Beyond Tomorrow (1940) – The Ghosts Who Returned to Save a Love
Three elderly men find themselves drawn into the lives of a young couple after a tragic accident changes everything. Returning from beyond the grave, they discover that their unfinished business may be connected to a love that needs their help.
Beyond Tomorrow is a touching fantasy drama filled with romance, friendship, sacrifice, and the mysterious possibility that love can reach beyond death. As the story unfolds, the spirits attempt to guide the young couple toward happiness while discovering the true meaning of compassion and devotion.
A memorable classic from 1940, Beyond Tomorrow combines supernatural elements with heartfelt romance and emotional storytelling.
#BeyondTomorrow #ClassicMovie #ClassicFilm #1940Movies #OldMovies #VintageMovies #ClassicHollywood #RomanceMovie #FantasyMovie #DramaMovie #VintageFilm #HollywoodClassics #RomanticFilm #MoviesFrom1940
Three elderly men find themselves drawn into the lives of a young couple after a tragic accident changes everything. Returning from beyond the grave, they discover that their unfinished business may be connected to a love that needs their help.
Beyond Tomorrow is a touching fantasy drama filled with romance, friendship, sacrifice, and the mysterious possibility that love can reach beyond death. As the story unfolds, the spirits attempt to guide the young couple toward happiness while discovering the true meaning of compassion and devotion.
A memorable classic from 1940, Beyond Tomorrow combines supernatural elements with heartfelt romance and emotional storytelling.
#BeyondTomorrow #ClassicMovie #ClassicFilm #1940Movies #OldMovies #VintageMovies #ClassicHollywood #RomanceMovie #FantasyMovie #DramaMovie #VintageFilm #HollywoodClassics #RomanticFilm #MoviesFrom1940
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FunTranscript
00:00:03The End
00:02:05Two times JD, 178,886 times 0.351.
00:02:12No, George.
00:02:13That's 0.315.
00:02:16Thanks.
00:02:17Make that 0.315 times 11 minus 1.25 times 0.883 times 11.
00:02:33Maximum sheer, large B, equal 6776.
00:02:38Put them down anywhere, Martin, and run along home.
00:02:40We won't be needing you tonight.
00:02:42We're having guests.
00:02:43My hat, my hat, Joseph.
00:02:45Oh, wait a minute, Martin.
00:02:46Merry Christmas.
00:02:47Oh, thank you, sir.
00:02:49Joseph, Merry Christmas.
00:02:51Square inch.
00:02:52This dress is permissible with anchor reinforcements.
00:02:55Anchor reinforcements, my foot, gentlemen.
00:02:58This is Christmas Eve.
00:03:00Fine thing.
00:03:01Come home full of Christmas spirit and find you two grubbing over a lot of blueprints.
00:03:04Why don't you live at the office and be done with it?
00:03:07These specifications have to be finished.
00:03:09Meet Joe in form.
00:03:10Letting me out.
00:03:11You girls run along home.
00:03:13Here, Susie.
00:03:14Merry Christmas.
00:03:15The same to you.
00:03:17Merry Christmas, Susie.
00:03:18Merry Christmas, Mr. Chadwick.
00:03:20Good night.
00:03:20Merry Christmas.
00:03:21Merry Christmas.
00:03:22Merry Christmas.
00:03:23Here.
00:03:26And this is for you, you slave driver.
00:03:29Here you are, Major.
00:03:30Oh, thank you, Michael.
00:03:32Christmas.
00:03:32Nothing but a merchant's holiday.
00:03:35Oh, what the dickens is this?
00:03:38Look it.
00:03:38Here.
00:03:39Every time I take a cigarette, it plays me a tune.
00:03:50Wild Irishman.
00:03:54Oh, I see.
00:03:58Michael, does this mean my pipe's getting too strong, eh?
00:04:01Well, it's no violet.
00:04:05Well, I'll be darned.
00:04:07Well, I suppose this means I'm getting decrepit.
00:04:10No.
00:04:11I tried to find a black snake crip for you, but I had to take that instead.
00:04:14When you're not shaking that over our heads to make us work, you can hobble around on it and enjoy
00:04:18your sciatica.
00:04:19Now, come on, boys.
00:04:20Do me a favor and clear up this mess.
00:04:23I'd hate the Van Riper's to know that I lived with a couple of heathens who worked on Christmas Eve.
00:04:28That's right, by Joe.
00:04:29I forgot they were gummy.
00:04:31Are Van Riper's coming here?
00:04:32Yes, and I was lucky to get them, too.
00:04:34They're fascinating people.
00:04:35They're world-traveled.
00:04:36They'll give you all the latest news about India, Chad.
00:04:40So come on.
00:04:40We'd better be getting dressed.
00:04:44Joseph, see that the living room gets cleared up.
00:04:46And mix the tom and cherries.
00:04:48Yes, Mr. O'Brien.
00:05:11It's a lot of childish nonsense.
00:05:13Oh, yes.
00:05:16And licors?
00:05:17A short-race and creme de mount.
00:05:20Don't forget brandy for Major Chadwick.
00:05:24Yes, Excellency.
00:05:27Joseph, remember the last Christmas in St. Petersburg just before the war?
00:05:32Yes, Excellency.
00:05:34Here, Joseph.
00:05:36Sražtistvom Hristovom.
00:05:38Spasibo, Excellency.
00:06:01Joseph, when I had jewels and lands and palaces,
00:06:08I was often weary and discontent when everything was taken away except my life.
00:06:16I learned that the way to be really happy is to serve others, to be needed.
00:06:25So don't be sorry for me or for what was lost.
00:06:30Come, the guests will be here and nothing will be ready.
00:06:35Madame Tanya!
00:06:36Hear me, Sir O'Brien.
00:06:37Will you please fix my tie?
00:06:40You know, I'm all thumbs when it comes to tying a proper bow.
00:06:44And the table, oh, it's magnificent.
00:06:50Sure, it's just magic how you do it.
00:07:04Yes, it really seemed like Christmas in those days.
00:07:10What we should have, George, is a troop of grandchildren.
00:07:14Yeah, blowing horns and beating drums all over the place, not for me.
00:07:19Oh, well, here's a Merry Christmas to you, anyhow.
00:07:21Merry Christmas.
00:07:22Merry Christmas!
00:07:23Good evening, gentlemen.
00:07:25Christos Monscrese.
00:07:27That's for Easter.
00:07:28Oh, Christmas, oh, so it is.
00:07:30Well, a Merry Christmas to you, then.
00:07:32You're looking very festive, Madame Tanya.
00:07:34Thank you, Major Chatterton.
00:07:36And here is your present.
00:07:38Such a big present.
00:07:40Whatever can it be?
00:07:54I shall have to sit down.
00:07:57Well, we thought it would surprise you, but we didn't think it would knock you down.
00:08:01Oh, George, get a domiciliary for the Countess.
00:08:03Come now, you must try it on and see how it looks.
00:08:11It's beautiful, but it will keep me no warmer than your kindness has all these years.
00:08:25Здоровья.
00:08:26And don't tell me that doesn't mean your health.
00:08:29It does.
00:08:30Vasa Здоровья.
00:08:31And Merry Christmas.
00:08:32Merry Christmas.
00:08:33Many of them.
00:08:36And don't you try to duck out and have a tray in your room.
00:08:39You're sitting at the table.
00:08:40I'll be there.
00:08:42And now I must be looking after things.
