00:00Una batalla tras otra es la más reciente película de Paul Thomas Anderson, un director nominado
00:06en nada más y nada menos que ocho ocasiones al Oscar, responsable de clásicos del buen
00:10cine como There Will Be Blood con Daniel Day-Lewis. En esta ocasión, junta un impresionante elenco
00:15liderado por Leonardo DiCaprio, Benicio del Toro, Sean Penn y una gran revelación, Chance
00:21Infinity. La historia se centra en un grupo revolucionario, agentes del gobierno y gente
00:26relacionada con migrantes ilegales. ¿Qué tipo de película es? Digamos que un drama con
00:30trazos de comedia que se siente como una película de acción. Anderson lo explica desde la conferencia
00:36oficial esta semana en Ciudad de México.
00:56¿Cómo consigue un director semejante elenco? De acuerdo con ellos, tres cosas. Ser buen
01:03director, tener una buena historia y tener buenos compañeros.
01:06Paul Thomas Anderson calls you for a project. You, you, like Benicio said, you say yes first,
01:13then you read the script. Every character is three dimensional, even the bad guys. He explores
01:18the human condition in this great action driven story. And then it's the cast. Just getting
01:25the chance to be on his set, which are the ultimate master classes and to work with like Leonardo DiCaprio,
01:31Benicia del Toro, Sean Penn, Regina Hall, and Tayana Taylor. It's a, it's a chance that I was never
01:37going to pass up. And then this one over here, it was a bucket of lightning. She lights up that screen
01:45and it was a pleasure to work with her. I love films that have a tremendous amount of thought put into
01:51them, that have layers to them that are, you know, unpredictable in their nature. It's so topical to the
01:57world that we live in, but it's, it's so entertaining at its core.
02:02¿Cómo una historia sí tendría humor? Déjenlo en manos de los expertos.
02:05Actually, the humor came naturally by the predicaments that Paul put in place. You have these usual,
02:12yep, traditional tropes for a character that you have expectations for, that a man coming from the world
02:19of espionage, being a revolutionary, is going to have all the right answers. How to be a father,
02:25how to get his daughter back. But he, he sets it up in such a real life circumstance where he's having
02:32an argument with his daughter when you first meet them 16 years later. He's trying to connect with
02:36the new generation. And then the, the one singular idea that Paul set up, which doesn't make it a
02:42traditional sort of heroic character, is the fact that he can't even remember the password.
02:48What time is it? You know, I don't, I don't, I don't remember that part. All right, let's just not
02:55nitpick over the password. I need to find my daughter. Well, then call us back when you have the time.
03:00You just, you just. Every time we came to these very dramatic points of heroism, we kind of decided to go
03:07the opposite direction, and then it culminates without giving the ending away in this very powerful scene
03:13between a father and a daughter.
03:15La película juntó a estas leyendas de la pantalla con personas que no son actores.
03:19I've seen it described that my character is a leader. And perhaps the S, the, the, the seed of that really started when we were forced to include these non-actors to participate and believe what we actors need to convey.
03:38So, Leo and myself, we had to be leaders for these non-actors to follow us. And I think we achieved that.
03:46Al final, el director confiesa que le gustaría que el público sintiera una cosa, optimismo.
03:52I feel optimistic when I look at Chase, when I look at another generation coming up. I look at it, I see it in my kids. I see it in her performance. I get optimistic about the future of movies and going to be in good hands and she's going to be on that screen. So, the end of the movie is her, you know, the end of the movie is handing off the journey to her, the fight to her.
04:14Una batalla tras otra ya se encuentra en los cines de nuestro país.
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