{A married woman enters into an affair with a younger man}

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Transcript

00:00:00Excuse me, it's okay.

00:00:02It's okay. It's okay, it's okay.

00:00:05It's okay.

00:00:07Let me help her back.

00:00:30It's okay, it's okay.

00:00:33Maruzella, Maruzella.

00:00:42Vedi, questo è Napoli.

00:00:44Napoli è pieno divertimento.

00:00:46Ci sono posti per divertirti e posti che ci sono brutti.

00:01:00Alla prossima.

00:01:06I'm looking for the concert.

00:01:07And then you drive right by it.

00:01:09There it is.

00:01:13Very funny.

00:01:23I think it's gonna be good.

00:01:25Must be.

00:01:30Il traffico di Napoli.

00:01:32Il traffico di Napoli.

00:01:33Ma quando si muove.

00:01:34Questo si si chiama al primo posto.

00:01:43Shit.

00:01:45Oh.

00:01:46I can't find my wallet.

00:01:51In a Lisi case?

00:01:52No.

00:01:53In a Lisi case.

00:01:54No, in a Lisi case.

00:01:55In a Lisi case.

00:01:56In a Lisi.

00:01:57Somewhere.

00:01:58Cosa c'est ?

00:02:10Che hai pensé ?

00:02:12She's lost her purse, perfect.

00:02:14Non c'è niente, non ha cacciato niente da da dove.

00:02:17Non c'è niente.

00:02:19Just give her a minute.

00:02:20Tu sa che non stava qua seduta.

00:02:21Uno, uno, un momento.

00:02:23Un momento.

00:02:23Non c'è niente per perdere tempo e non ho capito.

00:02:25Non c'è niente.

00:02:27Where did you have it last?

00:02:34The train station, I think? The exchange group?

00:02:39Oh, Jamie. I'm sorry.

00:02:44That bastard at the train station started when you dropped all your stuff.

00:02:50This is 170, not 70.

00:02:55Where do we need to go? We need, we need, we need 70.

00:03:10Here we go.

00:03:20Is this it?

00:03:22It's nice.

00:03:28Yes, I have a credit card.

00:03:32The number's on file on my computer.

00:03:38Yes, I have them here.

00:03:42Okay.

00:03:52Five, five, three, three.

00:03:55Seven, six, four, five.

00:03:58Eight, seven, eight, seven.

00:04:00Nine, one, five, seven.

00:04:02Five, seven.

00:04:04Yeah.

00:04:06Expires 12.15.

00:04:09No, she'll definitely need another card sent out immediately.

00:04:13We're here for two weeks.

00:04:15No, I'm working here.

00:04:17Yes, I'll hold.

00:04:21You love how they ask, as if I have a choice.

00:04:25Do you know what I'm going to try to do while I'm here?

00:04:29Besides learn Italian.

00:04:31I don't know why you think that's so ridiculous.

00:04:33I don't at all.

00:04:35I admire you.

00:04:36I just think it's too late for me.

00:04:38That's not true.

00:04:39You can't teach an old dog new tricks.

00:04:43Besides, what's the point?

00:04:46The whole bloody world speaks English.

00:04:48Well, I am going to finally transcribe the tapes.

00:04:54Yes.

00:04:56All right.

00:04:58Okay.

00:05:00Well, if you can see it through to the end,

00:05:04I think that's wonderful.

00:05:06What does that mean?

00:05:08Nothing.

00:05:10Nothing.

00:05:13I think it's a fantastic idea, Jane.

00:05:15I always have.

00:05:16You know that.

00:05:20You shouldn't sound very supportive.

00:05:25You have my support.

00:05:27I'm sorry if that came out wrong.

00:05:31I just know how emotional listening to them can be.

00:05:34Has been for you.

00:05:35I think enough time has passed.

00:05:38Well, that's great.

00:05:39Yeah.

00:05:40Why do you think he killed himself?

00:05:42Who?

00:05:43David Foster Wallace.

00:05:44David Foster Wallace.

00:05:45Um.

00:05:46Um.

00:05:47Um.

00:05:48Um.

00:05:49I don't know.

00:05:50I don't know.

00:05:51I don't know.

00:05:52I don't know.

00:05:53You can't get a sense by his writing.

00:05:54You have to read it when I'm done, though.

00:05:55I don't know.

00:05:56I don't know.

00:05:57I don't know.

00:05:58I don't know.

00:05:59I don't know.

00:06:00I don't know.

00:06:01I don't know.

00:06:02Why do you think he killed himself?

00:06:09David Foster Wallace?

00:06:12I don't know.

00:06:16You can't get a sense by his writing?

00:06:19You have to read it when I'm done, though.

00:06:27Do you think he recognized a blank infinity just stretching out?

00:06:33He got to this point, maybe, where it was just day after day after day.

00:06:39I really don't know. Do you know?

00:06:41Just so tedious.