00:08:45The guests are very distinguished.
00:08:47And as the hostess, I must see that everything is perfect.
00:09:11Hey, tell the ground, sir.
00:09:20What's wrong now?
00:09:22The Van Riper's, they can't come.
00:09:24Oh?
00:09:26Well, that's odd at the last moment.
00:09:28Can't be helped.
00:09:29Illness in the family.
00:09:31Illness in the family.
00:09:33You shouldn't have let them know I'd be here.
00:09:37Don't be ridiculous, George.
00:09:39You had nothing to do with it.
00:09:41Didn't I?
00:09:42Oh, I can hear them.
00:09:45George Vale Melton.
00:09:47Isn't he the fellow who's mixed up in the Shreve case?
00:09:49Acquitted?
00:09:50Lack of evidence?
00:09:52Oh, for pity's sake, George.
00:09:54Don't be so sensitive.
00:09:56That's all past and forgotten.
00:09:58Sure it is.
00:09:59And don't flatter yourself that anybody remembers.
00:10:03To tell you the truth, I'm relieved that the Van Riper's are not coming.
00:10:08He's telling the same jokes he told 20 years ago, and she dyes her hair.
00:10:13I think it's a shrimp pink now.
00:10:18I don't know why I asked them to come at all at all.
00:10:23Well, the trouble with us is we're in a rut.
00:10:27Too much work, no play.
00:10:30We don't take time to see our old friends.
00:10:33Yes, not so many of our old friends left, Michael.
00:10:37Well, then we ought to make new ones.
00:10:40What we ought to do is...
00:10:43What we ought to do is...
00:10:46Oh, come on, have a drink.
00:10:53Confusion to our critics, and to us, a Merry Christmas.
00:10:57Merry Christmas.
00:11:16Well, there must be some lonely souls out in that crowd.
00:11:19You're a sentimentalist.
00:11:23Ha!
00:11:23I have an idea, Chad.
00:11:25Get out your cards, gentlemen.
00:11:26What are you up to now?
00:11:29These are some of the gift wallets that were left over, with $10 in each of them.
00:11:33Put your cards in them, gentlemen.
00:11:34We'll throw them out of the window, and maybe they'll bring back somebody to have dinner with us.
00:11:38What, strangers out of the street?
00:11:40Oh, there are no strangers on Christmas Eve.
00:11:43Besides, it's better than sitting around and hooting at each other like three old owls in a van.
00:11:47If not a one of them comes back.
00:11:50I'll take you up on that.
00:11:52Dinner appears for all of us, and the loser pays.
00:11:54You heard, Chad.
00:11:56It's a bet.
00:11:57That's all right.
00:11:57I can't lose.
00:11:58How long do we wait?
00:12:00Win or lose.
00:12:01We dine at seven.
00:12:08St. Anthony.
00:12:10Send us back an honest soul.
00:12:14With an appetite.
00:12:21Mine goes first.
00:12:28It's gone.
00:12:30Your turn, Chad.
00:12:35I can't see without my glasses.
00:12:38All right, you're next, George.
00:12:40Come on, come on.
00:12:41Let it go.
00:12:42Let it go.
00:12:46Well, I doubt if you'll find anybody worth feeding.
00:12:49If it gets unbearable, George and I can pop round to the club for a rubble bridge.
00:12:53Don't worry.
00:12:54Nobody will come back with them.
00:12:57You're a man of very little faith, George.
00:13:00Come away from the window before you break the charm.
00:13:11Well, finders keepers.
00:13:14Any money in it?
00:13:16Ten dollar bill.
00:13:17George Vale Melton.
00:13:19Engraved by, uh, Tiffany.
00:13:21He'll never miss the money.
00:13:23Here you are, Robin.
00:13:24Merry Christmas.
00:13:25Thank you, madam.
00:13:26You have a heart of gold with other people's money.
00:13:30I tell you, England's territorial expansion has quite a different significance.
00:13:34No matter how thin you slice it, a grab is a grab.
00:13:38Grab?
00:13:38Oh, that's a specious term.
00:13:41England carried civilization into the wilderness.
00:13:44What was Australia before she redeemed it from the Aborigines?
00:13:47She made it a thriving territory, a ranking continent.
00:13:51For her own special benefit, of course.
00:13:53For the benefit of the whole world.
00:13:55For the benefit of Australia itself, I guess.
00:13:59The proof is there isn't an acre of the empire that isn't proud to fly the British flag.
00:14:08And furthermore, let me...
00:14:10Oh, will you stop that noise?
00:14:13Noise, is it?
00:14:13What do you two think you're making?
00:14:16The next thing you'll be digging trenches in the rung.
00:14:18Yes, but I'm bound to refute his unenlightened bias.
00:14:22Bias my foot.
00:14:23He always takes the other side of the argument to get your goat.
00:14:26What?
00:14:31Well, it looks like you pay for the dinner, O'Brien.
00:14:36Maybe I do.
00:14:39And then again, maybe I don't.
00:14:49Oh, good evening to you.
00:14:50Good evening, sir.
00:14:51Somebody here lose a wallet?
00:14:52Yes, yes, come in.
00:14:53Come in.
00:14:54Which one did you...
00:14:55I mean, my name is O'Brien.
00:14:57That's the name, all right.
00:14:58There's ten dollars in it.
00:15:00Ten dollars a deal, sir.
00:15:01Here you are, sir.
00:15:02Well, Merry Christmas.
00:15:05Wait, wait.
00:15:06Stay and have a bit of cheer with us.
00:15:08Well, I'll...
00:15:09Oh, come along, come along.
00:15:10Uh, what is your name, lad?
00:15:12Uh, James Houston, sir.
00:15:14Houston.
00:15:15That's mighty nice of you.
00:15:17What is nice of you?
00:15:18Sir.
00:15:19I need you to bring back my wallet.
00:15:21Come along, come along.
00:15:22Mr. Melton, Mr. Chadwick, this is Mr. Houston.
00:15:25Good evening.
00:15:25Proud to know you, sir.
00:15:27Mr. Houston brought back my wallet.
00:15:29And now he's going to have a drink with us.
00:15:30What'll you have, lad?
00:15:31Oh, uh, whatever you're having, sir.
00:15:34I'm having Tom and Jerry myself.
00:15:36How about you, Chad?
00:15:37Uh, just a spot.
00:15:38And you, George?
00:15:39No, thanks.
00:15:40I've got to watch out for my back.
00:15:42It really feels like Christmas Eve in here.
00:15:45It's a mighty nice bar.
00:15:47Oh, I've been wanting another log.
00:15:48Let me do that, sir.
00:15:54Nothing like an open bar.
00:15:56We always have them down home.
00:16:00Hey, uh, you're from the West.
00:16:03Texas, sir.
00:16:04I'm from Oklahoma myself.
00:16:06Oklahoma?
00:16:07Well, I declare.
00:16:09Howdy, neighbor.
00:16:11That's a small world, isn't it?
00:16:14Here.
00:16:15Sit down.
00:16:16Thank you, sir.
00:16:17Chad?
00:16:17Thank you, Michael.
00:16:18Merry Christmas.
00:16:19Merry Christmas.
00:16:20Been up here long?
00:16:22Oh, since September.
00:16:24I came up with a rodeo to Madison Square Garden.
00:16:28I thought I'd stay around and look the town over.
00:16:31Stayed a little too long, I guess.
00:16:33Now I'm working for a steak to get back to Texas.
