🎶🍀 Pot O’ Gold (1941) Full Movie | James Stewart’s Musical Romance of Music, Family & Fortune 🎺💖 - video Dailymotion

Just-Trending

Pot O’ Gold (1941) is a delightful musical comedy starring James Stewart and Paulette Goddard. Bursting with charm, romance, and toe-tapping music, this lighthearted gem blends family feuds, music-making, and love in true Golden Age style.  📽️ Plot Summary: Jimmy Haskell (James Stewart), a kindhearted man with a love for music, finds himself caught between his uncle’s hatred of a local band and his own romance with Molly (Paulette Goddard), the bandleader’s spirited niece. As tensions rise, music becomes both the battleground and the solution—leading to hilarious conflicts, romance, and a heartwarming finale.  🕰️ Year Released: 1941 🎭 Genre: Musical, Comedy, Romance 🎬 Directed by: George Marshall 🎞️ Starring: James Stewart, Paulette Goddard, Horace Heidt and His Musical Knights  🎯 Why Watch It? ✔️ James Stewart in a rare musical comedy role ✔️ Paulette Goddard’s spirited and charming performance ✔️ Memorable big-band musical numbers ✔️ A heartwarming story of love, family, and reconciliation  🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for more Golden Age musicals & classic comedies!  👇 Explore More Vintage Musicals & Classic Romances Here: 📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY ━━━━━━━━━━━━━━━━━━ 🎞️ #PotOGold1941 #JamesStewart #PauletteGoddard #ClassicMusical #PublicDomainMovies ━━━━━━━━━━━━━━━━━━ 🎶💖 When music sparks both love and rivalry, can harmony win the day? Discover James Stewart in Pot O’ Gold (1941) Full Movie! ________________________________________

Transcript

00:00:00THE END

00:00:30THE END

00:01:00THE END

00:01:02THE END

00:01:04THE END

00:01:06THE END

00:01:08THE END

00:01:10THE END

00:01:12THE END

00:01:14THE END

00:01:16THE END

00:01:18THE END

00:01:20THE END

00:01:22THE END

00:01:26THE END

00:01:28THE END

00:01:30THE END

00:01:32THE END

00:01:34THE END

00:01:36THE END

00:01:38THE END

00:01:40THE END

00:01:44THE END

00:01:46THE END

00:01:48THE END

00:01:50THE END

00:01:52THE END

00:01:54THE END

00:01:56THE END

00:01:58THE END

00:02:00THE END

00:02:02THE END

00:02:04THE END

00:02:06THE END

00:02:08THE END

00:02:10THE END

00:02:12THE END

00:02:14THE END

00:02:16THE END

00:02:18THE END

00:02:20THE END

00:02:22THE END

00:02:24THE END

00:02:26THE END

00:02:28THE END

00:02:30THE END

00:02:32THE END

00:02:34THE END

00:02:36THE END

00:02:38THE END

00:02:40THE END

00:02:42THE END

00:02:44THE END

00:02:46THE END

00:02:48THE END

00:02:50THE END

00:02:52THE END

00:02:54THE END

00:02:56THE END

00:02:58Oh, Uncle Charlie, hello. Glad to see you.

00:03:00Hello, Jimmy. I'm glad to see you, too.

00:03:02Well, this is quite a surprise.

00:03:04What brings you up in this neck of the woods?

00:03:06Well, I came up to see you,

00:03:08since you didn't take the trouble to answer my letter.

00:03:10Letter? Oh, well, I wanted a little time to think it over.

00:03:12Well, come on in, Uncle Charlie.

00:03:20I... I wrote you...

00:03:22I wrote you three months ago.

00:03:24Oh, wasn't that long?

00:03:26Oh, I don't know. You know how it is.

00:03:28The fella gets busy and everything.

00:03:30These things are dry weather.

00:03:32You have to change the oil every thousand miles.

00:03:42Jimmy! Jimmy!

00:03:44I came up to have an important talk with you.

00:03:46Go ahead, go ahead. I'm listening.

00:03:48Can't we go someplace without this entire racket?

00:03:52Oh, oh, yeah. Well, go right in my room there.

00:03:54Where? Right over there.

00:03:56There we are.

00:04:00Well, not that chair, Uncle Charlie.

00:04:02That needs a little fixing.

00:04:04I took it in on a trade for a second-hand clarinet.

00:04:06Jimmy!

00:04:08I'm not gonna beat around the bush.

00:04:10As you know, you and I have not been very close.

00:04:12After all, we are the last of the hassles.

00:04:14Well, is that very serious?

00:04:16It is to me.

00:04:18I want to keep the name of Haskell in the health food business.

00:04:22Yeah, well, I understand how you feel, Uncle Charlie.

00:04:24I want to keep the name of Haskell in the music business.

00:04:26I'm talking about big business.

00:04:28Can't you understand?

00:04:30I need you, Jimmy.

00:04:32And someday you're going to get everything I've got.

00:04:34But you're not going to get it if you persist in frittering your life away in this town.

00:04:38This whistle stop.

00:04:40I don't like it here.

00:04:52My dad was happy here.

00:04:54Oh, I could never understand my brother.

00:04:56And I told him when he opened this place, he'd never make a go of it.

00:05:00Well, he kept it failing successfully for 25 years.

00:05:04That's not bad.

00:05:06If he'd listened to me, he'd been a rich man.

00:05:09But no.

00:05:10So what did he have when he died?

00:05:12The biggest funeral this town ever saw.

00:05:15Everybody was there.

00:05:16Why not?

00:05:17Everybody owed him money.

00:05:18Maybe so.

00:05:19Dad just had a wonderful time living.

00:05:22He liked things.

00:05:23He liked to hunt and fish.

00:05:25Liked music.

00:05:26Music!

00:05:27He talked a great deal about you.

00:05:30He did?

00:05:31Always seemed to feel so sorry for you.

00:05:34Sorry for me?

00:05:35Didn't get anything out of life.

00:05:37Just making money.

00:05:38Is that so?

00:05:39Since when has making money been a crime?

00:05:40Since when?

00:05:41Oh, I'm not going to argue with you.

00:05:42And I'm not going to let myself be upset.

00:05:43No, sir.

00:05:44Jimmy!

00:05:45Jimmy!

00:05:46Uncle, I'm sorry.

00:05:47Don't hit him, Jimmy.

00:05:48He's an old man.

00:05:49Oh, no.

00:05:50It's just the chair, you see.

00:05:51Are you hurt, Uncle Charlie?

00:05:52Oh, don't mind me.

00:05:53Oh, hello, bud.

00:05:54Can I talk to you for a minute?

00:05:55Oh, yeah.

00:05:56Well, outside here.

00:05:57Will you excuse me a minute, Uncle Charlie?

00:05:58I'm afraid I've got some bad news for you, Jimmy.

00:05:59Oh, what's trouble, bud?

00:06:00I'm supposed to tack up this attachment unless you can dig up some money.

00:06:02Oh.

00:06:03Well, I guess you have to tack it up.

00:06:04Unless you think eggs are going to go up to $500 a dozen all of a sudden.

00:06:06Oh.

00:06:07Well, I guess you have to tack it up.

00:06:08Well, you're just telling me about some people that wanted some musical instruments.

00:06:12Oh, no.

00:06:13I'm afraid I've got some bad news for you, Jimmy.

00:06:15Oh, what's trouble, bud?

00:06:16I'm supposed to tack up this attachment unless you can dig up some money.

00:06:17Oh.

00:06:18Well, I guess you have to tack it up.

00:06:19Unless you think eggs are going to go up to $500 a dozen all of a sudden.

00:06:23Well, see what you can do.

00:06:24I'll hold this off as long as I can.

00:06:26Okay.

00:06:27Thanks, bud.

00:06:28Oh, well, it's, uh...

00:06:33You're just telling me about some people that wanted some musical instruments.

00:06:37He's the sheriff, isn't he?

00:06:39How'd you know?

00:06:40I knew his father.

00:06:41He was serving a paper on your father the first time I came up here.

00:06:44That's right.

00:06:45Well, Jimmy, what's it going to be?

00:06:47You can stay here chasing rainbows or you can come with me.

00:06:49I can show you a real pot of gold that's yours for the taking.

00:06:52I, uh...

00:06:53Wait a minute.

00:06:54That's a good idea for my radio program tomorrow night.

00:06:58You've heard my happiness hour, of course.

00:07:00Oh, yes.

00:07:01Everybody's heard that.

00:07:02Once.

00:07:03Listen to this.

00:07:04The clouds that make me happy.

00:07:06The clouds that make the day so gray must sooner or later pass away.

00:07:10There's always a pot of gold at the end of the rainbow.

00:07:13Good old homespun philosophy.

00:07:16Oh, boy.

00:07:18Well, I've got to be going.

00:07:21What are you going to do?

00:07:22Well, I'll tell you, Uncle Charlie.

00:07:24I...

00:07:25Unless a miracle happens in the next few days,

00:07:27looks like I'll slide down that rainbow.

00:07:29Fine.

00:07:30Fine.

00:07:32Land right in the pot.

00:07:41What was I saying?

00:07:42And furthermore...

00:07:43And furthermore...

00:07:44I see no reason for changing the air guns we are now using to puff our rice and other cereal.

00:07:57Our present air guns are exceptionally quiet in operation.

00:08:01I, therefore, would suggest that...

00:08:06There goes that band again.

00:08:10Oh, I'll settle this.

00:08:21How can a man transact any business with that going on day after day?

00:08:24Tom Toms.

00:08:25Jungle Screeches.

00:08:26They're a menace to sanity.

00:08:27What did I say?

00:08:28Tom Toms and Jungle Screeches.

00:08:29No, no.

00:08:30But that's what I mean.

00:08:31The McCorkins took that band in their house just to annoy me.

00:08:33That's why they've ignored all of my protests.

00:08:34Well, I understand it's a new band just organizing.

00:08:35Who wants a new band?

00:08:36Let them organize in a cave somewhere.

00:08:37Boom, boom, boom, boom, boom, boom.

00:08:38I'll settle this once and for all.

00:08:39I'll settle this once and for all.

00:08:40I'll settle this once and for all.

00:08:42I'll settle this once and for all.

00:08:45I'll settle this once and for all.

00:08:47I'll settle this once and for all.

00:08:52Hey!

00:08:53Hey!

00:08:54Hey!

00:08:55Hey!

00:08:56Hey!

00:08:57Hey!

00:08:58Hey!

