🎤 Mr. Imperium (1951) | Lana Turner & Ezio Pinza in Glamorous Romance | Golden Age Musical 💔🎼 - video Dailymotion

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👑🎬💃 In Mr. Imperium (UK title: You Belong to My Heart), two worlds collide in a sweeping musical romance starring Lana Turner and Ezio Pinza. A European prince and an American singer fall in love, only to be torn apart by duty and time.   📽️ Plot Summary:  A secret royal romance begins when Imperium, a European crown prince, meets Fredda, a glamorous American singer. Years later, fate gives them another chance—can love survive politics, fame, and time?   🕰️ Year Released: 1951  🎭 Genre: Musical, Romance, Drama  🎬 Directed by: Don Hartman  🎞️ Starring: Lana Turner, Ezio Pinza, Marjorie Main, Barry Sullivan   🎯 Why Watch It?  ✔️ Golden Age MGM musical with stunning performances  ✔️ Lana Turner’s magnetic screen presence  ✔️ Beautiful original songs and lavish cinematography  ✔️ Romantic storytelling with a classic Hollywood flair   🔔 Don’t forget to LIKE 👍 | COMMENT 💬 | SUBSCRIBE 🔔 for timeless musicals, romantic classics, and vintage movie gems!   👇 Explore more Golden Age films & romantic dramas here:  📺 https://www.youtube.com/playlist?list=PLYSxyPafGbnT7hNTlq29mZQJKn7wrNglY  ━━━━━━━━━━━━━━━━━━  🎞️ #MrImperium #LanaTurner #EzioPinza #ClassicHollywood #1950sRomance #GoldenAgeCinema #PublicDomainMovies #MusicalDrama #YouBelongToMyHeart  ━━━━━━━━━━━━━━━━━━  🎼💖 Duty kept them apart. Destiny brought them back. Watch the heartfelt romance of Mr. Imperium (1951) unfold on screen.   ---

Transcript

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00:03:59A monkey can go and make a monkey.

00:04:01And one pig-headed fool.

00:04:05Hipparay, hipparay, let them say what they may.

00:04:07I'm a fool for my love and my muse.

00:04:29Oh, I beg your pardon, I thought this was, this is my room.

00:04:35Indeed it is, mademoiselle.

00:04:37Well, I, I don't think I know you.

00:04:39To your long list of admirers, mademoiselle, I would like myself to be added.

00:04:45I congratulate you on your singing.

00:04:47Well, thank you very much.

00:04:49And it occurred to me you might care to join me for a late supper.

00:04:53Well, I'm sorry.

00:04:55I'm sure, mademoiselle, most tired of restaurants.

00:04:58And up at my villa, just the two of us can...

00:05:01Oh, now look, Buster, why don't you forget the whole thing and go home and shave?

00:05:04Mademoiselle, you are a stranger in a strange country.

00:05:07All I have done was to offer my hospitality.

00:05:10And all I'm saying is thanks a million, but will you please get out of here?

00:05:13Mademoiselle, there is no need to lose your temper.

00:05:17If one is young and beautiful, one must expect the attention...

00:05:21Will you get out of here to answer simple...

00:05:23Signore.

00:05:24If this gentleman is annoying you, I should be pleased to remove him.

00:05:30Maybe it could save me the trouble.

00:05:31Your name, signore.

00:05:32My name?

00:05:33I...

00:05:33It is distasteful to me, signore, to fight a duel with the inferior.

00:05:37Adieu?

00:05:38Are you kidding?

00:05:39Not at all, mademoiselle, unless this gentleman apologizes as he leaves the room.

00:05:43I do apologize, mademoiselle.

00:05:46I...

00:05:46I did not know.

00:05:47And now what do you do?

00:05:47Good night.

00:05:48Good night.

00:05:48Hey, do you really go around stabbing at people?

00:05:55I have learned, mademoiselle, that if one threatens loudly enough, one never has to fight.

00:06:03Say, you're pretty smart.

00:06:04I accept your compliment, mademoiselle, and should like to return it.

00:06:09I found your performance enchanting.

00:06:13Much obliged.

00:06:14For many nights I have watched you, not only with admiration, but envy.

00:06:20Beyond everything else in the world, I wanted to be a singer.

00:06:23Well, what stopped you?

00:06:28Unfortunately, circumstances compelled me to enter my father's business.

00:06:33Oh?

00:06:34What do you do?

00:06:36I work for the government.

00:06:38Oh, well, lots of people do that at home, too.

00:06:41So one here.

00:06:42Pardon me.

00:06:45Well, uh...

00:06:47I have to change my costume.

00:06:49Imagine the impertinence.

00:06:53A complete stranger asking you to go with him to his villa.

00:06:57Without a saferon.

00:06:59Hmph.

00:07:02I, too, have a villa only 50 kilometers from here.

00:07:07But would I ask you to go with me to it?

00:07:09Without a saferon?

00:07:11Oh, certainly not.

00:07:12Of course, at this hour, it might be difficult for me to find one.

00:07:22Well, uh, I could find a chaperone.

00:07:25You could?

00:07:26Sure.

00:07:28Georgie Hoskins and California Cowboys.

00:07:31All of them?

00:07:32Look, mister...

00:07:34Imperium.

00:07:35Imperium.

00:07:37Well, uh, thanks a lot, but...

00:07:40Good night.

00:07:42Mademoiselle, this is Italy.

00:07:47Out there is the Mediterranean.

00:07:50Over it, the most beautiful moon.

00:07:55Oh, I love Italy.

00:07:56And the Mediterranean.

00:07:58And the moon.

00:07:59Of course you do.

00:08:00And I get all of it.

00:08:01Every night, right from my balcony.

00:08:04I sit out there with a chicken sandwich and a glass of milk.

00:08:07All by myself and love it.

00:08:09What a waste of, uh, the Mediterranean.

00:08:18Well, uh, good night, mister Imperium.

00:08:22Good night, mademoiselle.

00:08:24You are married.

00:08:25Oh, not me.

00:08:26Oh, that is a pity.

00:08:28A great pity.

00:08:29Because if mademoiselle were madame,

00:08:33it would be quite correct for me to kiss her hand.

00:08:41Thus.

00:08:43But since mademoiselle is unmarried,

00:08:45one is only permitted to shake the hand.

00:08:48Thus.

00:08:49Oh.

00:08:50Well, uh, if I ever do get married, I'll let you know.

00:08:54Good night.

00:08:58Arrivederci.

00:09:00Arrivederci.

00:09:04I'll be seeing you.

00:09:24Hello, Giovanni.

00:09:26Buonasera, signorina.

00:09:28Chicken sandwich.

00:09:30Good.

00:09:31Glass of milk.

00:09:32Si mangia sempre la stessa cosa, signorina.

00:09:35Sempre la stessa cosa.

00:09:39Always the same thing.

00:09:40Brava, brava, signorina.

00:09:42Well, I'm learning.

00:09:48Grazie.

00:09:49Buonanotte, signorina.

00:09:50Buonanotte, Giovanni.

00:09:51Well, well, well.

00:10:21What a coincidence.

00:10:23Well, isn't it?

00:10:25And I don't think I like it.

00:10:27No?

00:10:28There was a nice couple living in that room.

00:10:30They were from Texas.

00:10:31Texas, eh?

00:10:32What happened to them?

00:10:33Oh, they are extremely happy in a deluxe suite.

00:10:36At the same price.

00:10:37I thought you had a villa near here.

00:10:39I do.

00:10:41It was no trouble to have my suitcases packed.

00:10:43Desidera qualche cos'altro.

00:10:48Altezza?

00:10:49No.

00:10:51Giovanni.

00:10:52Signorina.

00:10:53What was that you just said?

00:10:54Desidera qualche cos'altro?

00:10:56No, no. The last word. Al... Altec, sir?

00:11:00Yes. What does it mean?

00:11:03It means Your Royal Highness.

00:11:06Why did he call you that?

00:11:08Oh, because of a very unfortunate accident.

00:11:11Accident? Of birth.

00:11:14Forgive me, but I am Prince Alexi de la Marde Corporantorte.

00:11:20Prince Alexi de... de...

00:11:23Just call me Al.

00:11:38Your Highness.

00:11:42Yes?

00:11:43This whole thing is what we call a set-up, isn't it?

00:11:47Yes.

00:11:49What I mean is, you've got plans.

00:11:52Yes.

00:11:53And this routine, you've used it many times before?

00:11:57Yes.

00:11:58Usually with great success.

00:12:00Oh, yes.

00:12:02But sometimes... Oh, not often, I'm sure.

00:12:05But sometimes a failure.

00:12:09Yes.

00:12:11I suppose I should have recognized you.

00:12:14Your picture's in the paper often enough.

00:12:16You're always winning medals for climbing mountains, aren't you?

00:12:23Yes.

00:12:26Well, Your Highness, I hope you realize you're not going to win any medals tonight.

00:12:33Yes.

00:12:34Well, as long as we understand each other, there is no reason why I should not sit here and enjoy the Mediterranean.

00:12:45The Mediterranean went that-a-way.

00:12:48I am supremely content with the view.