00:16:38Were you going someplace?
00:16:39Dinner, perhaps?
00:16:40No.
00:16:41No, sir.
00:16:41No place in particular.
00:16:43Just walking around.
00:16:45I've never been away from home on Christmas before.
00:16:48Well, so long as you're not going anywhere, why not have dinner with us?
00:16:51Well, now that's right kind of you, sir, but I don't...
00:16:54Well, after all, Michael, it's no inducement for a young fellow to dine with three old fogies like us, you
00:17:00know.
00:17:01Well, now, if you put it that way, I...
00:17:05I can't very well refuse.
00:17:08Major Chadwick, this young lady says she found your wallet.
00:17:11Hmm?
00:17:11Oh, yes, of course.
00:17:13Of course.
00:17:16Good evening.
00:17:18Oh, good evening.
00:17:20Are you Mr. Chadwick?
00:17:21Oh, yes.
00:17:23Oh.
00:17:25I believe it's customary to describe lost articles.
00:17:28Oh, yes, that's right.
00:17:28Of course.
00:17:29Of course.
00:17:31Well, it was a sort of a wallet.
00:17:34A square wallet.
00:17:35With my card inside.
00:17:38Any money?
00:17:40Of course.
00:17:45Oh, yes, $10.
00:17:47Here you are.
00:17:48Oh, yes.
00:17:49Yes, thank you.
00:17:50Thank you very much.
00:17:51You're very welcome.
00:17:52Merry Christmas.
00:17:53Merry Christmas.
00:17:54Wait a minute.
00:17:55Wait a minute.
00:17:55Don't call.
00:17:56Come over to the fire.
00:17:57It's cold outside.
00:17:58Get a Tom and Jerry for the young lady, George.
00:18:01It'll warm you up.
00:18:02Oh, you didn't...
00:18:03What's your name?
00:18:04Jean Lawrence.
00:18:04My name's James Houston, ma'am.
00:18:07How do you do, Mr. Houston?
00:18:09Yes, yes, Mr. Houston.
00:18:10Miss Lawrence.
00:18:11Put those two places back.
00:18:13I believe Mr. O'Brien will have guests for dinner after all.
00:18:18Yes, Excellency.
00:18:20The last time I had a Tom and Jerry was back home in New Hampshire.
00:18:23New Hampshire?
00:18:24Then you're not spending Christmas Eve with your family.
00:18:26No.
00:18:27I was just going out to the movies.
00:18:29Why don't you stay and have dinner with us?
00:18:32Oh, well, thank you very much, but I couldn't.
00:18:34Why not?
00:18:34Have you had dinner?
00:18:35No, but I had a late lunch and...
00:18:37Dinner is served.
00:18:39That settles it.
00:18:40Come along.
00:18:41We'll not take no for an answer.
00:18:43Come along.
00:18:44Now, it's all planned.
00:18:46It's a little game we're playing.
00:18:47I'll tell you all about it.
00:18:49You see, there were three of us here and we made a bet.
00:18:52And one of us lost.
00:19:14Love for Christian men be sure, rank or wealth possessing.
00:19:21Ye who would now bless the poor shall yourselves be blessed.
00:19:32Say, boy, you can sing.
00:19:35Hey, fellas, come up.
00:19:37We want some music up here.
00:19:41I dream of Jeannie with a light brown hair
00:19:50Born like a vapor on the summer air
00:19:58I see her tripping where the bright streams play
00:20:08Happy as the daisies that dance on her way
00:20:16Many were the wild notes her merry voice would pour
00:20:23Many were the blithe birds that warbled them o'er
00:20:34I dream of Jeannie with a light brown hair
00:20:46Floating like a vapor
00:20:57On the soft summer air
00:21:08My boy, you have a grand voice.
00:21:10He's a real singer.
00:21:11Oh, it's nothing so much.
00:21:13I used to sing a bit down on the range.
00:21:16Come on, let's all sing.
00:21:17That's a good idea.
00:21:19Joseph, Alfonso, and Catherine, come here.
00:21:21We're all going to sing.
00:21:22Sure, come on.
00:21:23How about jingle bells?
00:21:25Jingle bells.
00:21:26Oh, jingle bells, jingle bells, jingle bells, old man
00:21:32Oh, what thunder is to ride
00:21:34And one of us opens man
00:21:35Jingle bells, jingle bells, jingle all the way
00:21:39Oh, what thunder is to ride
00:21:41And one of us open chair
00:21:50Jingle bells, jingle bells, jingle bells, jingle bells
00:22:01Oh, what thunder is to ride
00:22:03And one of us open chair
00:22:05Jingle bells, jingle bells, jingle bells
00:22:07Oh, what thunder is to ride
00:22:10And one of us open chair
00:22:13Ah, Colleen, sure you make me wish I was 22 again.
00:22:16I like you the way you are.
00:22:18Good night.
00:22:19Good night, young lady.
00:22:20Don't forget, we have a date tomorrow.
00:22:21Three o'clock at the clinic.
00:22:22Good night, gentlemen.
00:22:23Good night.
00:22:24Good night, Madame Tanya.
00:22:25I had a lovely time.
00:22:26Bless you, Charles.
00:22:27We'll all stay.
00:22:28Good night, ma'am.
00:22:29Good night, Jimmy.
00:22:31Good night.
00:22:32You are forgetting your overcoat.
00:22:34Oh, I didn't have an overcoat.
00:22:39Well, that's not my overcoat.
00:22:41Your overcoat.
00:22:52You have a good tailor.
00:22:57Bye.
00:23:05Good night, ma'am.
00:23:08Good night, ma'am.
00:23:11Good night.
00:23:14Good night.
00:23:27Good night, ma'am.
00:23:28Ah, the grand youngsters.
00:23:30That boy reminds me of David.
00:23:34I thought you two were going out to the club to play bridge.
00:23:37Now, Michael, don't gloat.
00:23:39Now, Michael, don't gloat.
00:23:40Look at the Irish.
00:23:44I'm turning in.
00:23:45Good night.
00:23:46Good night, George.
00:23:47Good night.
00:23:52Tough guy.
00:23:53Gave the lad his pet overcoat.
00:24:02Well, here we are.
00:24:04I can hardly believe it's all been real.
00:24:07Neither can I.
00:24:09Maybe we're dreaming.
00:24:14You know, I wouldn't be a bit surprised to see Santa Claus.
00:24:18Reindeers and all sliding right down the sky any minute.
00:24:21But you...
00:24:29His name's Gallagher.
00:24:30He's Officer Johnson's horse.
00:24:33He loves sugar.
00:24:35Well, I declare that's really something.
00:24:38One ever expected to find a girl in New York carried sugar around for a horse.
00:24:41Oh, good evening, Miss Lawrence.
00:24:43Oh, good evening, Officer Johnson.
00:24:44This is Mr. Houston.
00:24:46Oh, so I am.
00:24:47He's just admiring your horse.
00:24:48Yeah, I raise him myself down in Texas.
00:24:50Oh, you do, huh?
00:24:51Sure is a pretty coat.
00:24:53What do you feed him?
00:24:54Rolled oats?
00:24:54Yep.
00:24:55Yeah, he sure is.
00:24:56You know, I haven't been on a horse for three months.
00:24:59I used to live on one, practically.
00:25:01I...
00:25:02I sure would like to ride him.
00:25:04Oh, I'm sorry, son.
