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00:00I'm George Takei, and I'm James Doan, and you're watching the Sci-Fi Channel.
00:08On Trekkin, I'm Jason Bradbury, and I'm going to be hosting a fast-moving 30 minutes devoted to all things Trekkin.
00:16So, engage.
00:18Hello, I'm Jason Bradbury, and this is Keep On Trekkin, my 30-minute mission to explore the strange and yet wonderful world of Star Trek.
00:36To seek out the fans, the fun, the philosophy, the yet somehow fantabulous Star Trek.
00:41To boldly go, alright, you know the script.
00:43Welcome to my little Star Trek pad, this is my answer to Quark's bar, thank you very, very much.
00:48We're here to celebrate all things Trekkin.
00:51We're talking about three decades of Star Trek, and remember, this is not just a show.
00:54Star Trek is a way of life for some people, and it's those kind of folk I'm going to be chatting to over the next 30 minutes.
01:00So, sit back, strap yourself in, but most important of all, engage.
01:06We relive some classic Star Trek scenes, and if you want to write your own episode,
01:11two top Hollywood script writers tell you how.
01:14I get to do the Vulcan handshake with the mother of Spock's baby,
01:18and find out what a Ferengi looks like without his makeup.
01:21We've got the stars of Star Trek as you've never seen them before,
01:25and the Star Trek movies you can make at home, some terrific home videos by the Trekkers themselves.
01:31Spock flips his lid in our very own Antiques Roadshow, and Star Trek fashion as modelled by the fans, and Terry the Borg.
01:40All that, and the real thing, as we get the lowdown on First Contact.
01:44So remember, resistance is futile.
01:47I'd say around about 23rd century, by today's standards, worth, what, $400 million?
01:54To be honest, I don't know what I'm talking about, but I do know a man who knows all about these kinds of memorabilia.
01:59He's over here, his name's John Kerrigan, and best described as actor and collector.
02:03Would you say, John?
02:04Yes, I would.
02:05Nice to see you.
02:06How's it going? You've got an array of things here.
02:08First of all, let's start with McGon. What would you say this is exactly?
02:11Well, that's a Klingon Disruptor pistol.
02:13Right.
02:14And they've got two power settings, die and die horribly.
02:16Next one, this is a communicator. I recognise this, they're talking to these.
02:19Next Generation.
02:20Yeah.
02:21I did my stint on Next Gen, they let me keep this afterwards.
02:22You're actually on Next Gen, weren't you?
02:23Yeah, a fleeting glimpse.
02:24You're a friend of the maker of Star Trek, aren't you, John?
02:26Yeah, Gene Rodemarie, he inspired me to become an actor, and also helped me with some of this collection.
02:30It's a brilliant collection, and this bit is my favourite one. Can I just, can I put my foot on the bridge?
02:34Stand on the bridge.
02:35I'm standing on the bridge now. I'm now on the bridge of the Enterprise.
02:38My foot has been where Kirk says, this is amazing, how did you get hold of this?
02:41Well, when they struck the set after the filming of the movies, Gene said, would you like something to keep safe from the bridge?
02:47So, here it is.
02:48John, thanks very, very much.
02:50I've got to get a value on this, and there's another guy over here, his name's Duncan McAlpine.
02:53And in his other words, he's the foremost Star Trek expert this side of the galaxy.
02:58That's very nice.
02:59How are you doing, Duncan McAlpine?
03:00Oh, greetings, greetings, Earthling.
03:02Good spot, can't you?
03:03We've got a kind of antiques roadshow set up here.
03:06Yes, that's right.
03:07Just very, very quickly, what's the best stuff to collect?
03:10You've got stuff that's produced at the times, books and puzzles and board games and comics, very easily attainable at car boot sales, that kind of thing.
03:17Right.
03:18£10 a time, this kind of stuff.
03:19That would give you £10, cost 6p originally.
03:21Yeah, that's right.
03:22That's a good bargain.
03:23What about autographs?
03:24Signed photos, very, very popular today, and of course, William Shatner is the main signature that people are after.
