- 5 months ago
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TVTranscript
00:00:00I'll see you next time.
00:01:30Bastion 23 dans Ketrena, c'était un endroit vraiment inspirant.
00:01:35Project Hanway a bien choisi l'endroit.
00:01:38C'est parti.
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00:24:43No, I don't think of the l'hnaia.
00:24:46I think it's a good thing.
00:24:47I think I want to make a whole thing
00:24:49and I want to show you how to make a cordon.
00:24:50Right.
00:24:51After that, I'm going to put the l'hnaia on top of the noir.
00:24:53Once I'm going to use the front,
00:24:57I'm going to use the same.
00:24:58I'll use the touches on this one.
00:25:00Because I'm going to use the same way.
00:25:02I wanted to put it on top of the noir,
00:25:04and put the l'hnaia on top of the tie.
00:25:08I'll use the l'hnaia on top of the tie.
00:25:11After that, I'll use the l'hnaia on top of the tie.
00:25:14It's midi, and it's a font of the l'hnaia.
00:25:22Zeno, this is the l'hnaia that I'm going to use.
00:25:25What's the same thing?
00:25:26Exactly.
00:25:27That's the problem.
00:25:28I was going to use the l'hnaia,
00:25:30and I'm going to use the l'hnaia.
00:25:33I'm going to use the l'hnaia.
00:25:34I'm going to use the l'hnaia,
00:25:36and I'm going to use the l'hnaia.
00:25:38And what do I see?
00:25:39How did I work with l'hnaia?
00:25:40You were going to use the l'hnaia on top of the tie?
00:25:43No, no, no, no, no.
00:25:45This is a l'hnaia.
00:25:46This is a l'hnaia.
00:25:47This is the l'hnaia.
00:25:48It's in the l'hnaia and this is the l'hnaia.
00:25:50That's the l'hnaia.
00:25:52You should use the l'hnaia on top of the tie?
00:25:53No, no, no.
00:25:54It's just a croquet.
00:25:55I'm going to use the same thing.
00:25:57This is not one place.
00:25:58You should never use the l'hnaia.
00:25:59Now, if you want to begin to be theOS,
00:26:01I'm going to be really busy.
00:26:03If you want to use your hand, you can use your hand.
00:26:33What I liked about you is the TVT that you have.
00:26:36As we saw them, they were on the mouse.
00:26:39You don't have a model like this.
00:26:41I'm going to be able to get into the volume that we talked about.
00:26:43You don't have to worry about it.
00:26:45It's a good one.
00:26:47I don't like to have a risk.
00:26:49I don't know how to manage the time.
00:26:50There's no problem in the time.
00:26:51So what do you say?
00:26:53I don't have a trust in you, I know.
00:26:57I like to see Nuhah in the description of Nuh.
00:27:02Inshallah.
00:27:03How did you get to me with Ryan Atlas?
00:27:05This is a little bit because I think it's the first challenge.
00:27:12I'm going to see you in the next few weeks and say I haven't seen you.
00:27:19I was with Nuhah for 40 years.
00:27:22I was a good friend of mine.
00:27:25I was a good friend of mine.
00:27:28I was a new daughter for me.
00:27:32My dream is a dream.
00:27:35I'm sure I'm going to live in my life a lot as I can.
00:27:37As I was born, my father, is a dream,
00:27:41and we have to go to the dream which we are really looking for.
00:27:43I'm going to feel the way to the world for me.
00:27:46I'm gonna feel the way to the person who's going to be.
00:27:47I've seen her go to the dream of Nuhah,
00:27:50We have a jet, please, in the peace of mind.
00:28:07We're going to make a decision and start finding a decision,
00:28:12and we'll start looking for a decision,
00:28:15and we'll go for a 30 percent.
00:28:17Can we see the design of you?
00:28:21Of course.
00:28:22Can you tell me?
00:28:24He said Rayeur, Marine, Olivier Roussaint.
00:28:28He said he has a geometric form.
00:28:31He made a gigantic man.
00:28:34Did you see the culture of your culture?
00:28:37What did you see?
00:28:39I made the man's volume of the nose.
00:28:43It's big.
00:28:45Do you think we're going to work with a big man?
00:28:49We're going to work with you.
00:28:51We're going to work with you.
00:28:54I'm not going to work with you.
00:28:56This is what I'm saying.
00:28:58I'm going to start with the model.
00:29:01It's not that.
00:29:03Because we have to do the same thing.
00:29:08I'm going to work with a new skin.
00:29:11I'm going to work with you.
00:29:13It's the yellow.
00:29:14He's going to work with a yellow.
00:29:15It's a purple skin.
00:29:16I'm going to work with you.
00:29:17You know?
00:29:18I got this.
00:29:19You've got this.
00:29:20I've got this.
00:29:21You can do the colors, but we're going to work with the color.
00:29:23One of the things we really enjoy.
00:29:25We'll see the colors.
00:29:26We'll go back.
00:29:31We'll go back to you.
00:29:33I don't think so.
00:29:34I really like him a lot.
00:29:37This is a lot of fun.
00:29:39It's a lot of fun.
00:29:41After that, I wanted to go back to my wife.
00:29:44He's...
00:29:45I don't have a lot of fun.
00:29:48This is the moment, especially.
00:29:50What's going on?
00:29:51Is it nice?
00:29:52I'm going to...
00:29:54I'm with the bathroom.
00:30:00I'm going to show you a little bit.
00:30:03This is the moment.
00:30:04Yes.
00:30:05This is the moment.
00:30:06Yes.
00:30:07I'm going to show you a little bit.
00:30:12What do you mean?
00:30:13Mr. Ryan.
00:30:14Can we see you?
00:30:15Yes, of course.
00:30:16I like to make a laser.
00:30:18So I'm going to make a little bit more.
00:30:20Of course.
00:30:21I have this material.
00:30:23This material.
00:30:25And this.
00:30:26I'm going to make a lot of fun.
