- 4 months ago
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00:00:005.
00:00:116.
00:00:15We are only asleep.
00:00:19We are too冷 and冷 and is cooling down...
00:00:24When we arrived in the city, I didn't know where we were going to be.
00:00:40We had a lot of project in the world, in the heart of the world.
00:00:47I really like the family life, and I really like it.
00:00:51We had a lot of experience in France.
00:00:58Welcome, welcome.
00:01:00Hello.
00:01:03Designers, welcome to the 3rd of the project in the world of the world.
00:01:07It will give you the right direction to the future.
00:01:10You'll be happy in your mind.
00:01:12Are you happy?
00:01:16I'm confident that my family, Ryan Atlas, will be happy with you.
00:01:21Thank you very much.
00:01:23Good morning, designers.
00:01:24Good morning.
00:01:25Good morning.
00:01:26Thank you very much.
00:01:28Thank you very much.
00:01:29Thank you very much.
00:01:30Thank you very much for the 3rd of the episode.
00:01:32It's okay.
00:01:33I'm fine.
00:01:34When I was in the second class, I was the 2nd of the best stylists.
00:01:37I was really happy with the candidates.
00:01:39I was really happy.
00:01:40I was really happy.
00:01:41Good luck designers.
00:01:42Good luck designers.
00:01:43Good luck designers.
00:01:44Thank you very much.
00:01:45Good luck designers.
00:01:46Good luck designers.
00:01:47Good luck designers.
00:01:48Good luck designers.
00:01:49Thank you very much.
00:01:50Good luck designers.
00:01:51Good luck designers.
00:01:53Good luck designers.
00:01:54in the same level and more.
00:01:56And this is the purpose of the project renewal of the city.
00:01:59We need to make it more.
00:02:01Bravo! It gives you the right way. Good luck designers.
00:02:08As you can see today, I'm in the heart of the city of Jazeera,
00:02:10in the most popular popular city of Babelwood,
00:02:13which is known by her beloved people.
00:02:14Just, when we were close to Babelwood,
00:02:16we were talking about what was in Babelwood,
00:02:18and what was in Babelwood.
00:02:19We didn't forget about a palace or a museum
00:02:21or something political or historical,
00:02:23in the city of Jazeera.
00:02:25We're here in this room,
00:02:26and in the heart of Babelwood,
00:02:27what are you going to do today?
00:02:28Yes.
00:02:29But before we start,
00:02:31let's get started with us.
00:02:33In this series,
00:02:35we're talking about the famous and famous
00:02:37who are famous for his films and his love for the fashion.
00:02:44We'll see you all in the last film,
00:02:46which is the whole day of Jazeera.
00:02:48Do you know what's going on?
00:02:50We'll see you...
00:02:51Ahmed Zeytouni!
00:02:53Woo!
00:02:59Ahmed Zeytouni,
00:03:00it's a person who can wear it over
00:03:03and I don't know what's going on.
00:03:04And it's a person who understands the taste.
00:03:08Welcome to you!
00:03:09Welcome to you!
00:03:10Ahmed Zeytouni has a special style
00:03:12and modern style.
00:03:14Welcome to you!
00:03:15Welcome to you!
00:03:16Welcome to you!
00:03:17Welcome to you, Ahmed Zeytouni.
00:03:20Zeytouni.
00:03:20Zeytouni.
00:03:20Zeytouni.
00:03:21Zeytouni.
00:03:23Zeytouni.
00:03:24Zeytouni.
00:03:25Zeytouni.
00:03:26Zeytouni.
00:03:28Zeytouni.
00:03:29Zeytouni.
00:03:30Zeytouni.
00:03:31Zeytouni.
00:03:32Zeytouni.
00:03:33Zeytouni.
00:03:34Zeytouni.
00:03:35Zeytouni.
00:03:36Zeytouni.
00:03:37Zeytouni.
00:03:38Zeytouni.
00:03:39Zeytouni.
00:03:40Zeytouni.
00:03:41Zeytouni.
00:03:42Zeytouni.
00:03:43Zeytouni.
00:03:44Zeytouni.
00:03:45Zeytouni.
00:03:46Zeytouni.
00:03:47Zeytouni.
00:03:48Zeytouni.
00:03:49Zeytouni.
00:03:50Zeytouni.
00:03:51Zeytouni.
00:03:52Zeytouni.
00:03:53Zeytouni.
00:03:54Zeytouni.
00:03:55Zeytouni.
00:03:56Zeytouni.
00:03:57Zeytouni.
00:03:58Zeytouni.
00:03:59Zeytouni.
00:04:00Zeytouni.
00:04:01Zeytouni.
00:04:02Zeytouni.
00:04:03Zeytouni.
00:04:04Wow, La Fribe, Fribe!
00:04:07That's great!
00:04:08We're going to see her as well.
00:04:10She's very happy.
00:04:12She's very happy.
00:04:13She's very happy.
00:04:14She's very happy.
00:04:15First of all, it's a speciality.
00:04:17It's another one that works in La Fribe,
00:04:19and another one that works in La Fribe,
00:04:21and another one that works in La Fribe.
00:04:23As you can understand,
00:04:24the idea of the title is La Fribe.
00:04:26There are five minutes left in La Fribe,
00:04:28which are going to show you
00:04:30from all the colors and all the colors
00:04:32so that you can perform
00:04:34and you can show us a great
00:04:36La Fribe,
00:04:37we're going to say that
00:04:38it's recycling.
00:04:39It's a patchwork.
00:04:41It's a good idea.
00:04:42If you don't want to go,
00:04:43it's 15 kilos.
00:04:4415 kilos.
00:04:4515 kilos.
00:04:46I don't know what I mean.
00:04:47I think it's the hardest thing.
00:04:49I think it's the hardest thing.
00:04:51I think it's the hardest thing.
00:04:53I want to think of you
00:04:54as a teacher,
00:04:55as a teacher,
00:04:56as a teacher,
00:04:57as a teacher,
00:04:59and a teacher,
00:05:00as a teacher,
00:05:01and a teacher,
00:05:02who will give up
00:05:03the best to describe the man.
00:05:04Designers,
00:05:052,
00:05:063,
00:05:074,
00:05:081,
00:05:091…
00:05:10Go!
00:05:11Go!
00:05:12Go!
00:05:13Go!
00:05:16Go!
00:05:21The challenge is a little bit,
00:05:22like the first one.
00:05:23The other candidates
00:05:25were in the first one,
00:05:26but they were in the first one.
00:05:27They don't have the first one.
00:05:28They're in the first one.
00:05:29I couldn't really get in this restaurant,
00:05:31and this is very interesting.
00:05:33You know, we're all right.
00:05:33It's interesting.
00:05:35It's interesting.
00:05:35I mean, you know,
00:05:36you know, the reason you got to do it.
00:05:38You know that you've got to go.
00:05:38You know, I'm your boy.
00:05:39You know, you've got to go.
00:05:39If you want, I want to move on to go.
00:05:41You know, I want to move on to going out there.
00:05:42You know, you know,
00:05:43you have to move on.
00:05:44That's what I want,
00:05:45but I want to go.
00:05:47You know, because I'm a nice and easy to manage.
00:05:47I want to do a lot of trouble,
00:05:48and I want to move on to my house.
00:05:50I want to go and walk back and get back.
00:05:52I want to go and wear a box.
00:05:53I'm looking for a lot of clothes.
00:05:55I'm looking for a design design.
00:05:57Come on!
00:06:01When I started to get a Frip, I didn't have any idea.
00:06:04Be smart!
00:06:09We're going to start with the 5th of a day.
00:06:12We're going to start with this one.
00:06:13And we're going to start with this one.
00:06:15And I'm feeling like we're going to start.
00:06:18Designers, I'm not sure you're going to start with the process.
00:06:20When I was in the labirate, I used to select the colors that I like.
00:06:29I used to go to the blue jeans, and I used to go to the blue jeans.
00:06:44I used to go to the blue jeans, and I used to go to the blue jeans.
00:06:48Everything has something unique to the blue jeans, I used to go to.
00:06:51Go to the designers.
00:06:53Yes, yes, yes, yes.
00:06:54Yes, I mean.
00:06:55I have a lot of t-shirts and it's good, I'm glad they got it.
00:06:58But before this, I feel like the job is to put it in a hurry.
00:07:06Are you ready to go to the car?
00:07:07Once you get good.
00:07:08I want to go to the car.
00:07:09I got my best in the car and I feel like I need the car.
00:07:14So, if I get that car in there, I see that one car has been made for 12 kilos.
00:07:17You can't give 15 kilos.
00:07:19The designer doesn't give me 15 kilos.
00:07:21We're going to get the weight of the weight of the weight.
00:07:24So 15 kilos.
00:07:26How do you think?
00:07:27Oh, 100 kilos!
00:07:29100 kilos.
00:07:30100 kilos!
00:07:32I'm going to get it.
00:07:34I'm going to get it.
00:07:36I'm going to get it.
00:07:38I'm going to get it.
00:07:40Get it.
00:07:42I'm going to get it.
00:07:44I'm going to get it.
00:07:45One of the designers,
00:07:47I live 5 because of the weight of the weight of the weight of the weight.
00:07:49I put that weight on weight.
00:07:51After that, I spent a little bit of weight.
00:07:53I put that weight on weight and I put it on weight.
00:07:56What's the point?
