- 4 months ago
The Kollective Season 1 Episode 1 - FULL
Category
🎥
Short filmTranscript
03:07Get on that plane, then you can thank me.
03:11Will you be okay?
03:12If your story makes it to the front page, they have much bigger problems than me.
03:16Goodbye.
03:17Thank you, sir.
03:34Lock them on board.
03:35Lock them on board.
04:04Let's go, let's go, let's go, let's go, let's go.
05:39Le reporter ?
05:40Oui.
05:42Merde.
05:42Nous vous tiendrons informés des nouvelles missions fournies par les autorités congolaises.
05:48A l'heure actuelle, aucun blessé au sol n'a été signalé suite à cette tragédie.
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26:30First off, it's nice to meet you.
26:32Maya Jensen said that you might be able to help me.
26:35I want to know what happened to Rina Air Flight 5N or EM.
26:41Okay, I can send you something from another number,
26:43but you must delete everything after you see it, okay?
26:46Yeah, yeah, yeah, of course, absolutely.
27:00I've never heard of a plane breaking in half because of a technical problem.
27:13And nobody's investigating this.
27:15Have you sent this to anyone?
27:18No. You think I don't care about the truth?
27:21No, no, no, I didn't, I didn't say that.
27:23So the law says that all information must go through the Congress authorities to the British Commission.
27:28But guess what happens next?
27:30The Congolese authorities never passed along the video.
27:33Bingo.
27:35Listen, Mr. Joshua Moore, just stay home.
27:39So forget about the planes and the mines.
27:41This country is doomed, and it will never change.
27:44Keep it...
27:58Hey.
28:11Hey.
28:12My husband's spinning all afternoon about... about your father and...
28:20Where are you going?
28:24On a trip.
28:37A trip where?
28:39Look, I don't want to be stuck in the back of some restaurant trying to secretly connect dots online forever.
28:49I want to be a reporter, like my dad.
28:52And I know you think that means that I'm going to be, you know, I'll lose my freedom or I'll be the enemy or whatever, but I'm sorry.
28:57I'm sorry. It's something that I have to do.
29:00Have you gone completely insane?
29:04A reporter has just died in Kinshasa.
29:07Don't worry. Don't worry.
29:08Look, look. I understand.
29:10I get it.
29:12This hits a nerve. Of course it does.
29:14But are you sure that your father would want you to throw away your life and all of our hard work to chase this unsourced hunch halfway across the world?
29:22I don't know what my father would want, but I have a feeling that he'd be proud of me.
29:26It's too personal. You're clouded by emotion.
29:29Stop it!
29:30It's too personal!
29:31Yes! You know what?
29:33Maybe you're right.
29:35Maybe everything you're saying is right.
29:39But I'm going to do it anyway.
29:52As if you note, I'm going to use a combining light sidebar.
29:56Yeah.
30:02It's an urgency to fight.
30:04Yeah!
30:06This is a sense of hope and suced kill…
30:09Hold in and protect the ice.
30:11Well, I see you there for you now.
30:12I'm sorry.
30:13I'm sorry.
30:14I'm sorry.
30:15No, I'm fine, ow.
30:16No, I'm fine.
30:17Keep your eyes alive, I'm pretty soon.
30:19departing.
30:20MUSIC
30:47Excuse me? Excuse me?
30:49Do you know where La Torace is?
30:50Pardon?
30:51La Torace.
30:52Ah!
30:52Ah!
30:53Okay.
30:54Appreciate it.
30:55Oh, merci.
30:56Oh, merci.
31:13Do you don't follow my advice?
31:14My mother has the same complaint.
31:19Where'd you get that video?
31:23You know, with my work, I meet a lot of people.
31:26Janine, deuxième blaster, bref.
31:28And someone like me.
31:30I'm happy with the way things are going in this country.
31:32People who like me are more angry than afraid.
31:37Monsieur, madame, la cinquette.
31:39Voilà le menu, du poisson et du ruit.
31:42Bon appétit.
31:46No worries, not the people have you killed here.
31:49Do you have any other information?
31:59That's a thousand dollars.
32:03I thought you were doing this because you cared about the truth.
32:08The truth always has a price.
32:09Can we do 500?
32:30This was shot on May 11th, just one hour after the plane got shut down.
32:49Missed the house.
32:52And the location is close to the side of the plane crash.
32:55Yeah, but this isn't enough to prove that they're what hit the plane.
32:57We need more evidence.
32:59I'm sure you do.
33:00And I'm sure you'll find ones.
33:02Wait, where are you going?
33:04Enjoy the fish.
33:04I'm sure you'll find one of the fish.
33:06I'm sure you'll find one of the fish.
33:09I'm sure you'll find one of the fish.