00:30:30I'm going to make a lot of fun.
00:30:32It's difficult to make a lot of fun.
00:30:34Yes.
00:30:35Yes.
00:30:36Yes.
00:30:37I'm going to make a lot more fun.
00:30:38So, it's not easy.
00:30:39It's easy.
00:30:40Yes.
00:30:41I'm going to make a lot of fun.
00:30:42I'm going to make a lot of fun.
00:30:43I'm going to show you the graphics.
00:30:44Thank you very much.
00:30:46The front is always a shapoo.
00:30:49I don't want to make a lot of fun.
00:30:51A shapoo with...
00:30:53But you're going to make a lot of fun.
00:30:55Over.
00:30:56Over.
00:30:57Over.
00:30:58We'll leave it.
00:30:59We'll leave it.
00:31:00We'll leave it.
00:31:01We'll leave it in the last minute.
00:31:03Okay.
00:31:04We'll take a look at the model.
00:31:06We'll see how he can give us this.
00:31:08Okay.
00:31:09But it's just a reminder about the red.
00:31:11The red is a reminder of the dialogue.
00:31:12We'll tell you how it works.
00:31:16I like it.
00:31:17Let's take it.
00:31:19This is what I'm afraid of.
00:31:21I'm sorry.
00:31:22It's a great feeling, including the relative of the line.
00:31:27Like my friend, I'm afraid of seeing the images.
00:31:28So wild.
00:31:29I watched the painting.
00:31:30Let's see.
00:31:31I was motivated.
00:31:32I did not see the picture.
00:31:33I was motivated.
00:31:35What are you doing?
00:31:40We're doing the right to coordon.
00:31:42We're doing the right to play a program.
00:31:44We're looking for the group.
00:31:45We're working with the right to play.
00:31:47I'm working with the patronage, the course of the day and the job of the day.
00:31:54We're working with the job of the day.
00:31:57We're working with the job of the day.
00:32:05My children are from the city of Al-Azema of 21 years.
00:32:09I wanted to start with my own school, because I was an adult,
00:32:14My wife, my wife, I want to thank her.
00:32:16I wanted to feel that the woman is strong.
00:32:18And I wanted to give her the power of the woman to help her.
00:32:22As a result of me,
00:32:24I was able to achieve her school,
00:32:26her home,
00:32:28and create her own project.
00:32:30I wanted to send a message to anyone
00:32:32who was able to do the same thing.
00:32:34It's just to have confidence in her.
00:32:36I wanted to be in the project
00:32:38I wanted to be creative,
00:32:40I wanted to be talented.
00:32:42I wanted to be in the final.
00:32:44I wanted to be in this day,
00:32:46and in this day.
00:32:56Suad?
00:32:58Good morning.
00:33:00Can I see you?
00:33:02Yes.
00:33:04Okay.
00:33:06I chose the blue Shanghai.
00:33:08The blue is better than black.
00:33:12I like the blue and black.
00:33:14I like to see red and blue.
00:33:16I love the shabka.
00:33:18It's all I have.
00:33:19I'm very busy with the materials.
00:33:20As the last thing I made,
00:33:22I got the blonde.
00:33:24Yes, I chose one of the robes.
00:33:27The shogga has two pieces.
00:33:30The two pieces are in the robes.
00:33:33The bottom is a jub.
00:33:35With the top, a vest, but a corset.
00:33:38We have a small ouverture.
00:33:40Okay.
00:33:41We have a corset.
00:33:43The corset is a shubka.
00:33:45That's right.
00:33:46And the doubleur is red.
00:33:48And this is what you want to do in your design.
00:33:50The doubleur.
00:33:51You can see it here.
00:33:52Yes.
00:33:53You can see it here.
00:33:54Yes.
00:33:55You're welcome.
00:33:56You're welcome.
00:33:57You're welcome.
00:33:59I hope we'll see the model of the shubka.
00:34:01I hope we'll see you.
00:34:03I hope we'll see you again.
00:34:04I hope we'll see you again.
00:34:06We'll see you again soon.
00:34:08You're welcome.
00:34:09You're welcome.
00:34:11You're welcome.
00:34:13I'm a Tzadi.
00:34:14I'm from three children.
00:34:16I entered this field of design and design.
00:34:19I'm not sure.
00:34:20I hope you guys will see new moms and other kid.
00:34:23So, I'm a Tzadi.
00:34:24In the last few months, I'm going to pass it up.
00:34:27It seems to be a long time-lapse.
00:34:28I do not have a job.
00:34:29Oh, I do not have a job.
00:34:30But, I'm going to pass it to the future.
00:34:31and the other one is a big dream.
00:34:34In this series,
00:34:35there are many artists who have been successful.
00:34:38But we won't leave them alone.
00:34:39We will be successful.
00:34:41We want to know that the year
00:34:44doesn't have any problems in our lives.
00:34:47The past school has a place in the Runway project.
00:34:51But it's not a chance to transform it.
00:35:01Number 1.
00:35:02Come on.
00:35:04What is your home?
00:35:09Everything.
00:35:11You're going home.
00:35:12When did I come home?
00:35:13It would take a long time.
00:35:14What did I come...
00:35:15I'm going home.
00:35:16I got back.
00:35:19I was working in the bedroom.
00:35:21I was going home being home.
00:35:22I'm coming home soon.
00:35:24I'm going home again.
00:35:25I was almost like home.
00:35:27We finished it!
00:35:28No, not yet.
00:35:29I'm going home.
00:35:30I got a thing on my head.
00:35:32I didn't want to go through 30 minutes,
00:35:35I got it.
00:35:37I got it on my head.
00:35:40I got it on my head.
00:35:46I got it on my head.
00:35:53I worked with me at a time.
00:35:55So I got it on my head.
00:35:57We had my own work, and we had to go to a company
00:36:02and say to the people who are working with us,
00:36:06and to the one who worked with us, we would split them.
