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  • 16 hours ago
Step into the world of Dreams Under the Neon Lights, a timeless classic filled with drama, ambition, and unforgettable moments. This vintage film captures the beauty and struggles of chasing dreams under the glow of the city lights. A true gem for fans of classic cinema and retro storytelling.

Restored and shared for classic movie lovers around the world.
Transcript
00:00The
00:30This is a true story of a small-town girl who came to the big city.
00:57Let's start with her speeding along toward her dates with fate, wide-eyed with excitement.
01:06Ah, yes, I remember well this girl, then so naive and innocent, because this girl was me.
01:17Little did I suspect that bright day, the startling adventure just waiting to happen to me in the city ahead.
02:30I was so fascinated and frightened me.
02:39Mr. Hanson?
02:42Yes?
02:44You sent for me?
02:45Oh, yes, I did, Miss Sloan.
02:49I wanted to have a little talk with you.
02:53Very confidential.
02:55You see, for some time now, I've been thinking about you.
02:59Why, what would you be thinking about me?
03:01You'd be surprised.
03:03Oh.
03:04Why, Miss Sloan, you're not afraid of me, are you?
03:07Well, I guess I do have a kind of a reputation that frightens most girls in this town, but tell me, Miss Sloan, do you think I'm a big, bad wolf?
03:17Well, Miss Sloan, as I was saying, I've been thinking about you, and do you know what people in Hollywood do?
03:26I mean, do you know what actually goes on out there?
03:29Well, why?
03:30You don't know, Miss Sloan, because everything you read or hear about the movie city contradicts everything else you read or hear about it.
03:37Like this, for instance, today's paper.
03:40It's here on page one.
03:42There.
03:43It's here on page one.
03:44Hollywood investigator claims belly dancers perform nearly naked in swank strip spot.
03:50For this juicy item, screen star spits in critics' eye, scores bullseye.
03:55Now, these are the news headlines, but listen to what film fan reporter writes in her column.
04:00There.
04:02I've always found screen stars to be innately kind and polite.
04:06Now, I always thought anyone that spit in your eye was downright impolite.
04:10And this, no matter what scandalous tales you hear about our city, the truth is nothing unusual ever happens here.
04:19But take a look at this.
04:22Naked woman on motorcycle outraces police through streets near Hollywood.
04:27A naked dame racing bareback and bare everything else through the streets.
04:31I suppose that's not unusual for Hollywood.
04:34And listen to this sugar broadcast by Prunella Skipper.
04:45The movie actress Donna Sterling is just the sweetest girl I know.
04:52All her troubles have been due to her being just too generous to people, especially men.
04:59She just can't say no to anyone.
05:03Especially men.
05:04The poor, misunderstood child is rushing to the arms of her only true love in Las Vegas.
05:12Just as soon as she gets a divorce from her fifth husband in Reno.
05:17See what I mean?
05:19Here's a city that everybody wants to read about, hear about.
05:22But everything you hear about it is contradictory.
05:24What kind of place actually is Hollywood?
05:27That's what everybody in Greenfield and everywhere else would really like to know.
05:32So give them the answer.
05:33The real lowdown with no punches pulled and I'll bet we'd double the star time circulation.
05:38That's why I've decided to send someone out there to write a series of articles for us.
05:42The facts, you understand.
05:44And whatever that is, good or bad, we're going to print it.
05:49It should be sensational.
05:50Yes, go to Hollywood and find out.
05:56Actually, do yourself everything they do out there.
06:00You know what I mean?
06:02Me?
06:03Why not?
06:04You have all the equipment necessary for the job.
06:08But I wouldn't know how.
06:12I'm confident there'll be plenty of applicants to teach you how.
06:17But I haven't had any experience.
06:19I'll bet you won't say that when you come back.
06:24Well, Mr. Hanson's words had made me curious.
06:28I turned and raced back to the car, anxious to get down to the city below and discover just what might happen there.
06:39Hmm.
06:40If I'd have only known.
06:46Thirty-six hours later, I was typing my first article.
06:50For I felt sure what had already happened to me would surprise readers of the Greenfield Star Times.
06:56I headed it, my first day in the land of make-believe.
07:09Like most people who come to Hollywood, my first thought upon arrival was,
07:14Where could I see the movie stars?
