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  • 3 months ago
Senior Entourage (2021) - Full HD Movie Uncut
Transcript
00:00:00I once had a big dream about making a really big Hollywood movie with a really big budget.
00:00:26Instead, I had to make this film with only 10 cents.
00:00:31All right, it wasn't exactly 10 cents, but we had very little money and no script.
00:00:36Where's the script?
00:00:37Nobody got no scripts here.
00:00:42The seed for this film was planted years ago, as I gradually got to know my dear friend Mark Rydell,
00:00:48one of the most acclaimed film directors of all time, having to his credit such films as On Golden Pond,
00:00:55the Rose, the Cowboys.
00:00:58Come on.
00:01:00Hey.
00:01:01Hey, come on.
00:01:02Hey, hey, Mark.
00:01:04Come on.
00:01:05We have to start shooting today.
00:01:06What?
00:01:07We have to shoot?
00:01:08It's you.
00:01:09It's Ed Asner, Helen Reddy, Charlie Robinson, Marion Ross from Happy Days.
00:01:15My God.
00:01:16How terrific.
00:01:17Jesus Christ.
00:01:18You're bullying us.
00:01:19You're not treating this seriously, man.
00:01:21We're making a movie.
00:01:23Oh, my God.
00:01:24This is ridiculous.
00:01:25Oh, all right.
00:01:26I'm up.
00:01:27I'm up.
00:01:28I'm up.
00:01:29I'm up.
00:01:30Now what?
00:01:31I have a confession to make.
00:01:32Uh-oh.
00:01:33We went to the Sundance Film Festival without you.
00:01:36Standing by the wall in the back of the club.
00:01:39She's a beauty with the face of an angel.
00:01:43Get out on the floor.
00:01:44So sexy, turn me on.
00:01:46Put your body in the...
00:01:48I wanted to take you.
00:01:49I was hoping we'd meet up with your old friend, Robert Redford.
00:01:52And?
00:01:53I got shot down.
00:01:54Who shot you down?
00:01:55You know, it's high elevation, there's snow, slippery ice.
00:01:59I couldn't risk you falling.
00:02:00I never heard such bulls**t.
00:02:02You mean because there was snow and ice, I couldn't come?
00:02:05You thought I'd fall?
00:02:07You have fallen.
00:02:08I have seen you fall.
00:02:09Don't bulls**t me.
00:02:10I have seen you fall.
00:02:11No.
00:02:12Yes, I have.
00:02:13You must be somebody else.
00:02:14No, no, no.
00:02:15I have seen you fall.
00:02:16You're laughing.
00:02:17I have s**t.
00:02:18I'm laughing.
00:02:19I see you.
00:02:20I don't fall.
00:02:21Mark's robust physical appearance can fool you.
00:02:24But the fact remains, he's 90.
00:02:27We had already booked our flights in condo and couldn't get a refund.
00:02:31So we decided to go to Sundance anyway.
00:02:33Thinking about the music.
00:02:36Hey.
00:02:37The way you cut the rock.
00:02:39Yeah.
00:02:41Just like music.
00:02:43Hey.
00:02:45I can't get enough.
00:02:47Got me feeling spoopy.
00:02:48I feel so out of play.
00:02:52Yeah.
00:02:53Love how you're moving.
00:02:54Yeah.
00:02:55So let's go all the way.
00:02:57Baby, can this night get any better?
00:02:58I got to know better.
00:02:59I got to know better.
00:03:00I want to know better.
00:03:01I want no better.
00:03:02I won't know better.
00:03:04Oh, baby, can this night get any better?
00:03:09I want to know, better
00:03:11I want to know, better
00:03:13I want to know, better
00:03:15Baby, we can do whatever
00:03:19Together
00:03:21Forever
00:03:23Forever
00:03:25What happened to Dick Shawn?
00:03:30Yeah, he died on stage.
00:03:31On stage?
00:03:32Tell me that story.
00:03:33In the middle of his act, there were like 40 people in the audience
00:03:37And he lied down on the stage
00:03:39We thought it was part of the act
00:03:40And he laid out
00:03:42Boom, boom, boom, boom, boom
00:03:44Went on to the lawn
00:03:46Finally a stage manager came out
00:03:49He was dead
00:03:50How about you, you want to go like that?
00:03:53No
00:03:53You want to go on my movie?
00:03:55Would you rather die in bed
00:03:57With a young, hot, sexy nurse?
00:03:59So far sounds good
00:04:00You're liking this idea?
00:04:01Yeah
00:04:02You'll do that scene
00:04:02So far, I'm smiling
00:04:04You're liking that scene
00:04:05Yes, I do like that scene
00:04:06Wow
00:04:09You see the cross?
00:04:11You see me?
00:04:12Take a guess
00:04:13What am I going to be?
00:04:15Oh, yes, you're right
00:04:16The sexy, hot nurse
00:04:18So then I brought in Mark's dear old pal, Charlie Robinson
00:04:25Mark had hired Charlie years ago to play a role in his film, The River
00:04:30What the hell am I doing in a movie called Senior Entourage and ain't nothing, ain't no script?
00:04:36Charlie, what is with him?
00:04:38My agent called me, says, Charlie, you got a meeting at Universe Studios
00:04:42I said, with who?
00:04:44And they say, a man by the name of Mark Rydell
00:04:47Mark's got snapshots of pictures all over the place
00:04:52So he said, sit down
00:04:54I said, yeah, what's going on?
00:04:56What's going on?
00:04:58He said, look, I'm getting ready to do a movie called The River
00:05:00I said, yeah?
00:05:02He said, yeah
00:05:03And it's going to be with Sissy Spacek and Mel Gibson
00:05:06And I said, wow
00:05:08I said, uh, who is Mel Gibson?
00:05:12Uh, I'll tell you what, see, he teased himself as Francis Coppola
00:05:16That's what he sees
00:05:17So he thinks, if you're Francis, you don't hear the script
00:05:20Well, he's full of shit
00:05:21Francis, you're full of shit
00:05:24How am I going to write for this crew?
00:05:26This is a man who has done this for years and years
00:05:30Fifty f***ing years
00:05:32And he's brilliant at it
00:05:33Yeah, I know he's brilliant
00:05:34I know he's good
00:05:35So he understands what it takes to do a good, important film
00:05:39Listen to him
00:05:40And it's got to
00:05:41He knows what he's talking about
00:05:42You've got to answer
00:05:42You've got to write the thing
00:05:44I can't
00:05:45I wrote for Doris Roberts
00:05:46I wrote for Paul Mazursky
00:05:48Both of them died
00:05:49I was walking through Washington to see one day
00:05:51He grabs his heart
00:05:52Yeah
00:05:53Yeah
00:05:53And then he says he needs Tums or something like that
00:05:56But I thought he was having a heart attack
00:05:57I don't want the guy to die on me
00:05:58You know what?
00:06:00Yeah, I got
00:06:00That I've been trying to get money on for f***ing years
00:06:02And now I hear you're not happy with your five points
00:06:04And everybody else has got five points
00:06:06Oh, this whole thing was my idea
00:06:07Oh, f***ing
00:06:08That was your idea
00:06:10I ought to
00:06:12You ought to
00:06:12Oh, God
00:06:13Oh, man
00:06:14We're not going down now
00:06:15No, no
00:06:16What about me?
00:06:17I got final
00:06:18What about me?
00:06:21I got a final cut on this one
00:06:22You're a sexy hot nurse
00:06:22Yeah, you will
00:06:23I'm cutting you out
00:06:24I have final cut
00:06:26That's right
00:06:26I don't know
00:06:27You're a f***ing five point
00:06:28Okay
00:06:28Give me the hot nurse
00:06:29You want a sexy hot nurse?
00:06:31Yeah
00:06:31I would just say
00:06:33You're back to that
00:06:34I'm back
00:06:34I'm on a
00:06:34You want
00:06:35He wants a sexy hot nurse
00:06:38You're back to that
00:06:39I thought you liked him
00:06:40I don't want to forget
00:06:42You get to that point
00:06:43I want my hands up
00:06:44He's getting
00:06:46Father
00:06:47Yes, my son
00:06:50Please help me
00:06:52What's the problem?
00:06:53I've been living a very, very strange life
00:06:57What's your name, sweetheart?
00:06:59I'm your sexy hot nurse, Mark
00:07:01You sure are
00:07:02Yes
00:07:03Oh, my God
00:07:04How lovely
00:07:05But you're so
00:07:05Wow, I'm so glad to meet you
00:07:08Very nice meeting you, too
00:07:10What's your name?
00:07:11I have a special invitation
00:07:13From my friend, Vladimir
00:07:15Yeah
00:07:15Who organized a very good trip for us
00:07:18Where are we going?
00:07:19To St. Petersburg
00:07:20I want to go immediately
00:07:22Making love to women
00:07:24I don't even know
00:07:25Oh, God bless you
00:07:26I know it's wrong
00:07:27But I enjoyed it
00:07:28You did?
00:07:29I did
00:07:30A little bit of comfort
00:07:31That's what I'm here for
00:07:32I'm here to comfort you
00:07:34Not you
00:07:35I would love some comfort, too
00:07:37I'd like to know more about
00:07:39The filthy things that you've done
00:07:41And the dirty things you've done in your life
00:07:42You know
00:07:43If you could tell me something
00:07:44Do you want to hear my confession?
00:07:46Certainly
00:07:47Certainly
00:07:47Let's go
00:07:48In the name of the Father
00:07:52And the Son
00:07:52And the Holy Spirit
00:07:53Son, tell me your sins
00:07:54Bless me, Father
00:07:56For I have sinned
00:07:57It's been a long time
00:07:59Since my last confession
00:08:00How long?
00:08:01It's been a bunch of years
00:08:02Holy Jesus
00:08:03What have you done
00:08:04During that time?
00:08:06Well
00:08:06I've committed a lot of sins
00:08:09Right
00:08:09But
00:08:10The one I'm most concerned about
00:08:12Right now is
00:08:13Yeah
00:08:14Just this making of this movie
00:08:16You know
00:08:17You there
00:08:18Me here in the tub
00:08:19You in the tub
00:08:20Just, what are you doing?
00:08:24I don't want to get the money
00:08:25I don't want to get the money
00:08:25I don't want to get the money
00:08:26I don't want to get the money
00:08:28You want to join us?
00:08:30Come on, join us
00:08:31Come on in
00:08:32Come on in
00:08:33Come on in
00:08:34Come on in
00:08:34There you go
00:08:36Okay, enough of this delightful debauchery
00:08:39I was trying desperately
00:08:40To assemble an arsenal of actors
00:08:42To make this thing work
00:08:43Without money
00:08:44I had to rely on favors
00:08:45So we dragged in Ed Asner
00:08:48Any chance you can help us get
00:09:02Dick Van Dyke into this movie?
00:09:05Is he still alive?
00:09:07The other problem I had
00:09:08Was that I promised Ed Asner
00:09:09That Dick Van Dyke would be in the movie too
00:09:11Well, Dick signed a letter of intent
00:09:14But I wasn't actually able to get him
00:09:16Because, well, we didn't have a script
00:09:18You know, Brian
00:09:19Dick Van Dyke is not one of my strong impressions
00:09:22What about Robert De Niro?