00:07:58I got it.
00:08:005 kilos!
00:08:016 kilos?
00:08:035 kilos.
00:08:06It's the same thing.
00:08:09I won't push it.
00:08:10I won't push the weight!
00:08:1210, 9, 8, 7, 6, 5, 4, 3, 2, 1, stop!
00:08:37Stop, stop, stop, stop.
00:08:38Stop, stop, stop.
00:08:40Stop, stop, stop.
00:08:41We finished our decision very well.
00:08:43Because I already had a model in my head.
00:08:46I started to see all of them.
00:08:48It was a man, it was a chic, it was a class.
00:08:51Is it a world?
00:08:52World!
00:08:53World!
00:08:54Come on, come on!
00:08:55Come on, come on!
00:08:56Come on, come on, come on!
00:08:58Come on, come on, come on!
00:08:59Come on, come on, come on!
00:09:01Come on!
00:09:02Come on!
00:09:03Come on!
00:09:04Come on, come on!
00:09:05Come on, come on!
00:09:0711 kg!
00:09:08I'm a cat.
00:09:09Alright.
00:09:10Nice.
00:09:11What?
00:09:12Come on!
00:09:13What?
00:09:14You're right, I'm a cat.
00:09:15I'm a cat.
00:09:17I'm a cat.
00:09:18I'm a cat.
00:09:19I'm a cat.
00:09:20You're a cat.
00:09:21I'm going to tell you the truth.
00:09:23Yes.
00:09:24We're going to learn from you.
00:09:26You don't care.
00:09:27Right?
00:09:28Okay.
00:09:29Look at the truth.
00:09:32No, no, no, no.
00:09:33I'm not going to hide with you.
00:09:35No, no, no.
00:09:36It's a challenge for you today.
00:09:40Are you ready?
00:09:41Let's go.
00:09:42No, no, no.
00:09:43Let's go.
00:09:44Let's go.
00:09:45Let's go.
00:09:46No, no, no, no.
00:09:48We're going to learn from our people.
00:09:52And we're going to learn from this called Sashi.
00:09:56No, no, no.
00:09:57No, no, no.
00:09:58No, no, no.
00:10:01Let's go!
00:10:02What?
00:10:03Well, let's go.
00:10:04No, no, no.
00:10:06No, Amy, close your маленькая answer.
00:10:08Let's go.
00:10:09I've been wanting to go with you.
00:10:11I was really shocked by myself.
00:10:14The color of the color is not so much.
00:10:17I don't want to mix the colors so I'm going to go a little bit, but I don't want to.
00:10:23Welcome to the Project Runway DZ.
00:10:30I'm a little young man and I'm doing this challenge with three difficulties.
00:10:37This is the man, the free price, and the bag change.
00:10:43I started to cry and I started to cry, because it's really difficult for me to get rid of the colors.
00:10:52I mean, the contrary is that it doesn't use colors.
00:10:57I don't want to use colors in the world.
00:10:59Hey, designers, why are you doing this challenge?
00:11:03I was doing this challenge.
00:11:05I was doing this challenge.
00:11:07I was doing this challenge.
00:11:09I was doing this challenge.
00:11:10Why are you doing this?
00:11:12Why are you doing this challenge?
00:11:13I don't like them.
00:11:14I don't like them, I don't like them.
00:11:17Look at designers!
00:11:19Who are you?
00:11:21Who do you want?
00:11:22I want to take care of you.
00:11:24I hope you are with my family.
00:11:27Right?
00:11:28Designers, I feel you.
00:11:30I don't want to know much.
00:11:31Unlike the other hand, I actually tried to push you on the front.
00:11:34So you can tell us how you want to know
00:11:36that everyone is the best designer in the Project Runway DZ.
00:11:40Good courage and hard luck!
00:11:42Thank you very much!
00:12:12with a lot of responsibility,
00:12:14even though I don't know how to work for men's creation.
00:12:23When we entered the atelier and saw the paintings that I had,
00:12:26I said,
00:12:27I'm going to focus on this is the truth.
00:12:29I'm going to go back to the reality,
00:12:31and I'm going to show you how to design it.
00:12:35The challenge is very difficult to make a masterpiece
00:12:38and we don't want to change the paintings
00:12:40and we don't want to change the quality of it.
00:12:43It's very difficult to make a masterpiece.
00:12:52The objective of this week is to surprise
00:12:55the leaders of the government
00:12:57and to surprise our citizens,
00:12:58the Ahmadi Zaytoni.
00:13:02Look at me, Michelle.
00:13:03It's orange.
00:13:04Why did you leave me?
00:13:06I'm going to go with you.
00:13:07You're good.
00:13:09You're good.
00:13:11I'll put it on my hand so we can work on it.
00:13:14I don't want to make any answers.
00:13:19What's your name?
00:13:21What's your name?
00:13:23I'm stressed.
00:13:25I'm a little nervous.
00:13:27I stopped the time.
00:13:28I didn't know how to marry them.
00:13:30I didn't know how to marry them.
00:13:37Good morning, designers.
00:13:39Good morning.
00:13:40Good morning.
00:13:41I'm a freshman in the third time.
00:13:44I'm very proud of you.
00:13:46I'm proud of you.
00:13:47I'm proud of you and I'm proud of you.
00:13:49The challenge of you today was very difficult.
00:13:52I took the 5 minutes and I didn't change the 15 kg.
00:13:56It's very difficult.
00:13:57It's very difficult.
00:13:58The problem is that I'm not going to buy them.
00:14:00I'm not going to buy them.
00:14:04I'm proud of you.
00:14:05I'm proud of you guys.
00:14:06I'll be proud of you.
00:14:07Good morning.
00:14:08Good morning.
00:14:09I'm ready for you.
00:14:10And we'll take care of something.
00:14:12You will be able to get some new things.
00:14:14But with all of us,
00:14:15we have to have a bad idea.
00:14:16But with a rule of luck,
00:14:17everyone should have to have a long way.
00:14:19Designers,
00:14:20we should have to give us a mention of the patchwork.
00:14:22We choose, as usual,
00:14:24the technique,
00:14:25the design,
00:14:26the finishing.
00:14:27Good luck, designers.
00:14:34I'm going to go with Mr. Rayan.
00:14:40I'm going to go with Mr. Rayan.
00:14:42I'm going to go with you.
00:14:44You're not obligated to use my patchwork.
00:14:46You're going to go to Alice.
00:14:52I'm going to go with the tic-tucca.
00:14:58I'm going to go with the patrón.
00:15:00The patrón.
00:15:01The patrón.
00:15:02The vest that I'm going to go with.
00:15:05And I'm going to go with the decouple that I'm going to go with the vest.
00:15:10The objective of my journey is to be in the project Runway in the city.
00:15:17This is one that I feel like I'm going to go with the project Runway.
00:15:20And the project Runway is strong.
00:15:22And I'm going to go with, like I said,
00:15:24I'm going to go with the project Runway.
00:15:30I'm going to go with the gems.
00:15:33I'm going to go with the new gems.
00:15:35I'm going to go with the new ones,
00:15:37and I'm going to go with the new ones and the new one.
00:15:39The new ones are going to go with lots of pieces.
00:15:50I have the idea that we have a new one.
00:15:52This is a new one,
00:15:53a new one.
00:15:55With accessories.
00:15:57It's a lot of food.
00:15:59I can't remember that.
00:16:01I started my thinking.
00:16:03It's a lot of food to me.
00:16:05I don't know how much food you were.
00:16:07But the problem is to take care of the food.
00:16:09But I think it's very difficult.
00:16:15My mum Suáid,
00:16:17I decided to make this dog a little more,
00:16:19and I decided to make it a little bit better.
00:16:21I used to make this dog a little bit better.
00:16:23I had to make it a little bit better.
00:16:25still
00:16:34should
00:16:39The logo of the Yalu is not the same as it is.
00:16:41The logo of Yalu is not the same as it is.
00:16:45He has a very good idea.
00:16:48He has a good idea.
00:16:54He is the first one.
00:16:56He is the first one.
00:16:58He is the first one.
00:17:09The women with little girls, they don't work with the men.
00:17:36I had a lot of fun at the end of the week, and I got a lot of fun.
00:18:06It came up with a nice年 and a nice career.
00:18:11I love you.
00:18:18I love you.
00:18:19I love you too.
00:18:23I love you too.
00:18:26I love you.
00:18:36.
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00:22:23Yes, it's easy for me.
00:22:26The idea of the pantalon is under here.
00:22:29Thank you very much.
00:22:30Something that we can see here,
00:22:32is how we can adjust the pantalon to make it easier.
00:22:35It's not easy.
00:22:38The vest.
00:22:40You can go back to the technique or go back to the top.
00:22:43What do you feel?
00:22:45The model is under the front.
00:22:47The technique is under the other side.
00:22:49The idea of this is a lot.
00:22:50Yes.
00:22:51The model is under the top.
00:22:54You have to put your head in front of the top.
00:22:59The technique is under the top.
00:23:01Yes, it's fine.
00:23:03Thank you very much.
00:23:05Thank you very much.
00:23:06Mr. Ryan, I was very happy.
00:23:09He said,
00:23:10bravo, bravo.
00:23:12He said,
00:23:13you're going to be able to make a video.
00:23:15He said,
00:23:16you're going to be able to make a video.
00:23:19Why not?
