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Voyages
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00:22:35C'est ce que le boy a saw.
00:22:37Si c'était long enough, ça aurait été reported.
00:22:39Je pense que Linda stumbe dans quelque chose.
00:22:41Dans la rue, sous la tête.
00:22:43Ou dans la voiture.
00:22:45Did she drive la voiture?
00:22:47C'est un tracé.
00:22:49Nous avons travaillé comme sonnographie.
00:22:53Elle a été classifié.
00:22:55Elle a été de la job.
00:22:57Il n'y a pas de dire où.
00:22:59C'est un psycho.
00:23:01Ils travaillent parfois.
00:23:03C'est un peu de temps.
00:23:05Je suis un peu de temps.
00:23:07Je vais faire des choses.
00:23:09Nous devons savoir.
00:23:11C'est une personne habite.
00:23:13C'est une personne, par exemple.
00:23:15Elle a drinker, par exemple.
00:23:17C'est une personne.
00:23:19C'est une personne.
00:23:21C'est une personne.
00:23:23C'est une personne.
00:23:25C'est une personne.
00:23:27C'est une personne qui est en train.
00:23:29Elle a été de l'air.
00:23:31Ça a été de l'air.
00:23:33Elle a été de l'air.
00:23:34Elle a été de l'air.
00:23:35Si Petey était missing this long,
00:23:36elle a dû à un appel.
00:23:37Elle a dû être préparé.
00:23:38C'est un peu qu'il y a eu.
00:23:39Si le bébé a été fait,
00:23:40c'est un peu.
00:23:41C'est un peu qu'il y a eu.
00:23:42C'est un peu qu'il y a eu.
00:23:44C'est un peu qu'il y a eu.
00:23:46Cap,
00:23:47let's hold off on radio and TV for a while.
00:23:49Qui est-ce que qui est en train de l'air?
00:23:50Qui est-ce qu'il y a un peu ?
00:23:51Je ne sais pas que tu veux en faire.
00:23:53Tu veux en faire ?
00:23:54Dans l'appartement.
00:23:55Elle peut avoir un record de la place où elle a travaillé.
00:23:58Paul et je vais aller voir une petite petite.
00:24:05Il y a la printemps de la boy.
00:24:07Tu veux le protecteur ?
00:24:08All right.
00:24:09Fine.
00:24:10Je vais lui en faire.
00:24:21Sous-titrage Société Radio-Canada
00:24:51Louise? Tony Atlas. I'm trying to locate Linda. She's not at home, and I wondered if...
00:24:58She's at Disneyland, Tony. She and Petey. I talked to her this morning.
00:25:02Was she going anywhere else, she say?
00:25:05No. Oh, yes. Some job she had to go on first. She was taking Petey with her.
00:25:10Where was the job? Did she tell you that?
00:25:12No, she didn't, Tony, and they probably won't be back till late. You know how it is at Disneyland.
00:25:17Yeah. Well, thanks, Louise.
00:25:21She had a job first, and then she was going to take Petey to Disneyland.
00:25:25Doesn't figure. He was picked up at 12th and Central.
00:25:28They never made Disneyland.
00:25:31If I told her, I told her a hundred times.
00:25:33Give me a call. Tell me where you're working.
00:25:37Nothing much in the desk.
00:25:38Just a grocery list, a letter from Brockton, Massachusetts.
00:25:41That's from my mother.
00:25:43A couple of bills.
00:25:44Start with the A's. I'm going to check that down.
00:25:49Yep.
00:25:50Stop!
00:25:51Please, B King.
00:25:51Sous-titrage FR ?
00:26:21Sous-titrage FR ?
00:26:51You know, Gil's your friend, and I know he's always stuck by you, but that was in little things. This is a big thing, Joey. This is murder. It may cost Gil his life if he's caught. And he'd even kill you to save his own life.
00:27:07Gil?
00:27:09Lady, you're sure all wrong about him.
00:27:13Look, Joey, if you let me go while they're still outside and you run while there's time, they may never find you for killing Mr. Canfield. There's a chance you may never be caught.
00:27:29But if anything happens to me, you will be caught, all three of you. There'll be no place you can run, no place in the world you can hide. They'll hunt you, and they'll never quit until they find you.
00:27:44What makes you think you're so special? Maybe she's a very important person. A big movie star or something, eh?
00:27:51I'm not the one that's special. My husband is a police officer.
00:27:58Oh, lady. A cop's wife? When did you dream that one up?