00:12:55Perhaps I can tempt you with a little champagne.

00:12:59My friend, you can't tempt me, period.

00:13:02Period.

00:13:03Well, not that I don't admire your technique.

00:13:07The lengths you go to.

00:13:08That man with a beard.

00:13:10And that baloney about a duel.

00:13:12And getting those nice Texas people to move.

00:13:15Champagne, caviar, the moonlight, the Mediterranean.

00:13:19Oh, I can't take no credit for the Mediterranean.

00:13:22Mm-hmm.

00:13:23Well, take a bow for putting it to good use.

00:13:35Oh, I knew there was something missing.

00:13:38Soft music.

00:13:40You do not like music?

00:13:41Oh, I love it.

00:13:42But, um, where are the violins?

00:13:46Violins?

00:13:47Well, a man who would think of everything would surely think of violin.

00:13:50Mademoiselle, I would consider violins extremely, as you say, corny.

00:14:17Your highness.

00:14:22Your highness.

00:14:23I like the violins.

00:14:25It plays beautifully.

00:14:27Let me look at you, soft against the sky.

00:14:44Young and strong and sure of your heart

00:14:53Don't the less you possess

00:14:58A sonet tenderness

00:15:03Let me fall in love

00:15:11Let me breathe a sigh

00:15:16When I see such beauty and life

00:15:22Then you ask me why

00:15:27I suddenly live in the view

00:15:34With you in my sight

00:15:43So stand alone, please do

00:15:51And let me look at you

00:15:59To know

00:16:05Ever higher

00:16:19Here comes my desire

00:16:24For you tonight

00:16:30When I see such beauty and life

00:17:00Can you ask me why

00:17:05I suddenly live in the view

00:17:12With you in my sight

00:17:21So stand alone, please do

00:17:29And let me look at you

00:17:38Oh, that was charming

00:17:51Well, goodnight, you're...

00:17:53Al?

00:17:56Goodnight

00:17:57Oh, I can't call you Al

00:17:59But I may call you Frederica

00:18:02Frederica Brown

00:18:05It doesn't suit you

00:18:07No

00:18:08I shall call you Freda

00:18:11Freda?

00:18:12It's an Italian word

00:18:14But it describes you perfectly

00:18:16Well, what does it mean?

00:18:19Oh, it's one of those untranslatable words

00:18:21But believe me, my dear

00:18:22It describes you

00:18:23Freda

00:18:25Freda

00:18:25I like it

00:18:27Oh

00:18:30Well

00:18:35Goodnight

00:18:37Arrivederci

00:18:39Freda

00:18:41Arrivederci

00:18:44Freda

00:19:02Freda

00:19:06Freda

00:19:10Freda

00:19:11Brown

00:19:12Ladies and gentlemen

00:19:13The kid from Albuquerque

00:19:14Miss Freda

00:19:15Brown

00:19:16Hi, Freda

00:19:19Cold, huh?

00:19:31Freda

00:19:32Freda

00:19:33Freda

00:19:34Freda

00:19:35It describes you perfectly

00:19:38Freda

00:19:39Freda

00:19:40Freda

00:19:41Freda

00:19:42Freda

00:19:43Freda

00:19:44Freda

00:19:45Freda

00:19:46Freda

00:19:47Freda

00:19:48Freda

00:19:49Freda

00:19:50Freda

00:19:51Freda

00:19:52Freda

00:19:53Freda

00:19:54Freda

00:19:55Freda

00:19:56Freda

00:19:57Freda

00:19:58Freda

00:19:59Freda

00:20:00Freda

00:20:01Freda

00:20:02hello

00:20:09very funny what fredda well aren't you aren't i what very very fred look your highness

00:20:27i'm a tired working girl where are you now in my room i know but where i'm at the telephone

00:20:37where is the telephone it's over there on the desk over there in the desk strange in my room

00:20:48is by the bed so so i was thinking go on i was thinking that since you do not trust me in the

00:21:02moonlight perhaps tomorrow when the sun is shining you would drive with me in my car or

00:21:10we could sail a little boat or anything else you'd like to do nothing fatal ever happens in the

00:21:17sunshine well perhaps your highness if you'll call me in the morning then you do trust me

00:21:25oh yes i trust you good night you do trust me you do trust me oh yes you're hungry i trust you

00:21:55you

00:22:00oh

00:22:02oh

00:22:06oh

00:22:08oh

00:22:10oh

00:22:12oh

00:22:14oh

00:22:16oh

00:22:18oh

00:22:20oh

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00:24:38And now you know pizza and antipasto.

00:24:46I know one more tiny word.

00:24:49Andiamo.

00:24:52But andiamo means let's go.

00:24:55That's right, dear. Let's go.

00:24:57Let's go. Let's go.

00:25:13Oh, I forgot. He's an Italian, doctor.

00:25:16Oh.

00:25:17What was that new word you were teaching me?

00:25:19Andiamo.

00:25:20That's right. Andiamo.

00:25:26Andiamo.

00:25:27Andiamo, my bambina, let's go.

00:25:30Caro mio, look around you.

00:25:32What a beautiful show.

00:25:35So come with me presto, caro nome, my love.

00:25:39The sun is high above.

00:25:45Andiamo, andiamo, for a glorious spring.

00:25:49How alegro, how vivace, how alive is the spring.

00:25:53And we are alive.

00:25:56And we are alive.

00:25:57And so I sing fortissimo.

00:26:01Do you love me?

00:26:05And we are alive.

00:26:06And we are alive.

00:26:07And we are alive.

00:26:08And we are alive.

00:26:09And we are alive.

00:26:11If you love me, I'll be so bravissimo.

00:26:18Andiamo, andiamo, to a hilltop of pine.

00:26:27Andiamo.

00:26:28Andiamo.

00:26:29Andiamo.

00:26:30Andiamo.

00:26:31Andiamo.

00:26:32Andiamo, my bambina, let's go.

00:26:58Caro mio, look around you.

00:27:00What a beautiful show.

00:27:02So come with me presto, caro nome, my love.

00:27:07The sun is high above.

00:27:14Andiamo.

00:27:15Andiamo, for a glorious spring.

00:27:18How alegro, vivace, how alive is the spring.

00:27:22And we are alive.

00:27:24And we are alive, which are, and so we sing fortissimo.

00:27:31Do you love me?

00:27:34La sol, la, si, la, si, no.

00:27:40Do you love me?

00:27:43Si, si.

00:27:45How bravissimo.

00:27:47Andiamo, andiamo, andiamo, to a hilltop of pine.

00:27:56With a pizza.

00:27:57Andi pasto.

00:27:58And some very good wine.

00:28:01So come with me.

00:28:02Presto.

00:28:03For a time goes so fast.

00:28:05A bright buffet.

00:28:07The perfect day, where never meant to last.

00:28:20Andiamo.

00:28:22Andiamo.

00:28:24Andiamo.

00:28:27Andiamo.

00:28:29Andiamo.

00:28:31Andiamo.

00:28:56Andiamo.

00:28:56Oh, it's wonderful.

00:29:21Gee, it's beautiful.

00:29:23On a clear day, you can see Corsica.

00:29:26Gosh, if the kid's back in Albuquerque, he could see me now.

00:29:29Do you come here very often?

00:29:31Yes, very often.

00:29:34Oh, who is?

00:29:36My little son.

00:29:40Tell me about your son.

00:29:42What would you like to know?

00:29:45Well, does he look like you?

00:29:48Oh, by not coincidence, I just happen to have these with me.

00:29:55Oh, how old is he?

00:29:58Not yet six.

00:30:00And he rides?

00:30:01Like one of your cowboys.

00:30:03I taught him.

00:30:05What's he doing there?

00:30:06Playing chess with my father, the king.

00:30:09I taught him to box, too.

00:30:15You did?

00:30:16Indeed, I did.

00:30:17And you know what happened?

00:30:18He got into a fight with the gardener's boy.

00:30:20Eight years old.

00:30:22Three inches taller.

00:30:24Well, that wasn't so funny.

00:30:25But it was.

00:30:26It was terribly funny.

00:30:28One punch from the gardener's boy, and my little prince got two beautiful black eyes.

00:30:33He told me he fell in the bus stop.

00:30:39You must be proud of him.

00:30:41Very proud.

00:30:43I bet he's proud of you, too.

00:30:45For a whole year, after we lost his mother, I never left the palace.

00:30:51It gave us a chance to become wonderful friends.

00:30:55What does he want to be when he grows up?

00:31:00Oh, I mean.

00:31:01A lawyer's son may be an engineer.

00:31:03A doctor's son may be a price fighter.

00:31:07But when one is born in the shadow of a throne, one dies in that shadow.

00:31:16You don't want him to be a king?

00:31:18I do not.

00:31:18But if he were a good king, and he ruled wisely.

00:31:24A king does not rule.

00:31:27He is only a symbol.

00:31:29I do not wish my son to be a symbol.

00:31:34And you?

00:31:36You do not want to be a king?

00:31:38No.

00:31:40I don't want to be a king.

00:31:42But for me, it's too late.

00:31:44All my life, I've accepted the privilege of a prince.

00:31:47Therefore, I cannot serve the duty of a king.

