- 4 months ago
Die Watching (1993) - Full Movie Uncut
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:30CastingWords
00:01:59CastingWords
00:02:01CastingWords
00:02:03CastingWords
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00:02:07CastingWords
00:02:09Hello?
00:02:10I'm here for the shoot.
00:02:20Is anybody there?
00:02:26Hello?
00:02:30Hello?
00:02:32Hello?
00:02:33Hello?
00:02:36Hello?
00:02:40Wait!
00:02:42What's your name?
00:02:44What was that?
00:02:46What's your name?
00:02:48Sheila.
00:02:50Sheila Walsh.
00:02:52I was scheduled for 6 o'clock.
00:02:54You look different than your picture.
00:02:56You look different than your picture.
00:03:00Well, my headshot's about five years old.
00:03:02I really need to get a new one.
00:03:04I don't get me wrong.
00:03:06I didn't mean to say that it looked bad.
00:03:10You look better than your picture.
00:03:14And you are?
00:03:16I'm Mike.
00:03:18I'm Mike.
00:03:20Please.
00:03:22So, uh...
00:03:40Am I the only one who showed up?
00:03:42No.
00:03:44Just the last one.
00:03:46No one else wanted to come this late.
00:03:48I had to work at the club till five.
00:03:50You said you're a stripper?
00:03:52Exotic dancer.
00:03:56A dancer, yes.
00:03:58Sorry.
00:04:00Sheila?
00:04:02Can you look into the camera, please, and repeat your name?
00:04:06I'm Mike.
00:04:08I'm Mike.
00:04:10Sheila Walsh.
00:04:14I take it, Sheila, that you don't have a problem with...
00:04:18nudity.
00:04:20The only thing I have a problem with...
00:04:24is not paying the rent.
00:04:30That's good.
00:04:32That's very good.
00:04:34Can you be sexy for me, Sheila?
00:04:38Got any music?
00:04:42No.
00:04:44No.
00:04:46No.
00:04:48No.
00:04:50No.
00:04:52No.
00:04:54No.
00:04:56No.
00:04:58No.
00:05:00No.
00:05:02Oh, no.
00:05:03No.
00:05:04No.
00:05:05No.
00:05:07I don't know.
00:05:37Hey, what are you doing?
00:06:07Oh my God, you look great.
00:06:10Look, are you going to let me unlock the gate or you want to stand out here all night?
00:06:13Well, that might not be such a bad idea. There's nobody around. We could do it right here against the fence.
00:06:22Hey, pal. Take a hike or something. Get lost. Get out of here.
00:06:28You are such an asshole.
00:06:30What did I do?
00:06:31You never know when to shut up.
00:06:32Well, who was that guy, anyway?
00:06:34He's my new next-door neighbor. He shoots video.
00:06:36Wow.
00:07:06Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:07Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:08Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:09Good morning, Nola. Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:10Good morning, Nola.
00:07:11Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:17Good morning, Nola.
00:07:18Good morning, Nola.
00:07:19Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:24Good morning, Nola.
00:07:25Good morning, Nola.
00:07:26Good morning, Nola. God, you were great last night. Hey, nice art. See you around.
00:07:32Good morning, Nola.
00:07:37Good morning, Nola.
00:07:53Good morning, Nola.
00:07:56I don't know.
00:08:268, 9.
00:08:51The body was found out of the dumps for 7 a.m. by the garbage man.
00:08:53We're getting a statement from him now.
00:08:55A lot of good that'll do.
00:08:57She was killed somewhere else and dropped here just like the others.
00:09:00You think it's the same guy?
00:09:02Same M.O.
00:09:03Knee-bodied, dropped in a dumpster.
00:09:05Always strangled or asphyxiated.
00:09:07We've got a real sickle on our hands.
00:09:12Coffee.
00:09:17Ain't gonna be it there for you, Pally.
00:09:19All right. Let's see what you got there.
00:09:22Yeah, between the cheeks, too. That's a good one.
00:09:24I've seen it three times myself, you know?
00:09:26Goddamn right.
00:09:27Hey, happy viewing, eh?
00:09:28Oh, if it ain't the boy Wanda, how you doing, Mikey?
00:09:31What's he got for me today?
00:09:33I tell you, I love this shit.
00:09:34You watch. Next week he'll be in with his wife looking for something with Meryl Streep in it.
00:09:38I love this shit out of this job.
00:09:40Are we alone?
00:09:41Are we alone?
00:09:43Yeah, you and me and 10,000 other videos in here. What do you think?
00:09:46All right!
00:09:48We got here Debbie, Claudia, Lisa, Judy, and...
00:09:52What's this?
00:09:54Ooh, Roxanne, eh?
00:09:59Okay, I tell you, I can hardly wait.
00:10:01That damn cocksucker.
00:10:03Hey, tell me, Mikey.
00:10:05And these broads here got any hairy armpits?
00:10:08What?
00:10:10Hair.
00:10:11Under the arms.
00:10:12You know, hairy bits.
00:10:13No.
00:10:14No.
00:10:15Some guy was in here last week asking.
00:10:17I just thought maybe...
00:10:18Never mind.
00:10:19All right, kid.
00:10:21There you go.
00:10:22Hey, you gonna have one for me next week?
00:10:24All right.
00:10:25I'm at the aeronauts here.
00:10:26Yay!
00:10:27Woo-hoo!
00:10:28All right, you gotta be full-dry.