03:29He's the most popular one still.
03:30Original and best, as I say.
03:31What sort of money?
03:32About £80 for this, something like that.
03:34Ooh.
03:35This is very funky.
03:36This is part of a pair, in fact.
03:38Right, yeah.
03:39A Spock and Kirk wine decanter.
03:40Oh, brilliant.
03:41Although this comes with a load of this, a bit of Romulan ale from about, ooh, £22.96.
03:46It's potent stuff.
03:47Put him back on there.
03:48Good year.
03:49We don't want these people dropping.
03:50£250?
03:51£250, and it's six years old, you say?
03:52Yeah, about that.
03:53OK, well, the real question is that my gun, my phaser here.
03:56Oh, yes.
03:57What sort of money is this?
03:58It's an original prop from the film.
03:59Yeah, this is nice.
04:00What would you say?
04:01Very old.
04:02Yeah.
04:03Mid-23rd century, I would say.
04:04Absolutely.
04:05I remember one that sold at Christie's for around about, about three years ago, for £300.
04:09Yeah.
04:10I'd say this would be around about, in this condition, 600 quid.
04:12600 quid?
04:13Can you believe it?
04:14Duncan, thanks, I'm out of it.
04:15Star Trek, the big idea, continues after the break.
04:20You know, a lot of people refer to me, a Star Trek fan, as an anorak, and I just want to
04:25put that category to bed once and for all by showing you just how wonderful an anorak
04:29can look.
04:30Bear Van Bear, come and join me, if you please.
04:32Doesn't that anorak look absolutely fantastic?
04:34How you doing?
04:35I'm good.
04:36How are you?
04:37I'm lovely.
04:38Now then, you're many things.
04:39You're TV presenter, rollerblading fan, rock and roll fan, but most importantly, film
04:43fan.
04:44I love films.
04:45Good first contact.
04:46I loved it.
04:47Because in a way, it was a very symbolic thing.
04:50Because it was the first film that got me over my reluctance to accept the next generation
04:55as a Star Trek generation.
04:56Resistance is futile.
04:58Because I'm a big old Star Trek fan.
04:59Okay, so you love James T.
05:01Good grief, look at that.
05:04I even liked him when he was fat and had a bad curly perm.
05:07The line must be drawn here.
05:09I tried to forget about Captain Kirk.
05:10I made a fresh new start with Captain Picard and he was all right.
05:15Mr. Hawke, before we lost internal sensors, what were the exact environmental conditions
05:18in Maine Engineering?
05:19Atmospheric pressure was 2 kilopascals above normal, 92% humidity, 39.1 degrees Celsius.
05:2439.1 degrees Celsius.
05:2539.1 degrees Celsius.
05:26Like a Borg ship.
05:27What was it about John Luke in First Contact that you liked so much?
05:32I like the fact that he was one of those all-round men that read Moby Dick, listen to classical
05:41music, have a bit of a fight.
05:43How about time travel, because often time travel is dealt with in science fiction.
05:48Did you think that it was an old subject to be doing all over again?
05:51I thought it was a bit of a cheap trick, but then again it brought us to another world.
05:55This is no time to argue about time.
05:58We don't have the time.
06:00There was a love interest.
06:01There was a love interest and it was someone who wasn't a very conventional love interest.
06:05If you are referring to sexuality, I am fully functional, programmed in multiple techniques.
06:21What was your favorite bit in the film?
06:23My absolute favorite bit was when they took off in this missile, and it was quite exciting,
06:28one of the earliest missiles, and the guy who built it, and I do remember his name, Zefram Cochran.
06:35Absolutely brilliant.
06:36I love that name.
06:37He insisted on playing rock and roll, and he was actually playing Magic Carpet Ride by Steppenwolf, which I love.
06:42Let's rock and roll.
06:43Destroy them.
06:44Watch your futures end.
06:45This film has been marketed as not just a Star Trek film for people that like Star Trek, but a general blockbuster, a good action movie.
07:00Do you think that's fair?