00:08:59Hey!

00:09:00Hey!

00:09:01Hey!

00:09:02Hey!

00:09:03Hey!

00:09:04Hey!

00:09:05Hey!

00:09:06Hey!

00:09:07What's the matter?

00:09:08Stop that, that blasted bedlam or I'll have it stopped.

00:09:12Oh, you will, eh?

00:09:13Ha!

00:09:14You and who else?

00:09:15The police.

00:09:16I'll have that gang of noisy loafers thrown in jail for disturbing the peace.

00:09:21Disturbing the peace, are we?

00:09:26What about that air gun of yours booming all day and night?

00:09:29I suppose that's a baby's lullaby, you white-headed old baboon.

00:09:34Ha!

00:09:35Ha!

00:09:36That booming is business.

00:09:37And besides, we're all used to it.

00:09:39The band is business.

00:09:40And you get used to it too.

00:09:41It's your own hard luck.

00:09:42I'll get out an injunction.

00:09:44Good morning!

00:09:45Oh, you will, eh?

00:09:46Now, listen you black-hearted old skintlin.

00:09:48For years you've tried every trick to make me sell my house here so you could enlarge

00:09:53your factory.

00:09:54Well, I'm not selling Haskell, not at your price.

00:09:57So go ahead.

00:09:58Call the cops if you think you can have this band thrown out of here.

00:10:01You just wait. You'll find out.

00:10:09Go ahead, boys. Go to it, but loud.

00:10:12Jasper! Go get Jasper.

00:10:15Jasper! Jasper! Go get him. Find him. Don't stand there like a dummy.

00:10:20Do I have to do everything myself around here? Jasper! Jasper!

00:10:23Do you want me, C.J.?

00:10:24Do I want you? Why aren't you here when I need you?

00:10:27Go get the police.

00:10:28The police, C.J.?

00:10:29The militia, if necessary.

00:10:31That McCorkle woman has insulted me for the last time.

00:10:34You've said that before, C.J.?

00:10:35I know, but this time I mean it.

00:10:38That band is driving me insane.

00:10:40It certainly is.

00:10:41Well, have him arrest it.

00:10:43I will.

00:10:56Hi, sir. What's it cooking?

00:10:58Hi, Si. How's she looking?

00:11:00Life will be as sweet as can be.

00:11:02If I can find a cookie that's a-looking for me.

00:11:05Hi, Si.

00:11:10All day long, I wassy and dry

00:11:12To bring my little cookie out away from Shanghai.

00:11:15Shine for you.

00:11:16Ten-ten supplies are ever new.

00:11:18Your dog will get a real shampoo.

00:11:20The real maboo.

00:11:22Ha! Ha!

00:11:23Rise, feet!

00:11:30Bum-dee-dum-doo.

00:11:31Diddle-dee-dum.

00:11:32The fortune teller told me I would go to the clean-up.

00:11:43Are the apples good?

00:11:44Just like I sell the Ritz-Carlton.

00:11:46Well, then they ought to do for the McCorkle.

00:11:48I'll take a half a dozen.

00:11:51Here, Willie.

00:11:52What am I? A pack horse?

00:11:56Will there be anything else, Miss Marley?

00:11:57No, that'll be all. Thank you.

00:11:58Here, stupid.

00:12:00Well, take it.

00:12:06Come on.

00:12:07It's too bad you can't carry a few bundles without complaining.

00:12:12Oh, I don't mind carrying them.

00:12:14Well, who are you?

00:12:16I'm the guy carrying the bundle.

00:12:18Well, thanks.

00:12:20I thought my brother Willie was behind me.

00:12:22Oh, no, no, he went ahead of you then.

00:12:24I'm terribly sorry.

00:12:26You must have been surprised.

00:12:28No, no, I guess life in the big city is just one big surprise after the other.

00:12:31For instance?

00:12:32Well, for instance, band music coming down out of the sky in broad daylight.

00:12:36Oh, that's up on our roof.

00:12:37On your roof, is it?

00:12:38The band is strictly on the house until we get a job.

00:12:41Oh, well, you with the band?

00:12:43Well, my sister Donna and I sing with it.

00:12:44My brother plays in it, but mother feeds it.

00:12:46Oh, well, it certainly is a swell band.

00:12:48There's a slight difference of opinion around here about that.

00:12:51Oh, you mean the neighbors object?

00:12:53Oh, no, the neighbors are...

00:12:55Uh-oh, here comes trouble.

00:13:00Well, Mr. Corkle, as you can see, I'm here with the law.

00:13:02For protection, huh?

00:13:03Certainly not.

00:13:04We are here to give you the last warning.

00:13:06That music must cease definitely once and for all.

00:13:09I'm coming, Molly.

00:13:10What does this weasel want this time, as if I didn't know?

00:13:14No violence now.

00:13:15Speak to her, officer.

00:13:17Hello, Mom.

00:13:19They're in bad company, Mac.

00:13:20Well, I've been sent to deliver an ultimatum.

00:13:21Oh, you have, have you?

00:13:23Yes, and that band must go.

00:13:24They're disturbing the peace of the entire neighborhood.

00:13:26Oh, the entire neighborhood.

00:13:28Does it disturb you, Mrs. Papadales?

00:13:31Not to me.

00:13:32It keeps me young.

00:13:33Disturbing the peace.

00:13:34What about you, Mrs. Sweeney?

00:13:36It's a big advantage to me.

00:13:38My old man can't fight when he hears music.

00:13:43They will, will they?

00:13:44The movement's the roughest.

00:13:47Now, go back to your kennel and tell old man Haskell what you've had.

00:13:51Watch your head.

00:13:53Hey!

00:13:54What's going on here?

00:13:55You've heard about the feud between the Hatfields and the McCoys, haven't you?

00:13:58Yeah.

00:13:59Well, this is the one between the McCorkles and the Haskells.

00:14:02What'd you say? Who?

00:14:03Come on.

00:14:05Hey, what are you doing?

00:14:06I'm looking for a nice, soft...

00:14:10Oh, quit kicking me!

00:14:11Look out.

00:14:12Now, just a minute, just a minute.

00:14:15You might miss him.

00:14:18Down.

00:14:19Oh, you hoodlums!

00:14:21You'll pay for this, you hoodlums!

00:14:22Now!

00:14:24Hey, the side guy.

00:14:28Gosh, you hit the wrong man.

00:14:29Oh, no, you didn't.

00:14:30You hit the right man.

00:14:31Run!

00:14:32Well, wait a second.

00:14:33Come on!

00:14:38Oh, they got me.

00:14:39It's blood!

00:14:40I've been shot, I've been stabbed.

00:14:41You're all right, CJ.

00:14:42Take it easy.

00:14:43No, I'm not all right.

00:14:44Call the doctor.

00:14:45Call an ambulance.

00:14:46But that is not CJ!

00:14:47It isn't blood.

00:14:48Well, what is it?

00:14:49What is it?

00:14:50Tomato juice!

00:14:51Tomato juice!

00:14:52Tomato!

00:14:54Oh, it's clear.

00:14:55Come on in.

00:15:00Boy, you sure do know your backyards and fences.

00:15:02Oh, I'd have made better time yet if I hadn't had to wait for you.

00:15:05Well, I didn't want to ask you to carry my suitcase.

00:15:07Have a doughnut, Hero.

00:15:08It's the best I can order.

00:15:09Hero me?

00:15:10You certainly are.

00:15:11You know, I wouldn't be surprised if they put up a statue of you throwing that tomato.

00:15:14You know, like the discus fellow.

00:15:15Oh, well, that was an accident.

00:15:16Hitting my, uh, that man.

00:15:17Accident?

00:15:18That was a stroke of genius.

00:15:19You only knew how everybody hates old man Haskell.

00:15:20I knew what?

00:15:21Why?

00:15:22I could give you a reason for every dollar he's got in the bank.

00:15:24Do you know that he's trying to drive us out of our home because he doesn't like music?

00:15:28It's sort of a sticker, isn't it?

00:15:29And how?

00:15:30Believe me, the name of Haskell's Pure Poison around here.

00:15:31It is, huh?

00:15:32I guess I'd better be going.

00:15:33How would you hurry?

00:15:34Well, I have to find a place to live.

00:15:35I sort of expected to live with a relative of mine, but it doesn't seem like a very good

00:15:38idea.

00:15:39Well, if you'd like a place where there's never a dull moment, what's the matter of

00:15:41that?

00:15:42You know, I could give you a reason for every dollar he's got in the bank.

00:15:43I could give you a reason for every dollar he's got in the bank.

00:15:44Do you know that he's trying to drive us out of our home because he doesn't like music?

00:15:47Well, it's sort of a sticker, isn't it?

00:15:48And how?

00:15:49Believe me, the name of Haskell's Pure Poison around here.

00:15:51It is.

00:15:52It is.

00:15:53Well, if you'd like a place where there's never a dull moment, what's the matter with

00:16:00this?

00:16:01Well, I didn't know that.

00:16:02What's going on here?

00:16:03Who are you and what do you want?

00:16:04Mommy's looking for a place to live.

00:16:05Oh.

00:16:06Are you a new member of the band or will you be living here at a cash basis?

00:16:09Mom, this is the fellow that hit old man Haskell with a tomato.

00:16:12Oh, glory be.

00:16:15Oh, you darling, why didn't you tell me?

00:16:19So you're the fellow.

00:16:21Now listen, young man, you're not looking any further.

00:16:24You're going to live right here with us.

00:16:25Here, give me the bag.

00:16:26Well, that's very nice of you, but I...

00:16:28But me no buts now.

00:16:29Why, the best room in the house is none too good for you.

00:16:31Whether you can pay for it or not.

00:16:33Come on now, give me the bag.

00:16:34You're not leaving this house.

00:16:35I'll take the bag.

00:16:36Willie!

00:16:37Willie, where are you?

00:16:38Hey, Molly, but look at you.

00:16:40Has that arrangement finished?

00:16:41Oh, why, can we try it?

00:16:42Right now.

00:16:43I want you to take this bag up to the big room.

00:16:45Oh, can't anybody besides me ever carry anything around here?

00:16:47Go on with you now.

00:16:48You're always grumbling.

00:16:49I'm not grumbling.

00:16:50Let me see it, Horace.

00:16:51Gee, these changes are swell.

00:16:53Slide over, Frankie.

00:16:56All right, boys, let's go.

00:16:59Say, when he starts to play, the kids begin to trail him.