00:10:29Oh!
00:10:30All right.
00:10:31All right, ladies.
00:10:32You got to be full-dry.
00:10:33Let me see.
00:10:34We're gonna be up in here, too.
00:10:35All right, thanks.
00:10:36All right, thanks.
00:10:37Okay, everybody.
00:10:38All right, thanks.
00:10:39All right, thanks.
00:10:40Those are my few things.
00:10:41Oh, you gotta make a lot of everything.
00:10:43All right, thanks.
00:10:44Please, I will not think so.
00:10:45You're gonna need to take a lot of everything.
00:10:46All right, thanks.
00:10:47Jillian, tell me this is going well.
00:10:53Fabulously, darling.
00:10:55I'd hate to think I was doing all this smiling for nothing.
00:10:58Relax, Nola. I handpicked everyone on the list, so your show here would be a raging success.
00:11:03Oh, great. A papered house.
00:11:05That's not what I meant. There are some very important people here who love you and your work.
00:11:11Smile.
00:11:12Okay, it's not the money.
00:11:14And you want to look at me? What are you staring at?
00:11:17All right, so anyway, if it's not the money, just go and get yourself another model,
00:11:21because you obviously don't respect me or I work.
00:11:24And then we can't accomplish it.
00:11:29She's so into this depth of emotion.
00:11:32She definitely shows some promise, but I tend to prefer the neorealists, don't you?
00:11:38I don't really know that much about painting it.
00:11:40No? You don't have to know anything about it.
00:11:44What is it that you like?
00:11:46Uh, I'm partial to clowns.
00:11:48Clowns?
00:11:49You know, the ones painted on black velvet.
00:11:57How goes it, Adam? Having a good time?
00:11:59Oh, yeah. Wonderful.
00:12:01You should be proud of Nola. It shows a hint.
00:12:03I sure am.
00:12:04These people are out to lunch.
00:12:07Tell me about it.
00:12:08How long before we even kick them out?
00:12:10Adam, this is my career we're talking about.
00:12:13Yeah, well, I don't have to like it, do I?
00:12:16Nola, great party.
00:12:18Is that everything all right?
00:12:22Adam's just feeling out of his element.
00:12:25God, he's really hitting the bottle, isn't he?
00:12:36I don't know if he just walked in. Late arrival.
00:12:40Hey! Hey!
00:12:41Visit the man from next door.
00:12:43Will you come to see the show?
00:12:46Come in! Come in!
00:12:47Noah wants to make sure everybody sees her paintings.
00:12:50You do like art, don't you?
00:12:52Everybody else here does.
00:12:55I don't know which one.
00:12:57That's okay, pal! Neither do I!
00:12:59Come here! Come here!
00:13:05There it is. An original Noah Carlyle.
00:13:08What do you think?
00:13:09I think it's very nice.
00:13:13You're right, pal.
00:13:15Not like these other things.
00:13:17Hey, just don't let Nola hear you call yourself nice.
00:13:20Nothing short of brilliant or magnificent will do.
00:13:23Hey, you want a drink or something?
00:13:25No, no, no.
00:13:27Oh, come on! Stay a while! Let me take your bag!
00:13:29No!
00:13:35Another weirdo.
00:13:36Please excuse me for a minute.
00:13:39You know what? There's some people that I want you to meet.
00:13:41Tell them I'll be there in just a second. I've got to go.
00:13:43Does somebody matter?
00:13:44No.
00:13:45No.
00:13:46No.
00:13:55Hey!
00:13:58Hey, wait a minute.
00:14:01I saw Adam talking to you in there and I don't know what he said, but I'm sure it was something really stupid.
00:14:06No, it was nothing.
00:14:07Well, I still feel like I have to apologize.
00:14:10You see, he's not a big fan of the art scene and he's had a lot to drink.
00:14:13I understand really.
00:14:15Just forget it. It's okay.
00:14:19Um, I'm Nola.
00:14:21Nola Carlyle.
00:14:23No, I'm sorry. I'm Michael.
00:14:25Hi.
00:14:27Hi.
00:14:29Hi.
00:14:30Hi.
00:14:32Could I come in for a minute?
00:14:34Okay.
00:14:35God, look at all this gear.
00:14:58I hope you're insured.
00:14:59This isn't the greatest neighborhood, you know.
00:15:02I mean, I don't have to worry, not about burgers, anyway.
00:15:06Who wants to rob an unknown artist?
00:15:09But all this?
00:15:11I really like your paintings.
00:15:13Really? Want to buy one?
00:15:16Just kidding.
00:15:17No, I would if I could afford it.
00:15:19I'd just spend all my money on equipment.
00:15:22Yeah, no kidding.
00:15:24Would you like something to drink?
00:15:25Sure, what you got?
00:15:27Water, juice, Coke, Diet Coke?
00:15:30Diet Coke.
00:15:30Diet Coke.
00:15:36So what do you do with all this stuff?
00:15:38Mom, I shoot industrial films, documentaries, train tapes.
00:15:43Really? Does it pay well?
00:15:46Sometimes yes, sometimes no.
00:15:49Thanks.
00:15:52I'm trying to get your Coke over here quick.
00:15:55I'm sorry.
00:15:56It's okay.
00:15:56We must be excited for you.
00:16:00Get to travel around, be creative.
00:16:04Well, I don't get a chance to be that creative.
00:16:07I basically just point the camera and shoot.
