10:42I am a fasting.
10:44That's not the same thing.
10:45I was doing it.
10:46I feel like a house is a safe place.
10:49And these five?
10:51Oh my God!
10:52I feel like they are some of them.
10:54I don't think they are any of them.
10:57I sat down and sat down.
11:00I took my hand and took my hand to sign.
11:05Sign?
11:06What about sign?
11:08I was thinking about it.
11:10I was thinking about it.
11:12I was thinking about it.
11:16I am thinking about it.
11:18What did you hear?
11:20It's about me.
11:22I did not know,
11:24I'm saying that someone is the one who is a violent woman.
11:29What a baby?
11:31What a baby is that?
11:33That girl!
11:35That guy is saying that
11:39he is a boyfriend or a girlfriend.
11:42Ah...
11:43Habib sahab ke hotay yeh to nahi hota bibi.
11:46Kia?
11:47Irpan sahab ki shahdi.
11:48Wo kiyo?
11:52Wo isliye,
11:53ki yeh khashmat sahab
11:54hamayshah ki ameer nahi teh,
11:56chaarpaayi ba naayya kardeteyo
11:57wo laktu banaayaya kardeteyo.
11:58Laktu samajhti haap?
11:59Wo...wo prr?
12:01Ji.
12:02Usko dhori baadho,
12:03tu wo yeh
12:04aise binta prr.
12:12This peal should be used to have a green, this is so good, it will be very good.
12:31This is blue.
12:35Yes, this is all the color.
12:37Why are you taking this color like this?
12:40I know, it's my color palette.
12:43It will look good on the screen.
12:45If you have a girl, you should have bright colors.
12:48Now, Hollywood isn't it?
12:50Where there are blurry screens, dark lights, smart faces and eyes.
12:56Of course, you have to take it.
12:58Listen, you have to take it.
13:00People say that my feet are very nice.
13:03Now, if you don't look at the feet, what are these feet?
13:07We will take it.
13:08So, I have to take a brief too.
13:10There are people who are there about their characters and their background.
13:13I know.
13:14The background story is told about the characters.
13:18They don't see it in the frame.
13:20But, the character of the character becomes the same.
13:23Right?
13:24I know.
13:25I know.
13:26I know.
13:27I know.
13:28I know.
13:29But, the background of this story is about me.
13:31I know.
13:32I know.
13:33There are some things.
13:35I want to tell you about your needs.
13:38I know.
13:39I know.
13:40I know.
13:41I know.
13:42I know.
13:43I know.
13:44I know.
13:45I know.
13:46I know.
13:47I know.
13:48I know.
13:49I know.
13:50I know.
13:51I know.
13:52I know.
13:53I know.
13:54I know.
13:55I know.
13:56But, I'm just speaking about my way.
13:58I know.
13:59And, you know.
14:00I know.
14:01I know.
14:02I want to tell you about the background of Manzor Nama.
14:04There were so many times in the restaurant, in the car.
14:09Why didn't you tell me?
14:10You're dragging the story.
14:11You're always telling me about this story.
14:14Listen to me.
14:15It's about 30 days.
14:17I'm going to go there.
14:22Bushra,
14:24the story is very strange.
14:26Irfan,
14:28the story is strange.
14:30You don't say a story to her.
14:33That's right.
14:34Okay.
14:36I'm going to listen to the rest of the background and the story.
14:38You're going to break me there.
14:40Just give me a moment.
14:42There won't be any hanky-panky.
14:47If it happened, social media is not far away from the set.
14:51No, I'm not saying anything.
14:54Well, I'm going to play for myself.
14:57You'll be surprised by your confidence.
14:59You'll be surprised by your confidence.
15:01You'll be surprised by your confidence.
15:02But you'll be surprised by your confidence.
15:04I'll be surprised by your confidence.
15:06You'll be surprised by your confidence.
15:08Now, you'll solve this problem.
15:09I've had to worry about a lot.
15:10You've got a lot of the injuries on your hands.
