{Apartment 12} 2000 - Artist suddenly finds his life upside down when his art show is canceled and his model girlfriend leaves him - video Dailymotion

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An L.A. artist suddenly finds his life upside down when his art show is canceled and his model girlfriend leaves him.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:00GIVING BACK THE ANGELS

00:00:21GIVING BACK THE ANGELS

00:00:51GIVING BACK THE ANGELS

00:01:21Showing that I can

00:01:25But if crime was money

00:01:28Maybe a millionaire

00:01:32Putting all the pieces

00:01:36In a velvet glove

00:01:39But try to hide your feelings

00:01:43We'll never be under

00:01:46So I'm down, down, down

00:01:49Down, down, down

00:01:53Rolling out of paper

00:01:57Rolling out of paper

00:02:00Two jumbo poor boys and a smug yavel.

00:02:07You're late.

00:02:09I know. I'm sorry.

00:02:11I came in to tell you I quit.

00:02:13I appreciate everything you've done for me

00:02:15but the grand scheme of my life does not include

00:02:17being some crappy little delivery boy.

00:02:19No offense, Oscar.

00:02:21I am an artist.

00:02:23I'm getting a show today.

00:02:24Do you have any idea what that means?

00:02:26Getting a show?

00:02:27Do you have any idea at all?

00:02:28I don't think you do.

00:02:30And I'll tell you something else.

00:02:32When my work is hanging in the Kuggenheim

00:02:34When I'm having a retrospective at the Met

00:02:36All those slick, swarmy, uncreative little bastards

00:02:39that I've had to deal with every day

00:02:41Day in and day out

00:02:42I'll be down on these

00:02:43Kissing my ass!

00:02:47Seize the day!

00:02:51There's two pepperonis.

00:02:52Okay.

00:02:53Mm-hmm.

00:02:55Mm-hmm.

00:02:57Mm-hmm.

00:02:59Yes.

00:03:00Mm-hmm.

00:03:05Yes.

00:03:06Well, this is very awkward, Alex.

00:03:09I spoke with Yvette yesterday.

00:03:10She did not tell you?

00:03:13Tell me. Tell me what?

00:03:14Well, the thing is, you know, your work is not ready to show.

00:03:20It's style over substance.

00:03:23I mean, don't take it personal, Alex, but it's...

00:03:26It's soulless.

00:03:44I don't know.

00:04:02Yvette?

00:04:04Yvette?

00:04:06Yvette?

00:04:10Yvette?

00:04:14Yvette?

00:04:17Yvette?

00:04:22Well, the thing is, the owners, they don't really like to put a sign out.

00:04:25They feel it kind of attracts all the losers, but...

00:04:27You know, I'm starting to get kind of a good feeling about you, uh...

00:04:31Alex.

00:04:32Alex.

00:04:33The bottom line is, I'm a good judge of character.

00:04:35Hey, Ray.

00:04:37Whoa! Arrest me, officer!

00:04:39So, what do you think? Do you want the apartment?

00:04:41Uh...

00:04:42You know, I'm not very comfortable with the whole six-month lease thing.

00:04:45Wow, this, this is just a formality.

00:04:47It's, it's what you call a paperwork.

00:04:49Don't even worry about that.

00:04:51Hey, you need some furniture?

00:04:52Because we got a bunch of good junk down in the basement.

00:04:55To be honest with you, this is just a temporary situation for me,

00:04:59uh, until I get back with my girlfriend.

00:05:01I just really can't have the commitment right now.

00:05:03It's probably none of my business, but...

00:05:06I think you ought to get a place of your own.

00:05:08You know what I'm saying?

00:05:09Show her that you can live without her.

00:05:10Hi, this is Yvette.

00:05:12Do you see the message?

00:05:13Well, you certainly didn't waste any time

00:05:15taking my name off the answering machine.

00:05:17Listen, Yvette.

00:05:19I, I really feel like when we talk about this

00:05:22and try and work this out,

00:05:23I mean, I, I know that I've neglected you over the past few months.

00:05:26Hold on.

00:05:27Hello?

00:05:28Hello?

00:05:29Hello?

00:05:30Hello?

00:05:31Hello?

00:05:32Hello?

00:05:33Yvette?

00:05:34Hello?

00:05:35Who's this?

00:05:36No.

00:05:37This.

00:05:38Two days.

00:05:50Two days.

00:05:51Man, is that ruthless.

00:05:55That is...

00:05:57I told you not to call her.

00:06:00Maybe it was her brother.

00:06:03You got your packaging, you got your advertising, and you got your brand name.

00:06:08But in the end, I think you and I know the generic is just as good, right? Am I right?

00:06:12So why do people pay more?

00:06:14I'll tell you, Alex, because they are deceived and distracted by labels.

00:06:19I mean, come on, toilet paper is toilet paper. Am I right? Huh?

00:06:23Hi, how's it go?

00:06:25Oh, are you looking for an apartment? Because you're not going to find anything but junk in here.

00:06:29How'd you know I was looking for an apartment?

00:06:30I know everything.

00:06:31I know everything. You're from Colorado.

00:06:33Oh, my God.

00:06:35No, you're wearing a Denver Broncos shirt.

00:06:37Oh.

00:06:38What do you think, I'm telekinetic or something, huh?

00:06:40Woo!

00:06:41I don't know.

00:06:42Here, my name's Ray. Let me help you out. I'll give you my number.

00:06:45And you are?

00:06:46Lori.

00:06:47Lori, and this is my friend Alex.

00:06:48Alex.

00:06:49Hey, Alex.

00:06:50Now let's go.

00:06:51Ooh, ooh, Ooh.

00:06:55Forever.

00:06:57We will be together.

00:07:04Like the poets all say.

00:07:11Forever and the day.

00:07:14Forever and the day

00:07:20Hi, I hope I'm not bothering you.

00:07:25I'm Sylvia, number 15 right down the hall.

00:07:29I just wanted to welcome you to our little family here.

00:07:32I don't know if you have a girlfriend or anything,

00:07:35but even if you do, I know that bachelors never have any food in their refrigerator.

00:07:38So I just wanted to offer you a little something I made.

00:07:42It's a specialty of mine.

00:07:45Curried Spam casserole.

00:07:50Well, thank you.

00:07:52Well, you're very, very welcome.

00:07:57I understand that you're an artist.

00:08:00I think that's just fascinating.

00:08:03Sylvia, gordita bonita.

00:08:07There's no smoking in the building!

00:08:10En serio?

00:08:12Light my fire!

00:08:19Mmm, se ve bueno, ¿no?

00:08:23Tienes que saber algo.

00:08:25Food is the language of love.

00:08:29And she...

00:08:30She's starving.

00:08:32Brinda.

00:08:42Brinda.

00:08:43Tu hombre está aquí.

00:08:45Llegó el rey de la casa.

00:08:48Go away, you son of a bitch!

00:08:54Brinda.

00:08:58Brinda.

00:09:01Brinda.

00:09:02Brinda.

00:09:03Brinda.

00:09:04Brinda.

00:09:05Brinda.

00:09:06Brinda.

00:09:07Brinda.

00:09:08Brinda.

00:09:09Brinda.

00:09:10Brinda.

00:09:11Brinda.

00:09:12Brinda.

00:09:13Brinda.

00:09:14Brinda.

