- 6 weeks ago
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00:00:00You see, I'd called the police. Well, you can understand how...
00:00:04The police were here?
00:00:05Yes.
00:00:06Oh, Mr. Tawana, I can't tell you how...
00:00:08That's all right, Mrs. Barnett. Thank you.
00:00:23You didn't tell me the police were here?
00:00:25Did I not? I must have forgot.
00:00:27Come on, Betty!
00:00:30How could you forget something like that?
00:00:32Well, I did!
00:00:34Look, it was all a mix-up.
00:00:36When I got back, I found them coming out the house.
00:00:38They thought I was, eh...
00:00:39Do you know that woman that was murdered?
00:00:41Where they found their legs?
00:00:42They were in here?
00:00:43Yes, but they were very apologetic.
00:00:45What were they doing? Searching?
00:00:47They left as soon as I arrived.
00:00:49Where the hell were you?
00:00:51I was shopping.
00:00:52Who brought you back?
00:00:54What do you mean?
00:00:56You weren't shopping.
00:00:57Some guy brought you back.
00:00:59Right.
00:01:05His name is Alec Dewar.
00:01:09And he's a hypnotherapist.
00:01:11A hypno-what?
00:01:13A hypnotherapist.
00:01:14I'm going to him for treatment.
00:01:22Fred, it hasn't been easy for me since Patrick's accident here on my own.
00:01:26I needed help.
00:01:27Why didn't you go to the doctor?
00:01:29And get more drugs.
00:01:30No, Mr. Dewar, he's kind.
00:01:34He's patient.
00:01:35I talk to him and he listens to me.
00:01:37He's very understanding.
00:01:38How much does he cost?
00:01:40What does that matter?
00:01:41We're no short.
00:01:42Listen.
00:01:43I don't earn good money over there for you to waste on cranks.
00:01:46If you hadn't wasted it on a motorbike for our son, he might still be alive.
00:01:50I'm sorry.
00:01:56I'm sorry.
00:01:58I'm sorry.
00:01:59I'm sorry.
00:02:01You're right.
00:02:02I'm sorry.
00:02:04I'm sorry.
00:02:05I'm sorry.
00:02:06I'm sorry to interrupt you.
00:02:07I'm sorry.
00:02:08I'm sorry.
00:02:09I'll stop helping you in the house.
00:02:10Yes, sir.
00:02:11Not too much.
00:02:12It's funny.
00:02:13The only reason was he?
00:02:14I don't have to think of others.
00:02:15Not too much.
00:02:16You're right.
00:02:17I will.
00:02:18and you've no idea where she is and have you spoken to her parents they're on holiday sir
00:02:36driving around Europe never she's with that they'd left by the time she disappeared I've
00:02:42phoned around all her friends they either don't know or they're not telling me I'd have come
00:02:48forward sooner but I didn't think it necessary she doesn't really came I want to see that note
00:02:53I've been carrying it around with me I must have read it about a hundred times how bad were things
00:03:01between you I know worse than any coppers marriage straight answers please she'd complain about my
00:03:08hours she never saw me when she did see me I was always tired that's about it that note mentions
00:03:17drinking who doesn't she complain about that just about relaxation that's all it is she seems
00:03:27determined you shan't find her I suppose that is her handwriting of course it is what do you think
00:03:32I did chopped her up wrote it myself thanks a lot mate
00:04:02kenny pity enormous pity it must be possible to get a print and decomposition in itself is no
00:04:18problem fingerprints go right down to the dermis in this case we have no dermis eaten by maggots
00:04:25Peter two days in all that stinking rubbish and we don't even have a fingerprints a fan bloody tastic
00:04:32I think you better take him over the road and buy him an orange juice one thing I have noticed they
00:04:44seem to have been very skillfully dismembered what about the legs on the legs too but now we've got
00:04:51these it gives a more complete picture it's obvious
00:04:54hi Pete I didn't see you come in a whiskey and a drink and tonic please do you want a topper
00:05:07have you been on that dump job yes I thought I could smell dental you want to get yourself in a drug
00:05:15just worry don't do that sort of thing there do you have people like Jim Taggart getting down is he
00:05:20it's worse than him I'd like to meet them well I wouldn't say too much about him he's just come in
00:05:27keep a change I'll leave you to your misery
00:05:31get up we've only got the bag back to find couldn't bear another minute in that place part of the job
00:05:54plenty heavy please if you want one so what did Kenny say probably the same thing he said to you four days ago he
00:06:06asked me not to tell anyone it's part of your duty to tell me give me a list of her friends I spent the
00:06:15afternoon ringing round and nobody's seen her for a fortnight you don't really think it's her how well do you know
00:06:21quite well thank you sir very thanks
00:06:25what was she like restless bit of an artist frustrated intellectual type is she the sort of woman that would
00:06:37reply to an advert pleased by Alec Dewar come on old housewife frustrated husband drinking too much
00:06:45but depressed what do you think he is a sorting house for every troubled female in Glasgow
00:06:50you're making you the truth thanks I'm giving you an opportunity to get away from that rubbish dump for a morning
00:07:02I heard on the news about you finding more of the body not the most glamorous part of police work
00:07:11I never thought of it as glamorous some people do
00:07:14well here's the other list you wanted ex-employees going back five years
00:07:21I warned you it would be long what do you do eat them do you want a drink I'll take a malt
