- 4 months ago
The Secret Dwellers tells the mysterious story of tiny creatures living hidden in the corners of the human world. Clever and quick, they strive to remain unseen. But when their secret existence is threatened, a thrilling adventure full of danger and magic begins. Blending fantasy, intrigue, and the wonders of a miniature world rarely seen by human eyes, this story captivates with suspense and heartwarming moments.
Category
🎥
Short filmTranscript
00:00:00Something to climb up the cedar, across the clover, all fours and all three.
00:00:09To lie on your back and see the sky backwards, it's got to be something more than the heart
00:00:20has any right to see.
00:00:24Being alive is the best part of living, the best part of being alive is to be awake and
00:00:39aware of what's over there, beyond the next beach and past the last highway you thought
00:00:50you might never see.
00:00:55And isn't it something, the dandelion dozing, reposing in fields that are open and free.
00:01:06Better than best, we two together, it has to be something more than our hearts have any right
00:01:20to see.
00:01:21Yes, isn't it something just to be you and me.
00:01:27It has to be you and me.
00:01:34One, two, three, two...
00:01:39Two, three, four, three...
00:01:43Two, three, four, seven, eight...
00:01:48Two, three, four, six...
00:01:51This is our home, the place where we live
00:02:12Through God's own good graces we borrow to live
00:02:18Though all that we borrow is all that we are
00:02:23The borough we've borrowed is home
00:02:26This is our house, it's big and it's wide
00:02:33A world full of wonders is hidden inside
00:02:38Behind every clock and under each day
00:02:43Is something surprising there
00:02:46The only thing we've never borrowed is love
00:02:58That's what I know, it's something we own
00:03:03And this is our house, it's not very new
00:03:08The carpets are worn that we make them make it
00:03:13But if you have been born, a pencil or a pen
00:03:18A feeling for friendship, a face that can grin
00:03:23Though most of our needs are few
00:03:27We might come a-borrowing some bright tomorrow
00:03:39We might come a-borrowing some bright tomorrow from you
00:03:48We might come a-borrowing some bright 사حت
00:03:59We might come a-borrowed home
00:04:00But it's over-burned people
00:04:02But it's still the flat
00:04:04Dear Ken John Peele, with his coat so gay, dear Ken John Peele, at the break of day.
00:04:10Dear Ken John Peele, when he's far, far away, with his hounds and his hairs in the morning.
00:04:15Dear Ken John Peele, with his coat so gay, dear Ken John Peele, when he's far, far away.
00:04:21Dear Ken John Peele, with his hair so gay, with his hounds and his hairs in the morning.
00:04:27Dear Ken John Peele, with his coat so gay, dear Ken John Peele, at the break of day.
00:04:32You can don't hear when he's far, far away
00:04:35With his howls and his hairs in the morning.
00:04:52I warn you.
00:04:54No knocking about the mess in the room's downstairs.
00:04:56Is that one good?
00:04:58All right.
00:05:00Go on up.
00:05:01I know you people want to take the measure.
00:05:11Where are my scissors, Mrs. Crump Thurl?
00:05:13They came apart, m'lady. I'm taking them to be mended.
00:05:16Oh, very well.
00:05:20I'm your great-aunt Sophie.
00:05:21You don't look at all like my nephew.
00:05:23Do you remember your father?
00:05:25Not very well.
00:05:26He was a thorough, splendidly hairy.
00:05:29Peerless horseman. I myself taught him to hunt.
00:05:34I don't believe the residents of Boston go in much for hunting.
00:05:37No.
00:05:38No, I thought not.
00:05:39Well, what do they do?
00:05:41Do?
00:05:42With their horses. Their horses.
00:05:45Where do you Bostonians ride your horses?
00:05:48Ride?
00:05:49Are your wits perhaps inadequate?
00:05:51I asked, where are you accustomed to ride your horse?
00:05:55I don't ride.
00:05:57You don't ride?
00:05:59Oh, you mean since you were sick?
00:06:01No, I'm afraid of horses.
00:06:03Afraid of horses, my great nephew.
00:06:06Have you perhaps forgotten that you're English?
00:06:08I should have expected it.
00:06:12Bringing the child up in the city.
00:06:14Neglecting his character.
00:06:15Feeding him under a healthy slop.
00:06:17No wonder he's spiritless.
00:06:19Mrs. Crumfowl,
00:06:21I want the child to have proper English teas
00:06:23and good English breakfasts.
00:06:25Porridge with thick cream
00:06:26and eggs and sausage and kippers.
00:06:28And for lunch, plenty of blood-red meat.
00:06:31We'll soon have you up on the friskiest horse in the country.
00:06:35And Mrs. Crumfowl, pour me a glass of Madeira, please.
00:06:49Madeira is not medicinal.
00:06:53Mrs. Crumfowl claims to be teetotal.
00:06:57Mrs. Crumfowl is not cllatin'.
00:07:01vill had a l versiónblip,
00:07:03Mrs. Crumfowl's known pigievers.
00:07:15Mrs. Crumfowl's likely to be teetotal.
00:07:18Mrs. Crumfowl's gekommen to meet the children'sICE office.
00:07:21Mrs. Crumfowl's looking for a cup of tea.
00:07:23Mrs. Crumfowl's destined to brew the economy of p exam 적이!
00:07:25Mrs. Crumfowl?
00:07:26Mrs. Crumfowl!
00:07:27Mrs. Crumfowl!
00:07:27If you do your work.
00:07:38I said it.
00:07:40There, did you see under the stove?
00:07:41Get a poker.
00:07:42I said it.
00:07:43Trapped there only last week.
00:07:44Gnostic things in the cupboards everywhere.
00:07:46And why didn't you clean up the mothpaws that you spilled?
00:07:48I never.
00:07:49Where's the other half of the scissors?
00:07:51Oh, it's the limit.
00:07:52I never seen those scissors.
00:07:53And I never made no mess with no mothpaws.
00:07:55Oh, no, you never.
00:07:56I'll tell you what else.
00:07:57You never, you never empty the ash fans.
00:08:26Oh, you're late.
00:08:27What's that fearsome looking thing?
00:08:28What, tea not ready?
00:08:29Oh, this means war, woman.
00:08:31It's me and Mrs. Crankful at dawn.
00:08:32I sent him a card.
00:08:33Hey, it took a bit of doing to get this, huh?
00:08:34Is that what took you so long?
00:08:35I could have swore I heard that, Pod.
00:08:36I could have swore I heard that, Pod.
00:08:37What's that all over your...
00:08:38That's ash.
00:08:39You had to come down from under the stove.
00:08:40Now, cut that.
00:08:41Don't scold when it was just a little short cut like.
00:08:42A short cut.
00:08:43Under the stove is short cut ash.
00:08:44Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:08:47What's that fearsome looking thing?
00:08:48What, tea not ready?
00:08:49Oh, this means war, woman.
00:08:50It's me and Mrs. Crankful at dawn I sent him a card.
00:08:54Hey, it took a bit of doing to get this, huh?
00:08:56Is that what took you so long?
00:08:57I could have swore I heard that, Pod.
00:09:00Pod, what's that all over your...
00:09:01That's ash.
00:09:02You had to come down from under the stove.
00:09:04Now, cut that.
00:09:05Don't scold when it was just a little short cut like.
00:09:07A short cut.
00:09:08Under the stove was short cut ashes and hot coals.
00:09:11Pod, they was in the kitchen.
00:09:13You might have been seen.
00:09:14Why do you take such...
00:09:15Oh, Pod.
00:09:18Aren't you something?
00:09:20Now, don't worry, old girl.