00:31:52When I was a little girl, I remember a story about a little boy.

00:31:56An ordinary little boy.

00:31:58One fine day, he discovered that he had been changed into a prince.

00:32:03Well, why can't it be the other way around?

00:32:07Perhaps it can.

00:32:08I don't want to be a king.

00:32:32Come on, Giovanni.

00:32:53Giovanni, you have to ask me a big favor.

00:32:55Tell Mrs. Brown that I'm going to Genoa.

00:32:58And that we'll give you time for our chicken sandwich and glass of milk.

00:33:01It's very good, Altezza.

00:33:02Don't forget, it's important.

00:33:04No, Altezza.

00:33:05Give it to me, Mrs. Brown.

00:33:31What is it, Bernard?

00:33:32What is so urgent?

00:33:33It's your power.

00:33:34Serious?

00:33:35Desperately.

00:33:36Why didn't your telegram say this?

00:33:37Put your oil hands out of the country.

00:33:38I dare not put it in the wire.

00:33:39Bernard, first I must send a message to Rapallo.

00:33:40I beg you, sir.

00:33:41Every minute counts.

00:33:42A piece of paper, Bernard.

00:33:43A pen, a pencil.

00:33:44Bernard, take my car.

00:33:45Go to the Riviera Hotel in Rapallo and deliver this note to...

00:33:49Miss Frederica Brown?

00:33:50Your activities are seldom secret, sir.

00:33:56But a note is hardly necessary.

00:33:57I will handle this matter with my usual discretion.

00:33:58This matter, as you choose to call it, is not usual.

00:34:03You will deliver this note to Miss Brown and follow me on the earliest plane.

00:34:04As you will, sir.

00:34:05As you will, sir.

00:34:06You will deliver this note to Miss Brown and follow me on the earliest plane.

00:34:07As you will, sir.

00:34:08You will deliver this note to Miss Brown and follow me on the earliest plane.

00:34:09As you will, sir.

00:34:10As you will, sir.

00:34:11You will deliver this note to Miss Brown and follow me on the earliest plane.

00:34:12As you will, sir.

00:34:13You will deliver this note to Miss Brown and follow me on the earliest plane.

00:34:15As you will, sir.

00:34:16As you will, sir.

00:34:17As you will, sir.

00:34:18As you will, sir.

00:34:19Good.

00:34:20But it is not necessary.

00:34:21It is hardly necessary.

00:34:22I will handle this matter with my usual discretion.

00:34:23This matter, as you choose to call it, is not usual.

00:34:25You will deliver this note to Miss Brown and follow me on the earliest plane.

00:34:28As you will, sir.

00:34:29As you will, sir.

00:35:16Oh. Oh, but I expected...

00:35:19I know. You are Miss Brown?

00:35:21Yes.

00:35:22My name is Bernand.

00:35:24I hope you will forgive this intrusion,

00:35:26but I come to you with a message from His Royal Highness.

00:35:28Was something wrong?

00:35:30I'm afraid so.

00:35:32Three days ago, His Majesty, His Royal Highness's father,

00:35:35became seriously ill.

00:35:38This morning, his condition became critical.

00:35:41Naturally, he would want his son and heir at his side.

00:35:44Oh, naturally.

00:35:45On learning of the seriousness of the situation,

00:35:48His Royal Highness was compelled to leave

00:35:50without benefit of goodbyes.

00:35:53I see.

00:35:55His Majesty is not expected to live.

00:35:58Hence, His Royal Highness will become our king.

00:36:04I, by the way, am His Majesty's Prime Minister,

00:36:08and I've brought you...

00:36:10A letter?

00:36:10His Royal Highness's regrets.

00:36:15I suppose with practice,

00:36:18one should become callous to these situations,

00:36:20but somehow I never find them easy.

00:36:23What is it that you don't find easy?

00:36:27To, uh, say his au revoirs.

00:36:31His Royal Highness is so sentimental.

00:36:34Goodbyes become impossible for him.

00:36:38Fortunately, you are an American.

00:36:40Americans are practical, never so.

00:36:44If you knew what I've been through with some of these European women...

00:36:48I've always heard that European women are very...

00:36:54impractical.

00:36:56I see you are about to enjoy your supper, mademoiselle.

00:36:59Good appetite, and goodbye.

00:37:02Oh, I almost forgot.

00:37:08If, when mademoiselle is in Paris,

00:37:10she would pair this Ducatier and select, say,

00:37:13some modest jewel that might catch her fancy,

00:37:17His Royal Highness would be very grateful.

00:37:21Good night, mademoiselle.

00:37:24Mademoiselle.

00:37:32slash

00:37:58Sous-titrage Société Radio

00:38:00Thank you very much, sir.

00:38:02Oh, thank you, monsieur.

00:38:24A Hollywood?

00:38:30A Hollywood?

00:38:54Wait for me. I'll be about ten minutes.

00:38:56All right, Mr. Hunter.

00:39:00Hello, Mr. Hunter.

00:39:02Hello, Mac.

00:39:04I'm not through shooting the test yet.

00:39:06They have just finished the last shot, sir.

00:39:08Anna?

00:39:10Anna?

00:39:12Anna!

00:39:13Yeah, yeah, madame.

00:39:14Oh, what time is it?

00:39:15Oh, after some of them.

00:39:17Oh, I'll just about make it.

00:39:18Right up.

00:39:19Oh, hello, darling.

00:39:21I want to talk to you.

00:39:23I want to talk to you, too.

00:39:25Well, let me get out of this and I'll be right with you.

00:39:27We've got to move fast.

00:39:28Yes, madame.

00:39:29Did you talk to Palm Springs?

00:39:30Yes, madame.

00:39:31Everything arranged?

00:39:32Yeah, everything, madame.

00:39:33Did you check for the airport?

00:39:34No, madame.

00:39:35It was too early.

00:39:36But, uh...

00:39:37I think by now we can get the information.

00:39:38No, wait, Anna.

00:39:39You're not going with me.

00:39:40Madame?

00:39:41No, I...

00:39:42I'm driving down alone.

00:39:43But, uh...

00:39:44I have engaged the rooms for two.

00:39:45One for madame, and one for me.

00:39:46I know, Anna.

00:39:47But, uh...

00:39:48I've never kept any secrets from you.

00:39:50Have I?

00:39:51Never, madame.

00:39:52Well, I'm keeping that secret from you now.

00:39:53I'm keeping that secret from you now.

00:39:54I'm driving down alone, but I have engaged the rooms for two, one for Madame and one for me.

00:40:01I know, Anna, but I've never kept any secrets from you, have I?

00:40:06Never, Madame.

00:40:07Well, I'm keeping that secret from you now.

00:40:12I know, Madame.

00:40:14What do you know?

00:40:16That ever since you received the telephone call from Paris, Madame has been full of very much secrets.

00:40:23But I understand.

00:40:25Well, if you do, and you just might, you'll see that no one else does.

00:40:28Oh, no, no, no, no, no, no, no one, Madame.

00:40:32Come in, Paul.

00:40:35Have a cup of coffee, darling, while I change.

00:40:38Anna, my beautiful, I'd like to be alone with Miss Barlow.

00:40:41You know, Monsieur, I do not understand English.

00:40:44Anna.

00:40:45Anna.

00:40:46Yes, Madame.

00:40:47Why don't you make that phone call outside?

00:40:49Yes, Madame.

00:40:50I thought you didn't understand English.

00:40:52Not one word.

00:40:57What do you think of Bolton?

00:40:59He's a good actor.

00:41:00I thought he was great.

00:41:02I think we ought to look further.

00:41:04Oh, but we've tested over 20.

00:41:06I brought them from New York, from London, from anywhere I can find them.

00:41:10This fellow Bolton's played all the kings there are.

00:41:13Richard, Henry, Lear.

00:41:15Just what is it you're looking for?

00:41:18Something.

00:41:20When I find it, I'll know.

00:41:22Do this for me, darling.

00:41:23Uh-huh.

00:41:26Look, honey, I want to talk to you about something.

00:41:28Yes.

00:41:29This is our third picture together.

00:41:31I think it's going to be our best.

00:41:33Mm-hmm.

00:41:34I think so, too.

00:41:35When you first brought me this story, frankly, I was again an American girl falls in love with a king.

00:41:40It seemed, um, old-fashioned.

00:41:43Now, somehow, I believe it.

00:41:46I've always believed it, Pa.

00:41:49Okay.

00:41:51So, this is our third picture together.

00:41:54Still no contract, just a handshake.

00:41:56What's wrong with a handshake?

00:41:57Nothing.

00:41:58I like it.

00:42:00Gives me a chance to hold your hand.

00:42:03But look, Fred, that fellow's got to make plans.

00:42:06How about a handshake for three or, say, five?

00:42:10Why not ten pictures more?

00:42:12So that's what's worrying you.

00:42:14Look, darling, a star can't get any better than the best, and you're the best.

00:42:18Now, why in the world would I ever want to go anyplace else?

00:42:21Yeah, that's fine.

00:42:23That's fine, but there's a little more to it than that.

00:42:27Look, Freda.

00:42:29Five pictures, ten pictures, ten years, twenty years, there's still all that time.