00:28:03It's true. Sure. And we're the three musketeers. Joey. Hey, it's all fixed. We decided you're right. There's no use hurting her. We'd only get in more trouble.
00:28:16Yeah, that's right. Look, we'll do it your way. When we leave, we'll take her with us, that's all. Isn't that right, Gil?
00:28:24That's the scoop, buddy.
00:28:26Okay, that's more like it.
00:28:28All right. Now, this is the way it goes. We'll stay here for a couple of hours till it gets dark. We'll eat, we'll rest, then I'll get out of here and I'll get in my stepfather's car. How's that sound to you, huh?
00:28:39Where we take her?
00:28:41Across the border, something like that.
00:28:44No, Joey, don't believe it.
00:28:46How about it, buddy?
00:28:48Sure, Gil.
00:28:50He'll get a gun. Without a gun, they're afraid of you. With a gun...
00:28:54Will you shut up?
00:28:56Gun's a good idea, Joey. We might need one.
00:29:01Yeah, we might need one.
00:29:03Okay. Now, my stepfather's got an Army .45. He hits the bottle as soon as he gets home. He's out cold by 10 o'clock. I'll get the gun.
00:29:14Then it's all settled, huh? So, let's relax.
00:29:26Let's go.
00:29:32These pictures of the kid. They're not working. Six of us covered everything down the line. There's another crew covering the whole neighborhood. Nothing so far.
00:29:40Well, he could have been dropped here by a car. At that angle, we can't check.
00:29:43Or a bus. You check the buses? No.
00:29:54Police. We're looking for a little boy. Looks like this. Wearing twin holsters. One gun missing. See him?
00:30:00Nope. A little boy like that alone, I'd have remembered.
00:30:03We don't know whether he was alone or not. We think he might have been on a bus sometime this morning.
00:30:07Oh, he wasn't on this one. Sorry. Say, you might check the depot. There's about 20 guys pushing bus on this run.
00:30:13Thanks.
00:30:23He hasn't seen him. Have cab check all the drivers in this run.
00:30:26Calling car 126.
00:30:27126. Stuart.
00:30:28126. Central Produce Market, 11th and Alameda. Check with the officers there. They've got some information on the boy.
00:30:35Right. Thanks.
00:30:36You drive.
00:30:44This man works here, Sergeant. He says he saw the boy this morning.
00:30:47Yes, the boy in the picture.
00:30:49What time? Do you remember?
00:30:51Before lunchtime. 11.30, perhaps. I was pushing my truck. I almost run him over.
00:30:56Where was that?
00:30:57Right here. I see him come from the dispatcher's window.
00:31:00Thanks.
00:31:05Police.
00:31:08What can I do for you?
00:31:09You saw this boy today?
00:31:10Not me.
00:31:12He was here this morning. 11, 11.30, maybe earlier.
00:31:15Well, I didn't get on to four. Jim Warren's the guy you'd want to see.
00:31:18Well, where can I reach him? You got a home number on him?
00:31:20Sure. I'll call him for you.
00:31:27What's it all about?
00:31:28You'll read about it in the papers.
00:31:31Bessie? Jim there?
00:31:34Just a minute. There's a guy here who wants to talk to you. It's his wife. He ain't got home yet.
00:31:40Mrs. Warren? No, Sergeant Atlas, police. No, no, no trouble. He has some information we need. When do you expect him?
00:31:50Well, where do you live, Mrs. Warren? We'll be right over.
00:31:551329 Sweeney Street. Thank you. Thanks.
00:31:59Corned beef.
00:32:04Better turn it off. It's his favorite. He knew we were having it, too. It's not like him to be late on a corned beef night.
00:32:11Does he usually come right home after work, Mrs. Warren?
00:32:13Well, on his feet all day like he is. He likes to get home. Of course, it is Saturday.
00:32:18Payday? He likes to stop off for a beer or two. He isn't a drinking man.
00:32:24Any particular place?
00:32:26Well, there's one place, Al's right spot, over on Jefferson somewhere.
00:32:30You wouldn't have to know the phone number.
00:32:32It just so happens he got a little late last night, too. I'll call him.
00:32:36I says to him, listen, Al, I don't care if you do own the place. If you're gonna act up, do it in some other joint. We gotta keep this place respectable. So what happens? He fires me. He'll be all right tomorrow.
00:32:53Al's right spot.
00:32:54Is Jim Warren there?
00:32:56Just a minute. Jim Warren here?
00:33:01He ain't here, lady. Haven't seen him all day.