00:36:09Someone who wanted to go to a company.
00:36:13We entered the business and we started to know them before.
00:36:16We were able to know them, either friends or friends,
00:36:19or we had contact with them in social networks.
00:36:27Do you want to cook a little bit?
00:36:29Yes?
00:36:30Do you want to cook a little bit?
00:36:32Do you want to cook a little bit?
00:36:34Yes.
00:36:35How do we cook a little bit?
00:36:37I want to cook a little bit.
00:36:39Do you want to cook a little bit?
00:36:41Yes.
00:36:48What are you doing here?
00:36:49Yes.
00:36:50Here we go.
00:36:51Yes.
00:36:52Let's go inside.
00:36:53Yes.
00:36:54But you don't see me here.
00:36:55we want to cook a little bit.
00:36:58I'm going to be creative during the cold.
00:36:59Thank you so much.
00:37:01I want to make you a good meal.
00:37:08Are you ready for the break?
00:37:10We're going to cook a little more.
00:37:13We're here with you.
00:37:15Do you want to take?
00:37:16Don't eat the bag.
00:37:17No, you're not at home.
00:37:19Yes.
00:37:21The other one is the first step.
00:37:26What did you say to me?
00:37:29I don't know.
00:37:30I don't know when I was like this.
00:37:33The other one is like this.
00:37:34I didn't understand this.
00:37:36You had this before.
00:37:38You had this before and you would have started it.
00:37:42That's what you said before.
00:37:44You had this before.
00:37:45This was the one.
00:37:46This was the one.
00:37:47My grandfather, how was he?
00:37:50I don't know.
00:37:52How do you get to enter here?
00:37:54I get to enter here.
00:37:56I'm going to enter here.
00:37:58I'm going to enter here
00:38:00and I'm going to enter here
00:38:02in Shanghai.
00:38:04I can see many people.
00:38:16For the other people,
00:38:18I'm going to think about more
00:38:20than other people,
00:38:22and I'm going to get older.
00:38:24For me,
00:38:26it's more than likely to go to the other.
00:38:28I'm going to learn this as well.
00:38:30I'm very happy at all.
00:38:32The idea is different.
00:38:34The idea is different.
00:38:36It's different.
00:38:38different.
00:38:51I'm still very nervous because...
00:38:54I've entered the Mariniere and the Blue of Shanghai,
00:38:57I've entered the tradition of our culture,
00:39:00with the culture of the culture.
00:39:02I'm not working on a lot because I don't work on a lot.
00:39:09I already worked on a car, and I'm still working on a lot.
00:39:14I'm working on a lot more.
00:39:21I'm working on a little bit, and I don't think it's enough to finish the time.
00:39:25There's a lot of detail here.
00:39:27I don't think it's enough to finish the time.
00:39:28I've done a lot of work with me.
00:39:30As I do, I'm going to be a lot of work.
00:39:31This video is easy for me to do the same thing as I am.
00:39:41I have my friends with my friends.
00:39:43I said, just so that you know what I want to do with you.
00:39:46I don't want to live with you.
00:39:48But I don't want to live with you.
00:39:49I don't want to live with you.
00:39:50I just want to show you.
00:39:51That's right.
00:39:52Don't miss you.
00:40:00I have the most beautiful things that were kids.
00:40:03I have the whole building technique.
00:40:06We have the design in our own home, the new home.
00:40:10The army's army will be really successful.
00:40:15Designers, it's time for you.
00:40:22I love you.
00:40:25I love you.
00:40:30Good luck.
00:40:45I'm mentally realised.
00:40:48Yes, thank you.
00:40:50I'm really stressed.
00:40:52Why are I so stressed?
00:40:54I'm really stressed.
00:40:55I feel so stressed.
00:40:57I felt so stressed.
00:40:58I feel really stressed.
00:40:59I feel so stressed.
00:41:00But now I feel like I have a lot of stress.
00:41:02You know what I'm doing?
00:41:03I feel like I'm coming to Canada.
00:41:05I feel so stressed.
00:41:06Sometimes you're a big part.
00:41:08I know I know.
00:41:11I feel stressed because I am stressed
00:41:12or leaving me outside.
00:41:14You want to talk to me, you want to talk to me, it was really a catastrophe.
00:41:21I'm going to give you something a little bit.
00:41:23I'm going to give you a little bit.
00:41:25I'm going to give you a little bit.
00:41:27What's going on?
00:41:29Go ahead.
00:41:44I'm going to give you a little bit.
00:42:03matching
00:42:07From here
00:42:09Platz
00:42:11We are
00:42:11We are
00:42:13This is a
00:42:14се
00:42:16and
00:42:17We are
00:42:19Estip
00:42:20T
00:42:23voice
00:42:25and
00:42:26feeding
00:42:28looking
00:42:29disciplines
00:42:32Maa Diha
00:42:36Maa Diha
00:42:42Maa Diha
00:42:54Maa Diha
00:42:56Maa Diha
00:42:58Oh, look it!
00:43:00You're welcome.
00:43:01I'm going to tell you how to do it.
00:43:03You're welcome.
00:43:05You're welcome.
00:43:06You're welcome.
00:43:07Tell us, a little girl.
00:43:09Do you like the music?
00:43:11No, seriously?
00:43:12Do you like the music?
00:43:13I'm stressed.
00:43:14I'm going to have the music.
00:43:15I'm going to have the music.
00:43:16Let's go.
00:43:17Come on.
00:43:18Do you want me to give you one?
00:43:21Yes.
00:43:22I'll give you one.
00:43:23Wait.
00:43:24Give me one.
00:43:26Hello, and I'm not Ami.
00:43:28I'm by 27 years old and I'm in the superior zone.
00:43:30I'm in your area of the city.
00:43:31I'm from the hospital.
00:43:32I'm from my mother.
00:43:35I've brought myesus to this world
00:43:37and I've seen her in her wellness
00:43:38and I've seen her in my office
00:43:40and my business department and my business department.