00:25:06But if the sergeant ever caught me letting anybody ride my horse,
00:25:09I'd be found in a beat in Flatbush.
00:25:11Yeah, sure, I understand.
00:25:13Well, it's mighty fine seeing him anyway.
00:25:16He sure is pretty.
00:25:31Is it all clear?
00:25:33All clear.
00:25:35All clear.
00:25:43Hey, the sergeant's coming.
00:26:01Good evening, sergeant.
00:26:02Evening.
00:26:03Anything wrong?
00:26:05Oh, nothing at all.
00:26:06Oh, it's a lovely evening, isn't it?
00:26:08Huh?
00:26:08I mean, after the snow.
00:26:09I love the snow, don't you?
00:26:10It makes everything seem more like Christmas, doesn't it?
00:26:12I was...
00:26:13Yeah, well, good evening.
00:26:15Sergeant, would you mind awfully if I asked you a few questions?
00:26:18All right.
00:26:19What is it?
00:26:20Uh, have you ever been to Texas?
00:26:22I have never been south of the Battery.
00:26:24Oh, that's too bad.
00:26:25You ought to travel, you know.
00:26:26It's really quite broadening.
00:26:27Yes, well, I'm broad enough now.
00:26:29Oh, sergeant.
00:26:30Um, do you like children?
00:26:32Well, I bet I had.
00:26:33I've got six of my own.
00:26:35Oh, you don't say.
00:26:35You know, I've got 20.
00:26:37What?
00:26:38That isn't the clinic.
00:26:39I work there.
00:26:40Oh.
00:26:42Well, good night, sergeant.
00:26:43It's nice to meet you.
00:26:46Phew, it was that close.
00:26:49Hello, Texas.
00:26:52How'd you like the ride?
00:26:53Oh, I liked it.
00:26:57Fine.
00:26:58And that's for you, Johnson.
00:27:01Yes, sir.
00:27:03Merry Christmas.
00:27:06Well, Merry Christmas to you, sergeant.
00:27:11Merry Christmas.
00:27:12Merry Christmas.
00:27:15What else do you do besides feeding sugar to a horse?
00:27:18Oh, I'm sort of a kindergarten teacher.
00:27:21I keep the children busy and amused while they're calm and less.
00:27:23You know it helps them get well quicker.
00:27:25Do I have to get sick to join your class?
00:27:27I'm afraid you're much too young for that.
00:27:30I hate to let you go.
00:27:33I'll see you tomorrow at three.
00:27:37Good night.
00:27:38Good night.
00:27:41Oh, Jimmy.
00:27:43You're cold.
00:27:47Thanks very much for letting me work.
00:27:48You're sure welcome.
00:27:53Good night, Texas.
00:27:55Good night, teacher.
00:28:00Oh, oh, here.
00:28:02Good night.
00:28:03Good night.
00:28:16Good night.
00:28:32How are your children, Mrs. Brown?
00:28:34They're just fine, but the little one has the measles and the big one has the mumps.
00:28:38Oh, I'm sorry to hear that.
00:28:39That's a pity, isn't it?
00:28:41Yes, it is.
00:28:42Do you take sugar?
00:28:43Yes, please.
00:28:43Merry Christmas, Merry Christmas.
00:28:46Merry Christmas, everybody.
00:28:48Merry Christmas, big chief dream at the face himself.
00:28:51Come on and join the tribe.
00:28:54Hello.
00:28:55Hello, and who might you be?
00:28:56I'm half, and I'm poor, and Irish.
00:28:59Well, I'm Michael, and I'm 64, and I'm Irish, too.
00:29:02I'm Irish, too.
00:29:03Who's an Irish, too?
00:29:04I am.
00:29:07And then the elephant said through his big, long nose,
00:29:14I want to be the king.
00:29:17Ha, ha, ha, ha, ha!
00:29:49Ha, ha, ha!
00:30:30Ha, ha, ha, ha!
00:30:44Genie, come on, Genie, you're back!
00:30:51Here, hold my coat.
00:30:53I'll show you what a whore I am.
00:30:55Never mind, bragging.
00:30:57Right, old fella.
00:30:58Shoot the works.
00:31:02Stand clear.
00:31:04What a champion.
00:31:07One, two!
00:31:15Ever so humble, there's no place like home.
00:31:25Ooh, ooh, ooh, ooh, ooh!
00:31:35Ooh, ooh, ooh, ooh!
00:31:59I've never seen them have such a good time.
00:32:03I'm grateful to you both.
00:32:17Ah, you know, we're going to have a lot of good times together.
00:32:20Goodbye.
00:32:21Goodbye, Jeannie.
00:32:22Goodbye, dear.
00:32:24You're just like the daughter I always wish for.
00:32:27Come on, let's get going.
00:32:28Good year, lad.
00:32:28Happy landing, sir.
00:32:29Goodbye, Madame Duny.
00:32:33And don't be gone too long.
00:32:34We're going to meet you.
00:32:35We'll be back, and you take good care of yourself, and don't go into those bowling alleys.
00:32:39Mr. O'Brien, can't you gentlemen please take the train?
00:32:44Oh, there she goes.
00:32:46I suppose you'd like to have us take the stagecoach.
00:32:49Now, don't worry.
00:32:51We'll be back before you know it.
00:32:53Goodbye.
00:32:54Bye.
00:32:54Bye.
00:33:10I wish they were taking the train.
00:33:14Oh, don't you worry.
00:33:16They'll be all right.
00:33:18Bye.
00:33:40Come on, Gallagher.
00:33:44Tea or coffee?
00:33:45Coffee.
00:33:47Dogs?
00:33:50Cats?
00:33:53Sugar and cream?
00:33:56Brussels sprouts?
00:33:58Mm-hmm.
00:33:58Oh, that's bad.
00:34:00But it's the only one you've missed so far.
00:34:02Everything else we like alike.
00:34:07You know, I had a hunch there was something to keep me here in New York.
00:34:10And you're it.
00:34:12Do you have somebody back in Texas?
00:34:14Oh, sure.
00:34:16Do you like her?
00:34:17Oh, crazy about her.
00:34:19Oh.
00:34:20Well, you must tell me more about her.
00:34:23What's she like?
00:34:24Well, she's, uh, pretty.
00:34:27Uh, uh, about your coloring.
00:34:30Brown eyes.
00:34:31I suppose she's crazy about you, too.
00:34:33Oh, yeah.
00:34:34Every night when I come home, she runs clear to the gate to meet me.
00:34:38What's she going to say about me?
00:34:40Well, I don't know.
00:34:42She'll probably say, uh...
00:34:46You and your old horses.
00:34:49Yeah.
00:34:50How many fellas you got on the street?
00:34:52Oh, not many.
00:34:54Who?
00:34:56Just Mr. Chadwick, Mr. Belton, Mr. O'Brien, and you.
00:35:02As soon as I'll get a decent job, we can get married.
00:35:06Jimmy!
00:35:06You just proposed to me.
00:35:08What?
00:35:09I did.
00:35:10Well, it's...
00:35:11It's all right, isn't it?
00:35:14Darling.
00:35:19Paper, mister?
00:35:21Not just now, Sarty.
00:35:23Extra, extra.
00:35:25Ain't no wrong about it.
00:35:28I'm still pretty worried about those Brussels sprouts.
00:35:30Oh, really?
00:35:32Well, is that a for spinach?
00:35:33Okay.
00:35:35Come on, I gotta tell somebody.