00:33:06Hello, baby. We're in the clear.
00:33:08He wasn't there. They haven't seen him.
00:33:11Sorry to have bothered you, Mrs. Warren. We'll keep in touch. Good night.
00:33:15I just don't understand it. There isn't anything in the world Jim likes better than corn bait.
00:33:24Oh, no, no, no. You lay off that stuff.
00:33:27Maybe the dame would like a drink. Might make her a little friendlier.
00:33:30Jess, when we're out of here, you do just as you please, but not now.
00:33:33Hey, Joey. Ask your girlfriend if she'd like a drink.
00:33:38Now, grow up, Jess.
00:33:41Just a minute, mister.
00:33:43I'm growing up to your size any day of the week.
00:33:46We better answer it. You.
00:33:47How can I?
00:33:48Joey, you untire it, would you?
00:33:49Oh, come on.
00:33:54Now, lady, whoever that is, you get rid of him real quick. You understand?
00:33:55Joey, just like the last time.
00:33:56I'm growing up.
00:33:57And, lady, please be smart.
00:34:02Hello? Is this the Canfield residence?
00:34:05No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:34:11I'm growing up.
00:34:12I'm growing up.
00:34:13I'm growing up.
00:34:14And, lady, please be smart.
00:34:18Hello?
00:34:19Is this the Canfield residence?
00:34:21Yes, it is.
00:34:22Well, who is this?
00:34:23I'm a stenographer. I'm working for Mr. Canfield.
00:34:26Oh, may I speak to him, please?
00:34:27He's... he's not in right now.
00:34:28Well, do you know when he will be?
00:34:29He didn't say. Could I take a message?
00:34:30Just have him call his niece, please.
00:34:35Who are you talking to, hon?
00:34:36It's Uncle Ben's night for dinner. I just called to remind him.
00:34:38Oh, come on.
00:34:39I know.
00:34:40I know.
00:34:41I know.
00:34:42It's Uncle Ben's night for dinner. I just called to remind him.
00:34:43Oh, I know.
00:34:44I know.
00:34:45I know.
00:34:46I know.
00:34:47I know.
00:34:48I know.
00:34:49I know.
00:34:50I know.
00:34:51I know.
00:34:52I know.
00:34:53I know.
00:34:54I just called to remind him.
00:34:55Oh, honey, again?
00:34:57It's only once a month, and it won't be forever.
00:35:00I know.
00:35:01It just seems that way.
00:35:03What's gonna happen if Mr. Canfield doesn't call back?
00:35:07Maybe she'll come over here.
00:35:10Maybe she'll think something's wrong and call the police.
00:35:13If that happens, you better not be here.
00:35:16You can leave right now. Tie me up and leave.
00:35:19Lady, you're always in there thinking, aren't you?
00:35:22Well, forget it.
00:35:23Our plans are all made, and nobody is going to change them.
00:35:26Nobody, but possibly that woman there on the phone.
00:35:30Anybody who might drop in.
00:35:33Or the police.
00:35:34Oh, you're always in there thinking, too, aren't you?
00:35:37Look, Sergeant.
00:35:38I've done a lot of things, but I never got mixed up with nothing with no dame.
00:35:42Especially she's married to a cop.
00:35:44I'm not that crazy, Sergeant.
00:35:46Crazy, but not that crazy.
00:35:48Anything?
00:35:49Nothing here.
00:35:50How's Pete?
00:35:52Doc says it'll be all right. Not in time.
00:35:55That's all I was doing.
00:35:57All my way to my girl's house for dinner, and you picked me up.
00:35:59Is that why you had this on you?
00:36:01So maybe they was gonna ask me to carve.
00:36:03Funny.
00:36:05We're racking up the oddballs and getting nowhere.
00:36:08We'll find her, Tony.
00:36:09Everybody tells them we'll find her.
00:36:11Nobody tells them how.
00:36:12One guy and a bat, and we're nowhere.
00:36:13We're using everything we have, Tony.
00:36:14I only wish we had more.
00:36:17We have.
00:36:18Percentage.
00:36:19You told me that a long time ago, Cap.
00:36:20Figure the percentages.
00:36:21Work the short odds.
00:36:22Forget the long ones.
00:36:23You should've tattooed it on my chest.
00:36:24Where do you figure the short odds are?
00:36:25Look, we've got a crime.
00:36:26Ninety percent of all the crimes are the work of repeaters.
00:36:27You told me that, too.