00:43:42I've also taught her to me my school,
00:43:43I've got to learn my Stunden.
00:43:44And I did not identify myself.
00:43:46That's how I told you,
00:43:47because you started my business,
00:43:48and I started my business.
00:43:50Then I taught her my business.
00:43:52They were now,
00:43:53As I said, I want to learn more about this project.
00:43:57The project Runway is about the development of the teacher and the creator of the teacher to the creator of the teacher.
00:44:05In this mission, we're going to prove that the touch of the creator of the teacher.
00:44:17Are you doing the creation?
00:44:18I'm doing it.
00:44:19No.
00:44:20No.
00:44:21No.
00:44:22No.
00:44:23No.
00:44:24No.
00:44:25No.
00:44:26No.
00:44:27No.
00:44:28The character of the teacher is not a mistake.
00:44:31At the same time, it's more responsible.
00:44:33If you go back to the level of the teacher, it will become a big role.
00:44:51The last one is taking a lot of time.
00:44:56I have a lot of details, but I don't have a lot of details.
00:45:03I'm going to stop the situation.
00:45:05I'm going to go as I like it.
00:45:08I'm going to go out a lot of guys.
00:45:10It's just that the idea is to go like that.
00:45:15The risk that I'm going to do with the boots
00:45:18is that I don't want to do boots.
00:45:20It's the first time we're going to do boots.
00:45:22I'm going to go out a lot of details.
00:45:24I'm going to go out a little bit.
00:45:26But it's a bit complicated.
00:45:27The problem is that I don't have a lot of time.
00:45:42Good morning, designers.
00:45:43Good morning.
00:45:44I'm happy to see what we're going to do every day.
00:45:47We have a lot of journey.
00:45:49We have a lot of time.
00:45:51We'll start the show.
00:45:52Good luck.
00:45:53Good luck.
00:45:55Good luck.
00:45:57What's your life?
00:46:12You're so happy about the runway.
00:46:15I'm so happy.
00:46:17I'm so happy and happy.
00:46:27We were 100% of our teammates.
00:46:30I'm very happy.
00:46:32I'm very happy.
00:46:34I'm personally happy.
00:46:40Well, I'm just going to explain how to do it,
00:46:43how to do the gifs, how to do the corsets,
00:46:45how to do the legs, how to do the muscles,
00:46:47how to do the shoes, how to do the coquillage,
00:46:49and I'm almost finished, I'm not going to do it.
00:46:52I'm so excited and I hope you will be able to win the game.
00:46:59I hope you will be able to win the competition.
00:47:03I'm going to try the best to finish the finish line.
00:47:08I'm going to try the best to finish the finish line.
00:47:12I don't know if you have to.
00:47:14I'm going to try and get the back.
00:47:26How do you do it?
00:47:28It's 20%.
00:47:3020%?
00:47:32It's 20% and it's still working, it's still working,
00:47:35it's still working.
00:47:37How do you do it?
00:47:38In addition to the finishing?
00:47:39In addition to the finishing?
00:47:40Yes, the finishing.
00:47:42It's still working, it's still working.
00:47:44So, in this time, we're going to be active.
00:47:49How do you do it?
00:47:51This week, I have a double stress.
00:47:54I have to go to the last week,
00:47:57so I have a challenge for the week.
00:47:59I have something I have to do with.
00:48:05We're going to drive the legs in the course.
00:48:07Of course.
00:48:08I have a course,
00:48:10and this is in Europe.
00:48:12It's still working.
00:48:13It's still working.
00:48:14It's still working.
00:48:15It's still working.
00:48:16It's still working.
00:48:17Of course.
00:48:18Yes, it's working.
00:48:19Right.
00:48:20Yes, it'll work.
00:48:23Do you have the finishing?
00:48:24We've got the finishing in the middle of the mill,
00:48:26so I've made the finish in the pack.
00:48:29It's still working with the three other parts.
00:48:30I'm keeping my small parts at the mill,
00:48:32to the top of the mill.
00:48:34So the mill is coming.
00:48:35We are working with the mill,
00:48:36and we're going to see the mill.
00:48:37The mill is coming up,
00:48:38and we're going to get the mill,
00:48:39and we're going to do the mill.
00:48:40But in this mill,
00:48:41the mill is coming up.
00:48:42The mill is coming up.
00:48:43Yes, that is the mill is coming up.
00:48:45The mill is coming up.
00:48:46All right, all right.
00:48:47The most important thing is the first time of the year
00:48:53because the first time it's not going to be able to do it.
00:48:55And then the next time it's going to be able to do it with a lot of people.
00:48:58But it's not going to be able to do it with a lot of people.
00:49:01Designers, 3, 2, 1, 7, it's time, we'll see you on runway, okay?
00:49:24Okay.
00:49:25Bravo.
00:49:38Please welcome.
00:49:39Hi, everybody.
00:49:40Hello everyone.
00:49:41Hello everyone.
00:49:42Hello everyone.
00:49:43Hello everyone.
00:49:44Hello everyone.
00:49:45Hello everyone.
00:49:46Come on.
00:49:50I am a great leader.
00:49:52My name is Rime Amari.
00:49:54You are a global world leader.
00:49:56How are you?
00:49:58My name is Rime De Latifi.
00:50:00And Kareem Akroof is the best artist in the Arab world.
00:50:06I'm sorry.
00:50:07You're welcome.
00:50:08You're welcome.
00:50:09I'm sorry.
00:50:10I'm sorry.
00:50:12Let me know what the artist has to do with us.
00:50:15Another challenge is to change the design of the artist.
00:50:20How are you?
00:50:21I'm happy to see the artist's artist.
00:50:22Let's go.
00:50:23In the name of Allah.
00:50:31I love you.
00:50:32I love you.
00:50:33I love you.
00:50:34I love you.
00:50:35With you.
00:50:36Please have a great spirit.