00:35:37I'll find she'll be back.
00:35:39Let's go.
00:35:42Let's go.
00:35:44Let's go.
00:35:45Let's go.
00:35:45Let's go.
00:35:45Let's go.
00:35:46Let's go.
00:35:47Let's go.
00:35:47Let's go.
00:35:47Let's go.
00:35:48Let's go.
00:35:49Let's go.
00:35:50We had hope until an hour ago.
00:36:00I knew I would never see them again.
00:36:09Somehow, I knew.
00:36:31Oh, I knew I would never see them again.
00:36:49Let's go.
00:36:52Susan, did you hear?
00:36:56What, excellency?
00:37:28Keep the tobacco jar filled Joseph, and bring the hot touches as you usually do, I know you
00:37:48are here, I cannot see you, or touch you, but I know you've come home.
00:38:21She didn't see us, I remember now, we were flying, there was a storm, a mountain top, we crashed.
00:38:37Yes, everything went black for a moment, then we were here.
00:38:47You seem to feel all right.
00:38:49How are you, Chad?
00:38:51Splendid, light as air.
00:38:55My glasses, they're gone.
00:39:01I don't seem to need them.
00:39:07So this is it.
00:39:09Sure, it's no more than walking from one room into the other.
00:39:13How's your back?
00:39:17Oh, look at him.
00:39:20And my feet don't hurt.
00:39:22And I can see right through you, George.
00:39:25You always could.
00:39:28And now, do you believe in the immortal spirit of man?
00:39:32It's just the hammer of being here that brought us back for a while.
00:39:35For a while.
00:39:37And then, what?
00:39:39You're not afraid, Chad.
00:39:41No.
00:39:42Only curious as to what comes next.
00:39:44We'll find that out when the time comes.
00:39:48Oh, are we still in partnership?
00:39:51Looks like we're out of business.
00:39:52Yes, and good riddance, too.
00:39:58Oh, Jim, don't be ridiculous.
00:40:00You can't have three best men.
00:40:02Who says I can?
00:40:03Why can't I have three best...
00:40:04Joseph?
00:40:05Joseph, do you see why I can't have three best men if...
00:40:09What's the matter, Joseph?
00:40:11You have not heard.
00:40:29Jimmy.
00:40:35It can't be, Jim.
00:40:38It can't be.
00:40:41It can't be.
00:40:47Good evening, ma'am.
00:40:51Madame Tanya!
00:40:58They loved you both very much.
00:41:04You were good to her.
00:41:07They were our friends.
00:41:12They brought us together.
00:41:18We came to tell them.
00:41:22Oh, Tim.
00:41:26Janey.
00:41:29Ah, poor kids.
00:41:31They've come to tell us their good news.
00:41:33Strange seeing it from this side.
00:41:36There's no pain for us.
00:41:37Except our grief.
00:41:40Everything seems faint and far away.
00:41:45Except loving people.
00:41:49Madame Tanya.
00:41:52Madame Tanya.
00:41:55Madame Tanya.
00:42:04Madame Tanya.
00:42:09In the library.
00:42:12In the library.
00:42:29The desk.
00:42:56What's going on?
00:42:59I left them a couple of bonds.
00:43:01Enough to get married on.
00:43:03Shouldn't have done it.
00:43:04Money's bad for kids.
00:43:08Don't forget, you still owe us a dinner from the last time you were wrong.
00:43:14Dear Jimmy and Jean,
00:43:16accept this gift for the happy day.
00:43:19I can see their eyes is not far off.
00:43:22You have a blessing.
00:43:34I'd just like him to do this for a couple of strangers.
00:43:40You are not strangers.
00:43:43You feel the very lonely place in his heart.
00:43:50But won't you need these?
00:43:53No, Jimmy, I think.
00:43:55I'm well provided for.
00:44:00Is there anything I can do?
00:44:05Perhaps, Jimmy.
00:44:07You would come and live here for a while.
00:44:11So, Joseph and I would have someone to look after.
00:44:17Oh, I'd be glad to, ma'am.
00:44:21Go now.
00:44:22You have a love to talk over.
00:44:46I could swear I see them up there.
00:44:49So could I.
00:44:54I beg your pardon.
00:44:55Are you related to the men who lived here?
00:44:58They were our friends.
00:44:59Could you give me some idea what they were like?
00:45:01The report is that they were eccentric old hermits.
00:45:03That's not true.
00:45:04I should say not.
00:45:05They were swell.
00:45:06Well, I'm on the daily press.
00:45:08My paper wants human interest.
00:45:10Won't you come along and talk it over?
00:45:17This is Station WRC National Network, New York City.
00:45:20You've just heard your radio reporter giving you the latest news flash from the WRC Tower.
00:45:25The time is 15 minutes after 10.
00:45:26Want me?
00:45:28Here's a story for our next week's personalities on the news program.
00:45:31I'll get those kids.
00:45:33Every Wednesday evening at 7.30 p.m., which brings to the air people who have a...
00:45:48I think he should, Madam Tanya, don't you?
00:45:52Jim, they might give you a chance to sing.
00:45:55And all you need is a chance.
00:45:57That's right, Jimmy.
00:45:59Opportunities don't come every day.
00:46:01What about Jean?
00:46:03Says in the telegram they want her, too.
00:46:05Oh, I couldn't.
00:46:06I'd be too scared.
00:46:07Go ahead and see what they say.
00:46:09Darling, if they let you sing, I know you'll be a hit.
00:46:12You'll be famous.
00:46:13We'll be rich.
00:46:14You'll be able to buy that big ranch with a million horses.
00:46:17Madam Tanya can come stay with us.
00:46:19Yeah, we can all live happily ever after.
00:46:21I still say he'd be better off back in Texas on the ranch where he belongs.
00:46:25Well, I agree with Michael.
00:46:27The boy's got talent.
00:46:28Why shouldn't he do something with his voice?
00:46:31Sure, and why not?
00:46:33What's wrong with him being a singer?
00:46:35The world needs music just as much as it does buildings and bridges.
00:46:38All right, have it your way.
00:46:40And I'm not in favor of it.
00:46:44My name's James Houston.
00:46:46I received this telegram from Mr. Barrett.
00:46:49I'll tell him you're here.
00:46:55Mr. Barrett, Mr. Houston is here.
00:47:00Mr. Houston, you may go right in.
00:47:03Thank you very much.
00:47:05Oh, I'm up.
00:47:09Aren't you going to pick it up?
00:47:14I sure hope I didn't do any damage, Miss Terry.
00:47:18Oh, that's all right.
00:47:20Where have I seen you before?
00:47:23Oh, probably in the paper.
00:47:26Mm-hmm.
00:47:28Well, Texas, are you going to sing on the air?
00:47:31Well, I hope so.
00:47:33Well, let me know when you go on.
00:47:34I'd like to hear you.
00:47:36My telephone number's on there.
00:47:39Good luck.
00:47:41Why, thank you, ma'am.
00:47:57Where can I phone?
00:47:59Right here.
00:47:59Use this.
00:48:06Oh, Jimmy, really?
00:48:08Yeah, they're going to put me on the broadcast tonight.
00:48:11Yeah, I'm going to sing.
00:48:12Oh, darling, I know you'll be good.
00:48:14Would you call Madam Tanya and tell her?
00:48:17I've got to go practice.
00:48:19I mean, rehearse.