00:16:10Don't be so hard on yourself.
00:16:13It's not about the subject, it's about how you see it.
00:16:16Any form of self-expression is valid.
00:16:20There you are.
00:16:22I'm never going to wonder where the hell you disappeared to.
00:16:25Tell Julian I'll be right there.
00:16:27Tell her yourself.
00:16:28I've had enough of your bullshit for one night.
00:16:30I'm out of here.
00:16:31Adam.
00:16:32I'm out of here, Nola.
00:16:33Adam.
00:16:33I'm out of here.
00:16:35Thanks for hiding out with me.
00:16:37I'll see you around.
00:16:40I'll see you around.
00:17:10I'll see you around.
00:17:40I don't know.
00:18:10So you're a cop?
00:18:20What do you think?
00:18:40Oh, let me get this straight.
00:18:52You mean to tell me that he just took off when he knew what an important night this was for you?
00:18:57It was my own fault. I ducked out and left him alone. I mean, what was he supposed to do?
00:19:02Noah, stop making excuses for this guy. He's an insensitive asshole.
00:19:08If somebody did that to me, I would dump him in a heartbeat.
00:19:12Yeah, well, that's you. You've always got a million guys knocking down your door.
00:19:16That's because I can't find one that's worth a damn.
00:19:20You know, there are times when Adam can be very sweet.
00:19:22Mm-hmm, and I'm sure he's going to make a wonderful husband for some yuppie chick.
00:19:26But Noah, does he make you happy?
00:19:29Sometimes.
00:19:30Well, not that much anymore.
00:19:34I'm telling you, just dump him. Dump him. You don't need the aggravation.
00:19:41I don't know. I guess I just don't like the idea of being alone.
00:19:45Oh, that's my Nola. Always playing the suffering artist.
00:19:52Are you ready? Yes. Go.
00:19:55I don't know.
00:20:25You want to come here for some iced tea?
00:20:29Okay.
00:20:33Oh, that's my next door neighbor.
00:20:41Hi.
00:20:43Hi.
00:20:43Are you just getting back?
00:20:46Back?
00:20:47Yeah, I heard you got really late last night.
00:20:49Oh, yeah. Yeah, I got called to do some night shooting.
00:20:53Um, this is my friend Gabrielle. She's a model.
00:20:56This is my next door neighbor, Michael. He shoots video.
00:20:59Hi.
00:21:00Hi.
00:21:00Maybe you two can work together sometime.
00:21:02That'd be fun.
00:21:03Yeah, yeah, maybe.
00:21:05Uh, I'm really in a rush. I've got to go.
00:21:08Please, excuse me.
00:21:09Geeze, he sure was friendly.
00:21:15Not.
00:21:19He must have had a real long night.
00:21:20Geeze, he must have.
00:21:21Two in one a week.
00:21:47Our boy's been busy.
00:21:48Yeah, Hollywood Division just came up with a positive idea of our last victim.
00:21:52And?
00:21:53You were right.
00:21:54She fits the pattern.
00:21:55Sheila Waltz.
00:21:56Stripper, part-time actress.
00:21:58I get the picture.
00:21:59Got an address on her?
00:22:00She had an apartment over on Bronson.
00:22:02Well, let's go check it out.
00:22:04What about this one?
00:22:06The lab boys will take care of her.
00:22:08I hope to God we can get a line on this guy.
00:22:09Yeah.
00:22:39The lab boys will take care of her.
00:23:09Hi.
00:23:10Hi.
00:23:11I hope I'm not disturbing you.
00:23:13No, I was just working at the console.
00:23:15I can come back later if it's a bad time.
00:23:20No, no.
00:23:21Come on in.
00:23:22Thanks.
00:23:27After I came over here last night, I've been thinking about you and about all this equipment
00:23:32you have here.
00:23:33And I've been trying to figure out a way to use your video to promote my art.
00:23:39You see, Julie, and that's my agent, she's been trying to get me a real exhibition.
00:23:42And she's been taking slides around all the galleries like every other artist does.
00:23:47And I just want to do something different.
00:23:49You mean you wanted to use my camera to make your art come alive?
00:23:54Yeah, your camera and your editing.
00:23:57I don't know.
00:23:58I want to do something, something wild.
00:24:01You mean like an ADO and a paint box and special effects and...
00:24:06Whatever.
00:24:07I'm not the expert.
00:24:08Can you do that kind of stuff?
00:24:09Yeah.
00:24:10Yeah, I can do that and a lot more.
00:24:14I have to warn you, I'm a starving artist and I can't afford to pay much.
00:24:17No, I won't take any money.
00:24:19No, I can't let you do that.
00:24:21Nola, I want to do this for you.
00:24:23And for me.
00:24:24Really, I think it could be a great opportunity for the both of us.
00:24:27Are you sure?
00:24:28Yes.
00:24:30This is great.
00:24:31I'm so glad you're so excited about this.
00:24:33When can you start?
00:24:35Now.
00:24:36Now?
00:24:38Now.
00:24:39Just put that down where you want.
00:24:46Okay.
00:24:52Okay, now just get ready.
00:24:55Okay.
00:25:05Okay.
00:25:07Now, do you use these?
00:25:09Yeah.
00:25:09Right.
00:25:10And this and this.
00:25:12Okay.
00:25:13Uh, these?
00:25:15Sometimes.
00:25:17Okay.
00:25:18All right.
00:25:18There you go.