00:09:15Brinda.

00:09:16Brinda.

00:09:17Brinda.

00:09:18Brinda.

00:09:19Brinda.

00:09:20Brinda.

00:09:21Brinda.

00:09:22Brinda.

00:09:23Brinda.

00:09:24Brinda.

00:09:25Come on!

00:09:36Money, you can bring the one in your country,

00:09:39and that means you want to own our parents.

00:09:52All right?

00:09:54I mean, you know, you still haven't fixed the floss.

00:10:11It's like some psychopath breaks into my room, tries to kill his girlfriend.

00:10:16I mean, right, you know, it's no offense, but I mean, you know, the place is filled with losers.

00:10:24And I just, you know, I can't, I can't live like this, you know, I mean, so I'm wondering

00:10:31if maybe, you know, you let me give my two-month lease notice to get out of the lease or something.

00:10:37Well, Alex, I'd like to help you out, but the owners, they're really cracking down in

00:10:42the lease situation.

00:10:43If you leave now, you're going to forfeit your first month's rent, plus you're out the security

00:10:47deposit for the door.

00:10:50The door?

00:10:51You're going to make me pay for the door?

00:10:53You shouldn't have left it open.

00:10:56Never leave your door open.

00:11:01Tell you what, I don't need her.

00:11:05I'm a lot better off without her.

00:11:08I'm going to get a lot more work done.

00:11:10It's the best thing that could ever happen.

00:11:11Hey, Alex, I forgot to tell you, a vet called a few days ago.

00:11:15See, I told you she'd come back begging.

00:11:17She wanted to forward your mail.

00:11:19Oh, I gave her your new address.

00:11:23Muddy corn.

00:11:29Is that a pepperoni pizza, or are you just glad to see me?

00:11:34Gee, that's funny every time I hear it.

00:11:35Wait, oh, wait, oh, oh, thank you, thank you.

00:11:42Um, I think I'm lost.

00:11:45Do you know where 1407 is?

00:11:47Excuse me, pizza boy.

00:11:48I'll never listen.

00:11:49Hi.

00:11:49Where are you going?

00:11:50Oh, I'm not sure.

00:11:51Oh, you're in the wrong building.

00:11:52Just kidding.

00:11:53Wait over here.

00:11:54Oh, hey, Alex.

00:12:04Hey, Ray.

00:12:05How's it going?

00:12:06Oh, good.

00:12:07Just doing a little touch-up.

00:12:08Hey, by the way, this ended up in my mailbox.

00:12:12I just assumed it was for me.

00:12:16It's from a vet.

00:12:17She wants to be friends.

00:12:20You opened my mail?

00:12:22Yeah, she wants you to call her.

00:12:24Uh, I can't believe you opened my mail, Ray.

00:12:27I mean, isn't there a law against that or something?

00:12:29I think you're missing the big picture here, Alex.

00:12:31She wants you to call her.

00:12:32Gee, Ray, she only ripped my fucking heart out.

00:12:34I don't think I'm going to call her.

00:12:39Are you all right?

00:12:40A nine-year-old Metro girl has a new lease on life thanks to surgery at the hospital for two children.

00:12:46And Tracy Hoover was behind her.

00:12:47She's a man who took her.

00:12:48She's a man who took her.

00:12:48A nine-year-old and she's a man who took her.

00:12:49And she's a man who took her.

00:12:49She's a man who took her.

00:12:51She's a man who took her.

00:12:51I'm going to call her.

00:12:52Cheers.

00:13:22Don't be rich, not for us.

00:13:24Don't be a brontosaurus.

00:13:27Go to it.

00:13:29We can do it.

00:13:31Cheers.

00:13:32We should make the truth.

00:13:35She was the best two years when I was on the fucking train.

00:13:39She was too selfish with something that she never did.

00:13:43I can't make it anymore.

00:13:46Oh, shit.

00:13:47Alright, pull yourself together, man.

00:13:50We should take the truth.

00:13:57I'm not one to focus.

00:14:00Hey, shut up there, man!

00:14:02You had a piece of it!

00:14:04Come on!

00:14:05We've got whatever it takes.

00:14:08We'll make our own lucky breaks.

00:14:12So clear the decks for action.

00:14:16Oh, Jesus Christ, Alex.

00:14:19I didn't tell you to buy her a bouquet of flowers, get down on one knee and proclaim your love for her.

00:14:23I mean, what the heck's wrong with you?

00:14:25It was a friendship bouquet.

00:14:29You need to meet some new people.

00:14:31Hanunaxe!

00:14:34Warehouse!

00:14:35months on!

00:14:37You are mãt's Ooh!

00:14:39Three.

00:14:40Four.

00:14:41Three.

00:14:42Three.

00:14:43One.

00:14:45Five Realises to no one house.

00:14:46You can't do it!

00:14:47But no one, five.

00:14:48One isGH unstuck.

00:14:49Of course.

00:14:51One.

00:14:52Number three .

00:14:53Two.

00:14:54Two.

00:14:55Both.

00:14:56Two.

00:14:58Alex! Alex! Come on over here. Come on, sit down. Here you go.

00:15:10Alex, this is Irene.

00:15:14Eileen!

00:15:15Eileen, Irene. I mean, whatever. She's still quite sexy.

00:15:19And this fascinating young specimen is...

00:15:22...Moutly wild.

00:15:24Kiki, my friends call me Coyote.

00:15:28Oh!

00:15:31Alex here is an artist. He's very sensitive, so...

00:15:35Don't go breaking his heart.

00:15:38This is so intense.

00:15:41When you guys walked in, I turned to Eileen and said,

00:15:44That guy looks just like an artist.

00:15:49Oh, my God. She did.

00:15:52And what did you think I looked like?

00:15:54A sleaze bag.

00:15:58Come on, sweetheart. Let's dance.

00:16:00Well, there's no dance floor.

00:16:01Hey, who cares?

00:16:02You have fun.

00:16:10So...

00:16:11I met this guy.

00:16:21He wanted me to run drugs in and out of the country.

00:16:24And I was like, no way, Jose.

00:16:26Which was pretty funny, because that was actually his name.

00:16:30Jose.

00:16:31Isn't that ironic?

00:16:32But anyways, I did it a few times, and I finally got freaked out.

00:16:36Just took off.

00:16:37I know for a fact there are Colombian hitmen looking for me.

00:16:42They could be anywhere.

00:16:44Oh, my God.

00:16:46I think that's them.

00:16:48Oh, fuck.

00:16:49No, don't look.

00:16:50I'm only kidding.

00:16:51Oh, honey.

00:16:52You should have seen the look on your face.

00:16:53You look like you were going to crap in your hair.

00:16:54Oh, don't worry, baby.

00:16:55I'll protect you.

00:16:56Oh, so...

00:16:57I've been gabbing all night.

00:16:58Enough about me.

00:16:59Tell me about you, honey.

00:17:00What makes Alex tick?

00:17:11Ugh.

00:17:12Uh, well, um...

00:17:24I'm kind of going through a hard time right now.

00:17:25I just broke up with my girlfriend and Ray, the guy who came up.

00:17:29You know, Ray, the guy I came with, said that I should get out and meet some new people, and...

00:17:40Excuse me?

00:17:43Um, I just, uh...

00:17:45You know, a hard time meeting new people, and...