00:48:21Yeah, I'll come by and pick you up after it's over,
00:48:24and we'll go celebrate.
00:48:26Bye, honey.
00:48:28I'll be singing to you.
00:48:30Goodbye, and good luck, darling.
00:48:34Churchill!
00:48:36He's going to sing.
00:48:39Sing?
00:48:40No, not him.
00:48:42I mean, Jimmy.
00:48:43He's singing tonight at 7.30.
00:48:45WRC.
00:48:46I've got to tell all the nurses.
00:48:49Is my wife here?
00:48:51No, no, she's over nine years old.
00:48:53This is a children's hospital.
00:48:57Hello, Mom.
00:48:59Mom, I...
00:49:00Yeah.
00:49:02Mom, what I called you about is a surprise.
00:49:06Yeah, I want you to tune in on WRC at 7.30 New York time tonight.
00:49:13Yeah, I...
00:49:14What?
00:49:16Oh, no, Mom.
00:49:17I don't need them.
00:49:20No, but, Mom, it's not cold enough for them.
00:49:25But, Mom, people don't wear them in New York.
00:49:28Yeah.
00:49:30Now, don't forget, Mom.
00:49:31Mom, 7.30 tonight.
00:49:33Yeah.
00:49:35Goodbye, Mom.
00:49:43Uh, do you mind?
00:49:45No, it's quite all right.
00:49:51Miss Terry's apartment.
00:49:52Who's calling?
00:49:53No, she isn't in right now.
00:49:55I don't know when she'll be back.
00:49:57I'll tell her you call, Mr. Houston.
00:50:00Hello.
00:50:02Hello, Miss Terry.
00:50:04This is Jimmy Houston.
00:50:06Yeah, I met you at the radio station, you remember?
00:50:10Yeah, well, I'm calling you like you said,
00:50:12because I'm going to be on the air tonight at 7.30.
00:50:15You are?
00:50:16Yeah, singing.
00:50:17Oh, you must be swell, because Barrett's tough.
00:50:20Sure, I'll be listening in.
00:50:22Thanks for letting me know.
00:50:24Goodbye, Mr. Houston.
00:50:28Goodbye.
00:50:29Goodbye, Mr. Houston.
00:50:30Goodbye, Mr. Houston.
00:50:30Goodbye, Mr. Houston.
00:50:31Goodbye, Mr. Houston.
00:50:39Sounds pretty good.
00:50:40Pretty good.
00:50:41It's a hit.
00:50:43We can go into a fast rehearsal just as soon as Tony Marshall returns from Florida.
00:50:47Oh, poor old Tony.
00:50:48He'll be making his entrances in a wheelchair pretty soon.
00:50:52Don't worry, he's had his face lifted.
00:50:54Besides, he still brings them in.
00:50:56What about some dinner?
00:50:57Oh, it's quarter to eight.
00:50:59Quarter to eight?
00:51:00Wait a minute.
00:51:01There's something I want to hear, but I haven't missed it.
00:51:10So why should we run?
00:51:14Let's get drenched in moonbeams.
00:51:18The blossoms of romance
00:51:21Need showers to start, don't shelter your heart.
00:51:29It's raining dreams.
00:51:33I heard the thunder crash the moment we kissed.
00:51:40And now that we've kissed, it's raining dreams.
00:51:48I saw the lightning flash and light up the skies.
00:51:56Or was it your eyes?
00:51:59It's raining dreams.
00:52:02It's raining dreams.
00:52:03We're caught in a moon shower with no place to run.
00:52:10So why should we run?
00:52:15Let's get drenched in moonbeams.
00:52:19The blossoms of romance
00:52:22Need showers to start.
00:52:27Don't shelter your heart.
00:52:30It's raining dreams.
00:52:48That is worse than heading off a stampede.
00:52:50How was that?
00:52:52All right.
00:52:55Here they come.
00:52:57Hello?
00:52:59Oh, yes, Miss Terry.
00:53:01Yes.
00:53:03Easier.
00:53:05You're doing fine.
00:53:08Hello?
00:53:12Well, it's nice of you to say so.
00:53:15Oh, I mean it.
00:53:16Really.
00:53:17Well, just a minute.
00:53:18My producer, Phil Hubert, wants to talk to you.
00:53:22Hello, Mr. Houston.
00:53:23Yes, this is Phil Hubert.
00:53:26Oh, well, you're very good.
00:53:28Thank you very much.
00:53:32Well, I'd be glad to, sir.
00:53:35Yes, I have the address.
00:53:36I'll be up there directly.
00:53:39Goodbye.
00:53:40Well, we can't go very far wrong with a voice like that.
00:53:43Let's see.
00:53:44We could build him up on the radio,
00:53:45and then I'd get Kelly busy on the publicity.
00:53:48And if he looks like you say he does,
00:53:50I think maybe we've got something.
00:53:53I think we've got something.
00:53:59Jimmy!
00:54:01Darling, you were marvelous.
00:54:03Oh, thanks, honey.
00:54:04But you don't know the half of it.
00:54:05I'm on my way now to see a fellow about my singing.
00:54:07Yeah, I just came by to tell you I can't stay.
00:54:09I've got to go right away.
00:54:10Goodbye.
00:54:11I'll phone you later.
00:54:13Goodbye.
00:54:14I'll be waiting.
00:54:20Well, hello.
00:54:21Evening, ma'am.
00:54:22This is Mr. Hubert, Mr. Houston.
00:54:24Proud to meet you, sir.
00:54:25Hello.
00:54:26Congratulations.
00:54:26You stopped the show.
00:54:27Oh, no, ma'am.
00:54:28I reckon it was fixing to stop anyway.
00:54:30I came on at the end.
00:54:33Well, how did you like the applause?
00:54:34Oh, fine, sir.
00:54:36I figured half of it was good manners,
00:54:38and the rest was on the station payroll.
00:54:40It's a crime to spoil modesty like that.
00:54:43Boy, you are a natural.
00:54:45Miss Terry and I are going over the book of our new show.
00:54:47Our old leading man is beginning to creak a little.
00:54:50We thought perhaps you might fit in with our plans.
00:54:53Well, I declare you.
00:54:54You mean on the stage, sir?
00:54:56Yes.
00:54:57Oh, no, I don't think that I...
00:54:59Oh, come on.
00:54:59Have a drink.
00:55:00Have something to eat.
00:55:01Let's get better acquainted.
00:55:03I feel lucky tonight.
00:55:05To success.
00:55:06Okay.
00:55:16Hello?
00:55:17Oh.
00:55:19I'm sorry.
00:55:20Dr. Brown is on day duty.
00:55:41Sweet Louisiana lady.
00:55:45La, la, la, la, la, la, la, la, la.
00:55:51Joseph, I'm a success.
00:55:53I'm going to sing in a show.
00:55:54Lovely music.
00:55:56La, la, la, la, la, la, la, la, la.
00:55:58La, la, la, la, la, la, la, la, la, la, la.
00:56:01Yes, sir.
00:56:01You better go to bed.
00:56:03It's after three.
00:56:04I'm all right, Joseph.
00:56:05I'm all right.
00:56:13Good night, Joseph.
00:56:14Good night.
00:56:14Good night.
00:56:15La, la, la, la, la, la, la, la, la, la, la, la, la.
00:56:22Oh, well, why not?
00:56:23Who wouldn't celebrate?
00:56:25He's getting his chance.
00:56:27Yeah.
00:56:29Chance to get mixed up with a lot of cheap people.