00:42:35All that time between pictures when I don't even see you.

00:42:39It doesn't make sense.

00:42:41I'm going to work together or to be together.

00:42:43Not just at the studio, not just for dinner.

00:42:47Paul, are you asking me to marry you?

00:42:51I'm not asking you to run for Congress.

00:42:56Why didn't you wait until Monday?

00:42:59We've known each other three years. This is Friday.

00:43:02You should have waited until Monday.

00:43:06Okay, honey, I'll compromise.

00:43:08Give me a rant tonight.

00:43:15I can't see you tonight.

00:43:17No?

00:43:18No, I'm going out of town.

00:43:21Oh, where are you going?

00:43:23I'll be back Monday.

00:43:25Monday?

00:43:26On Tuesday.

00:43:27On Tuesday.

00:43:28And on Monday, I say to you, please, Miss Barlow, will you marry me?

00:43:33Will you, Paul?

00:43:36I don't vote for someone else over the weekend.

00:43:40Well, if you don't.

00:43:45That's fair.

00:43:47Handshake?

00:43:49Handshake.

00:43:50Goodbye.

00:43:52That had better wait for her, too.

00:43:55Maybe you're right.

00:44:18You're right.

00:44:40Palm Springs, 1497.

00:44:48Hello.

00:44:49Hello, Mrs. Carbat.

00:44:58This is Anna.

00:45:00Anna, Miss Barlow's maid.

00:45:02For three hours, I am calling you from Los Angeles.

00:45:06No, no, no.

00:45:07Miss Barlow, she should be there any minute now.

00:45:10Who, me?

00:45:11No, I am not coming.

00:45:13I am sick.

00:45:15Very sick.

00:45:16Miss Barlow wants you to know she wants only one room.

00:45:24No, no, no.

00:45:25She does not want you to lose money.

00:45:27If you cannot rent the other room, she will pay for it.

00:45:31But please.

00:45:33Please, you try to rent the other room.

00:45:36Well, I'll see what I can do.

00:45:38Goodbye.

00:45:40Gwen!

00:45:43Gwen!

00:45:44Yes, Aunt Mary.

00:45:45She's not coming.

00:45:47She's coming, but she only wants one room.

00:45:49Really?

00:45:51Please put these in the East Room.

00:45:52I'll put these back in the living closet.

00:45:54What clock's right for a change?

00:45:57Nevertheless, put the towels in the East Room.

00:46:00Yes, Auntie.

00:46:02That's her!

00:46:04The East Room, Gwen.

00:46:06Yes, Auntie.

00:46:07Yes, Auntie.

00:46:15Madame Cabot?

00:46:17I'm Mrs. Cabot.

00:46:19One may enter?

00:46:21Of course.

00:46:22Yes, ma'am.

00:46:23Yes, ma'am.

00:46:24Yes, ma'am.

00:46:25Yes, ma'am.

00:46:29My name is Imperium.

00:46:31Imperium?

00:46:33Imperium.

00:46:34I thought that's what you said.

00:46:36Imperium.

00:46:37I have just arrived from Paris.

00:46:41From Paris?

00:46:42Well, that seems extraordinary.

00:46:44Oh, well...

00:46:45It is my understanding, madame, that you have a room for rent.

00:46:48Well, how do you hear about it, if we don't advertise?

00:46:51Well, you see, in Paris, it was very cold and very wet.

00:46:54I heard your desert was very warm and very dry.

00:46:58I like warm, madame.

00:46:59Oh, but very warm here.

00:47:01The weather, that is.

00:47:03Well, the weather is what I refer to, madame.

00:47:05I thought that's what you meant.

00:47:06And so, madame, I boarded a plane, flew to Palm Springs,

00:47:09but, unfortunately, without reservations.

00:47:12I have tried half a dozen different hotels,

00:47:15and at one of them, one of the clerks said that you occasionally rented rooms,

00:47:19and here we are.

00:47:21Well, it just so happens, by the merest coincidence,

00:47:25that I do have a vacancy.

00:47:27Good. I get my bags.

00:47:29Oh, they're all right out there.

00:47:30Come with me. I'll show you what I've got.

00:47:32It may not be elegant enough for you, but...

00:47:35A home, I find, usually reflects the personality of each occupant.

00:47:41In this instance, I have no fears, madame.

00:47:44Oh, that's nice of you to say that, Mr. Imperium.

00:47:46It was nothing, madame. Nothing at all.

00:47:50This is the west room.

00:47:53It's just the same as the east room, except it's, uh, it's, uh...

00:47:56West.

00:47:57Yes.

00:47:58Uh, these are the bags.

00:47:59Oh, the bags.

00:48:00You can sleep. Neither one you like.

00:48:02Good, good.

00:48:03Uh, the dressing room's over there.

00:48:05You don't have to pay attention to that door.

00:48:07Never.

00:48:08It leads into the other room, but the door's bolted on both sides.

00:48:11Now, weiss precaution.

00:48:12I'm sorry, there isn't anyone to get your bags for you.

00:48:15You'll have to bring them in yourself.

00:48:16Of course.

00:48:21Mademoiselle?

00:48:22Who is he?

00:48:23Mr. Imperium.

00:48:24Huh?

00:48:25That's what he said.

00:48:26Imperium.

00:48:27There's no such name.

00:48:28It's his?

00:48:29There must be.

00:48:30I was just thinking.

00:48:31He's somebody.

00:48:32I don't know.

00:48:33First of all, I thought he was a foreign movie star like Charles Boyer.

00:48:36He's not Charles Boyer.

00:48:37Well, anyway, he looks like an actor.

00:48:39If he is one, Miss Barlow will know who he is.

00:48:41Definitely.

00:48:42I'll ask her.

00:48:43You know, I'll ask her.

00:48:44You know, I'll ask her.

00:48:45I'll ask her.

00:48:46I'll ask her.

00:48:47I'll ask her.

00:48:48I'll ask her.

00:48:49I'll ask her.

00:48:50I'll ask her.

00:48:51I'll ask her.

00:48:52You'll do nothing of that sort.

00:48:53Get your feet off the bed.

00:48:54But, Auntie.

00:48:55The only reason she comes here is because she's so quiet.

00:48:57No one ever bothers her asking her questions, including you.

00:49:00Oh, we don't bother her.

00:49:01Shh.

00:49:07Oh, uh, Mr. Imperium.

00:49:09There's my niece, Gwendolyn.

00:49:10Mademoiselle.

00:49:11Delighted.

00:49:12How do you do?

00:49:13Oh, just saying to Auntie, I know I've seen you before.

00:49:16You picture something.

00:49:17Uh, Gwen.

00:49:18Oh, I don't mean to be rude, Mr. Imperium, but haven't I?

00:49:20Perhaps, mademoiselle, in another life, we were friends.

00:49:24Oh, Mr. Imperium, what a perfectly dream he thought.

00:49:27Uh, Gwen, darling, if we're going to the movies tonight, you've got your homework to do.

00:49:31Yes, Auntie.

00:49:32Uh, now, darling.

00:49:33Yes, Auntie.

00:49:34Au revoir.

00:49:35Au revoir.

00:49:36Au revoir.

00:49:37Of course, you don't realize it, but if you'd have arrived just one minute earlier, I wouldn't have had a room for you.

00:49:45Oh, fantastic.

00:49:46Yes, sir.

00:49:47She canceled her room just before you rang the doorbell.

00:49:50You see, she always reserves both rooms.

00:49:52That's why she won't be disturbed or run to strangers and things.

00:49:55But at exactly one minute, two, her maid called, and then the clock struck three.

00:50:00Whose maid?

00:50:01Miss Barlow.

00:50:02Fred the Barlow.

00:50:03Fred the Barlow.

00:50:04Oh, yes.

00:50:05You've seen her?

00:50:06In person?

00:50:07On the screen.

00:50:08Oh, my goodness.

00:50:09Well, you see, in person.

00:50:10She's even more beautiful and young.

00:50:12Where's her handy makeup?

00:50:13Just a little lipstick, maybe a bit of powder.

00:50:15Don't tell the truth, down here, she just lies out in the sun with nothing on.

00:50:18Oh, no, my darling, I do hope I'm maddening what you're talking about.

00:50:21I can't understand her giving up one of the rooms.

00:50:24Seems so peculiar because money can't mean anything to her.

00:50:27You'll forgive me if I don't introduce you to Miss Barlow.

00:50:29She's really very sweet and nothing grand about her, but we have sort of an understanding.

00:50:33We never introduce her to anyone.

00:50:35I will be very undemocratic, madame.

00:50:37Auntie!

00:50:38Auntie!

00:50:39She's here!

00:50:40Oh, will you excuse me, please?

00:50:41I've got to greet Miss Barlow.

00:50:43Oh, well, you forgot to tell me how long you'll want the room.

00:50:47Until the 17th.

00:50:48The 17th.

00:50:49That'll be Monday.

00:50:50Would it?

00:50:51Oh, well, today's Friday.

00:50:52Is it?

00:50:53Oh, yes, of course, the 17th will be Monday.

00:50:56Oh, thank you, Miss Imperium.