07:01I think it's fair because the special effects are just amazing.
07:05And if I can give you a tip.
07:07If you go and see this film, make sure you sit all the way in the front, all the way in the middle, and just let the special effects and the explosions just...
07:13There's someone out there, I'm sure, who can't decide whether to spend their money on this film or not.
07:31What are you going to say to them?
07:32I say, if you can get those seats right in the middle, in the front, go and see it.
07:35Don't miss it.
07:36I'd say, keep on trekking, see that film, and come out of it, you know...
07:41Fulfilled.
07:42Fulfilled, yeah.
07:43Thank you very much.
07:44Thank you very much.
07:45There's never been a better time to be a Trekker, with First Contact packing them in.
07:50There's the video release of three TV movies and more classic episodes from the original series.
07:56The latest haul includes Space Seed, The Side of Paradise, and most memorably, Devil in the Dark,
08:02where Spock mind-melds with a silicon-based life-form, and McCoy gets to say one of his most famous lines.
08:09You can't be serious.
08:11The thing is virtually made out of stone.
08:14Help it, treat it.
08:16I'm a doctor, not a bricklayer.
08:18You're a healer.
08:19There's a patient.
08:20That's an order.
08:21In the best of both worlds, the Next Generation crew investigate the mysterious destruction of a Federation colony.
08:28No prizes for guessing who done it.
08:31I am Locutus of Borg.
08:38Resistance is futile.
08:41Your life, as it has been, is over.
08:46Also on video, the most expensive Star Trek episode ever made.
08:50In the way of the Warrior, a bunch of crazed Klingons launch an all-out attack on Deep Space Nine, just to show everyone where the budget went.
08:57Let's show them what they're up against.
08:59Attack Pattern Omega.
09:00Target their engines.
09:02Into the 24th century, and coming almost up to date, the crew of the starship USS Voyager find themselves in the farthest reaches of the galaxy, 70,000 light years from home.
09:17Get out of here, Paris, before the whole thing comes down.
09:20I intend to.
09:21As soon as I get you up.
09:23You get on those stairs, they'll collapse.
09:25We'll both die.
09:26Yeah.
09:27But on the other hand, if I save your butt, your life belongs to me.
09:32There are two Star Trek questions that I need answered.
09:39Who's best looking, Picard or Kirk?
09:41And those are my personal preferences.
09:42And what about Spock?
09:43Did he really have a baby?
09:45One woman knows the answers to these and many, many more questions.
09:48And with that in mind, computer, late 20th century clothing, and could you get me down that lovely navy jacket with the gold buttons?
09:54Thanks a lot. Cheers.
09:55Make it so.
09:57I'm sure there's an interviewee somewhere around here.
10:02Oh, there we are.
10:03I'm here for a date with the delightful Robin Curtis.
10:06She played Talira in The Next Generation.
10:08And of course, Savick, the Vulcan in Star Trek 3 and 4.
10:12Hence the handshake.
10:13And a rather personal question.
10:15There was a rumour that there was a bit that would have been in Star Trek 4 that wasn't actually in,
10:20whereby you had an evening or a morning of passion with Spock and ended up with a young Spock.
10:25Yes, the actual act, the act, took place in the cave, in a cave, on Genesis with Spock in Star Trek 3.
10:34And the big debate, the big dilemma was, did they use birth control?
10:38Was this a planned act?
10:40Did she bring her equipment with her?
10:42Did he have what he was involved?
10:44I've had some interesting debates with the fans about that.
10:48What is the appeal, do you think?
10:50Of Star Trek?
10:51Yeah.
10:52I have asked myself that question many times.
10:54I mean, Star Trek is, I had no idea when I became a part of it, let me put it this way,
10:57that it was such an enduring phenomenon and that I was becoming a part of something much bigger than I imagined it to be.
11:02And the fans have so lovingly educated me to what that is.
11:07And I believe that one of its most enduring qualities is the message, the projection of a very positive picture or image into the future of mankind and man's humanity to man.