07:21The simplest way might be to get one of the movie maps advertised along Sunset Boulevard.
07:26From a quaint old character, I purchased one.
07:29Guaranteed to list the home addresses of 300 movie celebrities.
07:34And so, I set out to see the stars.
07:41You think all these glamour boys and girls live on vast estates?
07:49Ha!
07:56According to my map, most of their homes were on out-of-the-way streets.
08:02And nobody I asked had the slightest idea just where.
08:05The houses listed were hardly the type I had anticipated.
08:16And anyway, even people in Greenfield weren't going to get too excited
08:21By hearing I'd seen the spot where Joe Starr hung his hat.
08:29But I decided, then and there,
08:32Whatever I had to do to thrill my readers,
08:37I would do.
08:43My first adventure, however, happened by accident.
08:51Somehow, I got lost in the Hollywood Hill.
08:55Looking for someone to give me directions,
08:57I saw a strange figure.
08:59I waved.
09:00Whoever, whatever it was,
09:04Disappeared behind a high stone wall.
09:08Curious, I got out of my car.
09:11The place had a foreboding look.
09:15But I was lost.
09:17Anyway, I was seeking strange experiences.
09:20This looked like a place where you would certainly find them.
09:23My woman's curiosity urged me to go on.
09:35My feet kept wanting to turn back.
09:38Somehow, the place was weird.
09:50A perfect setting for ghouls and ghosts and horrible happenings.
09:58And I had a strong premonition that something awful was about to happen to me.
10:12Wherever I looked, I could find no one.
10:14But I could feel hidden eyes fastened on my every movement.
10:20It was a creepy place.
10:31Also, not one for high-heeled shoes.
10:34I tried to act calmly,
10:42But inside, my nerves were whipping up a small-sized panic.
10:51Suddenly, something jumped up in the bushes behind me.
10:54I screamed.
10:55Now, I was frightened.
11:01It seemed I had stumbled into the ruins of an old castle.
11:06A haunted castle.
11:10I ran until I lost my breath.
11:12And then I saw a thing.
11:18Where was the gate?
11:25I was running around wildly, trying to find it.
11:29When I stumbled and fell flat.
11:34I lay there, afraid to look up,
11:37Because I heard the sound of feet closing in on me.
11:41When I did look up,
11:43A fence of legs encircled me.
11:46And the tallest man I had ever seen,
11:54Towered over me.
11:59The man motioned for me to get up.
12:07I saw now that the legs
12:09Belonged to some very pretty girls.
12:11Even the hideous head that had scared me
12:14Was only a mask for a beautiful girl.
12:19A few words made me understand everything.
12:23I had happened onto a studio ranch
12:25Used by photographers and cameramen
12:28Who make the artistic type of photos and films.
12:38These girls were a group of models
12:40Who posed for them.
12:41They had hidden at my approach
12:44Because onlookers were usually a nuisance.
12:54Since they had not been able to scare me away, however,
12:57Everyone went back to work.
12:59There were several groups of professional photographers around.
13:11But, as one of the models pointed out,
13:16Some of the photographers
13:17Used the picture making gag
13:20Just as an excuse to get acquainted with
13:23And ogle girls.
13:24Sometimes they had film in their camera.
13:37Sometimes not.
13:38Later, promising to stay out of camera range,
13:50I wondered about
13:51Looking at different groups at work.
13:54In one secluded spot,
14:02An artist was dobbing at a canvas.
14:04After a while, the artist had an idea.
14:15And his idea,
14:17He should paint less
14:20Of the model's costume
14:22And more
14:23Of the model's.
14:25And then the artist began to get the same idea again.
14:27And then the artist began to get the same idea again.
14:29And then the artist began to get the same idea again.
14:50And then the artist began to get the same idea again.
14:54He should paint less
15:00Of the model's costume
15:01And even more of her.
15:24Well, that same idea just kept coming back to the artist.
15:44But at last the model said,
15:55Wait a minute.
15:57Just what kind of a painting is this masterpiece of yours?
16:01And then she saw what she had been posing for.
16:08Well, this artist would either have to improve his art
16:14Or find a model with less temper.
16:22Between posing scenes,
16:24The model sought out hideaway corners
16:26In which to sunbathe.
16:30And even all over tan was particularly desirable for color shots.