00:36:28That makes it a nine-to-one shot we got a card and the guy who did this.
00:36:29So?
00:36:30What kind of a crime?
00:36:31I don't know.
00:36:32I don't know.
00:36:33I don't know.
00:36:34I don't know.
00:36:35I don't know.
00:36:36I don't know.
00:36:37What kind of a crime?
00:36:38What kind of a criminal?
00:36:39Say it was a thief and a robbery Linda stumbled into.
00:36:40Makes sense.
00:36:41Something not reported.
00:36:42Let's figure it.
00:36:43Petey was seen at a produce market.
00:36:45Let's say he was brought here, maybe by some truckers.
00:36:48From out here, let's say.
00:36:50Mainly citrus groves, ranches, big spreads.
00:36:52I don't know.
00:36:53I don't know.
00:36:54I don't know.
00:36:55I don't know.
00:36:56I don't know.
00:36:57I don't know.
00:36:58I don't know.
00:36:59I don't know.
00:37:00I don't know.
00:37:01I don't know.
00:37:02I don't know.
00:37:03I don't know.
00:37:04I don't know.
00:37:05There's citrus groves, ranches, big spreads.
00:37:07That puts money in it.
00:37:08Keeps it out of sight.
00:37:09We're gonna search an area like that, take us a week.
00:37:12We're not.
00:37:13Look, over here people with money, over here people who'd like some.
00:37:17Now suppose someone over here had a sizable amount of cash,
00:37:20or something valuable tucked away.
00:37:22Someone working around here gets wind of it.
00:37:24It's a rumor, the rumor drifts back here.
00:37:27And spreads.
00:37:28And is picked up by somebody with a record.
00:37:30A character in that neighborhood, a guy who knew his ground.
00:37:33A stranger would have taken something obvious,
00:37:35a bank or a supermarket.
00:37:37We'll pull cards on every ex-con,
00:37:39every parolee in that whole area.
00:37:41You pick the neighborhood with plenty of talent.
00:37:45Give me a rundown on this one.
00:37:47George French, safe man.
00:37:49Out of prison for eight months,
00:37:51been idle for six.
00:37:53No job, no income.
00:37:55He's been due to start rooting around for quite a while.
00:37:57Oh, we're looking for George French.
00:37:59You police?
00:38:01We'd just like to talk to him.
00:38:03You're a little late.
00:38:05San Francisco police picked him up yesterday.
00:38:07You're his wife?
00:38:09We've been married just a week.
00:38:11Sorry to bother you.
00:38:13What else have I got to do?
00:38:23If only you don't talk,
00:38:25you're gonna explode.
00:38:27I know what people mean
00:38:29when they say when you want a cop, they're never around.
00:38:31I feel like the cop that isn't there.
00:38:35You never told me about it,
00:38:37what happened between you and Linda.
00:38:39I never told anybody.
00:38:41I guess I didn't want anybody to know what a lunkhead I was.
00:38:45I won't spread it around.
00:38:47I'll start it with a little thing.
00:38:51Sitting around the apartment one night just talking,
00:38:53she said she'd like to do a little scenographic work,
00:38:57earn some extra money.
00:38:59She even answered an ad that day, made herself ten bucks.
00:39:01I said, kind of kidding.
00:39:03We don't need ten bucks. We got ten bucks.
00:39:05Only she wasn't kidding.
00:39:07She figured she could save the money and eventually
00:39:09we could get a house and backyard for Petey.
00:39:11Me, big man, put my foot down.
00:39:15No wife of mine was gonna work to get us a house.
00:39:17I'll get the house, I told her.
00:39:19Big detective sergeant makes a lot of money.
00:39:23All she wanted to do was help and I wouldn't let her.
00:39:25She tried to reason with me and I wouldn't listen.
00:39:27Wrapped myself up in a lot of phony pride and walked out.
00:39:29There's a way back, Tony.
00:39:31Back where?
00:39:33Whoever has her has had her a long time,
00:39:35ten to twelve hours.
00:39:37Time's running out, Paul.
00:39:39Every cop within a hundred miles has been called in on this.
00:39:41We'll find her, Tony.
00:39:53Oh, dear God, where's Petey?
00:39:59You, uh...
00:40:04Looking for something, honey?
00:40:06No.
00:40:07Maybe she's looking for the little boy who wasn't there.
00:40:10Yeah.
00:40:12It's sure taken him a long time to find a cop.
00:40:20I'll take these out in the kitchen.
00:40:22No, you won't.