00:09:21I wasn't seen.
00:09:22I've never been seen.
00:09:24I don't intend to be seen.
00:09:26This place is mine.
00:09:27No cats, no dogs.
00:09:29And what humans there is, duck soup, you might say.
00:09:32None of the hazards of me wild youth.
00:09:34Where's Ariadne?
00:09:35I've got something for her.
00:09:36Well, she always is these days.
00:09:38Ariadne!
00:09:43Ariadne!
00:09:44He's ready!
00:10:05Ariadne!
00:10:06He's ready!
00:10:07I'm coming!
00:10:14And what have you been doing?
00:10:18I've been writing in my diary, Mama.
00:10:19Oh, I hope you'll read it to me sometime.
00:10:21Oh, Mama.
00:10:24Papa, it's wonderful down by the grading.
00:10:26The sun, the birth, everything.
00:10:28There was a field mouse.
00:10:30Which hand?
00:10:31Oh, um, this one.
00:10:36Is she going to brought you?
00:10:37Oh, that stamp album upstairs is such a one.
00:10:39All the colors.
00:10:41I really don't like to borrow from it.
00:10:43Oh, Papa, I'd give anything to see it.
00:10:46I mean, all of it.
00:10:47Harry, Harry, your father can't very well lug down a great thing like that.
00:10:50Wherever do you get your ideas?
00:10:52I didn't mean that.
00:10:54Papa, I wish, well, what I wish is that I could come borrowing with you.
00:10:59Oh, you wicked heathen girl.
00:11:01How can you speak so?
00:11:02So it's come to this.
00:11:03I could borrow.
00:11:04I know I could.
00:11:06I'm tired of being cooped up down here.
00:11:09Cooped up?
00:11:09Who's cooping you?
00:11:10That's a fine way to talk.
00:11:11With a nice home like you've got.
00:11:13And a grating into the bargain.
00:11:15Oh, Papa.
00:11:16Harry, run along.
00:11:17Hang up your stamp on the wall.
00:11:18And come back quick for tea.
00:11:20Okay.
00:11:23And four miles in 20 minutes wasn't bad going for this particular Mac.
00:11:27Before the hounds had checked at High Beach, half the field had fallen out already.
00:11:31You see, this ruscally old dog fox, as I told you.
00:11:35Well, I can see you have no interest whatsoever in the hunting field.
00:11:41Take the tray to the nursery, Mrs. Crampferl.
00:11:44And place the decanter within reach, if you please.
00:11:51Run along with Mrs. Crampferl, boy.
00:11:53Have your tea in the horseless security of the nursery.
00:11:56What am I to do every day?
00:11:58Eat what Mrs. Crampferl gives you.
00:11:59You have plenty of fresh air and whatever exercise you're up to.
00:12:03And in the evenings, come in and kiss me goodnight.
00:12:05I'm sure you'll be fit in no time.
00:12:13Perfectly sound English stock turned all yellowy and runty from city living.
00:12:18Up, up, up, up.
00:12:18Oh, well, age and pain and disappointment.
00:12:26Never took comfort from pure spring water.
00:12:39Near your bedtime, Miss?
00:12:41Oh, oh, it's ruined everything.
00:12:44There were only two of the real China ones left.
00:12:46I told you, and I told you, Ariadne, not to use them.
00:12:49No, no, it's only a cup.
00:12:50No need to make such a terrible fuss.
00:12:51Oh, I'm sorry, honey.
00:12:53Oh, it's all right, Ariadne.
00:12:53I should have kept Mother Hans' way.
00:12:55I did so dote on those cups.
00:12:57Wait a minute.
00:12:58It seems to me that I've seen a cup like that up on her floor.
00:13:01Yes, in the old nursery.
00:13:02Oh, I'll go up and get one right now.
00:13:03You, Miss, you get yourself to bed where you belong.
00:13:05Now.
00:13:08Ah, ah, ah, ah.
00:13:11Take good care of yourself, Paul.
00:13:13I tell you what, I'll try to get a little of her perfume
00:13:15on a piece of cloth-like for you, hmm?
00:13:18Set up upstairs, Paul.
00:13:20You're not exactly a boy.
00:13:23Might I suggest, madam, that when I return with the perfume,
00:13:26you and I will have further discussions about the age.
00:13:29Let's go.
00:13:59THE END
00:14:29THE FUTILITY OF TRUE COMMUNICATION, ALL HONDS AND HAIRS, HONDS AND HAIRS, OH POD DEAR, REACH ME A PILL, CATCH, THERE'S NO COMMUNICATION BETWEEN MEN AND WOMEN, NO BETWEEN GENERATIONS, WHEN YOU'RE AS OLD AS ME POD, IT'LL COME TO YOU, WILL YOU GET OLD I WANTED?
00:14:59I DON'T KNOW, YOU POOR LITTLE DELUSION, I HAVE TOLD MRS. CRAMPFELL ABOUT YOU.
00:15:06OH, THAT WAS VERY KNOCKY OF YOU, LADY SOPHIE.
00:15:09lady sophie i said mrs crampville it only stands to reason i said factories go on making safety
00:15:16pins year after year hundreds and thousands of them and people go on buying them and yet
00:15:20there never is a safety pin when you want one or a pencil or a needle now where else could they go
00:15:25to something takes them i said or somewhat lady sophie i thought for a moment the full woman was
00:15:34going to offer me a lecture on the evils of drink oh pod pod i long for a bit of human companionship
00:15:45pod you're all i've got oh and and you mean a lot to me lady sophie uh being able to come here and
00:15:52and talk with you about the world uh the truth is a man's family is a precious thing but the world
00:16:01lady sophie the world yeah and i'm still young you know borrowing has always meant
00:16:10adventure to me danger excitement pitting me which against terrible odds oh i was brought up on it
00:16:16but uh this house lady sophie you'll forgive me the way it is now me 12 year old daughter could do the job
00:16:25uh oh oh well i suppose i should be seeing about homily's cup
00:16:47uh sweet dreams
00:16:53oh
00:16:55oh
00:16:57oh
00:16:59oh
00:17:01oh
00:17:03oh
00:17:05oh
00:17:07oh
00:17:09oh
00:17:11oh
00:17:13oh
00:17:15oh
00:17:21oh
00:17:23oh
00:17:27oh
00:17:29oh
00:17:31oh
00:17:33oh
00:17:35oh
00:17:37oh
00:17:39oh
00:17:41oh
00:17:53oh
00:17:55oh
00:17:57oh
00:17:59oh
00:18:01oh
00:18:03oh
00:18:05oh
00:18:07oh
00:18:21oh
00:18:23oh
00:18:25oh
00:18:29oh
00:18:31oh
00:18:33oh
00:18:56oh
00:18:58oh
00:19:00oh
00:19:02oh
00:19:16oh
00:19:18oh
00:19:20oh
00:19:22oh
00:19:24oh
00:19:26oh
00:19:28oh
00:19:30oh
00:19:42oh
00:19:44oh
00:19:46oh
00:19:48oh
00:19:50oh
00:19:52oh
00:19:54oh
00:20:08oh
00:20:10oh
00:20:12oh
00:20:14oh
00:20:16oh
00:20:18oh
00:20:20oh
00:20:34oh
00:20:36oh
00:20:38oh
00:20:40oh
00:20:42oh
00:20:44oh
00:20:46oh
00:20:48oh
00:20:50oh
00:21:04oh
00:21:06oh
00:21:08oh
00:21:10oh
00:21:12oh
00:21:14grow up fast. You're going to have to face things. For instance, what do you know about
00:21:22boys? Boys? Yes, you're going to have to face the facts. There's a human boy in this house
00:21:29living on the top floor. And human boys, they're the worst things there is. Oh, what do they
00:21:37do? What do they do? Oh, no. Well, they... Oh, they... Hurry, Eddie. Human beings, regular grown-up
00:21:54human beings, they're good and they're bad. They're honest and they're art. No good ever
00:21:58come from no human beings. Emily, please. Like I said, they're a mixed bag, the grown-ups.