16:36They told me.
16:42I made notes of what I saw.
16:52But the startling beauty of one flame-haired model had me fumbling for adjectives.
17:04I made notes of what I saw.
17:14I made notes of what I saw.
17:16The young peacocks roamed all over the ranch.
17:26And this girl threw breadcrumbs to them.
17:28But the peacocks refused to come near enough for her to pet them.
17:32As one photographer exclaimed.
17:36Silly birds.
17:38This model, I learned later, was Linnell.
17:54Top favorite among the lens men who do covers for magazines.
18:00Her fiery golden hair, falling down over her cream white body, resulted in the most sensational color shots.
18:12Rays of the sun were beaming down now.
18:26And when I saw one of the girls doing a scene for a movie.
18:30Well, I had spent a very interesting afternoon watching the production of artistic photos and films.
18:38The gorgeous girl type of pictures that feature and star and immortalized glamour.
18:44Winging their way out from the cinema city to thrill and delight the whole world.
18:50As I was leaving, the tall photographer handed me his card.
19:04He said he could use me as a model.
19:06But I was still a little afraid of him.
19:10The third day I was in Hollywood, I received an envelope marked very personal.
19:16The letter inside invited me to some very special entertainment.
19:20To a show you could see only in Paris.
19:23Or at this French Follies theater.
19:25To insure admittance, I took the letter and two dollars.
19:29And found on arrival, the show had already started.
19:46The
19:48The
19:53The
20:05The
20:06The
20:09The
20:10The
20:11and she goes we're like f jaquila
20:14than it will
20:15ay ay ay ay ay
20:17she can fange
20:19la namba she can pamba
20:20she can pamba
20:22la namba she can pamba
20:24she's a sling she gita
20:26yoo no
20:26linda señorita
20:28maraca
20:29pra caracas
20:30me invita margarita
20:32tambones
20:33muñequita
20:34saca
20:35tus maracas
20:35y no amo
20:36pra caracas
20:37Oh, I think...
20:42I think...
21:01After the opening production number, there followed a number of alleged comics and comedy acts.
21:07Most of which were about as funny as a contagious disease.
21:20And then, several dancers.
21:23This was dancing.
21:37But there was one number quite different.
21:49The End
21:54The End
21:59The End
22:04The End
22:09The End
22:14The End
22:15The End
22:19The End
22:20The End
22:24The End
22:25The End
22:26The End
22:27The End
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22:29The End
22:30The End
22:31The End
22:32The End
22:33The End
22:34The End
22:35The End
22:36The End
22:37The End
22:38The End
22:39The End
22:40The End
22:41The End
22:42The End
22:43The End
22:44The End
22:45The End
22:46The End
22:47The End
22:48The End
22:49The End
22:51The End
22:52The End
22:54The End
22:56The End
22:57The End
22:58The End
22:59The End
23:00The End
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23:05THE END
23:35THE END
24:05THE END
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25:05THE END
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26:49THE END
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26:55THE END
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26:59THE END
27:01THE END
27:03THE END
27:05THE END
27:07THE END
27:09THE END
27:11TO CHANGE
27:12TO CHANGE INTO A COSTUME
27:13HE'S SENT ME
27:14BEHIND A SMALL SCREEN
27:16WHILE I WAS CHANGING
27:19I KEPT THINKING BACK TO THE DAY OF THE RANCH
27:23WHEN I Had LOOKED UP AND FIRST SEEN THIS TALL TOWN TOWERING OVER ME
27:29I began to wonder just what he had in mind now.
27:36I had heard stories about photographers.
27:45There was something sinister about this fellow.
27:51We, too, were here in his studio, alone.
27:59I peeked out again.
28:08His back was toward me, and then he turned and saw me.
28:15He started coming toward me.
28:17He came nearer, nearer, nearer.
28:23And then he said, here, where are these stockings?
28:29My behavior must have been as strange to him as his actions were to me.
28:41The outfit for the first photos actually wasn't too brief.
28:46But for some reason, I felt as if I were trying to hide behind three postage stamps.
28:53Tall Tom finally pulled out a pair of dark glasses
29:05and assured me that wearing them, he was practically blind.
29:09After getting me into a pose, he wanted me to smile.
29:27I looked about as pleasant as if I were making a date with a dentist.