00:40:24You'll leave him right here,
00:40:29and you'll sit down right over there.
00:40:33Hey, it's time for me to shove off.
00:40:35If I need to, I'll call you.
00:40:36Hey, I only know it's you.
00:40:38Never mind explaining it to him again, will you?
00:40:41I'll ring once, and I'll hang up,
00:40:43and I'll call right back.
00:40:45How long you figure it'll take you?
00:40:46A couple hours.
00:40:48I'd better make sure of the phone number.
00:40:55Hey.
00:40:56Brainwave.
00:40:59Now, don't go stupid on us like Joey here, will you?
00:41:02All we need is for you to get picked up with this on you.
00:41:06Okay.
00:41:07I'll remember it.
00:41:10And make sure you come back.
00:41:12Because if you get any wise ideas and take a powder,
00:41:15and the cops don't get you,
00:41:19I will.
00:41:20You won't run out on pals.
00:41:22Who asked you?
00:41:23When I want to talk to you, I'll let you know.
00:41:24You don't talk to me like that.
00:41:25Hey, no, no, Joe.
00:41:26Even me now.
00:41:27Hey, Joe.
00:41:28You come one step closer to me, you crazy idiot,
00:41:31and I'll brain you, so help me.
00:41:33I'll scramble you worse than you are now.
00:41:35and you are now.
00:41:49Ah!
00:41:54Joey!
00:41:55Joey!
00:41:56Don't listen to me!
00:41:57Joey!
00:41:58C'est parti.
00:42:08Je n'ai pas envie de faire des gens, mais c'est comme un rat ou quelque chose.
00:42:13Merci.
00:42:15Je ne l'ai pas oublié.
00:42:17Ne l'ai pas oublié.
00:42:18Jolie, je te demande de regarder la fille quand je retourne.
00:42:22C'est pas grave.
00:42:23C'est sûr, Gil.
00:42:25A long as he leaves me alone, I leave him alone.
00:42:27That's a deal.
00:42:28Let me get out of here, and I'll get rid of this.
00:42:31Nobody's gonna need it.
00:42:55I still think this is a crazy notion, Myra.
00:43:00You're just asking for trouble.
00:43:01Maybe you're right, but I just have a feeling.
00:43:05Remember, not a sound.
00:43:09There's a light on inside.
00:43:10I know he's in there.
00:43:11Yeah, he's probably in there counting his money.
00:43:13Just askin' for trouble.
00:43:14Maybe you're right, but I just have a feeling.
00:43:24Remember, not a sound.
00:43:27There's a light on inside. I know he's in there.
00:43:29Yeah, he's probably in there counting his money.
00:43:34Oh, look, honey, if he was in trouble, you'd have heard from him.
00:43:37Like I said, he probably went to a movie.
00:43:39But you can't be sure of that.
00:43:41I'll prove it to you.
00:43:42Let's check the garage.
00:43:43Come on.
00:43:49I might have seen Gil.
00:43:50Don't worry about Gil. He'd be caught.
00:43:51I'm not worried about Gil. I'm worried about me.
00:43:53You keep your eye on her. I'm gonna take a look out back.
00:43:58You know, it'd be nice if we could go to a movie ourselves.
00:44:01If we ever get dinner, that is.
00:44:04Uncle Ben's car is here.
00:44:06And whose car is that?
00:44:08Something is wrong. We'd better call the police.
00:44:10Now, don't get carried away.
00:44:12Okay. First, let's take a look.
00:44:20Linda Atlas.
00:44:21Well, the old boy must be entertaining.
00:44:27Oh, don't be silly.
00:44:28He's too old, and besides that, he's too sensible.
00:44:35There ain't no age when a man stops being a fool, honey.
00:44:37I still think we ought to call the police.
00:44:40What do you want to do? Bust in there and spoil the old man's good time?
00:44:43That's a sure way of getting written out of his will.
00:44:45Oh, come on.
00:44:48Maybe you're right. We better not get nosy.
00:44:51I'll call him in the morning.
00:44:52That's right. Now let's go have dinner, huh?
00:44:56How about that?
00:44:58The secret life of Uncle Ben Canfield.
00:45:03Honey, you just never know.
00:45:05Hey, it's Gail. Open up.
00:45:23Hey.
00:45:25Listen, there's nothing to worry about.
00:45:28They've gone, and they're not going to be back.
00:45:31I'll see you later.
00:45:32They're gone.
00:45:39Oh, when are people going to stop ringing that doorbell?