11:21That's what's underneath it all.
11:22I think that's the foundation upon which it's building.
11:24People love that technology and they love the futuristic stuff and the special effects.
11:28But underneath it all, it's a morality play.
11:30It's, you know, they're trying to get across the idea of celebrating differences.
11:34If you're going to go out and explore space, you know, we are bound to encounter different life forms.
11:40And if we can't get our act together here, you know, if we can't be in harmony with our neighbors here, then what the heck can we expect in space?
11:48We damn well better get that together.
11:50That is beautiful.
11:51I want you to imagine that you're cast away in a pod floating towards the planet Genesis.
11:55You are allowed one person or two possible people in that pod.
11:59You have to spend the rest of eternity with them.
12:01It's either John Luke or it's James T.
12:03Who's it going to be?
12:04Oh, God, um, Shatner's hairpiece on John Luke's head.
12:12No, I'm kidding.
12:13I'm kidding.
12:14No, Picard.
12:15I would pick Picard, I think.
12:16Robin?
12:17Because he's an enigma.
12:18Is it?
12:19Am I an enigma?
12:20Somewhat, yeah.
12:21Yeah, slap head is the expression I use.
12:23I like people.
12:24Robin, thank you very much.
12:25What can I say?
12:26It's a pleasure to meet you.
12:27It's my pleasure.
12:28It's even more of a pleasure to give you one more last time at Vulcan handshake.
12:30You've got it.
12:31Robin Curtis, thanks very much.
12:32Take care.
12:33Live long and prosper.
12:35If you want to see the stars of Star Trek in some less familiar roles, keep watching
12:39the Sci-Fi Channel.
12:41For instance, back in 1956, who's this starring in Alfred Hitchcock Presents?
12:46Oh, how horrible.
12:48What is it?
12:49An eye.
12:51A glass eye.
12:53When Star Trek passed away in 1969, it was mourned by all concerned.
12:58Not least, Mr. Spock.
13:00But even in the 70s, he found that logical, unfeeling Vulcan temperament hard to shake off.
13:06But what am I supposed to do today?
13:09Break down?
13:10Sob?
13:11Would you like that?
13:13The original series left its mark on William Shatner too.
13:16Here he is, trying a Vulcan mind meld on the Six Million Dollar Man, a kind of early version of the Borg.
13:23From the Six Million Dollar Man to the Bionic Woman.
13:26The fans of Deep Space Nine know Odo can change into any object he likes.
13:30Here he seems to have transformed himself into an owner of a 70s boutique.
13:35Finally, back to that Six Million Dollar Borg.
13:39And if you wonder why Q never bothers teasing data, here's a clue.
13:46That's right.
13:47He's a technophobe.
13:49Watch Star Trek and you're watching fashion history in the making.
13:52From Ahura's extremely short skirt to Jean-Luc's very 90s male shaven head.
13:57It's always been very, very important.
13:59And here to tell me just how important is Juliette Glaives, a fashion expert.
14:02How are you doing, Juliette?
14:03I'm doing great.
14:05What's the difference between fashion and Star Trek?
14:06Well, Star Trek is our vision of fashion in the future.
14:09Yeah.
14:10So it's going to influence us and it does already.
14:12And it's always been influential from the very beginning of the series.
14:14Absolutely.
14:15Up to the present day.
14:16We've got a few people to show us the sort of quintessential statements in fashion.
14:19Yeah.
14:20In Star Trek.
14:21Starting off with what we call in the Star Trek family, aren't we?
14:22We are.
14:23It's Mike, Heather and Nicola.
14:25Come on down.
14:26What are they wearing today?
14:27Well, this was from the very original series, the uniforms from then in the early 60s.
14:32Colors, extremely bright, primary colors.
14:35Yeah.
14:36That's because NBC were the first television channel to show the program.
14:39And they wanted to be known as the channel with color.
14:41Good stuff.
14:42Okay, next up we've got Stuart and Juliette.
14:44A little bit more downbeat this time.
14:46This is the next generation.
14:48Right.