00:06:43And then, of course, he felt guilty.

00:06:46Most people think life is too short, and there he was, all the talent in the world, and it wasn't enough.

00:06:50Jane, can I... can we not talk about this?

00:06:53Just... just a bit more, then.

00:07:02I love you.

00:07:12Love you.

00:07:14Love you, too.

00:07:15Love you, too.

00:07:36You feel all right?

00:07:38You feel okay?

00:07:39You sure?

00:08:09I don't know.

00:08:39I don't know.

00:09:09Are you sure you won't come with?

00:09:18You'll be so busy.

00:09:21I get boring all alone.

00:09:24I think someone should be here in case the card is delivered.

00:09:27True.

00:09:28Then I think I might go out, see what the world has to offer.

00:09:37If you do, leave me a message, okay?

00:09:42So I can worry about you.

00:09:44Okay.

00:09:49I left you some money here.

00:09:54I'll see you later.

00:09:55Have a good day.

00:09:56I'll see you later.

00:10:26What kind of stories?

00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.

00:10:34Go ahead and ask from your father's list.

00:10:36God rest his soul.

00:10:37Let's start with the war.

00:10:38We went into an air raid shelter.

00:10:42My mother, your great-grandmother, she was shaking.

00:10:46Sirens wailed and then there was the sound of a bomb.

00:10:50And the man next to us, he said,

00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.

00:10:59There was blood in his hair.

00:11:02He was all alone.

00:11:03That nearly finished my mother, you know.

00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.

00:11:15And this man, he had blood in his hair.

00:11:19And this man, he had blood in his hair.

00:11:49We were riding our bikes to school when the Germans started firing at us.

00:12:01We jumped into a hedge.

00:12:04We were terrified, but afterwards we couldn't stop laughing.

00:12:08It feels nice if I'm the only one who remembers that.

00:12:13It's as vivid to me as if it happened yesterday.

00:12:18Oh, hi, Leonard.

00:12:20It's Jane.

00:12:21I decided to take an impromptu trip to Iskia.

00:12:25Or, um, Iskia, as they pronounce it.

00:12:28See, I'm learning a little bit.

00:12:30Um, anyway, I'll be home later.

00:12:32I hope you'll have a good day.

00:12:35Bye.

00:12:36Those friends are all dead now.

00:12:39There's no one left.

00:12:41That's one of my regrets, you know.

00:12:44Sometimes I think I should have had more children, not just your father.

00:12:50You're all alone now that your parents are gone.

00:12:54No brothers, no sisters.

00:12:55I'm upsetting you.

00:13:01Let's talk about something else.

00:13:04You want to ask me more boring questions about the war?

00:13:08All right, then.

00:13:10Uh, scusi.

00:13:12Scusi.

00:13:13Um, the castle?

00:13:15Castle?

00:13:16Parla tu inglese?

00:13:18No, no, no.

00:13:19No?

00:13:19No.

00:13:20Um, castello oregonese?

00:13:23Ah, andare.

00:13:25Andare?

00:13:26Andare?

00:13:26Si.

00:13:26Ah, grazie.

00:13:29They'd been shot through the neck.

00:13:32The bullet went in one side and came out the other.

00:13:36And there were all these bomb holes filled with water,

00:13:39and he couldn't tell which was the German side

00:13:41and which was the Allied side.

00:13:43When he came home after something like that,

00:13:47you couldn't really complain to him about anything,

00:13:50now could you?

00:13:50I'm actually going there now, to the castle.

00:13:52Do you speak English now?

00:13:54Yeah.

00:13:55Why, do you think I was Italian?

00:13:56Yeah.

00:13:57Yes!

00:13:57That's great.

00:13:58That's cool.

00:13:59Hey, hey, hey.

00:14:01Where are you from?

00:14:03London.

00:14:04No, in America.

00:14:05Come on.

00:14:05Maine.

00:14:06No, shit.

00:14:07I'm from Massachusetts.

00:14:08That's crazy.

00:14:09That's weird.

00:14:10Right?

00:14:11Yeah.

00:14:12Vacation?

00:14:13Oh.

00:14:13Are you?

00:14:14What?

00:14:15Are you here on vacation?

00:14:16Oh.

00:14:16Sorry.

00:14:20I thought you were saying you were on vacation.

00:14:22Me?

00:14:23No.

00:14:25So come on.

00:14:27My husband is working in Naples.

00:14:30What does he do?

00:14:32He is playing in a concert at the end of the month.

00:14:35Cool.

00:14:36What does he play?

00:14:37Viola.

00:14:39Mm-mm-mm.

00:14:40The viola.

00:14:41Any good?

00:14:44Yes.

00:14:45Very.

00:14:49How do you keep your violin from getting stolen?

00:14:53You put it in a viola case.

00:14:55Right?

00:14:57That's not funny.

00:14:59What's the difference between a viola and a coffin?