29:30Finally, he promoted a fair expression by having me say, cheese.
29:43Maybe this is how they started calling this kind of photography, cheesecake.
29:47When he said he wanted an Indian pose, I had one idea.
30:02But his was entirely different.
30:05Well, if Minnie Ha-Ha ever posed this way, it must have been when she was loaded with fire water.
30:22But even after he snapped it, Tall Tom still called this an Indian pose.
30:26And the photographer and two male customers all had asked me for a date.
30:34Well, after reading this, I'd say that when you went back to Greenfield,
30:38all the women will hate you, but all the men will want to date you.
30:42I wonder what Mr. Hanson, he's our editor.
30:51I wonder what he'll think of me.
30:54I wonder what you think of Mr. Hanson.
30:58He's the type of man that makes you not know what to think.
31:01He's handsome, but not too.
31:04There's something about the way he says things to you.
31:07And the way he looks at you, it makes you feel so funny.
31:14Did you ever feel as if you'd swallowed an electric vibrator?
31:18Hmm.
31:20Oh, no.
31:21But I wouldn't mind to meet this Mr. Hanson.
31:24As the slang saying goes, he must be quite charged.
31:29Well, yes.
31:30I guess you could say that.
31:34Hmm.
31:37Hey, who's the lassie with a cute chansy?
31:42Use this in a four-column spread over a Dollar Sloan's article.
31:45Here.
31:47Yeah, oh, so that's how Dollar Sloan looks.
31:52No wonder so many interesting things happen for her to write about.
31:55Yes, I guess she's getting plenty of experience.
31:58I read all of her articles.
32:00You know, here in Greenfield, you've got to get your excitement secondhand.
32:03Believe me, boss, if what she writes actually happens, in Hollywood, she's good.
32:11She was good here, too.
32:13Oh, I wonder what she'll do next.
32:19I wonder.
32:21Well, Mr. Hanson might have been surprised to know I was thinking of answering a lonely heart ad.
32:28Not the one who wanted a perfect mate.
32:30And I couldn't help the handsome man who needed a wealthy wife.
32:37But Mr. Sophisticate, who wanted to show some girl a wonderful evening.
32:44He might be just the escort to show me around some unusual night spots.
32:49Somehow, his voice was not quite what I expected.
33:01But he was eager.
33:05One thing I never learned to do.
33:07Smoke.
33:08For this date, though, I wanted to appear worldly wise.
33:12But, as usual, one drag and I felt as if I were drowning.
33:19Oh, well, I would just have to act as if I'd been around.
33:23The bell buzzed.
33:24I primped myself.
33:27Went to the door.
33:29Opened it.
33:32And there was Mr. Sophisticate.
33:35With a snoot full of water, I asked this character if he wanted me to take his hat.
33:52So.
34:01It seems in his hat, he brought his own lunch.
34:05Oh, this boy was a card.
34:14I bet he'd have been the life of a party somewhere back in the gay 90s.
34:19And that's where he should have been.
34:22He was full of tricks.
34:26And he punctuated each one with a jab in the ribs.
34:29Did I know he made big money?
34:36He showed me.
34:38Big money.
34:40Rib jab.
34:45I made the mistake of being coaxed to look at his lapel flower.
34:49But I was ready for his next rib jab.
34:52This literally had him rolling on the floor.
35:04Next, had I ever seen the three stooges.
35:07You know, one butted the other with his head.
35:09The second kicked the first in the pants.
35:13Foolishly, I asked what the third did.
35:17Mr. Sophisticate showed me.
35:19Mr. Sophisticate showed me.
35:22By now, I figured out a little game myself.
35:32It started out sort of simple-like.
35:35Maybe that's why my newfound pal immediately took to it.
35:39But as my game progressed, it became a little more complicated.
35:55Old rib jabber told me he had never tried this blind man's waltz before.
36:05But it was nothing but fun.
36:07I told him I knew he'd get a kick out of it.
36:16And he was Mr. Sophisticate?
36:19I crossed Mr. Sophisticate definitely off my list.
36:26But another ad caught my eye.
36:31Well, I wonder how it would be to have a date with a Hollywood actor.
36:38The next evening, though, when the buzzer sounded, I had almost decided not to answer it.
36:49But I knew he was completely different from Mr. Sophisticate the moment he stepped inside the door and said...