00:23:21Why not?
00:23:23I sang the Otherwise,
00:23:24I said,
00:23:25you're going to be able to make a video.
00:23:27You're going to be able to make a video.
00:23:28Turn it up.
00:23:29Why not?
00:23:30You're going to make the video.
00:23:33This is the cube.
00:23:35It's because
00:23:36the shape of the image is the shape of the triangle,
00:23:39and the shape of the triangle are square and triangle.
00:23:43You can get a form easy to make it.
00:23:45It's easy to make itar down.
00:23:47You're going to use it.
00:23:48You said why?
00:23:49No, you're not going to do anything.
00:23:52I'm thinking of the table.
00:23:54This is the shape of the table.
00:23:55How do you want to put it?
00:23:56Yes.
00:23:56Why don't you use it?
00:23:57How do you want to use it?
00:23:58How do you want to wear it?
00:24:01Why?
00:24:01I want to wear it as you want to wear it.
00:24:04I wanted to wear it.
00:24:06I wanted to wear it.
00:24:07I want to wear it.
00:24:09Why don't you want to wear it?
00:24:12I want to wear it.
00:24:16I want to see what you're going to tell me.
00:24:18It's right, the runway.
00:24:20Okay?
00:24:20I want to wear it.
00:24:22Do you want to wear it?
00:24:24Do you want to wear it?
00:24:25No, I want to wear it or not.
00:24:26I want to wear it.
00:24:29Mr. Ryan, you're going to give me some advice.
00:24:31He gave me a few advice,
00:24:33and I hope it will give you the rules of the creation of it.
00:24:39Let's see.
00:24:40Let's see the descent of it with your hands.
00:24:45I want to wear it.
00:24:47Do you have any material?
00:24:50I didn't want to wear it.
00:24:52I don't want to wear it.
00:24:54I don't want to wear it as a quality.
00:24:56I just wanted to wear it as a quality.
00:24:59I did work with this.
00:25:00I had to make a lot of color.
00:25:05I didn't have a lot of color.
00:25:08I decided to go to the next one.
00:25:12I wanted to go to the next one.
00:25:14That's what I wanted to do.
00:25:15Yes, where is it?
00:25:16What do you want?
00:25:17I feel like you're good.
00:25:19I'm good.
00:25:21You're not good.
00:25:23You're not good.
00:25:25This is the concept.
00:25:27This is the concept.
00:25:29It's not easy.
00:25:31Everything is unique.
00:25:33And this is the challenge.
00:25:35How do you choose the best?
00:25:37What do you have here?
00:25:39Let's see what you have here.
00:25:41You can see what you have here.
00:25:43You can see what you have here.
00:25:47What do you have here?
00:25:49Put the material.
00:25:51Let's go back to the next one.
00:25:53Is it right?
00:25:54Let me show you how they are.
00:25:56I'm happy.
00:25:57I didn't show you how it was.
00:25:59I have confidence.
00:26:00I have a good feeling.
00:26:01I'm happy.
00:26:02I'm happy.
00:26:03I'm happy.
00:26:04Can you have a good feeling?
00:26:05I'm happy.
00:26:06I'm happy.
00:26:07I'm happy.
00:26:08Let's go back to the house.
00:26:10Yes, thank you.
00:26:11Thank you very much.
00:26:12That's right.
00:26:20I came here for the first time.
00:26:23I said, it's normal.
00:26:25It doesn't work anymore.
00:26:26But I said, I see the tissue that I have and it doesn't work.
00:26:30I said, it's like a hair.
00:26:33I said, thank you for that.
00:26:35I didn't see any of them.
00:26:42I said, it's not.
00:26:44You're not able to do it.
00:26:46But tell me.
00:26:47You don't even know what you're doing.
00:26:49It's a very small thing.
00:26:53It's all right.
00:26:57How are you, Menel?
00:26:58Where are you?
00:26:59I have a meal.
00:27:01I'm going to take the water.
00:27:03I'm going to take the water.
00:27:06I'm keeping the water on the water.
00:27:09Can I talk about the water?
00:27:10I'm going to take the water.
00:27:11I'm going to take it off.
00:27:12I also found some hands.
00:27:13But I thought, we learned how to make it a little bit.
00:27:16But, I'm going to play with the metal.
00:27:20I'm going to use this method for the equipment.
00:27:22I changed my hand.
00:27:24I'm going to continue to get it here.
00:27:25Even after that.
00:27:26But I'm not going to work.
00:27:27I'm going to take my hand and stop it.
00:27:30I'm going to go ahead and make it a little bit.
00:27:31I'm going to do the materials I have to come out.
00:27:32My parents, my parents, and all of us who talk about the Torah,
00:27:39were always able to recycle their clothes for their children,
00:27:46because they were poor, and they didn't have many materials.
00:27:49So I wanted to remind you of this,
00:27:52through the story that will be modernized in this way.
00:27:57It's a strong idea
00:27:59about how much time is needed?
00:28:03I'll let you know this one last thing.
00:28:06I'm trying to think about it.
00:28:09You wouldn't like to keep it in mind.
00:28:11You'd like to keep it in mind when you keep it in mind.
00:28:16You wouldn't like to keep it in mind.
00:28:19I'd like to keep it in mind as the best of the book.
00:28:24I'm hoping to keep it in mind.
00:28:26Let's go to your house and go to your house.
00:28:28Okay?
00:28:29Let's go to your house.
00:28:31When I was looking at the house, I was worried that I didn't finish the time.
00:28:38So I wanted to continue with the house, and I can assure you.
00:28:42I can assure you.
00:28:44How are you, Amin?
00:28:45Where are you?
00:28:46So, I wanted to go to the house and the materials.
00:28:50So, I wanted to go to the house and the materials.
00:28:53So, I wanted to go to the house.
00:28:55It's all about the model.
00:28:56The model is a vest, a costume, a mesh classic and a mesh sport.
00:29:02The chic sport.
00:29:04So, what are you talking about?
00:29:07I usedais very large that I changed.
00:29:11I used to have a square bed.
00:29:14I used to be structural.
00:29:19I used to wear a vest so that I could wear a dress.
00:29:23Do you have a patch?
00:29:53It's a small detail.
00:29:54You can put it in the center or the center.
00:29:56It's just to make a mix between the blue and the t-shirt
00:29:59and the orange and the other.
00:30:01Because the vest, I don't want to go into the blue for the moment.
00:30:04As you can see, it's orange.
00:30:06Orange is degraded.
00:30:08Orange.
00:30:09We already have a lot of techniques.
00:30:13Like the colors, the patch, the gown, the mirror.
00:30:19Do you understand?
00:30:20Yes.
00:30:21Yes.
00:30:22Yes.
00:30:23Yes.
00:30:24Yes.
00:30:25Good luck.
00:30:28We need to use the ZDF for the model.
00:30:33So you don't want to go out of the subject.
00:30:37I didn't use the design.
00:30:40So I prepared the base patron.
00:30:43Then we start to change the colors.
00:30:49the cordiali and the…
00:30:54the ticsy.
00:30:55You don't want to get in here, no?
00:30:57Yes.
00:30:58What are you talking about?
00:30:59What are you talking about?
00:31:01What are you talking about?
00:31:03God, I got hurt.
00:31:05What am I doing?
00:31:08I'm hitting the camera for you.
00:31:10I'm hitting my hand.
00:31:12I'm still going to cut and I'm not going to finish the cutlery
00:31:19It's going to be a lot of time but it's going to be a piece of it
00:31:23This is it
00:31:25I started my own style with one of the one I didn't want to
00:31:30I started my own style
00:31:32I'm not going to do it, I'm not going to do it
00:31:34I'm working on my own
00:31:36I'm working on my own
00:31:38But I'm going to go to the orange
00:31:42I'm looking at the red carpet
00:31:44I'm afraid
00:31:46I'm so afraid
00:31:48I'm going to leave it
00:31:50I'm not going to leave it
00:31:52I'm not going to leave it
00:31:54I didn't find the crap
00:31:56I'm still looking at the back
00:31:58I didn't have any other stuff
00:32:00I can't do it
00:32:02I don't care
00:32:04I'm going to leave it
00:32:06Good morning
00:32:08Good morning
00:32:10I'm going to talk about the design
00:32:12I'll use a lot of work.
00:32:16I use a plastic bag for a plastic bag.
00:32:21I don't have a cup.
00:32:25I have a cup in my house.
00:32:26Okay.
00:32:27I'm going to go to the store.
00:32:28I'm going to go to the store.
00:32:31I'm going to go to the store in the store.
00:32:34I'm going to go to the store.
00:32:36I don't have any issues with our culture.
00:32:39I'll go to the store.
00:32:41I'm going to use the krafton.
00:32:45The krafton will be a pantalon.
00:32:49I'll use the krafton.
00:32:51It's a little bit.
00:32:53It's a little bit.
00:32:55And the munch will be...
00:32:56Do you want to use the krafton?
00:33:00You know, the krafton is a material.
00:33:03Yes.
00:33:04Do you understand?
00:33:06I want to use the krafton to be rigid.
00:33:11You can invest in the krafton.
00:33:14We want to see the krafton with the krafton,
00:33:17the krafton of the krafton and the krafton of the krafton.
00:33:20The material we can use is the krafton of the krafton of the krafton.
00:33:24As I said earlier, you have many ideas
00:33:27that you don't forget the time to spend your time.