00:17:09And they all say, hooray for Pete the Piper.

00:17:14When he plays a song, all the kids will never fail him.

00:17:19They sing a song along with Pete the Piper.

00:17:24People gather round when they hear the sound.

00:17:27The camels are coming, hooray, hooray.

00:17:29When their lively feet catch the Piper's beat.

00:17:32They start to sway, and then it isn't long.

00:17:36Till all the folks are dancing, their hearts are gay.

00:17:40When he will play them a song.

00:17:43When he's done all that day.

00:17:44They pass the hat for fascinating Pete the Piper man.

00:17:48And then.

00:17:49And then.

00:17:50And then.

00:17:51And then.

00:17:52And then.

00:17:53Then.

00:17:54Then.

00:17:55Then.

00:17:56Then.

00:17:57Then.

00:17:58Then.

00:17:59Then.

00:18:00Then.

00:18:01Then.

00:18:02Then.

00:18:03Then.

00:18:04Then.

00:18:05Then.

00:18:06Then.

00:18:07Then.

00:18:08Then.

00:18:09Then.

00:18:10Then.

00:18:11Then.

00:18:12Then.

00:18:13Then.

00:18:14Then.

00:18:15Then.

00:18:16Then.

00:18:17Then.

00:18:18Then.

00:18:19Then.

00:18:20Then.

00:18:21Then.

00:18:22I'm sorry, I didn't mean to butt in.

00:18:32Get them, boys.

00:18:37Say, I didn't mean to bust things out.

00:18:39All right, please.

00:18:42Can you read music?

00:18:43Sure.

00:18:44Play it like this.

00:18:45Me?

00:18:45Stand over there.

00:18:49Okay, Frankie, pick it up.

00:19:22People gather round when they hear the song.

00:19:29The camels are coming.

00:19:31Hooray!

00:19:32Now it won't be long.

00:19:33Do, do, do, do, do.

00:19:34Till all the folks are dancing.

00:19:36Do, do, do, do.

00:19:37Their hearts are gay when he will play them a song.

00:19:41When he's done all that, they pass the hat.

00:19:44For past the day, beat the fiber man.

00:19:46When he's done all that, he's done all that.

00:19:48That's the night and beat the fiber man.

00:19:52For past the day, beat the fiber man.

00:19:55I'm the Piper man!

00:20:01Guys, look who's here, Grady!

00:20:03Grady!

00:20:14Grady's been pounding a beat out by the garbage dumps.

00:20:16A little argument with old man Haskell.

00:20:20Grady, you should have been here a little while ago.

00:20:22You'd have been even for life.

00:20:23Yeah, what happened?

00:20:24Oh, boy, plenty!

00:20:27What do they call poetic justice?

00:20:29It must have been good!

00:20:30Good for God!

00:20:31It was perfect!

00:20:34Well, come on, come on, out with it!

00:20:36Well, old man Haskell came steaming over here.

00:20:39Yeah?

00:20:40And he got hit with a tomato!

00:20:43Right in the kisser!

00:20:49It was a soft one, naturally.

00:20:51It was a hit-and-run cop!

00:20:56Nobody knows who did it, I hope.

00:20:58No.

00:20:59Nobody but me.

00:21:00But I'm big-hearted.

00:21:01Boys, meet the sharpshooter.

00:21:03Let me shake the handle!

00:21:04Let me shake the handle!

00:21:05Let me shake the handle!

00:21:11Molly McCorkle, will you never learn to keep your big mouth shut?

00:21:15What did I say?

00:21:16Too much!

00:21:18Open up, boys!

00:21:19Open up!

00:21:20Open up!

00:21:21Open up!

00:21:23My boy, you should have a medal.

00:21:25Yes, sir, I'm sorry I can't be giving you one instead of this.

00:21:28Oh, thanks very much.

00:21:30What is it?

00:21:31It's a warrant for assault and battery.

00:21:33Old man Haskell swore it out.

00:21:36Uh-huh.

00:21:37Come on, son.

00:21:42Wait!

00:21:43Wait a minute, Grady!

00:21:47Wouldn't you like to give me a good swift kick before you go?

00:21:50Oh, that's all right.

00:21:51This has been fun here, and I enjoyed jumping over the fences with you.

00:21:56If I ever get this thing straightened out, I hope you'll let me come back sometime.

00:22:01And, uh, well, thanks for that doughnut.

00:22:04That was all right.

00:22:08Well, come on, Grady.

00:22:09Oh, yeah, yeah.

00:22:13The next case.

00:22:16Hold everything!

00:22:17Judge, we'll be right there!

00:22:18Molly, where are you?

00:22:19Come on, hurry up the case and start it!

00:22:21Order!

00:22:22Order in the courtroom.

00:22:24Mary McCorkle, sit down.

00:22:27Now, listen, Mike.

00:22:28Don't you be getting on your high horse with me!

00:22:31Sit down!

00:22:35Now, what's this case all about?

00:22:38Young man, what's your name?

00:22:41My name?

00:22:42I'd prefer your real name.

00:22:45Uh-huh.

00:22:47Uh-huh.

00:22:49My name is James Hamilton.

00:22:53James Hamilton?

00:22:54Yeah, put that down.

00:22:56And where do you live, James Hamilton?

00:22:59He lives with us at my house.

00:23:01419 63rd Street.

00:23:04Now, tell me, James, how did you get enmeshed in the coils of the law?

00:23:08I threw a tomato.

00:23:11I threw a tomato.

00:23:15He's still modest, Mike.

00:23:17He made a bullseye right in old man Haskell's face.

00:23:21He did?

00:23:22Where were we?

00:23:23I'd just thrown the tomato, Your Honor.

00:23:26Oh, yes, yes, yes, yes.

00:23:28Now, tell me, Jimmy, my boy, did you, with premeditation and intent, deliberately aim at the foresaid Haskell's face?

00:23:31What?

00:23:32The defendant refuses to answer on the grounds that he might incriminate himself.

00:23:36Glory be, Mike, you certainly know the law.

00:23:37Having weighed the evidence, the court rules that the case be postponed and the defendant released on bail, provided anybody has any money.

00:23:47We have $200. Is that enough?

00:23:49No, no, no.

00:23:50No, no.

00:23:52No, no.

00:23:54No, no, no.

00:23:56No, no, no.

00:23:58No, no.

00:24:00No, no.

00:24:02No, no.

00:24:03No, no, no.

00:24:04You're not making any money.

00:24:05We have $200. Is that enough?

00:24:07That was the exact sum that the court had in mind.

00:24:11Who has it?

00:24:12I have it, Your Honor.

00:24:13The clerk will accept it.

00:24:17Next case.

00:24:19Thank you, Mike.

00:24:20Stand aside, please.

00:24:22Will you move over?

00:24:23Who are you pushing?

00:24:24I'm not pushing you, but...

00:24:26Don't you push me.

00:24:28Here comes double pneumonia.

00:24:30Up in the windows, boys! I smell still tomatoes.

00:24:34Very funny, Mrs. McCorkle. Very funny.

00:24:37I only wish it had been you that threw that tomato.

00:24:40So do I. Only I'd have put a rock in it.

00:24:42No, you wouldn't put it. Well, let me tell you.

00:24:48Proceed with the case, Judge. I'm here.

00:24:51Where's the man that assaulted me?

00:24:53If you don't mind, I'll conduct this case without any advice from you.

00:24:57Slap, gentlemen, Mike!

00:25:04Move along. In you go.

00:25:20All right, take it away, Eddie.

00:25:26I bring a legitimate charge against the hoodlum.

00:25:29And before I can give my evidence,

00:25:31the thug is permitted to walk out right under your nose.

00:25:34In the first place, he wasn't under my nose.

00:25:36And in the second place, the defendant was released on bail.

00:25:39And in the third place, you're in contempt of court.

00:25:42And I sentence you to 25 days or $25.

00:25:45Oh, that ain't enough, Mike.

00:25:47Quiet, quiet. This is an outrage.

00:25:50It's a travesty on justice.

00:25:52$50 or 50 days.

00:25:54What? Make up your mind.

00:25:56It's worth 50 to tell you what I think.

00:25:58Is it worth a hundred?

00:26:00All right.

00:26:01But you wait until the next election.

00:26:03You wait until...

00:26:05I'm waiting.

00:26:06Until the...

00:26:08Uh...

00:26:09Your Honor,

00:26:10it appears that I haven't any money with me.

00:26:13Take him away, bailiff.

00:26:14You can't do this to me!

00:26:15You can't do this to me!

00:26:17You can't do this to me!

00:26:19I am sorry.

00:26:20I am sorry.

00:26:21I am sorry.

00:26:22If you please take him down, I am sorry.

00:26:32I am sorry.

00:26:33I am sorry.

00:26:34I am sorry.

00:26:47How about Johnny Toots' horn?

00:26:52Hey, boss.

00:26:53Hey, what about when Johnny Toots is horn?

00:26:55What'd you say?

00:26:56When Johnny Toots is horn.

00:26:57When Johnny Toots is horn.

00:26:58That's what I'm saying.

00:27:00All right, that's good. Let's see where I have a chance.

00:27:06You gotta get up, you gotta get up, you're in the army now.

00:27:10Johnny blows the bugle, knows the calls from A to Z.

00:27:13But he's always at his best when blowing reveille.

00:27:24When Johnny Toots is horn.

00:27:26Disturbing the peace at break of the dawn.

00:27:28You gotta get up, you're in the army now.

00:27:32Before your eyes are open, you're dressing on the run.

00:27:36And standing at attention with the sergeant's hat on the corporal's gun.

00:27:40Johnny blows and blows.

00:27:42He tootly toots you into your clothes and makes you rue.

00:27:44The day that you were born.

00:27:46The day you were born.

00:27:47There's nothing anyone can do.

00:27:49The captain has to make you toot.

00:27:52You gotta get up, when Johnny Toots is horn.

00:27:56You gotta get up here.

00:27:57You gotta get up.

00:27:58You got toot.

00:27:59You got toot.

00:28:00You gotta go.

00:28:01He took you out of slumber, he took you out of bed.

00:28:30He took you into line and then he goes somewhere and he hangs his head.

00:28:34But still he blows and blows and blows, blows and blows, blows and blows, blows and blows, blows and blows, yeah, yeah.

00:28:41He wakes you with his crazy tune that goes to bed and sleeps till noon.

00:28:46You gotta get up when Johnny shoots his phone.