36:59I am Sir Reginald Reginald.
37:03Uh, Mr. Sir Reginald, uh, won't you sit down?
37:10You may call me by my first name.
37:13Uh, Mr., uh, Sir, uh, Reginald, uh, your advertisement states that you're...
37:43You're in the theatrical profession.
37:44Sir, yes.
37:46I'm a thespian.
37:47An actor, you understand.
37:50From the theater.
37:51From the cinema theater.
37:53Ah, you should have seen me in Shakespeare.
37:58To be?
38:01How not to be?
38:03That is the question.
38:05Whether it is nobler in the mind...
38:08But now you're in pictures.
38:09Dad, yes.
38:11All day I've been performing in some shallow drama.
38:15Oh, uh, a western.
38:17Uh, what part did you play?
38:19The line was, uh, they went that-a-way.
38:22It's five different characters in five different make-ups.
38:25I said,
38:26Oh, they went that way!
38:29I think that they went that way.
38:33Oh, I don't find it, though, but, uh,
38:35I think they went that way.
38:37I don't know, but, uh,
38:41they went that way, I think.
38:47The one of my voice is losing its resonance.
38:50Uh, you, uh,
38:52don't happen to have something to drink, have you?
38:54Would you like a drink of water?
38:57My dear, I want a drink,
38:58not bathed.
38:59A previous tenant
39:03had generously left behind
39:05two bottles of wine
39:06in the refrigerator.
39:07I proudly brought forth one
39:09for Sir Reginald.
39:11He looked at the label,
39:13muttered something about
39:14domestic.
39:19Maybe it was because
39:20the wine wasn't imported.
39:22Anyway, that boy had a way of
39:24drinking without tasting.
39:30Well, I gulped one, too.
39:41But I soon found,
39:42no matter how I did it,
39:44I couldn't empty glasses
39:45as fast as my noble friend.
39:47Sir Reginald finished
39:53the first bottle
39:53in a breeze.
39:56The second bottle
39:58about finished
39:59Sir Reginald.
40:05And worst of all,
40:07old demon Rum
40:08began to bring forth
40:09in Ye Olde Thespian
40:11all the different characters
40:12he had ever played.
40:14And then Chico
40:18falls to the floor
40:19and he disappears
40:21for a second
40:22and then I come up
40:23into my amazing scene.
40:25Dr. Bang!
40:28Oh, my dear,
40:30if you could see me now.
40:35I played everything,
40:37even animals.
40:44Perhaps you saw me
40:48as the Avenger
40:50through the sun's fury.
40:53Oh, what a scene.
40:56The sort of thing
40:57the audience has loved.
41:00I beat the heroine
41:02for two reels.
41:04What a romantic scene.
41:07I really beat her,
41:14you understand,
41:16for two full reels.
41:21How did those lines go?
41:24Die it!
41:25Let's last,
41:26me proud beauty.
41:28Die, the Avenger!
41:30Come uncovered,
41:32you treachery!
41:33With a hundred lashes
41:36of the whip,
41:38I'll wipe out
41:39your disgrace!
41:42Ah!
41:43Ah!
41:44Ah!
41:45Die it!
41:46She ran from me,
41:48but I was after her!
41:52And now,
41:53in punishment
41:54for your perfidiousness!
41:57Ah!
41:58That wasn't in the scene!
41:59What's the matter
42:00with you?
42:00Haven't you eaten today?
42:01Die, you foxy wench!
42:07This is what makes me duty
42:09more exciting!
42:16Stop, Cinderella!
42:19Stop!
42:20Peter!
42:21But fool!
42:22Fool!
42:23Real!
42:24Stop twisting and turning
42:26and ruining the scene!
42:27Fear!
42:30Fool!
42:30Fool!
42:31Fool!
42:31Fool!
42:32Fool!
42:33Until I was completely done in!
42:39Very exhausting scene on me,
42:42you understand?
42:44I finally went to a nightclub
42:54with a gentleman
42:55who advertised himself
42:56as safe and sound.
42:59Well, anyway,
43:00he was safe.
43:04His hearing wasn't so good,
43:06but when they introduced
43:08the exotic dancer,
43:09Naomi,
43:10you could see Pop's eyesight
43:12was still sharp.