00:56:31Turn his head and make a fool of him.
00:56:34He'll drink too much and he'll laugh too much.
00:56:36He'll lose his way.
00:56:38There are two sides to it, George.
00:56:40The way I see it, he'll give people a lot of pleasure.
00:56:45Ah, he's a good lad.
00:56:47And he's in love with a fine girl.
00:56:49She'll keep him steady.
00:56:50To be born innocent is natural.
00:56:53But to die pure of heart, that's a gift.
00:56:58Well, stick to your faith, Michael.
00:57:00You may need it before you're through.
00:57:03Ah, you're always looking at the black side of things.
00:57:06Let's go.
00:57:41Let's go.
00:58:13Let's go.
00:58:18Let's go.
00:58:19Let's go.
00:58:22Let's go.
00:58:22Let's go.
00:58:22Let's go.
00:58:23Let's go.
00:58:29Let's go.
00:58:31Let's go.
00:58:32Let's go.
00:58:33Let's go.
00:58:34Let's go.
00:58:35Let's go.
00:58:36Let's go.
00:58:39Let's go.
00:58:40Let's go.
00:58:42Let's go.
00:58:51Let's go.
00:58:53Let's go.
00:58:54Let's go.
00:59:04Let's go.
00:59:04Let's go.
00:59:06Let's go.
00:59:08Let's go.
00:59:09Let's go.
00:59:11Let's go.
00:59:17Let's go.
00:59:24Let's go.
00:59:36Let's go.
00:59:38Let's go.
00:59:40Let's go.
00:59:55Let's go.
01:00:05Let's go.
01:00:08Let's go.
01:00:09Let's go.
01:00:21Let's go.
01:00:36Let's go.
01:00:44Let's go.
01:00:48Let's go.
01:00:53Let's walk.
01:00:53Now, let's go.
01:00:55It's a fun, Halloween.
01:01:01It's a good shape,
01:01:02with a young young fat Catherinehn поставBeer-ish.
01:01:07Oh, she's the smooth one. Smooth as silk that one is. Every move, every word is figured.
01:01:18I want someone who really loves me the way a woman wants to be loved.
01:01:24And him taking it hook, line and sinker. Oh, I've made an awful mess of it.
01:01:31You've got to help me, Chad. You've got to help me bring the boy back.
01:01:37Chad. I heard something.
01:01:41Sure you heard something. I've been talking to you right now.
01:01:48It's the old bugle call. The last first.
01:01:58It's for me, Michael.
01:02:00Dad. Dad.
01:02:05David.
01:02:07David.
01:02:10David.
01:02:14This is my boy, Michael.
01:02:17My boy, David.
01:02:21I thought I'd never see you again.
01:02:23We all think that. I've come for you, Dad.
01:02:27Where now?
01:02:28What's it like?
01:02:30What do you want it to be like?
01:02:34I remember the old army post at Simla.
01:02:38Without the reins, of course.
01:02:42Ah, we were happy there.
01:02:45Great country.
01:02:50Splendid regiment.
01:02:53Good horses.
01:02:55Good sport.
01:02:58Keen men.
01:03:00Then that's it.
01:03:02Every man gets his dream.
01:03:05Let's go.
01:03:07Mother's waiting.
01:03:11Molly.
01:03:16Good luck, Michael.
01:03:19Goodbye, Alan.
01:03:20No, no.
01:03:21Not goodbye, old fellow.
01:03:24We'll be seeing you.
01:03:26Won't we, David?
01:03:28That's right, Dad.
01:03:31Good luck, Michael.
01:03:33Good luck.
01:03:34Good luck.
01:03:35Good luck.
01:04:19Good luck.
01:04:21Ah, don't cry, Jamie.
01:04:24Don't cry, Colleen.
01:04:26That does no good.
01:04:29Get your Irish up.
01:04:33you're prettier than she is and sweeter too and younger are you going to sit back and let her run
01:04:44off not if you're the girl i think you are sure and if he's worth loving at all at all
01:04:53he's worth
01:04:54fighting for now go to him and when he sees you his heart will remember
01:05:03put on your pretty things and go to him go now genie girl and good luck
01:05:15good luck
01:05:22sometimes i i get homesick for the prairie stars and quiet sound of a dog barking way off in the
01:05:31distance do you like horses my father used to practically live at the tracks i went with him a
01:05:39lot before i was 10 i knew every racehorse in the country by his first name no fooling
01:05:49say you know you're a pretty wonderful girl
01:05:54am i i'm just a hick i i don't know why you've been so nice to me i think a
01:06:02lot of you you know that
01:06:04don't you don't answer my ex-husband drunk as usual ollie
01:06:16let me in no you'd better go out the back way but i can't sneak out we don't want a
01:06:22row unpleasant
01:06:23things have a way of getting into the papers think of the show but i can't leave you here with
01:06:27me i can
01:06:27handle him better alone please you're sure you'll be all right oh jimmy let's go away for a few days
01:06:40to
01:06:40the country i need a rest and you do too before we start rehearsal well what about mr hubert oh
01:06:48i'll
01:06:48talk to him and make all the arrangements you go home and pack a bag and i'll telephone you when
01:06:52i'm ready to leave i'm ready to leave i thought so
01:07:15you're houston aren't you that's right
01:07:21well you don't look like you've been sneaking out of back doors very long
01:07:27she doesn't want to see you
01:07:32get going
01:07:37okay you'll find out
01:07:54hello jimmy hello jeannie
01:07:59i was worried about you i just wanted to make sure you're all right oh i'm i'm fine
01:08:04i've been awful busy yeah i wanted to talk to you but uh it seems like i haven't had a
01:08:12minute
01:08:24you're looking mighty fine jeannie you're looking well too i'm sorry about not seeing you jeannie
01:08:31i understand
01:08:35oh jimmy i'm so glad about your success it's just what i wanted for you thanks
01:08:49everything happened so suddenly jeannie i
01:08:53maybe later on when things quiet down i'll sort of get my breath again
01:08:57i guess i better go now goodbye jim good luck
01:09:20jimmy if things ever go wrong for you or people don't treat you right or you'll get sick or
01:09:24something don't forget my friend you'll let me know if you need me won't you
01:09:46go after her don't let her get away jimmy
01:10:03hello
01:10:05oh hello i talked to hubert everything's all set we can stay until tuesday isn't that wonderful
01:10:10it gives us three days i'll pick you up in about 20 minutes will you be ready you bet i
01:10:16will
01:10:16good bye
01:10:44If there's anything important, you can reach me at the Pinewood Inn.
01:10:47But I mean important.
01:10:51If you don't stop annoying me, I'll have you put away where you belong.
01:10:55Arlene, I've been trying to see you to tell you I've got a chance of a comeback.
01:10:59Miller's got a show.
01:11:01He's going to give me the lead if I can get on my feet again.
01:11:04And, well, I can't do it alone.
01:11:07Miller's going to give you a lead?
01:11:08Yes.
01:11:09What are you trying to do?
01:11:10Kid me?
01:11:11Look at you.
01:11:12I knew you wouldn't care.
01:11:16I know there's someone else now.
01:11:19There's always been someone else.
01:11:25But no one loves you the way I do.
01:11:29Arlene.
01:11:31Arlene.
01:11:32Take your hands off me.
01:11:33But, Arlene, please.
01:11:42Madam Tanya, I'm worried about Jimmy.