00:09:25Robert De Niro, he calls him up
00:09:26Ed's got a question
00:09:28And Robert De Niro has to answer
00:09:30You know
00:09:30Go back and forth
00:09:32Have a little conversation
00:09:33I told him he'd be calling Dick Van Dyke
00:09:35I don't even know if Ed knows
00:09:37Oh, yeah
00:09:38If he knows that you're
00:09:39Okay
00:09:40Well, how about George W. Bush?
00:09:43Why couldn't he call him?
00:09:44You know, it's an old leftist
00:09:46Calling an old ambidextrous
00:09:48He should have this conversation going on
00:09:51It could be pretty classical
00:09:53I can't imagine Ed's going to believe
00:09:56That George Bush is going to take his call
00:09:58Could you
00:09:58I know
00:09:59He's got a good imagination
00:10:01How about Tommy Lee Jones?
00:10:02Tommy Lee Jones, call him up
00:10:03Or take his call
00:10:05Ed
00:10:05Ed Asner
00:10:06Ed's a good
00:10:07Tommy Lee Jones word
00:10:08Very short
00:10:09Ed
00:10:09Ed
00:10:10Just pick up the phone
00:10:11Will you call him for us?
00:10:13I said I was
00:10:14Yeah, I'll call him
00:10:15But I don't think Dick listens
00:10:18Dickie
00:10:19Dickie
00:10:20Is that you?
00:10:22Yes, Ed
00:10:24I'm here
00:10:25What do you want?
00:10:28Well, you don't have to be so abrupt, do you?
00:10:31Mark and I are involved in selling this idea
00:10:35It's called Senior Entourage
00:10:38What do you think?
00:10:41I guess so
00:10:42We've never worked together, have we?
00:10:45What?
00:10:45I said we've never really worked together, have we?
00:10:48Do you know what I mean?
00:10:49I remember watching you
00:10:51With Mary Tyler Moore
00:10:53And I learned a lot from watching you and Mary Tyler Moore
00:10:58I consider you, too, my tutors
00:11:02So, what do you say?
00:11:05Are you in or not?
00:11:06Well, I'm gonna have to see a script first
00:11:08You're gonna go in?
00:11:10I said I gotta see a script first
00:11:11Well, we'll send it to you in an email
00:11:14Yeah, I'm not too big on email
00:11:16Send me a hard copy
00:11:17I got your hard copy
00:11:19Well, you bastard
00:11:21Alright, Ed, we're done here
00:11:22Why do you make such problems, Dick?
00:11:25Because you're older than everybody else?
00:11:28Why?
00:11:29Answer me that
00:11:30Hello?
00:11:35Hello?
00:11:36Dick?
00:11:39You still there?
00:11:40If you'd like to make a call
00:11:42Please hang up and try again
00:11:43Sorehead
00:11:45And one thing that every film needs
00:11:49Is an investor
00:11:51It's an honor to meet you
00:11:54He wrote us
00:11:55He's helping paying for the film
00:11:57You see that guy there
00:11:58With the baseball cap
00:11:59And the scruffy beard?
00:12:00That's David Lockhart
00:12:01Our executive producer
00:12:02He's the guy who fooled me
00:12:04Into thinking we could make a movie
00:12:05For 10 cents
00:12:06It's an honor to meet you, sir
00:12:07It's an honor to meet you
00:12:08I've been following your career
00:12:10Since I was a little kid
00:12:11When I used to watch
00:12:12The Mary Tyler Moore show
00:12:13Mary Tyler Moore show
00:12:14Yeah, yeah
00:12:15I was on that
00:12:16That's right
00:12:17You were on that
00:12:18What do you do?
00:12:21Yeah, I'm a friend of Brian's
00:12:22He brought me on board with this
00:12:23Why?
00:12:25I want to see this project succeed
00:12:31What project?
00:12:34Senior Entourage
00:12:35Senior Entourage, that's it
00:12:37We're going to make a lot of money
00:12:38We're going to make a lot of money
00:12:40That's what I know
00:12:40That's what Brian told me
00:12:42What?
00:12:44You're repeating everything he says
00:12:46But you have an original idea
00:12:48No, I don't
00:12:49At this point, I don't
00:12:50He's one of our investors
00:12:52Treat him like
00:12:53I'm one of the investors
00:12:53You know
00:12:54Oh my God
00:12:55Ed Asner's chair
00:12:56Hey, hey, hey, hey
00:13:00What the hell do you think you're doing?
00:13:03Well, I just want to
00:13:04You want to put your dirty ass
00:13:05On my clean chair?
00:13:07No way, pal
00:13:08Who are you?
00:13:10Uh, I'm one of the investors
00:13:11On your project
00:13:12How much do you invest?
00:13:15Talk to Brian about that
00:13:16Who?
00:13:17Mark Wydell and Helen
00:13:18They just came
00:13:19They're out the door
00:13:20Oh, that's great
00:13:21Helen
00:13:21Ready
00:13:22Come on in
00:13:26Do you need more lights?
00:13:30Hello
00:13:30Nice to see you too
00:13:33Who's it only serves to make me
00:13:36More determined
00:13:37To achieve my final goal
00:13:41I am strong
00:13:44Strong
00:13:45I am invincible
00:13:47Invincible
00:13:48Invincible
00:13:49I am one
00:13:51Yeah
00:13:54Yeah
00:13:55I'm invincible
00:13:57Hello
00:14:00That was the highlight of my life
00:14:03Who's directing?
00:14:06I am
00:14:06What?
00:14:07You
00:14:08Me
00:14:09Hey
00:14:10You
00:14:11Sit over here
00:14:21Is it alright?
00:14:22Sit in his chair
00:14:22You have one with my name on it?
00:14:25What were you doing in my chair?
00:14:27What?
00:14:28Get out of my chair
00:14:29You're gonna have to drag me out of your chair
00:14:31My chair is sacred.
00:14:33That's right, and I'm a sacred person.
00:14:35Get him out of here!
00:14:38No chance. This is my chair from now on.
00:14:41He's not leaving.
00:14:42Hey, Helen, are you ready for this?
00:14:45I am now.
00:14:46Where's the script?
00:14:48I keep telling you there is a script.
00:14:50There is a script somewhere.
00:14:51Mark, I wrote a script, I gave it to you,
00:14:53but not everyone in this cast can remember lines, right?
00:14:56Well, I remember everything.
00:14:58What's my name again?
00:15:00Mark, write it down.
00:15:01Oh, yeah, I got a mark right now.
00:15:03Your comments about the writing being bad?
00:15:06I'm one of the investors.
00:15:07I mean, you weren't serious, were you?
00:15:10You didn't write this, did you?
00:15:11No, but I put money in it.
00:15:13How much?
00:15:15Enough.
00:15:15Enough? Oh, I'm so worried about your investment.
00:15:18Do you think you're going to be okay?
00:15:21That's what I'm asking you.
00:15:22I think you're f***ed.
00:15:24I do think you're f***ed.
00:15:26If you can get the money back at all, try and get it.
00:15:30Try and see if you can get half of it back.
00:15:34You think that has anything to do with the writing?
00:15:37Yes, that's the writing.
00:15:40That's what happened.
00:15:41When the guy sat down to write this thing,
00:15:43he fell asleep like that.
00:15:44I did a film that didn't really have a script either.
00:15:54Kind of like this.
00:15:55On it was a little bit bigger scale.
00:15:57Just a little bit.
00:15:58And it was called Apocalypse Now.
00:16:00A little bit bigger.
00:16:01Not, you know, you guys are close.
00:16:03Now that it looked like we might pull this off,
00:16:06Lockhart and I needed another producer.
00:16:07I knew this terrific actress-producer, Dahlia Weingort,
00:16:11who had performed in my plays in the park with Doris Roberts.
00:16:14Oh, gosh, I miss Doris.
00:16:16She was hilariously funny and such a sweetheart.
00:16:18I'm the producer of film.
00:16:20I'm also, I guess, acting in it.
00:16:22I don't know.
00:16:23I'm Brian's therapist.
00:16:26I'm wearing way too many hats.
00:16:30Oh, my God.
00:16:31What the hell are you doing in here?
00:16:32I don't have any...
00:16:33Guys, I don't have any makeup on.
00:16:35I'm doing laundry.
00:16:35What the heck are you doing in my house?
00:16:37Okay, did Brian put you up to this?
00:16:39Who's Brian?
00:16:41I don't know.
00:16:41Ian, come on.
00:16:43He's been asking me to produce his film.
00:16:45He called me last night at 11 o'clock.
00:16:47We're having lunch.
00:16:48I have three kids.
00:16:49I'm not...
00:16:51I don't have time.
00:16:52I don't have time to do this.
00:16:52Don't worry.
00:16:53We cut it out.
00:16:54What's going on with you guys?
00:16:55What, you've been together like four years or something?
00:16:58Come on.
00:17:00Are you going to get married?
00:17:01Why is it about us now?
00:17:02Well, because you don't have to film me, so it doesn't have to be about me, right?
00:17:07It has to be about you guys.
00:17:09Actually, I would like to have an answer to that.
00:17:11What?
00:17:12Are you, like, surprised?
00:17:14So now you're taking sides against me?
00:17:16No, I'm...
00:17:17Why don't you answer a question?
00:17:18Why don't you answer a question?
00:17:19What question?
00:17:20Ian.
00:17:21Yes.
00:17:21I will marry, okay?
00:17:23Okay.
00:17:24Let's not do it now.
00:17:25I'm going to cut.
00:17:25All right.
00:17:27Okay, Brian, I'll do it if my kids can be in the film, okay?
00:17:29Oh, my God.
00:17:30No, no, seriously, they're great.
00:17:32No, no, my daughter's a legit blues singer.
00:17:34My other one is a drummer.
00:17:36Why are you springing on this now?
00:17:38Your kids have to be in the movies?
00:17:39Yeah.
00:17:40Oh, my God.
00:17:42Brian, please.
00:17:43They're actually good.
00:17:44No, they're really good.
00:17:45Seriously, Ian knows.
00:17:46Yeah?
00:17:47He knows.
00:17:47He filmed them.
00:17:48They were performing in Santa Monica.
00:17:50All right, all right.
00:17:51Your kids can be in the movie.
00:17:52Leave me alone.
00:17:52I got to go.
00:17:53Okay.
00:17:54Come on, let's go.
00:17:55Okay, guys, leave my laundry room, please.
00:17:57So, I've been together with my boyfriend, Ian, for three and a half years, and I think
00:18:03for two years, he's been talking about he wanted to propose.
00:18:06We've been looking at rings, and it's been a talk, but he just needs to do some accent
00:18:12out of it.
00:18:13So, I'm just waiting.
00:18:14The clock is ticking.
00:18:15So, if he doesn't start to get going, then let's see what happens.
00:18:21This is an homage.
00:18:22This is an homage to Mark and Helen and Ed, and it's an homage to these great actors.
00:18:29Charlie Robinson is in it, and Marion Ross.
00:18:31You've got these incredible people that want to be involved in this movie, and we have to
00:18:35pay respect to them.
00:18:36And as they come out, we have to pay respect.