00:15:02A coffin has a dead person on the inside.

00:15:05Because viola players are dead?

00:15:07No?

00:15:07Why is a viola solo like premature ejaculation?

00:15:11Because even though you know it's coming,

00:15:15there's nothing you can do about it.

00:15:18I can't help it.

00:15:19I've got this weird autistic mind for jokes,

00:15:21and I went to this music-slash-nerd summer camp

00:15:23when I was, like, ten, and I played the triangle.

00:15:25Right.

00:15:26And I'm an only child, so, you know, understand.

00:15:31You look too young to be married.

00:15:32You newlywed?

00:15:34No.

00:15:36No.

00:15:36You're making me feel like a stalker.

00:15:49Fuck.

00:15:49You're making me feel like a stalker, fuck.

00:15:51Oh, hey, have you got 50 cents?

00:16:06If you can catch it.

00:16:07What brought you out of here today?

00:16:35Very.

00:16:37Very.

00:16:39I like it.

00:16:41They have this device down in the basement.

00:16:43It's like a torture cage.

00:16:45They lock you in there until you turn up bones.

00:16:48Can you imagine dying by just sitting there?

00:16:51That would suck.

00:16:58In like the 1300s, thousands of families lived in this castle.

00:17:02It doesn't smell pretty bad.

00:17:04All those people crammed under this rock.

00:17:10Wow.

00:17:11I know.

00:17:13I've been coming here every day and it still gets me.

00:17:16If only we could kill off all the tourists.

00:17:19You're a tourist.

00:17:21No, I'm not.

00:17:22I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.

00:17:34I can't tell if you're joking.

00:17:36I'm dead fucking serious.

00:17:40I just didn't want to go to college and they paid for me to come over.

00:17:43Before connecting flights a 72 hour plane ride, but you know, it was worth it.

00:17:47My first time out of the US.

00:17:48How old are you?

00:17:49I'm 19.

00:17:50It's my birthday today.

00:17:51Is it really?

00:17:52Uh-huh.

00:17:53Happy birthday.

00:17:54Thank you very much.

00:17:55Yeah, so I left the program after like a month.

00:17:58Fuck the relic dolphins!

00:18:00I just stayed on the island because I have this awesome living situation.

00:18:05I'll tell you the short version.

00:18:06Basically, I used to have ancestors in Ischia, so when I come over I Facebook this second cousin twice removed.

00:18:11The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.

00:18:17I'd love to hear the long version.

00:18:19Sorry.

00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.

00:18:26He answers the door and he's like the oldest fucker I've ever seen, easily pushing a hundred.

00:18:31A hundred?

00:18:32Yeah, if not older, he's like deaf and blind and about four feet tall.

00:18:36He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine and leads me to this basement apartment.

00:18:44And, uh, yeah, I never left.

00:19:06Oh, well, that's it filled with theomi, it's delicious.

00:19:07It's a masterpiece.

00:19:11I'm so tired now with Jingleix.

00:19:16Let's go!

00:19:18Oh, look.

00:19:20Who sawakini, Odering someone?

00:19:22Come and spam.

00:19:25Huh?

00:19:26This has been called a meeting.

00:19:29It's been called a meeting.

00:19:32This was dedicated to the living room.

00:19:34Love teaches me to feed on flames and tears.

00:19:41To turn withered hope green through desire.

00:19:47To re-enslave my heart each time love frees his noble face from that heavy disdain.

00:19:54Who is that?

00:19:57Vittoria Colonna.

00:20:00The woman who lived here.

00:20:03You read that in your guidebook this morning didn't you Jane?

00:20:08Sneaky.

00:20:10Yeah I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.

00:20:17Who thought Michelangelo was gay?

00:20:19Ah according to history and the muscular thighs of his sculptures yes.

00:20:24But that didn't stop her from loving him.

00:20:28Let's hear it then.

00:20:30In Italian.

00:20:32Let's hear the poem.

00:20:35Come on.

00:20:36Okay.

00:20:37I'm impressed.

00:20:42Are you hungry?

00:20:43Why are you going to take me out?

00:20:47Yeah.

00:20:48Why are you going to take me out?

00:20:49Yeah.

00:20:50All right then.

00:20:51Okay.

00:20:52Okay.

00:20:53Okay.

00:20:54Okay.

00:20:55Two pastors with a

00:20:57house

00:20:59with the

00:21:00house

00:21:02sauce

00:21:03red.

00:21:04Red.

00:21:05Red.

00:21:06Red.

00:21:07Red.

00:21:08Red.

00:21:09Red.

00:21:10Red.

00:21:11Red.

00:21:12Red.

00:21:13Uh huh.

00:21:15Grazie.

00:21:16Grazie.

00:21:17So you're really not going to tell me what you do?

00:21:18I write freelance articles about parties about parties and fashion trends in town and country

00:21:25UK.

00:21:26There's something else.