00:50:37I love you.
00:50:38I love you.
00:50:39I love you.
00:50:40My dear friend is the artist.
00:50:41Let's see.
00:50:43I love you.
00:50:44In your heart.
00:50:45I love you.
00:51:00I'm going to show you a lot of people from Legend of the Hakeem
00:51:24and I'm going to show you a lot of creativity.
01:00:13We've seen the last part of our friends.
01:00:20Every one has been on his own,
01:00:22and every one has come to Shanghai.
01:00:24And if we get to know you,
01:00:25it doesn't have anything easy to do.
01:00:28We've seen it,
01:00:30and it's time for you to follow
01:00:32and make sure you're going in,
01:00:33and you're going out.
01:00:35Come with us,
01:00:36and we'll come back to you next time.
01:00:43What's your name?
01:00:45What's your name?
01:00:46What's your name?
01:00:47What's your name?
01:00:48What's your name?
01:00:49It was good.
01:00:50The touch of the overview,
01:00:52it was nice.
01:00:55It was a modern touch,
01:00:59it was nice.
01:01:00He worked well.
01:01:03It was good.
01:01:04He used the fillet,
01:01:08so it was good.
01:01:10It was simple,
01:01:12correct,
01:01:14correct.
01:01:15What would you do
01:01:16call��
01:01:37for me?
01:01:38That's right.
01:01:39If you want to see the yellow or the yellow color,
01:01:44or the yellow color,
01:01:45or the yellow color,
01:01:47then you can remember the blue color.
01:01:51Tell me, dear,
01:01:53what do you like or what do you like?
01:01:55I like the color,
01:01:56but the color of the color is not a very great creation.
01:02:01It's basic, normal.
01:02:03It reminds me a little bit about this.
01:02:06Kimono?
01:02:07Right.
01:02:08I personally think it's normal.
01:02:11Kareem, tell me,
01:02:13what do you like or not?
01:02:15I love the fers.
01:02:17I love the fers.
01:02:18I like the style of the yellow.
01:02:19I love it because
01:02:20I love the blue color.
01:02:22I love the blue color.
01:02:23It's a very nice color.
01:02:24I love the blue color.
01:02:26But I still love the blue color.
01:02:29I love the blue color.
01:02:32I love the blue color.
01:02:34I love the blue color.
01:02:36And I wanted to make a cut, I wanted to make a leader, and there was a lot of research in that suit, so that's what I wanted to say.
01:02:42What do you want to say about the suit?
01:02:45Well, in the suit of Paris, I said wow.
01:02:50That's right?
01:02:51Yes, wow, wow, wow.
01:02:53Because of the suit, the suit has been given several suitcases in Shanghai,
01:03:00and they have made a suit, so I wanted to say bravo.
01:03:05What do you want to say about the suit?
01:03:07Well, in Paris, I was looking for a lot more, because it's mainly for the suit,
01:03:11because it's a lot of material and color, and it's working a lot with streetwear,
01:03:19so it's able to work a lot.
01:03:22Well, it's beautiful, but we're looking for it a lot.
01:03:25In the first place, I wanted to say about Manel, because I know that in the age,
01:03:28I didn't touch a lot.
01:03:30What do you want to say about Manel?
01:03:32I want to say about Manel, because of the marriage with this color,
01:03:39the red, black, black, black, it's married.
01:03:44And that's right, you need to know what you want to say about it.
01:03:48You need to know the exact dosage.
01:03:51Yes, exactly.
01:03:52What do you want to say about Manel?
01:03:54Well, I really liked the dress globally, but without more.
01:04:01Wow.
01:04:02Wow.
01:04:03So, the train is on Manel, but I don't have a place.
01:04:07I don't have a place.
01:04:08I don't have a place.
01:04:09The difference is that there's no color.
01:04:11I don't respect the theme.
01:04:13I think she doesn't respect the theme.
01:04:15Maybe when you added more colors, it would have been better.
01:04:19Well, the marriage is the three colors.
01:04:21It's very difficult.
01:04:22You can go to the modern.
01:04:24Super.
01:04:25You're here.
01:04:26Can you notice the formal withdrawn when that's.
01:04:31Seem feel your degree, right?
01:04:32Right.
01:04:33And the result of that's great frontal.
01:04:34So, the threshold 여기까지 is fine.
01:04:35There's a Dubai.
01:04:36It's complete perfect.
01:04:37The harmony.
01:04:38Even the accessories that they released.
01:04:39ma shae Allah.
01:04:40Ma shae Allah.
01:04:41Montyarim , are you willing to see this on one side?
01:04:43We do not have
01:04:51But we do not have a patience.
01:04:52so she has a lot of potential.
01:04:54I remember that she had already had ideas,
01:05:00so I was happy to discover where I was working on the runway.
01:05:05What do you want to do with the design?
01:05:08It's important that the designer says fabric manipulation,
01:05:11to work on the tissue.
01:05:13It's very important,
01:05:14because to buy a tissue directly,
01:05:16it's basic,
01:05:19but to work on the tissue,
01:05:22whether it's plastic or something,
01:05:27but to work on the tissue,
01:05:30to add some pieces,
01:05:32the idea was to work well.
01:05:35So, the tour to Selmalia?
01:05:37Kareem, tell me.
01:05:39Selmalia, it's a mistake.
01:05:41Oh.
01:05:42It's a mistake.
01:05:44What do you want to do with the design?
01:05:46First of all,
01:05:48I made a red line,
01:05:49which had nothing to do with my hair.
01:05:51First of all,
01:05:52but when you put a color,
01:05:54you have to have a message,
01:05:56a sense.
01:05:57Here, I don't see,
01:05:58there are little fingers,
01:05:59there are little ears,
01:06:00there are badrouns,
01:06:01Janos.
01:06:02I'm sorry for saying that,
01:06:04but we have to be honest.
01:06:07That's right.
01:06:08That's my opinion.