00:18:39We have to be able to put food on the table, and we have to pay.
00:18:42Do you understand?
00:18:43We have to pay them.
00:18:44How many times are you going to talk about seeing your entourage?
00:18:46I thought you finished filming that, like, years ago.
00:18:49No, we finished filming, but we still, we had a clear music.
00:18:52It took a long time.
00:18:53We had to raise some extra money.
00:18:54Yeah, and then this whole thing came on set with me and Catherine, my girlfriend.
00:18:59You know, we've been dating for a while, and I've been looking for rings, and everybody's
00:19:02giving me s*** why I'm not proposing, and what's going on, and like...
00:19:07We have some of your other clients in the movie.
00:19:09Who?
00:19:10Oh, yeah, yeah, that's right.
00:19:11Marion.
00:19:11Marion Ross.
00:19:12Yeah, yeah, yeah, yeah.
00:19:13And Jim Mesco.
00:19:14He's a great talent, the impressionist.
00:19:15Yes.
00:19:16Very good.
00:19:16He does De Niro, he does...
00:19:19De Niro, I do De Niro.
00:19:20Let's hear De Niro.
00:19:21Let's hear De Niro.
00:19:23A little bit, a little bit.
00:19:26You know, it's going to happen, I mean, like, soon, because I am working on it, just
00:19:32I have my own plans.
00:19:33I want to do it my own way, and it's just like when people say, hey, why don't you do it?
00:19:37Yeah, I'm going to do it when it feels right, you know, that's how it is.
00:19:41The thing is, I actually, I don't believe in God.
00:19:46I'm an atheist.
00:19:47Oh, an atheist.
00:19:48That's right.
00:19:49Yes.
00:19:50So does that make you, like, freer in your sex life?
00:19:53Do you feel like you can just do anything you want in your sex life because God's not going
00:19:57to punish you, right?
00:19:59You're free.
00:19:59You're free to be sex, sex free.
00:20:02Isn't that wonderful?
00:20:03Oh, it's a wonderful thing.
00:20:05I wish I could do that.
00:20:06I wish I could do that.
00:20:06You're free, so you can't do stuff like that.
00:20:08No, I can't do that.
00:20:09I'm sorry, I can't.
00:20:11I want to, but I can't.
00:20:12I'm not free, but you are free, and you're beautiful.
00:20:15Look how beautiful you are.
00:20:16So do you go out there and you have free sex everywhere?
00:20:19I wouldn't say that.
00:20:21No?
00:20:21No, because I have a boyfriend.
00:20:23A boyfriend?
00:20:24Yes.
00:20:25Oh, that's too bad.
00:20:26I've been with him for a very long time now.
00:20:29Really?
00:20:29Mm-hmm.
00:20:30Is he having sex all over the place with other people?
00:20:32I hope not.
00:20:34Oh, well, we'll see about that, won't we?
00:20:36If he comes in and confesses to me, I'll find out.
00:20:39But I'm not allowed to tell you.
00:20:40You know, that's the law.
00:20:42That's the law.
00:20:42That's the church law.
00:20:44I can't.
00:20:44If he comes in and says, look, I've been screwing around.
00:20:47What's your name, by the way?
00:20:48Catherine.
00:20:49I've been screwing around on Catherine all the time.
00:20:51I've got all these women out there.
00:20:53I can't say anything.
00:20:54It's the confessional seal.
00:20:56It's called the confessional seal.
00:20:57I can't tell you that he's been screwing around on everybody.
00:21:00Now back to the issue of Dahlia's musical munchkins.
00:21:05Have you ever tried to deal with a mom who wants her kids in a movie?
00:21:09Brian, my kids have performed in front of 3,000 people.
00:21:11They're professionals as well, okay?
00:21:13So just because they're young doesn't mean that they don't, they're not talented or they
00:21:16don't know what they're doing.
00:21:16You didn't come to our concert in Santa Monica, okay?
00:21:19You have no freaking clue what they can do.
00:21:22And listen, they do originals, so you don't have to worry about the clearances.
00:21:26Suddenly, I found myself wishing I was someplace else, anyplace else.
00:21:31Ah, this is better, much better.
00:21:34I just needed to speak to someone who really understands me.
00:21:37All right, all right.
00:21:38She can have her kids in the movie, just not the brat with the hat.
00:21:41He'd steal the whole show.
00:21:42No, Brian, come on.
00:21:44Yeah, it's going to piss off Asner and Rydell.
00:21:46I know it.
00:21:46Do you know how many people are going to want to see him in this film?
00:21:49He's a star.
00:21:50He wakes up in the morning to play, to play the guitar.
00:21:53He just, he gets up in the morning and he's like, guitar center, guitar center, I want
00:21:57to go play music.
00:21:58All right, all right, he's in the picture, but don't let him wear that hat.
00:22:00I hate that stupid hat he's wearing.
00:22:01Oh, no, the hat?
00:22:03The hat makes the whole thing.
00:22:04No, no, no, I don't want him wearing the hat.
00:22:06Okay, well, it's up to Eric.
00:22:07I'm sorry, you're, you know.
00:22:08Oh, God, I have no, I have no power.
00:22:10Ha, ha, ha.
00:22:12Bye.
00:22:20Where's the script, Gabe?
00:22:44Where's the script?
00:22:45What do we have to do to get a script around here?
00:22:47I was hoping to get laid on this show.
00:22:50Yes, well, I'm not up for that, you know.
00:22:53You're not?
00:22:54No, I'm sorry.
00:22:55I mean, I like you.
00:22:56Are you down?
00:22:56I like you, but it's a little pushy.
00:22:59You know, now you go to the movies and it's all about vampires and zombies.
00:23:03Yeah, yeah.
00:23:04I hope that there are no vampires or zombies.
00:23:07No, I don't, no, no, no, no.
00:23:09Come on, a few vampires and zombies never hurt anybody?
00:23:12I guess that's not exactly true.
00:23:20I've looked at Mark lately and he's, he's got some of those qualities, if you want to
00:23:26call them that.
00:23:27He looks like a blood sucker.
00:23:29And your wonderful movie, the wonderful movie when you played the old guy with the balloons.
00:23:35Yeah, that's up, yeah.
00:23:36What are you doing next?
00:23:37You.
00:23:38Yeah.
00:23:38What are you doing?
00:23:41Boy, I'm looking at your earlobes.
00:23:43Why?
00:23:44Because they're so long and funny.
00:23:47Pendulous.
00:23:47Pendulous.
00:23:48Pendulous, I like that.
00:23:49That's good.
00:23:52I had invested in a helicopter.
00:23:55It was going to save me a lot of tax money.
00:23:58Well, after a while, the guy didn't want it anymore and I'm stuck with the helicopter.
00:24:04Oh.
00:24:04So now I thought, how am I going to get rid of this helicopter?
00:24:08Yeah.
00:24:09And is he eating me alive?
00:24:12Oh, I'd like to be alive.
00:24:14So what I did was I said, I'm going to go on that plane up to Hamilton Island with Conrad Hilton
00:24:21and the Duck Hunters.
00:24:22Uh-huh.
00:24:23And I'm going to sell this.
00:24:25You never did?
00:24:27I finally did.
00:24:28Who was the sucker?
00:24:29Some guy up in Canada.
00:24:31Yeah.
00:24:31Yeah.
00:24:32The cast list was in the variety.
00:24:39And there my name is, it is.
00:24:41I said, what?
00:24:42I'm in the movie.
00:24:44This is even before we got, my agent didn't know.
00:24:48All the names from Brando to my, from Brando all the way down to my name down there.
00:24:57We did, was the one that was in the film.
00:24:59So have her sing in the film.
00:25:02I want her to sing in the film.
00:25:04Okay.
00:25:04So bring her over to my house.
00:25:06My husband, Martina, is a musician.
00:25:08But why didn't you tell me that?
00:25:09I didn't know that.
00:25:10Brian, come on.
00:25:11I thought he was a director.
00:25:12He's a director, but he's a musician.
00:25:13You haven't seen him perform all of them.
00:25:15No, you never told me that.
00:25:16I never knew that.
00:25:17Well, he's a musician.
00:25:18And I have a beautiful piano in the house.
00:25:20Bring her over to the house.
00:25:21We'll make her feel comfortable.
00:25:22She'll sing, and I can sell the movie.
00:25:24I need a hook.
00:25:25I need an angle to be able to sell the film.
00:25:27If I could sell the soundtrack, I could sell the movie.
00:25:29I stumbled upon this tune that she did that I forgot was hers, which I love, you know?
00:25:46I mean, I gravitate towards blues and gospel.
00:26:00So that might be, you know, I'm going to throw that at her and see if she'd be open to it.
00:26:04I still haven't learned it, but it's not that difficult a song.
00:26:09I just want to understand the nuances of it.
00:26:10So I was thinking that might be the right one to do.
00:26:14Brian Carter and his crazy f***ing ideas.
00:26:19How are you, Brody?
00:26:20Hello.
00:26:20Hello.
00:26:21How are you?
00:26:23Oh, huggy, huggy.
00:26:25Thanks for coming.
00:26:26My pleasure.
00:26:28You got a beard.
00:26:30I shaved mine.
00:26:32Bradley!
00:26:33Well, you're much more feminine than me, aren't you?
00:26:35In nuns' outfits you have them?
00:26:36Two Jews in nuns' outfits?
00:26:38What the hell's the matter with you?
00:26:39Have you gone crazy, Brian?
00:26:41Oh, my God.
00:26:42Please.
00:26:43I need a shot when I talk to you.
00:26:44I need a f***ing drink.
00:26:46I'll tell you that when I talk to you.
00:26:48How long have I known you?
00:26:49Oh, my God.
00:26:51Well, he's a year older than I am.
00:26:54How come I look so much younger than you?
00:26:57Because all that surgery you had.
00:27:01Anyway, that's, you know, the beauty's in the eye of the beholder.
00:27:05If certain people think you're beautiful, fine, they can have you.
00:27:09I don't care for you that way.
00:27:10I'm excited about the fact that you don't care for me.
00:27:14What?
00:27:14Oh, no, no, no.
00:27:15That way.
00:27:16Oh, that way.
00:27:17Yeah.
00:27:18Sexually?
00:27:18Is that what you're trying to say?
00:27:19Huh?
00:27:20Are you referring to me sexually?
00:27:22Yeah.
00:27:23And you're not interested?
00:27:24No.
00:27:25What the f*** is happening?
00:27:27And that nun's outfit certainly isn't flattering.
00:27:30What's the matter with my nun's outfit?
00:27:34What's with the nun outfits, Brian?
00:27:36What?
00:27:37I, I, I, it doesn't make any sense.
00:27:41Why do you have them in nun outfits?
00:27:43Nothing about this movie makes sense.
00:27:45I'm much more of a Jew than Mark.
00:27:49He probably wasn't even bar mitzvahed.
00:27:51Are you kidding?
00:27:52My bar mitzvahed is the talk of the Bronx.
00:27:55I looked out at the world and said, today I am a man.
00:27:58The only problem is I don't have any pubic hair.
00:28:01What's the movie Some Like It Hot with Jack Lemmon and Mark?
00:28:05But that's funny.
00:28:06They're in women's outfits.