00:45:44You shouldn't be doing that.
00:45:48I'm old enough.
00:45:50You want to see my driver's license?
00:46:00We're looking for Marty Fane.
00:46:02I understand he hangs out here.
00:46:04He hangs somewhere else now.
00:46:05I haven't seen him in months.
00:46:06Nowhere?
00:46:07No, but I'm glad it's not here.
00:46:08Okay.
00:46:11You thought I was looking for you.
00:46:13Why?
00:46:13Nothing.
00:46:14I ain't done nothing since I got out.
00:46:15Who were you today?
00:46:17Well, I worked till five.
00:46:18I got a job in a kitchen at the Meridian Hotel,
00:46:20and I come here.
00:46:22I spend every night here, don't I?
00:46:24Yeah, he spends every night here.
00:46:25That's all he spends.
00:46:27See?
00:46:28Okay.
00:46:29Okay.
00:46:29Okay.
00:46:32You know, it's Saturday night.
00:46:43Well, this guy is brilliant.
00:46:44He even knows what day it is.
00:46:46Just thinking what I'd be doing if I was out.
00:46:49I'll tell you what I'd be doing.
00:46:51I'd have me a real dame.
00:46:53Now, not just any ordinary broad, see?
00:46:55No, sir.
00:46:56I'd have me a real dame.
00:46:58What's that for?
00:47:19It's Saturday night.
00:47:21May as well have some music.
00:47:24Oh, sure.
00:47:26But the music never hurt anybody.
00:47:28You gotta drink that whole bottle?
00:47:31This stuff's good for me.
00:47:33Makes me feel real friendly.
00:47:35You know, Joey, I'm just like you now.
00:47:38I don't want to hurt any dames.
00:47:41Especially this one.
00:47:42What do you do on Saturday night?
00:47:49Go dancing sometimes.
00:47:56Like tonight?
00:47:56You lay off, Jess.
00:47:58Now, take it easy, Joey.
00:48:00There's no harm in a little dance.
00:48:01You lay off.
00:48:02It's okay, Joey.
00:48:03Sure.
00:48:04Now, you watch this, Joey.
00:48:05You may learn some.
00:48:06What was that?
00:48:29I thought I heard something outside.
00:48:32I don't hear anything.
00:48:34Well, yeah, I think I heard it, too, Joey.
00:48:35It's probably only a dog.
00:48:36You better go take a look.
00:48:39You better go.
00:48:41It's all right, Joey.
00:48:43You don't have to worry.
00:48:48I'll look out front.
00:48:50I'm all right, Joey.
00:48:54Be sure you look around real good now.
00:48:56We don't want any trouble.
00:48:57We don't want any trouble at all.
00:49:12What's the matter, baby?
00:49:15Nothing's the matter.
00:49:17Don't you ever buy your girls a drink?
00:49:20Oh, you want a drink?
00:49:21You said we were going to be friendly, didn't we?
00:49:23Sure, sure, real friendly.
00:49:26Come on.
00:49:28Sure, a little drink will make things even better.
00:49:34I'm not much of a bourbon drinker.
00:49:35Is there anything else?
00:49:37A scotch to it?
00:49:39Yeah, scotch is fine.
00:49:40Listen, a girl with Jess gets anything she wants.
00:49:44Who's stupid now, Jess?
00:50:14Who?
00:50:16It just may turn out to be her.
00:50:36Yeah?
00:50:37Police.
00:50:38Your name Polakoff?
00:50:41Hey, look.
00:50:42It's about that little fight in the bar last night.
00:50:44Nobody was hurt.
00:50:45And it ain't as if I walked up to this girl and talked to her.
00:50:48I mean, my wife, she's got a awful...
00:50:49All right, all right.
00:50:49I'm not interested in what you did last night.
00:50:51Where were you this morning?
00:50:52Oh, I work regular now.
00:50:54Hercules van and storage.
00:50:55You can check it.
00:50:57Okay.
00:50:58Sorry to bother you.
00:50:58Hey, look.
00:50:59You forget to mention about that little fight last night.
00:51:01I mean, it wasn't much.
00:51:02Forget it.
00:51:02Anything?
00:51:16Dirty conscience.
00:51:18Top suspects are all gone now.
00:51:20Bottom of the barrel.
00:51:22Jess Reber, a juvenile.
00:51:24What's his record?
00:51:25Car clouts, petty theft.
00:51:27Kids stuff, mostly.
00:51:29Kids grow up.
00:51:35Police.