00:51:14Oh, dear.

00:51:15What is it?

00:51:16Mr. Imperium.

00:51:17Mr. Imperium.

00:51:18Mr. Imperium?

00:51:19That's what he says his name is.

00:51:21I knew he was a foreigner, but didn't know he sang.

00:51:24Maybe I should have.

00:51:25Most of them do, I suppose.

00:51:27I don't mind, Mr. Cabot.

00:51:29Do you love me?

00:51:35A thousand pardons, madame.

00:51:37Of course.

00:51:38Of course.

00:51:46It was the strangest thing, Miss Barlow.

00:51:49Just after I hung up the phone, I talked to your maid.

00:51:51The bell rang.

00:51:52There stood Mr. Imperium.

00:51:54Wasn't it the most amazing coincidence?

00:51:56Amazing.

00:51:57Gwen, will you please put these in the bathroom?

00:52:01Yes, Auntie.

00:52:02Oh, dear.

00:52:03He's singing again.

00:52:04Will you excuse me, Miss Barlow?

00:52:06Barlow?

00:52:07Yes, Gwen?

00:52:08Where is he?

00:52:09Who?

00:52:10Mr. Imperium.

00:52:11I don't believe there is such a name.

00:52:12Perhaps not.

00:52:13And yet I know I've seen him in something.

00:52:14In something?

00:52:15In the movies, I mean.

00:52:16Of course, he's not a star.

00:52:17We don't know right away who he is.

00:52:18But he must be an actor.

00:52:19I can tell.

00:52:20I know I've seen him, Miss Barlow.

00:52:21I just know I've seen him.

00:52:22Well, perhaps you have.

00:52:23But at any rate, I shall see no one for the next few hours.

00:52:24And tell us what I've seen him.

00:52:25I just got me to tell you.

00:52:27He's out for the.'

00:52:28There'll be a lot.

00:52:29You're not a star.

00:52:30But I'll tell you, Miss Barlow.

00:52:31I'll tell you, Miss Barlow.

00:52:33I'll tell you, Miss Barlow.

00:52:34I'll tell you, Miss Barlow.

00:52:35I just know I've seen him.

00:52:36Well, perhaps you have.

00:52:38But at any rate, I shall see no one for the next few hours.

00:52:41I'm exhausted.

00:52:43May I draw the drinks for you?

00:52:45That would be wonderful.

00:52:50He is good-looking, isn't he?

00:52:52Who?

00:52:53Mr. Imperium.

00:52:55I'm afraid I didn't notice.

00:52:58Well, if there's nothing else I can do...

00:53:01Nothing else, thank you.

00:53:05I ask him not to sing anymore.

00:53:11He was very nice about it.

00:53:12Well, why did you do that?

00:53:13Well, so you can rest, Miss Barlow.

00:53:15Oh, well, that was kind of you.

00:53:17And of him.

00:53:18Well, rest well.

00:53:19I'll try.

00:53:35Frederica Brown.

00:53:58Your Majesty.

00:54:05For 12 years I have waited for this moment.

00:54:09Why have you waited so long?

00:54:12All through the war I was a prisoner of my palace.

00:54:16I know.

00:54:17I prayed for you.

00:54:19Then there was the revolution and the government in exile in Paris.

00:54:25When I learned what Bernadette had done to us and I was free to look for you,

00:54:30there was no Frederica Brown.

00:54:34But by name had unchanged.

00:54:37I was easy to find.

00:54:40So many times I wanted to write.

00:54:42Well, why didn't you?

00:54:43It took a long time for me to forget.

00:54:48A long time to fall in love with someone else.

00:54:51Someone else?

00:54:52Then the phone rang and the oprier said Paris calling.

00:54:58And then I heard your voice.

00:55:01And I hadn't forgotten you at all.

00:55:03Oh, that's what I waited to hear.

00:55:10What is it, Fred?

00:55:11Well, only that even in Hollywood we do read the newspapers.

00:55:20And what do you read?

00:55:22That next Tuesday there will be a plebiscite.

00:55:25Your people will go to the polls to vote you back onto the throne.

00:55:30You'll be a king again and I...

00:55:33So that's it.

00:55:37On Tuesday night there will be a plebiscite.

00:55:40And my people will go to the polls.

00:55:43But they will vote against me because by that time they'll know I am here with you.

00:55:48To stay.

00:55:50If you'll let me.

00:55:51But where is he now?

00:55:56Who?

00:55:57Bernadette.

00:55:58Oh, in Paris, so busy with his government in exile.

00:56:02Probably going out of his mind trying to find me.

00:56:05Hmm.

00:56:06He found you once before.

00:56:08This time I have been too clever.

00:56:11No one knows I am here except your state of the party.

00:56:14I am here except your state of the party.

00:56:15True, my darling.

00:56:17On Tuesday night there will be a king without a throne.

00:56:22A commoner.

00:56:24In love is a queen.

00:56:25She's still resting.

00:56:34She must have been tired.

00:56:36Mr. Imperium was tired too.

00:56:38The desert air.

00:56:39That's a new name for us.

00:56:41What are you talking about, Gwen?

00:56:43Oh, auntie.

00:56:44Don't be so unsophisticated.

00:56:46Shh, Gwen.

00:56:47Oh, good evening, Miss Barlow.

00:56:49Good evening, Mrs. Cabot.

00:56:50Gwen?

00:56:51Won't you join us?

00:56:52Oh, no, thank you.

00:56:53Well, there's plenty here.

00:56:55We're going to the movie afterwards.

00:56:56Would you like to go with us?

00:56:57Oh, thanks very much, but it's such a lovely night.

00:56:59I thought I'd take a little drive and get a bite of dinner

00:57:01and then come back to bed.

00:57:03I hope Mr. Imperium's all right.

00:57:05We haven't seen him since I showed him the role.

00:57:07My love and my mule are two of a kind.

00:57:13What to do, what to do, what to do?

00:57:14My love like my mule.

00:57:19Forgive me, madame.

00:57:21I forgot my promise.

00:57:22I think you've got a wonderful voice, Mr. Imperium.

00:57:25You could be an opera.

00:57:26Oh, you flatter me, mademoiselle.

00:57:29I'll bet without my accent, you would all think me a cowboy.

00:57:34Oh, even with the accent.

00:57:35Oh, what a wonderful evening.

00:57:37Everybody pay me compliments.

00:57:39That's a very old song.

00:57:41Where'd you learn it?

00:57:42In Italy, madame.

00:57:43And you remembered it?

00:57:45It was sung not too well, mind you,

00:57:48by a very beautiful woman.

00:57:51I remembered the woman and therefore the song.

00:57:54Oh, I think that's charming, Mr. Imperium.

00:57:56Don't you must follow?

00:57:59Oh, charming.

00:58:00Not original, mind you, but charming.

00:58:03Madame, there is so much originality in the world

00:58:08and so little charm.

00:58:10For example...

00:58:12For example?

00:58:13For us to dine together would not be very original,

00:58:16but it would be charming.

00:58:18Well, the restaurants here are rather limited.

00:58:21To me, Mr. Imperium, you suggest caviar, champagne.

00:58:26On the contrary, madame.

00:58:29I am the chicken sandwich in the glass of milk type.

00:58:33Well, we can do better than that.

00:58:35There's a little place halfway up the mountain.

00:58:36Charcoal broiled steaks.

00:58:38Oh, Miss Barlow, you have talked me into it.

00:58:41Madame, mademoiselle,

00:58:42My love and my mule are two of a time.

00:58:47What to do, what to do, what to do.

00:58:49We didn't even introduce them.

00:58:51Shh.

00:58:51What?

00:58:53I tell you, Auntie,

00:58:55there's something squidgy about the whole thing.

00:58:58Squidgy?

00:58:59In the first place,

00:59:01giving up the room,

00:59:02then going off with him,

00:59:03a stranger, just like that.

00:59:04And why should a foreigner sing cowboy songs?

00:59:08I don't know, dear.

00:59:10But your uncle was an American,

00:59:12and he loved to sing O Solomio.

00:59:15Of course, that was different.

00:59:16He really never knew the words.

00:59:22I must find some way to make a living.

00:59:25We think inventory.

00:59:27I could teach dancing,

00:59:31singing,

00:59:32boxing,

00:59:34chess,

00:59:34horseback riding.

00:59:38But I don't like to teach.

00:59:40Ah!

00:59:42No.

00:59:43What about an antique shop?

00:59:46Cool.

00:59:47I take old clocks

00:59:49and make them into lamps.

00:59:51I take old lamps

00:59:52and make them into clocks.

00:59:57A restaurant.

00:59:59Why didn't we think of this before?

01:00:02A restaurant right in Beverly Hills.

01:00:04The king's chop-up.

01:00:07No.

01:00:07Oh,

01:00:08Al's place.

01:00:10But I am not worried.

01:00:13In America,

01:00:14your success story

01:00:15is very common.

01:00:17Like your Paul Hunter.

01:00:19I read in the magazine

01:00:20he started by selling newspaper

01:00:22in the street.

01:00:22They say that about most successful men,

01:00:25but in Paul's case,

01:00:26it happens to be true.