00:22:04But human boys... They hunt. That's what human boys do. They destroy everything that
00:22:09walks or runs or flies. But, Mama, they're just children. Children human beings. I don't
00:22:15think human beings... Even children can be so very awful. Let me tell you a minute.
00:22:19Emily, please. Who around here is likely to have more first-hand information? I'd like
00:22:23to know. What they are is clever. Human boys are clever. No borrower can go on living in
00:22:33a place when he's been seen by a human boy. And that's what happened tonight.
00:22:40You mean this boy saw you? Tonight? Nothing will ever be the same again. What can we do?
00:22:48Oh, Papa, we should leave? We should leave here? Why, this is our chance. Now we have to do
00:22:54something. Go somewhere. All right, Auntie. You don't know what you're talking about.
00:22:58To go and live in the fields. Sounds wonderful. Like animals. I won't do it. And neither will
00:23:03no daughter of mine. Nobody said you had to go live in the fields. There's other places.
00:23:07The overmantels. Oh, oh. Can't you just see us moving in on the overmantels? If they're
00:23:11still alive. Oh, don't you remember there's a boy living in the farmer's place, too? That
00:23:14don't mean he's seen them. Homily, we gotta explore every possibility. That farmer's place
00:23:19isn't half the distance it is to Uncle Hendry's and Aunt Lupe's. And if the overmantels are
00:23:24still there, I think I should go... Ask for overmantel charity. The stuck-up things. You
00:23:28know they always thought your sister Lupe married beneath her. Look, we've got to have some
00:23:32plan. Don't you see that? Well, we gotta start somewhere. Now, at least I can go and see
00:23:37if they're still there. I won't let you do it. I won't let you make that terrible trip alone.
00:23:41Then I'm not forcing myself uninvited on the overmantel. Let's just hold off for a couple
00:23:46of days. I'll tell you what. We'll set up a listening post. Stand guard around the clock. Somebody
00:23:52there at all times. It's just possible that that boy might not be here to stay. That
00:23:56he might have to leave before he's had time to dig us out. That's it, Bart. I know that's
00:24:01how it'll turn out. Don't count to it, I'll turn out. Come on, now. We'll get things ready.
00:24:05Necessary. Oh, it's only what you can carry. We gotta be ready and able to run.
00:24:10I'll help you. Hurry up here. You're a bad thief. I'm picking up candles.
00:24:19Well, just one wonder. I can use every one of them. Papa, I'm not afraid, Papa. Not of
00:24:23anything. Well, I could even find the overmantels for you. Well, I'm not. I'm not
00:24:28afraid of things. Cats or dogs or anything. Watch now, John. We'll talk about it later.
00:24:33Go and get some bedding. Something to make her more comfortable out by the listening post. All
00:24:41right. You see, she just doesn't comprehend the danger. I know. I know.
00:24:47Arrietty, you've heard your mother and me talk about Tina? Yes. Your Aunt Lupe Henry had
00:24:52six children. Tina was next to the oldest. She was about your age. She's a lovely child. My age?
00:24:56You mean when they had to immigrate? No, no. When they lived in the barn here. Wait here a minute.
00:25:00I'll be here a minute.
00:25:21Oh, what?
00:25:28Look, Warren, tell me about Tina.
00:25:30Tina got out.
00:25:32Out?
00:25:33How?
00:25:33What do you mean?
00:25:34You'll be never kept up with those children proper.
00:25:36That's the truth of it.
00:25:37Just let them run wild.
00:25:39Tina got outside.
00:25:41They waited a week.
00:25:41They waited a month.
00:25:43And they hoped for a year.
00:25:44But no one ever saw Tina no more.
00:25:46No trace of her ever again.
00:25:48Why not?
00:25:49What happened to her?
00:25:50Well, you see, outside, there are animals.
00:25:53Not just dogs and cats, but wild, terrible things like ferrets and weasels.
00:25:58You mean, Tina got eaten?
00:26:00I don't believe it.
00:26:02You better believe it, because that's what happened to your cousin Tina.
00:26:04And don't you ever, ever forget it.
00:26:06Yes, Mama.
00:26:07I want to be the first to stand guard.
00:26:09I'm not sleepy.
00:26:10Can I, can I come back?
00:26:11No, no, no, no, no, no, no, no, not tonight.
00:26:12Now, off to bed with her.
00:26:13Oh, I think we ought to let her.
00:26:15She's to take her turn, same as us.
00:26:16She might as well start tonight.
00:26:18Why, hurry it, woman.
00:26:19It's about time she learned about them.
00:26:22All right, I guess you've got to start sometime.
00:26:24Come on.
00:26:27Now, keep your feet under the back of the car.
00:26:29There you are.
00:26:30Now, keep a good watch.
00:26:32Good night.
00:26:34We won't be beaten, and we won't be eaten.
00:26:37We won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be beaten, and we won't be
00:27:07What are you up to?
00:27:14Look, I warned you, yesterday when you first come in the door, no messing about down here.
00:27:19Have you lost something? What are you looking for?
00:27:22Something.
00:27:23What kind of something?
00:27:25Kind of a little man.
00:27:30So she's started on her little man, has she?
00:27:33Probably offered you some fine old media.
00:27:35I'm being raised in the city. You probably took it outside where boys belong.
00:27:39I want to look around.
00:27:40Out!
00:28:05What does he do with himself all day?
00:28:22Hulking his nose into everything in the house, that's what.
00:28:25I called him just this morning lifting up the rugs.
00:28:27In the dining room, mind you?
00:28:29The fool's doing well and that's what he says.
00:28:34Oh, my beloved demographic.
00:28:35Oh.
00:28:36What's up?
00:28:37I'm down here to dove I see.
00:28:40It is only in directions.
00:28:42I'm still going to move into the house.
00:28:44Missed in the house.
00:28:47To my nowhere.
00:28:48To go back.
00:28:49Oh, yes.
00:28:50It's already on top 3, up on top 3, up.
00:28:52John knowledge has lost ще a lot.
00:28:54So you can't wait.
00:28:54Here. What are you up to now? Who gave you permission to come into my kitchen?
00:29:12There's a hole under there.
00:29:14If you're concerned what home's where in this house, now look, I am going to count to three and I want you out of my kitchen.
00:29:20It's the only hole I found.
00:29:50Well, it might early, Miss Crampford.
00:29:55It's that boy's keeping you on the run. Here's your milk.
00:29:59One more day of it. Till tomorrow.
00:30:03Seems his mother wants him home.
00:30:05Never counting for days.
00:30:07The boy's leaving.
00:30:10Hey, did you hear that? The boy's leaving tomorrow.
00:30:12Oh, my shoes. I've got a lot of borrowing to do.
00:30:15May I come borrowing, Papa?
00:30:17Yes.
00:30:18Oh.
00:30:19But remember, borrowing is a skilled job in art.
00:30:22And of all the families that have lived in this house, there's only us left. Do you know why?
00:30:26Because your father is the best borrower that's been in these parts since.
00:30:30Well, before your granddad died.
00:30:32That's right.
00:30:33But I never heard of no girl going borrowing before.