14:49So this is when Captain Jean-Luc Picard took over.
14:51Yeah.
14:52Juliette's wearing the all-in-one.
14:53And it caused massive problems, groin strain.
14:56So out went the all-in-one and in came a two-piece.
15:00And you'll notice that on the films, Jean-Luc Picard always pulls his top down when he stands up.
15:06Yeah.
15:07And it became known by the fans of the Picard manoeuvre, because he's always in.
15:10Or the Picard wedgie for the in-crowd.
15:12Well, for the in-crowd.
15:13Smashing, okay.
15:14Okay, next up is Terry.
15:15Now, Terry's a Borg.
15:16Another Borg from having seen First Contact recently, the new film.
15:20That's right.
15:21What else is he wearing today?
15:22He's wearing, again, the next generation uniform.
15:25Now, the dark red, during the next generation, it became known as the command colour.
15:30Yeah.
15:31So gold and red changed over.
15:33And the dark red was worn by the commander of the starship.
15:37Great.
15:38Next up, Barbarella.
15:39Barbarella's my particular favourite, because she's a female Klingon.
15:42She is.
15:43She looks mean.
15:44She looks mean.
15:45And, in fact, both men and women wore this outfit.
15:49They're a battle race, the Klingons.
15:51But you'll notice, I must just say, the make-up during the films became much more, and the
15:56whole of the Klingon look became much better as budgets got bigger through the films.
16:01Right.
16:02So, and hence this forehead developed.
16:03And more hair.
16:04More, yeah, more hair.
16:05And much bigger, heavier costume.
16:07Warrior-like costume.
16:08Because hair means money, in this case.
16:10Okay, who we got next?
16:11Canary Wharf.
16:12Believe it or not, this man's called Canary Wharf.
16:13Now, this is a little bit of artistic interpretation on Canary's parts.
16:16What's he doing there?
16:17Well, this is our really funky 70s Klingon.
16:20Looking good.
16:21And, you know, Star Trek wasn't around in the 70s, so Canary has this great interpretation
16:25of what he thinks they were going to look like.
16:26My favourite motif is the chest hair on a string there.
16:29Absolutely beautiful.
16:30Finally, we've got Vicky and Graham bringing things bang up to date.
16:33They are.
16:34They are.
16:35This is the new uniforms from the new film First Contact.
16:38The neckline has changed and you've got the quilted shoulders.
16:43And again, the colour of ranking is dictated by what's worn the polar necks underneath.
16:49And the whole male female thing is very equal, isn't it?
16:52Exactly equal.
16:53They wear exactly the same things.
16:54None of those short skirts you saw in the 60s.
16:56Absolutely not.
16:57What about yourself?
16:58You're looking particularly fab tonight.
16:59Thank you very much.
17:00This is my rather tight version of...
17:03You were telling me you can't bend down.
17:04I actually can't bend down, so I totally sympathise with Alan Picard and the all-in-one
17:08problem.
17:09Well, I've got to be honest.
17:10I'm going to join you and John Luke.
17:11I'm off for a fitting right now.
17:12Julia, thank you very much.
17:13Thank you very much.
17:14See you later.
17:15Live long and prosper.
17:16It's all right.
17:17First Contact may be the eighth official Star Trek movie, but there's been hundreds of
17:22unofficial ones made with love and care by the Trekkers themselves.
17:27Homemade sci-fi films have always been popular, as this big budget production of Mars Attacks
17:32illustrates.
17:33But doing your own Star Trek video is much harder and requires close attention to special
17:37rules.
17:38Captain's log, March 17th, 1995.
17:40First, get all your mates together.
17:42You're going to need all the help you can get.
17:44Shh.
17:45If one of those mates can do sound effects, shh, so much the better.
17:50And if, like me, you haven't got any mates, you can always use dogs.
17:55Long range sensors identify the ship as the USS Nilebone approaching at Walk 9.
18:00Now in communications range.
18:02Lieutenant Tachi, open the channel.
18:04Stardate 2002.