00:28:08Well, these guys are in women's outfits.
00:28:10They're two old Jewish guys in nun's outfits.
00:28:13It looks like it's a bib.
00:28:15It looks like there's just schmata on him.
00:28:17It's not schmata, they're nuns.
00:28:19He's got a do-rag on his head and a schmata around like a bib.
00:28:22Like he's like, he's going to the cafeteria.
00:28:24It doesn't look like a nun.
00:28:25You put him in a wig, you put him in like lipstick.
00:28:27And that's a, that's a woman's outfit.
00:28:29This is not, this is a bib with a do-rag.
00:28:31As little as I saw you as an actor,
00:28:34you had a certain magic, a certain excitement as an actor.
00:28:41Maybe it was that evil grin, that Nazi grin that you had.
00:28:47But it was that grin.
00:28:48But I appreciate the compliment.
00:28:50And I, whenever I got close to you,
00:28:54this is when you hired me for the Virginian.
00:28:57I, uh...
00:28:58What?
00:29:00Now I'm in Virginia.
00:29:02Now, here's the grand pop quiz.
00:29:06Did Mark Rydell direct Ed Asner in an episode of The Virginian,
00:29:10or was it Gunsmoke?
00:29:11If I get the episode of Gunsmoke...
00:29:13You get it.
00:29:14And your name is on it.
00:29:15Yeah, put your...
00:29:16How much do I get?
00:29:17Put your footage where your mouth is.
00:29:19Ha!
00:29:20Truth is, it was Gunsmoke.
00:29:22It was Virginian.
00:29:24Gunsmoke.
00:29:25That's too bad, Virginian.
00:29:27On the weekend, one weekend, he saw me.
00:29:29He says,
00:29:29What are you doing this weekend, Charlie?
00:29:30I said,
00:29:31Not much of anything.
00:29:33He says,
00:29:33I want you to do something.
00:29:35He says,
00:29:35I love this character that you are working on.
00:29:39He said,
00:29:39Would you do me a favor?
00:29:40I said,
00:29:40What is it?
00:29:41He said,
00:29:41Go to your room tonight,
00:29:44whenever you get a chance.
00:29:46And he said,
00:29:47Put some of this stuff down on tape.
00:29:50That's how you feel about this guy.
00:29:54I said,
00:29:54Really?
00:29:55He said,
00:29:55Yeah.
00:29:56And I put this stuff down on tape.
00:29:57I felt, you know,
00:29:58because he was kind of wild-eyed
00:30:00and kind of crazy, you know.
00:30:02And I gave it to him,
00:30:03and he listened to it
00:30:05because he wanted to put it in the script
00:30:06because he had,
00:30:07like, you know,
00:30:09he had no script.
00:30:10Ed, you fell off the horse?
00:30:12Yeah.
00:30:12He fell off the...
00:30:14Knocked off a horse.
00:30:15I didn't fall off him.
00:30:16They switched horses on me.
00:30:20And fortunately,
00:30:22he did a right turn
00:30:23when he was supposed to.
00:30:25And then whipped your leg.
00:30:26The right turn was under
00:30:27a low-hanging branch
00:30:28and then knocked me off a horse.
00:30:32It was very exciting.
00:30:34I thought it was very exciting.
00:30:35And as the director, Mark, said,
00:30:37as I got him back on a horse,
00:30:39Print.
00:30:39He said,
00:30:40It's all right, Ed.
00:30:41A lot of guys wouldn't get back up on a horse.
00:30:45And I thought,
00:30:45Well, that'll get me to the store on time.
00:30:49God, yes, I'm remembering now.
00:30:51Yeah.
00:30:51As you remind me.
00:30:52Well, you said it was a Virginian.
00:30:55The gun smoker.
00:31:00This glass of water is in the key of G.
00:31:05You're wrong, it's M.
00:31:09One, two, three, four.
00:31:12Delta dog, what's that flower you have on?
00:31:18Could it be a faded rose from days gone by?
00:31:25And did I hear you say
00:31:28He wasn't leaving you here today
00:31:31To take you to his mansion in the sky
00:31:36She's 41 and daddy still calls a baby
00:31:43All the folks round Brownsville say she's crazy
00:31:49Cause she walks downtown
00:31:53With a suitcase in her hand
00:31:56Looking for a mysterious dark-haired man
00:32:02In her younger days
00:32:06They called her Delta dog
00:32:09Prettiest woman you ever laid eyes on
00:32:15Then a man of love
00:32:19The priest stood by her side
00:32:22And promised her
00:32:26He'd take her for his bride
00:32:29Go on
00:32:29What a dog
00:32:33What's that flower you have on?
00:32:37Could it be a faded rose from days gone by?
00:32:41And did I hear you say
00:32:46He wasn't leaving you here today
00:32:49To take you to his mansion in the sky
00:32:55To take you to his mansion in the sky
00:33:02I have no idea what happened
00:33:19But there was some human bones on this set
00:33:21Boy, I tell you right now
00:33:23My career will be over after I leave this place
00:33:27Yeah, yeah, yeah
00:33:28What are you laughing at?
00:33:30He's got that German quality
00:33:32I told you about earlier
00:33:32I'm telling you I'm Irish
00:33:34Will you stop this?
00:33:34People think he's a German Jew
00:33:36You know, before the war
00:33:38They used to ask Jews
00:33:39Oh, you're Jewish?
00:33:43And the response to me
00:33:44I'm a German Jew
00:33:45Not necessarily
00:33:46I'm a German
00:33:47Yeah, it's not me
00:33:48He poses a German Jew wherever he could
00:33:51With that Nazi grin
00:33:52You want to see my
00:33:53Yeah
00:33:54Oh, that's a twisted
00:33:58What do you think?
00:33:59You don't got any pants on
00:34:01Oh, that's funny
00:34:02He goes out
00:34:03And me and the guy
00:34:04And three other actors
00:34:05Are sitting around
00:34:06And here comes Francis
00:34:08Uh, listen, Joe
00:34:10He says
00:34:11I want to tell you something
00:34:12Now, you
00:34:13He said
00:34:13Now, let me explain something to you
00:34:15You are a
00:34:16A actor
00:34:17He says
00:34:18And Marty Sheen
00:34:19Is a actor
00:34:20He says
00:34:21Whatever goes on
00:34:21On this set
00:34:22Is my set
00:34:22Okay
00:34:23This is my
00:34:24Set
00:34:24So
00:34:26So anyway
00:34:27Now what happens is
00:34:29Mr. Brando shows up
00:34:32Mr. Brando shows up
00:34:35And so they say
00:34:37Marty goes to Mr. Brando
00:34:40He says
00:34:40Marlon, there's human bones on this set
00:34:44There is?
00:34:46Yeah
00:34:47The next day
00:34:48The bones are gold
00:34:50The bones are gold
00:34:55Oh, this has been such fun
00:34:58Yay
00:34:59Cause I've heard it all before
00:35:03And I've been down there on the floor
00:35:06And no one's ever gonna keep me down again
00:35:12Oh, yes
00:35:15I'm wise
00:35:17But it's wisdom but a pain
00:35:20Yes, I paid the price
00:35:23But look how much I gained
00:35:27If I have to
00:35:29I can do anything
00:35:33If I have to
00:35:34I can do anything
00:35:36I am strong
00:35:38I can't sing it
00:35:39Hello everyone
00:36:01I'm on the set
00:36:02Of Senior Entourage today
00:36:04Ed Asner, Mark Rydell
00:36:06And Helen Reddy
00:36:08We have your director
00:36:09He wants to do a lot of things, right?
00:36:12I just need some direction from you
00:36:13Oh, you're asking the wrong person about direction on this one
00:36:17I don't know
00:36:18I don't know
00:36:19There's zombies
00:36:20There's vampires
00:36:21There's whacked out
00:36:22Dahlia just didn't understand
00:36:23How badly I was scrambling to pull this off
00:36:26Belly dancers
00:36:26I don't know
00:36:27It's just gonna be
00:36:28You're just gonna have to go with the flow
00:36:29Okay
00:36:30I'm sorry
00:36:30You're gonna have to go through everybody's stuff
00:36:32And just
00:36:33Okay
00:36:34Pick the best things
00:36:35And what you think
00:36:35Are gonna be the best things
00:36:36I don't know
00:36:37Should I coordinate with Brian, the director?
00:36:40Because I'm just having a hard time getting to him
00:36:41Because he's very busy
00:36:42Well, it was a really frustrating morning
00:36:44You know, I had to get Ed and Mark dressed up as nuns
00:36:48That was no easy task
00:36:49Then Mark goes on this long search for his keys
00:36:53Then his wallet
00:36:54Then his phone
00:36:54And of course, Ed was grumpy as usual
00:36:57I thought you said I was getting my own car
00:36:59Why is he in it if it's my car?
00:37:03We can't afford two cars, Ed
00:37:04It took Ed 20 minutes to put the nun's costume on
00:37:09And when I come back, I see he's got it on backwards
00:37:11And did anybody tell you you have your nun's outfit on backwards?
00:37:14That's your t-shirt we can see
00:37:15I like it better this way
00:37:19Okay, fine
00:37:19I'm gonna be different from him
00:37:21So we finally get everyone loaded up in the van
00:37:24And we're all ready to film
00:37:26We're gonna drive down to the 405
00:37:27And get started with our day
00:37:29And then Ed announces that he's gotta take a pee
00:37:32Well, Liza handed me Ed's plastic pee bottle
00:37:35But as we're driving down the 405
00:37:37Guess who has to pour out the pee?
00:37:39Me!
00:37:40The director
00:37:40But enough about that
00:37:41Let's get back to the movie
00:37:43Hi
00:37:43It's me
00:37:45The sexy
00:37:46Ha
00:37:47Nurse again
00:37:48And my executive producer, David Lockhart
00:37:50Well, his Tom Cruise fantasy is cruising way out of control
00:37:54You had me at hello
00:37:56Stop!
00:37:58Take your fever!
00:37:59This is what happens when you give actors artistic freedom
00:38:03Now, does it bother you?
00:38:04That people could think that you're Tom Cruise?
00:38:08You know?
00:38:08I've had it since I was in the 8th grade
00:38:11People, homeless people
00:38:12To little kids
00:38:14To grandmas and grandpas
00:38:15They think I'm him
00:38:16So I think I grew up
00:38:18Sort of like imitating him
00:38:19Are you fit?
00:38:21Can you do all those things?
00:38:22Can you swing from a skyscraper?
00:38:2420,000
00:38:25You have a skyscraper?
00:38:26Let's go
00:38:27Let's do it
00:38:27You might get Tom Cruise in this movie?
00:38:31Yeah
00:38:31Oh my God
00:38:32I'd like to meet Tom myself
00:38:34Favorite nations
00:38:35He's getting the same deal as you
00:38:37He's getting what I'm getting?
00:38:38Yeah
00:38:38How did you do it?
00:38:40You bought him lunch?
00:38:43Oh my God
00:38:44Oh
00:38:44Oh
00:38:45Look who's here
00:38:47Look who
00:38:48Look who's
00:38:49Charlie
00:38:50Oh my
00:38:51It's
00:38:52Look
00:38:52Hey y'all
00:38:53Look who we got here
00:38:54This is
00:38:55Look at this
00:38:55Ain't this lovely?