00:30:36Why couldn't she, Papa?
00:30:37Isn't she just like her father?
00:30:38This is it, Ariely.
00:30:39This is our clock.
00:30:40Oh, it's beautiful.
00:30:41The clock our family's named after.
00:30:42Over 75 years, they say, it's been standing here on this spot.
00:30:43Oh, look.
00:30:44Hey, we're in luck.
00:30:45Both doors are open.
00:30:46I can't make up what it is.
00:30:47It's pretty, Papa.
00:30:48Can I blow that?
00:30:49I mean, by myself?
00:30:50Oh, why not?
00:30:51It's the clock.
00:30:52It's the clock.
00:30:53It's the clock.
00:30:54Oh, look.
00:30:55It's the clock.
00:30:56It's the clock.
00:30:57It's the clock.
00:30:58It's the clock.
00:30:59It's the clock.
00:31:00It's the clock.
00:31:01It's the clock.
00:31:02I'm the clock.
00:31:03The clock.
00:31:04You're the clock.
00:31:05It's the clock.
00:31:06It's the clock.
00:31:07It's the clock.
00:31:08Our family's named after.
00:31:09Over 75 years, they say, it's been standing here on this spot.
00:31:11Oh, look.
00:31:12Hey, we're in luck.
00:31:13Both doors are open.
00:31:14Oh, why not?
00:31:16Come on, I'll show you.
00:31:17Here.
00:31:19Give me the hook.
00:31:20All right, now get back there.
00:31:31Hey, that's very good.
00:31:33You're better than your papa.
00:31:35Oh, I wish your mama could see you.
00:31:38Look.
00:31:40Oh, that's beautiful.
00:31:43Come on.
00:31:54Now put the ball in your borrowing bag.
00:31:56Now you're a real borrower.
00:32:00What's that?
00:32:02That must be the wind.
00:32:04They're all gone.
00:32:05Mr. and Mrs. Cranford and the boy,
00:32:07and she can't get out of bed.
00:32:09Must be the wind.
00:32:13There you go.
00:32:14All right.
00:32:20Come on, hustle along.
00:32:28All right, I'm going to work on the drapes.
00:32:30You sit over there by the doorway to the garden.
00:32:31Take a peek outdoors.
00:32:32I'll come back for you.
00:32:33Mm-hmm.
00:32:34I'll come back for you.
00:32:35I'll come back for you.
00:32:36But it's found in my home,
00:32:37I'll come back for you.
00:32:38The river foresaw in the river.
00:32:39The river foresaw in the river…
00:32:40It's found in my home…
00:32:41That this is not a river…
00:32:42It's found in my home.
00:32:43Isn't it something to climb up the cedar
00:32:52And crawl through the clover of the storm and all three
00:32:57To lie on your back and see the sky backwards
00:33:04It's got to be something more than the heart
00:33:10Has any right to see
00:33:14Being alive is the best part of living
00:33:21The best part of being alive is to be
00:33:27Awake and aware of what's over there
00:33:33Beyond the next beach
00:33:36And past the last highway you thought you might ever be
00:33:44Isn't it something to dunderland dozing
00:33:51Reposing in fields that are open and free
00:33:56And better than death
00:33:59We two together
00:34:02Have to be something
00:34:05More than our hearts
00:34:08Have any right
00:34:11To see
00:34:13Less isn't it something
00:34:17Just to be you and me
00:34:21Don't move
00:34:28Don't move or I shall hit you
00:34:31Why?
00:34:33In case you run towards me quickly through the sand
00:34:35In case you scramble at me with their nasty little hands
00:34:39Why should I run towards you?
00:34:41Things do
00:34:42You were supposed to go away this morning
00:34:44Well I didn't
00:34:45I'm to stay a few more days
00:34:47I'm not well enough yet
00:34:49Oh
00:34:50Did you come out of the house?
00:34:54Where in the house?
00:34:55Where did the Crampfuls go in the cart?
00:34:58Mrs. Crampful said it was her day off
00:34:59And she meant to have it
00:35:01In spite of everything
00:35:02She meant me
00:35:04Yes
00:35:04Now tell me where you come from
00:35:07Or I'll hit you
00:35:08Alright
00:35:09Hit me
00:35:10Go on, hit me
00:35:12Stay where you are
00:35:13Supposing
00:35:15Supposing
00:35:15You saw
00:35:17A little man
00:35:19About
00:35:20As tall as a pencil
00:35:22Coming out of your dollhouse
00:35:23Carrying a doll's teacup
00:35:26Would you say it was a fairy?
00:35:28No, I'd say it was my father
00:35:29How old are you?
00:35:3213 October
00:35:32How old are you?
00:35:34Eight
00:35:34Thought so
00:35:35Can you read?
00:35:36Of course
00:35:37Can't you?
00:35:38Could you read out loud?
00:35:40Of course
00:35:40Could you
00:35:41Could you read out loud to me?
00:35:43Of course
00:35:43Can you fly?
00:35:45No
00:35:46Can you?
00:35:46Of course not
00:35:47I'm not a fairy
00:35:48Well, nor am I
00:35:49Nor is anyone
00:35:50I don't believe in them
00:35:51You don't believe in them
00:35:53No
00:35:54Do you?
00:35:55No
00:35:56Of course not
00:35:57Do you know my great aunt Sophie?
00:36:02No
00:36:02But my father does
00:36:03Does he like her?
00:36:05I don't know
00:36:06She thinks my father comes out of a decanter
00:36:08Does he?
00:36:09Don't be silly
00:36:11Do you like her?
00:36:12Your aunt?
00:36:13Great aunt
00:36:13Yes
00:36:14But she doesn't like me
00:36:16I'm afraid of horses
00:36:18Are there many people like you?
00:36:21No
00:36:21None
00:36:21We're all different
00:36:22I mean
00:36:23As small as you
00:36:25And don't be silly
00:36:26Sure you don't think there are many people in the world your size
00:36:29There are more mine than yours
00:36:31Honestly
00:36:31You really think
00:36:33I mean
00:36:33What sort of world would it be?
00:36:35Great chairs
00:36:36Fancy if you had to make chairs that size for everyone
00:36:39And the stuff of their clothes
00:36:41Miles and miles of it
00:36:42And the food they eat
00:36:43That's why my father says
00:36:45It's a good thing they're dying out
00:36:47Who's dying out?
00:36:48Human beans
00:36:49Just a few
00:36:50My father says
00:36:51That's all we need to keep us
00:36:52Otherwise the whole thing might get
00:36:54Well get out of hand you say
00:36:55What do you mean to keep us?
00:37:02Human beans are for borrowers
00:37:04Like butter is for bread
00:37:05And I don't believe it
00:37:06And I don't believe that's what we're for at all
00:37:08And I don't believe we're dying out
00:37:10Just use your common sense
00:37:11You're the only real human bean I ever saw close to
00:37:14Except for the ones in this house
00:37:16But I know there's lots and lots of borrowers
00:37:18The Hendreries, the overmantels, the drainpipes, the harps, the cords, the clock
00:37:23That's us
00:37:24Who are they?
00:37:25My uncle Hendrerie has a house in the country and five children
00:37:28But where are the others?
00:37:29Oh they're somewhere around
00:37:31Well I've only seen two borrowers
00:37:33But I've seen hundreds and thousands of people
00:37:35I don't believe you
00:37:36Of human beings
00:37:37And what's more I don't believe that there are any more borrowers anywhere in the world
00:37:41I bet you're the last
00:37:42We're not
00:37:43I bet they're dead
00:37:44What's more
00:37:45No one will ever believe I've seen even you
00:37:48And you'll be the last because you're the youngest
00:37:50One day you'll be the only bower left in the world
00:37:53What's the matter?