00:28:50He stands behind the barricade and plays his morning serenade.

00:28:54The private gets up, the corporal gets up, the sergeant gets up, the sergeant gets up, the captain gets up, the captain gets up, the major gets up.

00:29:00The general gets up, the sergeant gets up, the sergeant gets up, the sergeant gets up, the sergeant gets up.

00:29:03When Johnny shoots his phone, when Johnny shoots his phone.

00:29:14Music, music, music, even in jail I hear music.

00:29:33You'll get used to it.

00:29:34Let me down.

00:29:39Take your hands off of me and stop this nonsense.

00:29:42You're nothing but a lot of hoodlums.

00:29:46Jimmy, my boy.

00:29:47Uncle Charlie, well, fancy meeting you here.

00:29:49It's a gross miscarriage of justice.

00:29:52But they can't do this to me.

00:29:55On the other hand, what are you doing here?

00:29:57Oh, well, just another country boy got mixed up with a lot of evil companions.

00:30:06What's wrong, sir?

00:30:07We have more prisoners in here than we have commitments.

00:30:09Someone snicked into our jail.

00:30:11What?

00:30:11Yeah.

00:30:13You're proud of the taxpayers, that's what it is.

00:30:15All right, gangway, boys, come on, come on, line up over there, line up.

00:30:18You.

00:30:19What's your name?

00:30:20Haskell.

00:30:21Haskell.

00:30:22Okay, we got a Haskell.

00:30:23All right, stand over there.

00:30:24What's your name?

00:30:25Haskell.

00:30:27Oh, wise guy, huh?

00:30:29I suppose you're all named Haskell.

00:30:30Yeah.

00:30:31What's your initials?

00:30:32Uh, James H.

00:30:34I got no James H. Nothing.

00:30:36So you're the stowaway.

00:30:37Come on, get out of here.

00:30:39You ought to be locked up for a full of miscarriage.

00:30:41James, my wallet is on my desk in the office.

00:30:43Get it and pay my fine, will you?

00:30:45Okay, Charlie, be right back.

00:30:46So long, fellas.

00:30:47So long, Jimmy.

00:30:48So long, Jimmy.

00:30:49So long, Jimmy.

00:30:50So long.

00:30:50Hey, can you sing?

00:30:55No, I hate music.

00:30:57We've got to do something about this, boys.

00:30:59Yeah.

00:31:00Get them all right.

00:31:02Get them.

00:31:03Ah, say, ah.

00:31:04Oh!

00:31:05Oh!

00:31:06Oh!

00:31:07Oh!

00:31:08Oh!

00:31:09Oh!

00:31:10Oh!

00:31:11Oh!

00:31:12Oh!

00:31:13Oh!

00:31:14Oh!

00:31:15Oh!

00:31:16Oh!

00:31:17Oh!

00:31:18Oh!

00:31:19Oh!

00:31:20Oh!

00:31:20Jimmy, where have you been?

00:31:22Yeah.

00:31:23Yeah.

00:31:23Oh!

00:31:24Oh!

00:31:25Me?

00:31:25Oh!

00:31:26I...

00:31:26I have to, uh...

00:31:28What's the matter?

00:31:29Oh!

00:31:29We've been looking all over town for you.

00:31:31Yeah.

00:31:31Yeah?

00:31:32What for?

00:31:33Oh!

00:31:33My...

00:31:34Hey, here's Jim!

00:31:37Molly!

00:31:38Jimmy's here.

00:31:39What?

00:31:40What did I tell you?

00:31:41I knew he'd come back.

00:31:43What happened and where have you been?

00:31:44Oh, I got locked up again by mistake.

00:31:46Oh, you certainly had the boys worried.

00:31:48They'd been sitting here chewing their fingernails,

00:31:49thinking you'd run out on them.

00:31:50Well, why am I so popular all of a sudden?

00:31:52Well, they pawned their instruments to bail you out.

00:31:54Molly's idea.

00:31:55Oh!

00:31:56Well, thanks.

00:31:57It's very nice to know that I'm worth $200 on the hoof.

00:32:00First call for dinner!

00:32:02Jimmy, you're back!

00:32:04Oh, you'll be at the first table.

00:32:06Take care of them, Molly.

00:32:07Take care of them, Molly.

00:32:12Don't touch your thing.

00:32:13Get up from the table, all of you.

00:32:15Why, what's the matter, Ma?

00:32:16Have you forgotten?

00:32:17You have a new member to initiate into the class.

00:32:19Here, you sit next.

00:32:20What?

00:32:21Come on, Willie.

00:32:22Get up.

00:32:23Come on now and stop your grumbling.

00:32:24Here, we'll...

00:32:25Shhh!

00:32:26Hail, McCorkle!

00:32:27Hail, McCorkle!

00:32:28Hail, McCorkle!

00:32:29We'll proudly sing thy praise!

00:32:30Hail, McCorkle!

00:32:38Hail, McCorkle!

00:32:40Hail, McCorkle!

00:32:41We'll proudly sing thy praise!

00:32:51Hail, McCorkle!

00:32:54Hail, McCorkle!

00:32:55Hail McCorkle, where no one ever kissed.

00:33:03Welcome to this university, by the fraternity, so full of knowledge.

00:33:08Ra, ra, welcome to our little college.

00:33:11Hooray!

00:33:12And as we march along, we'll sing our college song.

00:33:20A knife, a fork, and a spoon, we'll be down the happy doom.

00:33:26You'll all feel chummy as you fill your tummy with a knife, a fork, and a spoon.

00:33:31Start tap, tap, tap in a dish, you'll get your favorite wish.

00:33:37Send troubles dashin' while your corned beef has you with a knife, a fork, and a spoon.

00:33:42At Mama Corkle's table, that's where we play each night.

00:33:47We eat all that we're able, though we may fuss, it's home to us.

00:33:53So come on, lift up your cup.

00:33:55Let's drink it down, bottoms up, through stormy weather.

00:34:00We'll all stick together with a knife, a fork, and a spoon.

00:34:03We're gathered round the table, we're real friends through and through.

00:34:21We're gathered round the table, to eat Ma's Irish stew.

00:34:32Ma's Irish stew.

00:34:37Boatling house, dear boarding house.

00:34:44Boatling house, dear boarding house.

00:34:46Boatling house, from thee we'll never roam.

00:35:07Boatling house, dear boarding house to us.

00:35:17Your home, sweet home.

00:35:22Boatling house, dear boarding house.

00:35:28Say, that was alright.

00:35:30You can now consider yourself a full-fetched member of the McCorkle clan.

00:35:32I'm a full-fetched member of the McCorkle clan.

00:35:34Oh, well, do I make a speech?

00:35:36If you do, you'll starve to death.

00:35:38Hey, look at this Irish stew.

00:35:42There you are. Tomatoes?

00:35:46Well, help yourself.

00:35:48No tomatoes.

00:36:02What's the matter?

00:36:08Oh, nothing. Nothing.

00:36:10Would you excuse me?

00:36:12I don't feel very well.

00:36:14Oh, it's probably too much excitement.

00:36:16It might be all right. The jail and everything.

00:36:18Well, I think I'll be all right if I can go out and get some fresh air.

00:36:20Willie, you'd better go with him.

00:36:22Sure. Oh, well, you don't.

00:36:26Well, I'd be better off if I just went up to my room for a while.

00:36:28Willie, show him his room.

00:36:30Come on. Willie does everything around here except eat.

00:36:35If you want anything, just holler.

00:36:40Home sweet home.

00:36:41Oh, thanks.

00:37:00When Johnny toots his horn, disturbing a piece of break of the dawn, you've got to get up.

00:37:13No, no, no.

00:37:15Outrageous, outrageous.

00:37:17I know it, but you're getting better.

00:37:19I don't want to be better and I still hate music.

00:37:21Music.

00:37:22You're so unreasonable.

00:37:23All right, all right, all right, all right.

00:37:26Now try it again and put in some gestures.

00:37:28When Johnny toots his horn, disturbing a piece of break of the dawn, you've got to get up.

00:37:34Toot, toot, toot, toot, toot.

00:37:35You're in the army now, before your eyes are open, you're dressing on the run.

00:37:40The corporal's got the sergeant at detention with his car.

00:37:43And now he blows and blows.

00:37:45He doo-doo-doo-doo-doo.

00:37:46Give me a call toot.

00:37:47Give me a call toot.

00:37:48Give me a call toot.

00:37:55Where have you been?

00:37:57You'll be sorry for this.

00:37:59Look what they've done to my boss.

00:38:01How am I going to broadcast the Haskell Happiness Hour tonight?

00:38:06Well, would there be any complaints if you just called the whole thing off?

00:38:09What?

00:38:10Now tell them you lost your voice singing in a jail.

00:38:12Don't be ridiculous!

00:38:16Ladies and gentlemen, due to circumstances beyond our control,

00:38:21we again bring you the Haskell Hour of Happiness with C.J. Haskell,

00:38:24makers of Haskell's Paddock Cakes, the health food supreme.

00:38:28Ladies and gentlemen!

00:38:31I can't do it!

00:38:32I'm sick!

00:38:33I'm croaking!

00:38:35Jimmy, you do it for me!

00:38:36Oh, no!

00:38:37Oh, yes!

00:38:38Oh, yes!

00:38:39Mr. Haskell will be with you in just a moment.

00:38:40Shh!

00:38:45Ladies and gentlemen!

00:38:46Shh!

00:38:47Shh!

00:38:49Tonight, I want to share a little poem with you.

00:38:55We all should be grateful and happy as kings.

00:38:58The world is so full of such wonderful things.

00:39:02The rain and the sun help the earth to grow wheat.

00:39:05Perhaps it's the most wonderful of any cereal we eat.

00:39:09What do you want?

00:39:10Listen to this, will you?

00:39:11The sun on the ocean, sparkling and bright.

00:39:13What do you all listen to that stuff for?

00:39:15Just listen for a moment.

00:39:16The breeze and the planets at night.

00:39:18The pansies...

00:39:20The pansies and lilies, the primrose so fickle,

00:39:23they are ours to enjoy without spending a nickel.

00:39:26Good evening, sir.

00:39:27Good evening, Boggs.

00:39:28Boggs!

00:39:29Is the guest room in order?

00:39:33Certainly, sir.

00:39:34This is my nephew, Mr. James Haskell.

00:39:35Oh!

00:39:36How do you do, sir?

00:39:37Saved you.

00:39:38Pardon me.