01:06:09What do you want to do, Mareem?
01:06:10So, I'm Selmalia.
01:06:12I'm going to put a red line,
01:06:15because the look is modern,
01:06:19in Shanghai,
01:06:20it's modern,
01:06:22it's not traditional.
01:06:25And it's a mistake.
01:06:26It's a mistake.
01:06:27It's a mistake.
01:06:28It's a vision.
01:06:30But no more.
01:06:32Rieem,
01:06:33tell me,
01:06:34what do you think about the design of Selmalia?
01:06:36Well,
01:06:37I think about the design of Selmalia,
01:06:40I really liked the idea of it.
01:06:42Right.
01:06:43if I am at the상 of the city,
01:06:45and I'm not sure anything about the design of the school.
01:06:48I love the idea of the Skullium.
01:06:49I love the idea of the project and I love the Meets.
01:06:55What do you think about this painting?
01:06:57I used to have a picture very much.
01:06:58What does it mean?
01:06:59You have a picture of your son.
01:07:00I'm a picture of your son,
01:07:01I really have a picture of my son.
01:07:02Wow, wow, wow.
01:07:04Really,
01:07:05I remember the style of Jacumu.
01:07:08so that even the colors are used, at the same time, we give it to our female, and we have to feel better.
01:07:16My name is Walid, he has a silhouette, he has especially respected the theme,
01:07:22so it's true that it's a look very safe, very chic, correct, elegant.
01:07:30I don't like the mix of the material, the colors and everything,
01:07:36but I see more of the style, because it's raffiné and chic.
01:07:46It's the style, it's very beautiful,
01:07:50maybe the coordinates of the colors, I don't know if I'm married,
01:07:54but we find that the coordinates of the colors are not very well,
01:08:00but the clothing is very beautiful, it's in harmony.
01:08:02The design is very nice, it's very nice.
01:08:05Do you want to go to a sensitive subject?
01:08:07Nooha.
01:08:08So, for Nooha, they have the same problem, it's that you always use two styles different.
01:08:15For example, here we see the tulle, the tulle, we find a couture,
01:08:21after the clothes, they go to the sportswear, or they go to the casual.
01:08:27So, here we have no identity.
01:08:32What do you want to say?
01:08:34What do you want to say?
01:08:35What do you want to say to us?
01:08:37You want to say,
01:08:38what do you want to say to us?
01:08:45What did you do?
01:08:46Yes.
01:08:47I don't understand exactly what I wanted to do as an idea or as a message.
01:08:54What is it, Karim?
01:08:55I think, as my sister told me, it's not a relationship.
01:09:00My mother gave me a message,
01:09:03and if I put it in my eyes,
01:09:05if I put it in my eyes,
01:09:07if I put it in my eyes,
01:09:09it would come to my eyes.
01:09:11Otherwise,
01:09:12if I put it in my eyes,
01:09:14it's not a relationship between them.
01:09:17It's not a relationship.
01:09:19It's a shame.
01:09:20I don't know.
01:09:21I'm going to say it's a shame.
01:09:27So, the tour of the museum.
01:09:29The silhouette of my work,
01:09:33for example,
01:09:35the work of the museum,
01:09:37the details and everything.
01:09:39There was a lot of different colors.
01:09:42I have a silhouette.
01:09:44I can tell Maïssa,
01:09:46that this evening is a lot more than what it did.
01:09:50I think it's the right thing.
01:09:51Maybe it's the coordinates of the colors.
01:09:53It's that.
01:09:54It's the young stylists who have to look at it.
01:09:56No.
01:09:57They're not orienting.
01:09:58They're not orienting.
01:09:59They're not orienting.
01:10:00But the concept of it, I love it.
01:10:02The silhouette, I love it.
01:10:03The silhouette is very chic.
01:10:04It's chic.
01:10:05It's chic.
01:10:06I love it.
01:10:07I love it.
01:10:08I love it.
01:10:09I love it.
01:10:10I love it.
01:10:11Once again,
01:10:12I love it.
01:10:13It's a good thing.
01:10:14What's the difference?
01:10:15That's what I love.
01:10:16I think the hoofs are in the mariniere
01:10:18and the corsage,
01:10:21on the white,
01:10:23I'm going to wear the hoofs.
01:10:26We're going to wear the hoofs.
01:10:29I love it.
01:10:32I'm sorry.
01:10:33I'm sorry.
01:10:34I'm sorry.
01:10:35I'm sorry.
01:10:36I'm sorry.
01:10:37There's no problem.
01:10:38Design for Su'ad.
01:10:40What do you want to say?
01:10:42Let me tell you, Karim.
01:10:47What do you want to say Su'ad?
01:10:50I'm not a kid.
01:10:52I'm not a kid.
01:10:53But it's difficult to answer this question.
01:10:57It's not a wow.
01:10:59There's no creativity.
01:11:00It's difficult to answer.
01:11:02No.
01:11:03It's difficult.
01:11:04You've got a job.
01:11:05I like the job at the top.
01:11:07It's a look...
01:11:09Correct.
01:11:10Correct.
01:11:11Correct.
01:11:12Right.
01:11:13That's it.
01:11:15What do you want to say?
01:11:16I'm sorry.
01:11:17I'm sorry.
01:11:18I'm sorry.
01:11:19I'm sorry.
01:11:20I'm sorry.
01:11:21I'm sorry.
01:11:22I'm sorry.
01:11:23I'm sorry.
01:11:24I'm sorry.
01:11:25I'm sorry.
01:11:26I'm sorry.
01:11:27I'm sorry.
01:11:28I like to see more.
01:11:29I'm sorry.
01:11:30Do you know what I mean?
01:11:31I don't have to know.
01:11:32Because I fell asleep in the last week's month,
01:11:34and she fell asleep.
01:11:35She fell asleep in the last week's week,
01:11:36and she fell asleep in the mockery.
01:11:37Would you want to have to stop all her?