00:37:55They're not dead
00:37:56The Hendreries live in a gopher hole two fields away
00:37:59We don't see them because it's much too far
00:38:01There's weasels and hawks and owls and foxes
00:38:04Which field?
00:38:05I don't know exactly
00:38:06It's over by the Perkins Green
00:38:08I'm going home
00:38:09Don't go
00:38:10Please
00:38:10You promised you'd read to me
00:38:12Let me go get the book
00:38:13I'm not going to read to you now
00:38:14Please listen
00:38:16Just one chapter
00:38:17And I'll tell you what I'll do
00:38:18I'll go to that field
00:38:20And find Uncle Hendry
00:38:21And everybody
00:38:22And if they're alive
00:38:24I'll tell you
00:38:24What about that?
00:38:26You could write them a letter
00:38:27And I'd put it down the hole
00:38:28Would you?
00:38:29Would you really do that?
00:38:30Yes I would
00:38:31Really and truly I would
00:38:32Now can I go get the book?
00:38:33When can I give you the letter?
00:38:35Anytime
00:38:35I can come to your house
00:38:37No no
00:38:37I'll put it somewhere
00:38:38I'll stick it in the grating
00:38:40Which one?
00:38:41The one by the front door?
00:38:42No the one by the back
00:38:43Near the kitchen
00:38:44All right
00:38:45I'll get the book
00:38:46Wait wait a minute
00:38:46You mustn't let my father see you
00:38:48Where is he?
00:38:50He's working in the hall
00:38:51Or the kitchen
00:38:52I don't know
00:38:53I'll go on the side door
00:38:54The grating by the kitchen
00:38:56Now I can guess where you live
00:38:59Arietti
00:39:01Arietti
00:39:02Where are you?
00:39:07I'm here
00:39:07Come back
00:39:10Come back quickly
00:39:11I told you never to leave the house
00:39:19Drop that
00:39:21You can't go lugging great flowers about
00:39:23Now come on
00:39:24Help me with your bag
00:39:25I'm here
00:39:26I'm coming
00:39:41I've seen him running around the field
00:39:54Young Tom thinks the boy's got himself a ferret
00:39:56That Tom's got ferrets on the brain
00:39:58Where would the boy get a ferret?
00:40:00I don't know
00:40:00But there he was all day
00:40:01Run around that field by Perkins Green
00:40:03Shouting down the rabbit hole
00:40:05Making his caller to something
00:40:06By name like
00:40:07Henry
00:40:08Henry
00:40:09Where's Papa?
00:40:21Borrowing
00:40:22How long do you think you'll be gone?
00:40:24You won't be back for a good while yet
00:40:25He likes it up there
00:40:26Gossiping with her
00:40:27Poking about in a dressing table
00:40:29What are you up there?
00:40:30Just a lunch in the stereo mama
00:40:31It's the very last straw
00:40:55To be deserted by a delusion
00:40:57I said I would have come
00:41:00If I could have come
00:41:01Why can't you admit you've been frightened?
00:41:04I can take one look at you
00:41:05And see you've been frightened
00:41:05Frightened?
00:41:06Me?
00:41:07Frightened because you're so small
00:41:08Or small because you're so frightened
00:41:10That's more like it
00:41:11Would I be here if I were frightened?
00:41:13Oh you're cocky enough with me
00:41:15You think I'm harmless
00:41:16A boozy bedridden old woman
00:41:17How dare you patronize me
00:41:19You wretched little mannequin
00:41:20You taking liberties
00:41:21Puffing yourself up
00:41:22Keeping me waiting
00:41:23Lady Sophie
00:41:24I have me own life to lead
00:41:27You think all I've got to do
00:41:28Is to sit around
00:41:29Your woodwork chattering
00:41:30I have business of me own
00:41:32To pursue
00:41:32What business?
00:41:33You've got no business of your own
00:41:34You've got nothing of your own
00:41:35You've no business
00:41:36You've no affairs
00:41:37You've no possessions
00:41:38Well your very existence
00:41:39By your own admittance
00:41:40Is to go creeping about my house
00:41:42Pilchings out of my stores
00:41:43Lady Sophie
00:41:44Pilchering my belongings
00:41:45Your house indeed
00:41:47Us clocks
00:41:48Have had this place
00:41:49For over 75 years
00:41:51Why you think you own the world
00:41:52Why you've nothing
00:41:53Nothing that doesn't belong to me
00:41:54You're a cocky conceited
00:41:55Ungrateful little
00:41:56Quite you wouldn't exist at all
00:41:59If I didn't virtually
00:42:00Inundate myself in Madeira
00:42:02You think I don't know
00:42:04Why you haven't been here
00:42:05You haven't been here
00:42:08Because that Mrs. Crumpfurl woman
00:42:11Has been watering my wine
00:42:13Take care of my puppet
00:42:14If Mrs. Crumpfurl
00:42:16Ever drinks enough to see you
00:42:18I can handle
00:42:20Mrs. Crumpfurl
00:42:22Oh Pod
00:42:24Proud
00:42:25That's the way I love you
00:42:26Acting proud and coughing
00:42:27All the time inside
00:42:28You're trembling with fright
00:42:30Oh Pod
00:42:32Pod
00:42:32Don't ever leave me
00:42:33You're all I've got
00:42:34It's me
00:42:40Arrietty
00:42:40Did you take the letter?
00:42:45Why did you come creeping
00:42:46Creeping into my room?
00:42:48I didn't come creeping creeping
00:42:49Came down the hall
00:42:51Your Aunt Sophie is saying
00:42:52Terrible things to my father
00:42:53When I brought the book
00:42:55He's gone
00:42:56My father fetched me
00:42:58Did you take the letter?
00:43:00Yes
00:43:00I had to go back twice
00:43:02I shoved it down the
00:43:03Gover's Hall
00:43:04Here it is
00:43:08He's written on it
00:43:10Oh please show me
00:43:11Then they are alive
00:43:12Did you see them?
00:43:14No
00:43:14But when I went back
00:43:15The letter was down the hall
00:43:17Just where I put it
00:43:18But they've written on it
00:43:20Look
00:43:20I can't see from here
00:43:27It's very faint
00:43:35What's he written it with
00:43:36I wonder
00:43:36Y-O-double-E
00:43:39Tell
00:43:40Y-O-U-R
00:43:42You're
00:43:42Yes, you're
00:43:44Tell your mother
00:43:45Come soon
00:43:47So tell her
00:43:48Wait, wait
00:43:54Don't go
00:43:55I've got something for you
00:43:57Come home
00:44:02There's a blue one too
00:44:10But it's a bit
00:44:11Where are you?
00:44:13Where have you gone?
00:44:15Oh, come on out
00:44:17What's going on in there?
00:44:19Who are you talking to?
00:44:20No one
00:44:21Be quiet then
00:44:23Go to sleep
00:44:23Look at night
00:44:26Oh
00:44:38Alder, let yourself be seen by that boy
00:44:41Arietti, whatever made you do such a thing?
00:44:44I was trying to save the race
00:44:45The expressions that she uses
00:44:47What race?
00:44:47Our race
00:44:48The borrowers
00:44:49Right
00:44:50He said we were dying out
00:44:52And that we were the last three left
00:44:54And that one day
00:44:55That one day
00:44:56I'd be alone in this house
00:44:57Alone in this world
00:44:59So I brought Uncle Hendrary a letter
00:45:01The boy took it for me
00:45:02He what?