00:38:57Oh my goodness
00:38:58I'm a big fan
00:38:59I'm a big fan
00:39:00Give me a big kiss
00:39:02Alright
00:39:02This is my man Tom
00:39:04My man Tom
00:39:05Alright
00:39:06Good to see you Tom
00:39:07Hey come on back
00:39:08Come on back and talk to me some more
00:39:09I will
00:39:09I will
00:39:10Thank you
00:39:10You made my day
00:39:12You made my day
00:39:14If I knew anything about this project
00:39:16I would be glad to tell you
00:39:17But all I know is they picked me up
00:39:19He's the one who organized it
00:39:22Brian Connors
00:39:24And we came out here
00:39:25Which is a very nice place
00:39:27To be honest with you
00:39:27I've always wanted to be a player in Hollywood
00:39:29So this is my chance
00:39:31And I figure
00:39:31This is a baby step
00:39:33But then this other dude comes
00:39:35And he says
00:39:36I need a camera to operate
00:39:38And can you operate
00:39:40And I'm looking at him
00:39:41And he says
00:39:42There will be food
00:39:44And drinks
00:39:45And I'm looking
00:39:47Still looking
00:39:48And he says
00:39:49And hot girls
00:39:51And I said
00:39:52Yeah
00:39:53I'm in
00:39:54Senior Entourage
00:39:56How could you not like Senior Entourage?
00:39:58Just the name
00:39:59You don't even have to say who's in it
00:40:00Or anything
00:40:00Just say
00:40:01Hey we're making a movie
00:40:02It's called Senior Entourage
00:40:03And people are like
00:40:04I want to be a part of it
00:40:05I have no clue
00:40:06What's going on in this movie
00:40:07It makes no sense to me whatsoever
00:40:10Look who's involved in this
00:40:11Ed Asner
00:40:12Seven, eight Emmy
00:40:13Emmy awards
00:40:14I mean that's incredible
00:40:15I mean absolutely incredible
00:40:17And yeah I know
00:40:18He's a little abusive to me
00:40:19But you know
00:40:20That just goes with the territory
00:40:21I met Ed Asner
00:40:23Doing a show
00:40:25Called Mr. Rickey
00:40:27Called the meeting
00:40:28And it was for
00:40:29L.A. Theatre Works
00:40:30Some crazy, crazy, crazy people
00:40:33It's just wild
00:40:36But I like it
00:40:37Let's see what happens
00:40:39In the editing room
00:40:39We'll figure it out in post
00:40:41We are in post
00:40:42All right
00:40:43We'll figure it out
00:40:44You're the director
00:40:47Meanwhile
00:40:48Back on the set
00:40:49Trouble was brewing
00:40:50One of my investors
00:40:52Was walking dangerously
00:40:54Close to the edge
00:40:55This was the last thing
00:40:57I needed
00:40:57I don't know if you know
00:40:58This or not
00:40:59I'm one of the producers
00:41:00In this project
00:41:01Um
00:41:02Okay
00:41:03Um
00:41:04How about a trailer?
00:41:06Well
00:41:06I'll have to talk to the
00:41:07Head boss about that
00:41:09Okay
00:41:10Um
00:41:11How about hair and makeup?
00:41:13Oh
00:41:13I think you're doing just fine
00:41:14Okay
00:41:16Yeah
00:41:17You don't need much hair
00:41:18Work or makeup
00:41:20Um
00:41:21My hair is getting crazy
00:41:23Oh
00:41:23It's beautiful
00:41:24Okay
00:41:25You probably get that all the time
00:41:26Though, don't you?
00:41:28Um
00:41:28Well, you know
00:41:29So
00:41:30Um
00:41:31What's your part of being producer?
00:41:33Are you
00:41:33Getting money?
00:41:35Or
00:41:35Well
00:41:36Um
00:41:36The head
00:41:37The head honcho and I
00:41:38Are
00:41:39Are like this
00:41:39And I
00:41:40I've invested some money
00:41:41In the project
00:41:42Yeah
00:41:42Okay
00:41:43Where the money goes
00:41:47I'm sorry
00:41:47Where the money
00:41:49Show me
00:41:51The money
00:41:51I love black people
00:41:54Show me
00:41:55The money
00:41:56Yeah
00:41:58It's okay
00:41:59I'm just kidding
00:42:00Continue
00:42:01Ignore him
00:42:02Yeah
00:42:04I want the money from this show
00:42:06Yeah
00:42:06I want the money from this show
00:42:08Show me the money
00:42:09Show me the money
00:42:10Alright
00:42:10I love black people
00:42:12Oh
00:42:12I love that
00:42:13He loves black people
00:42:14I like white people
00:42:15Alright
00:42:16Good to see you Tom
00:42:17Get out of here
00:42:18Go
00:42:18Oh
00:42:19Tom Cruise
00:42:21Is totally hot
00:42:23The first time I saw him
00:42:25I said
00:42:26Hey
00:42:26I did not know
00:42:27You were this short
00:42:28In real life
00:42:29He's like
00:42:31What?
00:42:31But I'm short
00:42:32I'm like
00:42:32Yeah
00:42:32Because the screen
00:42:33Makes you look so big
00:42:34My private jet
00:42:38Is coming to get me
00:42:40Private jet?
00:42:41Yeah
00:42:42Wow
00:42:43We've scored big
00:42:44You must really be big in Japan
00:42:48You really are a lovely woman
00:42:52So
00:42:54I hope that was good
00:43:03I don't think that was good, Phil
00:43:06Ni hao
00:43:07Ni hao
00:43:07Ni hao
00:43:07Ling
00:43:07Hi, it's Dalia
00:43:10Hey, would you like to be in a movie?
00:43:14On Golden Pond was a huge success in China
00:43:17And has remained popular there ever since
00:43:19Every Chinese know Golden Pond
00:43:21I'm very proud of that
00:43:22Yeah, so if I tell
00:43:24Oh, this is Golden Pond director
00:43:26The whole channel will clap in
00:43:28Oh, let's go where they can clap
00:43:30Yeah
00:43:31I'd love to hear some applause
00:43:32Hey, Marion, what's this?
00:43:35Oh, Kathy
00:43:37That's
00:43:38That's me
00:43:39And this is my hometown
00:43:40Of Albert Lee, Minnesota
00:43:42And I came there to be open up this theater
00:43:46And that theater's been there forever
00:43:49But I was performing in a play
00:43:51And they honored me by calling it
00:43:54The Marion Ross Performing Arts Center
00:43:56I was thrilled
00:43:59I was thrilled
00:44:00Thank you for asking
00:44:01Okay
00:44:01I always loved the scenes in On Golden Pond
00:44:04Between the young boy, Billy
00:44:06And the elderly character, Norman
00:44:08Played by Henry Fonda
00:44:09That's why it was so special for me to see Mark
00:44:12Teaching a young girl from China
00:44:13How to play piano
00:44:14What's your name?
00:44:16My name is Catherine
00:44:18Catherine
00:44:19What a beautiful name
00:44:21I love the name Catherine
00:44:23Oh, that's a pretty name
00:44:25How do you spell it?
00:44:27C-A-T-H-E-R-I-N-E
00:44:31C-A-T-H-E-R-I-N-E
00:44:36Got it?
00:44:37Yeah
00:44:37You play something
00:44:39Okay
00:44:40Okay
00:44:55Very good
00:44:59We learned how to play together
00:45:01In On Golden Pond
00:45:02The young boy asks Norman
00:45:04Played by Henry Fonda
00:45:05Norman
00:45:06Are you afraid of dying?
00:45:09Well, when young Kathy posed that same question to Marion Ross
00:45:12Their spontaneous exchange really took me by surprise
00:45:16Nice rhythm
00:45:17Nice tempo
00:45:17Who's that?
00:45:19Ah
00:45:20That's my Paul
00:45:21My Mr. Paul Michael
00:45:23And this is how we looked when I first met him
00:45:26This is him when he was young on Broadway
00:45:29Oh, so handsome
00:45:31Oh, so handsome
00:45:32And a great singer
00:45:33Where is he now?
00:45:36Well, he went to heaven
00:45:38You know
00:45:39Because he was like 80
00:45:42Almost 85 years old
00:45:44You know
00:45:44So
00:45:45That was a good life
00:45:46We had a wonderful life together
00:45:49Are you afraid of dying?
00:45:53No
00:45:54No, I'm not
00:45:55I find that that's a natural cycle of everything in life
00:45:59And
00:46:00I have a feeling
00:46:02I'm not ready to go yet
00:46:04But when the time comes
00:46:05You probably
00:46:06Are ready
00:46:08Somehow
00:46:09Somehow
00:46:10Because who knows
00:46:12What the next phase is
00:46:14And
00:46:15Maybe I will want to go
00:46:17Somewhere else
00:46:18Or become
00:46:20A piece of
00:46:21Atomic
00:46:22Energy
00:46:23Out in the universe
00:46:24Who knows?
00:46:26Who knows?
00:46:27Is that where you're going to be
00:46:29After you go to heaven?
00:46:31I don't know
00:46:33And I don't know anybody
00:46:34Who's been to heaven
00:46:35None of us
00:46:37Knows the answer to that
00:46:38And I can live
00:46:40With not knowing
00:46:41The answer
00:46:42And nobody knows the answer
00:46:44But
00:46:45I think
00:46:46That the structure
00:46:47Of the universe
00:46:48Is so orderly
00:46:49That I think
00:46:51It's going to be
00:46:52All right
00:46:53And maybe something
00:46:54More wonderful
00:46:56Than we can have
00:46:58Ever imagined
00:46:59Are you going to have
00:47:02An adventure
00:47:03In heaven?
00:47:04I think so
00:47:05I'm sure
00:47:07I'm sure of it
00:47:07So what's the schedule
00:47:17Today?
00:47:18The schedule is
00:47:18We're going to be
00:47:19Shooting
00:47:19Some rather
00:47:21Unorthodox shots
00:47:22I'm just trusting
00:47:24The director
00:47:25He's the one
00:47:26Who comes up
00:47:26With all the
00:47:27Great ideas
00:47:29Um
00:47:30What's your name
00:47:31By the way?
00:47:33Um
00:47:33Catherine
00:47:34Catherine
00:47:35What are you doing
00:47:37Behind the camera?
00:47:38I mean
00:47:38You're very beautiful
00:47:42Thank you
00:47:43Yeah
00:47:45Um
00:47:45Why don't you put that
00:47:47Down a second?
00:47:47Man man
00:47:48Don't even think about it
00:47:49Man
00:47:49Uh
00:47:51No just
00:47:52No
00:47:52No
00:47:53And your interest
00:47:55In this is?
00:47:56Man
00:47:57No
00:47:57Don't go there
00:47:58I'm writing
00:48:01Your paycheck
00:48:01I will cut
00:48:02Your head
00:48:03Like
00:48:04Here
00:48:05No
00:48:06This is between
00:48:07Me and her
00:48:07I'm cutting
00:48:08Your head
00:48:09Right now
00:48:09Let's see
00:48:10That's what's happening
00:48:11Cutting your head
00:48:12Um
00:48:14Alright
00:48:15I'm a professional
00:48:17She's taken
00:48:18Sorry
00:48:20Sorry
00:48:21It's fine
00:48:22All good
00:48:22Alright
00:48:23All good
00:48:23Just
00:48:24Not that one
00:48:25You see her?