15:13You've got to worry about a lot.
15:14I've had to worry about a lot of them.
15:15And you've lost your mind.
15:17You've lost my mind.
15:18You've already noticed it.
15:19I've looked at my joutes.
15:20And I've noticed it.
15:21What's the joutes?
15:23What's the joutes?
15:24I've been in the kitchen garden.
15:28from the kitchen garden to the kitchen garden
15:32What did you do in the kitchen garden?
15:35You can see who you talk about in the video
15:39Please fire, please fire, no one will win
15:42This is my privacy, I'm going to go to my video
15:45This is true, but we don't have to fight
15:49When I'm fighting, I was telling you
15:52The actual problem is there, Safiya
15:55What are you doing?
15:56That's a bad thing
15:58We won't fight now
16:00When I'm fighting, I'm fighting
16:02Whatever is, we don't fight
16:04Safiya is a test case
16:06Put it on the job
16:08We won't be able to fight anyone from this house
16:16I didn't have to fight it
16:20I am going to fight it
16:26I'm giving you a gift
16:29I'm giving you a gift
16:30I won't be able to fight it
16:32I'm helping you
16:33Who I am
16:35When you're coming
16:36I am giving you a gift
16:40It's not going to be a film here.
16:57It's very good.
17:00You take it and leave it.
17:02Tell me about it.
17:04Your father and your father,
17:07you have to make a piece of paper and a piece of paper.
17:10And then?
17:12After my father's birth,
17:15I started working in a work shop.
17:20I had a lot of work.
17:22I had a lot of work.
17:24I had a lot of work.
17:25People copied him from the beginning.
17:28They started doing their work.
17:32Wow.
17:35What happened to me?
17:40What happened to me?
17:42What happened to me?
17:44What happened to me?
17:45What happened to me?
17:46The money dropped out and
17:48this family didn't learn how to do it.
17:51This girl's biggest thing
17:54was a lot of
17:56and a lot of
17:59Hitler type.
18:00I had a lot of film
18:02and
18:03she didn't leave the world.
18:05She was a little
18:07diplomat
18:08and
18:09she was a little
18:10and she was a little
18:11and she was a little
18:12and she was a little
18:13and she was a man.
18:14This is a strange family.
18:16You're talking about the people
18:18on the location?
18:19Yes, that's it.
18:20We're just a strange family.
18:22That's not it.
18:23No?
18:24No.
18:25It's not the best people
18:26because they were
18:28into the land
18:29and they were
18:30in the land
18:31and the society
18:32has
18:33it's not accepted.
18:34Wow.
18:35Wow.
18:36It's such a drama.
18:38What's that?
18:40After that, two parents were killed in an accident in a road accident.
18:47And because of that, they couldn't even know the police.
18:53After that, I had to take care of the girls and I had to try to get a good job.
19:00But after that, they left the school and college.
19:04So, these are five houses?
19:07Yes, and they don't have to meet anyone.
19:09Okay.
19:10Now, the care-taker, who came from the village of Abbu,
19:15they finally married.
19:17Why?
19:19Because these girls didn't give any help at home,
19:23they did the whole job at home.
19:26So, they came and married.
19:28Oh!
19:29She's a baby.
19:31Yes.
19:32And then, it happened like that,
19:36there were two groups in the girls.
19:38One group said that until Habib's sister's sister's sister's sister,
19:42she won't do anything.
19:44And Habib's sister's sister put the hand in their hands
19:47so that they didn't have to do the job.
19:49Very good.
19:51My sister put the hand in my hand.
19:53And what we need to do is do quickly.
19:55Because I have to save the location today.
19:57They are really fun.
19:59What are the situations?
20:00It will be fun.
20:01Okay?
20:02Okay.
20:03Okay.
20:04Okay.
20:05Okay.
20:06Okay.
20:07Okay.
20:08Okay.
20:09Okay.
20:10Okay.
20:11Okay.
20:12Okay.
20:13Okay.
20:14Okay.
20:15Okay.