33:14I don't know.
33:14I don't know.
33:15I don't know.
33:15I don't know.
33:16Hi, Mum. Mum, Mum, Mum, Mum, I can't really talk right now.
33:36Where are you?
33:37Er, I'm... I'm at work.
33:39I've just got off a call with Maya.
33:41Mum!
33:42I've got a car store there, to be honest with you.
33:44Mum, I'm fine, all right? Just don't worry.
33:46You're sort of an experienced journalist, right?
33:48Yeah, I know. I'm a dishwasher at an Italian restaurant
33:51owned by some Albanian blokes, I know.
33:59What is that noise?
34:00All right, Mum, Mum, Mum, I've got to go, all right?
34:02I'll call you when I'm back.
34:03Be careful.
34:04All right, I love you.
34:05I love you.
34:06Bye.
34:14Bye.
34:37They are good at the end of the show, they are good at the end of the show.
35:05I don't know how they call me old man, they are sad.
35:13No, it's true.
35:15If they are sad, they are right.
35:19Look.
35:24You see the results in the carlingue of the avion?
35:29All these small points.
35:32Well, that's due to the explosion of the missiles when it explodes.
35:38The missile will enter into the avion.
35:40It exploded there.
35:41You understand?
35:42What kind of missiles are we talking about?
35:48There are several solutions.
35:50For example, the plane was at about 1000 meters.
35:53When the Bois-de-Loire started to record the descent, the chute of the plane.
35:57So we could eliminate the number of missiles that don't reach this high?
36:00Exactly.
36:02Well, you're going to kill me.
36:06Which one?
36:07Or the computer?
36:08The two.
36:09Did it?
36:10God, we're only realizing.
36:12You have to do this quickly, good to see to me.
36:15You must ask us again.
36:17inha
36:19After Sobriga
36:22Argentina
36:23оз tie
36:26so that missile truck on the day of the crash was only 10 kilometers away from the crash site
36:48strange coincidence strange indeed yeah look at this
36:52let's get a look at the driver
36:56thanks
37:12yeah uh let me know what's going and take care yeah of course
37:19josh yeah i'm sorry for not having your back at the meeting
37:24it's fine you're making up for it now
37:27just call delia okay like look i know shit about love and i know we technically only met once but
37:33i do kind of know that you're both too stubborn to call first and just do it
37:37i liked it better when we didn't know anything about each other
37:40all right take you later yeah take care
37:45all right
37:54so
37:57Oh, hey, what's that?
38:13Yeah, I'm good, I'm good.
38:27Do you know where Claude is?
38:36Claude?
38:37How did you find me?
38:40There's only one taxi cooperative in Kinshasa with a female president named Claude.
38:45He says are there.
38:57Hi.
39:02What do you want?
39:06I want to finish what Steve Lush started.
39:09I want to know what happens in the Colton mines.
39:12Please.
39:15Are you going to help me or not?
39:17Because I'm doing this either way.
39:23We have a lot of Lusomba posters for someone who thinks their country can't ever change.
39:32Okay, I got one more video.
39:34But you can't keep it.
39:35Why not?
39:36Because it's the one who killed Steve Lush.
39:50Take a seat.
39:5380% of all the Colton mines on Earth are here, in the DRC.
40:08So all that money should be ours, but it's not.
40:11And then you have foreign countries fighting to secure our most raw materials.
40:15And foreign powers filling up the pockets of a corrupt government, who sells our country.
40:22Same as it has always been.
40:30These are Lusomba supporters who worked at the mines.
40:33Are you sure you want to open up that door?
40:50does what européens?
40:53Do not open the door.
40:55Let's open up that door.
40:57Do not open up that door.
40:59Do not open up that door.
41:03C'est bon.
41:23Ca va?
41:24Oui.
41:26Il est ici pour voir Cidric.
41:33D'accord.
42:03La personne qui filme l'exécution est dans la mine.
42:13Tu as donné la vidéo?
42:14Il a seulement regardé.
42:16On peut le faire confiance.
42:17C'est bon.
42:18C'est bon.
42:19Je ne vais rien dire.
42:20C'est bon.
42:21C'est bon.
42:22C'est bon.
42:23C'est bon.
42:24C'est bon.
42:25C'est bon.
42:26Non, non, non.
42:27Que bravo.
42:28C'est de la stupidité.
42:30Quand la vie est tombée, ils sont venus et ils m'ont brûlé.
42:33Ils ont dit que j'étais un rebelle, que je mentais, que j'étais un criminel.
42:36Je dis non.
42:38Ils m'ont brûlé partout avec des cigarettes.
42:42Ils m'ont torturé.
42:44De l'eau électrique et tout ça, ils m'ont fait souffrir.