00:48:26You're a lovely lady
00:48:26Yeah
00:48:27You're a very lucky man
00:48:28I know
00:48:28You're a very lucky man
00:48:30Yes
00:48:31No harm no foul
00:48:32Thank you
00:48:33I'd like to find a place
00:48:39Where I could settle down
00:48:41And I could do it too
00:48:43With you around
00:48:46I never thought that I'd want to share my life
00:48:51With a girl I'd want to call my wife
00:48:55But you're the one
00:48:57But you're the one
00:48:57I never thought that I'd want to share my life
00:49:05With a girl I'd want to call my wife
00:49:10But you're the one
00:49:11But you're the one
00:49:12You're the one
00:49:16You're the one
00:49:21Did you bring this or is this our wardrobe?
00:49:29I brought it
00:49:31Okay
00:49:31It's how I normally dress
00:49:33Okay
00:49:33Did you bring anything else?
00:49:34Um
00:49:35Yeah
00:49:35It's outside
00:49:36Okay great
00:49:37Because this one's a little busy for camera
00:49:39You know I'm one of the producers
00:49:41Oh you are?
00:49:43Okay
00:49:43Are you in the film as well?
00:49:45Yes
00:49:45Okay
00:49:46So I'll just check with Dahlia
00:49:48Because she brought me on
00:49:49But I know that there's a lot of disrespect
00:49:51Coming from you
00:49:52Towards the um talent
00:49:54So I just need to get you in
00:49:56Dressed properly
00:49:58And then I'll check with Dahlia
00:49:59On what else I'm supposed to do with you
00:50:01Who said that about me?
00:50:03Oh just a couple of the talent
00:50:04That came to get some breakfast in the kitchen
00:50:06I respect
00:50:08Every attractive woman on this set
00:50:11Okay
00:50:11What's your name?
00:50:14Erica
00:50:14Phillip
00:50:15So what are you going to wear in the scene?
00:50:21Well you've just told me I can't wear this
00:50:23Okay so let's grab some other stuff
00:50:25I'm going to check with Dahlia
00:50:27And what's your name again?
00:50:31Phillip
00:50:31Phillip
00:50:32Okay
00:50:32There's a guy on set
00:50:36Um
00:50:37That is being very disrespectful to all the talent
00:50:40He's really like crossing the line
00:50:42Uh okay who?
00:50:44Uh he says he's the producer
00:50:45So I told him that I would talk to you
00:50:50Phil
00:50:52Don't know his name
00:50:53Yeah
00:50:54Maybe Phil
00:50:55Maybe Phil
00:50:55Phil
00:50:56Yeah I don't know
00:50:57He's he
00:50:57Look he put in some money for the film
00:51:00He's an investor
00:51:00He's not really the producer obviously right
00:51:02Um
00:51:03I yeah I
00:51:05I don't know
00:51:05Okay I'll talk to him
00:51:06Okay cool
00:51:07I'll talk to him
00:51:07Phil
00:51:08You're a little inappropriate with some of the women on the set
00:51:13You have to be careful
00:51:14Okay cause I'm producing this movie
00:51:16And it's my reputation
00:51:17And I really don't want it to go sour for Brian
00:51:20Wow that's that's pretty um
00:51:25That's a pretty uh
00:51:28Hurtful thing to say
00:51:30Uh
00:51:32No you're a really nice guy
00:51:35Okay so maybe it's just you being friendly
00:51:37But um
00:51:38A couple of the girls
00:51:39I don't know
00:51:39The crew girls
00:51:40And some of the
00:51:41Some of the extras have just said that
00:51:42I don't know you're hitting on them
00:51:44I'm just being friendly
00:51:45Okay
00:51:46Friendly's fine
00:51:47But on a set
00:51:48You know there are ways in which people feel like they're crossing the line
00:51:52And you just have to be careful
00:51:53Okay cause you're
00:51:54You're an investor on this movie
00:51:56And you want to be in a position of respect
00:51:59And you know
00:52:00Courtesy
00:52:01But I'm the producer
00:52:02And you really have to understand that
00:52:04I like to hire women on my cruise
00:52:07Because then it shows that women are working in the industry
00:52:09And that you know
00:52:10We should be treated with the same equal respect as men
00:52:13And we should be paid the same amount of money as men
00:52:16Right
00:52:16Okay okay
00:52:17I'm getting a lot of
00:52:18A lot of hostility here
00:52:19I'm a loving kind of guy
00:52:21You've got me completely wrong
00:52:23I give out positive vibes to everybody
00:52:25People are just
00:52:27Maybe you're just misreading me
00:52:29I mean
00:52:29You are a charming woman you know
00:52:34I'm also a married woman Phil
00:52:37I don't know if you saw my kids on the set
00:52:40You know they were in the band
00:52:41They're
00:52:42I am
00:52:44Brian
00:52:45Meanwhile
00:52:47Ed was really starting to worry me
00:52:49Not only was he back in that nun's outfit
00:52:51He started growing a beard
00:52:53Hey Ian
00:52:54I need a favor
00:52:55Yeah
00:52:56What's up
00:52:56Yeah
00:52:57I need you to play Dracula in this next scene
00:53:00Dracula
00:53:02Yeah
00:53:02You can do it
00:53:04Mark is doing Dracula
00:53:05No no no no
00:53:05Mark's tired
00:53:06He took a nap
00:53:07And now he just wants to go home
00:53:08You know Mark
00:53:09He just
00:53:10He's gone
00:53:11Yeah but he has to play Dracula
00:53:12We're not going to get him to play Dracula
00:53:15This is our last day
00:53:16So get someone else
00:53:16Why me
00:53:17What do you mean why you
00:53:19I mean you've got the Romanian accent
00:53:21The whole thing
00:53:21Is it because I'm Romanian?
00:53:23Yeah
00:53:23What is it like a racist thing?
00:53:25No
00:53:26Romanian isn't a race
00:53:28That's like a country
00:53:29Oh come on forget it
00:53:31No I'm not playing a vampire
00:53:32Come on
00:53:33Ian come on
00:53:34I need a vampire
00:53:35Okay then get someone
00:53:36You have a lot of people on set
00:53:38I need a Dracula
00:53:38I need a real Dracula
00:53:39Oh so because I'm Romanian
00:53:40I'm playing a Dracula
00:53:41No you look like Dracula
00:53:42For God's sake
00:53:43Come on what everybody's against me here
00:53:44Like the Dalio wants me to like propose now
00:53:47And I like
00:53:47Yeah you should do that
00:53:49You're crazy if you don't propose
00:53:51Okay there's nothing to do with it
00:53:52Because there's five other guys on the set that would
00:53:54Yeah well okay
00:53:55I'm working on it okay
00:53:56But there's no hell I'm playing Dracula
00:53:58You are playing Dracula
00:54:00Alright listen
00:54:01Listen very good
00:54:03There's no way I'm playing Dracula
00:54:06You are playing Dracula
00:54:08No way
00:54:15I don't know
00:54:16There's something about vampire movies
00:54:18With everyone getting their next bit
00:54:20And their blood sucked
00:54:21So I was hoping there was a way
00:54:24That we could work in the vampires
00:54:25And keep my investors happy
00:54:27Perhaps even use some green screen
00:54:29In case we need to find sponsors
00:54:31Or get product placement
00:54:32We need to raise some money
00:54:35To finish post
00:54:36Welcome to Al's Discount Center
00:54:39Where our prices won't scare you
00:54:41Like our competitors
00:54:42I guarantee you
00:54:44You won't walk out of here
00:54:45Feeling like somebody
00:54:47Sucked the blood out of you
00:54:48So come on down
00:54:50And check out our prices
00:54:51Vampires really suck
00:54:58Phil is that his name
00:55:05Phil
00:55:05Yes Phil
00:55:06Okay so
00:55:07He's
00:55:08He's a nice guy
00:55:10But he's really like
00:55:10He's a very nice guy
00:55:11No no no
00:55:12He gave us a check
00:55:12That's the kind of guy
00:55:13Well so that's why
00:55:14I want to be cordial to him
00:55:16But he's
00:55:16He's f***ing up on the set
00:55:18With the girls
00:55:18Okay with the women
00:55:19On our
00:55:20He's a little
00:55:21He's a little
00:55:22I don't know
00:55:22He's lonely
00:55:23Okay but he can't use this
00:55:25As like a dating service
00:55:27You know
00:55:27We're not
00:55:28We're not here
00:55:28To satisfy his wimps
00:55:30Did he pay for
00:55:31For us to be able
00:55:32To get him a date
00:55:33I don't know
00:55:34He's trying to hit
00:55:35On our
00:55:36On our
00:55:36On our
00:55:37Our crew
00:55:37And our cast
00:55:38What's going on man
00:55:40What's your name
00:55:42I'm Phillip
00:55:44Hey Phil
00:55:45I hear you're looking
00:55:46For some action
00:55:47Hey
00:55:50Uh
00:55:53I think you got
00:55:55The wrong guy buddy
00:55:56No you look like
00:55:57The right guy
00:55:57Hey Phil
00:56:00Where'd you go
00:56:02Phil
00:56:03Come on
00:56:04Are you on a mission
00:56:10Here in America
00:56:10On a mission
00:56:11No I'm a MacGuffin
00:56:12I have nothing to do
00:56:13With anything
00:56:14I'm a MacGuffin
00:56:15I have nothing to do
00:56:16With the whole plot
00:56:17Of this damn thing
00:56:17I don't even know
00:56:18Why I'm involved
00:56:19But I'm so happy
00:56:20To see you
00:56:21I have a confession
00:56:22To make
00:56:22Oh really
00:56:23Yes
00:56:24I'd love to hear it
00:56:26I was playing
00:56:29The victim
00:56:29For too long
00:56:30Oh look at the
00:56:31Eyepatch
00:56:32Going back
00:56:32Right
00:56:33Oh my god
00:56:34Look at you
00:56:34I told Mr. Rydell
00:56:38Yeah
00:56:38That I was tortured
00:56:40Tortured
00:56:41That's why I lost my eye
00:56:43Oh really
00:56:43But I just wanted
00:56:45To be a victim
00:56:46Oh
00:56:47I wanted his sympathy
00:56:48Oh right
00:56:49I can see that
00:56:50I wasn't tortured
00:56:51No
00:56:52I torture people
00:56:53You torture me
00:56:54You torture me right now
00:56:55I'm getting very excited
00:56:57You know
00:56:58Is excitement torture
00:56:59My very first confession ever
00:57:02Oh really
00:57:03Well can you give me
00:57:04The quickie one
00:57:04Oh
00:57:05I like a cookie
00:57:06I like a quickie too
00:57:07Is it the one from Amsterdam
00:57:08With the stuff in it
00:57:09I don't know
00:57:10What the hell are you talking about
00:57:11Oh in Amsterdam
00:57:12We only have cookies
00:57:12With stuff in it
00:57:13Oh really
00:57:14Yeah
00:57:14Well would you confess
00:57:15Your sins
00:57:16Oh yeah
00:57:16So confession
00:57:16I'd like to really hear those
00:57:17Okay
00:57:18So ever since
00:57:19I saw Jude Law
00:57:20In the Pope
00:57:20I cannot get over him
00:57:22Wow
00:57:23Could you get into him
00:57:24Uh huh
00:57:25Yeah
00:57:25No
00:57:26I mean
00:57:27No
00:57:27This is a confession
00:57:28So
00:57:28Yeah
00:57:34Ah
00:57:36Ah
00:57:37Ah
00:57:38Ah
00:57:39Ah
00:57:40Ah
00:57:50Ah
00:57:52Ah
00:57:54Hey Dahlia
00:58:00Brian
00:58:01Please
00:58:02One more thing
00:58:03I just need five minutes
00:58:04Just one more thing
00:58:05Please
00:58:05I know you've worked hard
00:58:06But I need one more thing
00:58:07What
00:58:07I don't know where Ian is
00:58:09I don't know where the hard drives are
00:58:10We don't have backed ups
00:58:11And I think we're screwed
00:58:12If Ian's pissed off at me
00:58:13Ian's not pissed off
00:58:14He's finally getting married
00:58:16He's okay
00:58:16He didn't like doing that vampire thing
00:58:19He didn't want the attractive effects
00:58:20And he's pissed off at me
00:58:22Okay
00:58:22He's
00:58:23He's an actor
00:58:24Actually there's a couple more things
00:58:25I'd like you to do one more scene
00:58:26One more scene
00:58:27Are you crazy
00:58:28Yes
00:58:29One more scene
00:58:29No
00:58:30I've given you three weeks of my life
00:58:32For this
00:58:32You know
00:58:33Whatever
00:58:33I don't know
00:58:34I had
00:58:34Two
00:58:35Okay
00:58:36I had fun
00:58:37But your degree of toxicity
00:58:39I'm trying to sweat it out
00:58:40Right in here
00:58:41And you're not even giving me five minutes
00:58:43Now I'm toxic
00:58:44Right
00:58:44Now you say that to me
00:58:45I can't
00:58:46You're not toxic
00:58:47Okay
00:58:47It's just
00:58:48Phil
00:58:49And everything
00:58:50What about Phil
00:58:50He wrote us a check
00:58:52We wouldn't be making this
00:58:52He wrote us a check
00:58:53But I almost got freaking sued
00:58:54By a sexual harassment case
00:58:56With one of our wardrobe people
00:58:58Can you please
00:58:58Can you just close the door
00:58:59So that I can relax for five minutes
00:59:01Okay
00:59:02I'm trying to sweat it out
00:59:03Calm down
00:59:04Alright
00:59:04For God's sake
00:59:05Just close the door
00:59:06Calm down
00:59:07Stop filming me
00:59:15I can see you're a beautiful woman
00:59:22I think men have been ravaging you
00:59:24Probably for years
00:59:25Have they?