01:11:38Do you stay asleep or out?
01:11:39Do you even feel sorry?
01:11:40The idea and the idea in itself is very good, but the result that we saw is that we feel a lot of cosplay, especially after that.
01:11:58What can I say to you? I'm sure I'm sure.
01:12:02I'm sure I'm sure I'm sure.
01:12:04But it's hard for us to defend ourselves in a single one.
01:12:10Yes, very good.
01:12:12Let's start with Amin.
01:12:14What do you want?
01:12:16I'm Amin.
01:12:18I like Amin because it's a modern piece.
01:12:22Structurized at the shoes.
01:12:24I like the pants, the boots.
01:12:28It's different from the others.
01:12:34You go to the clothes, the accessories, the shoes, and the work.
01:12:40There's a harmony in the design, in the piece.
01:12:44I think it's a modern piece.
01:12:48I've been able to do it.
01:12:52I like the style.
01:12:54It's original.
01:12:56I want to say Amin to the design.
01:13:00I want to say Amin to the design.
01:13:02He's the design, the pants, the pants, the pants, the clothes, and the clothes.
01:13:10I hope we'll see what we will reserve in the past.
01:13:14Amin, what do you like to design Amin?
01:13:16Amin is that it's a good idea.
01:13:18It's like the design, I think it's a little bit like Jean-Paul Gautier.
01:13:22I think Paul Gautier has something.
01:13:24And that's what we're looking for here.
01:13:26And what we're looking for is the identity, the creativity.
01:13:30So we're going to give you a good idea.
01:13:32I love you.
01:13:34I want to give you a good idea.
01:13:36Okay.
01:13:43I've formed a blockchain that has a good power and a good power over the country,
01:13:46and I'll continue the next Friday.
01:13:48I have to keep it which time for the next week.
01:13:50And what does it bring to you back to the figures?
01:13:52I'll calculate it from the government to the rule.
01:13:54In the name of God.
01:13:56Manel
01:14:03Wallyd
01:14:11Nuhah
01:14:16Maysa
01:14:19Nuhah
01:14:27Nuhah
01:14:28Nuhah
01:14:30Nuhah
01:14:32Nuhah
01:14:40Nuhah
01:14:42Today I was a little disappointed.
01:14:45Maybe I don't have the theme of today
01:14:48and you have other skills like Shanghai.
01:14:51I hope to see you better,
01:14:55because we love you and you.
01:14:58Let's give it to your heart.
01:15:03We'll see you soon.
01:15:05We'll see you soon.
01:15:12We'll see you soon.
01:15:15See you soon,
01:15:19without
01:15:42Let me introduce you to Menel.
01:16:12It's the siren.
01:16:14It's always related to that.
01:16:16So I like to introduce you to the movement.
01:16:22That's right.
01:16:30The improvisation is strong.
01:16:32Yes.
01:16:34I think I'm out.
01:16:36It's because...
01:16:38You're out.
01:16:40Good morning, Walid.
01:16:42Good morning.
01:16:44First of all, bravo on your design.
01:16:48I'm thinking a lot about the design of Jack Mus and the design that we can wear.
01:16:52The question is...
01:16:54What's the difference behind the design of the creche for the design of the creche?
01:17:00Okay.
01:17:01Well, with the creche,
01:17:02we also know what we're talking about.
01:17:04We're talking a lot about creche,
01:17:05and we're talking about the creche.
01:17:07But at the same time,
01:17:08we're talking about the creche.
01:17:10We're talking about the creche.
01:17:11We're talking about the creche.
01:17:12We're talking about the creche.
01:17:13We're talking about the creche.
01:17:14We're talking about the creche.
01:17:15We're talking about creche.
01:17:16We're talking about creche.
01:17:17We're talking about creche.
01:17:18We're talking about creche.
01:17:19We're talking about creche.
01:17:20We're talking about creche.
01:17:21We're talking about creche.
01:17:22We're talking about creche.
01:17:23We're talking about creche.
01:17:24We're talking about creche.
01:17:25We're talking about creche.
01:17:26We're talking about creche.
01:17:27We're talking about creche.
01:17:28We're talking about creche.
01:17:29How are you doing?
01:17:32Thank you very much.
01:17:34I'm going to give you a good idea.
01:17:38Thank you very much.
01:17:44I don't have a lot of love for you.
01:17:46We're going to wear it again.
01:17:48After that, it's done.
01:17:49It's done, it's done.
01:17:51I'm happy with you, Noha.
01:17:52I have a question.
01:17:54I want to know why I chose this volume.
01:17:58Because we have two styles in our clothes.
01:18:01We want to know what's behind this piece was.
01:18:07For me, the volume I changed was
01:18:09I imagined that a woman was on the beach.
01:18:12We know the Shanghai,
01:18:14especially the people.
01:18:16I imagined that a woman was on the beach.
01:18:21I imagined that a woman was on the beach.
01:18:25I imagined that a woman was on the beach.
01:18:27I imagined the woman was on the beach
01:18:29and she was on the beach when I was skiing
01:18:31and I was walking in the beach.
01:18:35So I imagined that a woman was on the beach,
01:18:37and she was on the beach and was off the beach.
01:18:41from the sea. So this is the volume that I like.
01:18:49It's great.
01:18:55Thank you, Maysa.
01:18:57How do you like this?
01:19:01Well, I don't want to get rid of the style of Riva Marais.
01:19:07That's why I chose the right cut.
01:19:11And the details of Shanghai also want to give me my value,
01:19:15because for me, it's the most important detail in Shanghai.
01:19:17So I'll put it on a clear tissue to show the contrast.
01:19:21And also, in Shanghai and the marines,
01:19:25I'll put it on a corset to sign the size.
01:19:27That's it.
01:19:37I'm not sure you can understand exactly what you're doing.
01:19:39No, no.
01:19:41There's no reaction.
01:19:43There's no reaction.
01:19:45There's a few days later.