00:21:27There's something else.

00:21:28I'm writing a book about my grandmother's experiences in rural England and my grandmother's experiences

00:21:45There's something else.

00:21:54I'm writing a book about my grandmother's experiences in rural England,

00:21:58living through two world wars.

00:22:01I recorded her for hours and hours.

00:22:04But now...

00:22:06I don't know.

00:22:08What don't you know?

00:22:12You wanna listen? A little?

00:22:15Yeah.

00:22:16Yeah?

00:22:17Yeah, I know it. I love to listen.

00:22:34Well, it's tangled up.

00:22:35Oh, God.

00:22:36Okay.

00:22:37Awful as it was, it made you stronger.

00:22:45These days people whine about all sorts of things.

00:22:48I'm not one of those old people who think my time had the only joy and the only problems.

00:22:53We all have our own private wars every era, but it was nothing like...

00:22:59It really brought people together, the war.

00:23:02We helped each other during that time.

00:23:05We had to laugh. We had to smile.

00:23:08Well, if not for ourselves, then for the people we'd lost.

00:23:12I'll shut that thing off. Would you get it out of my face?

00:23:14That is like... it's like a window in time.

00:23:21The sort of thing you wish you always did before someone died, you know?

00:23:26My husband thinks I'm never gonna finish it.

00:23:29I shouldn't care what anyone thinks.

00:23:32We met while I was recording her.

00:23:34Bonding over Granny, huh?

00:23:36Make it sound perverse.

00:23:39That's what it was, right?

00:23:41Buongiorno.

00:23:43Buongiorno.

00:23:44Signori.

00:23:53I got pregnant, so we got married.

00:24:01I lost the baby.

00:24:02I'm sorry.

00:24:05I'm sorry.

00:24:29I didn't go back after that to the States.

00:24:32I'm sorry.

00:24:37Did you, uh...

00:24:39Did you ever hear that story about the Red Strain?

00:24:43I think I might have.

00:24:45Tell me.

00:24:49It's like this Asian proverb

00:24:52says that anyone you're destined to meet, like your soulmate, or your family, or, you know,

00:24:59someone you bump into on the street.

00:25:02We're all connected by this red string.

00:25:08It can be tangled or stretched, but it can never be broken.

00:25:12There's this moment in the tape, I'm sitting, waiting in the airport bar for my flight.

00:25:25And I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure, and how I'm gonna show World War II from a totally different perspective.

00:25:36But...

00:25:38I don't know if it's that interesting.

00:25:39That's the whole point, isn't it?

00:25:41Keeping it interesting for yourself.

00:25:42Maybe.

00:25:43Maybe.

00:25:44Maybe.

00:25:46Maybe I just wanna write about nothing.

00:25:48Everything is nothing.

00:25:49All the best.

00:25:50All the best.

00:26:02Complenando.

00:26:03Grazie.

00:26:05Grazie.

00:26:06the best oh yeah no that's yeah make a wish I make it great

00:26:21okay

00:26:25Bravo Bravo hey

00:26:36what do you mean what

00:26:39wait

00:26:40oh my god

00:26:41oh my gosh

00:26:43oh no what what do you mean

00:26:46Stronzo

00:26:51hey hey hey

00:26:54it's the carabineri

00:26:56please

00:26:57no

00:26:58no

00:26:59no

00:27:00no

00:27:01no

00:27:02no

00:27:03we can't go back if we go back if we can't go back you can't go back if you can't go back

00:27:10we can't go back

00:27:11oh my God

00:27:15oh my God

00:27:16oh my God

00:27:21no no no no no

00:27:23yeah yeah

00:27:26it make you feel better if I said I said no no yeah

00:27:29Yes, it's true.

00:27:33Yes, it's true.

00:27:35I made the check when I went to the bathroom.

00:27:40You're horrible.

00:27:42You're horrible.

00:27:44You're really horrible.

00:27:45Come on, let's go.

00:27:46Come on.

00:27:48Quick.

00:27:49Let's go.

00:27:51Why are we still running?

00:27:52I don't know why we're still running.

00:27:59Oh my gosh.

00:28:14It went up my nose.

00:28:20We come back?

00:28:23Maybe.

00:28:26Maybe it's not a no.

00:28:28And since I don't have a phone,

00:28:31you're going to have to give me your number.

00:28:34For cheap thrills and future crimes committed.

00:28:37No.

00:28:40Fair enough.

00:28:50I've got to go catch a fairy.

00:28:53Why do violists keep their viola cases on their dashboards?

00:29:09I've got to go catch a fairy.

00:29:19Why?

00:29:22So they can park in handicapped spots.

00:29:29Oh.

00:29:32Happy birthday.

00:29:35Happy birthday.

00:29:48That's right.

00:29:48Nice.

00:29:49Happy birthday.

00:29:50Happy birthday.

00:29:58Happy birthday.

00:30:29You're awake.