00:25:19Just sit down?
00:25:20No.
00:25:20Okay.
00:25:21All right.
00:25:22That's good.
00:25:24All right.
00:25:25What's so funny.
00:25:29Nothing.
00:25:31I was just thinking about something.
00:25:33Yeah, what?
00:25:35About how I finally got to meet my mysterious next door neighbor.
00:25:40Mysterious?
00:25:40Well, you never talk to anyone.
00:25:43I see you coming and going at all hours of the morning.
00:25:46I mean, for all I know, you're an assassin for the CIA.
00:25:48Can you turn that canvas a little more to the left?
00:25:52All right.
00:25:57What's that?
00:25:58It's great.
00:25:59Mm.
00:26:02Okay, now what?
00:26:03Now?
00:26:04We shoot you working.
00:26:06All right.
00:26:06We'll get some up in this area.
00:26:08All right.
00:26:09You ready?
00:26:10Yeah.
00:26:10All right.
00:26:19Hey.
00:26:20Now you.
00:26:21Show me that face again.
00:26:23Okay.
00:26:23Go ahead.
00:26:24Take it off.
00:26:25Take it off.
00:26:26That's good.
00:26:27That's good.
00:26:27Take it.
00:26:28No, you paint.
00:26:29No, you paint.
00:26:40Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
00:26:49All right.
00:26:50Put this on your shoulder.
00:26:51No.
00:26:51Come on, come on.
00:26:52No.
00:26:53Put it on your shoulder.
00:26:54No.
00:26:54It's going to be a little heavy.
00:26:55It's going to be great.
00:26:56Just...
00:26:56All right.
00:26:57All right.
00:27:05Take you.
00:27:07Cut it out.
00:27:08What are you doing?
00:27:08Goddamn bitch died only.
00:27:27Two months' rent, too.
00:27:28Yeah.
00:27:29Nice place you got here.
00:27:30Hey, you like it?
00:27:31I got an apartment available to keep it.
00:27:32Furnished, too.
00:27:33Joey!
00:27:34Turn the music down!
00:27:38There you go.
00:27:41Hey, thanks.
00:27:41We'll lock it up.
00:27:42Yeah, yeah.
00:27:46Hello.
00:27:49Snow Queen.
00:27:51One thing's for sure.
00:27:53She wasn't killed here.
00:27:55Look, we know this guy's into hookers and strippers.
00:27:59That's the pattern.
00:28:01What we don't know is how he finds him.
00:28:02Chance meetings?
00:28:04Random, maybe?
00:28:05Maybe.
00:28:06But this guy's too methodical for that.
00:28:08He finds him someplace and takes his time killing them.
00:28:12Dumbs the body one place and their cars, when there are cars, turn up somewhere else to wipe clean the prints.
00:28:18That takes him advanced planning.
00:28:20Personal ads?
00:28:21You may not be too far off, huh?
00:28:27Check this out.
00:28:28Oh, your ship.
00:28:29Amen.
00:28:29Amen.
00:28:59You may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off, but you may not be too far off.
00:29:59How close are we?
00:30:15We're done.
00:30:16Just laying down a little black at the end.
00:30:19Michael, I don't know I'm ever going to thank you.
00:30:22Don't worry about it. It was something that I wanted to do.
00:30:24Still means a lot to me.
00:30:28Leave a message.
00:30:29I'll call you back.
00:30:30Michael, this is Marie.
00:30:32I hope I'm not calling too early.
00:30:33I just wanted to confirm I'll be at the stage around nine.
00:30:36Bye.
00:30:42Michael, what's wrong?
00:30:45Nothing. I just forgot I had a sheet this morning.
00:30:48Oh, God. And I kept up on that. I'm really sorry.
00:30:51That's okay. Don't worry about it.
00:30:52I have to just get ready to go.
00:30:54Okay. How long will the sheet take?
00:30:56I don't know why.
00:30:58Well, I wanted to ask my agent and some friends over for the premiere screening.
00:31:02I was hoping you could make it.
00:31:03I don't know if I can, really.
00:31:06Michael, this is as much yours as it is mine.
00:31:09I could make it another night.
00:31:10No, tonight's fine. Tonight's fine. I'll be...
00:31:13Seven o'clock?
00:31:14Seven o'clock.
00:31:19Home machine?
00:31:20Who?
00:31:21That's not important.
00:31:22What do we want to know is, did you place this ad?
00:31:24Ah, that's a kid.
00:31:30I run him to the stage from time to time.
00:31:33Kid?
00:31:35What kid?
00:31:41Kid's what I call him.
00:31:42Michael Terrence is his name.
00:31:44How often do you run him to the stage?
00:31:46Mm-hmm.
00:31:47Once or twice a month.
00:31:48He's kind of like family.
00:31:50You know, Winnerick's not busy.
00:31:53He even has his own key to the place.
00:31:55You wouldn't know if he's coming anytime soon, do you?
00:31:57Well, he called yesterday about coming in this morning.
00:31:59He's running a little late.
00:32:27But frankly, I think you guys are barking up the wrong tree.
00:32:32Why do you say that?
00:32:34Because this kid wouldn't hurt a fly.
00:32:37He walks around here, he's afraid of his own shadow.
00:32:41Oh, Mike.
00:32:43Michael, come on over here.
00:32:44These two gentlemen, detectives, want to talk to you.
00:32:47This is Detective Barry and...
00:32:50Lewis.