00:07:29you know it must take a lot of courage to cut up a body like that courage well maybe that's the wrong word
00:07:46try cold-bloodedness I wonder why he didn't just bury her he was probably frightened she'd be identified
00:07:56buried bodies have a habit of being dug up it makes you wonder how many missing people are
00:08:03buried somewhere and won't be found I don't have time to worry about things like that only the ones
00:08:08that are found you don't mind me taking an interest not at all this is the horse he was mine his name was
00:08:20star cloud he injured himself in a jump and I had to shoot him must be a hard thing to do
00:08:25not when something's in pain were you riding him at a time no my husband was
00:08:33Alex
00:08:38you're in the Sunday Herald
00:08:42don't be ridiculous read it
00:08:46that hypnotherapist you went to what was his name
00:09:09do it
00:09:10Alec do it
00:09:11didn't he do you much good did he
00:09:14I won't have to go back
00:09:19was that him
00:09:24it's difficult to tell
00:09:30there's a picture of him
00:09:31no I see it I said it's difficult to tell
00:09:33he's the guy that brought you home isn't he
00:09:36well he must be mustn't he
00:09:37I want the truth
00:09:38he's in there
00:09:46I'm not getting involved
00:09:48well you are involved you live here
00:09:50where are you going
00:09:51I'm off to my room
00:09:54bloody coward
00:09:56Scott
00:09:59I'm sorry
00:10:01please stay here with me will you
00:10:05it'll cost you a month's rent
00:10:11two weeks
00:10:14no four
00:10:15and that's including the two that I already owe you
00:10:17get stuffed
00:10:19you're the coward Alex
00:10:21have you seen him
00:10:26no but he's definitely in there
00:10:28I know one way to get him out
00:10:33clear off all of you I've called the police
00:10:41my wife judge
00:10:43I didn't know you were a cop
00:10:56you know now don't you
00:11:00you have some sort of fund
00:11:03don't you
00:11:04for widows and children
00:11:06when you give me back my things
00:11:08there's a twenty pound note in my wallet
00:11:10you can have it
00:11:12get him out of here
00:11:15what's to happen to Dewar
00:11:22he hasn't broken any law
00:11:24I'm away at sea six months of the year
00:11:27I'd like to know my wife's safe from men like him
00:11:29that's all
00:11:31well that's up to your wife
00:11:32isn't it
00:11:34nice Kika
00:11:44if I thought you'd sent me there on purpose
00:11:46I'd give you one to match
00:11:48okay
00:12:02oh
00:12:34You hadn't forgotten, I was coming.
00:12:51The kitchen's through here.
00:12:54I've brought round a chicken, ready cooked, some sprouts, potatoes, and a bottle of vino.
00:13:03You shouldn't eat a bottle or not.
00:13:04Who wants to eat on their own on a Sunday?
00:13:08I didn't know you were religious.
00:13:11Religious?
00:13:12Oh, that music.
00:13:13I just find it takes my mind off things.
00:13:17Just leave it all to me.
00:13:21I'll have to go and check my pigeons.
00:13:22Can I have a look at them?
00:13:31No, no, the lane.
00:13:35We've got two hands and two arms and we don't even know who she is.
00:13:38What's taking us so long?
00:13:39Dr. Andrews seems to think he might be a butcher.
00:13:42It might be an idea to ask any missing persons to come forward.
00:13:49Confidentially, if need be, just so that we can eliminate them.
00:13:52Kenny Forfer's wife won't.
00:13:53Why not?
00:13:55Kenny on the force.
00:13:56I don't think she'd trust any policeman.
00:13:57Haven't you any idea where your wife is?
00:14:07No.
00:14:11I came back one day and she'd packed her bags and left.
00:14:16Not even a note?
00:14:18No.
00:14:19People can't just disappear.
00:14:24Can they know?
00:14:27Where did you work before?
00:14:30I worked a few places before McSweeds.
00:14:33Used to work in the slaughterhouse for a while.
00:14:35Oh, I wouldn't like that.
00:14:37Ah, well, you get used to it.
00:14:38Why did you leave?
00:14:41Redundancy.
00:14:42I think it made redundant.
00:14:46Do you have any children?
00:14:49We had a daughter.
00:14:51Had?
00:14:54She died last November.
00:14:58I'm sorry.
00:15:01Can I ask how?
00:15:03Heroine.
00:15:07We had no idea.
00:15:10She becomes so secretive, you know, she...
00:15:13Telling lies, staying in her room all day.
00:15:17Difficult to wake her up.
00:15:19Oh, we found her one morning in the bathroom, dead, with her needle still stuck in her arm.
00:15:26I had no idea.
00:15:29Oh, well, I don't talk about it much.
00:15:34See, Edna and me, we blamed each other for Pauline's death.
00:15:38Oh, I don't know.
00:15:41Oh, that was it.
00:15:44Bit of this rose.
00:15:46Maybe she'll come back.
00:15:49Your wife.
00:15:51I doubt that.
00:15:54I doubt that very much.
00:15:56Last one.
00:16:20I'm so sorry for a minute.
00:16:21Slow the day.
00:16:22I can't be feeling too good today.
00:16:24I'm just going to sick up the weekend.
00:16:26I'll get you drive.
00:16:27Yeah, sure.
00:16:28Well, when you're finished,
00:16:29let's just go home, eh?
00:16:30Let's go.
00:16:34There you go.
00:16:35Let's go.
00:16:54Mr McSween.
00:16:55Detective Chief Inspector Taggart,
00:16:58Detective Sergeant Livingston.
00:16:59I don't have to tell me.
00:17:00I've had three other bouchers
00:17:01out of me today already.
00:17:02I'm looking for the guy
00:17:02that chopped up this woman.
00:17:04Are you married?
00:17:05Afraid so.
00:17:06Is your wife accounted for?
00:17:07I counted for her.
00:17:08Can't lie.
00:17:09Is she speaking?
00:17:10Is she at home?
00:17:12Well, if she's not,
00:17:12get her bollocking.