20:16Okay.
20:17Okay.
20:18Okay.
20:19Okay.
20:20Okay.
20:21Okay.
20:22Okay.
20:23Okay.
20:24Okay.
20:25Okay.
20:26Okay.
20:27Okay.
20:28Okay.
20:29Yeah.
20:30Okay.
20:31Okay.
20:32I think that's how it's called.
20:33I can't do this.
20:35I can't do this.
20:37But you can't do this.
20:39You can do this.
20:41You can't do this.
20:43But you can't cut your hands,
20:45cut your clothes,
20:47cut your clothes,
20:49and go to the grocery store.
20:53Is it not working?
20:55No.
20:57Just ask them.
20:59Let's go, they're my daughter.
21:01Now, let's ask people outside.
21:03Who works at home?
21:05But...
21:07But what?
21:09I've told you about it.
21:11I've told you about it.
21:13The way it was authentic,
21:15the way it is.
21:21Let's go,
21:23let's go with me.
21:25We're out of trouble.
21:27We're out of trouble.
21:29I've told you about it.
21:31The way it is,
21:33the way it is,
21:35the way it is,
21:37the way it is.
21:39The way it is,
21:41the way it is,
21:43the way it is,
21:45the way it is.
21:47The way it is,
21:49the way it is,
21:51the way it is,
21:53the way it is,
21:55the way it is.
21:59The way it is,
22:01the way it is.
22:03You can see it,
22:05if you're good.
22:07Not sure,
22:09Bell's voice was so difficult, like any of the future's announcement.
22:15Tawbah, that's your small voice and you.
22:20Now, you don't fight.
22:23Keep your energy.
22:25Safiya Ji won't sit alone.
22:28We'll do something.
22:39Oh, that's me.
22:49First of all, that's me.
22:51You've explained everything, right?
22:53We'll be with you.
22:55What do you explain?
22:57There's a lot of fun.
22:59You've become a full superpower,
23:01and you've got everything together.
23:03So then?
23:05I've told you a little bit,
23:07but you can tell yourself yourself.
23:09Oh, you've got to tell me.
23:11You've got to tell me.
23:13I'm very scared.
23:15That's what I remember.
23:17That's what I remember.
23:19That's what I remember.
23:21And that's what I remember.
23:23You know,
23:25that's what I remember.
23:27That's what I remember.
23:29That's what I remember.
23:31You can play your role play.
23:33You can play your role play.
23:35You can play your role play.
23:37Why?
23:38You can play it.
23:39Let's go.
23:41What's your role play?
23:43They'll do it,
23:45Habib and Safiya.
23:47You've taken care of her role.
23:49What can you do to do with her role?
23:51What can you do to do with her role?
23:53You know, you'll know exactly right.
23:55That's why Rufan will be given this way.
23:57Well, after a couple of her role,
23:59it's a problem.
24:01It's a woman.
24:03A woman?
24:05Yes.
24:07If any family
24:09who knew her husband
24:11called to give her daughter,
24:13who called her a woman,
24:15and she was talking about a woman
24:17and she was talking about it.
24:19And she was running.
24:21How many times happened?
24:23We told them about them themselves.
24:26You didn't know how to play?
24:29Who did everything do?
24:31What?
24:32Let's go.
24:53My love is made by my love
25:00The stories of the walls are written on the walls
25:07Look at my eyes, it's not a dream
25:12I'm not a dream, I'm a dream
25:15I'm not a dream, I'm a dream
25:19My love has made my love
25:24Why?
25:24Just say it!
25:26Wow!
25:28What a beautiful makeup!
25:30I don't know what to do!
25:37That's it!
25:39I can do more makeup and costumes in this way
25:41But you have a pretty good makeup!
25:47Let's go!
25:48One minute!
25:51Yes, let's go!
26:12Hey, did you study the balloon?
26:15Yes, I studied.
26:17I don't know what to do.
26:18I don't know what to do.
26:19I don't know what to do.
26:20I don't know what to do.