01:19:47We're going to create a new design.
01:19:49We're going to have a new design, like the Aqwa and the Adaf.
01:19:51Maysa, Manel, Waleed, and Nuhi.
01:19:57Hi man.
01:19:59Here is anotheriem.
01:20:01One will run up for the celebrated part,
01:20:03one will be화ing open for every first season.
01:20:05And one will leave it out,
01:20:07and leave the next piece.
01:20:09In ahal academy will take that 1st piece.
01:20:11And one will reign up for every first week.
01:20:13Take that 1st piece of art.
01:20:15... put that a great finish.
01:20:17One will come out and leave the next piece.
01:20:20The designer who will challenge you today and will be ready for the next week of Hasana is Meysa.
01:20:33Thank you!
01:20:37Thank you, Meysa.
01:20:38Thank you very much.
01:20:39Thank you, Meysa.
01:20:41Thank you, Meysa.
01:20:44You're really beautiful.
01:20:46I'm happy to see your realizations in the future.
01:20:50Thank you very much, Meysa.
01:20:55Good luck.
01:20:56One, I have to do something negative.
01:21:00We can always be able to do better.
01:21:02And we can tell you the last week, we have the remarks.
01:21:07I have the remarks about this last week.
01:21:22The second message I will continue with us is...
01:21:28Wallyd.
01:21:30Thank you very much.
01:21:35Wallyd.
01:21:36Thank you very much.
01:21:37I love you.
01:21:38I hope you will be better.
01:21:40I hope you will be better.
01:21:41I hope you will be better.
01:21:42Especially in the harmony of the colors.
01:21:44It's very important.
01:21:45We don't know what colors he will say.
01:21:48I hope you will be better.
01:21:49If you see a young man, you will be able to make us better.
01:21:53But you will be better.
01:21:55Thank you, Meysa.
01:21:56Thank you, Meysa.
01:21:58Thank you, Evelyn .
01:21:59Thanks.
01:22:01Give me more time.
01:22:02Thanks.
01:22:07Good.
01:22:08Good.
01:22:09Good.
01:22:10Bye-bye.
01:22:11Beautiful.
01:22:12Nice.
01:22:13I canÁ MÀ centralized much more.
01:22:16It's open to them!
01:22:21Guys, you can do this.
01:22:22You can come back and perform with you,
01:22:26That's it.
01:22:29Here, Validha.
01:22:30No, he won't.
01:22:31If the final day, Validha.
01:22:33This is the second.
01:22:36The stress.
01:22:37It's the stress.
01:22:39I'm shocking.
01:22:41Why do you think about it?
01:22:42No idea, Validha.
01:22:43It's the second.
01:22:45It's the second.
01:22:46It's the first.
01:22:49I am not an painter with my wife.
01:22:51Today, I'm going to be honest with you.
01:22:54Unfortunately, it's going to change the project runway in Gazeera.
01:23:00And this designer is...
01:23:07Nooha.
01:23:09I'm really sorry, Nooha.
01:23:12I know you before you come here.
01:23:14I really like you.
01:23:17I love you as a person.
01:23:20I love you as a person.
01:23:22I love you as a person.
01:23:24I don't know if you can't even know...
01:23:26I don't know if you're a person.
01:23:28I don't know if you're a person.
01:23:30And you don't know what the future is.
01:23:32I love you.
01:23:34I love you from my heart.
01:23:36I love you.
01:23:38I love you.
01:23:40I love you.
01:23:42The project runway is the start.
01:23:44This is the start, which will bring you all the things.
01:23:46I love you from my heart.
01:23:48I don't know how many people are.
01:23:50And we're here to judge.
01:23:52We have a victory.
01:23:53I don't want you to challenge this.
01:23:55But I'm sure.
01:23:56If you're ready, we'll be ready.
01:23:58We'll give you a thousand congratulations.
01:24:00Thank you very much.
01:24:06.
01:24:08.
01:24:11.
01:24:13.
01:24:15Thank you very much.
01:24:17I gave you a feeling in this moment,
01:24:21I gave you something that I gave you.
01:24:23So I can't understand what I wanted to do.
01:24:27But I gave you 100% of it.
01:24:31We'll give you the right time.
01:24:33We'll see you soon.
01:24:35Peace be upon you.
01:24:37Peace be upon you.
01:24:39Peace be upon you.
01:24:41How are you?
01:24:43How are you doing?
01:24:45How are you doing?
01:24:47You're still in the adventure.
01:24:55You're welcome.
01:24:57You're welcome.
01:24:59You're welcome.
01:25:01We live once again in life.
01:25:03So, any one has a dream
01:25:05that you're stuck with it.
01:25:07It's hard.
01:25:09I'm shocked.
01:25:11You're welcome.
01:25:13You're welcome.
01:25:15You're welcome.
01:25:17You're welcome.
01:25:19You're welcome.
01:25:21You're welcome.
01:25:23It's good.
01:25:25It's fun.
01:25:29I've been with the designers
01:25:31very close.
01:25:33you're welcome.
01:25:35I was happy to say that
01:25:36I felt a long time.
01:25:39Why are you doing it?
01:25:41What are you doing?
01:25:43You are welcome.
01:25:46I'm happy.
01:25:47I'm happy.
01:25:48I'm happy.
01:25:49I'm happy.
01:25:50I'm happy too.
01:25:51I'm happy.
01:25:52I'm happy.
01:25:53You're happy.
01:25:54We have a new project in the city.
01:25:56Every day, we have a new day.
01:25:58If you're scared, I can't wait for you.
01:26:01Okay?
01:26:02I'm going to give you an idea.
01:26:03I think the project is not easy.
01:26:06Bravo!
01:26:08We'll see you in the end, but I think I think you'll enjoy it.
01:26:12You'll enjoy it.
01:26:13Okay?
01:26:14Let's go back to my house.
01:26:16Thank you, designers.
01:26:28Let's go back to my house.
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