00:17:14Jessie,
00:17:15there's my wife in the shop
00:17:16yesterday afternoon.
00:17:17Aye, that's right.
00:17:19Why?
00:17:20Police are checking.
00:17:21What makes you think
00:17:23it's a butcher?
00:17:24Look, it's just a hunch.
00:17:25Well, if it's an amorous butcher
00:17:26you'd have to try
00:17:27Porteous and Kennerworth Street.
00:17:29He's got three in a go.
00:17:30Oh, we've seen him.
00:17:32All accounted for
00:17:33is this one we'd say.
00:17:34Cheerio.
00:17:35I wish you'd learned
00:17:37to speak English.
00:17:38I'd like me to speak French.
00:17:40I could.
00:17:40We've got enough difficulties.
00:17:42All right, what about the band?
00:18:06They'll be joining you a little bit
00:18:07later on.
00:18:08Now, what about a little bit
00:18:09job too shy from Kachagoo-goo?
00:18:15Have a give in, do you?
00:18:17Life's too short.
00:18:18You don't look good.
00:18:23You've got a smoke.
00:18:28I'll make it two.
00:18:34That's four quid off the rent.
00:18:36Two joints.
00:18:37It's good stuff.
00:18:57I suppose you're going to
00:18:58rush round and find out
00:19:00what's wrong.
00:19:01Oh, he looked so ill yesterday.
00:19:03Yeah, there's something
00:19:05not right with him.
00:19:09Any more news for George?
00:19:11No.
00:19:12I just have a dose of the flu.
00:19:15Good night, girls.
00:19:16Genuine article.
00:19:38Yeah, looks like it.
00:19:39Who find out?
00:19:41The guy with the dog.
00:19:43I love a what, Ben?
00:19:43Well, I help him.
00:19:54Sit down here.
00:20:02Could he give me a photograph
00:20:03of this bit.
00:20:33Get that out of there, boys.
00:20:39It's a feather.
00:20:41It was in the force.
00:20:43Could have got there soon.
00:20:45It's too deep inside.
00:20:47What kind is it? I'm not an expert.
00:20:49I guess I'd say a parrot.
00:20:51We'll find another body.
00:20:53It's lying in the ditch.
00:20:55Shit.
00:21:03Let's go.
00:21:29George!
00:21:33she's a mrs harriet gordon 48 green drive rutherglen a bit near for coincidence
00:21:40she's been dead about three days looks like a particularly nasty hit and run
00:21:46i suppose we're all thinking the same thing he's made his first mistake
00:21:52i was just looking for george i was just looking
00:22:03are you afraid of us doesn't matter
00:22:06there are two groups of feathers down feathers and contour feathers this is a contour feather
00:22:23all feathers have knots with sparrows they're close together weeding birds are different
00:22:30their knots are pointed and conical chicken feathers weave characteristics the same as wading birds
00:22:36so this isn't a chicken feather this one has long knots with several protruding tips
00:22:42do you want to have a look just tell us what it fell off
00:22:46a pigeon it's a pigeon feather
00:22:49tiger it's for you
00:22:54i'll take it outside
00:23:01some pigeon owners do dye their birds exotic colors
00:23:04really
00:23:07hello
00:23:13yes yes i'm still here
00:23:19where
00:23:20where
00:23:30give him those
00:23:46I don't want this.
00:23:57At least now you know I'm alive.
00:24:05How many bullets?
00:24:06Hard to say.
00:24:08Entry wounds are close together in the chest.
00:24:10Are the bullets still in there?
00:24:12Yes.
00:24:13I'm just going to get them out for the ballistic boys.
00:24:15Now at least we know how she died.
00:24:18Doesn't fit the pattern of domestic murder, though, does it?
00:24:21You must know quite a lot about your murderer by now.
00:24:25We do.
00:24:26Everything.
00:24:28Bar his name.
00:24:36You feeling better?
00:24:38Aye, fine. I'm just a wee touch of flu. That was her.
00:24:41A hot toddy before your bed.
00:24:43Doesn't cure anything, but it's a great excuse.
00:24:45No. Who needs an excuse?
00:24:50Go on and give tea now, Rosie.
00:24:55Called in to see how you were last night.
00:24:58When?
00:24:59Oh, about six.
00:25:02Couldn't get any answer.
00:25:04I was probably sleeping.
00:25:06I doped myself up with some aspirins.
00:25:07There was this guy trying to get into your pigeon, do you, Kit?
00:25:14What guy?
00:25:15Oh, he didn't tell me his name.
00:25:17What did he look like?
00:25:20Tall.
00:25:21Blonde hair.
00:25:22About 20.
00:25:23I thought I'd better tell you, cos I remembered what you'd said about thieves, but, oh, he seemed to know you.
00:25:30Why did you not tell me this before?
00:25:32Oh, I'm sorry.
00:25:33I've got the ballistics report on the bullets.
00:25:43Makes interesting reading.
00:25:44So, where is Jane Forth for hiding?
00:25:53Old school friend.
00:25:56You gonna tell him?
00:25:57It's difficult.
00:25:59I thought he was a mate of yours.
00:26:00He is.
00:26:01Nine millimetre what?
00:26:05Italian Fiocchi bullets.
00:26:07Very rare in this country.
00:26:09They normally found abroad in personal protection guns.
00:26:11How big is a gun like that?
00:26:13Small enough to conceal in a handbag.
00:26:16Well, he's checking all the collectors and firearms clubs.
00:26:21But if he has used a license gun, he's a bigger idiot than he's appeared so far.
00:26:26By the way, that's the name of the next pigeon keeper we're going to see.
00:26:31George Bryce.
00:26:33Hmm.
00:26:34I like the sound of him.