00:30:50Yeah, I've got so much of this stuff to get through.

00:30:55That's it.

00:30:58Nice.

00:31:25I've got a bicycle seat.

00:31:27They stay with me too.

00:31:32Jane.

00:31:33Tony.

00:31:34Got some pastries.

00:31:39You're still asleep?

00:31:41Jane.

00:31:42Jane.

00:31:43Jane.

00:31:44Got some pastries.

00:31:49You're still asleep?

00:31:51Jane.

00:31:52Jane.

00:31:53Jane.

00:31:54Jane.

00:31:55Jane.

00:31:56Jane.

00:31:57Jane.

00:31:58Jane.

00:31:59Jane.

00:32:00Jane.

00:32:01Jane.

00:32:02Jane.

00:32:03Jane.

00:32:04Jane.

00:32:05Jane.

00:32:06Jane.

00:32:07Jane.

00:32:08Jane.

00:32:09Jane.

00:32:10Jane.

00:32:11Jane.

00:32:12Jane.

00:32:13Jane.

00:32:14Jane.

00:32:15Jane.

00:32:16Jane.

00:32:17Jane.

00:32:18Jane.

00:32:19Jane.

00:32:20Jane.

00:32:21Jane.

00:32:22Jane.

00:32:23Jane.

00:32:24Jane.

00:32:25Jane.

00:32:26Jane.

00:32:27Jane.

00:32:28Jane.

00:32:29Jane.

00:32:30Jane.

00:32:31Jane.

00:32:32Jane.

00:32:33Jane.

00:32:34Jane.

00:32:35Jane.

00:32:36Jane.

00:32:37Jane.

00:32:38Jane.

00:32:39Jane.

00:32:40Jane.

00:32:41Jane.

00:32:42Jane.

00:32:43Jane.

00:32:44Jane.

00:32:45Jane.

00:32:46Jane.

00:32:47Jane.

00:32:48Jane.

00:32:49Jane.

00:32:50Jane.

00:32:51Jane.

00:32:52Jane.

00:32:53Jane.

00:32:54Jane.

00:32:55Jane.

00:32:56Jane.

00:32:57Jane.

00:32:58and carefree and full of possibility you reminded me of that at that time you were 19 when we met

00:33:07yeah i wouldn't have described it as carefree back then not at all well i felt nostalgia

00:33:14or something for youth you're not old jane we ran out on the bill you just ran what do you mean you

00:33:22ran out on the bill perhaps i'm not explaining it well it was it was fun it was just fun

00:33:41how's work the conductor's actually a descendant of water leg which is fascinating the three of

00:33:49us will plan a dinner before we leave i'd like that jane

00:33:59oh my god this is caleb hi no no we were just talking about you we were that's so weird sit

00:34:08please sit down join us oh oh

00:34:19i'm watching you when i get back pretty soon that's okay i i already ate so i'll just grab a coffee

00:34:34grab the check please in a cafe

00:34:38play play play play play oh no thank you

00:34:48jane you don't smoke yes i do sometimes at parties

00:34:56didn't know that well i don't do it a lot

00:34:59i don't know that i don't know that i don't know that i don't know that i don't know that

00:35:09italian food is so overrated i love it there's no variety english food on the other hand say what

00:35:17you like about it there's nothing like a good steak and kidney pie i went to this party the other day

00:35:23in this villa owned by this old drunk expat they had like a private chef and everything

00:35:30and uh they were serving this like loaf of meat covered in sauce with all these other

00:35:35loaves and this girl came over to me and said it was cat no no joke like a roasted mommy cat and her

00:35:43kittens it's disgusting true story why don't you tell leonard one of your viola jokes

00:35:58come on selling my aunt come on let's hear one

00:36:04um i have one

00:36:12what is the definition of perfect pitch what

00:36:20when you throw a viola into the dumpster without hitting the rim

00:36:26you didn't just make that up i did it's too good i did well i'm impressed and i'm stealing it

00:36:30you can pretty much make that joke about any instrument

00:36:38do you play anything this and that you know

00:36:44shall we what time to go already yeah i'm gonna get back to work

00:37:00so what's next new agenda caleb um i'm thinking tibet oh tibet really yeah there's this thing called

00:37:08the shantan festival at the end of the summer yeah i've heard about that that's where the

00:37:12the buddhist monks unroll all the tapestries on the hill right the monks the monks the monks

00:37:17it's so pretty how do you support yourself you know a bit of this bit of that

00:37:23oh all right then i'll walk you does anybody have a pen you got a pen yeah i have a pen

00:37:42okay

00:37:43i have a piece of paper you guys should definitely come over to the island i'll

00:37:53take you somewhere fun you know don't knock on the front door come around the side

00:37:56i need regina thank you and thanks again for yesterday oh no problem

00:38:10okay ciao

00:38:13how stoned are you come on it's not a big deal

00:38:28so you're saying you smoke back at her occasionally can we do something fun tonight sure

00:38:35i'm fine from here okay i'll see you after work yep i'll be waiting

00:39:05oh god you scared me are you following me maybe is that weird yeah

00:39:22i couldn't sleep last night

00:39:37you told me you were staying near the port so i got the first ferry this morning

00:39:41i came looking for you and i can't believe i found you

00:39:52i'm

00:40:15so

00:40:21What are we doing?