00:51:36Jess Reber still live here?
00:51:38Jess lives here all right, but he's not here now.
00:51:40Almost three o'clock.
00:51:42Does he make a habit of this?
00:51:43Should have been here at seven.
00:51:44We were supposed to have a date.
00:51:46What's he done?
00:51:47Maybe nothing.
00:51:48We want to know where he was this morning.
00:51:50He took off kind of early.
00:51:52Does he work?
00:51:52You're kidding.
00:51:54Not if he can help it.
00:51:55How's he pay his rent around here?
00:51:57Sometimes he gets behind, like now.
00:51:59And I cover for him.
00:52:01Said he'd have it today, though, for sure.
00:52:03Doesn't even show.
00:52:04How about his friends?
00:52:05Anyone in particular?
00:52:07Hangs around mostly with the younger kid, Gil Ramsey.
00:52:10Why?
00:52:10Got an address on Ramsey?
00:52:13Sure.
00:52:15Phone, too.
00:52:16Calls him all the time.
00:52:17You shouldn't have tried to run away.
00:52:24Why did you do it?
00:52:25I told you you wouldn't get hurt.
00:52:28It's not me that matters now.
00:52:33Joey.
00:52:35There was a little boy here.
00:52:37I didn't lie about that.
00:52:41It's my little boy, P.
00:52:42And I don't know where he is, Joey,
00:52:47or what's happened to him.
00:52:49And he needs me.
00:52:51Joey, don't you understand?
00:52:53My baby needs me.
00:52:58It's been over 12 hours now.
00:53:02If he was all right,
00:53:03he would have come back with some help or something.
00:53:08Something must have happened to him.
00:53:10Joey, please let me go and find him.
00:53:16Gil.
00:53:19Gil will be back soon.
00:53:20We'll see.
00:53:21It'll be too late then, Joey.
00:53:24Look, you don't have to worry.
00:53:26And you don't have to be afraid of Jess.
00:53:29Joey, we made a fool of Jess.
00:53:31That's one thing he can't stand.
00:53:33He's got to kill us, not both of us.
00:53:35You and me.
00:53:37He'll find a way.
00:53:39He'll get a gun or something.
00:53:43Where would he find a gun?
00:53:44Yeah.
00:53:45Where?
00:53:48In a closet behind a shoebox, maybe?
00:53:54Oh, take a look at that, will you?
00:53:56A real cannon.
00:53:58You know, a thing like that
00:53:59could blow a hole in you the size of your hat.
00:54:04Makes a difference.
00:54:06A gun.
00:54:07We got a whole new deal around here now.
00:54:11Now, you tell him who's boss.
00:54:14But slow.
00:54:15Real slow.
00:54:16So that stupid over here can understand.
00:54:19Joey, sit down.
00:54:20You know, the lady just saved your life.
00:54:30You sit down, too.
00:54:35Well, while I'm thinking,
00:54:36you better start praying, both of you.
00:54:38Because if Gil ain't back before it's daylight...
00:54:44Her first, Joey.
00:54:47So you can watch.
00:54:49Oh, I've never seen so many dirty halls.
00:54:56Who is it?
00:54:57Police.
00:55:02What do you want?
00:55:02We're looking for Gilbert Ramsey.
00:55:04Are you his mother?
00:55:06Gil hasn't done anything wrong.
00:55:07Why do you want him?
00:55:08Just routine questioning.
00:55:10We won't take long.
00:55:11Well, he's not home.
00:55:12He hasn't come home yet.
00:55:13Kind of late for him to be out, isn't it?
00:55:14Any idea where he might be?
00:55:17Maybe a late movie or something?
00:55:19I don't know.
00:55:20I don't know where he is.
00:55:22Do you know a friend of his named Jess Reba?
00:55:24I don't know any of his friends.
00:55:27He never brings anybody here.
00:55:29Sorry to bother you, Mrs. Ramsey.
00:55:31We might check back later.
00:55:33Good night.
00:55:33Night.
00:55:34I want to get the car keys.
00:55:43What's wrong, Gil?
00:55:44What did they want you for?
00:55:45routine questioning, Mama.
00:55:46Now you hurt them.
00:55:46I never know what you're doing these days.
00:55:48I don't know what you're doing these days.
00:56:18Wait a minute, Paul.
00:56:29There's something bothering me.
00:56:31What's the matter?
00:56:32Gil's mother.
00:56:33Those eyes.
00:56:34It'd take an hour to cry eyes that red.
00:56:36And she's scared.