00:45:03Uncle Hendrary answers
00:45:04Here, Mama
00:45:05Aunt Lupe says come soon
00:45:07The boy brought it back to me
00:45:09He found Hendrary?
00:45:10Oh
00:45:12Then he'll find us
00:45:14What is it?
00:45:17It's a screwdriver
00:45:18You, you sneak
00:45:27You're a terrible boy
00:45:28A terrible human boy
00:45:30Is that your mother?
00:45:32Certainly
00:45:33Put that light out at once
00:45:34At once
00:45:35But I brought something for you
00:45:38I brought it especially
00:45:39I
00:45:40It's very kind
00:45:42But we don't need anything
00:45:44Thank you
00:45:44Thank you very much
00:45:46We don't need anything at all
00:45:47Nothing except our roof
00:45:49Show us what you've got
00:45:50It's this
00:45:51Oh
00:45:55Oh
00:45:55Well, thank you
00:45:57Thank you very much
00:45:59And now we'll be good enough
00:46:00To put our roof back
00:46:02Wait a minute
00:46:02There's something else
00:46:04Try it
00:46:09Just about fit you
00:46:12Pa, that one
00:46:13Oh
00:46:18Pa
00:46:19It's perfection
00:46:20I'll get the rest
00:46:22Thank you
00:46:29But please
00:46:29No more in the parlor
00:46:30It's getting all cluttered
00:46:32Everything looks so lovely, Papa
00:46:33Doesn't it?
00:46:35Just put the roof back on
00:46:36Will you?
00:46:37There's a bad draft
00:46:38Shall I nail you down?
00:46:40Of course nail us down
00:46:41You great clot
00:46:42I mean
00:46:44I've thought even more things
00:46:46Tell him to nail us down
00:46:47But lightly
00:46:49Just a tap or two
00:46:50Here and there
00:46:51She wants you to nail us down
00:46:55Lightly
00:46:55Just a tap or two
00:46:56Here and there
00:46:57First one I ever really and truly saw
00:47:13And it was a boy
00:47:14Oh
00:47:15Those beautiful things
00:47:17Think of what he brought us
00:47:18In just one visit
00:47:19Oh
00:47:20He's ugly
00:47:20I knew they were ugly
00:47:22But not that ugly
00:47:23She's
00:47:25She's not afraid of him
00:47:27Is she?
00:47:28Not one bit
00:47:29A human boy
00:47:30Arietti's no more afraid of him
00:47:32Than you are of her upstairs
00:47:34I shouldn't wonder
00:47:36It's in the blood
00:47:37I got my human being
00:47:40Arietti's got hers
00:47:42But
00:47:43You know
00:47:44I never heard of no
00:47:45Borrower
00:47:46Would ever do a thing
00:47:46Why shouldn't we?
00:47:48We'll just sit tight
00:47:49And make good use of him
00:47:51I'll show her
00:47:54Who?
00:47:56Her
00:47:57Aunt Sophie
00:47:58That's who
00:48:00And remorseful Eric
00:48:02Cannot help being amazed
00:48:04How in his heartless selfishness
00:48:06He left that fair child
00:48:07To go so far astray
00:48:08That's his trade
00:48:09To put boys with weird companions
00:48:11In the lowest floor
00:48:12Eric, did you know
00:48:14You like this story?
00:48:16Yes
00:48:16I've got a friend called Eric
00:48:18Did your mother really please
00:48:20Was all the new things
00:48:21I brought last night?
00:48:22Very sweet
00:48:23Yes
00:48:23Good
00:48:24Go on now
00:48:25Will you turn over please?
00:48:27No, the paper means
00:48:28That I was slogged last night
00:48:33For what she did
00:48:34Eric, I still was pierced
00:48:36But Vernon, he's scammers
00:48:37What are we going to do
00:48:50With all this stuff
00:48:51It's gotten beyond all reasons
00:48:53I know how you feel
00:48:54But he's been so kind
00:48:56You just can't tell him no
00:48:58Where are you going?
00:49:00Upstairs to her room
00:49:01For a place to sit down
00:49:02Your father was a soldier
00:49:10Wasn't he?
00:49:11Who'd he kill?
00:49:12Oh, I don't expect
00:49:13They told him
00:49:14Whoever needed killing
00:49:15At the time, I guess
00:49:16He killed other human beings?
00:49:19You're making it up
00:49:20No, I'm not
00:49:22No Boroark could ever
00:49:23Kill another one
00:49:24Not for any reason
00:49:25Why not?
00:49:27Human beings do
00:49:28All the time
00:49:29Then that proves what I said
00:49:30It's the human beings
00:49:32Who will die out
00:49:33There's too many
00:49:34Human beings to die out
00:49:35I'm glad I'm a borrower
00:49:37I'd rather be nibbling
00:49:38Everything
00:49:39Than kill other people
00:49:40I'm leaving tomorrow
00:49:41Leaving?
00:49:43You never said
00:49:44You were leaving
00:49:45Don't worry
00:49:46It's got all day today
00:49:47We can easily finish the book
00:49:49It isn't that?
00:49:50It isn't a book?
00:49:51Oh, how can you be so silly?
00:49:53You're like all human beings
00:49:54You're treacherous and dangerous
00:49:56Oh, do you think
00:49:58I'm dangerous?
00:49:59How?
00:50:00Because you make everything change
00:50:02And then you just go away
00:50:03And don't care
00:50:04You're glad to be going
00:50:05I wish you'd never come
00:50:06I should call the police now
00:50:16I know I should
00:50:16Wait a few days
00:50:19Maybe the things will turn up
00:50:20The boy will be gone tomorrow
00:50:21And who will get the blame then?
00:50:22I'd like to know
00:50:23Who is responsible for this house?
00:50:24Me!
00:50:25That's who
00:50:25What good will it do?
00:50:26You can't prove nothing
00:50:27You can't prove nothing
00:50:28You can't do it
00:50:28You can't believe it
00:50:29You can't do it
00:50:30You can't have to be
00:50:30No, you can't do it
00:50:31I'll see you next time.
00:51:31Come for one last look, so you can remember life.
00:51:41I'm to leave by 9.30.
00:51:43Will you be under the clock?
00:51:44Put a bit of rag around that hammer.
00:51:46Keep the noise down.
00:51:47And, uh, nail us down tight this time.
00:51:49Seeing this is once and for all.
00:51:52Thanks again.
00:51:54Good night.
00:51:55Bye.
00:51:56See you tomorrow.
00:52:01Good night.
00:52:31Good night.
00:53:01Good night.
00:53:05Good night.
00:53:07I'll take it!
00:53:09I'll take it!
00:53:11I'll take it!
00:53:13Come on there!
00:53:16I'll get to know him and speak in!
00:53:19I'll take it!
00:53:21You're not ready!
00:53:23No, no, no!
00:53:25No!
00:53:26I'll take it!
00:53:27No, no!
00:53:28No, no, no!
00:53:29No, no!
00:53:30No, no, no!
00:53:32No, no!
00:53:32No, no!
00:53:34No, no!
00:53:35And it's alive and squeaking!
00:53:39Stop your carrying on, you'll wake yourself if you haven't already.
00:53:41What is all this?
00:53:43Alive and squeaking the nest under the floorboard there.
00:53:49It's nothing, it's just that boy.
00:53:51He's built himself a little playhouse here.
00:53:53No, no, I've seen them running. I've seen them.
00:53:55Seen? Seen what?
00:53:57Well, they were like mice dressed up.
00:54:01Mice dressed up?
