Pot o’ Gold (1941) is a delightful musical comedy directed by George Marshall, starring James Stewart and Paulette Goddard.
The story follows Jimmy Haskell, a music‑loving man who becomes entangled in a feud between his uncle’s business and a family of musicians. Romance blossoms as Jimmy falls for Molly, the daughter of the rival family, while music and comedy bring the two sides together. Featuring lively performances by Horace Heidt and his orchestra, Pot o’ Gold is a charming blend of romance, humor, and toe‑tapping tunes.
Film Details
Title: Pot o’ Gold
Year: 1941
Genre: Musical / Comedy / Romance
Director: George Marshall
Starring:
James Stewart as Jimmy Haskell
Paulette Goddard as Molly McCorkle
Horace Heidt and His Musical Knights
Charles Winninger
Runtime: Approx. 86 minutes
Studio: United Artists
Country: United States
Format: Black‑and‑white
#PotOGold #JamesStewart #PauletteGoddard #HoraceHeidt #1940sRomcom #RadioGiveaway #ScrewballComedy #IrishJamboree #StewartHarmonica
The story follows Jimmy Haskell, a music‑loving man who becomes entangled in a feud between his uncle’s business and a family of musicians. Romance blossoms as Jimmy falls for Molly, the daughter of the rival family, while music and comedy bring the two sides together. Featuring lively performances by Horace Heidt and his orchestra, Pot o’ Gold is a charming blend of romance, humor, and toe‑tapping tunes.
Film Details
Title: Pot o’ Gold
Year: 1941
Genre: Musical / Comedy / Romance
Director: George Marshall
Starring:
James Stewart as Jimmy Haskell
Paulette Goddard as Molly McCorkle
Horace Heidt and His Musical Knights
Charles Winninger
Runtime: Approx. 86 minutes
Studio: United Artists
Country: United States
Format: Black‑and‑white
#PotOGold #JamesStewart #PauletteGoddard #HoraceHeidt #1940sRomcom #RadioGiveaway #ScrewballComedy #IrishJamboree #StewartHarmonica
Category
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Short filmTranscript
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00:00:16The End
00:00:48The End
00:01:17Hello, Mr. Simmons.
00:01:18Hello, Mary.
00:01:19Hello, Mr. Haskell.
00:01:21Here's your shirt, Judy.
00:01:22I turn the cup.
00:01:23Oh, thanks very much.
00:01:25It's little enough for letting Mary come here and practice every day.
00:01:28Ah, it's all right.
00:01:30How's she doing?
00:01:31Ah, just don't you discourage her.
00:01:33She keeps up this practice and she'll be able to play real good.
00:01:36I'll be back in an hour.
00:01:37Okay, I'll take good care of her.
00:01:39All right, hop to it, Mary.
00:01:55Mary, uh, give me an A, will you?
00:02:03All right, sir.
00:02:03Okay, thanks.
00:02:11Hey, Jimmy, when are you going to get some new records?
00:02:14Oh, you kids haven't quite worn out the old, yet.
00:02:16Won't be long now.
00:02:19Hi, Tommy.
00:02:20Here's the made for my last lesson, Jimmy.
00:02:22Tomorrow I'll bring the bacon.
00:02:24Okay, here's your horn.
00:02:26I think you left your music over there someplace.
00:03:12Well, Uncle Charlie, hello.
00:03:14I'm glad to see you.
00:03:14Hello, Jimmy.
00:03:15I'm glad to see you, too.
00:03:17Well, it's quite a surprise.
00:03:18What brings you up in this neck of the woods?
00:03:19Well, I came up to see you, uh, since you didn't take the trouble to answer my letter.
00:03:24Letter?
00:03:24Oh, well, I wanted a little time to think at home.
00:03:26Well, come on in, Uncle Charlie.
00:03:32I, I, I wrote you, I wrote you three months ago.
00:03:37Oh, is it that long?
00:03:38I don't know.
00:03:39You know how it is.
00:03:40The fella gets busy every night.