00:39:39Is your luckiest in the car?

00:39:40No.

00:39:41No.

00:39:42No.

00:39:43No.

00:39:44No.

00:39:45No.

00:39:46No.

00:39:47No.

00:39:48No.

00:39:49No.

00:39:50No.

00:39:51No.

00:39:52No.

00:39:53No.

00:39:54No.

00:39:55No.

00:39:56No.

00:39:57No.

00:39:58No.

00:39:59No.

00:40:00No.

00:40:01No.

00:40:02No.

00:40:03No.

00:40:04No.

00:40:05No.

00:40:06What do you do, sir?

00:40:07Saved you.

00:40:08Pardon me.

00:40:09Is your luckiest in the car, sir?

00:40:10Luggage, I just had one suitcase and I left it.

00:40:12What are you whispering about?

00:40:13I don't know how you started it, sir.

00:40:14I lost my voice singing.

00:40:15Singing.

00:40:16You, sir?

00:40:17Yes, I'm...

00:40:19I think I better go and get my suitcase.

00:40:20You won't need it.

00:40:21We have everything here.

00:40:22Come on.

00:40:23Well, here you are, my boy.

00:40:24This is all yours from now on.

00:40:25I'm so happy to have you with me at last.

00:40:27at last oh thank you sir in case you need anything it's right there oh that's fine

00:40:33we'll have breakfast at 7 30 then i'll take you over to the factory and introduce you around

00:40:38best of all i'm going to put you on the payroll i don't imagine you've got much money well your

00:40:45cashier cashed a check for me your personal check how much oh it was certified by 214 dollars that's

00:40:54what was left when i closed up shop oh well that dismal episode is behind you forever my boy

00:41:00tomorrow is another day with more music by the mccorkles probably jimmy that old lady is deliberately

00:41:09trying to wreck my health but why just because i want her property oh that's very unreasonable

00:41:15it's getting on my nerves i can't stand it any longer well uncle charlie why don't you go on a

00:41:21vacation and let the mccorkles think that they're chasing me out of town that's just what they

00:41:27want nothing is going to stand in the way of my getting the man who hit me with that

00:41:33this is my room if you want me

00:41:40i'm going to take a hot bath and a hot toddy and go to bed good night jim

00:41:46good night before midnight

00:42:00you

00:42:01Do you believe in fairy tales?

00:42:24I do.

00:42:26I know a place where fairy tales come true.

00:42:38Just close your drowsy eyes, my dear, and a genie will appear.

00:42:45He'll take you by the hand.

00:42:49And through a star-embroidered sky, on a carpet you will fire.

00:42:56And you'll await in fairy land.

00:43:04A prince will ride upon the sea.

00:43:08You'll say, fair lady, be my queen

00:43:17In this beautiful land of laughter

00:43:26You'll live happily ever after

00:43:32If you believe that fairy tales

00:43:38Come true

00:44:08Do you believe in fairy tales?

00:44:35I do

00:44:37I know a place where fairy tales come true

00:44:47Just close your drowsy eyes, my dear

00:44:52And a genie will appear

00:44:55He'll take you by the hand

00:45:00And through a star-embroidered sky

00:45:03On a carpet you will fly

00:45:08And you'll awake in fairy land

00:45:14Do you believe in fairy tales?

00:45:19Can't you stop that infernal music

00:45:22You white-headed old baboon

00:45:23This is Jasper

00:45:24Quiet, wench

00:45:25Jasper, Jasper, where are you?

00:45:26Yes, CJ

00:45:27Go and get the Jasper

00:45:28Okay, CJ

00:45:29Run, Jimmy, run for your life

00:45:31Run, wench

00:45:32Look out, Jimmy, run for your life

00:45:42Look out, look out, he's got an axe

00:45:44Don't you touch him, look out

00:45:46What a dream I was having

00:45:57Well, you just keep right on dreaming

00:46:03You'll live happily ever after

00:46:05Don't care with me

00:46:07Oh

00:46:09Good night

00:46:17Good night

00:46:19Good night

00:46:21Good night

00:46:25Good night

00:46:31Good night

00:46:41Oh, hello, hello

00:46:41Was there anything wrong?

00:46:42We heard you on the radio

00:46:44You did?

00:46:46Wasn't I terrible?

00:46:48Molly hear it?

00:46:49No

00:46:50No, she didn't

00:46:51Well, that's good

00:46:51Look, just what goes on

00:46:53Between you and CJ Haskell

00:46:55Oh

00:46:55Well, I might as well tell you

00:46:57He's my uncle

00:46:58Oh, yeah?

00:46:59Yeah

00:47:00Well, here, I'll prove it to you

00:47:01Here's a letter he sent me

00:47:03It's a James Hamilton Haskell

00:47:04That's me

00:47:05Here, you want to read it?

00:47:06No, I read enough

00:47:06Say, what is this?

00:47:08What are you doing here?

00:47:10Oh, well, I almost forgot what it came for

00:47:12In the first place, there's $200

00:47:13Now you can get your instruments out of Hawk

00:47:15Did you get that from your uncle?

00:47:16You don't know my uncle

00:47:17Thanks, Jim

00:47:19That's all right

00:47:20That's all right

00:47:20I like the people in this house

00:47:22Especially, well, I like everybody

00:47:24So I like to live here all the time

00:47:26But

00:47:27As soon as Molly finds out who I am

00:47:30She'll kick me out in the alley

00:47:31Well, suppose she doesn't find out

00:47:32Well, that'd be very nice

00:47:34But

00:47:34Now, look, you've been regular

00:47:35You didn't have to come across with that doll

00:47:37I'm for you, Jimmy

00:47:38How about you, Horace?

00:47:39Sure thing, I'm for you

00:47:40Well, thanks very much

00:47:42I just

00:47:42No, I

00:47:44I still got troubles

00:47:46Don't you see?

00:47:46Sooner or later, Molly's gonna find out who I am

00:47:49Just like sooner or later, old man Haskell's gonna find out who threw that tomato

00:47:53And then it just won't work

00:47:55Either way, I'm a dead duck

00:47:57Look, how's your uncle gonna find out?

00:47:59Well, he'll see me at the trial, won't he?

00:48:02What would happen if Uncle Charlie didn't show up for the trial?

00:48:04They'd throw the case out of court

00:48:05Well, there's your answer

00:48:07We'll get rid of Uncle Charlie

00:48:08How?

00:48:10Well, we'll let Red run over him with the ice wagon

00:48:12What do you think he'd do it?

00:48:13Oh, you couldn't do that

00:48:14What do you mean we couldn't do that?

00:48:16Red would love it, I'll go get him

00:48:17Oh, wait a minute, hold on here

00:48:19Couldn't you do something not quite so drastic?

00:48:21Any ideas?

00:48:23Yeah, I think I'd better go back to Point Jervis

00:48:26Uncle Charlie's a pretty tough guy to deal with

00:48:28And from the way he talked tonight

00:48:30You better find someplace else to rehearse your band

00:48:32Well, so long, Horace

00:48:33Well, so long, Jerry

00:48:34Sorry about this, Willie

00:48:35Thanks for everything

00:48:36So long, Jimmy

00:48:36Jim, wait a minute

00:48:38What?

00:48:38That's it

00:48:39The band, he doesn't like it

00:48:40No, he certainly does not

00:48:42What?

00:48:44Come on

00:48:47Come on

00:48:52What is it, you?

00:48:53I'm just kidding

00:48:54What is it, you?

00:48:55Come on

00:48:56Come on

00:48:56How are you?

00:48:57I'm just kidding

00:48:58I'm just kidding

00:48:59Come on

00:49:00Let's go

00:49:00Come on

00:49:01Let's go

00:49:05Let's go

00:49:05Okay

00:49:07Where are you?

00:49:07How are you?

00:49:09Wait

00:49:10Where are you?

00:49:11Let's go

00:49:11I'll

00:49:12Go

00:49:12To

00:49:13Go

00:49:14Don't shoot, Bill!

00:49:38You've got to get more cover to you, slug!

00:49:44Jimmy!

00:50:11Jimmy!

00:50:13Jimmy!

00:50:14Here he comes.

00:50:15Do you think it'll work for us?

00:50:16If these whiskers don't fall off.

00:50:17Uh, yes, Uncle Charlie.

00:50:18Jimmy.

00:50:19What are you doing down here?

00:50:20And who is this man?

00:50:21Well, I'll tell you, Uncle Charlie.

00:50:22I got worried about you.

00:50:23I couldn't sleep, so I called in a specialist.

00:50:24Now, this is Professor Height.

00:50:25This is my Uncle Charlie.

00:50:26Oh, no.

00:50:27Nonsense.

00:50:28I don't need a doctor.

00:50:29I eat my own health foods.

00:50:30It's my nerves that are cracking.

00:50:31That's why I'm here, Mr. Haskell, to work on your nerves.

00:50:34Relax, please.

00:50:35Relax?

00:50:36How can anybody relax with that music going on?

00:50:37Music?

00:50:38Music?

00:50:39Music?

00:50:40What music?

00:50:41That creepy music.

00:50:42Don't you hear it?

00:50:43popped in the cupboard?

00:50:44You didn't see what I mean, brother.

00:50:45I tell you, I hear music.

00:50:46Maybe it's radio at the library.

00:50:50There is someone close to walking wheelchairs.

00:50:55Jennie.

00:50:56That's right.

00:50:57Oh, John, watch it.

00:50:58You're that?

00:50:59Well, I'm with it.

00:51:01子 или Shea.

00:51:04It was so śceks...

00:51:06Socrates, this is madness.

00:51:09Oh, have you two who don't start?

00:51:11R-R-R-R-RA-S,

00:51:12Alright, let's go!

00:51:13It's not the radio.

00:51:18Do you still hear it, Uncle Charlie?

00:51:19Yes, it's still playing.

00:51:21Mr. Haskell, where does this music seem to be coming from?

00:51:25I don't know, but just a moment.

00:51:27I'll tell you.

00:51:32It's plainer down here.

00:51:36Uncle Charlie, don't you think you'd better go back to bed?

00:51:39I love you, Jimmy. I hear it.

00:51:42Here.

00:51:43Here, here it is.

00:51:47It's coming from the furnace.

00:51:49Music in furnace.

00:51:51Well, listen to yourself.

00:51:53Jimmy, please tell him that you hear it.

00:51:59I'll get Parks. He'll get me out.

00:52:02Parks will back me up. You see if he don't.

00:52:04What's the matter?