00:54:02Horrible.
00:54:03Vermin, that's what they was, vermin!
00:54:05Whatever they was, there's no sign of an hour.
00:54:07They've run away, that's why, under the floorboards, up inside the walls.
00:54:09The place is alive with them, I tell you.
00:54:11Just look at all this stuff.
00:54:13Playing dolls he was.
00:54:15Here, here, look at this.
00:54:17There's that little flute who was missing from the drawing room.
00:54:20And here's that silver thimble he was complaining about not long ago.
00:54:26The snuff box.
00:54:27Oh.
00:54:28There, two of them.
00:54:29Oh, the little devil!
00:54:31Look!
00:54:32Ladies of his handkerchief, monogramming all.
00:54:34Safety pins!
00:54:35No wonder I could never find any safety pins when I was looking for them.
00:54:38My big mattress needle.
00:54:40I looked everywhere for that.
00:54:41I knew I had one.
00:54:42Yeah, look at this with you, huh?
00:54:44Look at that.
00:54:46It's the gold pocket watch!
00:54:49It's going.
00:54:51It's going.
00:54:54And what's more, it's right.
00:54:55Mr. Grumple, that watch has been missing 17 years!
00:55:00Now, where do you suppose he found that?
00:55:02Well, what's he done with the big things from the drawing room, I wonder?
00:55:04Where's he put those?
00:55:05Not enough room down there for all that.
00:55:07Here, let's finish looking in the morning.
00:55:08No!
00:55:09Welcome back!
00:55:10No!
00:55:11Oh, no!
00:55:12Oh, no!
00:55:13Oh, no!
00:55:14Oh, no!
00:55:15Oh, no!
00:55:16Oh, no!
00:55:17Oh, no!
00:55:18Oh, no!
00:55:19Oh, no!
00:55:20Oh, no!
00:55:21Oh, no!
00:55:22Oh, no!
00:55:23Oh, no!
00:55:24Oh, no!
00:55:25Oh, no!
00:55:26Oh, no!
00:55:27Oh, no!
00:55:28Oh, no!
00:55:29I'm going to call the fumigator!
00:55:30The whole house, top to bottom!
00:55:31There's no need for that!
00:55:32Call in Tom Goodenough and his ferret.
00:55:34Set the ferret loose under the floor.
00:55:35I want this place cleaned out!
00:55:37Well, try the ferret first.
00:55:39You can always try the fumigators if that don't work.
00:55:41No need to upset a ladyship with the fumigators unless it's necessary.
00:55:44Well, get Tom right now, then.
00:55:46Right now!
00:55:47It's the middle of the night, woman.
00:55:48Come on, morning's good enough.
00:55:49We'll get ourselves a feisty little dog.
00:55:51We'll borrow that one at Turner's.
00:55:52Set him loose topside.
00:55:53He can track the ferret.
00:55:54We can see where he stops.
00:55:55Now, hold on, will you, till morning?
00:55:56Go, pocket watch.
00:55:57We've got to get the constable now.
00:55:59Oh.
00:56:00And I want you to spend the night right here.
00:56:02I want that hole watched.
00:56:03Nothing's going to come out of the hole now.
00:56:05All right, all right.
00:56:07Sit and watch it, seniors.
00:56:08You've got yourself into such a state.
00:56:09Do you mind about my state just to keep your eye on the old.
00:56:12And get the ferret early.
00:56:13I want this done before that boy gets away.
00:56:14All right, don't worry about it.
00:56:15Go on.
00:56:16Go on back to sleep.
00:56:17Sleep?
00:56:18Not very likely.
00:56:19Not this night.
00:56:35I want to take you to the attic.
00:56:36Arrietty.
00:56:37Arrietty.
00:56:38Where are you?
00:56:39It's me, Arrietty.
00:56:40You've got to get out.
00:56:41I can take you to the attic.
00:56:42We can't stay there.
00:56:43I heard her.
00:56:44If the ferret don't get us, she's going to fumigate.
00:56:45Top to bottom.
00:56:46After tomorrow morning, there's no place will be safe.
00:56:48Not indoors.
00:56:49Not in this house.
00:56:50We've got to emigrate.
00:56:51Come on, Arrietty.
00:56:52Not you two.
00:56:53Don't you start taking on.
00:56:54I'm not taking on.
00:56:55I'm so happy.
00:56:56Happy to be going outdoors.
00:56:57It's all I ever wanted.
00:56:58We can go to Aunt Lupe's.
00:56:59In the GoPro's home?
00:57:00Well, where else?
00:57:01How about the stables?
00:57:02How about the stables?
00:57:03How about the stables?
00:57:04How about the stables?
00:57:05How about the stables?
00:57:06We can't stay there.
00:57:07I heard her.
00:57:08If the ferret don't get us,
00:57:09she's going to fumigate.
00:57:10Top to bottom.
00:57:11After tomorrow morning,
00:57:12there's no place will be safe.
00:57:13Not indoors.
00:57:14Not indoors.
00:57:15Not in this house.
00:57:16We've got to emigrate.
00:57:17Oh, Arrietty, not you two.
00:57:18Well, where else?
00:57:19How about the stables?
00:57:21Oh, we've got to eat, don't we?
00:57:23There's nothing there for us.
00:57:25Will you go tonight?
00:57:29We can't cross the fields in the dark.
00:57:31Not with Arrietty and Homily.
00:57:38I can take you up to my room for the night.
00:57:40Take us?
00:57:41How?
00:57:42In a box or something.
00:57:43In his pockets.
00:57:44What does it matter?
00:57:45All right.
00:57:48Yeah, I suppose so.
00:57:51Hello.
00:57:52I was just...
00:57:53I just remember where I lost my slingshot.
00:57:54Don't you think I heard you whispering
00:57:55to something in there?
00:57:58We'll take care of that.
00:58:02Pick it up.
00:58:05What is it?
00:58:06Come on, put it in front of the hole.
00:58:09Wait for the door, please.
00:58:10A man with heaven only knows
00:58:11what kind of nastiness.
00:58:12I'll be with you in the morning.
00:58:18I want to talk to my aunt.
00:58:20You won't want it.
00:58:21Don't you know what he's talking to around?
00:58:23You wretched little pickpocket.
00:58:24Putting suspicions on honest hardworking people.
00:58:26Who you'll be talking to is the police.
00:58:28That's him.
00:58:34Oh, I can't seem to stop shivering.
00:58:36I know, Mama.
00:58:37I know, Mama.
00:58:38Why don't Pod come back?
00:58:39All right, Eddie.
00:58:40You think he's gone back in those rooms
00:58:41where Crampro could see him?
00:58:42Well, he might,
00:58:43if Crampro is really asleep.
00:58:45Now or never, Mama.
00:58:46Oh.
00:58:47We'll need some clothes.
00:58:48We can't arrive at 10 Jerry's
00:58:49all poor and destitute.
00:58:51All poor and what?
00:58:52Destitute.
00:58:53You wouldn't like it.
00:58:54Not in front of Aunt Lupe.
00:58:55Oh.
00:58:56Wish that boy would hurry on back
00:58:57and then lock the hole.
00:58:58Oh, Pod, thank goodness.
00:58:59Oh, she locked the boy up.
00:59:00What?
00:59:01Oh, yes.
00:59:02She back in the kitchen now with Crampro.
00:59:03And you know that big marble slab
00:59:04I told you about that they make pastry?
00:59:06She had Crampro lay it over the hole.
00:59:09We're trapped.
00:59:10What about the grating?
00:59:11Couldn't we,
00:59:12couldn't we get through it somehow?