01:00:28Tell me more about him.

01:00:29What do you want to know?

01:00:31Everything.

01:00:32Well, he's tall,

01:00:34dark,

01:00:35intelligent,

01:00:36and sometimes quite handsome.

01:00:40Dark?

01:00:40And he's in love with me.

01:00:43And who is not?

01:00:50Tell me about your new picture.

01:00:52What is this story?

01:00:55An American girl

01:00:56falls in love

01:00:57with a king.

01:01:00What a coincidence.

01:01:02Isn't it?

01:01:03Who will play this king?

01:01:04We don't know.

01:01:06We've tested more

01:01:06than a dozen actors,

01:01:08but there's always

01:01:09something missing.

01:01:14Fred,

01:01:14how would I photograph?

01:01:17How would you photograph?

01:01:20For a thousand years,

01:01:21actors have grown wealthy

01:01:23playing kings.

01:01:24It would be

01:01:25a beautiful event.

01:01:27Beautiful.

01:01:29What a wonderful country

01:01:30this America.

01:01:32Only a few moments ago.

01:01:34I am a lowly

01:01:36restaurant proprietor.

01:01:38Now,

01:01:39I am the star

01:01:40of the picture.

01:01:43Co-star, darling.

01:01:45Well,

01:01:45in my new success,

01:01:46I can afford

01:01:47to be generous.

01:01:50In this picture,

01:01:51do I make love to you?

01:01:53Oh, yes.

01:01:54I think I can do that

01:01:56very convincingly.

01:01:58You're serious.

01:02:00Never have I been

01:02:01more seriously

01:02:01in my life.

01:02:04But perhaps

01:02:05your Paul

01:02:06will think

01:02:07I am not the type.

01:02:08My Paul

01:02:09has a wonderful

01:02:10eye for talent.

01:02:11Everything okay, folks?

01:02:12You have no idea

01:02:13how okay.

01:02:14Would you mind,

01:02:15Miss Parlow?

01:02:15Not at all.

01:02:21Thank you very much.

01:02:22next year,

01:02:24I will send you

01:02:27to grab books.

01:02:29Well, hello.

01:02:32Miss Parlow,

01:02:32nice to see you.

01:02:35Hello.

01:02:35Mr. Imperium,

01:02:36I want you to meet

01:02:37the Guadalajara trio.

01:02:38How do you do?

01:02:39When do you start

01:02:40your picture,

01:02:41Miss Parlow?

01:02:42He means when we work.

01:02:43Well, it won't be long now.

01:02:44You have found someone

01:02:45to play the king?

01:02:46I think we have.

01:02:47Well, for you,

01:02:48I also sing.

01:02:52Oh, I'm afraid

01:02:53you do, darling.

01:02:53In what language?

01:02:54Well, you do

01:02:55one number in Spanish.

01:02:56Why?

01:02:57Because these are my friends

01:02:58and I want to give them

01:02:59a job.

01:02:59Oh, I suppose

01:03:01I ask them

01:03:01if they know

01:03:02such and such a song

01:03:03and they will answer yes.

01:03:04Well, if they answered no,

01:03:05there wouldn't be any song.

01:03:06Go on, ask them.

01:03:07Okay, okay, okay.

01:03:08Let's see now.

01:03:09Let's see.

01:03:10Do you know

01:03:10solamente una vez

01:03:13solamente una vez

01:03:22a me la vida

01:03:26solamente una vez

01:03:32nada más

01:03:37una vez

01:03:39nada más

01:03:41en mi huerto

01:03:42brilló la esperanza

01:03:45la esperanza

01:03:49que alumbra

01:03:50el camino

01:03:51de mi soledad

01:03:55una vez

01:03:57nada más

01:03:59se entregue

01:04:03el alma

01:04:04con la dulce

01:04:07y total

01:04:09renunciación

01:04:13una vez

01:04:17nada más

01:04:19en mi huerto

01:04:20brilló

01:04:21la esperanza

01:04:23la esperanza

01:04:27que alumbra

01:04:28el camino

01:04:29de mi soledad

01:04:33Now you do one

01:04:34in English.

01:04:35Oh, I am a king.

01:04:36I can sing in every language.

01:04:37I can.

01:04:38You belong

01:04:40to my heart

01:04:44now and

01:04:46forever

01:04:47and our love

01:04:50and our love

01:04:51at its start

01:04:52so long ago

01:04:56we were gathering stars

01:05:02while a million guitars

01:05:05played our love song

01:05:07when I said

01:05:10I love you

01:05:12every bit

01:05:13of my heart

01:05:14said it too

01:05:15my heart

01:05:17said it too

01:05:18it was a moment

01:05:20like this

01:05:23do you

01:05:25remember

01:05:27and your eyes

01:05:30threw a kiss

01:05:33when they met mine

01:05:37now we own

01:05:41all the stars

01:05:42and a million guitars

01:05:44are still playing

01:05:46darling

01:05:50you are the song

01:05:52and you'll always belong

01:05:55to my home

01:06:03you belong

01:06:04to my heart

01:06:10you notice her car

01:06:19isn't here yet

01:06:20maybe she put it around

01:06:21on the other side

01:06:22of the house

01:06:22oh auntie

01:06:24they aren't home

01:06:25their doors are still

01:06:27opening her lights out

01:06:28and it's after 11

01:06:30yes it does

01:06:31it doesn't take that long

01:06:33it doesn't take that long

01:06:35for bought

01:06:35to eat steak and potatoes

01:06:37they might have gone

01:06:38for a drive

01:06:39there's nothing restful

01:06:40about a drive

01:06:41well she said

01:06:42she came down here

01:06:43to rest

01:06:44well she rested

01:06:44all afternoon

01:06:45how do you know

01:06:46the drapes were drawn

01:06:48so were his

01:06:49so were his what

01:06:51drapes drawn

01:06:52he rested too

01:06:53I wonder

01:06:55Gwen dear

01:06:58it isn't good

01:06:58for you to wonder

01:06:59so much

01:07:00but I do wonder

01:07:02auntie

01:07:02what about

01:07:04for goodness sakes

01:07:05oh auntie

01:07:07I don't mean

01:07:08to be rude

01:07:09really I don't

01:07:09but

01:07:09well I guess

01:07:11I guess when you get older

01:07:12you just get naive

01:07:13really

01:07:15what would you say

01:07:18if the doors

01:07:18between their rooms

01:07:19were unlocked

01:07:20well they couldn't be

01:07:22dear

01:07:22locked to myself

01:07:23this morning

01:07:23but suppose they were

01:07:25unlocked now

01:07:26oh good heavens

01:07:28Gwen no

01:07:28there's one way

01:07:29to find out

01:07:30come on

01:07:30you belong to my heart

01:07:41now and forever

01:07:44and our love

01:07:46and our love

01:07:46had its start

01:07:48so long ago

01:07:50una vez nada mas

01:07:53oh I've done it again

01:07:56forgive me

01:07:57I really meant

01:07:58to keep my promise

01:07:59oh that's alright

01:08:00Mr. Imperium

01:08:01you sounded so happy

01:08:02happy

01:08:03how could one help

01:08:05but be happy

01:08:06to drive through the night

01:08:08with so beautiful

01:08:09a companion

01:08:09of course I am happy

01:08:11and are you happy too

01:08:13Miss Barlow

01:08:13I?