00:26:37That young detective asked me out.
00:26:39Join the club.
00:26:40I think the other one's trying to chert me up.
00:26:42Is that wise?
00:26:43He seems to think I might have something to contribute to the case.
00:26:47Or maybe he doesn't.
00:26:49Shouldn't you tell him?
00:26:50Let him find out for himself.
00:27:01Mr. Bryce.
00:27:20Yes?
00:27:20We're police officers.
00:27:22Chief Inspector Tiger.
00:27:24Detective Sergeant Lemmingston.
00:27:27Have we caught you an awkward woman?
00:27:29No.
00:27:29No, it's, uh...
00:27:30It's just, uh, we're making a routine search of all the pigeon dookers in Glasgow.
00:27:34Would you object to us looking in the news?
00:27:36No, no, not at all.
00:27:37Just, uh, be clean out of it.
00:27:38Right, Kenny.
00:27:40Have a few words.
00:27:41That's you.
00:27:47Whereabouts do you work?
00:27:49I'm at Sweet'ans.
00:27:51McSweet'ans, the butchers.
00:27:53You're a butcher?
00:27:54No, well, I make, uh, I make haggises and black puddings and stuff like that.
00:27:58You know, it's like a small business and, uh, we all do a wee bit of everything.
00:28:02Uh, I make deliveries as well.
00:28:05Is your wife at home?
00:28:07No, we've, uh, we're separated.
00:28:09Well, she's, uh, I'll tell you the truth, I don't know where she is.
00:28:14Well, I'm sorry to hear that.
00:28:16How long's she been gone?
00:28:17Three months now.
00:28:19Doesn't it worry you, you don't know where she is?
00:28:22Well, like I say, we're separated.
00:28:24I mean, uh, you know, sometimes you're better know knowing something than knowing it.
00:28:28Uh, look, can I ask you what this is all about?
00:28:31That's just routine inquiries.
00:28:34Care for one.
00:28:35Uh, no, no, thanks.
00:28:36Do you mind if he does?
00:28:38We get paid far too much these days.
00:28:40Oh, hi.
00:28:41I, uh, I wish I had a job like that.
00:28:44Where did you work before McSween's?
00:28:47Uh, well, I had quite a few jobs, actually, uh, mainly just kind of fill an end, you know,
00:28:51after it was made redundant.
00:28:53Redundant from where?
00:28:54Well, from where I used to work, in the slaughterhouse.
00:28:59Another job I'd like for.
00:29:00Uh.
00:29:02Um, what exactly are they looking for?
00:29:05Listen, uh,
00:29:07remind me if you take a look inside the house.
00:29:09We could get a search warrant, but we'd prepare to do it this way.
00:29:11Listen, what's going on here?
00:29:13I mean, I don't mind helping you.
00:29:14I've got nothing to hide.
00:29:16If you'll just tell me what this is all about.
00:29:20Pigeon facts.
00:29:21Sorry, Scott, but you know how it is.
00:29:35Why now?
00:29:36You just don't fit in.
00:29:39I used to.
00:29:41I hear the Scrats are looking for a drummer.
00:29:44How do you know?
00:29:45We've got theirs.
00:29:51Well, thanks for your help, Mr Bryce.
00:29:59We'll not bother you again.
00:30:01Are there any other pigeon fanciers in the area?
00:30:04Uh, aye.
00:30:05There's, uh, there's two across there.
00:30:08Ah, we've seen them.
00:30:09Cheerio.
00:30:11See you.
00:30:17Check it out live fixed.
00:30:18You'll be lifted.
00:30:20Aye, uh, I'll keep me in to get it sorted.
00:30:26We've got her.
00:30:32We're sure she's been missing three months?
00:30:34Yeah, we checked with her neighbour.
00:30:35Does he know you took this?
00:30:39Borrowed, sir, but, uh, no, he doesn't.
00:30:43And no gun?
00:30:45No, no evidence of one.
00:30:47And we know our victim's been dead for only about two weeks.
00:30:49Look, she's missing, he can't say where.
00:30:53He's a butcher.
00:30:54He keeps pigeons.
00:30:56He's got a dent in his car.
00:30:57What colour is it?
00:30:58Fawn.
00:30:58Oh, you might be interested to see what we got on the hit-and-run victim.
00:31:04They found Fawn paint on her clothes.
00:31:09Oh, eh, there is a bonus.
00:31:13George Bryce worked for four months as a packer at Rona Cameron's Woolen Mill.
00:31:17Well, that quenches it.
00:31:18So, what are we waiting for?
00:31:21Forensic tests.
00:31:22And in the meantime?
00:31:24Let them stew.
00:31:25You're leaning forward again, shoulders back, back straight.
00:31:56That's it.
00:31:56Very good, Sergeant.
00:31:57Carry on.
00:32:07Don't let your hands bounce about.
00:32:09Keep them down, keep them still.
00:32:12Oh.
00:32:14Carry on.
00:32:15Hello.
00:32:25I thought you weren't going to come here.
00:32:28A man is helping police with inquiries.
00:32:29Oh, that's good.
00:32:31There's one other thing.
00:32:33Do you keep records of discount sales to employees going back about three years?
00:32:37Oh, you're asking the impossible now.
00:32:39What's a pity.
00:32:41Are you trying to say he is an ex-employee after all?
00:32:45There was a packer used to work for you about three years ago named George Bryce.
00:32:49Yes, I remember him.
00:32:50Do you think anyone else would?
00:32:52Somebody that worked with him.
00:32:53Why?
00:32:54I want to know if he bought any tartan rugs.
00:32:57It's very likely.
00:32:58We do give staff a good discount.
00:33:00I don't want anybody to know about this yet.