00:52:08Don't tell me you don't hear anything.

00:52:10Oh, yes.

00:52:11It's about time. I was beginning to get nervous.

00:52:13Beautiful string quartet.

00:52:14String quartet.

00:52:16It's bugles.

00:52:18Here's bugles on phone.

00:52:19I tell you, I hear bugles.

00:52:20It's bugles.

00:52:21Don't try to human being.

00:52:23All right. All right. Now let's go and get some air.

00:52:24You've nothing to worry about until you start seeing things.

00:52:27There you go.

00:52:27There's nothing wrong with me.

00:52:37Jimmy, look. Doctor, look. What do you see?

00:52:40What do you want us to see, Uncle?

00:52:42Girls dancing on the lawn.

00:52:44Where?

00:52:44There.

00:52:50Sees paper dolls dancing on lawn.

00:52:53Paper dolls.

00:52:55You're right, Jimmy.

00:52:55I'm in terrible shape.

00:52:57My nerves are all gone.

00:53:00Doctor, what do you think I'd better do?

00:53:02Mr. Haskell, give your nerves a good long rest.

00:53:05Get out of town.

00:53:06I'll do it.

00:53:09I'll go up in the woods.

00:53:10Fine. We'll help you pack.

00:53:11No, not until I find the man who killed that tomato.

00:53:16Now, Uncle Charlie, your health is much more important than that silly tomato.

00:53:19Yes, Mr. Haskell. That's right.

00:53:20Sure. Now let me handle this.

00:53:21I'll put the finger on that fella.

00:53:23He's as good as in jail right now.

00:53:25Almost.

00:53:25And while you're up there resting, he'll be well taken care of.

00:53:28Don't worry about that.

00:53:29And I'm the guy that can do it.

00:53:31Good.

00:53:32I'll take the first train out in the morning.

00:53:35Oh, whoa, whoa.

00:53:36What's the matter now?

00:53:38The music stopped.

00:53:41All but the bull fiddle.

00:53:42You see, you're improving already.

00:53:44Yeah.

00:53:54Hi, Mr. Haskell. What can I do for you?

00:53:56Hello, Mr. Lotteman.

00:53:57Well, I just dropped in to see if we couldn't make the Haskell happiness hour a little bit happier.

00:54:01Welcome, stranger. Sit right down. What do you have to drink?

00:54:04Well, I...

00:54:05Hello, Mr. Backus.

00:54:07What's the purpose of this meeting?

00:54:08Well, we were about to discuss the program.

00:54:10You know very well that I have charge of the happiness hour during Mr. Haskell's absence.

00:54:14He trusts me implicitly.

00:54:15Well, not a hundred percent.

00:54:16I beg your pardon.

00:54:17Look, I have a note from my uncle giving me complete charge of the program.

00:54:21Hmm?

00:54:21Well, it didn't take you long to undermine me with your uncle, did it?

00:54:24Mm-mm.

00:54:24How do I know you didn't write that yourself?

00:54:26Now, listen, Mr. Lotteman, there'll be no change...

00:54:28Would you excuse us a minute?

00:54:29I'd like to talk to you, would you?

00:54:30Yes, we had better talk this over.

00:54:32Yeah, I'd like you.

00:54:33Be right back.

00:54:38Oh!

00:54:41I'd like to make some other improvements, too.

00:54:43Go right ahead.

00:54:44Well, I'd like to use a band.

00:54:46No, no, no, please, no.

00:54:47We're overloaded with bands.

00:54:48No, but this is ideal, because my uncle hates it.

00:54:51What?

00:54:52Yeah, drove him clear up to Canada.

00:54:53Well, then what do you want to put down his program for?

00:54:55Well, it's pretty hard to explain, but you see, it'll give the band a break,

00:54:59and then they'll have to thank my uncle for it, and that'll make him feel pretty good.

00:55:02Up in Canada?

00:55:03Up in Canada.

00:55:04Yeah, and there's sort of a feud going on.

00:55:06A feud?

00:55:06Uh-huh.

00:55:07And then there's a girl.

00:55:09Oh, a girl.

00:55:10Yeah.

00:55:12That sounds pretty confusing, doesn't it?

00:55:15Well, no, it sounds pretty good.

00:55:17It does?

00:55:18Well, that's it.

00:55:18You play Thursday night over a coast-to-coast hookup at the opening of the Eastchester Country Club.

00:55:22That's great, Jim.

00:55:23How did you ever do it?

00:55:24Well, I don't know.

00:55:25I just started to talk.

00:55:25The fellow listened.

00:55:26I'm just as surprised about it as you are.

00:55:28How much do we get for it?

00:55:29Uh, nothing.

00:55:32Nothing?

00:55:32No, you don't get anything.

00:55:33Oh.

00:55:34Well, what outfit?

00:55:35Is it any different than playing for the neighbors and old man Haskell?

00:55:38What do we get out of that?

00:55:39Well, at least this way there's a chance.

00:55:41I'm Saul.

00:55:42What can we lose?

00:55:43That's all right for me.

00:55:55Hey, give me a push.

00:55:58Bonsoir, monsieur.

00:56:00What did he say?

00:56:01Bonsoir, monsieur.

00:56:02Well, you made me drag this pack through the wood for four hours to get to a place where nobody can talk English.

00:56:08What kind of a guide are you, anyway?

00:56:11Hey, P.I.

00:56:12Have you, uh, machine?

00:56:14Talky-talky.

00:56:15Uh, no, I don't think so.

00:56:17I've got a good one right there.

00:56:19I'm not a peddler.

00:56:20This one is busted.

00:56:22I want to hear a program in America that goes on at eight o'clock.

00:56:25Well, help yourself.

00:56:29Here.

00:56:30Get this avalanche off my back.

00:56:32Oui, monsieur.

00:56:32Oh, oui, monsieur.

00:56:36Thank you, ladies and gentlemen.

00:56:59That's all right now.

00:57:00We're about to start our broadcast.

00:57:04Well, boys, here we go.

00:57:06Good luck.

00:57:08What, are you scared?

00:57:10I'll just take a deep breath.

00:57:11Good evening, ladies and gentlemen.

00:57:19The Haskell Happiness Hour comes to you tonight from the dining patio of the exclusive East Chester Country Club.

00:57:24Country Club?

00:57:25What the?

00:57:26This marks the first appearance on the air of a new band.

00:57:29Music!

00:57:30On my program?

00:57:32Thank you and good evening, ladies and gentlemen.

00:57:34This is Horace Hite.

00:57:35And the first number on our program is Broadway Cavaliero, featuring Miss Molly McCorkle.

00:57:41McCorkle!

00:57:42And here she is, the charming Molly.

00:57:51He's disarming, alarming, charming, and brave.

00:57:55First he steals your heart, then he throws it away.

00:57:59He will tell you what tropical nights make you dream of a thousand delights.

00:58:06First he'll hold your hand, say you're simply grand.

00:58:09Soon you're making his way.

00:58:10He's never been south at the border.

00:58:38He's never been Argentine way.

00:58:40But when he starts to pit, the chances are he'll forget that he's a Cavaliero from Broadway.

00:58:46South on Broadway.

00:58:48He'll hold you and say,

00:58:49Senorita, right here in my arms you must stay.

00:58:53And from his dialect, I know you'd never suspect that he's a Cavaliero from Broadway.

00:58:58South on Broadway.

00:59:01It's daytime.

00:59:02He spends parading on the avenue.

00:59:06Then and later,

00:59:07You'll always find me with a girl or two and a third in view.

00:59:11He'll take it to all the gay places.

00:59:14He'll make every Latin cafe.

00:59:16He'll give you such a thrill.

00:59:17And then he'll hand you the bill, this charming Cavaliero from Broadway.

00:59:21South on Broadway.

00:59:23When Madame Lozanga learned the Kong, I swear.

00:59:31I gave her the lesson, then I gave her the air.

00:59:34It seemed to be loud and bloom.

00:59:35Suddenly, boom, another girl took over from there.

00:59:38I know if you meet him, you are likely to fall.

00:59:41His methods are sensed because it catches them all.

00:59:44He'll sing you a serenade.

00:59:45He's tenderly played upon an old melodic guitar.

00:59:54You bring up the subject of dancing,

00:59:56And all of his pupils will sing.

00:59:59He's such an awful prump,

01:00:00And no one dances the rumble like the Cavaliero from Broadway.

01:00:04South on Broadway.

01:00:06He'll tell you he lives in Argentina's biggest house.

01:00:24But we know his hacienda is a boarding house run by Senior Kraus.

01:00:29He's such an impatuous fellow.

01:00:31He's like a dog having his day.

01:00:34This morning, Don Amigo really comes to Moswego

01:00:36For a Cavaliero from Broadway.

01:00:39He does okay.

01:00:41The End

01:00:47The End

01:01:17The End

01:01:47The End

01:02:17The End

01:02:47The End

01:03:17Believe me, C.J. won't pay for your philandering.

01:03:22Is Haskell your uncle?

01:03:23Yes, now that's what I've been trying to tell you.

01:03:25If you'll just let me explain.

01:03:26It doesn't need any explanation.

01:03:27It's all perfectly obvious.

01:03:29Sneaking into our home, pretending that you wanted to help us,

01:03:31and then making me think that it's all.

01:03:32Well, now, wait a minute.

01:03:32Will you please let me explain?

01:03:34What a cheap trick.

01:03:35You are a Haskell.

01:03:36Now, Molly, quiet.

01:03:37They can hear you out here.

01:03:39That's fine.

01:03:39Hello, everybody.

01:03:43I have some good news for you.

01:03:46Every week beginning next Thursday,

01:03:48Mr. Haskell, the sponsor of our program,

01:03:50is going to give away $1,000 in cash to somebody.

01:03:53$1,000 a week?

01:03:55That's a lie!

01:03:57Isn't that generous, folks?

01:03:58Now, Mr. Haskell, trick your way out of that.

01:04:08I've got to get back home.

01:04:10How long is it going to take me to get out of here?

01:04:11Well, first portage takes two days.

01:04:13How long take you to get here?

01:04:15A week!

01:04:15Well, you can make it back in a week.

01:04:17A week!

01:04:18Let's get started!

01:04:21Jimmy!

01:04:22Jimmy!

01:04:23Jimmy, my boy, congratulations.

01:04:25That was a marvelous idea.

01:04:27How did you come to think of it?

01:04:28It just came out of a clear sky.