42:48Je ne pouvais pas dormir pendant 24 heures.
42:50Également ce qu'ils ont fait de moi.
42:52Et ils ont travaillé pour Lusamba.
43:02Pourquoi ils ne veulent pas vous campagnez pour Lusamba?
43:05Parce que quand Lusamba va gagner le pouvoir,
43:08il va nationaliser toutes les mines.
43:11Et là, l'argent restera avec et pour le peuple.
43:16Qui étaient ces gens?
43:18Les hommes blancs qui ont fait ça pour vous.
43:21S'il vous plaît.
43:22S'il vous plaît, dis-moi.
43:33Les Russes.
43:40C'est un d'un ?
43:41What is his name?
43:50Ivanov.
43:53On appelle Ivanov.
44:08Yes.
44:08Well, lookie, you going on a date?
44:10Yeah.
44:11I met someone online and I have to be there in 25.
44:15Is it important?
44:16Is my sex life important?
44:18Well, that is a very good question.
44:21I need you to find someone.
44:22If you do it now, I promise you'll find your soulmate.
44:25Fuck you.
44:26I'm not looking for a soulmate.
44:27I'm just looking for sex and, I don't know, maybe some adventure.
44:30Okay, well, you're lying and you know it.
44:32Look, the bloke in the truck, the one with the baseball cap.
44:37Steve Lush tied him to a video executing minors.
44:39His name is Ivanov.
44:41Can you find him?
44:46You have no idea how long it took me to find this fucking boot.
44:51Hey.
44:52Hey.
44:52Hey.
44:52Hey.
44:53I'm sorry.
45:04Hey.
45:15Hey.
45:17I'm sorry.
45:20I miss you.
45:24Me too. I'm fucking tired.
45:26Turns out I can't sleep without you.
45:30Are you coming back soon?
45:32Yeah. Yeah, I think so.
45:34Look, I do get it now.
45:40Just do what you've got to do and come back, okay?
45:44Yeah, I will.
45:46Promise.
45:47Well, actually, I was thinking about moving here.
45:50It's got the perfect blend of sunshine and corruption.
45:53What more could you want?
45:56All right, well.
45:59I love you.
46:00I love you too.
46:03Bye.
46:04Hey, Josh.
46:12Hey, Josh, so this is your Boris Ivanov with Shaq Lemaire, he's the director of Lutube
46:36magazine, even though he's credited as a journalist allegedly, but this is the same man from the
46:43convoy. It's a 100% match. Why would a journalist be driving a truck full of missiles? You think
46:49Lutube is fake? Fake publications? Or like some elaborate cover story? Yes. And that
46:56leads me to say that I... I think it's time for you to come back. Not yet. Good luck,
47:06then. Stay safe. Yeah.
47:36Hello? I have one last gift for you. Open the link. It was recorded the night before
47:43Steve left.
47:45When did you get this? Just now. How? From someone who loves this country.
48:04I am sorry. Not yet. And given me theاء after meeting the day, the
48:34The day before the plane crash.
48:37Wait, wait, there were four missiles on the truck.
48:40But the video of the truck after the crash only had three.
48:43You understand what that means?
48:45The last nail in the coffin.
48:47But this is the most important thing we have.
48:50Here's your story.
48:54Claude, what was that?
48:55Go to the airport now! Get out now!
49:04Get out!
49:32How do I get out of here? How do I get out?
49:34What's the matter?
49:35Get out of here!
49:36Get out of here!
49:37Get out of here!
49:39Get out of here!
49:44Get out of here!
49:55Hey, it's private!
49:57Sors from here!
49:59You can't be here!
50:01Get out of here!
50:02I'm here!
50:04Let me see!
50:05I gotta get out of here!
50:06I'm at all!
50:07I'm going to exit!
50:08Yeah, comma!
50:09Bye!
50:10You're here!
50:11There's a lot of people here!
50:12I'm going to be here!
50:13I don't know.
50:14You do not care.
50:15You're there!
50:16But I'm still there.
50:17I don't care.
50:18You are there!
50:19You're there!
50:20It's my friend!
50:21I'm not sure how it's left!
50:22Oh, my God.
50:52I'm sorry.
51:22I'm sorry.
51:29I'm sorry.
51:34I'm sorry.
51:39I'm sorry.
51:59I'm sorry.
52:07What the fuck is going on?
52:37Hey!
52:43Hey!
52:49I'm sorry.
53:03I'm sorry.
53:07I'm sorry.
53:11I'm sorry.
53:23I'm sorry.
53:39I'm sorry.
53:53I'm sorry.
54:09I'm sorry.
54:25I'm sorry.
54:41I'm sorry.
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