00:32:51Lewis.
00:32:51All right.
00:32:52They wanted to ask you a few questions.
00:32:53Thank you very much.
00:32:54We'll take you from here.
00:32:56Okay.
00:32:56Did you place this ad?
00:33:02Yes.
00:33:03Yes, I did.
00:33:03What for?
00:33:05You mean, why do I want the girls?
00:33:08Yeah.
00:33:09I make adult videos.
00:33:11Solo girls, dancing, stripping, that kind of thing.
00:33:15Kind of sleazy, isn't it?
00:33:18What do you mean?
00:33:20Well, that's not exactly family entertainment, is it?
00:33:22Well, there's a market for it.
00:33:26There's nothing illegal about it, is there?
00:33:28It all depends on if that's how you're doing.
00:33:30You recognize this girl?
00:33:34No.
00:33:35You sure?
00:33:36Yeah.
00:33:37Then how come she circled your ad?
00:33:39I don't know.
00:33:41She might have sent me her picture.
00:33:42But it's kind of hard to tell from that photo.
00:33:45I mean, she's dead there, isn't she?
00:33:46No, she's taking a fucking nap.
00:33:49A lot of girls send me their pictures, but I don't always use them.
00:33:53She might have sent me her photo, but I can't tell for sure.
00:33:56If she did, would you still have it?
00:33:58No, I'd throw them out if I don't use them.
00:34:00And you're positive this girl never modeled for you?
00:34:03Sheila Walsh.
00:34:04That name isn't familiar to you at all.
00:34:08These videos you make, what do you do with them?
00:34:11I sell them to a local distributor.
00:34:13And who might that be?
00:34:14Argosy Video and Fountain.
00:34:16A guy named Jake Setzer buys all my stuff.
00:34:20Okay, Mr. Terrence.
00:34:22Thank you for your time.
00:34:24Is that all?
00:34:25That's all for now.
00:34:27We'll be in touch.
00:34:39What do you think?
00:34:41I don't know.
00:34:42He seems a bit nervous.
00:34:44But the old guy said he's always like that.
00:34:46Maybe we can check out the distributor.
00:34:48If she's in any of those tapes, we got our boy.
00:34:51What if she's not?
00:34:52Well, we got no way to connect him to the Walsh girl,
00:34:54let alone any of the others.
00:34:57I don't know, maybe.
00:34:58But there's something weird about the guy.
00:34:59And I got a feeling about him.
00:35:01He's fucking weird.
00:35:02Well, if he's our boy, we need more than a hunch to nail him.
00:35:05Excuse me.
00:35:10Oh.
00:35:11Oh.
00:35:25Jesus Christ.
00:35:26What's the idea of leaving me out there with the camera running?
00:35:29Just leave me alone.
00:35:30Get out of here.
00:35:32Buck, what is your problem?
00:35:35I said, just leave me alone.
00:35:39Oh, God, are you all right?
00:35:40Will you just leave me alone?
00:35:41Just leave me alone.
00:35:42Just leave me alone.
00:35:43Dude!
00:36:43Well, what did you think?
00:36:55I loved it.
00:36:58Nola, if I can't get you a show with that, the entire art world is in a coma.
00:37:02You really did that in one day.
00:37:04Well, Michael did it in less than a day.
00:37:06Oh, man's bloody genius. Why isn't he here?
00:37:09Yeah, why is that mysterious stranger of yours?
00:37:11Well, he said he tried to come. His shoot must have run long.
00:37:15I really want to meet him.
00:37:16Okay. Adam, what did you think?
00:37:20Well, it looked fine to me, but what do I know about art?
00:37:23All that video work must have cost a fortune.
00:37:26Actually, Michael refused to take any money for it.
00:37:29He did all that for free?
00:37:31What do you know? A true artist, just like Nola.
00:37:33What he lacks in business sense, he makes up for in talent.
00:37:36I was thinking we could do something more with this, you know, like a multimedia piece.
00:37:41I couldn't do it without Michael.
00:37:42Oh, of course not. The two of you'd work together.
00:37:44You supply the creativity and leave the rest to me.
00:37:47Copy of the tape?
00:37:48Yeah, right here.
00:37:50Sounds great to me. I'll have to talk it over with him, though.
00:37:52Terrific. Gotta go.
00:37:54I gotta go, too.
00:37:55I have an early breakfast meeting tomorrow morning.
00:38:00Listen, when you see Michael, be sure to tell him how impressed we are with the work.
00:38:03I will.
00:38:13Bye.
00:38:14Good night, you guys.
00:38:15Goodbye.
00:38:15I can't believe you sometimes.
00:38:26You can't believe me? You're the one who spent all night in the guy's apartment.
00:38:29We were working.
00:38:30According to you.
00:38:31Yeah, right. We had sex right on top of his editing console.
00:38:35That tape just produced itself.
00:38:36At such a bargain price, no less. You must have cut him quite a deal.
00:38:40You make me sick.
00:38:42You have to lower everything to the crudest level.
00:38:44You don't think anyone can feel passion above the waist.
00:38:47Unless this guy's a flaming faggot.
00:38:49You can't tell me that he doesn't want to fuck your brains out.
00:38:51Michael's not like that. He's very sensitive.
00:38:54Oh, and you're saying that I'm not?
00:38:56I'm beginning to wonder if you know the meaning of the word.
00:38:59You are a self-centered, arrogant prick.