43:13Little había
43:15avilion
43:16and took a gas
43:16and there was a
43:17little boy
43:17to a day
43:18will
43:22be the
43:22way
43:23to the
43:24beach.
43:24It's so good!
43:25Now,
43:26let's hear what you have
43:26to see!
43:27I'll be the
43:28one,
43:28help you!
43:28I'll be the
43:29next one!
43:30Bye!
43:31Bye!
43:31Bye!
43:31Bye!
43:31Bye!
43:32Whoa!
43:33Bye!
43:34Bye!
43:34Bye!
43:34Bye!
43:34Bye!
43:35Bye!
43:35Bye!
43:36Bye!
43:36Bye!
43:36Bye!
43:37Bye!
43:37Bye!
43:38Bye!
43:38Bye!
43:39Bye!
43:39Bye!
43:39Bye!
43:40Bye!
43:40Bye!
43:41Bye!
43:41Bye!
43:42after miss Naomi artistic effort I noticed a couple near our table having a difference
43:54of opinion about a subject most popular in Hollywood legs they moved away and I forgot
44:05them another act was being introduced on the stage when pops found the next act was not an
44:17exotic dancer he lost all interest in the show well with my escort falling asleep in my face
44:27maybe this was the time to be nonchalant and light up a cigarette I did usual result
44:48but if the lady couldn't act nonchalant she could at least always go powder her nose
44:57approaching the nose powdering department I saw the couple which had been arguing near our table
45:03one of them asked me for a cigarette I might as well give them away I couldn't enjoy them myself
45:17the fellow explained the two of them were arguing about whether his friend Janae had better than average
45:33legs to decide the argument he wanted me to match legs by now I had gotten used to the gag let's see
45:50your legs or higher I want to see your legs not your feet anyway the fellow voted mine better
45:58Janae assured him he'd lost his eyesight and I thought I had lost mine when I saw what Janae used for an
46:05ashtray and then Janae explained what I should have known from the start he was an impersonator working in
46:13the show no wonder I choked on my cigarette this time you know something he made a better looking woman than I did
46:33here's today's edition chief hot off the press you'll find the Miss Sloan's article on the fourth page oh yes
46:44here it is we're running her picture of heading the article now just like you ordered she certainly is a
46:51delectable looking dish out there in the wild and woolly west she must be having a wonderful time yes but
46:58I'm not so sure that she should be out there all by herself from what she writes I don't think she's
47:04ever all by herself I mean nobody from here went with her out there to watch her watch over her I'm
47:12beginning to wonder if I should have sent her out there all alone in fact why should I send her out period
47:18soon. Pierre Martin was a nervous little man who had a wholesale lingerie house. He brought buyers here to
47:29view his showings of new styles modeling for him I thought I might find some rare experiences. I did.
47:38It was nothing unusual for the excitable Pierre to stick two cigarettes in the customer's mouth
47:51and light both of them.
47:57One reason for Pierre's fluster was that we girls in the dressing room were never ready
48:02to start the shows on time.
48:04Girl, girl, hurry, please.
48:08The men are here waiting.
48:09Girl!
48:12Say, isn't it funny the buyers are always men?
48:16Oh, it's not so strange the stores send men buyers here.
48:20After all, the kind of lingerie men go for.
48:24That's the kind women should buy.
48:25Girls, let's go with the first number.
48:36How long will you be?
48:37Five or four minutes.
48:39Oh, no.
48:40I wonder what makes people excitable all the time.
48:43Probably working around all this lingerie.
48:48Make way.
48:50For the body is beautiful.
48:51You should have been parading around out there five minutes ago.
48:56You mean for something so wonderful they can't wait five minutes?
49:01The way she's always claiming what a shape she has.
49:04You'd think she had my body.
49:07You'd better hurry, Jean.
49:08You follow me.
49:10I've always found that easy.
49:12Dreamer.
49:13Well, girl, here I go.
49:15No matter how impatient the buyers had become,
49:21the sight of Francine,
49:23displaying Pierre's creations,
49:26always had a soothing effect on him.
49:37This girl was good.
49:39You're good.
50:06Jean may or may not have been joking about being able to follow Francine in anything,
50:19but her appearance in the sweetheart lingerie set certainly sustained interest in the show.
50:36As the girls modeled, the Byers discussed figures, both kinds.