00:40:28I think we'll make it out.

00:40:31So sexy.

00:40:34And beautiful.

00:40:51I can't do this.

00:41:08What?

00:41:09I can't do this.

00:41:10Why?

00:41:21Do you do this a lot?

00:41:23What?

00:41:24Do you do this a lot?

00:41:26What?

00:41:27Do you seduce women?

00:41:28Is this what you do?

00:41:30You need to be less serious.

00:41:38Don't follow me.

00:41:51What do you do?

00:42:14What?

00:42:18There was one boy from Belgium.

00:42:47He was lovely, he had a moustache, my mother hated moustaches, but he was shipped off, I never

00:42:59saw him again.

00:43:04Anyways I met your grandfather not long after and we got married.

00:43:09Was it love at first sight with grandpa?

00:43:12Look at first sight, stop that thing.

00:43:19I know, you're home early.

00:43:27I do deserve that.

00:43:28And I just left my husband.

00:43:34Jane I'm sorry, just give me a minute.

00:43:37I have a hell of a rest of my day, I've got so much stuff to do.

00:43:42Sorry darling.

00:43:44Hey, do you still want to do something fun tonight?

00:43:45Yeah, absolutely.

00:43:46I've got some dinner, I thought we'd just stay in here, the two of us.

00:43:51I've just got to work this thing out for tomorrow.

00:43:56Okay.

00:43:57Okay.

00:43:58I'm sorry.

00:44:34Leonard, can we talk?

00:45:04Say cheese.

00:45:29No, you should kind of be in the middle of mine.

00:45:39Hold on a second.

00:45:39That's what our living room is missing.

00:45:52What did you do?

00:46:09Put my hand over my mouth.

00:46:11You did?

00:46:12What did you do?

00:46:13Just wave.

00:46:14Come on.

00:46:44Let's go!

00:47:14All right.

00:47:44All right.

00:48:14All right.

00:48:44All right.

00:48:46Oh, hi.

00:49:00Did I wake you?

00:49:03No.

00:49:06I think I need to be less serious.

00:49:08Yeah.

00:49:13I'm going to put my pants on.

00:49:16Okay.

00:49:38I'm going to put my pants on.

00:50:08I'm going to put my pants on.

00:50:38I'm going to put my pants on.

00:51:08I'm going to put my pants on.

00:51:38I'm going to put my pants on.

00:52:08I'm going to put my pants on.

00:52:38I'm going to put my pants on.

00:52:48Leonard thought you were lying about those cats.

00:52:51I'm going to put my pants on.

00:52:53I'm going to put my pants on.

00:52:55I'm going to put my pants on.

00:52:57I'm going to put my pants on.

00:52:59I'm going to put my pants on.

00:53:03I'm going to put my pants on.

00:53:09I'm going to put my pants on.

00:53:13I'm going to put my pants on.

00:53:15You make me feel nervous.

00:53:21You make me feel calm.

00:53:45Want a drink?

00:54:10Is that him?

00:54:11Yeah, he just shuffled around all night.

00:54:15It must be lonely.

00:54:45It must be lonely.

00:54:48It must be lonely.

00:54:49It must be lonely.

00:55:51I didn't sleep at all last night.

00:56:14Where have you been?

00:56:17Just walking.

00:56:19All night.

00:56:21I've been thinking.

00:56:23You left your phone here. I had to plug it in.

00:56:27We need to talk, Leonard.

00:56:28I have to go to work.

00:56:33Can you be late?

00:56:34No, I can't be late.

00:56:39Leonard.

00:56:40Jay, whatever you have to say to me, I want to hear it.

00:56:44I've committed myself.

00:56:46People are depending on me.

00:56:48I have to go to work.

00:56:49Okay.

00:56:52Okay.

00:57:21If it wasn't the war, it would have been something else.

00:57:31There's always something else, isn't there?

00:57:34That's the thing. That's the thing about struggle.

00:57:48I'm going to make some tea. Do you want some?

00:57:52I'm alright.

00:57:59If you go out like that again, just tell me.

00:58:02No worry.

00:58:05Okay.

00:58:08I can't seem to figure out what's going on in your head.

00:58:21Do you think everything we've been through actually does us any good in the long run?

00:58:31Or do we just make out struggle to be something meaningful because that's all most of us have?

00:58:40I'll tell you, next time we come to Italy, to get a proper kitchen.

00:58:55I don't know what you want me to say, Jane.

00:58:56I don't know what you want me to say, Jane.