00:33:03Sounds like you're asking me to play detective.
00:33:06I am.
00:33:06Hey, George.
00:33:13No, not quite.
00:33:15Some sorry things have been a bit on the slow side of the day.
00:33:18So, right.
00:33:20I'll just leave you to lock up there.
00:33:22Aye, fine.
00:33:23I'll meet with somebody later anyway.
00:33:27Right.
00:33:28See you in a morning.
00:33:28Ah, good night.
00:33:36Can't you tell anything about this chap?
00:33:50Only that I spent three days on a rubbish tip because of it.
00:33:53Why don't you arrest him?
00:33:55We're waiting for some forensic results.
00:33:56Sounds very technical.
00:33:59I wouldn't wait if it was up to me.
00:34:01By the way, I think Jim Taggart fancies your neighbour.
00:34:08A lot of guys do.
00:34:10I don't think he'll get very far.
00:34:21Ah!
00:34:22Ah!
00:34:23Ah!
00:34:23Ah!
00:34:25Ah!
00:34:31John's just left her bloody boilers on.
00:34:56Ah!
00:34:57Ah!
00:34:58Ah!
00:34:59Ah!
00:35:01Phone the police.
00:35:03Phone the police!
00:35:07I went around a few of her friends again yesterday.
00:35:10Could be indicative.
00:35:11Of what?
00:35:14She doesn't want to know, Kenny.
00:35:15She's my wife, for Christ's sakes.
00:35:17All right, boys.
00:35:18Let's get Bryce first, eh?
00:35:25You were quick.
00:35:27Quick?
00:35:28He's in there.
00:35:29Who found the body?
00:35:41I did.
00:35:42It must have been here all night.
00:35:44Turned off the boilers when I came in.
00:35:46Kenny, take them outside.
00:35:47And don't you touch anything else in the shop.
00:35:51And don't you touch anything else in the shop.
00:35:59Well, what have we got here, Peter?
00:36:02Bryce killed his wife.
00:36:04Who killed Bryce?
00:36:07The biscuit is not going to like this.
00:36:09There was just all this steam.
00:36:22And he was lying there.
00:36:28How long have you worked here?
00:36:30Two weeks.
00:36:31Did you know him well?
00:36:34Now, can you not give her time?
00:36:36She was going out with a guy.
00:36:40Well, sort of.
00:36:42How often did you leave in the lock-up?
00:36:45Now and again.
00:36:47He was a bit behind yesterday.
00:36:48I wasn't feeling well.
00:36:50He said he was meeting somebody.
00:36:51Did he say who?
00:36:53Or where?
00:36:54Could have been here.
00:36:55He didn't say.
00:36:58Did he have his own keys?
00:36:59Aye, his own keys.
00:37:01That's the funniest thing.
00:37:02Whoever killed him must have...
00:37:03Put the lights off in lock-up.
00:37:05I want you to give himself plenty of time to get away.
00:37:09Excuse me.
00:37:31Listen.
00:37:33Before you say anything,
00:37:34nobody knew it was going to be short.
00:37:37I've just been talking to Angus Robinson.
00:37:40He's got a postcard from his wife.
00:37:43She's not coming back to him.
00:37:45It's a bit academic now, son.
00:37:47Ooh, not really.
00:37:49Our wives will be joining her sooner.
00:38:00Does it have to be so loud?
00:38:02Now, I wish you wouldn't smoke in the house.
00:38:05If we get another visit from the law...
00:38:07You're starting to sound like my father.
00:38:09Yeah, and what are your drums doing on the stairs?
00:38:11I've left the band.
00:38:12I might sell them.
00:38:14Well, why?
00:38:15They've got a new drummer.
00:38:18What's the matter?
00:38:19Don't they like your style?
00:38:21It seems not.
00:38:22I'm old-fashioned.
00:38:24I don't fit in.
00:38:26Just go to them.
00:38:27You'll find another band.
00:38:28I told you, I've given up.
00:38:30Investigating the fatal shooting this morning
00:38:32of a butcher shop assistant in the centre of...
00:38:34Turn it down!
00:38:35The band has been named as George Bryce, aged 40.
00:38:38But no other details about the shooting have yet been released.
00:38:42The Scottish trade...
00:38:43We weren't close or anything.
00:38:46I felt sorry for him.
00:38:48His wife had left him and his daughter was dead.
00:38:52Never mentioned a daughter.
00:38:54She died of a drug overdose.
00:38:56Sometime last year.
00:38:59This chap you met in Bryce's garden?
00:39:01I've told you all I can about him.
00:39:04He just seemed to be looking for something.
00:39:06You remember him well enough to do a photo-fit picture for us.
00:39:09I could draw him.
00:39:10I used to be quite good at art at school.
00:39:14Oh, please.
00:39:14Please let me.
00:39:16I want to help.
00:39:20What care, ladies?
00:39:22There was something else.
00:39:25He...
00:39:26He had a badge on his lapel.
00:39:29Something written on it.
00:39:30What?
00:39:32It was a slogan of some sort.
00:39:35I wish I'd paid more attention.
00:39:37Ah, you have to know, Rosie.
00:39:38Rosie, if you do remember anything, give me a ring.
00:39:45How Peter will take you to do that drawing?
00:39:51How were you so quick this morning?
00:39:54I'd only just put the phone down.
00:39:57You're efficient, Rosie.
00:39:59There can't be that many people in Glasgow with guns, surely.
00:40:02Oh, Jean, don't be so naive.
00:40:04Well, suppose you do find out who shot Bryce.
00:40:06What then?
00:40:07Another case arrived on your desk.
00:40:08It'll be the same story.
00:40:09Look, I didn't come home to give you excuses.
00:40:12The excuses find you.