00:33:29Yes, I'll do it.
00:33:30Yes, I'll do it.
00:33:31Thank you, thank you.
00:33:33I saw my opinion.
00:33:34What did you say to me?
00:33:35What did you say to me?
00:33:36How did you say to me?
00:33:37I saw it that it was the color of the krafton.
00:33:39What did you say to me?
00:33:41What did you say to me?
00:33:43How did you say to me?
00:33:43Thanks.
00:33:45Today, my model is a sweater,
00:33:47in a Jewel Service,
00:33:48in a weren't murdered in a
00:34:09So I wanted to make these colors, beige, red, and these colors.
00:34:15And then I decided to make a patchwork for the military motif.
00:34:20That's what I wanted to do.
00:34:23Can't you see the top from the top?
00:34:26Can't you see the top from the top?
00:34:28Can't you see the top from the top?
00:34:29Can't you see the top from the top?
00:34:31Can't you see the top from the top?
00:34:34No?
00:34:36I didn't see that.
00:34:38I got this other job.
00:34:40I really enjoyed this job.
00:34:44I really enjoyed it.
00:34:46But I have a lot of material to fix them and not see them.
00:34:51You can see here, there are holes.
00:34:53How do you see these holes here?
00:34:56They can see the material here.
00:34:58They have a lot of material to show them.
00:35:01They don't see them.
00:35:03They don't see them.
00:35:05They don't see them.
00:35:07They don't see them.
00:35:08They don't see them.
00:35:09Let's go.
00:35:10Thank you, Mr.
00:35:12I've done it one of my first time.
00:35:16I enjoyed it with that, because of the military motif.
00:35:21I enjoyed it a lot.
00:35:22I'm sorry about this, but I don't have many costs.
00:35:25I don't have much amounts of weight, so it's very expensive.
00:35:31How are you?
00:35:32Hello, Ryan.
00:35:33How are you?
00:35:34How are you doing?
00:35:35Where are you going?
00:35:36I'm going to work with you.
00:35:38We're working on the handshake.
00:35:40Okay.
00:35:41We're going to do the symmetry of what we're doing.
00:35:44We're working with the best tools.
00:35:47We're going to work with the patchwork.
00:35:48We're going to develop the patchwork.
00:35:50We're going to create a new image
00:35:52and we're going to work with the patchwork.
00:35:55We're going to work with each piece
00:35:57and we're going to work with these new techniques
00:35:59and we're going to work with each piece
00:36:01and then we're going to work with each piece.
00:36:03Do you see this time in your head?
00:36:05Right.
00:36:06This is the biggest problem.
00:36:07This is the time.
00:36:08I think we're going to work with these efforts.
00:36:12I'm afraid of you, but I don't think I'm afraid.
00:36:14I'm afraid it's going to be better,
00:36:16but the time is not going to work.
00:36:18Okay.
00:36:19Let's go.
00:36:21How are you doing, Mr. Ryan?
00:36:23For the first time you've experienced the creation
00:36:26I'm happy with coalition the previous one.
00:36:29I could clearly outline the creation of thatth phase.
00:36:31Without the previous one,
00:36:32I think, about every single technique.
00:36:33I wouldle Saya to launch
00:36:35the new one.
00:36:39I know and everything.
00:36:40I'm going to cut it out but I can don't cut it out.
00:36:43Three, two.
00:36:44Two patch.
00:36:45The, that's it.
00:36:47It's the way ahead.
00:36:48This is the same.
00:36:50doctor, doctor, doctor.
00:36:51I'm going to consigo...
00:36:55I'm going to show you how to get the model of the APPRES.
00:37:00What's up?
00:37:01How are you?
00:37:02Hello, my name is APPRES.
00:37:03I am here to show you the model of APPRES.
00:37:07How did you choose?
00:37:08I was able to cut the pieces to see APPRES,
00:37:12and how do I get the details and the details of the APPRES?
00:37:15So I can understand what I can do in the model that I created.
00:37:19What did you choose to make?
00:37:21I have a lot of them.
00:37:23I have a lot of things, but I wanted to use it as much as possible to make it a bit more simple.
00:37:31I don't want to use it as much as possible, but I don't want to use it as much as possible.
00:37:35I think I have a lot more.
00:37:37Is it the risk?
00:37:39The risk is that it can be done and it can be done.
00:37:42Exactly.
00:37:43That's why I don't want to use it as much as possible.
00:37:47I want to use it as much as possible so that we can do it.
00:37:52Do you want to use it as much as possible?
00:37:54I have three pieces.
00:37:56I have a chemise and a gilet style corset.
00:38:02I like to use it as much as possible.
00:38:04I like to use it as much as possible.
00:38:06Do you have any cordons?
00:38:07Exactly.
00:38:08I have many cordons and many cordons.
00:38:10I have a piece with this piece.
00:38:14I want to use it as much as possible.
00:38:16The chemise has a double cord.
00:38:18The second one is what we have to do.
00:38:20The first one is what we have to do in the dental one
00:38:22so that we can automate the value of it.
00:38:24And that's what we have to do with it.
00:38:26I don't have much support within the last part.
00:38:27I don't want to use it as much as possible.
00:38:28I don't want to do that in the last part.
00:38:29So the second one is what we have to do.
00:38:30It is the previous one is not to do that for me.
00:38:31and the rest of it was the same as I didn't want to make a lot of money.
00:38:34You can see that in the third, you can go with you.
00:38:36Exactly, that's the problem.
00:38:38The challenge is the first one for me.
00:38:41It was very difficult.
00:38:43I don't know what you can do or what you can use.
00:38:47How do you feel like you're doing?
00:38:49Do you want to make a young man?
00:38:51Or do you want to make a corset?
00:38:53I'm a generalist, I'm not going to work with the men.
00:38:56This is a challenge for me.
00:38:57I don't like to forget it.
00:38:59Is it difficult?
00:39:00It's not difficult, it's not difficult.
00:39:03It's not difficult.
00:39:04I'm not going to work with something new.
00:39:07But I'm going to make a lot of money.
00:39:10I'm going to make a lot of money.
00:39:12I'm going to make a lot of money.
00:39:14I'm going to make a lot of money.
00:39:16Good luck, Zeno.
00:39:19When I was looking for the idea of the real thing,
00:39:24I saw the idea of the idea that I was thinking.
00:39:26I was very happy.
00:39:28I'm not going to make a lot of money.
00:39:30I'm going to make a lot of money.
00:39:32I'm going to make a lot of money.
00:39:33I'm going to make a lot of money.
00:39:35It's the designers.
00:39:37We're going to make a lot of money.
00:39:38I'll show you the right time.
00:39:40Let's go for it.
00:39:41Let's go to my side.
00:39:42I'm going to go to my house.
00:39:51Yes.
00:39:52How are you doing?
00:39:54Do you want me to go to my house?
00:39:55Ah!
00:39:56Why are you going to go to my house?
00:39:57What's up?
00:39:58No!
00:39:59What's up?
00:40:00What's up?
00:40:01What's up?
00:40:02Let me go, let me go.
00:40:04Yeah, that's right.
00:40:08What's up?
00:40:10Oh!
00:40:11Oh, my God.
00:40:13Oh, my God.
00:40:14Oh, my God.
00:40:16Oh!
00:40:21Hey, hey, hey, hey.
00:40:22I'm going to go.
00:40:23I'm going to go.
00:40:24This is a challenge.
00:40:26Did you get to go to my house?
00:40:28I'm going to go to my house.
00:40:29Why?
00:40:30When I finished, I'm going to go.
00:40:32I'm going to go.
00:40:33This is a cube.
00:40:34Yes, I'm going to go.
00:40:35I'm going to go.
00:40:36Okay.
00:40:37Okay.
00:40:38I'm going to go.
00:40:40Bye-bye.
00:40:41I'm going to go.
00:40:42No, no, no, no.
00:40:43We're going to go.
00:40:44I'm going to go.
00:40:45I'm going to go.
00:40:46No, no.
00:40:47I'm going to go.
00:40:48Thank you very much.
00:41:02What do you think you're doing?
00:41:08This time, we need to be in the top.
00:41:10We need to be in the top.
00:41:18I don't have to be in the top.
00:41:21I don't have to be in the top.
00:41:22I feel that the top is difficult for me.
00:41:25I feel that this is difficult for me.
00:41:26I feel that it's difficult.
00:41:38I'm a concentrator.
00:41:40I'm a good model.
00:41:42I want to work well.
00:41:44I want to finish, as usual.
00:41:49The challenge didn't help me.
00:41:53The details were not used.
00:41:54I don't have to be happy with the suitors of my clothes.
00:42:06Good morning, designers.
00:42:07Good morning, Ayan.
00:42:08We have today the runway.
00:42:09We're going to be 15?
00:42:1017.
00:42:12We're going to be happy with you.
00:42:13We're going to be happy with you.
00:42:15So, good luck, designers.
00:42:48What's the time?
00:42:50I think I'm a bit tired.
00:42:53Do you want to get it in the time?
00:42:55Normal.
00:42:56I'm going to put a few patches on my back.
00:42:59But I'm going to see it, it's not going to get it.
00:43:03The finishing, we're going to get it.
00:43:05The double-up is the one.
00:43:07The one is the one.
00:43:08The one is the one.
00:43:09And the one is the one.
00:43:12The same motif.