00:17:50I don't believe this.

00:17:54I don't fucking believe this!

00:17:57I feel like... I feel like I've just been shit on!

00:18:02You son of a bitch! You goddamn son of a bitch!

00:18:15No, you're right, Donna.

00:18:22Hey, you got any walnuts?

00:18:24Hey!

00:18:26Come and get him!

00:18:28Here comes Rudolph!

00:18:29Ah!

00:18:30Ah!

00:18:31Ah!

00:18:32Ah!

00:18:33Ah!

00:18:44Long night?

00:18:45Ah!

00:18:46Ah!

00:18:48Oh!

00:18:52Ah!

00:18:54Ah!

00:18:55Ah!

00:18:57Ah!

00:19:00Oh!

00:19:01There's a little bit of me and you

00:19:03A little bit of everything you do

00:19:05There's a little bit of me that goes along with me

00:19:15What the...

00:19:17God...

00:19:19Damnit

00:19:21Shit

00:19:27What are you doing here, Ray?

00:19:29Wow, my God, you're here

00:19:31I tried calling a few minutes ago

00:19:33No one answered, so I figured you'd spent the night over

00:19:35At Wolverine's, huh?

00:19:37Just trying to get a head start on this

00:19:39Yeah, as it turns out

00:19:41What we got here

00:19:43Is a bad nipple

00:19:45No, seriously

00:19:47The seats rotted out, I gotta shut off the water

00:19:49For the entire building, rip this out

00:19:51I mean, it's a nightmare, a nightmare

00:19:55So...

00:19:57I was taking a shower here, Ray

00:19:59Maybe we could do this another time

00:20:01Oh, sure, okay

00:20:03Listen, I gotta go turn off the main water anyways

00:20:05I'll come back sometime this afternoon

00:20:07Hey, look

00:20:09Don't worry about it, okay?

00:20:11I mean, it didn't work out, so what?

00:20:13It can't always work out

00:20:15The point is, you kept on trying

00:20:17You gotta get back on the horse and ride it, huh?

00:20:19Ride it, ride it!

00:20:21Fact is

00:20:23There's a new girl across the hall, she's pretty cute

00:20:25I think you should check her out

00:20:35What are you doing?

00:20:37Oh, it's dripping down here

00:20:39That happens because you use too much water when you mix a paint

00:20:41I know, Ray, I want it that way

00:20:43Well, I don't know anything but if dripping watery paint makes good art of it

00:20:47What do I know?

00:20:48Get the hell out of here

00:20:49Excuse me?

00:20:50Do you live here?

00:20:51Do you pay the rent on this apartment?

00:20:53Who pays the rent on this apartment?

00:20:55Well, you do

00:20:56That's right, I do

00:20:57It is my apartment, I pay the rent

00:20:59And I want you to get the hell out

00:21:01I like you, Ray, but I don't want you barging in here anymore

00:21:04I don't want anymore your lame unsolicited advice

00:21:06I don't want to check out the cute girl next door

00:21:09And I don't want to get back on the goddamn horse

00:21:12Fuck the horse and the horse it rode in on

00:21:16No

00:21:17I've got a lot of work to do

00:21:19And I would appreciate it if you were to leave

00:21:24You're obviously very upset

00:21:26I think the best thing is for you to just

00:21:29Have some time to yourself

00:21:31Oh, hey

00:21:33This I like

00:21:34This use of color

00:21:36This is a great painting

00:21:39I'm going to check back later with you, okay?

00:22:01Come on, you stupid thing

00:22:02Gosh darn it

00:22:03Come on

00:22:04Oh, what are you doing sneaking up on a person?

00:22:07Oh, I wasn't sneaking

00:22:08Yes, you were, you were sneaking up on me

00:22:09No, I was just, uh, there's a light here

00:22:12Oh, sorry, it's just a stupid thing that took my money

00:22:16Uh, I think you need to push the button, uh, that says start up

00:22:17Oh, thanks, sorry, sorry I yelled at you

00:22:18Oh, okay, sure

00:22:19Oh, what are you doing sneaking up on a person?

00:22:20Oh, what are you doing sneaking up on a person?

00:22:21Oh, I wasn't sneaking

00:22:22Yes, you were, you were sneaking up on me

00:22:23No, I was just, uh, there's a light here

00:22:25Oh, sorry, it's just a stupid thing that took my money

00:22:29Uh, I think you need to push the button, uh, that says start up

00:22:34Oh, thanks, sorry, sorry I yelled at you

00:22:38Oh, okay, sure

00:22:45Uh, I think this belongs to you

00:22:49Um, thanks

00:22:55Oh, hi, I'm Lori, I'm new in town

00:22:57Alex, I just broke up with my girlfriend

00:23:00Actually, she broke up with me

00:23:03Oh, why'd she break up with you?

00:23:06I mean, what's wrong with you?

00:23:08I mean, I don't know

00:23:10Well, this is me

00:23:12Oh, this is me

00:23:13Really?

00:23:14What a coincidence

00:23:15I guess we're neighbors then

00:23:17I guess so

00:23:19You know, you look really familiar

00:23:21Have we met before?

00:23:23I don't know, I don't think so

00:23:25Are you sure we haven't met?

00:23:26Because you look really familiar

00:23:28Really?

00:23:29Have you ever been to Guffey, Colorado?

00:23:31You know, home with a world-famous Guffey burger

00:23:33Uh, I think I miss that

00:23:35Okay

00:23:39Well, see you around, neighbor

00:23:42Mom

00:23:43There's a lot of people

00:23:44There's a lot of people

00:23:45That I'm not gonna be

00:23:46I can't

00:23:47You know, I have to take a look

00:23:48You know, I don't know

00:23:49You know

00:23:50Yeah

00:23:51I can't

00:23:52I don't know

00:23:53I can't

00:23:54I can't

00:23:55I can't

00:23:56You know

00:23:57When I was young, I was told they'd seen and not heard

00:24:01While mama wiped the teardrops from her eyes

00:24:04Daddy used to come home, staggling through the door

00:24:10Full of whiskey and full of empty lies

00:24:13I still hear mama saying, don't treat me this way

00:24:27Are you working here?

00:24:29Huh? Oh yeah, sure

00:24:31You know, Alex, you have to keep focused

00:24:36Focused, I am

00:24:38Focus, that's the key to success

00:24:40It doesn't matter if you're driving a truck or you're trying to be a great artist

00:24:43If you want to accomplish anything in this world, you have to keep focused

00:24:47Right?

00:24:49Exactly

00:24:49Right

00:24:50Enfocado

00:24:55Let's go

00:25:25Hey, no addicts.

00:25:50What are you doing?

00:25:51Just checking the old mail.

00:25:53Well, don't lose your mailbox key.

00:25:56Ray will charge you $10 for a new one.

00:25:58Okay.

00:26:01So, the new tenant seems very nice, don't you think?

00:26:06New tenant?

00:26:09The new girl, Lori.

00:26:13She lives right across the hall from you.

00:26:15I'm sure you've met her.

00:26:18I don't think so.

00:26:19Uh-huh.

00:26:30Well, okay.

00:26:32Okay.

00:26:46Ray?

00:26:46Oh, hi.

00:26:50See what happens when you leave your door open?

00:26:52I left my door open.