01:11:46It's not right for him to go away with that tarry woman.
01:11:49No good will come of it.
01:11:50Nothing but trouble.
01:11:52Do everything you can to stop him.
01:11:56There he is now.
01:12:13I'm Arlene Terry.
01:12:15Is Mr. Houston ready?
01:12:17I shall see.
01:12:26So long, Madam Tanya.
01:12:27Jimmy, please don't go.
01:12:31What's the matter?
01:12:32You look worried.
01:12:33I am.
01:12:33That girl.
01:12:34Those stories in the paper.
01:12:37Oh, that's nothing but publicity.
01:12:38It don't mean anything.
01:12:40Jimmy, a man can't spoil his life for a woman.
01:12:43I know our friends wouldn't like you to go away with that girl.
01:12:47Well, she's fine.
01:12:50She gave me a part in her show.
01:12:52And we both want to get away to the country for a few days before rehearsals begin.
01:12:57Jimmy, Mr. Melton lost everything.
01:13:00Home, family, reputation.
01:13:03Over such a woman.
01:13:05Oh, now you're making it sound much more serious than it really is.
01:13:08Now, don't you worry.
01:13:09I'll be all right.
01:13:11I'll be back by Tuesday.
01:13:13Goodbye.
01:13:29What was that?
01:13:31Just the luggage.
01:13:32What's the matter?
01:13:33You seem nervous.
01:13:34I do?
01:13:36Say, do you believe in hunches?
01:13:39Hmm, sometimes.
01:13:40Why?
01:13:41I got a funny feeling we're going in the wrong direction.
01:13:44On the trail, when I feel like that, I usually turn back.
01:13:48Oh, I can see you were cut out for the stage, Jimmy.
01:13:50Superstitions and everything.
01:13:52Do they have superstitions on the stage, too?
01:13:54Heavens, yes.
01:13:55Hundreds of them.
01:13:57Madam Tanya's the one that has hunches, and she's not usually wrong.
01:14:01Is she the disagreeable old lady who answered the door?
01:14:04Well, she's not disagreeable.
01:14:06She's just been through a lot.
01:14:08Well, you know, I don't think I should have run off and left her the way I did.
01:14:12Oh, nonsense, Jimmy.
01:14:13You shouldn't be living in that musty old house with a couple of musty old servants.
01:14:17You should have an apartment of your own where you can do as you please.
01:14:20I'll find you one.
01:14:25Is that wind too much for you?
01:14:27Snuggle down.
01:14:29Oh, you're so nice, Jimmy.
01:14:31Maybe you won't think that after you know me better.
01:14:34Why not?
01:14:34Oh, I've got a lot of old-fashioned backwoods ideas.
01:14:38Oh, we'll soon get rid of those.
01:14:40We'll have a lovely time in Pinewood.
01:14:42We'll walk and ride horseback and roast chestnuts by the fire.
01:14:46No crowds, no autograph hounds.
01:14:49There aren't many people up here this time of year.
01:14:52I'll have you all to myself.
01:15:00A part of Pinewood Inn?
01:15:01About five miles.
01:15:03Where can I get a drink?
01:15:04Right around the corner.
01:15:06Fill it up.
01:15:07I'll be right by you.
01:15:08Yes.
01:15:09Yes.
01:15:12Yes.
01:15:16Yes.
01:15:17Yes.
01:15:18Yes.
01:15:18Yes.
01:15:19Yes.
01:15:19Yes.
01:15:21Yes.
01:15:22Yes.
01:15:23Yes.
01:15:31Feeling any better?
01:15:32A little.
01:15:34I don't know what's wrong with me tonight.
01:15:36I'm a little sort of strange.
01:15:38Oh, come on.
01:15:39Cheer up.
01:15:40We're on a holiday.
01:15:43Your dinner is ready to serve, Miss Tannett.
01:15:45Good.
01:15:48Food is what you need.
01:15:49And plenty of it.
01:16:12Michael O'Brien.
01:16:15Michael O'Brien.
01:16:18I'm here.
01:16:24It's time, Michael.
01:16:28Right now?
01:16:31Yes.
01:16:32Now.
01:16:34I can't go now.
01:16:38You're called only once.
01:16:42But I can't leave Jimmy.
01:16:44He needs me.
01:16:46There's trouble coming.
01:16:49I got him into this.
01:16:51I must get him out.
01:16:54It means you will linger in the shadows of Earth for all time.
01:17:01I can't go now.
01:17:04I can't.
01:17:08I don't mind.
01:17:10I can't.
01:17:16I can't.
01:17:24I can't.
01:17:36It gives me great pleasure to announce, ladies and gentlemen,
01:17:39that we have with us this evening
01:17:41two very distinguished Broadway personalities,
01:17:44Miss Arlene Terry and Mr. James Houston.
01:17:52You're not going to take a bow.
01:17:55Go on. It'll be good for the show.
01:18:02If we try hard enough, we may get Mr. Houston to give us a song.
01:18:30Oh, Jimmy. Jimmy!
01:18:35Get a doctor, an ambulance, quick!
01:18:40Sponge.
01:18:43Quit the heart.
01:18:44Let's try a suture.
01:18:46One chance in a thousand.
01:18:49Thank you. It's my pleasure, nurse.
01:19:18Jimmy, Mr. Hamilton.
01:19:20Oh, Brian, oh, Jimmy, why didn't you listen?
01:19:24I tried to warn you.
01:19:28Jeannie.
01:19:35Jeannie.
01:19:55She shouldn't cry like that for me.
01:20:00She loves her, Jeannie.
01:20:04Whatever happened to me anyway?
01:20:07You were too young and thoughtless.
01:20:11And success came too sudden.
01:20:14And that woman, she...
01:20:17She's gone.
01:20:20She had no soul at all to go on with.
01:20:30Jeannie.
01:20:33I'm sorry.
01:20:38If I could only tell her.
01:20:41We make mistakes sometimes that can never be remedied.
01:20:47It's myself I'm blaming, Jimmy.
01:20:50Not you.
01:21:15Michael.
01:21:17Michael.
01:21:18Michael.
01:21:18O'Brien.
01:21:20You've come back.
01:21:22Your mother would give us no peace until we came back for you.
01:21:28If it isn't asking too much, could you be doing me a favor before we go?
01:21:33Could you give the boy another chance?
01:21:37He's a good lad.
01:21:39He's a good lad.
01:21:40And he's learned his lesson.
01:21:41Give him a chance to live.
01:21:45O'Brien.
01:21:46O'Brien.
01:21:46O'Brien.
01:21:46So be it.
01:21:47Let him go back.
01:21:51Come along, O'Brien.
01:21:52You're the stubbornest soul we ever loved.
01:22:25Michael.
01:22:29It's George.
01:22:32George, I'm glad to see you.
01:22:37What happened? How did you get here?
01:22:40I've come a long way out of darkness.
01:22:44Darkness is a terrible thing, Michael.
01:22:47I thought of you and Chad.
01:22:49Your faith and loyalty and friendship.
01:22:52And then the bitterness began melting out of my heart.
01:22:58And I saw a light.
01:23:00And I followed it.
01:23:02And it brought me here.
01:23:05Sometimes we have to go to the darkness alone
01:23:08before we can see the light.
01:23:13There's more rejoicing in heaven
01:23:15over one sinner every penny.
01:23:31It's my mother.
01:23:40The End
01:23:41Oh, oh, oh, oh, oh.