00:59:26I have three children
00:59:28Oh really?
00:59:28I don't think that I should be talking to you
00:59:30About that stuff
00:59:31Oh no, no
00:59:31Alright
00:59:31Yeah
00:59:31I
00:59:32Brian
00:59:33I
00:59:34I have several children myself
00:59:35And I'm a priest
00:59:36Do you believe that?
00:59:37A priest can't have children?
00:59:38Oh well I can
00:59:38I'm a different kind
00:59:40You know what I mean
00:59:40Yeah of course you are
00:59:41I'm a bit of a woman
00:59:44I'm a bit of a woman
00:59:44You know what I mean
00:59:45You know
00:59:45I have a couple of drinks like this
00:59:46And well
00:59:47Can I have some
00:59:48No
00:59:49You want some
00:59:50You want a little chat
00:59:51I'm really good at it
00:59:51Really you too
00:59:52Yeah
00:59:53Are you kidding me?
00:59:54Alright
00:59:54Oh
00:59:55Thank you
00:59:55Shuttleman Jack
00:59:56Yeah
00:59:56Alright
00:59:57There you go
00:59:58Oh my god
00:59:59You know
00:59:59Yeah
00:59:59It always gets me a little
01:00:01A little jacked off
01:00:02You know
01:00:02When I drink this
01:00:03You know
01:00:03Wow
01:00:03Wow
01:00:04Isn't that good?
01:00:05I think you and I
01:00:07I think you and I
01:00:10Might be an item
01:00:11If you think of it
01:00:12Well I wouldn't mind
01:00:12Getting in the bathtub
01:00:13I actually have been wanting
01:00:14Oh god
01:00:15This is what I've been hoping
01:00:16For all my life
01:00:17This is a really nice one
01:00:18Isn't this nice?
01:00:19It's very comfy isn't it?
01:00:21Oh
01:00:21I never thought I'd be in a bathtub
01:00:23With a Jewish woman
01:00:23I really didn't
01:00:24You know
01:00:25You're the second one
01:00:26To come in here
01:00:27The first one was a Jew
01:00:28Tell me a story father
01:00:29Sorry
01:00:30This part is only available
01:00:31In the special features menu
01:00:33Due to explicit language
01:00:35And content
01:00:36Okay
01:00:40So I convinced Brian
01:00:42That you guys can be in the movie
01:00:43Okay
01:00:43But you have to play music
01:00:45You have to play the drums
01:00:46And you have to sing
01:00:47What type of movie is it?
01:00:48Does it have like zombies?
01:00:49No it doesn't have zombies
01:00:50What are you talking about?
01:00:51This is a movie with Ed Asner
01:00:53And Mark Rydell
01:00:54It's a movie about old guys
01:00:55They don't have zombies
01:00:56Come on
01:00:57Everybody's driving me crazy
01:00:58I'm just trying to get this movie done
01:00:59Alright
01:00:59Easy buddy
01:01:01Easy
01:01:01No more kids in the movie
01:01:02No more kids in the movie?
01:01:04No more kids in the movie
01:01:05Hello folks
01:01:14Here at Ray's Audio and Video
01:01:16We understand budgets
01:01:18And would like to help put you
01:01:20Into a new entertainment center
01:01:22That you can afford
01:01:23So don't be a zombie
01:01:25Get on up out of that chair
01:01:26And come on down
01:01:28We're here until 10 o'clock tonight
01:01:30You wouldn't want to end up
01:01:31Looking like this guy
01:01:32Oh my god
01:01:33I'm worried about getting sued
01:01:35We're going to need a lawyer
01:01:36Hi
01:01:37I'm Melissa Centeno
01:01:38From Centeno Law Firm
01:01:39I am a partner
01:01:40And founder of the firm
01:01:42Where we specialize
01:01:42In corporate
01:01:43And mergers and acquisitions
01:01:45How do you know
01:01:53When a lawyer is lying
01:01:54Her lips are moving
01:01:57Come on
01:01:58Let's go see the cast
01:01:59Oh my god
01:02:05Are you kidding?
01:02:06Jimmy
01:02:07This is the greatest
01:02:08Hi how are you?
01:02:10I'm good
01:02:10I live in the front
01:02:12What you doing?
01:02:16What you doing?
01:02:17I want to suck your blood
01:02:25Oh yeah?
01:02:26Cut
01:02:27Cut
01:02:28I said cut
01:02:30No matter what the future brings
01:02:36As time goes by
01:02:40It's still the same old story
01:02:49A fight for love and glory
01:02:53A case of do or die
01:02:57The world will always welcome lovers
01:03:06As time goes by
01:03:16Tomorrow
01:03:30And tomorrow
01:03:31And tomorrow
01:03:33Creeps in this petty pace
01:03:37From day to day
01:03:39To the last syllable of recorded time
01:03:42And all our yesterdays
01:03:45Have lighted fools
01:03:46The way to dusty death
01:03:48Out
01:03:50Out
01:03:51Brief candle
01:03:52Life's
01:03:55But a walking shadow
01:03:57A poor player
01:03:59That struts and frets
01:04:00His hour upon the stage
01:04:01And then is heard no more
01:04:04It is a tale told by
01:04:06An idiot full of sound and fury
01:04:09Signifying
01:04:11Signifying
01:04:12Nothing
01:04:13Nothing
01:04:13You know Ian actually
01:04:16Just got a new dog
01:04:17And he wants the dog in the film
01:04:18What?
01:04:20It's a really cute puppy
01:04:21You know people
01:04:22Will actually come to see a movie
01:04:24Because of dogs
01:04:25And pets
01:04:26Oh come on
01:04:26What are we a YouTube video here?
01:04:28What's with Ian?
01:04:42He wants his dog
01:04:42And why is he telling us now?
01:04:44Well I think it would be really cute
01:04:45You know you can have the dog
01:04:46Sit on Mark's lap
01:04:47Or Ed's lap
01:04:48We only have enough dogs
01:04:49In this movie
01:04:50We don't need another dog
01:04:51In this movie
01:04:51Well maybe Ed's dog
01:04:53And Ian's dog
01:04:54Can you know
01:04:55I don't know
01:04:56Can do what?
01:04:57What are you suggesting?
01:04:59What kind of movie is this?
01:05:02Ay yi yi yi yi yi yi yi
01:05:04Are these dogs in the union?
01:05:06Are they SAG dogs?
01:05:07Are they SAG dogs?
01:05:29Ready?
01:05:30Come on
01:05:30The things a producer
01:05:39Has to go through
01:05:40Right over here
01:05:43Right there
01:05:44This is what you've been waiting for
01:05:45This is what we've been promising him
01:05:48This is how we get in the shoot
01:05:51Okay
01:06:00So we don't have any more money
01:06:02For a rap party
01:06:02You have to get another investor
01:06:05Another cameo?
01:06:07I'm Henry Penzi
01:06:08I'm from the original Entourage
01:06:10I was called in
01:06:12By Brian the director
01:06:14On this movie
01:06:14And I was a big fan
01:06:16When he brought up
01:06:17The great name
01:06:17As Senior Entourage
01:06:19So I'm still a big fan
01:06:20Of Senior Entourage
01:06:22Hey Henry
01:06:22Is Wahlberg going to sue us
01:06:24For using the title
01:06:24Senior Entourage?
01:06:26No he's not going to sue us
01:06:27Actually because I'm part of it
01:06:28So there you go
01:06:29Yay
01:06:29My name is Greg
01:06:32I'm in one of the gym scenes
01:06:35Henry brought me in
01:06:36And I just had a couple minutes
01:06:38To think
01:06:39And I think Senior Entourage
01:06:40Is the best one
01:06:41Or maybe
01:06:42Age Before Beauty
01:06:45The title
01:06:49You want a title
01:06:50Right
01:06:50Senior Fever
01:06:52I'm George
01:06:53I'm here for dessert
01:06:54I was part of
01:06:59Brian's Entourage
01:07:00When he was 17
01:07:02In fact
01:07:03A little bit earlier
01:07:03I went to high school
01:07:04With Brian
01:07:04And certain stories
01:07:07Are sealed
01:07:07But for enough money
01:07:09I will
01:07:10You know
01:07:11I have a Chinese name
01:07:13Already named this one
01:07:14And it's called
01:07:16Lao Ren Bang
01:07:17It's like
01:07:19Direct translation
01:07:20Will be seen here again
01:07:22Why could she wash her?