00:39:06Nola, I'm sorry. I didn't...
00:39:07Go!
00:39:08Nola, I didn't mean to do that. I'm sorry.
00:39:09What are you?
00:39:14Michael!
00:39:15Michael!
00:39:16Hi!
00:39:17Hi!
00:39:18Oh, my God.
00:39:42Mike.
00:39:43Hi.
00:39:46We missed you tonight.
00:39:48You are, um...
00:39:50I'm Gabrielle. I'm Nola's friend.
00:39:52Oh, yeah, yeah. I remember. Hi.
00:39:55Hi.
00:39:56I saw your tape. I was impressed.
00:39:59Thank you. Thank you very much.
00:40:01Aren't you going to invite me in?
00:40:03Well, now's not really a good time.
00:40:05Oh, Michael, I'm not going to bite you unless you ask me to.
00:40:18You do have a lot of equipment.
00:40:27Video equipment, that is.
00:40:32So, is this where you work your magic?
00:40:34Is this where you're going to go?
00:40:35Is this where you're going to go?
00:40:36Yes.
00:40:39All these tapes. What's on them?
00:40:43Um, stock footage, mostly.
00:40:48Oh, and who are Nicole, Diane, and Sheila?
00:40:51Just models.
00:40:52Oh, yeah?
00:40:55What kind of models?
00:40:57Do they model with their clothes on or off?
00:41:05So, that's it.
00:41:06You're a pornographer.
00:41:08Or should I say a maker of adult videos?
00:41:11It's just something I do for money. I'm not proud of it.
00:41:13You don't have to be ashamed, Michael.
00:41:16Lots of people get their start that way.
00:41:19Come on, show me one.
00:41:21How about Sheila?
00:41:22She looks interesting.
00:41:26No.
00:41:27Not this one.
00:41:30You don't want me to see it because you're in it, is that it?
00:41:34Michael, it can't be that bad.
00:41:37And I'm not a prude.
00:41:41Ooh.
00:41:41What do we have here?
00:41:48Do you use these in your video too, Michael?
00:41:52Sometimes.
00:41:56Good.
00:41:58Because I'm not leaving until I see one.
00:42:01How about this one?
00:42:26I made this one this morning.
00:42:45Who's the girl?
00:42:46It's a marine.
00:42:50You think she's pretty?
00:42:52Yeah.
00:42:55What a trashy sort of way.
00:42:56What are you doing?
00:43:23I'm taping you watching a video.
00:43:28Do you mind?
00:43:31No.
00:43:43Do you like this?
00:43:43I love it.
00:43:44I love it.
00:43:55Isn't that your fantasy?
00:43:57Just to make love to both of us.
00:43:59Oh, yeah.
00:44:00Oh, yeah.
00:44:14No.
00:44:15No.
00:44:15Ah!
00:44:16Ah!
00:44:17Ah!
00:44:17Ah!
00:44:18Michael?
00:44:25Michael?
00:44:26Michael, is that you?
00:44:30Michael?
00:44:48Michael?
00:45:18Michael?
00:45:32This is becoming an everyday occurrence.
00:45:35Yeah, we gotta find this guy in soon.
00:45:39What a waste.
00:45:40Well, well, well, if he ain't out of duty.
00:45:46What happened to you, kid? Looked like you got a hat and heavy with a blow dryer.
00:45:50Look how you got for me.
00:45:53Just one? What the hell is this bullshit?
00:45:55It's the last one, Jake.
00:45:56Oh, yeah? For how long?
00:45:59For good.
00:46:00I'm not doing it anymore. I'm getting out of it.
00:46:02Oh, really?
00:46:03Well, this wouldn't happen to have anything to do with the little visit I got from the cops now, would it?
00:46:07What cops?
00:46:08Yeah, yesterday, two detectives came in here asking me about you and your tapes.
00:46:11What's the matter, kid? You in some kind of trouble?
00:46:13Huh?
00:46:14No, I'm just quitting. That's all.
00:46:17Well, what the hell are you gonna do now?
00:46:20I'm gonna do something that I can be proud of. Something respectable.
00:46:26Yeah, right, kid.
00:46:27Well, I'll tell you what. I'll look for you in the next Academy Awards. How's that, huh?
00:46:31Do you want the tape or not?
00:46:33Yeah, sure, I want the tape.
00:46:35What do we got here?
00:46:36Marie, huh?
00:46:38Tell me, kid.
00:46:39She my kind of girl or what?
00:46:41She doesn't have hairy armpits, but I think I'll find her satisfactory.
00:46:43Now, can I have my money, please?
00:46:45All right, all right. Hold your horses.
00:46:48I know, kid. I can't believe you're up and quitting like that.
00:46:51Good-bye, Jake.
00:46:57You're making a big mistake, kid. Working out in a sweet deal.
00:47:03You little shit.
00:47:09Hey, leave me, you dumb son of a bitch! Give me the wrong tape!
00:47:12Ah, you shit.
00:47:13Come on, take!
00:47:14Ah, you shit.
00:47:42Ah, you get to see me.
00:47:43I'm gonna need a big mistake.
00:47:45I'll be right back.
00:47:47You're doing nice.
00:47:48You're doing nice, man.
00:47:49I need a mini box.
00:47:51You have to get me, man.
00:47:53I'm done.
00:47:54I've got a big mistake for you.
00:47:56I'm done.
00:47:58I need to find you.