00:40:13None of us expected this.
00:40:15When I find out who's behind it, I'll follow you out.
00:40:18On your own?
00:40:19I'm not a child.
00:40:20And it was you who didn't want me to come in the first place.
00:40:22Only because I thought you'd be left out.
00:40:25I can sightsee.
00:40:28Go round the museums.
00:40:31OK, we'll lead separate lives.
00:40:32Meet somewhere in the middle.
00:40:34But for somebody that can write a book about sex and disablement,
00:40:39things needn't have been as big a problem as they are.
00:40:42In spite of this cheer,
00:40:43I can still walk out.
00:40:45I can still walk out.
00:41:15How are you doing?
00:41:17Remember this?
00:41:20Shouldn't have thought Bryce was into them.
00:41:22I saw them at Havana Joe's.
00:41:26I'm taking Caroline there tonight.
00:41:29Weird looking mob.
00:41:33Of course, you're into weird looking mobs, aren't you?
00:41:35Hmm?
00:41:36Those hell's angels.
00:41:37You heard of them digging up a grave near Oban yesterday.
00:41:45What?
00:41:46Remember a rival gang that had been stabbed?
00:41:50Some sort of ritual desecration.
00:41:52No.
00:41:54You're in a touch, Paul.
00:41:57Obviously.
00:41:58I didn't expect you to go to all this trouble.
00:42:01Oh, a salad's no trouble.
00:42:04Help yourself to bread.
00:42:09You know, I thought that he was the man you were after.
00:42:13It appears he's not.
00:42:14Well, he definitely bought the rugs.
00:42:16I asked on the most roundabout pretext you can imagine.
00:42:22What do you remember about him?
00:42:23Very little.
00:42:25He was good at his job.
00:42:27Oh, and he took odd days off because of illness.
00:42:30What about his family?
00:42:31I get to know the people that work for me, but not that well.
00:42:36He said he was going to meet somebody the night he died.
00:42:40Well, if you'd still like me to play detective,
00:42:42I'd say he hired somebody to murder his wife
00:42:45and then was killed by that person.
00:42:48What makes you think it was his wife?
00:42:50It's just an assumption, wasn't it?
00:42:54Well, you don't usually have someone to commit a murder
00:42:57and then get rid of the body yourself.
00:43:00Well, I don't know.
00:43:30Relax, don't do it when you wanna go to it.
00:43:34Relax, don't do it when you wanna go.
00:43:50Relax, don't do it when you wanna go.
00:43:54Where is she?
00:43:57Where is she?
00:43:59You don't want to know, Kenny!
00:44:01Quiet!
00:44:03All right, guys, that's enough. We're calling the police.
00:44:06We are the police!
00:44:11Look, Kenny, I...
00:44:21Sit down.
00:44:23I dislike suspending any officer.
00:44:29You can hardly blame Kenny.
00:44:31And what were you doing at a discotheque in the middle of an inquiry?
00:44:33Relaxing, sir.
00:44:35And while you were relaxing,
00:44:37it's been established that the bullets which killed Bryce came from the same gun.
00:44:41Gun.
00:44:45I know who that guy is.
00:44:47Come on, big man. That's Dewar's lodger.
00:44:53Why did he leave so suddenly?
00:44:57I don't know.
00:44:59You can read as well as me.
00:45:01His drums are still out there.
00:45:03Yeah, well, they'd be a bit of an encumbrance to him, wouldn't they?
00:45:05Besides, he's left the band.
00:45:07Did he ever meet a man called George Bryce?
00:45:11He had a girlfriend once called Pauline Bryce.
00:45:15Wait a minute. George Bryce, isn't he the man...
00:45:17Yeah, he's the man.
00:45:19He was shot dead two days ago.
00:45:21Pauline Bryce was his daughter.
00:45:24Did Scott ever take drugs or deal in them?
00:45:28Why?
00:45:30I want to know.
00:45:33Well, I think he probably smoked a little,
00:45:36but I know for a fact he didn't touch hard drugs.
00:45:39He felt pretty strongly about them.
00:45:41So do I.
00:45:43Pauline Bryce died of a heroin overdose.
00:45:45She didn't get it from him.
00:45:47I wouldn't have drugs in this house.
00:45:50Did Scott own a gun?
00:45:52How do you expect me to know all these things about him?
00:45:55He lodged here, that's all.
00:45:57Um...
00:46:00Shouldn't your eye have healed by now?
00:46:03Yes.
00:46:04It should have.
00:46:06Hmm.
00:46:07Ah, he doesn't look exactly like that.
00:46:12It's only supposed to be an impression.
00:46:14I'd know him again if I saw him.
00:46:16Maybe not got anything to do with it, of course.
00:46:19It's the first time in my life anything like this has ever happened to me.
00:46:24The police have probably got more important witnesses than you.
00:46:44What else is the matter with you?
00:46:47I just...
00:46:48I just keep thinking of him.
00:46:50Lying there.
00:46:51He could have given another deal.
00:46:53Go on, Rosie.
00:46:54No, I'll be all right.
00:46:55Come back in the morning.
00:46:56You come back when you feel up to it.
00:47:14You go and talk to the band.
00:47:15Drop me off at Bryce's in case you missed anything.
00:47:23You're not taking that with you.
00:47:24Why not?
00:47:25The police will find him without you.
00:47:26They've got thousands of men on the go.
00:47:27Man, they need them.
00:47:28There's some strange people about.
00:47:29You hear about these hell's angels digging up each other's graves?
00:47:30I'd shoot the lot of them.
00:47:31Not even vandalism.
00:47:32It's just sick.
00:47:33Just because they're rivals.
00:47:34What's the matter?
00:47:35Excuse me.