01:04:35The Haskell Happiness Hour created nationwide interest

01:04:38in this program last night by announcing

01:04:39that $1,000 a week would be given away in cash.

01:04:42I know.

01:04:42I read all the papers.

01:04:43Here's Mr. Haskell.

01:04:45Morning.

01:04:46This is your uncle's attorney, Mr. Talmers.

01:04:48Good morning.

01:04:48How do you, sir?

01:04:48I won't take much of your time.

01:04:50Just sign this paper, please.

01:04:51What is it?

01:04:52A statement that you did not authorize

01:04:54Ms. McCorkle to make that announcement last night.

01:04:56That she did it out of spite with intent

01:04:57to damage your uncle.

01:04:58Now, sign here, please.

01:05:00Oh, now, wait a minute.

01:05:01There's nothing to worry about.

01:05:03I'll guarantee you we can get judgment

01:05:04against the McCorkles.

01:05:05They won't be able to pay,

01:05:07so we take their property.

01:05:08And that's what your uncle's been trying to do for years.

01:05:10Now, sign here, please.

01:05:12That's a funny thing.

01:05:13I don't like to get pushed around.

01:05:14I also don't sign anything until I read it first.

01:05:17Now, how'd you like to get out of here, both of you?

01:05:18Don't you hit me again.

01:05:19I have my glass.

01:05:22Mr. Haskell, your uncle...

01:05:23Good day, sir.

01:05:24Good day.

01:05:31Beautiful, Parks.

01:05:32Thank you, sir.

01:05:38Why don't you answer the phone?

01:05:41Hello?

01:05:42Oh, Jimmy, me boy, how are you?

01:05:44Oh, you want to talk to Molly?

01:05:49Well, I don't think it's a very good time to...

01:05:53Just a moment.

01:05:56Mom, you go and find your own battles.

01:05:58I'm not doing it for you.

01:05:59I don't want to talk to you.

01:06:03Well?

01:06:04Look, I hate to annoy you, but this is important.

01:06:06Now, that $1,000 offer you made last night,

01:06:08it was my idea.

01:06:09Do you understand?

01:06:11Now, just don't argue.

01:06:13Anybody ask you anything about it,

01:06:14just follow Grady's advice.

01:06:17Don't you tell me to keep my mouth shut.

01:06:19Why should I?

01:06:20Well, if you don't,

01:06:21they'll take your home away from you.

01:06:22What is this, another one of your tricks?

01:06:23I don't need any help from you.

01:06:25What?

01:06:26I said, don't be stupid.

01:06:27I'm not doing it for you.

01:06:28This is for Mom and the boys.

01:06:31Oh!

01:06:32Excuse me, sir.

01:06:33Mr. Louderman and Mr. Samson are called.

01:06:35Oh, have a look at me.

01:06:36Yes.

01:06:37Come in, please.

01:06:38Hello.

01:06:39Hello, Jimmy.

01:06:40Congratulations.

01:06:41Your program was a knockout.

01:06:43Telegrams, phone calls from all over the country.

01:06:45People...

01:06:46Oh, I beg your pardon.

01:06:47This is Mr. Samson.

01:06:48How do you do, Mr. Samson?

01:06:48I do, sir.

01:06:49Would you sit down?

01:06:49Yes, thank you.

01:06:51Mr. Samson is an investigator for the federal government.

01:06:53Oh, I see.

01:06:54The...

01:06:54Well, what's the government got to do with it?

01:06:56We're only concerned with one detail.

01:06:58The method by which you will give away the money.

01:07:00Oh, I see.

01:07:01Well, that oughtn't to be very hard.

01:07:02I never heard of anybody having any trouble giving away $1,000.

01:07:06Well, let's see.

01:07:07You understand that it cannot be a lottery.

01:07:09The government wouldn't permit raffles or drawings of any description.

01:07:12Oh, oh, yes.

01:07:13I understand that.

01:07:14No, that would be...

01:07:15Well, how about a quiz contest?

01:07:19No, I'm afraid not.

01:07:21It was announced that the money would be given away over the air, not to a studio audience.

01:07:25Oh.

01:07:27Well, that sort of complicates it, doesn't it?

01:07:29Let's see.

01:07:30Well, uh...

01:07:31Well, how about taking a city directory and sticking a pin in it, and then give the $1,000 to the fellow that gets stuck?

01:07:36No, no.

01:07:37A city directory is local.

01:07:38This has become a national affair.

01:07:40Oh, well, let's call the whole thing off and not give away my uncle's money at all.

01:07:44No, no.

01:07:45The money was promised and must be given away.

01:07:47Yes, if it isn't, why, my company loses its franchise.

01:07:50And your uncle's business is ruined.

01:07:52And you will be liable to a fine and imprisonment.

01:07:55Well, that's great.

01:07:56Well, I have quite a choice, don't I?

01:07:59Either I give the money away and go to jail, or I don't give the money away and go to jail.

01:08:07Hand me the salt.

01:08:12Still mooning about Jimmy, huh?

01:08:14Well, believe me, you've seen the last of him.

01:08:16And he's probably glad he found out just what kind of a girl you really are.

01:08:20All right, Mom, all right.

01:08:21But it's not all right.

01:08:23A fine lad like Jimmy deserves a girl who really loves him.

01:08:26Whether he's named Hamilton, Haskell, or Hassenfeffer.

01:08:29Well, I hope you're satisfied.

01:08:33What's the matter new?

01:08:35Well, nobody can figure out how to give away that $1,000.

01:08:38It looks like Jimmy's going to jail on account of it.

01:08:40Oh, this is awful.

01:08:42But Jimmy isn't responsible.

01:08:43He didn't make the offer.

01:08:44I did.

01:08:45Well, he says it's his program, and he's going to take the rap for it.

01:08:47Well, are you going to stand by and see that boy go to jail?

01:08:50But Jimmy told me...

01:08:51I know what he told you, and why?

01:08:53To keep a roof over our heads.

01:08:55Well, I'd rather we'd lose our house than lose our pride.

01:09:00Oh, Mom.

01:09:02I've been feeling the same way a week.

01:09:04Well, gentlemen, someone's got to think of something somehow and soon.

01:09:17It's tonight, you know, the program goes on the air, not next month.

01:09:21And we're no closer to the answer than we were a week ago.

01:09:26Yes?

01:09:27I got it!

01:09:28I got it this time, boy.

01:09:29It came to me just like that.

01:09:30What is it?

01:09:31Now, look.

01:09:31Well, get that bowl.

01:09:32You know, that great big glass bowl they used for the draft numbers?

01:09:35Great.

01:09:35That's it.

01:09:36Yeah.

01:09:36My boy, I'm proud of you.

01:09:37That'll do it.

01:09:38No, no, gentlemen.

01:09:39No, no.

01:09:39What's the matter?

01:09:40There'll be a lottery in the government for bid's lotteries.

01:09:42No, no.

01:09:42Not yet.

01:09:44Okay, I'll go back and see if I can't dream up something else.

01:09:46You're not sleeping up there, are you?

01:09:48Sleeping?

01:09:48I haven't slept for days.

01:09:49I'm eating aspirin tablets like peanuts.

01:09:52Gentlemen, I've got it.

01:09:53Why?

01:09:53It's the first time I've ever been able to beat this game.

01:09:58Yes?

01:09:58Look, why don't you all go down to the broadcasting station?

01:10:01Maybe if I was alone, I could think of something.

01:10:02Okay, Jimmy, we'll get out.

01:10:04Sampson, come on.

01:10:05Yes?

01:10:06No?

01:10:07Not yet?

01:10:08Would you put that thing off the hook and leave it off?

01:10:10Thank you, sir.

01:10:11Yeah.

01:10:14Are you all right, Jimmy?

01:10:16Oh, yes, yeah.

01:10:16I'm just beginning to get my second win.

01:10:18Well, you better think of something.

01:10:19Yeah.

01:10:317.30.

01:10:32You heard from Jimmy yet?

01:10:32No, nobody answers the phone.

01:10:34How are we to go in the air?

01:10:36Brother, when the times indicate 8 o'clock, you're on the air.

01:10:39From coast to coast.

01:10:40Coming, Mr. Haskell.

01:10:55Coming!

01:10:59Well, it's about time.

01:11:01Why didn't you answer the telephone?

01:11:02Well, madam, you see, I...

01:11:03Well, how do you like that?

01:11:05Come on, wake up.

01:11:09Come on, get up.

01:11:10Get up, will you?

01:11:11I can't do it.

01:11:12It's against the law.

01:11:13Come on.

01:11:13It's Molly.

01:11:14Oh, get up.

01:11:16Oh.

01:11:17Oh.

01:11:18You.

01:11:18Yes, it's me.

01:11:19Now, come on.

01:11:20I suppose you want to know how I'm going to give away that $1,000.

01:11:23Well, I haven't the slightest idea.

01:11:25Now, go home.

01:11:25Go home.

01:11:26Go home, he says.

01:11:28You come down out of there as fast as you can.

01:11:31On your feet, big boy.

01:11:32If you think the McCorkles are going to let any Haskell fight their battles for them, you're a cuckoo.

01:11:36Now, if you think the Haskells are going to let McCorkles kick them around, you're a cuckoo, too.

01:11:40Now, go on.

01:11:41Go away.

01:11:42Still going to sleep, huh?

01:11:45Uh-oh.

01:11:45Now, just a second.

01:11:47Don't you dare.

01:11:48Madam, you can't do that.

01:11:50Where's the telephone?

01:11:56What do you think you're doing?

01:11:56I'm going to tell the government man exactly what happened.

01:11:59Oh, no.

01:11:59Oh, yes, I am.

01:12:00Here, give me that.

01:12:01Come on.

01:12:01I've made up my mind.

01:12:02Let me have that phone.

01:12:03Give me that.

01:12:03I will not let go of that phone.

01:12:04Oh, no.

01:12:05I won't.

01:12:05All right.

01:12:07Millions of other telephones.

01:12:11That's it.

01:12:12That's what?

01:12:13Hands spinning around.

01:12:14Millions of telephones.

01:12:15Millions of telephone books.

01:12:17Parks!

01:12:17And it's not a lottery.

01:12:19You are a cuckoo.

01:12:20Goodbye.

01:12:21Ah!

01:12:22Ooh!

01:12:26The Haskell Happiness Hour presents the radio sensation of the nation,

01:12:34the pot of gold featuring Horace Hyde and his musical night.