00:59:08If one little thing had changed in my grandmother's life, I might not be here.

00:59:21Sometimes I worry I'm not honoring her.

00:59:35With the book?

00:59:36No, with my life.

00:59:37This is it, you know.

00:59:38It ends with me.

00:59:39In the harvest time we all went to the field where they were cutting the corn.

00:59:40In the harvest time we all went to the field where they were cutting the corn.

00:59:47Everyone was chasing rabbits.

00:59:48Then we had our tea in the harvest fields.

00:59:49We all went to the field where they were cutting the corn.

00:59:54Everyone was chasing rabbits and then we had our tea in the harvest fields.

01:00:16The horses.

01:00:17Yeah.

01:00:18The horses back then, they were kept beautifully.

01:00:31Dad used to dress them all up, brass things and little horseshoes.

01:00:36He put braids on them.

01:00:39They used to be gorgeous.

01:00:41What are your plans for tomorrow?

01:00:43There was one.

01:00:44There was one.

01:00:45Duke.

01:00:46He was a Clydesdale I used to ride down to the marshes every night when he finished working.

01:00:58They were lovely days really.

01:00:59They're gone.

01:01:00For me.

01:01:01Jane.

01:01:02But not for you.

01:01:03Jane.

01:01:04Jane.

01:01:05You know it's different for you.

01:01:06In some ways it's easier.

01:01:07You haven't got the war.

01:01:08People don't die as much as they did back then.

01:01:11But in some ways it's more disjointed.

01:01:17You've got to make your own life.

01:01:18One that you love and you can't be afraid of the time.

01:01:24Time is shiftable.

01:01:25Time is shiftable.

01:01:31There are moments in my life that I would trade sixty years to have back again.

01:01:38That's the truth.

01:01:39You know the truth when you find it.

01:01:40It'll come to you like something you've known before rather than something you're learning

01:01:51for the first time.

01:01:53I'm sorry.

01:01:54It's okay.

01:01:55Ah!

01:01:56Ah!

01:01:57What is it?

01:01:58Ah!

01:01:59Ah!

01:02:00You all right?

01:02:01Ah!

01:02:02You okay?

01:02:03Yeah.

01:02:04Ah!

01:02:05Ah!

01:02:06Ah!

01:02:07Ah!

01:02:08Ah!

01:02:09Ah!

01:02:10Ah!

01:02:11Ah!

01:02:12Ah!

01:02:13Ah!

01:02:14Ah!

01:02:15Ah!

01:02:16Ah!

01:02:17Ah!

01:02:18Ah!

01:02:19Ah!

01:02:20Ah!

01:02:21Ah!

01:02:22Ah!

01:02:23I got a stomach towel.

01:02:24Ah!

01:02:25It's bleeding.

01:02:26It's fine.

01:02:27It's fine.

01:02:28It's fine.

01:02:29It's fine.

01:02:30It's fine.

01:02:31It's fine.

01:02:32It's fine.

01:02:33You losing that?

01:02:34Yes.

01:02:35Ah!

01:02:36Fuck.

01:02:37Ah!

01:02:38Ah!

01:02:47I met these backpackers last night, Frank and Elsa.

01:02:50She's French, he's German.

01:02:51they're going to Tibet

01:02:54and I'm going with them

01:02:56I want you to come with me

01:03:21I want you to come with me

01:03:51I want you to come with me

01:04:21How's the writing going?

01:04:27I'm feeling inspired

01:04:28It's fantastic

01:04:33I think I've figured out the key

01:04:36to finishing the project

01:04:38Are you listening?

01:04:43You found the key

01:04:47to finishing this project?

01:04:56Well the water here tastes so funny

01:04:58Have you ever cheated on me?

01:05:03Oh Jane

01:05:06Have you?

01:05:06Can we not?

01:05:09Have you?

01:05:15Absolutely not

01:05:17Why did you take such a long time

01:05:18to answer that?

01:05:20Because I'm sick

01:05:21Of what Leonard?

01:05:24Of it being so hard?

01:05:26Yes

01:05:27Tedious?

01:05:34I hate talking about sex with you

01:05:36Is that what we're talking about?

01:05:39Normal people talk about sex

01:05:40Leonard

01:05:41And we don't

01:05:42There's just

01:05:44huge

01:05:45vacant lots

01:05:46that we don't discuss

01:05:48Like what?

01:05:50Is there anything you want to ask me?

01:05:53Why?

01:05:53Is there anything you want to tell me?

01:05:55I just want to connect

01:05:56So you don't feel that we're connected?

01:06:01Do you?

01:06:01I love you

01:06:05I get it

01:06:14Leonard

01:06:14I get it

01:06:16It's always been this big

01:06:18serious

01:06:19grave thing for us

01:06:20Sex has consequences

01:06:21Life and death

01:06:22Mostly death

01:06:23Jane

01:06:23Please

01:06:24Let me guess

01:06:25You don't want to talk about it?