00:43:14You're going to put the one on the back.
00:43:16I don't find the one.
00:43:18I don't find the one.
00:43:19I don't find the one.
00:43:20No.
00:43:21I don't find the one.
00:43:22I don't have a bit of the one.
00:43:23I know you're using 5-5.
00:43:25I'm going to get the one on the back.
00:43:28I'll keep it until the last minute.
00:43:30We'll be able to help us.
00:43:32I'll be able to help.
00:43:35Good luck.
00:43:36Hello.
00:43:37How are you?
00:43:38How are you doing?
00:43:39I've advanced in the vest.
00:43:42I'll keep it in the back.
00:43:44I'm still working on my nose.
00:43:46I'm still working on my nose.
00:43:47What?
00:43:48It's a movement with the skull.
00:43:50It's a little bit better.
00:43:52I put it on the palm of the palm.
00:43:54I put it on the capuche.
00:43:56I completed the capuche.
00:43:58You can see the colors.
00:44:00Do you want to wear them?
00:44:02Do you wear them?
00:44:03Yes, the capuche is going to put it on the head.
00:44:06So, the movement is going to put it a little bit.
00:44:08Super.
00:44:14I'll adopt a Halloween.
00:44:22Welcome, go ..
00:44:23Hello, as而veyn.
00:44:24He is fine.
00:44:26How do you see it to me'?
00:44:28Right?
00:44:29What do you want?
00:44:30I've made your Paymond Ter RICHARDS amazing ride.
00:44:32I'm ahead and used my cakes,es and ideas.
00:44:37I put them a green dog.
00:44:39I could make an 그림- Garden for plants,
00:44:41Great.
00:44:42I have a lot of work.
00:44:44This is a simple one, but we'll put it in the top.
00:44:48We'll put it in the top.
00:44:49If you buy it, leave it to you.
00:44:52You finished it?
00:44:53You're going to put it in the business.
00:44:55You're going to go back.
00:44:57Okay.
00:44:58I'm going to go back.
00:44:59How did you think?
00:45:00I'm going to go back.
00:45:01I'm going back.
00:45:02I'm going back.
00:45:03You're going back.
00:45:04You're going back.
00:45:05You're going back.
00:45:14I'm going back.
00:45:16Can you see you?
00:45:17How are you?
00:45:18How are you going?
00:45:19I'm ready to make the model go back.
00:45:21I'm going back the same thing.
00:45:23I put the pantalon in all things.
00:45:24The pantalon is completely full.
00:45:29And here we came into full print,
00:45:30because the details are really going to make up.
00:45:32By the machine.
00:45:35Good.
00:45:37Here we're going to do the same thing.
00:45:39I'm going to show you what we're going to do.
00:45:41Now, we're going to make the same thing.
00:45:42Here we go.
00:45:43Here we go.
00:45:44Here we go.
00:45:45What's this?
00:45:47What's this?
00:45:48Let's add it here.
00:45:50Let's add it.
00:45:51Let's add it a little bit.
00:45:54Let's add the flour.
00:46:12Let's add it to the next step.
00:46:16And I'll add it to the next step.
00:46:18So I'll add it to the next step.
00:46:25I'm not confident,
00:46:27but I'll add it to my maximum and increase it to my maximum.
00:46:31In-shallah, it will be great.
00:46:33I want to add Atlas to be a model that will have to do in Bali.
00:46:38It's okay.
00:46:39I'm advancing to the creation.
00:46:40I'm in retard, so the vest has a lot of time.
00:46:44So it doesn't take a long time to get the pantalons.
00:46:48I'm going to work on it.
00:46:58The length of your nose is perfect.
00:47:00Why don't you like it?
00:47:01Yes, I'm going to work on it.
00:47:03I'm going to work on it.
00:47:05I'm going to work on it and I'm going to work on it.
00:47:10The designers, I'll give you a few minutes.
00:47:22Active View.
00:47:23I was very stressed, but I was wondering, is there anything else I can do with it?
00:47:48It was really not my journey.
00:47:53I got to go to the new model, because I had to go to the A0, and I got to go to the A0.
00:48:04I was really stressed, I didn't say the new model, but it was a lot of details.
00:48:17It was a hard time for me.
00:48:23Designers
00:48:265
00:48:284
00:48:293
00:48:302
00:48:311
00:48:322
00:48:331
00:48:34C'est bonk.
00:48:35From the time I got you right.
00:48:36Bravo.
00:48:49My dear friends, I love you in the third year of the project Runway in Jazeera,
00:48:54in the culture of the culture of the Zakiriyah.
00:48:56Designers, welcome to you.
00:48:59Let's welcome to the LJNAT التحكيم.
00:49:01The artist Ahmed Zeytouni, welcome.
00:49:07My name is Meryem Abdel-Latay, welcome to you.
00:49:10Welcome to you.
00:49:12And Kareem Akroof, the best artist in Arabic.
00:49:15Welcome to you.
00:49:16Welcome to you.
00:49:18All designers are working to provide us an idea to show their personality.
00:49:23The idea is to let them be in, and then let them be out.
00:49:27This is a friend.
00:49:29It's not easy for the artist, and I will not be able to get out of it.
00:49:32We want to use them to use the makeup of the LJNAT.
00:49:36And let them be able to use the makeup of the LJNAT.
00:49:38This is the one that will represent us that they can perform the LJNAT.
00:49:40How are you doing?
00:49:41This is the one that will be able to choose the LJNAT.
00:49:42This is the one that will show up.
00:49:43Let's go!
00:50:44I looked at the front of the podium, I looked at how I was going to wear the mask, how I was going to wear the mask, how I was going to wear the mask.
00:50:54I looked at how I was going to wear the mask, how I was going to wear the mask.
00:51:24I looked at how I was going to wear the mask, how I was going to wear the mask.
00:51:26I looked at how I was going to wear the mask.
00:51:28I looked at how I was going to wear the mask, how I was going to wear the mask.
00:51:34I looked at the mask, and I looked at how I was going to wear the mask, and I looked at how it was going to wear the mask.
00:51:41I am looking forward to the podium.
00:51:48I got a lot of points to the podium.
00:51:50I felt very good to feel the same way.
00:51:53I was just happy.
00:51:55I was very happy.
00:52:11I saw the model that was just in the runway.
00:52:20I was stressed and was stressed.
00:52:23I was able to see the reactions to them.
00:52:411.
00:52:422.
00:52:433.
00:52:444.
00:52:454.
00:52:465.
00:52:475.
00:52:485.
00:52:495.
00:52:5010.
00:52:5110.
00:52:5211.
00:52:5321.
00:52:5422.
00:52:5522.
00:52:5622.
00:52:5723.
00:52:5825.
00:52:5923.
00:53:0024.
00:53:0125.
00:53:0225.
00:53:0325.
00:53:0425.
00:53:0525.
00:53:0625.
00:53:10I really appreciate it, I really appreciate it,
00:53:31with the cuttings, technique, the dosage of tissue,
00:53:34so I'm proud of you.
00:53:40As you know, I'm having a strong emotion that's equal to a serious question.
00:54:00I got a lot of action and I wasn't going to be able to do anything.
00:54:10I love the Tony Dialet, Mr. Paul Renouet.
00:54:33I found it simple compared to other Tony Dialet.
00:54:42.
00:54:47.
00:54:52.
00:54:54.
00:54:55.
00:54:56.
00:54:57.
00:54:58.
00:55:00.
00:55:01.
00:55:02.
00:55:03Alhamdulillah.
00:55:10Bravo!
00:55:12Bravo!
00:55:13Bravo!
00:55:18The designer, you can give us a good job
00:55:20for our job at the same time.
00:55:23Every person who is a member of his own
00:55:26and is the best way to do it.
00:55:29That's what I saw.
00:55:30It's amazing.
00:55:31It's time for you to get in and out of the way.
00:55:41What do you want to say?
00:55:42It's time for you to get in and out of the way.
00:55:47Are you ready?
00:55:48Let's start together.
00:55:50Kareem, tell me what's going on here.
00:55:52I want to show you the concept of...
00:55:55The combination?
00:55:56The combination of noir and blanc.
00:55:58Everything was researched.
00:56:01It's a collection that has a lot of techniques...
00:56:05but it's ready to be able to wear it every day.
00:56:09What do you want to say to me?
00:56:11I think the piece was basic.
00:56:14As I said, it's ready to be able to wear it.
00:56:17It's beautiful, but without more.
00:56:20What do you want to say to me, Ahmed?
00:56:23I want to say that it's a combination.
00:56:27We're not a combination of clothes.
00:56:31I dye it on a lot since 7 years.
00:56:34I love new clothes.
00:56:36I also freely wear it.
00:56:37That's how I can wear this part in my shop.
00:56:42I can wear it on the table.
00:56:44So, it's a big deal that I wear.
00:56:46It's basic, but also that is good.
00:56:49Is there an order from Maysa?
00:56:51Mariem, tell me what's different.
00:56:52What do you want to do with Meisa?
00:56:54Meisa was very important to me,
00:56:56and I feel that the structure is a small piece.
00:56:59It's going to be a small piece,
00:57:00and it's going to be a small piece.
00:57:02I think that all the techniques of Meisa
00:57:04have worked on it,
00:57:05and it's very important to have a piece
00:57:07that's hard to understand all the people,
00:57:09but it's not simple.