00:48:00I want the most sap.
00:48:02I need to find you.
00:48:03I can't believe it.
00:48:33Let's go.
00:49:03Hi.
00:49:10Hi.
00:49:11I wish you could have been there last night.
00:49:14I'm sorry. I wish I could have been, too.
00:49:16Did they like the tape?
00:49:17Julian loved it.
00:49:19So did Gabrielle.
00:49:20Really?
00:49:21Mm-hmm.
00:49:24Julian thinks that we should work together.
00:49:26She says that we could be L.A.'s hottest multimedia artists.
00:49:30What do you think?
00:49:33I'd really... I'd really like to.
00:49:39Well, I know that you have other stuff to do.
00:49:41I just thought you could do this on the side.
00:49:43No, it...
00:49:44It's not that.
00:49:48Okay.
00:49:49I just thought that you and I...
00:49:52I just need a little spark. I'm having a really rough week.
00:49:58Are you okay?
00:50:01You sure?
00:50:04Yeah.
00:50:04Do you have a fight without him?
00:50:09You could call it that.
00:50:14Well, I'm...
00:50:15I'm sure it'll be okay.
00:50:17I don't know much about relationships, but...
00:50:21If there's anything I can do...
00:50:24Michael, you are so sweet.
00:50:28Thank you for being so concerned about me.
00:50:33You are so different from him.
00:50:34Thank you, Pennsylvania.
00:50:36I don't even know.
00:50:38I'm not...
00:50:39I don't know.
00:50:40I love you.
00:50:41I'm sorry.
00:50:45I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:51:15I put into words. I was wondering why some people are allowed to be happy while others are chosen to suffer.
00:51:27It's an odd thing to say. What made you think about that?
00:51:34I think about it a lot. Why some people are blessed and others are cursed.
00:51:45I never bought into the idea that there was some all-powerful being that was in charge of our lives.
00:51:54I think we're all free to choose.
00:51:56That's what you'd like to believe. Maybe some people are.
00:52:06But some people are born into certain situations they didn't ask for.
00:52:18Michael, what's wrong?
00:52:22Is it me? Is it something I said? Is it something I did?
00:52:25Is it something I did? Then what? What is it?
00:52:41You have to understand. Sex has always been very difficult for me.
00:52:47One day, many years ago, my mother picked me up from school early
00:53:13to take me to take me to a doctor's appointment.
00:53:30Ooh, you too.
00:53:31Oh my God. Michael, I'm so sorry.
00:54:01Good morning. How are you?
00:54:17You haven't heard.
00:54:19About what?
00:54:21Sit down, darling.
00:54:31You have such lovely hands for an artist.
00:54:39It's bad, Noah.
00:54:43Gabrielle was murdered night before last.
00:54:52What?
00:54:56How?
00:54:56Well, they say she was suffocated somehow.
00:55:03It must have happened right after we left your place.
00:55:07I asked her if she wanted to go for a nightcap and talk about your wonderful work.
00:55:12But she said she had something else to do.
00:55:15If she'd gone with me, she'd be alive.
00:55:18Why would someone want to do that to her?
00:55:28Oh, the police don't seem to know or they're not telling. I don't know.
00:55:33Noah, I gave them your name and your address.
00:55:36They may want to talk to you, too.
00:55:37She was so good.
00:55:54She was so beautiful.
00:55:56No, it shouldn't be long, right?
00:56:07No, I'll be fine.
00:56:16It's just life and death, darling.
00:56:20That's all.
00:56:23That's all.
00:56:23That's all.
00:56:37That's all.
00:56:37That's all.
00:56:44That's all.
00:56:45What the hell happened to you?
00:57:08You blow dry and take a shit on you?
00:57:10What do you want, Jake?
00:57:11You're going to invite me in?
00:57:12I want it.
00:57:13Nice toilet you got here.
00:57:16You know, kid, I got to tell you something.
00:57:18I knew something was going on with you the minute the cops showed up, but I've got to admit,
00:57:22I had no idea how goddamn big it was.
00:57:25I don't know what you're talking about.
00:57:26Oh, I see.
00:57:28Folks, you meant to give me this tape of you and the lovely, uh, Gabriel.
00:57:32You know, kid, you got to be more careful.
00:57:34You got to make sure you put the right tapes in the right box.
00:57:36What do you want from me, Jake?
00:57:43Oh, come on, kid, knock off the bullshit.
00:57:45Oh, look, I came by to make a little business proposition for you.
00:57:49Now, in case you haven't heard, there's a hell of a market out there for this kind of shit.
00:57:52Now, granted, it's illegal and underground, but, uh, very profitable.
00:57:56You know what I'm saying?
00:57:56What are you talking about?
00:58:01Come on, kid, cut out this shit.
00:58:04Look, you've had all the fun making the tapes.
00:58:06Why don't you let somebody else enjoy them, huh?
00:58:08I mean, Christ, the girls sure as hell can't complain.
00:58:10Come on, what do you say, kid?
00:58:11I'll even split the profits with you.
00:58:13No, no, I won't do...
00:58:14Now, look, you little cocksucker.
00:58:16As far as I can see, you really don't have a choice in the matter.
00:58:18So either you cooperate with me so we can make a lot of sweet goddamn money,
00:58:21I'm going to turn your ass over to the police.
00:58:23In case you forgot, they don't gasp people.
00:58:24They just put little shits like you away for a long goddamn time.