00:56:37Not just ordinary scared.
00:56:38The way people are when we drop in.
00:56:40Think she might be lying?
00:56:42I'm sure of it.
00:56:48Sleeps like a horse.
00:57:10Looks like one, too.
00:57:11How come you picked two lemons, even my old man?
00:57:17Gil, I don't want you to go.
00:57:19Mama, I've got to go.
00:57:21I've got to go away for a while.
00:57:24You bet I'll write you.
00:57:25Tell me now.
00:57:27Tell me what you did.
00:57:30I can't, Mama.
00:57:31Not now.
00:57:32I've just got to get away.
00:57:40Goodbye, Mama.
00:57:43I've got to go.
00:57:44Don't go at all, Gil.
00:57:46Stay here tonight.
00:57:47And tomorrow we'll go to the police.
00:57:49You and me together.
00:57:51Open up.
00:57:51Police.
00:57:53Whatever it is, we can...
00:57:54I'll take it.
00:57:57You call in.
00:57:57He's just a boy.
00:57:59He couldn't have done anything bad.
00:58:00Why'd he run?
00:58:11Ow!
00:58:27Come on out, Ramsey.
00:58:37Don't be a fool.
00:58:38We just want to talk to you.
00:58:48Next time won't be the wall.
00:58:49Give yourself up.
00:58:52We've got to stop.
00:58:53Aim for his legs.
00:58:57Cover me.
00:59:27One.
00:59:37No!
00:59:46Come on!
00:59:50Come on, Greg.
00:59:5120 years old.
00:59:52Kiné.
00:59:52Come on.
00:59:53Come on.
00:59:54Come on.
00:59:56Come on.
00:59:56Come on.
00:59:57C'est l'un de l'un de l'un de l'un de l'un de l'un.
01:00:27Ce n'est pas l'un de l'un de l'un.
01:00:57Ce n'est pas l'un de l'un de l'un de l'un.
01:01:27Ce n'est pas l'un de l'un de l'un de l'un.
01:01:57Ce n'est pas l'un de l'un de l'un de l'un.
01:02:27Ce n'est pas l'un de l'un de l'un de l'un.
01:02:29Ce n'est pas l'un de l'un de l'un.
01:02:31Ce n'est pas l'un de l'un de l'un de l'un de l'un.
01:02:34Ce n'est pas l'un de l'un de l'un de l'un de l'un de l'un.
01:04:36Ce n'est pas l'un de l'un de l'un de l'un de l'un de l'un de l'un.
01:04:38Ce n'est pas l'un de l'un de l'un de l'un de l'un.
01:04:42Ce n'est pas l'un de l'un de l'un de l'un.
01:04:44Je n'est pas l'un d'un.
01:10:38Vous avez besoin de mettre la main.
01:10:40Vous avez demandé de faire ça, Tom.
01:10:57Tu ne peux pas me faire ça.
01:11:00Je vous promets.
01:11:08C'est parti.
01:11:38Tony Petey was here.
01:11:41He saw everything, and I don't know what happened to him, and I don't know where he is.
01:11:44He's outside, waiting for you.
01:11:47Oh, thank God.
01:11:49He's had a bad scare, but he'll be all right.
01:12:08Hi, Petey.
01:12:19Petey?
01:12:22Petey?
01:12:24Mommy!
01:12:26Mommy!
01:12:26Oh, baby.
01:12:29Oh, Petey, it's all right, sweetheart.
01:12:31I'm all right.
01:12:33Don't cry, darling.
01:12:35Oh, Petey.
01:12:37It's all right, honey.
01:12:38Baby, it's okay, darling.
01:12:40Oh,wow!
01:12:43Don't cry, darling.
01:12:43I'm all right.
01:12:45I'm all right.
01:12:46You're all right.
01:12:48Petey?
01:12:49You're right.
01:12:51I'm all right.
01:12:52God, let's go.
01:12:53Go ahead.
01:12:54I'm all right.
01:12:54Let's go.
01:12:55Let's go.
01:12:56Bye.
01:12:58We'll see you soon.
01:12:59Bye.
01:12:59Bye.
01:12:59Bye.
01:13:01Bye.
01:13:01Bye.
01:13:02Bye.
01:13:03Bye.
01:13:03Bye.
01:13:05Bye.
01:13:05Bye.
01:13:06Bye.
01:13:07Bye.
01:13:07Bye.
01:13:07Bye.
01:13:07Bye.
01:13:08Bye.
01:13:08...
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