00:26:53Yeah, I knocked and the door swung open.

00:26:56I thought I heard you in here.

00:26:58So, I came in.

00:26:59I hope you don't mind.

00:27:02No, it's okay.

00:27:04I can't believe I left my door open.

00:27:06So, what is all this stuff?

00:27:07Are you like an artist of some kind?

00:27:10Yeah, I guess so.

00:27:11Wow, I've never met an artist before.

00:27:16So, what are they supposed to be?

00:27:20Well, they're trying to explore the interaction between light and color and surface tension.

00:27:28You know, like, um, how do two fields react to each other in different circumstances?

00:27:34It's kind of like a play on Reinhardt's reduction of images to their basic, minimal, uh...

00:27:42Actually, it's kind of hard to explain.

00:27:45No, it sounds really impressive.

00:27:47So, hey, I was going to go to the Range.

00:27:53I thought you might want to come.

00:27:54The Range?

00:27:55Yeah, uh, I'm not really into the whole golfing thing, you know?

00:27:59Golf.

00:28:01Oh, oh, that's funny.

00:28:03That's funny.

00:28:09Come on, you want to try it?

00:28:12It's really relaxing.

00:28:14Ha, no, I'm relaxed.

00:28:16Okay.

00:28:17So, uh, what makes a person decide to go into the Air Force, of all things?

00:28:34Well, I grew up in a pretty small town.

00:28:37It had a population of 8,000 people.

00:28:40The highlight of the week was watching the truck from Denver unload frozen chicken wings

00:28:47at the first cafeteria.

00:28:49I thought I was going to lose my mind, so when I turned 18, I enlisted, and six weeks later,

00:28:56I'm stationed in Istanbul.

00:28:59Well, uh, they certainly taught you how to keep a tidy ship.

00:29:02Amongst other things.

00:29:05For example, I could probably kill you right now with my bare hands.

00:29:10Ha!

00:29:11Ha!

00:29:13I'm just kidding.

00:29:15I don't think I could.

00:29:17So, um, do you want a cold pop or something?

00:29:20Cold pop?

00:29:22Yeah, you know, a soda?

00:29:23Gee, I don't know.

00:29:26I should probably get going now.

00:29:28Well, it's still early.

00:29:29I know, but I should be concentrating on my painting, and it's probably been such a good

00:29:34idea, living across the hall and everything.

00:29:37I just asked if you wanted a cold pop.

00:29:39I know.

00:29:40Well, I should just, uh, be going.

00:29:47I'm not going to shoot you.

00:29:48Don't flatter yourself.

00:29:49I know.

00:29:51Okay, thank you.

00:29:52Um, uh, good night.

00:29:58Okay, good night.

00:30:10Linda.

00:30:13Mi amor soy yo.

00:30:15Linda.

00:30:15Go away, you bastard.

00:30:17I hate you.

00:30:18No, no, pero yo te amo.

00:30:21Contigo aprendí que existen nuevas y mejores emociones.

00:30:27No, call me INS.

00:30:28I'm serious.

00:30:29Oh, no, no, no.

00:30:30Contigo aprendí que existen nuevas y mejores emociones.

00:30:36Straight to the ground.

00:30:38Knocks her head right on the dance floor.

00:30:40Gave herself a concussion.

00:30:41They had to call the paramedics.

00:30:43These girls, they really sacrifice.

00:30:48Got any fries for that, Jake?

00:30:52Do I detect a little tension between you two?

00:30:54A little magic happening?

00:30:55Nah, she's not my type.

00:30:57Well, no one's anyone's type.

00:30:59It's all an accident.

00:31:01Ah, she's...

00:31:02Hey, she's got a great ass.

00:31:07She's got a great ass?

00:31:08You're so superficial, Ray.

00:31:10I'm a painter.

00:31:12I should be going out with models from Milan.

00:31:14I mean, she doesn't know who Jackson Pollock is.

00:31:16I'm a painter.

00:31:17She doesn't know who Jackson Pollock is.

00:31:19Nobody knows who Jackson Pollock is.

00:31:23What's wrong with you, Alex?

00:31:33Hey, how you doing?

00:31:37What she's doing is she's exploring the way light plays on different surfaces and textures.

00:31:50It's not so much about color, but more like a painting of light.

00:31:55It's not so much like a painting of light.

00:31:56Oh.

00:31:57Wow.

00:31:58Let's go.

00:31:59So there's not many, uh, contemporary art museums in Guffey, Colorado, huh?

00:32:00Not that I knew of.

00:32:02What's this supposed to mean?

00:32:03I guess I just don't get it.

00:32:07Well, there's nothing to get.

00:32:08Well, there's nothing to get.

00:32:09Oh.

00:32:10Oh.

00:32:11Oh.

00:32:12Oh.

00:32:13Oh.

00:32:14Huh.

00:32:22What's this supposed to mean?

00:32:25I guess I just don't get it.

00:32:27Well, there's nothing to get.

00:32:43I like this one.

00:32:53What do you like about it?

00:32:56I don't know.

00:32:58Do I need to know?

00:33:00No, I guess not.

00:33:13Um, 1950s, early 60s, I guess those are my role models.

00:33:22Those are like the last serious painters, you know, the last ones to believe in the power of art to change the way we see the world.

00:33:28So where are they now?

00:33:31Actually, I think most of them committed suicide.

00:33:34Wow.

00:33:37That must be nice, though.

00:33:39You grow up knowing what you want to be.

00:33:41You think?

00:33:43I mean, did you just do this while we were sitting here?

00:33:46It's nothing.

00:33:48It's not nothing.

00:33:49You should draw more.

00:33:50You're very talented.

00:33:52It doesn't mean anything.

00:33:53It's just, you know, it's just technique.

00:33:56I still like it.

00:34:00Here, sign it for me.

00:34:03For when you're famous.

00:34:04They don't get any bigger than this, do they?

00:34:22Oh, my God.

00:34:23I would hope not.

00:34:24Yeah, I know.

00:34:25I thought you were going to have a heart attack or something.

00:34:27I think we should give him a name.

00:34:41How about...

00:34:42Bob.

00:34:45Bob the Lizard.

00:34:46I think Bob likes you.

00:35:02I think Bob likes you.

00:35:02Bob.

00:35:18Bob.

00:35:19Bob.

00:35:19I'm so sorry. I must have left the oven off.

00:35:33I know what happened, Sylvia. You were sleepwalking.

00:35:35Then you got hungry and thought you whipped together a little pot room.

00:35:38Ray!

00:35:39I'm really, really sorry if I got anybody out of bed.

00:35:46Right. Well, don't worry about it, darling.

00:35:48I think we've all had enough excitement for tonight.

00:35:50Let's just head back.

00:35:52Good night, Alex. Good night.

00:35:53Good night, everyone.

00:35:54Good night, Lori.

00:35:55Good night.

00:35:56Good night.

00:35:57Good night.

00:36:10Don't be stupid.

00:36:12You're only gonna get hurt. You don't need this. You don't need this.

00:36:18Good night.

00:36:25I love my jacket.

00:36:27I know.

00:36:31I have to paint. I can't have the distractions. It's too much.

00:36:37It's too much.

00:36:45Go paint.

00:37:07That smells like one great cup of Jabba, right?

00:37:34Good morning Mrs. Johnson.