00:57:12It's not simple,
00:57:13it's not simple.
00:57:14Goelinda, Ahmed?
00:57:16What I want to do with Meisa is
00:57:19one of the colors,
00:57:21because it's free,
00:57:23and it's not easy for everyone.
00:57:26And now,
00:57:27we don't have an impression
00:57:28about the CDPS
00:57:30that are free.
00:57:32And what I like is this costume,
00:57:34we can wear a character
00:57:37for a video,
00:57:38a film,
00:57:40a movie,
00:57:42a bivouac,
00:57:44a decoub of the costume.
00:57:46It's very good,
00:57:48and special for Meisa.
00:57:49Bravo!
00:57:50Bravo!
00:57:52Tours ta amine.
00:57:53Goely Mariam,
00:57:54charaik fa tassmint ta amine.
00:57:55Alors?
00:57:56L'idée ou la technique,
00:57:57c'était vraiment fort.
00:58:00Mais le modèle,
00:58:01c'est un modèle basique.
00:58:04Le modèle ta'a...
00:58:05Tandance?
00:58:06Mashi...
00:58:07Voilà, mashi...
00:58:08Mashi...
00:58:09Mashi...
00:58:10Mashi...
00:58:11Mashi...
00:58:12I mean, it's the leader of the technique that you work with.
00:58:16But it's nice.
00:58:18Ahmed, tell me, how are you going to do it?
00:58:20I've seen the model that you leave here.
00:58:22I said, I'm sure there's something to help me.
00:58:25And how to get back to the front.
00:58:27But the vest, it's a good thing.
00:58:29It's a good thing.
00:58:32It's a good thing.
00:58:33It's a good thing for me to do it.
00:58:35So, I hope he will continue to do it again.
00:58:39Bravo, Amin.
00:58:41Tell me, Karim, what's going on in the design of Amin?
00:58:43I'm Amin from the jazz today.
00:58:47Let's talk about the color.
00:58:49It's a good thing.
00:58:50It's a good thing.
00:58:52Everything was in harmony.
00:58:53I'm saying, Amin, bravo.
00:58:55I'm a man.
00:58:56I'm not surprised you, I'm not surprised you.
00:58:59Tell me, Ahmed.
00:59:01The design of Amin is working with the jeans.
00:59:04I've seen a lot of people who love the jeans.
00:59:07I love the design of the jeans because it's a lot of material in the design of the jeans.
00:59:12In the day, the recycling of jeans is a lot of material.
00:59:16But in a way, it can't be a lot of material.
00:59:21For example, if I use the material in the dress,
00:59:25I don't know what I'm doing.
00:59:27For example, the jeans from the bottom of the dress,
00:59:29I don't know what I'm doing.
00:59:30I don't know what I'm doing.
00:59:32I don't know what I'm doing.
00:59:33I'm going to be doing a little bit.
00:59:35I'm going to be doing a little bit.
00:59:36What's your name?
00:59:38What's your name?
00:59:40When you're doing a visual,
00:59:42I'm not shocked as Ahmed.
00:59:45In the visual, the design is good.
00:59:47You can see any young people in the dress.
00:59:50That's right?
00:59:50Yes, yes.
00:59:51I'm going to be a little bit.
00:59:52Yes, yes, I'm good.
00:59:53I think that's beautiful.
00:59:54It's original.
00:59:55Yes, yes.
00:59:56I tell you that the majority of them today
00:59:58will give them the right.
00:59:59I tell them that they will give them the right.
01:00:01So I'll put them on the side of the dress.
01:00:05You say, Meryem, what are you doing in the total look?
01:00:07Jeans.
01:00:08So, I'm not very fan of the dress today.
01:00:11I don't know much about it because the dress is not modern.
01:00:16It's a thing.
01:00:17Yes.
01:00:18But it's dressed for people who are 16 or 17 teenagers.
01:00:22It's not chic.
01:00:23So,
01:00:24Sohaid or the capuches?
01:00:26Sohaid or the capuches?
01:00:28Sohaid or the capuches?
01:00:30The capuches, it was super good.
01:00:32I like the volume and everything.
01:00:35It's very beautiful.
01:00:36The model, it was good.
01:00:39But the material, the colors, all of that,
01:00:44I would say it's a beautiful piece.
01:00:46The capuches were really beautiful.
01:00:50But the rest of the material, the colors, the flowers...
01:00:55No.
01:00:56I don't know what's going on.
01:00:58And here, Kareem, I don't want to talk about it.
01:01:00Today?
01:01:01The capuches, the harmonies...
01:01:03All of them are beautiful.
01:01:04Not to represent.
01:01:06The exact piece, the actor, the kind of body,
01:01:08We've got some stuff that we can do with.
01:01:11So, let's say Suad is the proof.
01:01:15It's right.
01:01:16Yes, it's right.
01:01:17Ahmed, how do you describe Suad?
01:01:19I'm going to describe Suad's design.
01:01:23I didn't have a lot of inkling in this design.
01:01:28Right.
01:01:29I think it's a good thing between the vase and the vase.
01:01:32It's a good harmony.
01:01:33It's a good thing between the water and the water.
01:01:36And in addition, we look very well at the capuch that I used to use for the mannequin.
01:01:42We took a huge size of the design.
01:01:46So there's something that bothers me about this design.
01:01:51But congratulations, bravo!
01:01:54It's able to surprise you.
01:01:57Thank you very much.
01:01:59The doctor's tour to Manel and the design.
01:02:01Tell me, Maryam, what do you like?
01:02:03Manel, it's a GMC.
01:02:05Yes, I like it. It's nice. It's fresh,
01:02:09it's contracted, there's a volume,
01:02:12it's just what we need.
01:02:13But there are some details.
01:02:15For example, I noticed that at the bottom,
01:02:19there was one, I don't know if it was exprès.
01:02:22Ah, that's right.
01:02:24I think it should be exprès.
01:02:25It's exprès, but there's a little difference.
01:02:28Either it's an ibane,
01:02:30or it's an ibane, so...
01:02:33Ahmed, what do you like to do?
01:02:34I think it's a good idea because it's an Arab costume futurist.
01:02:41That's right.
01:02:41So, in our pants, we call it Arab,
01:02:45you're wearing it in Gardaia, in Algeria, etc.
01:02:49So, I really liked this futurist,
01:02:54and it's been able to recycle the jeans.
01:02:58There's a lot of recycling in Africa,
01:03:00but we don't have the impression that it's really recycled.
01:03:02We have the impression that it's a very good thing.
01:03:04That's right.
01:03:05That's right, I love it.
01:03:07Kareem, I want to give a like on the description.
01:03:10What do you want me to say?
01:03:12I want you to say the right thing.
01:03:14I think there's a good idea.
01:03:15I think that these people,
01:03:42Let's go to the University of Fars.
01:03:46How are you doing?
01:03:48Look at you.
01:03:49I love you.
01:03:50I love you.
01:03:52I love you.
01:03:53I love you.
01:03:55You can see it in the face of the fabric.
01:04:00I know how to make the colors.
01:04:02Everything is perfect.
01:04:03So I like it.
01:04:04So I like it.
01:04:05Ahmed, I'm not sure how to do your own idea
01:04:08in the description of Fars.
01:04:09Tell me everything.
01:04:10Introducing the hair and I know where it is from.
01:04:16Because as I said I could never say you,
01:04:18I'll say that it's the hairstyle to less than the vest.
01:04:21I got to say, I want you to put a lot of work on the pants.
01:04:26And, It is hard to keep the fit of your skin from now.
01:04:30The weakness of the skin is, it's hard to say?
01:04:33It's hard to say?
01:04:35It's hard to say.
01:04:36It's hard to say, so it is always hard to say.
01:04:40Meryem, can you tell me, Firaic, is it in the comfort zone or not?
01:04:43Yes, in a sense.
01:04:45Yes.
01:04:46So, Firas is a good thing.
01:04:48It's very good.
01:04:52Because every brand needs to have it without style.
01:04:56So you can see this, it's the creator.
01:04:59It's great, it's a very important point.
01:05:01I like to go a lot more.
01:05:04I work with others.
01:05:08It's very good, but we have to give you some good ideas.
01:05:20I'll give you some good ideas.
01:05:21I'm a good design, I'm a good design, I'm a good design.
01:05:23It's Zinedine.
01:05:24Do you want me to take a look at you?
01:05:26I don't want to talk to you, I don't want to talk to you.
01:05:29I'm going to talk to you, I'm going to talk to you.
01:05:32Zinedine, I'm a good one.
01:05:34I don't want to talk to you.
01:05:38We're here.
01:05:42You're the one that's amazing, God.
01:05:44J'adore you.
01:05:46I really liked Zendin's model.
01:05:48I loved the details of the body, the back, the clothes...
01:05:55I don't know how to do this.
01:05:57How do you feel?
01:05:58It's original.
01:05:59It's very original, and I'm looking for it.
01:06:02But at the same time, it's not in an extravagance.
01:06:06A dress that normally feels very nice.
01:06:10It's soft.
01:06:11And with touches.
01:06:12I love it.
01:06:13So, bravo, Zendin.
01:06:14Bravo, Zendin.
01:06:15How much are you going to do?
01:06:17I'm going to create a lot of details.
01:06:20Whether it's the details of the clothes, the clothes, the colors, the colors.