50:56Wanda had an original way of modeling.
50:59She just went into a dance routine, upon which the Byers' eyes would usually spin around like pinwheels.
51:08A short-length nightie was my first contribution to the showing.
51:28After saying goodnight, I blew off the candle, and this closed the first half of our little show.
51:44After saying goodnight, I blew off the candle, and this closed the first half of our little show.
51:51I wonder if most of the Byers come in to buy, or just to look.
52:03I wonder if most of the Byers come in to buy, or just to look.
52:09Why, dearie, don't tell me you're the type that might be a good boy.
52:14I wonder if most of the Byers come in to buy, or just to look.
52:18Why, dearie, don't tell me you're the type that minds men looking at you.
52:23Why, the two days that you've been here, you must have had a dozen men ask for your phone number.
52:31Or maybe the shrinking Byers routine is what gets them.
52:35Yes, I'll have to try.
52:37I'll have to convince men that I'm so very, very nice.
52:41I've got news for you. You're not that good an actress.
52:48The curtains opened up on Wanda, for the second half of our little offering.
53:00Beautiful and black.
53:02Wafting fragrance about.
53:06She could dance, too.
53:07Wanda would finish by looking at the customers like this.
53:28And they always wanted this number.
53:32And hers.
53:37Francine was our number one stocking sales girl.
53:41Yes, when Francine modeled hosiery, the buyers quickly saw two good reasons why they should buy them.
53:46Why they should buy them.
53:50Yes, when Francine modeled hosiery, the buyers quickly saw two good reasons why they should buy them.
54:17An original creation by Pierre was his bridal night lingerie.
54:23I felt flattered that he chose me to model it.
54:28Just wearing an outfit like this could give a girl ideas, such as weddings and honeymoons and Mr. Hanson.
54:46Strange this should make me think of him.
54:52Or was it?
55:16Judith had been with Pierre longer than any other model.
55:24And she broke all the rules.
55:33I saw her giving her telephone number to one of the buyers.
55:37This girl was jealous of me.
55:45And I wondered if we'd have trouble.
55:48And I didn't have to wait long to find out.
55:50Gordon.
55:54Say, I always wear that outfit.
55:57Well, Pierre has my name on it, so evidently you're not wearing it today.
56:01Today, too.
56:03You may need Pierre's new pet, but I'm wearing that outfit.
56:06That's silly.
56:07I already have it on.
56:09That's easily changed.
56:31What's happening in there?
56:33Stop it, you hear?
56:34I'm coming in.
56:37Break it up.
56:39Don't, girl.
56:40Be in him a minute.
56:42Don't.
56:43Please, don't.
56:44Don't be barging in.
56:47Here, here.
56:48What's going on here?
56:50Your pet model.
56:51I'm going to remodel.
56:52Are you crazy?
56:54Who started this?
56:55She started the whole thing.
56:56I didn't start it, but I'm going to finish it.
57:00Give me room.
57:05What?
57:06Be careful now, girl.
57:07Girl.
57:08Oh, stop it.
57:09Stop it.
57:10Oh, my goodness.
57:11Stop it.
57:12Stop it.
57:13Stop it.
57:14Stop it.
57:15Stop it.
57:16Stop it.
57:17Stop it.
57:18Stop it.
57:19Stop it.
57:20Stop it.
57:21Stop it.
57:22Stop it.
57:23This one's here.
57:24What's going on here?
57:25Stop.
57:26Stop it.
57:27Stop it.
57:28Oh.
57:29Stop.
57:30Oh, stop.
57:31Oh.
57:32Oh
57:42Why mr. Hanson, what are you doing here? Well, I was worried about you. I came to Hollywood night
57:48What's your apartment? They said you were working here. Well, I'm not exactly get to to give you a formal reception
57:55Still afraid of the big bad wolf, huh?
57:57Listen after what I've seen and done out here. You just think you're a wolf watch me
58:08You oh
58:11Wow, you certainly have learned a few things in Hollywood
58:16That's only the beginning of what I've learned out here
58:28Yes, Hollywood is no doubt just about like any other city of similar size. I understand that now
58:35But here in Hollywood the film capital
58:39Everything seems more glamorous
58:42more exciting more wonderful
58:45And if you don't believe me come on out and let me show you
58:57You

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