00:37:37Good morning to you too.

00:38:04Good morning.

00:38:10Good morning.

00:38:12Good morning.

00:38:17Good morning.

00:38:50What's up, Ray?

00:39:11Just trying to fix this.

00:39:14Apparently somebody has no respect for personal property.

00:39:16Good luck.

00:39:21You too.

00:39:46If you think of it, a great portrait usually is both very beautiful and full of personality.

00:39:54It's a charge field.

00:39:55It takes us into a dynamo of somebody else's personal property.

00:40:00And this is what he thinks.

00:40:04One of the most things...

00:40:05What are you drawing?

00:40:08Modern.

00:40:09Titian became enormously successful.

00:40:12He was a sort of superstar.

00:40:15Wealthy, fated, sought after by kings and emperors.

00:40:18It was a status symbol to possess a Titian.

00:40:23And he had great personal success too.

00:40:27Because he was one of those rare artists who become greater as they grow older.

00:40:34Late Titian is one of the climaxes in the story of painting.

00:40:38Alex, are you okay?

00:41:01What is it?

00:41:02Talk to me.

00:41:11I don't know.

00:41:15What don't you know?

00:41:20All these paintings.

00:41:22I mean...

00:41:22I don't know what I'm doing anymore.

00:41:26I mean, I always thought of myself as this great painter, you know?

00:41:33And one day I'd be famous and now...

00:41:35I don't know.

00:41:38What if it never happens?

00:41:40I mean, what am I then?

00:41:44Well, you're still an artist.

00:41:46What's up, rat?

00:42:13Rats.

00:42:14Rats, really?

00:42:15Yep, two big ones.

00:42:17I hear them every night running up and down the hall, back and forth, and forth and back.

00:42:21Trying to figure out whether or not I should use traps or poison.

00:42:26I'll hope you get them.

00:42:27Oh, don't worry.

00:42:28We'll get them.

00:42:33Hello, Alex.

00:42:36Uh, I think those are mine.

00:42:38I know.

00:42:39I don't mind.

00:42:40So, been keeping busy?

00:42:45Uh, yeah.

00:42:47Very busy.

00:42:49I'm sure you have.

00:42:50What?

00:42:51Nothing.

00:42:54No.

00:42:56What is it?

00:42:57I think the others are starting to get suspicious.

00:43:09Are you embarrassed?

00:43:10No.

00:43:10Are you embarrassed?

00:43:12No.

00:43:13Are you somehow feeling ashamed or degraded?

00:43:15Of course not.

00:43:15Because if you are, maybe we'll have to stop meeting like this.

00:43:19No, it's fine.

00:43:20I just...

00:43:21Why would I mind?

00:43:21I don't mind.

00:43:22I don't mind.

00:43:23I don't mind.

00:43:24I don't mind.

00:43:25I think the others are starting to get suspicious.

00:43:26I don't mind.

00:43:27I don't mind.

00:43:28I don't mind.

00:43:29Hey, there's an art opening tomorrow night at a gallery downtown.

00:43:57tomorrow night at a gallery downtown I was thinking it'd be fun to go

00:44:06at the traction it's a gallery downtown would you like to go to that um did you

00:44:13do these yeah do you mind no it's just I mean they're all wrong really yeah I

00:44:22mean son of Zeus junior yeah you know like Zeus junior it's actually Apollo not

00:44:31junior well if it's in the space how do you know it's not junior I don't know I

00:44:37mean it you know if you're not sure of your answers maybe you should use a

00:44:40pencil next time I'm sorry did I ruin it not doesn't matter it's not it's not

00:44:47important so anyway you think you'd want to go to this not really I think it

00:45:01would be of interest to you well it's not well I think you of all people would

00:45:08want to keep up on what's new and interesting in the art world well no

00:45:13offense but nothing done in the last 20 years is new or interesting it's all

00:45:18meaningless crap made by some slick phonies and you know what just like this

00:45:23guy right here so no no thank you well at least they're trying at least they're

00:45:32not sitting around wallowing in self-pity yeah Alex do you ever see that

00:45:52anymore what's that supposed to mean just wondering man she was funny when he

00:46:00touched you keep that Alex has a new girlfriend leave him alone she's not my

00:46:03girlfriend seems very nice she is very nice she's just not my girlfriend we're

00:46:07just friends okay okay relax

00:46:13Alex what are you doing here what do you mean well I thought you were going to the art opening

00:46:24with Laurie she left about an hour ago what yeah shit face it man art as we know it is dead

00:46:34it is totally and completely irrelevant to the 21st century exactly all right we need new forms yes

00:46:40hey Alex hey Alex hey Alex hey where's Yvette we broke up you broke up what happened you were the perfect couple

00:46:50oh wait I'm sorry oh I'm sorry

00:46:57hello I'm hi I'm Laurie hi I'm Laurie how are you good hi oh what a coincidence this is a friend of

00:47:10mine Alex Alex what are you doing fine I was just telling Marco that I really like this work I think

00:47:18it's very cute cute cute is probably not a word that you would use in a gallery what would be a good

00:47:25word um I don't know unoriginal banal contrived those are words that come to mind Alex this is the

00:47:34artist he painted these it's okay honey sweetheart come this is Laurie and Alex they are fans of my work

00:47:46hello hi nice to meet you hi hello Alex finds me unoriginal and Laurie thinks my work is cute cute really

00:47:59well not cute actually um I think it's uh more reminiscent of um early figurine

00:48:07um you mean early figurative yes exactly boy this wine is going near my head

00:48:15I'm such a cheap date

00:48:18it's the genius

00:48:20Marco you're a star you know that you bet tell him he's a star

00:48:26you're a star hello Alex okay we're going now okay okay well it was very nice meeting you

00:48:33ah nice to meet you oh they're such nice people it's so much fun

00:48:47what are you thinking about

00:48:49I've been really having a good time these last few months

00:49:03I feel like I'm learning about things I never knew existed

00:49:09I'm I've never said this to a guy before

00:49:22but um

00:49:25I kind of

00:49:30think that maybe

00:49:32I love you

00:49:35you can at least say you like me

00:49:47I'm not

00:49:53I do I do

00:49:56I do

00:50:04by the way my parents are coming into town tomorrow

00:50:07they're really looking forward to meeting you

00:50:21knowing yeah

00:50:24we're gonna be organizing

00:50:28we'll be bringing you to our next time

00:50:30and I want to say

00:50:31we're gonna be sitting on this meeting

00:50:33you know

00:50:33right

00:50:33we're gonna be

00:50:35we're gonna be

00:50:36you know

00:50:36we're gonna be

00:50:38happening

00:50:39and

00:50:40and

00:50:40y'all

00:50:42and

00:50:42we're gonna be

00:50:44you know

00:50:44I don't know

00:50:46if it's

00:50:47or

00:50:48you know

00:50:51Shit.

00:51:13I know exactly what you're doing.

00:51:16And it's very nice.

00:51:19You're crazy, my love.

00:51:36Well, good morning to you.

00:51:39I got locked up.

00:51:41Just be a man and be honest with her and just tell her to her face I can't see her anymore.

00:51:46Yeah.

00:51:47Who is it?

00:51:48I'm not here.

00:51:49I'm not here.

00:51:50I'm not here.

00:51:51I'm not here.

00:51:52Lori.