01:08:14oh ever so happy

01:08:15full of good food

01:08:17clean desert air

01:08:18and all of a sudden

01:08:20I'm utterly exhausted

01:08:21oh and I too

01:08:23what a wonderful place

01:08:25to rest

01:08:26this desert

01:08:27well

01:08:28goodnight Miss Barlow

01:08:30and thank you so much

01:08:32for a delightful evening

01:08:33I enjoyed it

01:08:35goodnight

01:08:36and blessed be the coincidence

01:08:38who knows

01:08:39what may happen next

01:08:41goodnight

01:08:44oh Miss Barlow

01:08:45I hope he hasn't

01:08:49made a bore of himself

01:08:50oh no Miss Cabot

01:08:52bore is hardly the word

01:08:53what is the word Miss Barlow

01:08:55the word

01:08:57I never could find

01:08:58the right word

01:08:59when I wanted it

01:09:00but believe me my dear

01:09:01it isn't bore

01:09:02goodnight

01:09:03goodnight

01:09:04there you see

01:09:06he's gone to his room

01:09:08and she's on her way

01:09:09to hers

01:09:10I can't imagine

01:09:11what makes you think

01:09:12the things you do

01:09:13maybe it's your asthma

01:09:15squidgy

01:09:17come on

01:09:19it's time to go to bed

01:09:20long distance please

01:09:30I want Beverly Hills

01:09:32Crestview

01:09:3354124

01:09:341497

01:09:37I'm calling Paul

01:09:40it's pretty late

01:09:42well he has a phone by his bed

01:09:44oh he has I see

01:09:46well I imagine

01:09:48he has

01:09:48most executives

01:09:49do you know

01:09:50oh I didn't know

01:09:51well now you do

01:09:53hello

01:09:55hello Paul

01:09:56did I wake you

01:09:57no

01:09:59oh I'm glad

01:10:00you don't

01:10:02oh that's sweet

01:10:04of you darling

01:10:05what darling

01:10:07oh yes darling

01:10:09of course darling

01:10:11show business

01:10:13everybody calls

01:10:14everybody darling

01:10:15oh

01:10:15what darling

01:10:17no no I was just

01:10:19talking to a friend

01:10:19well you don't know him

01:10:22Paul

01:10:22he's a very old friend

01:10:25and Paul is the most

01:10:27extraordinary thing

01:10:28but he would be

01:10:29absolutely marvelous

01:10:30as the king

01:10:31she wants him to play

01:10:34the king

01:10:35the terrible part is

01:10:36his majesty would be

01:10:37superb

01:10:38he is pretty yes

01:10:39I have every confidence

01:10:40in your enthusiasm

01:10:41but um

01:10:42why didn't you suggest

01:10:44him before

01:10:45he wasn't available

01:10:48now Mr. Hunter

01:10:50you see how serious

01:10:51this is

01:10:52how important it is

01:10:53that something

01:10:54should be done at once

01:10:55no no

01:10:55I've got too much

01:10:56at stake

01:10:56Freda must make

01:10:57her own decision

01:10:57what's that

01:10:58I said we'll come

01:11:00in tonight

01:11:00and call Anna

01:11:02for me

01:11:02will you darling

01:11:03tell her to prepare

01:11:04the guest room

01:11:04well I

01:11:07I'm only being

01:11:08hospitable

01:11:09and then Paul

01:11:11be at my house

01:11:12at ten in the morning

01:11:13please do

01:11:14what

01:11:15well

01:11:18yes I know

01:11:19tomorrow isn't Monday

01:11:20well I can't talk

01:11:23about it on the phone

01:11:24you haven't

01:11:27I

01:11:29well

01:11:31well not now darling

01:11:32please

01:11:33that's right

01:11:34in the morning

01:11:35at ten

01:11:36goodbye

01:11:37he stayed home

01:11:42all evening

01:11:43why

01:11:44he said he didn't

01:11:46want to take the chance

01:11:47of falling in love

01:11:48with someone else

01:11:49obviously no gambling

01:11:51darling we've got to

01:11:53pack and drive

01:11:54to Beverly Hills

01:11:55and we'd better get

01:11:58started before

01:11:58before we what

01:12:00before we forget

01:12:01a lot of things

01:12:02that simply have

01:12:03to be remembered

01:12:04for instance

01:12:05a three hour drive

01:12:07to Beverly Hills

01:12:08a drive to Beverly Hills

01:12:09was not exactly

01:12:10what I had planned

01:12:11darling

01:12:14will you get

01:12:15packed

01:12:16certainly

01:12:18your majesty

01:12:18oh

01:12:32so that's it

01:12:33could we

01:12:39could we perhaps

01:12:40pay it a visit

01:12:41no

01:12:41but there'll be

01:12:42nothing to see

01:12:43except some empty

01:12:44stages and the

01:12:45night watchman

01:12:45I have always liked

01:12:47fashionable resorts

01:12:49out of season

01:12:50all right

01:12:52there is something

01:12:54I'd like to show

01:12:54you at that

01:12:55hello Miss Barlow

01:13:04hello Lucky

01:13:05will you turn the lights

01:13:06on please

01:13:06sure thing

01:13:07you want them all

01:13:08on Miss Barlow

01:13:08every last one

01:13:09come on

01:13:17I want to really

01:13:17show you something

01:13:18now you wait

01:13:23right here

01:13:23all right

01:13:27ready

01:13:28ready

01:13:29andiamo

01:13:30well

01:13:40well

01:13:41what a coincidence

01:13:43isn't it

01:13:44what happened

01:13:46to those wonderful

01:13:46people from Texas

01:13:47oh they struck oil

01:13:49they always do

01:13:50Miss Barlow

01:13:54yes

01:13:54this old thing

01:13:57is what we call

01:13:58in America

01:13:59a set up

01:14:00yes

01:14:03you have plans

01:14:05yes

01:14:07you have done

01:14:09this before

01:14:09oh yes

01:14:11and always

01:14:12with great success

01:14:13yes

01:14:15and sometimes

01:14:17not very often

01:14:19sometimes

01:14:20a failure

01:14:21yes

01:14:24tonight

01:14:26you will have

01:14:28no failure

01:14:29I am what you

01:14:30call not hard

01:14:31to get

01:14:32you have

01:14:33suspected this

01:14:34yes

01:14:35it is incredible

01:14:44my darling

01:14:44that one man

01:14:45could be so happy

01:14:46and at the same

01:14:47time so hungry

01:14:48me too

01:14:49now we have to

01:14:52find a name

01:14:52for you

01:14:53I have a name

01:14:54oh well

01:14:54Imperium's fine

01:14:55but I mean

01:14:56we have to get

01:14:56a first name

01:14:57but I also

01:14:58have a first name

01:14:58Alexi

01:14:59I know

01:15:00Alexi de Gabel

01:15:01de Gude

01:15:01or something other

01:15:01no

01:15:02something simple

01:15:03like

01:15:03Joe

01:15:04George

01:15:05Harry

01:15:05Sam

01:15:06Ignat

01:15:09beautiful

01:15:11the shadow

01:15:14of a throne

01:15:14starring

01:15:15Fred de Barlow

01:15:17and Ignat

01:15:18oh that'll be

01:15:21Paul

01:15:21now listen

01:15:23darling

01:15:23don't be over

01:15:24eager

01:15:25just let him

01:15:26do most of the

01:15:26talking

01:15:27and when it

01:15:27comes to money

01:15:28I'll handle

01:15:28that

01:15:29not that Paul

01:15:30isn't generous

01:15:30but after all

01:15:31he is a businessman

01:15:32and I'm only an

01:15:33artist

01:15:33Paul darling

01:15:35I

01:15:35your majesty

01:15:37Madame

01:15:40I bring you

01:15:42Mr. Hunter's

01:15:43apologies

01:15:43but he felt

01:15:44that his presence

01:15:45would lend

01:15:45further embarrassment

01:15:46to an already

01:15:47awkward situation

01:15:48no apologies

01:15:50are necessary

01:15:51Bernard

01:15:52no one

01:15:53in all the world

01:15:53could be more

01:15:54welcome

01:15:55I was just

01:15:56beginning to worry

01:15:57about how I

01:15:57could find you

01:15:58but I should have

01:16:00known

01:16:00like a bad

01:16:01penny

01:16:02you turn up

01:16:02at the opportune

01:16:03moment

01:16:04forgive me

01:16:05Miss Barlow

01:16:06you do remember

01:16:07Bernard

01:16:07yes I seem to

01:16:09remember that

01:16:10we did meet

01:16:10once before

01:16:11I'm sure

01:16:12madame understands

01:16:12by now

01:16:13that there are

01:16:13things in the

01:16:14course of our

01:16:14duties

01:16:15I understand

01:16:16many things

01:16:16Bernard

01:16:16but not

01:16:17what brings

01:16:17you here

01:16:18but I

01:16:19understand

01:16:20Freda

01:16:20he's come

01:16:21above the

01:16:22plebiscite

01:16:22haven't you

01:16:23Bernard

01:16:23about the

01:16:24speech

01:16:24I am to

01:16:25make on

01:16:25Tuesday

01:16:25exactly

01:16:26your majesty's

01:16:28unscheduled

01:16:28departure from

01:16:29Paris

01:16:29created a

01:16:30vacuum

01:16:31that was

01:16:32not

01:16:32precisely

01:16:33part of

01:16:34our

01:16:34plan

01:16:34oh yes

01:16:36our plans

01:16:37that's what

01:16:38I want to

01:16:39see you

01:16:39about

01:16:39Bernard

01:16:40I think

01:16:41you should

01:16:41know

01:16:42that there

01:16:42has been

01:16:42a slight

01:16:43alteration

01:16:43in our

01:16:44plans

01:16:44there is

01:16:45hardly

01:16:45time for

01:16:45alterations

01:16:46your majesty

01:16:47speech must be

01:16:48made on

01:16:49Tuesday or

01:16:49else

01:16:50no my

01:16:50friend

01:16:51on Tuesday