01:06:26No

01:06:26That's not what I'm saying

01:06:28You're just

01:06:28Do you want to have children Leonard?

01:06:30Of course I did

01:06:31Not did

01:06:32Do you

01:06:33Want to have children?

01:06:35So did you

01:06:36But

01:06:37Say it

01:06:41Jane

01:06:42Say it

01:06:43I can't have children Leonard

01:06:46I never will

01:06:49And if we keep trying

01:06:52They keep dying

01:06:53Again

01:06:53And again

01:06:54And again

01:06:55How does that make you feel?

01:07:01It's not your father

01:07:05How does it make you feel Leonard?

01:07:08How does it make you feel?

01:07:10You will never be a father

01:07:11We can adopt

01:07:14That's not what you want

01:07:16Is it?

01:07:18Is that what you want?

01:07:20Hmm?

01:07:22Because I think about it all the time

01:07:24That the one thing

01:07:28You always wanted

01:07:29I will never be able to give you

01:07:30What are you trying to do?

01:07:43I just want to know

01:07:43That there's a reason

01:07:44For it all

01:07:46You're not curious about me Leonard

01:07:58Not really

01:08:00What do you want me to know?

01:08:02You shouldn't have to ask

01:08:03I feel as if

01:08:05You want me to be

01:08:06Someone I'm not

01:08:08Someone that I've never been

01:08:11I'm leaving you

01:08:15I've been seeing someone else

01:08:19See you?

01:08:26Caleb

01:08:27That kid

01:08:29Yes

01:08:29That kid

01:08:31That child

01:08:32That kid you've known

01:08:33For two days

01:08:34It's been longer than that

01:08:34Please tell me you're joking

01:08:36Time is shiftable

01:08:39I don't get it

01:08:39Leonard

01:08:40I don't get it

01:08:42He's asked me to travel with him

01:08:43Are you sleeping with him?

01:08:48What do you think?

01:08:49I kept waiting for you to see it

01:08:57To smell it

01:08:58To sense it

01:08:59So what?

01:09:00I failed your test?

01:09:02You don't see me!

01:09:19I'm sorry

01:09:24For what?

01:09:27I'm sorry

01:09:28For what?

01:09:28I shouldn't have done that

01:09:29No

01:09:29For losing my temper

01:09:31I shouldn't have done that

01:09:32You had every right

01:09:32To lose your temper

01:09:34No, no, no, no

01:09:34If you think that this is what's going to make you feel better

01:09:37Then you should go

01:09:38You should go with him

01:09:39You've been through a terrible

01:09:42A terrible thing, Jane

01:09:44No, that is not what this is about

01:09:46Of course it is

01:09:46You don't love me anymore, Leonard

01:09:49You don't love me

01:09:50That's rubbish

01:09:50This is your ticket

01:09:54The day after my performance

01:09:56Meet me at the train station

01:09:59Our training's at 4.30

01:10:02We'll go home together

01:10:05I want you to do what you need to do

01:10:09And then come back to me

01:10:15No questions asked

01:10:18No guilt

01:10:19No guilt

01:10:19This is good

01:10:23I want you to do what you need to do

01:10:35I don't know

01:10:35ORGAN PLAYS

01:11:05ORGAN PLAYS

01:11:35ORGAN PLAYS

01:11:43ORGAN PLAYS

01:11:48Hi.

01:11:59You want some?

01:12:02Oh, thanks.

01:12:17You want some?

01:12:22I don't know.

01:12:32Yes.

01:12:45I'm coming over in a couple of hours.

01:12:49Frank bought a car, so we're gonna head out

01:12:53in a couple of weeks or so, you know.

01:13:01I'm thinking of driving through Romania

01:13:05and then Ukraine and down through Russia

01:13:09and through Kazakhstan, then straight to Tibet.

01:13:15It's the first time to get married.

01:13:20I'm thinking of getting married.

01:13:24I'm not a kid.

01:13:29I'm not a kid.

01:13:35I'm not a kid.

01:13:41Let's go.

01:14:11Sir.

01:14:41Jase!

01:14:45You've got to come over to this side.

01:14:49The train's going to be here in a minute.

01:14:55You've got to come over to this side, the train's going to be here in a minute.

01:15:24It's four in the morning, the end of December. I'm riding you now just to see if you're there. New York is cold, but I like where I'm living.

01:15:43There's music on Clinton Street all through the evening. I hear that you're building your house deep in the desert.

01:16:01Are you living for nothing now? Hope you're keeping some kind of record. Yes.

01:16:13And Jane came by with a lock of your hair. She said that you gave it to her that night when you planned to go clear.

01:16:32I wouldn't want to live to be 100. Why not? I'm not telling you why not.

01:16:39Did you ever go clear?

01:16:42Now shut that thing off.

01:16:44Fatherless.

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