00:51:57Hi.

00:51:58Good morning.

00:51:59Hi, Ray.

00:52:00Have you seen Alex?

00:52:01Who?

00:52:02He left his key in my apartment.

00:52:04Oh, really?

00:52:05Listen, would you like to come in and have a nice cup of coffee?

00:52:08Oh, no.

00:52:09I really don't have time.

00:52:10You haven't seen him?

00:52:11No.

00:52:12But it really is important to have coffee before you go to work.

00:52:15Kind of gets the whole body percolating.

00:52:16I just made a pot.

00:52:17Come on in.

00:52:18No.

00:52:19I really have to get going to work.

00:52:21All right, then.

00:52:22Listen, have a nice day.

00:52:23Me, too.

00:52:24God bless.

00:52:25You're pathetic.

00:52:26Somebody call me, Amy.

00:52:27You're a doctor and a half of me.

00:52:28I've got his dreams out here, Amy.

00:52:29It's so good for you.

00:52:30Let's go sun in.

00:52:31Need the sky of blue.

00:52:32Greet the sun every morn.

00:52:33Feel as free and happy as the day you were born.

00:52:34Let's go native.

00:52:35Son your cares away, baby.

00:52:36Come on in.

00:52:37Come on in.

00:52:38Come on in.

00:52:39Come on in.

00:52:40Come on in.

00:52:41Come on in.

00:52:42Come on in.

00:52:43Come on in.

00:52:44Come on in.

00:52:45Come on in.

00:52:46Come on in.

00:52:47Come on in.

00:52:48Come on in.

00:52:49Come on in.

00:52:50Come on in.

00:52:51Come on out.

00:52:52Come on in.

00:52:53Come on in.

00:52:54Come on in.

00:52:55Come on in.

00:52:56Come on in.

00:52:57Come on in.

00:52:58Come on in.

00:52:59Come on in.

00:53:00Come on in.

00:53:01Hey.

00:53:02I've been looking for you all day.

00:53:04Oh.

00:53:05You left last night is everything OK?

00:53:08Yeah.

00:53:11Fine.

00:53:12Well my parents are here.

00:53:13I thought you could stop by and say hello.

00:53:16good for them to meet some of the friends I've made here hmm well yeah I'm

00:53:23pretty busy right now oh it just take a minute yeah well actually I'm pretty

00:53:32busy right now

00:53:40okay

00:53:46hi car travel

00:54:16uh where are we going I think I might have taken a wrong turn

00:54:22so what happened to you yesterday I really wanted you to meet my parents

00:54:31yeah well you know don't take this the wrong way but I'm a little uncomfortable with the

00:54:39whole meet the parents thing well I wasn't asking you to get married I just wanted you

00:54:44to say hello to them

00:54:45to them I know it's not just that it's the whole like the guns the saluting

00:54:51what are you talking about well I mean you know you do gotta wonder about the kind of people that

00:54:58join such an organization and what kind of person is that I don't know your high school dropout

00:55:05sociopath psychopaths oh boy you know you artist types really crack me up always whining about free

00:55:12you know that is so lame you guys always press my free speech thing people died I didn't ask them to

00:55:18nobody asked them to me could express yourself free speech thing it's so lame just because you don't

00:55:23have the courage to stand up and fight for what you believe in in fact what do you believe in if

00:55:29anything freedom of artistic expression yeah but only for yourself you're such a hypochondriac

00:55:34hypochondriac hypochondriac yes really yes really because a hypochondriac is somebody who has an

00:55:41imaginary illness I think the word that you're searching for is a hypocrite

00:55:51Lori please get out of my car

00:55:53we're still friends

00:56:10I don't know this could be very unpleasant Ray living across the hall from a very unpleasant

00:56:15I see what you mean I tried to warn you about that

00:56:19you mean you tried to warn me you're the one that suggested I go out with her in the first place

00:56:23you tried to warn me

00:56:24well I didn't mean her specifically I was just speaking in general

00:56:27great all you ever do is speak in general

00:56:30should have never signed that lease

00:56:32what are you gonna do

00:56:33no no I hate when you say that

00:56:36you say that all the time please don't say that anymore

00:56:39we're gonna have to get a guy here for this

00:56:42deeper and deeper I go

00:57:00deeper and deeper I go

00:57:04deeper and deeper I go

00:57:08min through our song will stay where

00:57:10sky like fishing

00:57:14will I look and see and fill the rain

00:57:20ahhh

00:57:26Iłem

00:57:27ligory

00:57:29cards

00:57:33much

00:57:34I know, I'm sorry, I'm late, I know, my car.

00:57:44Get a new car, I got one.

00:57:55That smells good.

00:57:56Got any extra?

00:58:00It's a beautiful blouse.

00:58:01Oh, I got a joke for you.

00:58:01What's that?

00:58:02What has two thumbs?

00:58:03Speaks fluent French.

00:58:04Fucks like a wild cat.

00:58:05What?

00:58:07You're terrible.

00:58:08Well, they kill me.

00:58:20You're afraid of the spider thing?

00:58:22Who am I?

00:58:24You ever do it with another girl?

00:58:27I don't think so.

00:58:28I don't think so.

00:58:34I don't think so.

00:58:36I don't know, but that was the most pitiful.

00:59:06That's the best creature I've ever seen.

00:59:24Hello, Alex.

00:59:26Uh, hello.

00:59:27What are you doing?

00:59:29Just, you know, taking out the trash.

00:59:33You're dripping.

00:59:36Mm-hmm.

00:59:50Howdy.

00:59:51Oh, hi.

00:59:53We must be on the same trash schedule.

00:59:56We have to stop meeting like this.

00:59:58Oh, yeah, I guess so.

01:00:01Listen, I'm having a little party tonight.

01:00:02Why don't you drop on by?

01:00:04Oh, well, gee, okay, sure.

01:00:08Apartment 17.

01:00:09You know, like lucky number 17.

01:00:12Oh, I get it.

01:00:1317.

01:00:1417.

01:00:16Okay.

01:00:18Okay.

01:00:18Oh, my, I'll be fine.

01:00:43Oh, my.

01:00:44I'm sorry, but I have other plans for tonight.

01:01:14Really?

01:01:15Well, maybe some other time.

01:01:17Oh.

01:01:18My phone.

01:01:19It's on the blink.

01:01:20I really need to use your phone.

01:01:23Uh, this really isn't a very good time, Sylvia.

01:01:25It's extremely urgent.

01:01:27If you wouldn't mind.

01:01:29Yes, I guess all that I made with my own bare hands.

01:01:34He did.

01:01:35I saw him.

01:01:36He threw it out right in front of her.

01:01:39And then they laughed about it.

01:01:41Both of them laughing and laughing.

01:01:46It was horrible.

01:01:50No, I don't know why I allow myself to be treated like this.

01:01:56No, I can't take a wild guess.

01:01:58You're the doctor.

01:01:59That's why I'm calling you.

01:02:02Tails!

01:02:03Tails!

01:02:04Oh, hi.

01:02:05It's me.

01:02:06Good, baby.

01:02:07So, I'm sorry I was late.

01:02:11I got kind of held up.

01:02:13Whatever.

01:02:14So, I hear you're a painter.

01:02:15Oh, yeah, yeah.

01:02:16I am.

01:02:17I'm a painter.

