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  • 1 year ago
Dive into this exclusive interview where renowned Malayalam director Lal Jose opens up about his iconic film Meesha Madhavan, sharing behind-the-scenes stories, his creative process, and the enduring impact of this Dileep-starrer on Malayalam cinema. From memorable scenes to the film’s cultural significance, Lal Jose reflects on what made Meesha Madhavan a timeless classic that continues to resonate with audiences. തിരശ്ശീലക്ക് പിന്നിലെ കഥകൾ, തന്റെ ചലച്ചിത്രനിർമ്മാണ പ്രക്രിയ, ദിലീപ് നായകനായ ഈ സിനിമയുടെ സ്വാധീനം എന്നിവ ലാൽ ജോസ് പങ്കിടുന്നു. അവിസ്മരണീയമായ രംഗങ്ങൾ മുതൽ സിനിമയുടെ സാംസ്കാരിക പ്രാധാന്യം വരെ, 'മീശ മാധവൻ' എന്ന സിനിമയെ ഒരു എക്കാലത്തെയും മികച്ച ക്ലാസിക് സിനിമയാക്കി മാറ്റിയതും അത് പ്രേക്ഷകരുമായി ഇന്നും ബന്ധം സ്ഥാപിക്കാൻ കാരണമായതും എന്താണെന്ന് ലാൽ ജോസ് ഓർത്തെടുക്കുന്നു.

~PR.16~

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Transcript
00:00How did you play a film in every film?
00:03In every film, I never play a film.
00:05I was just playing a film.
00:09The first film was in my first film.
00:12It wasn't a very young little.
00:15You didn't have a young little film in the background.
00:21It wasn't a young little.
00:23So, we didn't play a young little film in the background.
00:26So, you know that's a great idea.
00:29Many directors, many producers, many actors.
00:33I was surprised at that.
00:38Did you get a positive report?
00:40That was positive.
00:43I saw a good script.
00:46I saw a good script.
00:47I saw a lot of people like that.
00:50I was thinking about comedy.
00:52I was thinking about a good thing about that.
00:55I saw a good story in the theatre.
00:57I am going to be a good one to get to the show.
01:00So, I am going to be able to get a script.
01:03I am a star.
01:05I have one of the best script.
01:08Because I am performing and I am not sure.
01:12I am a script.
01:14A star-driven script.
01:16I am a small-time actor.
01:21So, Mammootty, Mohanlal, Suresh Gobi, Jayaram, Mukesh, Jagadish, Siddhik.
01:29I think that in a few years, when I was a junior writer, I would say that I was not the only character in my career.
01:43I would say that I was a good actor.
01:45So, I think that he was a good actor in that movie.
01:50So, just one of those films is a good actor.
01:53When you're in Sallabat, the film is a good actor, he's a family audience.
01:58That film is not true.
02:00He's a good actor in the film and he's a good actor.
02:03So, he has a good actor in Sallabat.
02:06So, I went to Sallabat and I mentioned, the assistant director and I said,
02:12When I was in my cinema, I was a young actor who was a very young actor.
02:20I could be a young actor who had a very young actor who had a very young actor who had a very young actor.
02:28But, in each of those characters, it is different to the heroism.
02:33In the film, I think it's a very amazing character who has the heroism of the character.
02:41That's why I didn't understand my mother.
02:48I thought that I was a human being, and I thought that I was a human being, and I thought that I was a heroism.
02:56That's why I wanted to talk about the things that I wanted to do in a while, and I wanted to talk about it in a while.
03:03I didn't say that in a while.
03:06So, I told Ranjan about Pramodha.
03:11He said, Mohanlala Asamethu, Aradambra,
03:14He said, he was a man.
03:18He said, he was a man.
03:19He said, he was a man.
03:23He said, I didn't have a man.
03:26So, Ranjan said,
03:29I didn't have a man.
03:32I said, I didn't have a man.
03:33He said, he was a man.
03:37He said, you can be a man.
03:40And he did that slowly.
03:45He said, he was a man.
03:51He worked in the cinema.
03:56He said, he was a man.
03:59That is what I do.
04:01I have to play with the music.
04:03I can't get into that music.
04:05I can't get into that music.
04:07I can't get into that music.
04:09I have to play music.
04:11I have to play music.
04:13How much impact I have in this class?
04:17I have not played the flute bj.
04:19In other words,
04:21I have to play a chord in the stage.
04:23I have to play a chord in the stage.
04:25If you are not staying in a career, you can't catch a mark or any other.
04:29And what's your point?
04:31That's the subject of a career.
04:33Now there's a career in cinema and background.
04:39You can't get this career in college, you can't get it.
04:43You can't get it.
04:45You can get one of the directors,
04:47you can't get a career in the field.
04:51The writer was a great person.
04:54The director is a great opportunity to talk about how it is.
05:04It's not a great opportunity for a year to be able to be able to be able to be able to be able to be able to be a good opportunity for a year.
05:14However, the average performance of a super-hit cinema is a great experience.
05:21Because there is a basic performance of the performance.
05:27There is a lift.
05:29There is a lift.
05:33The performance of the cinema is elevated.
05:37There is a presence of the director.
05:42I don't know.
05:43What happened to me?
05:44I didn't have it.
05:45I didn't know.
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