18:05Your cast must learn their lines before you start rolling.
18:08Monday, the 1st of January.
18:10Time spent in rehearsal is money saved on screen, and you'll need all the cash to splash
18:14out on those special effects.
18:16At some stage, your ship is bound to be attacked.
18:21Remember, there are no safety belts in Star Trek, so you'll have to throw yourself from
18:25side to side.
18:26This is very important.
18:27You've got to learn how to do it right.
18:29Klingon vessel destroyed, Captain.
18:33Planet Bimbo coming into view.
18:35After repelling the initial attack, you'll almost certainly have to beam down.
18:39This is another crucial scene.
18:41You may find a shower curtain comes in handy.
18:44The surface of the planet may be barren and desolate.
18:47Find what props you can, and then improvise.
18:50There must be at least one good fight sequence against a convincing alien life form.
18:55After that, beam back and shoot a final scene reflecting on your experience.
18:59Even if it's one of the dogs.
19:01Captain, I managed to save some of the smackos.
19:03I'd gladly share them with the dogulans.
19:06That's a very generous offer, Captain.
19:09I will overlook your intrusion into our space for now.
19:13Star Trek, the big idea, continues after the...
19:17Keep on trekking on the Sci-Fi Channel.
19:21Amazing, as it might seem.
19:23Star Trek, the biggest film television phenomenon ever,
19:25still has an open script policy,
19:27which means that average bods like me can write a script like this
19:30and stand a chance of getting it on the telly.
19:32I've done just that.
19:33I reckon it's got what it takes to be a blockbuster.
19:35All I've got to do is show it to the right person.
19:37And with that in mind...
19:39Computer!
19:40Late 20th century clothing.
19:41Oh, and give me a stupid hat to wear.
19:43Thanks very much.
19:44Hollywood, here I come!
19:47Yes!
19:48Here I am!
19:49Malibu Beach.
19:50Home of surf culture.
19:51David Hatterhoff.
19:52And of course, Paramount Studios.
19:55Wait.
19:56Something's not quite right.
19:58If I'm not in Hollywood, then where am I?
20:01We're in Fogston, mate.
20:02Fogston.
20:03Oh, thanks very much.
20:04What's this then?
20:05Wait a second!
20:06Telefantastique?
20:07Star Trek convention?
20:09Brilliant!
20:10This is the place.
20:11There's some top Hollywood script writers holding a writer's workshop right here.
20:15And I'm going to make my pitch.
20:17Look at this guy.
20:18Even for Ferengi, he's pretty weird looking.
20:21Look at that face.
20:22Wait a minute.
20:23I don't believe it.
20:24I don't believe it.
20:25It's you!
20:26It's Matt Grudenchik, alias Rom from Deep Space Nine.
20:30What an amazing coincidence that you sat down.
20:32How are you doing?
20:33This guy could really help me with my writing career.
20:35I'd better flatter him a bit.
20:37You know what's really bizarre?
20:38Looking at you in this picture from Deep Space Nine, you do not look incredibly dissimilar
20:42in real life than you do with all the makeup on.
20:45Was that a compliment?
20:46I don't know.
20:47That's done the trick.
20:48Let's cut to the chase.
20:49I've got to be honest with you.
20:50I have a motive for talking to you today, Max.
20:52I've got a script burning a hole in my pocket here.
20:54It's a great script.
20:55I want to pitch it later on.
20:57Have you got any tips for you?
20:58What makes a good script for your character?
21:00A large part for Rom in the episode.
21:02Rom says this, Rom says that, Rom.
21:04Pages and pages of dialogue.
21:06Rom becomes king.
21:07Rom takes over.
21:08Rom becomes captain.
21:09Have you ever thought of writing an episode for Star Trek yourself?
21:11Oh, sure.
21:12Yeah, yeah.
21:13But you've got to think in the 24th century, and I only think in the 20th century, so I'm
21:18a little limited.
21:19I think in the 22nd.
21:20You're halfway there.
21:21Yeah.
21:22I'm getting there.
21:23I've tried.