01:02:18I paint.

01:02:19Well, don't go crazy like that Gauguin guy and cut your ear off.

01:02:21Actually, it was Van Gogh.

01:02:22Gauguin died of syphilis.

01:02:23Either way, right?

01:02:24Yeah, right.

01:02:25Mmm, that's a good baby.

01:02:26It's a good baby.

01:02:27It's a good baby.

01:02:28It's a good baby.

01:02:29It's a good baby.

01:02:30I'm sorry I was late.

01:02:31I got kind of held up.

01:02:32Whatever.

01:02:33So, I hear you're a painter.

01:02:34Oh, yeah, yeah.

01:02:35I am.

01:02:36I'm a painter.

01:02:37I paint.

01:02:38Well, don't go crazy like that Gauguin guy and cut your ear off.

01:02:42Actually, it was Van Gogh.

01:02:44Gauguin died of syphilis.

01:02:46Either way, right?

01:02:48Yeah, right.

01:02:50Mmm, that's a good baby.

01:02:52A kiss.

01:02:53Mmm.

01:02:55So, you must have a very interesting line of work.

01:03:01Oh, yeah.

01:03:03Drive an hour out to Timbuktuuliville just to walk into some stranger's ugly living room wearing nothing but a G-string.

01:03:10And then let a bunch of drunk, horny frat boys stick their heads between my tits and pretend like I'm having a great time.

01:03:17Happy birthday.

01:03:19Woo!

01:03:20Yee-haw!

01:03:21Jeez.

01:03:22It's a blast.

01:03:23Ugh.

01:03:26Jesus.

01:03:29Mmm.

01:03:30Mmm.

01:03:31Give it to me.

01:03:32Mmm.

01:03:33Give it to me now.

01:03:34Come on.

01:03:35Mmm.

01:03:36Mmm.

01:03:37That's a good baby.

01:03:38Give it to me.

01:03:40Give it to me.

01:03:41Give it to me.

01:03:42Give it to me now.

01:03:43Oh, yeah.

01:03:44Oh, baby.

01:03:45Give it to me now.

01:03:46Ah!

01:03:47Ah!

01:03:48What the fuck are you doing?

01:03:50What?

01:03:51What?

01:03:52I'm sorry.

01:03:53I'm sorry.

01:03:54I thought you were saying, like, get giving up your...

01:03:55One girl over my house.

01:03:56What kind of fucking psycho are you?

01:03:58I'm sorry.

01:03:59I'm sorry.

01:04:00I better get the hell out of here.

01:04:01All right.

01:04:02Oh.

01:04:03You idiot.

01:04:04You idiot.

01:04:05What have you done?

01:04:07Whew.

01:04:08Boy, I am really full.

01:04:10You too.

01:04:12I had a lovely evening.

01:04:13I did too.

01:04:14It was, uh, it was fun, huh?

01:04:16Yeah.

01:04:17Have a good night.

01:04:18Uh, so, you just, uh, gonna go to bed, or?

01:04:21Yeah.

01:04:22Whoa, whoa, whoa, whoa.

01:04:23Get me vibrated here.

01:04:24Uh, listen, can I, can I use your phone really quick?

01:04:26What could happen?

01:04:27I'm a lawyer.

01:04:28If anything does, I'll, uh, I'll sue myself, huh?

01:04:30All right.

01:04:31Okay.

01:04:32Just for a minute.

01:04:33Just a minute.

01:04:34Huh.

01:04:35Must have been a wrong number.

01:04:36Oh, see, you like a soft mattress.

01:04:37Yes.

01:04:38You know, I kind of like it a little on the firm side.

01:04:39Ha, ha.

01:04:40Ha, ha.

01:04:45Ah.

01:04:46You know, I kind of like it a little on the firm side.

01:05:16Really, officer, I can explain.

01:05:41Shut up!

01:05:42Sheriff's department!

01:05:44Open up!

01:05:46Sheriff's department, come on out!

01:05:50These people, they all know I live here.

01:05:52Tell them, please.

01:05:54Will you tell them, please?

01:05:54Will you tell them who I am, please?

01:05:56He's a pervert.

01:05:58I can't believe it.

01:05:59It's Pizza Boy.

01:05:59Sheriff's department!

01:06:01Open up!

01:06:03Yes, hold on.

01:06:09Good night.

01:06:11Help you, officer?

01:06:12You're the manager?

01:06:13Yes, I am.

01:06:13Is there a problem here?

01:06:14We caught this guy prowling around outside.

01:06:16No ID?

01:06:17Says he lives here.

01:06:18Same time we get a 911 on a peeping Tom.

01:06:21You're telling me right.

01:06:23It's a misunderstanding.

01:06:24I told you to shut your hole.

01:06:26That guy delivers pizzas in our building.

01:06:28Do you know him?

01:06:30You smell something, Bernie?

01:06:31Hey, Will Pizza Boy.

01:06:32You go to jail?

01:06:33Who's going to bring us our lunch, huh?

01:06:47You're in trouble now, Pizza Boy.

01:06:53I'm going to sue your story on the PCS so fast, you won't know what hits you!

01:06:56Ah, sue me!

01:06:58How did you do this?

01:06:59Hey!

01:07:00Hey!

01:07:01Hey!

01:07:02Hey!

01:07:03Hey!

01:07:04Hey!

01:07:05Hey!

01:07:06Hey!

01:07:07Hey!

01:07:08Hey!

01:07:09Hey!

01:07:10Hey!

01:07:11Hey!

01:07:12Hey!

01:07:13Hey!

01:07:14Hey!

01:07:15Hey!

01:07:16Hey!

01:07:17Hey!

01:07:18Hey!

01:07:19Hey!

01:07:20Hey!

01:07:21Hey!

01:07:22Hey!

01:07:23Hey!

01:07:24Hey!

01:07:25Hey!

01:07:26Hey!

01:07:27Hey!

01:07:28Hey!

01:07:29Hey!

01:07:30Hey!

01:07:31Hey!

01:07:32Hey!

01:07:33Hey!

01:07:34Hey!

01:07:35Hey!

01:07:36Hey!

01:07:37Hey!

01:07:38Hey!

01:07:39Hey!

01:07:40Hey!

01:07:41Hey!

01:07:42Hey!

01:07:43Hey!

01:07:44Hey!

01:07:45Hey!

01:07:46Hey!

01:07:47Hey!

01:07:48Hey!

01:07:49Hey!

01:07:50Hey!

01:07:51Hey!

01:07:52Hey, I want to talk to you.

01:07:54I don't know, but I think I'm the one that should be upset here.

01:07:56You? Why should you be upset?

01:07:58You broke up with me.

01:08:00You insult me and everything I believe in,

01:08:02and then you spy on me and attack my date.

01:08:04Speaking of which, I mean, boy, Laura, you know,

01:08:06you sure didn't waste any time, did you?

01:08:08It was your idea.

01:08:09You're the one who said we should see other people.

01:08:11It's not my fault you can't get a date on Friday night.

01:08:13Well, if that's the kind of guy you want to go out with.

01:08:15Oh, you mean nice, successful men with good jobs and cars that run?

01:08:19Yeah, I guess.

01:08:20Oh, that's nice.

01:08:21That's real nice.

01:08:22Nice shot.

01:08:24What about you, Alex?