00:47:36What's that about?
00:47:37Oh, she's just a wee lassie.
00:47:38She's just a wee lassie.
00:47:39What's that about?
00:47:40Oh, she's just a wee lassie.
00:47:41What's that about?
00:47:42Let's go in.
00:47:43I'll go in and see.
00:47:44Oh, she's all inside.
00:47:45You go in and see what's the asses.
00:47:48It's all inside.
00:47:49You're sitting in the grave?
00:47:50Oh, she's sitting in the grave.
00:47:51I'd shoot the lot of them.
00:47:52Not even vandalism, it's just sick.
00:47:54Just because they're rivals.
00:47:55What's that about?
00:47:58Oh, she's just a wee lassie.
00:48:25Mrs Brice, I presume?
00:48:27Yes?
00:48:33Strange to read in the papers about someone you know.
00:48:36First, I couldn't believe it was George.
00:48:38Still don't.
00:48:39Where have you been?
00:48:41In Edinburgh, working in a hotel.
00:48:43I've worked in them before.
00:48:45Nobody questions you, wants to know your business or lack of it.
00:48:49Why did you leave?
00:48:51Do you have a daughter, Inspector?
00:48:54Yeah.
00:48:55So did we.
00:48:57She's...
00:48:59Neither of us knew about her problem until it was too late.
00:49:03After Pauline's death, there was very little to hold us together.
00:49:13Perhaps you can't understand that, Inspector.
00:49:17Perhaps I can.
00:49:19Did you ever meet your daughter's boyfriend, Scott Adair?
00:49:25Yes.
00:49:26I hadn't seen him since the trial.
00:49:28Milk and sugar.
00:49:29Both, please.
00:49:31What trial was this?
00:49:33There was a relief teacher called Heather Jameson.
00:49:37Accused of drug dealing.
00:49:38Scott told her she sold Pauline the drugs that killed her.
00:49:43How did he know that?
00:49:45They all used to go to this disco.
00:49:51It wouldn't be Havana Joes by any chance.
00:49:54That was it.
00:49:55Mrs. Bryce, I remember that Jameson case.
00:50:00The verdict was not proven.
00:50:01She was released.
00:50:02I know.
00:50:04Can I use your phone?
00:50:06Aye, go ahead.
00:50:10It's so wrong.
00:50:12George and Pauline are dead and she's still free.
00:50:15I hardly think she's that, Mrs. Bryce.
00:50:17Superintendent Tom Burnside, drug squad, please.
00:50:24Anna?
00:50:25In here.
00:50:28Detective Sergeant Livingston, meet Mrs. Bryce.
00:50:31Don't worry, she's not a ghost.
00:50:32We assumed.
00:50:33Never assumed.
00:50:36Oh, Tom, it's Jim Taggart here.
00:50:39I'm trying to trace the whereabouts of an old customer of yours,
00:50:41Heather Jameson.
00:50:44Yeah, that's the one.
00:50:47I don't know.
00:50:51Ruined for my face-to-face for her.
00:50:52I picked a chalkboard and I killed Alan Finn.
00:51:09See you next day.
00:51:11Marley, can you see me go?"
00:51:12Let's find us.
00:51:42So, Dave, what happened?
00:51:54She moved to Merseyside, and Merseyside had got to tell us she moved back here.
00:51:59Like the case.
00:52:02The jury believed she'd confiscated the drugs, and she was on her way back to him to win.
00:52:07You can do a good month's work, and then some clever bastard of a defence council can destroy
00:52:13in a few hours.
00:52:16So, she's your victim.
00:52:18Looks like it.
00:52:19Public silvers.
00:52:21Killing Bryce wasn't.
00:52:23So you think they scotted there, did they?
00:52:25He was Pauline Bryce's boyfriend.
00:52:28Do you remember Bryce at the trial?
00:52:31Never made himself known.
00:52:33Your wife said he spent every day there.
00:52:35I mean, I won't appear in it until a few of them would likely have killed her.
00:52:39Remember any of them?
00:52:41I remember the one who made the most noise.
00:52:43A guy called Swann.
00:52:45Fred Swann.
00:52:46Merchant Navy.
00:52:47Ship's engineer or something.
00:52:49Their son died in a motorbike accident.
00:52:50It was on LSD at the time.
00:52:51Supplied by Heather Jamieson.
00:52:52I met Swann.
00:52:53I didn't know that.
00:52:54Could have you met Bryce?
00:52:55Swann made a point of meeting everybody.
00:52:56A Bucks Hill radio station?
00:52:57I'd like to put a call through to the MV Braemar.
00:53:00She's an oil rig supply boat.
00:53:02The person I want to speak to is the officer of the watch.
00:53:03I can't keep you away.
00:53:04I thought I'd call around to tell you we've almost solved the case.
00:53:06I have a distinct feeling of deja vu.
00:53:07No, this time it's different.
00:53:08We've got a lead on someone.
00:53:09Oh, no.
00:53:10No, no.
00:53:11No, no.
00:53:12No, no.
00:53:13No, no.
00:53:14No, no.
00:53:15No, no.
00:53:16No, no.
00:53:17No, no.
00:53:18No, no.
00:53:19No, no.
00:53:20No, no.
00:53:21No, no.
00:53:22No, no.
00:53:23No, no.
00:53:24No, no.
00:53:25No, no.
00:53:26No, no.
00:53:27No, no.
00:53:28No, no.
00:53:29No, no.
00:53:30No, no.
00:53:31No, no.
00:53:32Shouldn't be long till we find him.
00:53:34Well, what do you want me to do this time?
00:53:42My wife went to Canada this morning.
00:53:45She'll be away for a month.