21:24I can't quite make it to 24 yet.
21:25You have a half a good script, then.
21:26Max, what can I say?
21:27Thank you very much for talking to me.
21:28I'm going to put you in my script.
21:30You're in there now.
21:31I'm going to go pitch it.
21:32Is that okay?
21:33Thanks a lot.
21:34You're very well.
21:35Wish me luck tomorrow.
21:36Excuse me.
21:37I've got a script here.
21:38I don't know if you could possibly spare me five minutes.
21:39This is it.
21:40Hi.
21:41You've got to pitch to the bigwigs from the Star Trek office in Hollywood.
21:45Lolita Faggio.
21:46She's script editor for First Contact.
21:48And Eric Stilwell.
21:49He writes The Next Generation.
21:51Here goes.
21:52The saga continues.
21:53I was thinking maybe the second one could be the saga continues two.
21:56Then the saga continues three.
21:58Basic idea.
21:59Bold guy.
22:00Not like myself.
22:01Maybe I could pay the part.
22:02John Luke Wellard.
22:03You want some?
22:04Okay.
22:05He gets caught in a terrible accident at the beginning, right?
22:07He's caught in a kitchen accident.
22:09Killed by a blender.
22:10All right?
22:11No worries, though.
22:12Data...
22:13This is Star Trek.
22:14This is it, yeah.
22:15Data jumps in there.
22:16Marries a Klingon.
22:17A child who by a genetic mutation.
22:18Bear with me.
22:19I don't buy it.
22:20Time travel coming in a second.
22:21Bear with me.
22:22Kid grows up.
22:23Looks like James.
22:24Well, it seems I've broken some very basic rules.
22:26The lead characters never die, and they never get married.
22:29Well, I've got it all wrong, but how do you get it right?
22:32I would say knowing the voices of our characters, which means really knowing how our characters
22:37work and think and interact with each other is really important.
22:41And things that are unique focus on the characters and have a good action-adventure science fiction
22:48story to go with.
22:49Eric, you've written a couple of episodes of Star Trek.
22:52How exciting is it to see your words actually make it onto the screen?
22:55Well, actually, it's very exciting, especially when they start filming it.
22:58The first story I sold had Whoopi Goldberg in it.
23:02Good, great.
23:03Which one was that?
23:04Yesterday's Enterprise from Next Generation.
23:06And so to see Whoopi Goldberg in something that you've done creatively is very, very exciting.
23:12Okay, well, fair enough.
23:13You know, you've given me some subjective criticism.
23:15I've taken it on board.
23:16I can do that.
23:17I'm going to go away and work very, very hard on the script.
23:20Have I got a chance to think in the future?
23:22Well, don't call us.
23:23We'll call you.
23:24Thanks.
23:25Yeah, she's not there.
23:28She's in a script meeting.
23:29Okay, right.
23:30Did you tell her that Jason called?
23:31Keep on Trekking, yeah?
23:32Great.
23:33I'll be waiting.
23:34Thanks a lot.
23:35Cheers.
23:36All right.
23:37It seems that I'm not the man to take Star Trek into the 25th century.
23:39But you know what?
23:40I don't really think it matters.
23:41I reckon without me, it's still going to carry on for another 30 years.
23:44So in the words of Mr. Spock, live long and prosper.
23:47Beat me down.
23:49Ta-ra.
23:50I'll be right back.
23:51There goes radio.
23:52My smart friend will hold a boy, I'll be right back.
23:53I'm 50-30.
23:54Gentlemen.
23:55기다� him.
23:56Can you ask that you and eat, just Expedition?
23:58I'll show you in the 50s.
23:59You'll be right back, само bear with me.
24:00Global Air adv�etenos on TV средal.
24:01I don't know if you've watched the Friday.
24:02Look at all of this release if you're not going to die yet.
24:03Usually you may be wrong.
24:04You'll be on the 50s.
24:05The community after I just want to get aurt of training.
24:07them clearly will спас back.
24:09You're Richmond.
24:10optimist firms.
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