26:21Hmm?
26:22I don't know what to do.
26:23I don't know what to do.
26:24I don't know what to do.
26:25I don't know what to do.
26:26I don't know what to do.
26:27I don't know what to do.
26:28I don't know what to do.
26:29I don't know what to do.
26:30I don't know what to do.
26:31I don't know what to do.
26:32I don't know what to do.
26:33I don't know what to do.
26:34I don't know what to do.
26:35I don't know what to do.
26:36I don't know what to do.
26:37I don't know what to do.
26:38But no, we can see.
26:39We can see one and none of us will get married.
26:40There's a good relationship.
26:41So you didn't have married with me?
26:43Yes, it's good.
26:44You have a father?
26:45I don't know.
26:46Listen.
26:47You are all the two kids.
26:48I don't know who to do their own wives.
26:51Hasn't it necessary?
26:52Yes, it's necessary.
26:53If she is married with her, she won't run.
26:56It's not running.
26:57She won't run for the shooting at a month.
26:59Who are you afraid?
27:01Who brings children to such children?
27:04How do we get to our drama work?
27:06Are you aware of it?
27:07Are you talking about the old days?
27:11Today, acting is a degree in school, colleges, universities.
27:17Our child is doing this project for acting.
27:20I believe that there is no place in this world.
27:26Our child is taking care of children,
27:30their eyes are taking care of children.
27:34Our child is getting a fortune.
27:36We have to pay for drama,
27:39and our child is getting a chance.
27:41Our child is getting this job before the past sheirrii.
27:46I don't forget it.
27:48But we don't forget it.
27:50We know it.
27:53We don't know it.
27:55What's that?
27:56You and my mother are not on the stage.
27:58Let me tell you.
28:00This is the place of the people of the people.
28:03The place of the people of the people of the people.
28:05This house is very difficult.
28:07If someone has fallen asleep,
28:10we will take a break.
28:12I am just saying that
28:15the acting is not in our place.
28:18She will not know anything about the people of the people.
28:22We can become a victim and we will go back.
28:25We will become a victim
28:28and will become a Sherry.
28:29Yes, it will become because it is a protein shake.
28:31It is not in his mind.
28:33You are a fool.
28:35That's fine.
28:36That's fine.
28:37That's fine.
28:38That's fine.
28:39That's fine.
28:40The person who can give notes,
28:41he will not become a fool.
28:42It's only...
28:44We are artists.
28:45No one comes and runs away.
28:47What do you do?
28:48Tell us.
28:49No, don't do a mistake.
28:50I am giving the option,
28:51that's fine.
28:52That's fine.
28:53I will also be acting.
28:55Oh, that's fine.
28:56Do it?
28:57But remember one thing.
29:00If she knows the Sherry's dead,
29:02she will have to do it.
29:04She will not know it.
29:06Now, you see what our children do.
29:10What do you do?
29:11Hmm?
29:16Yeah.
29:17Yeah.
29:18Yeah.
29:19Yeah.
29:20Yeah.
29:21Yeah.
29:22Yeah.
29:23Yeah.
29:24Yeah.
29:25Yeah.
29:26Yeah.
29:27Yeah.
29:28Yeah.
29:29So, I'm going to have to pay attention with her.
29:32Yeah.
29:33Yeah, it's the fine.
29:34I'm going to have to pay attention.
29:36You have to pay attention.
29:37I will pay attention to your kitchen.
29:38I will pay attention too!
29:40Well, can you pay attention to your kitchen?
29:41Yeah.
29:42So…
29:43You will take a vacuum cleaner and clean right now?
29:48I will not do that at home.
29:50I will not do that at all.
29:54Then take the dust and take the dusting.
29:58I will not do that at all.
30:06You can see,
30:08my wife has two cars of my life.
30:11I will be lost in this house.
30:14I have to do all this work.
30:17I have also seen the TV,
30:19and I have made a TikTok.
30:21That's what I have told you.
30:23That's what I have done.
30:25That's what I have done.