01:12:40And don't forget, ladies and gentlemen, before this program is over,

01:12:44we will give away $1,000 in cash.

01:12:47The method of giving it will be announced later.

01:12:49Here we come, coming to right and dead.

01:12:55It's the charge of the hype.

01:12:58We can't.

01:13:05You're on, MCJ.

01:13:06Jasper, did you stop the program?

01:13:08I couldn't.

01:13:08It's on the air now.

01:13:09I'll stop it if I have to tear down the studio.

01:13:12Why did I ever go in the radio business to begin with?

01:13:15Jimmy, where have you been?

01:13:16Have you got an idea?

01:13:17Yeah, this is it.

01:13:18Take them.

01:13:18What are they?

01:13:19Telephone books from all over the country.

01:13:20Give me them.

01:13:21Here, here, here.

01:13:21Here, here.

01:13:22Now, you go and get the rest of them.

01:13:24Yes.

01:13:28Hey, buddy.

01:13:36Now, listen.

01:13:36We're going to give the money away by telephone.

01:13:38You understand?

01:13:39You've got the books in the sections of 500 pages each.

01:13:41We'll have numbers on each one of them.

01:13:42OK.

01:13:43Give me the hand to you, boys.

01:13:44Hey, sir.

01:13:45Get a tape.

01:13:46Get a tape around here.

01:13:46After you.

01:13:54Oh, that's nice going.

01:13:56Come on, Parks.

01:13:56We have to go.

01:14:00Same to you.

01:14:01Fine work.

01:14:02Ladies and gentlemen of the listening audience, here's the news you've been waiting for.

01:14:09$1,000 we promise you will be given away by telephone, so stand by.

01:14:13Hey, that's my money you're giving away, and I won't stand for it.

01:14:16I'll cancel my contract at Audermon.

01:14:19I'll telephone you.

01:14:20Get me to a telephone.

01:14:22All right, there's the wheel.

01:14:23Now, how are we going to borrow it?

01:14:26Come on, boys.

01:14:27Take hold from the bacon.

01:14:28No blame.

01:14:29You two go around the back.

01:14:30When I yell, Snooki, you borrow it.

01:14:32Snooki?

01:14:32What's with the Snooki?

01:14:33Get going.

01:14:33Snooki, oh, where have you been, my sugar plumb?

01:14:44Why did you leave me in battle?

01:14:45We just mess you good in the way you did.

01:14:47Madam.

01:14:47Oh, Snooki.

01:14:49Madam, my...

01:14:49Why, you're not my Snooki at all.

01:14:53A character.

01:14:54How do you like that?

01:14:55Where have we gone?

01:14:56I've been robbed.

01:14:58Police.

01:14:58Get a policeman.

01:14:59Later.

01:14:59Police.

01:15:00I've been robbed.

01:15:01Dayway.

01:15:03Hello, my little man.

01:15:16May I use your telephone?

01:15:17Hey, Ma.

01:15:18Daniel Boone wants to borrow our telephone.

01:15:22Go away, you tramp.

01:15:23No one uses this phone until they give away that $1,000.

01:15:27Tramp!

01:15:28Daniel Boone!

01:15:31Look out!

01:15:32Look out!

01:15:33Hey, fellas, come out of here.

01:15:43All right.

01:15:44Hey, fellas.

01:15:46Pull it all right over there.

01:15:47We're on the air.

01:15:49John.

01:15:54Hold on there.

01:15:55Say, you can't go in there.

01:15:56This ain't no hillbilly program.

01:15:58Let go of my pool.

01:15:58Fire!

01:15:59Stop this!

01:15:59I know, hillbilly and CJ Hasselhoff.

01:16:01So did you get in town?

01:16:03Louderman!

01:16:03I want to talk to you.

01:16:05Come on.

01:16:06All right, Horace.

01:16:07Go on.

01:16:09And now, ladies and gentlemen, the wheel is all ready.

01:16:11All ready for the first spin.

01:16:12The spin to determine the volume number.

01:16:14Larry Cotton, take it away.

01:16:15And there she goes, ladies and gentlemen.

01:16:16This time after that first big volume number.

01:16:19Yes, sir.

01:16:19And we want that volume to have your name in it, ladies and gentlemen.

01:16:22And furthermore, I'm not going to give away one penny.

01:16:25Okay.

01:16:26Well, I've got three men in the sponsor's room right now who are begging to buy this program.

01:16:30Buy it.

01:16:31They must be crazy.

01:16:32Oh, is that so?

01:16:33Well, they represent the biggest advertising agencies in this country.

01:16:37What?

01:16:39Wait a minute.

01:16:40Wait a minute.

01:16:40They want you to be the one that Horace is going to call a little bit later.

01:16:43She's slowing down to get this volume number.

01:16:45Coming back just a little bit further and on and on and on.

01:16:48And it's 124.

01:16:50124.

01:16:51124.

01:16:53124.

01:16:54Here, I've got it.

01:16:58Now we're all ready for the second spin.

01:17:00The spin to determine the page number.

01:17:01Larry, let her go.

01:17:03And there we go, ladies and gentlemen.

01:17:04That second big spin.

01:17:05The one to find the page in that volume we told just a moment ago.

01:17:08The one page that will have that $1,000 pot of gold and name on it.

01:17:12Gentlemen, this is Mr. Haskell.

01:17:13How are you doing, gentlemen?

01:17:14The surest fire advertising stunt I've ever seen.

01:17:16You want to sell it?

01:17:17Is it good?

01:17:18I'll give you $20,000 for it right now.

01:17:20Is it that good?

01:17:20I might get $30.

01:17:22Trying to steal it, huh?

01:17:24And she's slowing down already just to find this right page.

01:17:26And there she's stopping.

01:17:27And it's page 66.

01:17:29Hey, it's 66.

01:17:3166.

01:17:32I got it.

01:17:36And now the third and last spin to determine the name of the person on that page who will

01:17:41receive the actual golden telephone call.

01:17:44Larry, take it away.

01:17:45There we go, ladies and gentlemen.

01:17:46This time through all of the names on our chosen page in our chosen volume.

01:17:49Find just the one right name that we can send this $1,000 pot of gold to.

01:17:52She's down at the bottom and coming back a little bit, slowing down more and more and more and more.

01:17:56And there it is.

01:17:57Our listing is 38.

01:17:59Listing number 38.

01:18:0110, 15, 20, 25, 30, 1, 2, 3, 4, 5, 6, 7, 8, it's a...

01:18:12What?

01:18:12Oh, the name is Mr. Olaf Swenson, 3RJ, ring 7.

01:18:19Ring 7?

01:18:20Uh, uh...

01:18:21Plunkett.

01:18:22Plunkett, Minnesota.

01:18:23Plunkett, Plunkett, Minnesota.

01:18:25Operator, kindly give me Mr. Olaf Swenson, 3RJ, ring 7, Plunkett, Minnesota.

01:18:31That's right.

01:18:42Oh, yeah, I'm coming, keep...

01:18:47Yeah, yeah, cut down.

01:18:49Yeah, hello.

01:18:50Stop the clock, boy, stop the clock.

01:18:51Hello?

01:18:52Hello, is this Mr. Olaf Swenson speaking?

01:18:55Yeah.

01:18:56Yeah, that's me, Olaf.

01:18:58About the what?

01:19:01A thousand, you give me...

01:19:04Say, I ain't got no time for monkey business.

01:19:07Huh?

01:19:09You give me a thousand dollar?

01:19:11Hold up!

01:19:19Look, why do you make my only faint?

01:19:23What?

01:19:24A...

01:19:24A thousand...

01:19:27Oh!

01:19:29Hello?

01:19:31Hello?

01:19:32Hello?

01:19:33Folks, they're speechless.

01:19:36It's a million dollar idea, and it's all mine.

01:19:39Oh, so they brought you back alive.

01:19:41They're alive to be.

01:19:42What are you doing here?

01:19:43I'm enjoying our program.

01:19:45Your program?

01:19:46What are you trying to put over on me now?

01:19:48It belongs to me, you understand?

01:19:50It does, does it?

01:19:51Why, the whole thing was Molly's idea.

01:19:53Molly's idea?

01:19:54Who is Molly?

01:19:55I want to tell you.

01:19:56See this!

01:19:57Huh?

01:19:57It's all right.

01:19:58We got you out of a whole mess.

01:19:59You're not liable for anything connected with the program.

01:20:02We fixed it, so Miss McCorkle is responsible for the whole thing.

01:20:04Molly!

01:20:05You nitwits!

01:20:07You nubs!

01:20:08Get out of here!

01:20:09Get out of here!

01:20:10Get out of here!

01:20:11Get out of here!

01:20:12Get out of here!

01:20:13Oh!

01:20:13They're swinging them, Charlie!

01:20:15Charlie!

01:20:16Oh!

01:20:17Oh!

01:20:17Oh, and Molly is responsible for the whole thing!

01:20:23Yeah!

01:20:24Hey, where are you going?

01:20:25Out.

01:20:26Home.

01:20:27Um, Horace got the call through on the telephone, so I guess everything's fine.

01:20:32Yes, everything's fine.

01:20:35Yeah.

01:20:37Well, I guess it's just one of those things.

01:20:39The McCorkle's are allergic to the hassles.

01:20:42Vice versa.

01:20:44Yeah, vice versa.

01:20:46Well, it's a bomb, Molly.

01:20:47Well, Jimmy, I'm with Charlie.

01:20:53Oh, you come with me.

01:20:54Come on, you're in on this too, Jim.

01:21:00Ladies and gentlemen, I want to introduce the two young people who originated this program

01:21:04and which will be a permanent feature of the Haskell Happiness Hour,

01:21:09Miss Molly McCorkle and my nephew, Mr. James Haskell.

01:21:12Say something.

01:21:17Tell him how happy you are.

01:21:19Hello, everybody.

01:21:20I just want to tell you how happy I am and everything turned out so well for everybody.

01:21:24Uh, ladies and gentlemen, the reason she's so happy is that we're going to be married any second now.

01:21:29All right, Miss McCorkle, trick your way out of that one.

01:21:33Johnny Cruz is born, the man will wake.

01:21:51You're from the wake.

01:21:55When Johnny Cruz...

01:21:57When Johnny Cruz...

01:21:59There's no way out of that one.

🎶🍀 Pot O’ Gold (1941) Full Movie | James Stewart’s Musical Romance of Music, Family & Fortune 🎺💖

Category

Transcript

Be the first to comment

Recommended