01:16:52you'll tell

01:16:53our people

01:16:53and thus

01:16:54the world

01:16:55that I

01:16:56renounce

01:16:56the throne

01:16:57your majesty

01:16:5712 years

01:16:58ago

01:16:59I made

01:16:59a grave

01:17:00mistake

01:17:00aided

01:17:01somewhat

01:17:02by you

01:17:02only a fool

01:17:04would lose

01:17:04the same

01:17:05battle

01:17:05twice

01:17:05so tell

01:17:07my people

01:17:07their king

01:17:08has made

01:17:08his final

01:17:09choice

01:17:09to spend

01:17:10the rest

01:17:11of his

01:17:11life

01:17:11with the

01:17:12woman

01:17:12he loves

01:17:13do you realize

01:17:15what you're

01:17:16doing

01:17:16madame

01:17:16do you

01:17:17realize

01:17:18at this

01:17:19time

01:17:19there's

01:17:19no letter

01:17:20for you

01:17:20to burn

01:17:20no lies

01:17:21that you

01:17:21can tell

01:17:22your majesty

01:17:23I have

01:17:23no intention

01:17:24of

01:17:24you

01:17:24forget

01:17:24yourself

01:17:25Bernard

01:17:26my abdication

01:17:27will take

01:17:28place

01:17:28on Tuesday

01:17:28this is

01:17:29only Saturday

01:17:30I am

01:17:31still the

01:17:32king

01:17:32you may

01:17:34go

01:17:34surely

01:17:36your majesty

01:17:36knows me

01:17:37well enough

01:17:37to know

01:17:38that I

01:17:38would not

01:17:38undertake

01:17:38this long

01:17:39and tiresome

01:17:40journey

01:17:40without

01:17:40baggage

01:17:41baggage

01:17:43it's diplomatic

01:17:44language

01:17:45for the

01:17:45ace of

01:17:46trumps

01:17:46come

01:17:47come

01:17:47you have

01:17:47baggage

01:17:48then let

01:17:48us

01:17:49examine

01:17:49it

01:17:49by all

01:17:51means

01:17:51you know

01:17:53madame

01:17:53that after

01:17:54the war

01:17:55ended

01:17:55we had

01:17:55a revolution

01:17:56we'll find

01:17:59miss

01:17:59barlow

01:18:00very well

01:18:01informed

01:18:01good

01:18:02but this

01:18:03you may

01:18:03not know

01:18:04our people

01:18:05now are

01:18:06weary

01:18:06of revolution

01:18:07they want

01:18:08their king

01:18:09again

01:18:09and they

01:18:11are going

01:18:12to have

01:18:12a king

01:18:13madame

01:18:14if not

01:18:15the father

01:18:16then they'll

01:18:16have

01:18:17the son

01:18:18the son

01:18:19where is

01:18:21your son

01:18:22in England

01:18:23with good

01:18:23friends

01:18:24enjoying

01:18:25life like

01:18:26any

01:18:26English

01:18:26boy

01:18:27he loves

01:18:28his life

01:18:28in England

01:18:29I'm told

01:18:29it seems

01:18:30so cruel

01:18:31to put an

01:18:32end to

01:18:32it

01:18:33put an

01:18:35end to

01:18:35what

01:18:35to his

01:18:36life

01:18:36to his

01:18:37life

01:18:38in England

01:18:38he's

01:18:40he's

01:18:41bluffing

01:18:41my boy

01:18:42is safe

01:18:43in England

01:18:43you know

01:18:45where he

01:18:45is

01:18:45my news

01:18:46is somewhat

01:18:46later than

01:18:47your own

01:18:47then where

01:18:48is he

01:18:49the moment

01:18:50that his majesty

01:18:51disappeared

01:18:51I took it upon

01:18:52myself to

01:18:52communicate with the prince

01:18:53he is at present

01:18:55somewhere on the continent

01:18:56in the care

01:18:57of good and patriotic

01:18:58friends

01:18:59and if his majesty

01:19:01remains silent

01:19:02then I shall

01:19:04speak as his majesty

01:19:05suggested

01:19:06and I shall tell

01:19:07our countrymen

01:19:08that their king

01:19:10deserted them

01:19:10in their hour of need

01:19:11and that his son

01:19:14will come to them

01:19:14and reign

01:19:15under my regency

01:19:16until he comes

01:19:18of age

01:19:19my boy

01:19:22is safe

01:19:22in England

01:19:23where is your

01:19:25telephone

01:19:25right here

01:19:27the library

01:19:28one moment

01:19:32your majesty

01:19:33the united states

01:19:35government

01:19:35has generously

01:19:36provided a military

01:19:37airplane

01:19:37it is waiting

01:19:38at gate 44

01:19:39at the los angeles

01:19:40international airport

01:19:41there will be

01:19:42no publicity

01:19:43they will respect

01:19:45your incognito

01:19:46I shall await

01:19:47you there

01:19:48if any harm

01:19:50has come

01:19:50to my boy

01:19:51please

01:20:03wait a moment

01:20:04I want to talk

01:20:06to you

01:20:07please

01:20:15Bernan

01:20:19I can't believe

01:20:21that you would

01:20:22place a teenage boy

01:20:23upon the throne

01:20:24to be a target

01:20:25for a bomb

01:20:26to be a target

01:20:27is the destiny

01:20:28of anyone

01:20:29who rules

01:20:30listen to me

01:20:32Bernan

01:20:32tomorrow I can

01:20:33sign the contract

01:20:34for ten years

01:20:35I'll give you half

01:20:36three quarters

01:20:37of my salary

01:20:38more if you like

01:20:40if

01:20:41if you'll return

01:20:44the boy

01:20:44to England

01:20:44and

01:20:45let his majesty

01:20:46stay here

01:20:47with you

01:20:48and let his majesty

01:20:51stay here

01:20:52with me

01:20:52I have never

01:20:57envied his majesty

01:20:58his crown

01:20:59but to be loved

01:21:01so deeply

01:21:02by one

01:21:03so beautiful

01:21:04of that

01:21:06I am indeed

01:21:07envious

01:21:07yes

01:21:20yes

01:21:21that's right

01:21:22Mr. Clifton Taylor

01:21:25Ainsbury School

01:21:26Sussex

01:21:27England

01:21:27thank you

01:21:29they will call right back

01:21:31it doesn't seem possible

01:21:32that a prince

01:21:33could be kidnapped

01:21:33without the whole world

01:21:34knowing about it

01:21:35he's the one thing

01:21:36I am counting on

01:21:37funny

01:21:39in a moment like this

01:21:42when my whole world

01:21:43is falling to pieces

01:21:44to be concerned

01:21:46with such a little thing

01:21:47what little thing

01:21:48that bow

01:21:49Bernan's bow

01:21:50you didn't notice

01:21:52your majesty

01:21:54your majesty

01:21:55that insulting

01:21:58little bow

01:21:59from the neck

01:22:00it's all I get

01:22:02from him

01:22:02he knows it

01:22:04infuriates me

01:22:05that's why

01:22:06he does it

01:22:06now

01:22:07now to my father

01:22:08your majesty

01:22:10hello

01:22:13hello

01:22:14hello

01:22:16hello Mr. Taylor

01:22:17this is King Galaxy

01:22:19speaking

01:22:20yes

01:22:21fine

01:22:22thank you

01:22:24fine

01:22:24tell me

01:22:25tell me

01:22:26I have been led

01:22:27to believe

01:22:27that is

01:22:28there is a rumor

01:22:30that my son

01:22:31what is that

01:22:33he did

01:22:35yes of course

01:22:38I'll wait

01:22:38the boy was not

01:22:40kidnapped

01:22:41oh thank heaven

01:22:42no

01:22:42he left

01:22:43of his own accord

01:22:43he left a note

01:22:45to the headmaster

01:22:46he's going to read it

01:22:47to me

01:22:47have you pencil

01:22:49and paper

01:22:49yes

01:22:50yes

01:22:54yes

01:22:54yes Mr. Taylor

01:22:56my country

01:22:59is in danger

01:23:01and I can do no less

01:23:05than go

01:23:07to a raid

01:23:09were my personal

01:23:15happiness

01:23:16the only

01:23:19consideration

01:23:19I should like

01:23:23to have remained

01:23:25in England

01:23:27forever

01:23:28with those

01:23:31I love

01:23:33but

01:23:35I have been taught

01:23:37that battles

01:23:39are never won

01:23:42by

01:23:44running

01:23:45away

01:23:47thank you

01:23:52Mr. Taylor

01:23:52thank you

01:24:0317 years old

01:24:08you taught him

01:24:12to ride

01:24:12you taught him

01:24:14to box

01:24:14perhaps you taught

01:24:17him this too

01:24:33arrivederci

01:24:41darling

01:24:42arrivederci

01:24:46hello Paul

01:25:10thanks for coming

01:25:12it's okay

01:25:13he certainly was

01:25:16the type

01:25:16he certainly

01:25:18was

01:25:19he didn't like

01:25:21the part

01:25:21he didn't like

01:25:23the part

01:25:24what now

01:25:27Freda

01:25:28five pictures

01:25:31ten pictures

01:25:32twenty if you like

01:25:33between pictures

01:25:34all that time

01:25:36between pictures

01:25:37Freda

01:25:37any plans

01:25:39he said

01:25:42out of a dare

01:25:43check

01:25:44what does that mean

01:25:46I'll be seeing you

01:25:49me

01:25:53I'll be seeing you

01:25:54as much as I said

01:25:55as I said

01:25:56I'll be seeing you

01:25:57as I said

01:25:58the next day

01:25:59I'll be seeing you

01:25:59as I said

01:26:00what is that

01:26:00theel

01:26:01and that

01:26:02the

01:26:02and the

01:26:03and that

01:26:03the

01:26:04and that

01:26:05the

01:26:05and that

01:26:07and that

01:26:08and that

01:26:09and

01:26:10all

01:26:10out of a

01:26:10THE END

🎤 Mr. Imperium (1951) | Lana Turner & Ezio Pinza in Glamorous Romance | Golden Age Musical 💔🎼

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