01:07:31Where is the
01:07:32F***ing script?
01:07:33Where is the script?
01:07:35We were supposed to do something
01:07:36Clearly
01:07:37We had an idea
01:07:38Where is the script?
01:07:40Since I couldn't wake Ed up
01:07:42From his nun nap
01:07:43I asked their old buddy
01:07:44Writer
01:07:45Jerry Sedley
01:07:46To stand in
01:07:47For the sunset shot
01:07:48So it was finally time
01:08:04To see if Dahlia's
01:08:05Musical Munchkins
01:08:06Had the right stuff
01:08:08Hi everybody
01:08:09Today I'm going to
01:08:10Sing an original
01:08:10And this is my sister
01:08:12Rebecca
01:08:13This is my brother Noah
01:08:14And this is my dad Martin
01:08:16Oh baby
01:08:28I love you all the time
01:08:33Oh baby
01:08:36Cause it's you and me baby
01:08:45Cause it's you and me baby
01:08:46It's you and me baby
01:08:49You and me baby
01:08:51It's you and me baby
01:08:54It's you and me baby
01:08:58Well, I'm very happy to say that Dahlia's kids certainly proved me wrong.
01:09:15Don't be scared, girl. Don't be scared. Don't be scared, girl. Don't be scared.
01:09:35I give you all of my heart. So we don't leave love torn apart.
01:09:44I love you each and every day. And this is why I say, I say, don't be scared, girl. Don't be scared, girl.
01:10:01No, no, no, no, no, no, no, no, no, no. Don't be scared, girl. Don't be scared. Don't be scared, girl.
01:10:11Now, don't you be scared, girl. Don't be scared.
01:10:19Excuse me. Are you Andy Dick?
01:10:22If there's money in it, yes.
01:10:24Really, are you Andy Dick?
01:10:26Not exactly, no.
01:10:28You probably get that a lot, don't you?
01:10:29I get that from time to time.
01:10:30I think he's alive.
01:10:34Oh, for Jesus.
01:10:35If you let me give you a little, a little, a little, a little cake.
01:10:40There you are, there you are. Come on, get up.
01:10:44Who the hell are you?
01:10:45Oh, you've got to confess your sins to me.
01:10:46Come on, come on, get up. Don't give me a hard time now.
01:10:49Confess what sins?
01:10:50Sins, the sins you have all your life already.
01:10:52What are you doing with that vodka?
01:10:53There you go, take it.
01:10:55Come on now, get up.
01:10:55What are you doing in this room?
01:10:57What the hell? I don't know where we are.
01:10:58I don't even know where we are, for God's sake.
01:11:00Where are you, a pervert?
01:11:01I thought you were dead.
01:11:02Are you a pervert?
01:11:03Come on now, come on, get up.
01:11:05You know what I need right now?
01:11:07Some forgiveness and grace.
01:11:09I'm so glad Jesus lifted me.
01:11:14I'm so glad Jesus lifted me.
01:11:19I'm telling you, I'm so glad Jesus lifted me.
01:11:24Singing glory, hallelujah.
01:11:27Jesus lifted me.
01:11:29Amen.
01:11:39Sing grace.
01:11:46Sing grace.
01:11:52How sweet.
01:11:55Oh, yeah, yeah, yeah.
01:11:57Holy.
01:12:01The song.
01:12:07Ah, there you go now.
01:12:08Oh, sister, sister.
01:12:09Get off me, get off me.
01:12:10Get off me.
01:12:10I don't want you near me.
01:12:11Oh, my God.
01:12:12All right, now, let me bless you.
01:12:14All right.
01:12:15In the name of the Father, and the Son, and the Holy Spirit.
01:12:19Now, relax, and just tell me your sins.
01:12:22So, if you do kick the bucket very soon,
01:12:25you'll go straight to the hereafter, okay?
01:12:28I'm not going to kick any fucking bucket.
01:12:31Well, don't you know what that means?
01:12:33What?
01:12:33It means you go up.
01:12:34You go up to heaven.
01:12:35I'm not going to heaven.
01:12:36You see the Lord.
01:12:37You see all the angels.
01:12:38No, no, no, no.
01:12:39Oh, for goodness sakes.
01:12:40You're in the wrong party.
01:12:42There's a good pick-me-up.
01:12:44Amazing grace, how sweet the song that saved.
01:12:57A wretch like me.
01:13:05I was, was lost, was lost.
01:13:10Now, what do you want?
01:13:16I want to hear your sins so that I can give you absolution,
01:13:21to give you and go straight to heaven if you die.
01:13:24You're going to go out that window before I die.
01:13:26I say, I say, mother, mother, mother.
01:13:42I say, mother.
01:13:44Mother, mother, mother, mother.
01:13:48Don't you mow
01:13:50Mother, don't you
01:13:56Mow
01:13:59Are you really a priest?
01:14:12Of course I'm a priest.
01:14:13What about Barlow MacGuffin?
01:14:14Don't you know me?
01:14:15For God's sake, I'm famous.
01:14:16I'm not a nun.
01:14:17You're not a nun?
01:14:18No.
01:14:19What the hell are you then?
01:14:24I'm about to have a good time.
01:14:25Really?
01:14:26Yeah.
01:14:27You like my shade?
01:14:29Oh, that's very becoming what?
01:14:31I don't know, but it's very becoming.
01:14:32They make the outfit, don't they?
01:14:34Really beautiful.
01:14:35Yes, you're a handsome nun, I'll have to say that.
01:14:38All right, this scene is getting really just a little bit too bizarre.
01:14:41I think it's time to wrap this movie up with a party.
01:14:44You're at the party of the year, the only thing that matters is filling up your cup, lost in the moment, it's on.
01:15:01You'll have the time of your life, don't matter where you're coming from.
01:15:06You're feeling your best, lost in the moment, it's on.
01:15:18Have the time of your life, take it all inside.
01:15:24You're feeling your best, lost in the moment, it's on.
01:15:28You're feeling your best, lost in the moment, it's on.
01:15:30It's so good to be you.
01:15:32So good to be you
01:15:40So good to be you
01:16:01So good to be you
01:16:02on your shelf, apart from reality, free in the moment, don't it feel good, don't
01:16:12it feel good, the party's on, stupid, you found a way out, loving yourself, don't
01:16:23it feel good, don't it feel good.
01:16:31Have the time of your life, take it all inside, can't believe you're out, nothing, nothing
01:16:44for me, it's so good to be here, it's so good to be here, it's so good to be here,
01:16:56it's so good to be here, it's so good to be here.
01:17:09We recently caught up with well-known Academy Award nominated director Mark Rydell.
01:17:34Emmy-winning actor Ed Asner, and actress and animal activist Lauren Maddox, they afforded
01:17:39us a peek into their discussions about their new venture, Senior Vegan Vacation.
01:17:44Vegan Vacation, the movie take two.
01:17:47So I was thinking, for the next movie, we could call it Vegan Vacation, and this could be a
01:18:00sequel to Senior Entourage, and the schnooks could be included.
01:18:04So this is already a sequel?
01:18:06Well, we're thinking about doing a sequel.
01:18:08Would that be as much fun as this movie?
01:18:10Yeah, once this is finalized.
01:18:11Or is this a sequel to?
01:18:12Yes, we would have like, even more expansive amounts of fun.
01:18:14Oh, even more fun than that.
01:18:15So much more, even more.
01:18:17Oh, that would be great.
01:18:18Because I know this one would be great.
01:18:19It can be more fun than that.
01:18:21How could you have more fun than that?
01:18:22That dog could be as big as a St. Bernard by then.
01:18:52Yeah, I once had a big dream about making a really big Hollywood movie with a really big budget.
01:18:58Instead, I had to make this film.
01:19:01And I'm really glad that I did.
01:19:22They may be old, but they still got it.
01:19:33They still got it.
01:19:35It's to see your entourage.
01:19:39Bum, bum, bum, bum, bum, bum, bum.
01:19:43Life's so grand, and they know it.
01:19:49Bum, bum, bum, bum, bum, bum, bum, bum, bum.
01:19:56They ain't got no script, but they only!
01:19:59But they have dialogue.
01:20:04We all like to hear it.
01:20:08And even if the sky is blue or the sky is grey,
01:20:13Sure feels good seeing you today
01:20:17No bad news, we don't want to hear it.
01:20:21No, no, no, no bad news.
01:20:24Goodbye, great shit, you're sure gonna give it.
01:20:29Yeah.
01:20:31We all know they got a lot of spirit.
01:20:34When are we doing the nun scene, like, that we're dressed as nuns, when are we doing that?
01:20:50You just did it, this was it.
01:20:51You did it?
01:20:52Yeah, this is it.
01:20:53A full frontal, but I really would never expose my front, that's, that's for the Oscar.
01:21:01You look like Tom Cruise.
01:21:03You can't handle the truth!
01:21:06Did you order the code red?
01:21:10I'm just joking, I'm just joking.
01:21:13It's uncanny.
01:21:14I don't remember now.
01:21:15Because your eyes are pretty, they're all translucent.
01:21:17They're probably just like yours.
01:21:19They're translucent.
01:21:20They're not real.
01:21:21They're not real.
01:21:22I love you so.
01:21:30Gary Marshall, he just had such a wonderful, wonderful way he was with us.
01:21:44He would say, you know, we would just, we'd just make some nice shows here.
01:21:50It's not serious.
01:21:51It's not serious.
01:21:53And it was always kind to everybody.
01:21:55And we had a softball team.
01:21:57What I would do was I would, I would run with my arms like this.
01:22:06Oh.
01:22:07So that they would overthrow first base, you know, so then I'd get on.
01:22:10And the guys would get me in.
01:22:13I know.
01:22:14I see Mark, right now, as a rebel.
01:22:16Rebels without a wheelchair.
01:22:22So you are embracing this.
01:22:25Oh, gosh, you're so sexy.
01:22:27Why don't we shoot the rap?
01:22:46Why don't you go down to the Shangri-La?
01:22:47That's a great place.
01:22:49It's right down the street from my place.
01:22:51You have to ask them for a freebie?
01:22:52A freebie, yeah.
01:22:53But we'll put it, we'll plug them in the movie.
01:22:55Why don't you explain it?
01:22:56That was your job.
01:22:57Well, a MacGuffin, you know, a MacGuffin is when the plot does.
01:22:59There's no, there's no reason for this thing to be in the plot, just like me.
01:23:03You know, there's no reason.
01:23:04It doesn't go anywhere.
01:23:05It doesn't mean anything.
01:23:06You just look it up.
01:23:07Hitchcock.
01:23:07Hitchcock talked about it all the time.
01:23:09He made it up, the MacGuffin.
01:23:10But you're the MacGuffin.
01:23:11I'm the MacGuffin.
01:23:12Your father.
01:23:12Don't you understand?
01:23:13I'm the father MacGuffin, not McMuffin.
01:23:25I'm the father MacGuffin.
01:23:55I'm the father.
01:23:58I'm the father MacGuffin.
01:23:59I'm the father MacGuffin.
01:24:42So, where do we go from here?
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