00:59:13Oh, yes.
00:59:14Then it'd be straight outdoors.
00:59:15But how?
00:59:16That grating's made of iron.
00:59:17What?
00:59:18That's a nail pile?
00:59:21Hey.
00:59:22That's an idea.
00:59:25Steel against iron.
00:59:27Yeah, it would take a little while,
00:59:28but we've got some time.
00:59:29We've got six hours.
00:59:31Hey, you're pretty artful
00:59:32when the going gets tough.
00:59:33We're working shifts.
00:59:34We've got till 8 in the morning.
00:59:35What is it?
00:59:36Oh, it's the big boy.
00:59:37He must be the one with the face.
00:59:38He's going around the corner.
00:59:39It's all right.
00:59:40You go back to sleep.
00:59:41to sleep.
00:59:51It's all right, you go back to sleep.
00:59:57I have to go to the bathroom.
00:59:59Well, no, come along too, then.
01:00:02That's a boy.
01:00:03Come on now, hold on.
01:00:05Let me put that thing away into the lot of the crew.
01:00:07I have to go to the bathroom.
01:00:09Well, no, come along, too, then.
01:00:11That's a boy.
01:00:13Come on now, hold on.
01:00:15Let me put that thing away into the lot of the crew.
01:00:17I thought you said he'd be here by 8.30.
01:00:19It's past that now.
01:00:21Well, Mrs. Cranford would start without him if she has to.
01:00:23She won't leave here with that boy until she's got the goods on him.
01:00:27Take the baggies on and put it down in the court.
01:00:29Time's wasting.
01:00:31You ought to say goodbye to your aunt.
01:00:33And I may tell you she's in a very nasty temper.
01:00:37Oh, oh, oh, oh, oh.
01:00:39The master criminal is here.
01:00:41Oh, oh, oh, oh.
01:00:43Oh, oh, oh, oh.
01:00:45Oh, oh, oh.
01:00:46The master criminal.
01:00:47Good morning.
01:00:48They say crime doesn't pay.
01:00:50Have you been interviewed yet by the police?
01:00:52I like it.
01:00:53Perhaps you'd better tell me what bits and pieces of that junk downstairs you find so appealing.
01:00:56I'd gladly give it to you, you know.
01:00:58I didn't steal the things.
01:01:00You see, Mrs. Cranford, you might have asked him.
01:01:03Mrs. Cranford thought you were dickering with a receiver of stolen property.
01:01:07You were only playing, weren't you, boy?
01:01:09I just borrowed the things.
01:01:11I borrowed them for the little house.
01:01:13Did you give the policeman all the details, Mrs. Cranford?
01:01:15The midnight raise in the doll's house.
01:01:17The squeaking and running of terrible little things.
01:01:19He'll probably have to call out the reserves.
01:01:22Oh, too bad we didn't hit it off, boy.
01:01:26I'm too old.
01:01:27I say all the wrong things.
01:01:29But I believe always have.
01:01:31I expect you were bored and lonely here.
01:01:34A horse would have made all the difference.
01:01:37Crime is a natural consequence of not riding horses.
01:01:42Remember what I told you, Mrs. Cranford.
01:01:44Take my advice and keep the bottle caught.
01:01:48He'll change that tune when I'll bring him to her.
01:02:02Lay out in sizes on a clean piece of newspaper.
01:02:04Quick!
01:02:05The policeman's here.
01:02:06Wait, give me the file.
01:02:07The timer's running out.
01:02:08What about the clock?
01:02:09It's still covered.
01:02:10Did you check that?
01:02:11Yeah, it's covered!
01:02:12You put those things in the hold, didn't you?
01:02:14For a game like wasn't that it?
01:02:17All by yourself
01:02:21Worth a lot of money some of those ornaments according to mrs. Cranferl here
01:02:25How about that gold watch it's supposed to have been missing for years I?
01:02:29Found it. It was already down the hole when I found the hole
01:02:34Just kicking away down there was it after all these years
01:02:38Yes
01:02:39No, I mean I said it
01:02:44Oh
01:02:48One for you and
01:02:52One for me
01:02:54Call yourself a policeman. We've been sitting around here waiting precious time
01:02:58Wait up there it
01:02:59Come on
01:03:00What?
01:03:01Yes, come on
01:03:02Oh, boy, you mean
01:03:03Yes
01:03:04Grandpa
01:03:05Daddy, Grandpa
01:03:06I guess we have just seen now what you've got down that hole
01:03:08Here, get that creature, put it down, move the doorstop
01:03:10The hole's behind the doorstop
01:03:11That's right, it's big enough as he squeezes
01:03:13Ah, gee
01:03:14I put clothes there, our clothes, our scent, sort of a false trail like leading to the kitchen
01:03:28He'll give us more time
01:03:30It's no use trying to file anymore, the file is worn down, give me a hand, try to break this
01:03:45Everybody, here we go
01:03:47No, no, we can't do it
01:03:52Where are you going?
01:03:55Try to block up that passage more
01:03:57Come on
01:03:58She's burning something down there
01:04:01Is she scared?
01:04:02What did you tell me?
01:04:03No, she's only stopped to smell something, I can hear her
01:04:06There's nothing off down there
01:04:07I've heard something
01:04:07What, she's on something?
01:04:08I can move along, come on
01:04:10Come on, come on
01:04:35Oh, yeah.
01:04:38Oh, yeah.
01:04:40Oh, yeah.
01:04:50Eris.
01:04:51Can't go, sir.
01:05:00Arrianne.
01:05:01Arrianne.
01:05:02Break through.
01:05:03Break it.
01:05:04Get something, anything.
01:05:05Hurry, hurry.
01:05:12Get back.
01:05:13Get back.
01:05:21Run, run through the field.
01:05:22There you are.
01:05:23Right.
01:05:24Hey, you two.
01:05:25Go on.
01:05:26Go on.
01:05:27Get out of here before they follow you here.
01:05:28Come on.
01:05:29Come on.
01:05:30Come through.
01:05:31Go ahead.
01:05:32Go on.
01:05:33Hurry.
01:05:34Don't you see the bear will follow you.
01:05:35No.
01:05:36No.
01:05:37Go on.
01:05:38You want to kill us all.
01:05:39Hurry.
01:05:40Hurry.
01:05:41Get the Arrianne in the field.
01:05:42Go.
01:05:43Go.
01:05:44You're going to make me miss my train.
01:05:45There he is.
01:05:46Yeah.
01:05:47If you make me miss my train, I'll have to stay another week.
01:05:51My aunt won't be very happy.
01:05:52Well, we can leave now.
01:05:53Hurry up.
01:05:54We'll just make it.
01:05:55Come on.
01:05:56Come on.
01:05:57Move.
01:06:13I have to.
01:06:16I had to come back.
01:06:18I had to, Bart.
01:06:22I had to come back.
01:06:38Hey.
01:06:39Nothing's got itself caught.
01:06:40I should have caught.
01:06:41I never thought they wouldn't.
01:06:46Too bad you can't be at the finish.
01:06:47I sent you a little package.
01:07:08Mrs. Craftsville, take my advice.
01:07:10And keep the bottle caught.
01:07:13Across the horizon, beyond the next hill,
01:07:19Are places to borrow and park it to fill.
01:07:26Is there a cottage, a castle, or shale?
01:07:31I'll ride the inn, the light.
01:07:32I'll ride the destructible, a born shiny red.
01:07:37Our leaves are quite steeper,
01:07:38And you must come about,
01:07:41There are tomorrow's from you.
01:07:45There are tomorrow from you
Be the first to comment