00:53:47I thought I'd like to repay you for last night, take you out to dinner.
00:53:54Wouldn't you have liked to have gone with her?
00:53:57She's lecturing to disabled groups.
00:53:59She's disabled herself.
00:54:01Well, the last man who asked me out didn't have the courage to mention his wife.
00:54:09What's wrong with her?
00:54:10Paralysis after childbirth.
00:54:12Twenty years now.
00:54:13I see.
00:54:14Well, you're wasting your time with me.
00:54:15Why?
00:54:16I was married once, under pressure, because it was what the family expected.
00:54:30But now I'm free.
00:54:31And next to horses.
00:54:32I prefer my own sex.
00:54:33How many?
00:54:34You wouldn't have any idea what the calls were about, would you?
00:54:46Sir!
00:54:47Um, thank you.
00:54:48I think you've told me all I need to know.
00:54:49Yes, thank you.
00:54:50Bye.
00:54:51I know who killed Bryce.
00:54:52It wasn't Scott Adair.
00:54:53Bryce sat in the public gallery during Heather Jameson's trial.
00:54:57Slow down.
00:54:58One of the other parents there was Fred Swan.
00:55:00His son died after taking LSD.
00:55:03What do you say now?
00:55:04That there's a third conspiracy?
00:55:05In the logbook on Swan's ship, there's a record of three ship-to-shore calls made by Swan
00:55:10to Bryce's number.
00:55:11Proves nothing.
00:55:12At the time she was killed, she was killed.
00:55:13I know who killed Bryce.
00:55:14I know who killed Bryce.
00:55:15It wasn't Scott Adair.
00:55:16Bryce sat in the public gallery during Heather Jameson's trial.
00:55:17Slow down.
00:55:18One of the other parents there was Fred Swan.
00:55:19His son died after taking LSD.
00:55:20What do you say now?
00:55:21That there's a third conspiracy?
00:55:22In the logbook on Swan's ship, there's a record of three ship-to-shore calls made by Swan to
00:55:28Bryce's number.
00:55:29Proves nothing.
00:55:31At the time she was killed, Swan's ship was up the Clyde for repairs.
00:55:34It makes sense.
00:55:36Swan did the shooting and Bryce was left to dispose of the body because Swan had to go back
00:55:40to sea.
00:55:41What a dear.
00:55:42Is he in this still?
00:55:44He must be.
00:55:45You mean all three of them?
00:55:47Looks like it.
00:55:49Do you ever know about Swan?
00:55:52No.
00:55:53You'll be popular.
00:55:54Come on.
00:55:55Let's get over Swan.
00:55:56See what he's gonna say for himself.
00:56:01Is there a ton of love andorgt for you?
00:56:02It you can do, he can do it too.
00:56:05You see what he's gonna tell you.
00:56:06If you see what he's gonna do.
00:58:38Come on, Peter.
00:58:39What's he done?
00:59:11Don't you read the papers?
00:59:16Your face isn't all over.
00:59:17Come on.
00:59:18I'm not going with you.
00:59:20You need to be recognized.
00:59:21So what's that?
00:59:22I didn't kill her.
00:59:23I just found her for you.
00:59:25But you know, son.
00:59:26You can't get me in here.
00:59:28Like George.
00:59:30I'm safe in here.
00:59:31We can be back on it.
00:59:32I thought Mr. Taggart would come himself.
00:59:35You stupid woman.
00:59:36I just phoned the police.
00:59:38I thought...
00:59:39I'm sorry.
00:59:40I don't go to the police.
00:59:47Whoa.
00:59:47It ain't me.
00:59:48I don't know what theunt is.
00:59:49I don't know what the minorv taking.
00:59:57No!
00:59:58I don't care.
00:59:58There you are.
00:59:59But if you've heard of...
01:00:00...you're you!
01:00:01Please.
01:00:21Straight on, down the stairs.
01:00:25Hey, don't let anyone out till I say so.
01:00:28Okay.
01:00:31You know it don't make no difference
01:00:39Like when I was here
01:00:42So tell me why, who left me this way
01:00:46You're just about to write
01:00:49The toriano-dural discotheque to Upperland Suspect, Scotter Deer.
01:00:54Message received.
01:00:56I thought he said Scotter Deer had left the band.
01:00:58He has.
01:00:59Well, how come he's at the disco?
01:01:02I don't know.
01:01:06A good place to hide.
01:01:09I'd have left me running very scared.
01:01:11You did a good job on the artist's impression, Rosie.
01:01:15Aren't you going to arrest him?
01:01:18No, there's no hurry.
01:01:19Let him finish his number.
01:01:21Do you know his name?
01:01:22Ah, but we thought he'd left the band.
01:01:27Something wrong?
01:01:29No.
01:01:30Do you want a drink?
01:01:31Sorry?
01:01:34Do you want a drink?
01:01:36Have a lager, please.
01:01:37Please.
01:01:38Ah.
01:01:39You're barred.
01:01:39You're not getting in.
01:01:39You're barred.
01:01:40You're barred.
01:01:41You're not getting in.
01:01:42You're barred.
01:01:43You're not getting in.
01:01:57Police, you're barred, you're not getting in.
01:02:12You're stealing your ass.
01:02:14You don't understand.
01:02:27Go and fetch an ambulance.
01:02:37The police said nobody leaves.
01:02:38We all just go back inside.
01:02:40Police, open the door.
01:02:42Don't let anybody else out.
01:02:44What's happening here?
01:02:45Come on.
01:02:46Hold that man!
01:02:48He's the one!
01:02:49He's got guns!
01:02:57The ambulance is on its way.
01:03:10Tell Gina won't make it.
01:03:13You'll make it?
01:03:18To Canada, you dunderhead.
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