01:06:26These colors are coming out of the shelf and the back of the shelf.
01:06:30You can see the colors coming out of the shelf and the back of the shelf.
01:06:33And this is a very good thing.
01:06:34Even the size of the top, the bottom, the bottom, the top.
01:06:38I'm going to make a special mention.
01:06:41Bravo, Zendin.
01:06:41Bravo, Zendin.
01:06:42Bravo, Rafiqa.
01:06:44What's up?
01:06:45What's up?
01:06:46I've never seen the look of this.
01:06:47I've never seen the look of this.
01:06:49I've never seen the look of this.
01:06:50I've never seen it.
01:06:51I've never seen it.
01:06:52I've never seen it.
01:06:53So, Rafiqa, the look that I've done...
01:06:56It's an interesting style.
01:06:58I don't know if you're already in the theme of the dress.
01:07:02That's right.
01:07:03It's a very simple thing.
01:07:04It's a simple color blue, a blue little hair, a pink pantalons.
01:07:08I don't see it.
01:07:09It does.
01:07:10I don't feel it.
01:07:11No, it's not in the theme.
01:07:13And then it's not modern.
01:07:14No.
01:07:15There, I'm saying, no.
01:07:18Can you tell me, what do you think about it or what do you think about it?
01:07:21I think that with the candidates who we saw today,
01:07:24we were able to understand the theme of the day.
01:07:27It didn't really understand the theme.
01:07:30I didn't really know it. I didn't really know it.
01:07:32I didn't really know it.
01:07:34There was a lot more capacity.
01:07:36We were able to understand the creation.
01:07:39The creation, the creation of it.
01:07:41The creation of it doesn't have to be bad.
01:07:43The creation of it doesn't have to be the inspiration from Picasso.
01:07:46I want to know you.
01:07:48It's a beautiful one.
01:07:50At the beginning, when I saw this hat, I was shocked.
01:07:54I think Picasso was the other one who saw the tablet and they were shocked.
01:07:57Ah.
01:07:58But the fact that we tried to understand the details,
01:08:04how to consider the hat,
01:08:06when it comes to the hat,
01:08:07when it comes to the hat,
01:08:09when it comes to the hat,
01:08:10when it comes to the hat,
01:08:11and it comes to the hat.
01:08:12It's a real project that I thought was a really good idea.
01:08:14It's a really good idea.
01:08:15Oh,
01:08:16cool.
01:08:17Tell me, Maryam, what do you think about the technique of the hat?
01:08:19Well, the hat,
01:08:20I'm going to create the design of it.
01:08:24We've been able to revisit it.
01:08:25It was a very good idea.
01:08:30it's a very nice style.
01:08:31So I love it.
01:08:32I think we've already had these things in our own.
01:08:33It's a very good idea.
01:08:34It's a very good idea.
01:08:35It's a very good idea.
01:08:36It's a very good idea.
01:08:37It's a very good idea.
01:08:38It's a very good idea.
01:08:39It's a very nice idea.
01:08:40So I love it.
01:08:41I love it.
01:08:42Bravo, WORD.
01:08:43Ahmoud, I want to know how to wear this painting.
01:08:47Yes, absolutely.
01:08:48Right?
01:08:49Yes, it's a piece that I can use in my house.
01:08:53I don't know, I don't know.
01:08:55I don't know, I don't know.
01:08:57This artist, Ward, is inspired by Picasso.
01:09:00Picasso is inspired by the women of Algeria.
01:09:02He's an Algerian, he's an Algerian.
01:09:04He's a designer, he's a designer,
01:09:06he's a designer,
01:09:07he's a designer,
01:09:08he's a cubism of Picasso.
01:09:11He's an intelligent man.
01:09:13Really, bravo, Ward.
01:09:14Yes, that's right.
01:09:15Bravo, Lihara.
01:09:22As a society, it was stronger and stronger
01:09:25in this tragedy.
01:09:27What is it?
01:09:28I'm going to finish the day of the week
01:09:29and what is it?
01:09:30I'm going to give you a statement
01:09:31so that we can use the rules.
01:09:33Ward.
01:09:38First.
01:09:42Wallyd.
01:09:46Salmania.
01:09:49Go to the runway for the runway.
01:09:50Designers are the best.
01:09:51Thank you very much.
01:09:52Thank you very much.
01:09:53Before you go,
01:09:54let's go.
01:09:55I'll see you again.
01:09:56I'll see you again.
01:09:57Ahmed, I want to tell you again.
01:09:59Designers, bravo.
01:10:00I've done a job with you, right?
01:10:02It's a great job.
01:10:03It's a great job,
01:10:04but you can do it.
01:10:06It's a great job.
01:10:07I'll just give you a special mention.
01:10:09Zeno and Maysa.
01:10:10I'll give you a special mention.
01:10:12I'll give you a special mention from my part.
01:10:15Bravo.
01:10:20Designer?
01:10:21cross-up design.
01:10:22We'll give you a special mention.
01:10:27How are you?
01:10:28You're in the job and together?
01:10:29I've done a lot more.
01:10:30And how do you look great?
01:10:31I'm coming to you.
01:10:32It's a great job.
01:10:34Are you with the model for you?
01:10:36Yes, it's the same one!
01:10:41How are you doing, Walid?
01:10:42How are you doing?
01:10:43It's fine.
01:10:43Thank you, I'm looking for you a little bit.
01:10:48Walid, when I wanted to show you the pattern,
01:10:53you understand the concept for you.
01:10:55The concept, yes.
01:10:56Today we have the challenge,
01:10:58we have a place with Amara Bouddoloj.
01:11:00I was inspired by you.
01:11:01I was inspired by you from the stairs to the place.
01:11:04When you are in the stairs,
01:11:07like a jean,
01:11:08like a blanch or a blanch of a blanch of a blanch of a ciel,
01:11:11we are able to do something related to architecture.
01:11:14We want to do something related to architecture,
01:11:16so that we can do something dynamic.
01:11:17When I did this,
01:11:18I was able to put them in the back of the pantalons.
01:11:22We were able to play with the colors,
01:11:24with the colors, black and black.
01:11:26When I did the pantalons,
01:11:29I did the back of the pantalons.
01:11:31It's the same thing.
01:11:32And this is my father.
01:11:34My father is an architect.
01:11:36Every time he does the stairs,
01:11:37he always likes the face.
01:11:39It's the same thing.
01:11:40The face is the same.
01:11:41And this is the face of the jeans.
01:11:45I wanted to put them in the old money,
01:11:47like a classic chemist,
01:11:49and in the same time, the streetwear,
01:11:50which is like a jeans.
01:11:52So I made a mix of the two styles.
01:11:54You're right.
01:11:55Thank you very much.
01:11:56Thank you very much.
01:11:56Thank you very much.
01:11:57Thank you very much.
01:11:57You're very good.
01:11:58Yes, I'm very good.
01:11:59Yes, I'm very good.
01:12:00You're good.
01:12:02I'll give it to her.
01:12:03She's an artist.
01:12:05She's an artist.
01:12:09I wanted to know
01:12:11why I chose Picasso as a source of inspiration.
01:12:14I chose Picasso as a source of inspiration.
01:12:17It's because he had a relationship
01:12:19with the Cuban art, which is the Cubism.
01:12:23And I realized that it was because we had a shot.
01:12:26There was a shot.
01:12:27And I started to cut them into a different style.
01:12:31It was different.
01:12:31All of them were different.
01:12:32There was a combination of colors.
01:12:35And with these things,
01:12:38it was completely valid for the Cuban art.
01:12:42And another thing is Picasso.
01:12:46It was a big fan.
01:12:48He loved it and gave it to him.
01:12:50And he had a table
01:12:52that was a good fan.
01:12:55To the form, the table was a good fan.
01:12:58It was a good fan.
01:13:01It was a good fan.
01:13:03It was a good fan.
01:13:05It was a good fan.
01:13:07Why?
01:13:09We kept it.
01:13:11We kept it.
01:13:12We kept it.
01:13:14We kept it.
01:13:17We kept it.
01:13:19We kept it.
01:13:20Yes.
01:13:21But I wanted to know
01:13:23where was the word in this one?
01:13:25The word was in Turkey.
01:13:28As you know,
01:13:30the challenge was to make our colors.
01:13:36The palette of the husband,
01:13:38the candidate who had started with the bag,
01:13:42I didn't have the same palette of Pablo Picasso.
01:13:47So this is the combination of colors and the marriage.
01:13:52I gave you a leader.
01:13:54Very good.
01:13:54Bravo.
01:13:56Thanks for your honor.
01:13:58Thank you!
01:14:02You're proud of me!
01:14:04You're proud of me!
01:14:06Yes, I'm proud of you!
01:14:16You're good, I'm very proud of you!
01:14:18Yes, you are.
01:14:20Thank you!
01:14:22I've got a new outfit of our Pantallon.
01:14:24First of all, the pantalons are two colors, two colors, beautiful.
01:14:31I'm in the style of the Tora, the Jazeera, and the Arabic.
01:14:37Do you see the two heads of the other candidates
01:14:41compared to the other candidates that we have here today?
01:14:44Yes, we've seen more ideas, more creations.
01:14:47I don't want to see the message that you want to tell me.
01:14:51How do you think about it?
01:14:52For me, I propose a dress ready to wear.
01:14:55I'm a young man who is dressed up.