30:27Then what happened?
30:29How did the kids feel like
30:31that there should be someone else in this house?
30:33No kids,
30:35there is someone else
30:37who is responsible for this house.
30:39And listen to me once again,
30:41I will take care of this house.
30:43I will take care of this house
30:45and I will take care of this house.
30:47And I will tell you who is going to die.
30:51That's why I have to do this whole house.
30:53I have to take care of this house.
30:55I have to take care of it.
30:57I have to take care of it.
30:59I have to take care of it.
31:01I have to take care of it.
31:03I will take care of it.
31:04I have to take care of it.
31:05You have to take care of it.
31:07Maybe she will take care of it.
31:09No romantic.
31:10Yeah, yeah I think it's fine
31:30I think
31:31Is it
31:34...master?
31:34Tell me.
31:38Tell me.
31:39You are the parents.
31:49My parents?
31:51Irfan and his sister.
31:53My parents?
31:54My parents?
31:55My parents?
31:57My parents?
32:02Your parents are the ones who are in this house?
32:09And...
32:12And we should accept them.
32:21Like...
32:23Like the other people who are coming from...
32:27...
32:28...
32:29...
32:36Look...
32:37I know...
32:40I know that...
32:42...
32:43...
32:44...
32:45...
32:46...
32:47...
32:48...
32:49...
32:50...
32:51...
32:52If Irfan is one of our brothers and he does a lot of work with us and he does a lot of work with us and this marriage is also for you.
33:06Yes.
33:07I'm sorry.
33:08And if you will do this with him, then...
33:13Then?
33:17Then?
33:18Then?
33:22Then?
33:23No.
33:24No.
33:25No.
33:26Then?
33:27No.
33:28Then?
33:29Yes.
33:30We should have to do this with our brother.
33:33Yes.
33:34We should not do this with him.
33:36If we should do this with him, then we should not do this with him.
33:40And if we should not do this, then we will be able to do this.
33:44Then?
33:45Yes.
33:47I know that this is a different situation.
33:52But...
33:53Yes!
33:54Yes!
33:55A daddy are they here.
33:56Yes!
33:57A daddy!
33:58A daddy!
33:59A daddy!
34:00A daddy!
34:01A daddy!
34:02A daddy!
34:03A daddy!
34:04A daddy!
34:05A daddy!
34:06A daddy!
34:07A daddy!
34:08A daddy!
34:09That's right. Let's tell you, Habib and Safiyyah.
34:13Come on, Habib!
34:33I feel like it's a little bit like this.
34:37Yes.
34:39I wish I could hit your tongue.
34:42So what happens if you hit it?
34:43Who will give someone to you?
34:46You're looking for Hindi, isn't it?
34:47That's why you put it yourself.
34:49So why don't you put it?
34:50They put it, but you have to go to the night.
34:54That's why you put it all day long.
34:55Who did you do that?
34:59I'm giving it.
35:00I'm giving it to you.
35:02I'm giving it to you and I'm giving it to you.
35:05I'm giving it to you.
35:09That girl put so long list in the house.
35:39Apeep sir, why are you talking like you're going to get out of the boat like this?
35:51This is the story of the 40th chapter. This is the story of welcome to me.
35:55I've heard a lot about the issue.
36:09You are also listening to me, are you listening to me?
36:16They are listening to me, but they are all the birds of a bird.
36:20It's a bird of a bird of a bird of a bird.
36:24Where did he come from?
36:26I've been looking for a lot of trouble.
36:28I've been asking for the internet.
36:30He's telling the bird of a bird of a bird of a bird tomorrow.
36:32If someone asks if the bird is coming, what will he do?
36:39Technology.
36:42Is this not a bird of a bird?
36:44I'm not sure.
36:48You are coming down, don't you?
36:50Go and close the bird.
36:52I've also asked a bird.
36:54Yes, the birds and birds were also asked.
36:56Is this a curse of a bird or a bird of a bird?
37:09Oh my god, you're going to be here to be a special place.
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