01:08:26What kind of girl are you looking for?

01:08:28Some female version of yourself?

01:08:30Someone who works in an art gallery and knows what avant-garde means?

01:08:34What are you talking about?

01:08:36Don't play dumb, Alex.

01:08:37Make up your mind.

01:08:39She broke up with me.

01:08:41Well, that doesn't really matter now, does it?

01:08:44Why don't you figure out what you want,

01:08:45and then you can quit wasting everyone else's time.

01:08:51Increíble.

01:09:06You are despicable.

01:09:20Hey. That's it. No more.

01:09:24You want out of the lease, you're out of the lease.

01:09:27I'm sitting in here relaxing with my horticultural hobbies

01:09:30and you bring the cops here.

01:09:32I mean, you're moping around the halls, creating all kinds of problems.

01:09:35I'm sick of it. It's very depressing.

01:09:38I think the best thing for everyone involved would be

01:09:40for you to look for a new place to live.

01:09:43I'm serious.

01:09:47Hey. By the way.

01:09:51Your painting, it's totally shallow.

01:09:55It has no soul.

01:09:58It's like warmed-up mid-sixties expressionism without the balls.

01:10:03Jackson Pollock.

01:10:06You got a lot of nerve calling yourself an artist.

01:10:09It has no soul.

01:10:11I'm going to die.

01:10:12I'm going to die again.

01:10:13Oh, my God.

01:10:14You're just...

01:10:15You're going to die.

01:10:16I'm going to die.

01:10:17I'm going to die to the end of the week behind me about being a serpent.

01:10:18I don't know.

01:10:48I don't know.

01:11:18I don't know.

01:11:48I don't know.

01:12:18I don't know.

01:12:19I don't know.

01:12:20I don't know.

01:12:21I don't know.

01:12:22I don't know.

01:12:23I don't know.

01:12:24I want to talk to you later.

01:12:25I think the texture's kind of cool.

01:12:27Compositions.

01:12:28I don't know.

01:12:29I'm doing some very modern issues here, you know, of pain, man's pain.

01:12:32Where is the dialogue between the didactic and the semiotic?

01:12:36It doesn't exist anymore.

01:12:37Exactly.

01:12:38Home mediums are rotting corpse.

01:12:40Right.

01:12:41It's a painting, honey.

01:12:42Yeah.

01:12:43Yeah.

01:12:44Alex, what can I say?

01:12:45I mean, if I saw this new work, I knew you had been reborn.

01:12:49I found your soul.

01:12:51And, and, and, and, and, and, and...

01:12:54It's Alex.

01:12:56You're lucky bastard.

01:12:58Wow!

01:12:59Wow, eh.

01:13:01Oh.

01:13:02Oh.

01:13:03Oh.

01:13:04Oh.

01:13:06Oh.

01:13:07Oh.

01:13:08Oh.

01:13:12Oh.

01:13:15Oh.

01:13:16Oh.

01:13:18Oh.

01:13:24This is just so exciting.

01:13:29I'm really happy for you.

01:13:31I always knew you had it in you.

01:13:34It was actually kind of an accident.

01:13:38All great inspiration is an accident.

01:13:41That doesn't mean it's not brilliant.

01:13:43It's what you do with it.

01:13:46Yeah, I guess so.

01:13:54Poor little Alex.

01:14:04Come in and zip me.

01:14:19Next I'm going to hang in.

01:14:31I'm going to just lift him up.

01:14:35Here we go.

01:14:38I'm going to jump in.

01:16:11She moved out.

01:16:13Nice going.

01:16:16She left?

01:16:18She moved out last night.

01:16:21She asked me to give this to you.

01:16:23Where is she, Ray?

01:16:27I'm not supposed to tell you.

01:16:39Where is she, Ray?

01:16:41I'm not supposed to tell you.

01:16:45I'm not supposed to tell you.

01:16:55She's my wife.

01:17:00I'm not supposed to tell you.

01:17:06I'm not supposed to tell you.

01:17:10I'm not supposed to tell you.

01:18:11See what happens when you leave your door open?

01:18:41Give me back the angels

01:18:47All the stuff I got

01:18:50Cause their wings and halos

01:18:54Oh, they make me hot

01:18:58Writing down the reasons

01:19:02For the things I do

01:19:05Believe me when I tell you

01:19:09None of this is true

01:19:13Down, down, down

01:19:16Down, down, down

01:19:20Falling out of place

01:19:23Falling underground

01:19:27But if you need anything else, you let me know

01:19:48Okay, thanks

01:19:51Put in Christ's money

01:19:53At the end of the day

01:19:56Putting all the pieces

01:20:00In a velvet glove

01:20:04But try to hide your feet

01:20:07Tell you what

01:20:21You really know how to impress a girl

01:20:23I'm really sorry about this

01:20:25I've been meaning to get this fixed

01:20:26Sounds like the carburetor's flooded

01:20:29Oh, yeah, maybe so

01:20:32Check the venturi valve

01:20:38Sometimes you have to toggle it open

01:20:39Oh, yeah, the venturi valve

01:20:41Oh, okay

01:20:42Oh, Jesus

01:20:45Oh, God

01:20:47There's a

01:20:57In my car, there's something alive down in there

01:20:59Alive?

01:21:00Yeah, like a huge reptile

01:21:03Like a reptile thing is on my car

01:21:05A lizard? Really? Where?

01:21:07No, no, no

01:21:08You really shouldn't do this

01:21:09No, wait

01:21:09Maybe we should call the police or something

01:21:11I think I feel him

01:21:12No, oh, God

01:21:13Oh, Jesus

01:21:15Look, he's just a little thing

01:21:19Isn't he cute?

01:21:21That's it?

01:21:33Don't worry about it

01:21:34No, don't worry about it

01:21:35You're the one who told me not to worry about the leash

01:21:37You said it was a formality

01:21:38A binding formality, yeah

01:21:40But what are you going to do?

01:21:42Actually, it's about the dissolution and reinvention of writing

01:21:57It's definitely from the avant-garde period of thought

01:22:13What's bad?

01:22:14What's bad?

01:22:16Avant-garde?

01:22:17That's a period of painting that spans

01:22:19No, that word, avant-garde, what is that?

01:22:22You don't know what avant-garde means?

01:22:24No, what is it?

01:22:25I can't believe you don't know what avant-garde means

01:22:28Well, I've never even heard the word before

01:22:30Well, it's just, you know, it's such a common term

01:22:32If it's so common, what is it?

01:22:35I mean, it's like, you know, like, gee, isn't that painting avant-garde?

01:22:40Oh, that's not a very good definition

01:22:43Maybe you don't know what it means

01:22:45No, believe me, I know what avant-garde means

01:22:51See you next time

01:22:54I'll see you next time

01:22:56I'll see you next time

01:22:59Out of parking violators tonight?

01:23:26Just a few little bad boys.

01:26:09Hey, how are you doing?

01:26:11How are you doing?

01:26:13Cut.

01:26:15Cut.

01:26:17Cut.

01:26:19Cut.

01:26:21Cut.

01:26:23Cut.

01:26:29Cut.

01:26:31Cut.

01:26:33Cut.

01:26:35Cut.

{Apartment 12} 2000 - Artist suddenly finds his life upside down when his art show is canceled and his model girlfriend leaves him

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