00:58:28As far as I can see, a little sweet thing like you'd be pretty goddamn popular in prison.
00:58:33Come on, kid, what do you say?
00:58:35You're not spending the next 50 years here life being a pig boy and sing sing, do you?
00:58:39No.
00:58:40All right.
00:58:42What do you say, you pop that puppy in there, we think again, huh?
00:58:47You know, I got to add it to you, kid.
00:58:49I didn't think you had it, didn't you?
00:58:50As a matter of fact, you've got to be more careful where you get your girls the next time, you know?
00:58:55You've got to afford getting your sweet little ass busted.
00:58:58Okay.
00:58:59Out there, it's going to be easy to take your camera and your cute little ass out and make some more.
00:59:04Business, kid, supply and demand, supply and demand.
00:59:07I have some more right over there.
00:59:11Go get them.
00:59:12Let's go take again, huh?
00:59:16Goddamn it, kid.
00:59:17This is great.
00:59:19Look at her face.
00:59:20We're going to make a fortune.
00:59:24Goddamn it.
00:59:28Jake?
00:59:29Yeah?
00:59:29Do you play baseball?
00:59:31Huh?
00:59:31Huh?
00:59:31Michael?
00:59:53Michael?
00:59:59Michael?
01:00:00Michael, it's me, Nola.
01:00:06Michael!
01:00:11Michael!
01:00:18Michael!
01:00:25Are you okay?
01:00:28Michael!
01:00:31Are you okay?
01:00:34Yeah, why?
01:00:36Where'd all this blood come from?
01:00:38Oh, I was moving some equipment and I spilled some prop blood.
01:00:42It's pretty gross, huh?
01:00:44Are you okay?
01:00:46Come on, come have a seat.
01:00:53Do you want to talk to me about something?
01:00:55Michael, it's Gabrielle.
01:01:01What about her?
01:01:02What about her?
01:01:08She, uh...
01:01:12Night before last...
01:01:14Can you just excuse me for one second?
01:01:17I'll be right back.
01:01:18I'll be right back.
01:01:20I'll be right back.
01:01:22No.
01:01:24Sorry, I'll be right back.
01:01:30I'll be right back.
01:01:33I'll be right back.
01:01:35Okay.
01:01:36So now you know.
01:02:06Michael you killed her. Why? Why? Why did I kill her? Why did I kill any of them? I don't know.
01:02:22Oh my god. You're sick. You need help.
01:02:29It's a little late for that. Just like it's a little late for them. That's a little late for us.
01:02:37Would you like something to drink? Michael, no.
01:02:43Why don't you sit down and I'll explain it all to you. No. Come on, go ahead. Sit down.
01:02:50Never wanted to stop before. Didn't have a reason to.
01:03:00Until they met you.
01:03:10I didn't have a reason to.
01:03:16Until they met you.
01:03:20But now that's all changed. Can you hand me that tape please?
01:03:40Michael, no.
01:03:42Hand me the tape.
01:03:46No!
01:04:05You can either make this easy or you can make it difficult. It depends on you.
01:04:09You can never be the same now that you know.
01:04:25Michael. It's me, Nola. I'm still the same.
01:04:34I just want to help you. I won't let anyone hurt you. I promise.
01:04:40You promise?
01:04:43You promise?
01:04:45How can you promise? How can anyone promise me?
01:04:51Huh?
01:04:53Nola, it's Adam.
01:04:58Nola?
01:05:01Michael, don't please.
01:05:08Don't you remember last night? Doesn't it mean anything to you?
01:05:12Seems like such a long time ago.
01:05:15But it wasn't.
01:05:18Don't you understand? I just want to help you.
01:05:21Just let me go.
01:05:25Nola!
01:05:46Nola!
01:05:48Open up my car. I know she's in there.
01:05:52I know she's in there.
01:05:54Hold on!
01:05:59Buddy!
01:06:00What the fuck?
01:06:06Dick.
01:06:07I'm getting blood on your floor.
01:06:22Busy. Busy day.
01:06:37Busy. Busy day.
01:06:42Busy day.
01:06:44Busy day.
01:07:03Nola.
01:07:04No, I'm sorry, but Adam just won't be joining us today.
01:07:34I told you there was something weird about this Terrence guy.
01:07:53Let's brace this puke.
01:07:58I made them all watch what happened to him.
01:08:05After all, it was only fair.
01:08:13After all, they deserved it, and we last won't.
01:08:20Will you quit trying?
01:08:28Underneath, they're all just a bunch of evil, lustful bitches.
01:08:41Thank God.
01:08:48Barry!
01:08:52Barry!
01:08:57Barry!
01:09:04Barry!
01:09:20Let's go.
01:09:48Barry!
01:09:49Mary!
01:09:54Michael Terran!
01:09:55Step away from the edge of the rope!
01:09:57Do it now!
01:09:58Now!
01:10:08No.
01:10:16Michael, no!
01:10:19No!
01:10:24No!
01:10:49No!
01:10:50No!
01:10:51No!
01:10:52No!
01:10:53No!
01:10:54No!
01:10:55No!
01:10:56No!
01:10:57No!
01:10:58No!
01:10:59No!
01:11:00No!
01:11:01No!
01:11:02No!
01:11:03No!
01:11:04No!
01:11:05No!
01:11:06No!
01:11:07No!
01:11:08No!
01:11:13No!
01:11:14Transcription by CastingWords
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