01:14:58They're comfortable, streetwear.
01:15:03I've tried to recover the fabric that I have to wear.
01:15:08I have a patchwork that I love.
01:15:11You can't even look at it.
01:15:13You can't even look at it.
01:15:14That's the goal.
01:15:15Of course.
01:15:16I got off because the choice is to go towards simplicity.
01:15:21It's simple and comfortable.
01:15:24We can't even look at it.
01:15:26But I'm playing on the cutters.
01:15:29The cutters are asymetrics.
01:15:33I see.
01:15:34It's a good idea.
01:15:35Yes.
01:15:39Thank you so much.
01:15:40Thank you so much, Faris.
01:15:41Thank you so much.
01:15:42Do you know Faris?
01:15:43Do you know Faris is fine?
01:15:44It's very small.
01:15:46Faris, please.
01:15:50Faris, yes, Hader. Yes, Faris.
01:15:56Good evening, Faris.
01:15:57Good evening.
01:15:58How are you doing?
01:15:58Yes, it's very good.
01:16:00So Faris, I have a question to ask you.
01:16:06Do you want to know why you want to ask you this style?
01:16:10Or is it the style that you're looking for?
01:16:13In fact, it's the fact that I love the street,
01:16:18I love the best of the world,
01:16:20because I want to make the soul so that I want to make the soul.
01:16:22So I want to make the style street.
01:16:25That's why I always develop the soul.
01:16:29I develop the style more and more.
01:16:33It's just that I love the style street,
01:16:34I want to develop, I want to always work,
01:16:36and I always feel free to leave my touch on my creation.
01:16:40I love the fact that the man can move on the podium,
01:16:44the jury will detect directly by the creation of the page.
01:16:47You're right.
01:16:48I want to make the style of your career.
01:16:50I want to know what you mean.
01:16:53You're right.
01:16:56We have a different style of your character.
01:16:58You're right.
01:16:59You're right.
01:17:00I love you.
01:17:01I love your style.
01:17:03I love you.
01:17:04Right.
01:17:04Thank you, Faris.
01:17:06You're welcome.
01:17:06This is a place for me.
01:17:08I'll be able to do it.
01:17:10I hope I'll be able to do it.
01:17:12I'll tell you something between Fares and Wally.
01:17:16It's a little bit difficult.
01:17:18Fares?
01:17:19Fares and Wally.
01:17:20No, no, Fares.
01:17:22I'll be able to do it with you.
01:17:24I'll be able to do it with you.
01:17:26Wally, Wally, Selymalia and Fares.
01:17:30I'm going to be able to do it with you.
01:17:32I'll be able to do it with you.
01:17:34I'm going to go out on you.
01:17:36I will be able to get you to the next two weeks.
01:17:38One's going to be out.
01:17:40At the next two weeks.
01:17:42The designer of Wally's.
01:17:44In the beginning of today's day one.
01:17:46I hope you won't get you to the next two weeks.
01:17:48It's...
01:17:50Word.
01:17:52Not great.
01:17:54Word!
01:17:56Word.
01:17:58Did you say Word?
01:18:00Word?
01:18:02It's me.
01:18:03Bravo, Ward! Bravo!
01:18:08You're welcome!
01:18:11You're welcome!
01:18:14So, Ward, congratulations.
01:18:16I said, I don't care.
01:18:19I gave you a piece of art.
01:18:24I also want to say,
01:18:27not to Faris,
01:18:28you're not from New York.
01:18:30And Faris, on the beginning,
01:18:32worked for young people.
01:18:33There's a technique,
01:18:34there's a fabrication,
01:18:35and there's a video work.
01:18:37You're looking for a piece of art.
01:18:39But Ward, I wanted to.
01:18:41I was really...
01:18:42I'm proud of you.
01:18:43We're proud of you.
01:18:44Bravo!
01:18:45Bravo!
01:18:46Bravo!
01:18:47Bravo!
01:18:51You're welcome.
01:18:52You're welcome.
01:18:55You're welcome.
01:18:56You're welcome.
01:18:57You're welcome.
01:19:00You're welcome.
01:19:01Stop!
01:19:02I want to be castor.
01:19:03Faris, as you understood,
01:19:06you're welcome.
01:19:07Thank you, Aliq.
01:19:10You're welcome.
01:19:11Bravo, Faris.
01:19:12Thank you very much.
01:19:13I'm so glad I'm here.
01:19:14Thank you very much.
01:19:18I'm so glad you're here.
01:19:19How are you?
01:19:20Faris, my son.
01:19:22Yes.
01:19:23Hello.
01:19:25Hello.
01:19:26Thank you very much.
01:19:27Thank you very much.
01:19:28Thank you very much.
01:19:30Thank you very much.
01:19:31I'm glad you're here with me as designers like the poor.
01:19:34The winner is one of you today who doesn't have a rule.
01:19:37We're going to be going to be the project Runway in the Jazeera.
01:19:40This designer is...
01:19:42To the end of the day, Selma.
01:19:46Salma Aliyah.
01:19:48Bravo Salma.
01:19:49Bravo.
01:19:53L'aventure s'arrête.
01:19:55Je suis contente, je suis fière de moi.
01:19:57This challenge,
01:19:59c'était un grand défi.
01:20:02Contre Arfaq,
01:20:03c'était une grande faiblesse.
01:20:05Karim, Faddal.
01:20:07Salma Aliyah,
01:20:08qui t'a lancé à ce moment,
01:20:10c'est qu'ils ont donné le jury
01:20:12parce qu'ils ont une famille
01:20:14et tous ceux qui ont des capacités.
01:20:18C'est parce que j'ai terminé le jour
01:20:19que j'ai terminé.
01:20:20C'est très bon pour moi
01:20:21et je suis très forte.
01:20:24Inshallah.
01:20:25Voilà, c'est le nom que j'aime.
01:20:27Salma Aliyah.
01:20:28Alors, Salma Aliyah,
01:20:29je vais vous présenter
01:20:31pour la prochaine.
01:20:34Et comme j'ai dit,
01:20:36ce n'est pas que j'ai terminé le jour,
01:20:38c'est que j'ai terminé le jour.
01:20:40C'est tout le début.
01:20:42Et peut-être,
01:20:44l'expérience
01:20:45va vous permettre
01:20:46d'être plus forte
01:20:47et d'être plus forte.
01:20:49Et pour Walid,
01:20:51Inshallah,
01:20:52je veux vraiment
01:20:54que tu te raccasses
01:20:55sur la créativité,
01:20:56que tu es plus moderne.
01:20:58Parce que je vois,
01:20:59que dès que tu rentres
01:21:00sur le site safe,
01:21:01c'est un truc pas très moderne.
01:21:03Il faut que tu es un créateur
01:21:05et que tu es un créateur
01:21:07pourront sauver la tendance
01:21:09et que tu es la meilleure
01:21:11et que tu es plus polémé.
01:21:13Bonjour,
01:21:14je vous invite à apprendre
01:21:15ce tutelage
01:21:16sur votre programme.
01:21:17C'est vrai que cette tutelage
01:21:18n'est pas une toute tutelage
01:21:19après.
01:21:20Il faut que tu utilises
01:21:22cette táphalette
01:21:23comme un début
01:21:24pour lancer
01:21:25sa création
01:21:26ta collection
01:21:28and you can learn the skills that you teach them.
01:21:30And bravo for what you do.
01:21:32Really bravo.
01:21:33And Walid bravo.
01:21:34You can also show your character in your creation.
01:21:37You have to impose and you have to make the jury
01:21:41because they are very experimental.
01:21:44So whatever you give to you, it will be good.
01:21:46So bravo.
01:21:47Designer?
01:21:48That's right.
01:21:49Oh, no.
01:21:54I your élite, my beloved friends, they give you good advice.
01:21:57They be good.
01:21:58Take care in your的人.
01:21:59Bedankt.
01:22:00It is so nice.
01:22:01Thanks for having me.
01:22:02Send me everything afterwards.
01:22:04Thank you so much.
01:22:06Get out of here.
01:22:07Are you ready?
01:22:08I got a drink.
01:22:09I got a drink.
01:22:10I got a drink.
01:22:12I got a drink.
01:22:13I got a drink.
01:22:15No, I got a drink.
01:22:16I got a drink.
01:22:18You can feel it now.
01:22:19This competition is a great human adventure.
01:22:23I've been surrounded by very beautiful people.
01:22:26Everyone has their own personality.
01:22:27The designers are very, very adorable.
01:22:33I've spent a very good time.
01:22:35Thank you, Sahara.
01:22:37I'm proud of your work.
01:22:39I'm happy.
01:22:40I want to see you a lot of work.
01:22:42I'm happy.
01:22:44But as you know,
01:22:45if you have a project in the Jazeera,
01:22:48you have to come back with me today.
01:22:51I'm happy to see you.
01:22:52One thing I'm happy to see you is to keep you in the normal way.
01:22:58We'll see how you get into the room.
01:23:02You'll see how you get into the room.
01:23:05And this is something I'm happy to see you.
01:23:06I have a good time.
01:23:08And I'll start with you.
01:23:10We'll see you in the back.
01:23:12You have to be happy.
01:23:13Great.
01:23:14Good luck to the time.
01:23:17Good luck to the moment of the night.
01:23:20Great.
01:23:22Good luck.
01:23:24Good luck.
01:23:27Good luck to the day.
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