00:03:42Nice.
00:03:43These things apply well and you have to change the oil every thousand miles, Doctor.
00:03:49Come on, Jimmy.
00:03:52Jimmy.
00:03:54Jimmy.
00:03:54I came up to have an important thought with you.
00:03:58Go ahead, go ahead.
00:03:58I'm listening.
00:03:59All right.
00:04:01Can't we go someplace without this entire racket?
00:04:05Oh, oh, yeah.
00:04:06Well, go right in my room there.
00:04:07Where?
00:04:08Right, right over there.
00:04:16Well, not that chair open, Charlie.
00:04:18That needs a little fix.
00:04:19I took it in on a trade for a second-hand clarinet.
00:04:23Uh, Jimmy, I'm not going to beat around the bush.
00:04:27As you know, you and I have not been very close.
00:04:30After all, we are the last of the Haskells.
00:04:33Oh, is that very serious?
00:04:34It is to me.
00:04:35I want to keep the name of Haskell in the health food business.
00:04:39Yeah, well, I understand how you feel, Uncle Charlie.
00:04:42I want to keep the name of Haskell in the music business.
00:04:44I'm talking about big business.
00:04:47Can't you understand?
00:04:49I need you, Jimmy.
00:04:51Someday you're going to get everything I've got.
00:04:55But you're not going to get it if you persist in frittering your life away in this town.
00:05:00This whistle stop.
00:05:04I like it here.
00:05:06My dad was happy here.
00:05:08Oh, I could never understand my brother.
00:05:11And I told him when he opened this place, he'd never make a go of it.
00:05:16Well, he kept it failing successfully for 25 years.
00:05:19That's not bad.
00:05:21If he'd listened to me, he'd been a rich man.
00:05:24But no.
00:05:25So what did he have when he died?
00:05:27The biggest funeral this town ever saw.
00:05:30Everybody was there.
00:05:31Why not?
00:05:32Everybody owed him money.
00:05:33Maybe so.
00:05:35Dad just had a wonderful time living.
00:05:37He liked things.
00:05:38He liked to hunt and fish.
00:05:40He liked music.
00:05:41Music.
00:05:43He talked a great deal about you.
00:05:46He did?
00:05:47Always seemed to feel so sorry for you.
00:05:50Sorry for me?
00:05:52Didn't get anything out of life.
00:05:54Just making money.
00:05:55Is that so?
00:05:56Since when has making money been a crime?
00:05:58Since when?
00:05:59Oh, I'm not going to argue with you.
00:06:02And I'm not going to let myself be upset.
00:06:05No, sir.
00:06:06Jimmy!
00:06:07Jimmy!
00:06:09Uncle, I'm sorry.
00:06:11Don't hit him, Jimmy.
00:06:12He's an old man.
00:06:13Oh, no.
00:06:14It's just the chair, you see.
00:06:15Are you hurt, Uncle Charlie?
00:06:16Oh, don't mind me.
00:06:18Oh, hello, bud.
00:06:19Can I talk to you for a minute?
00:06:20Oh, yeah.
00:06:21Well, outside here.
00:06:21Excuse me a minute, Uncle Charlie.
00:06:26I'm afraid I got some bad news for you, Jimmy.
00:06:28Oh, what's the trouble, bud?
00:06:30I'm supposed to tag up this attachment,
00:06:31unless you can dig up some money.
00:06:33Oh.
00:06:34Well, I guess you have to tag it up.
00:06:37Unless you think eggs are going to go up to $500 a dozen all of a sudden.
00:06:41Well, see what you can do.
00:06:42I'll hold this off as long as I can.
00:06:44Okay, thanks, bud.
00:06:50Oh, it's, uh, you're just telling me about some people that wanted some musical instruments.
00:06:56He's the sheriff, isn't he?
00:06:58How'd you know?
00:06:59I knew his father.
00:07:00He was serving a favor on your father the first time I came up here.
00:07:04That's right.
00:07:05Well, Jimmy, what's it gonna be?
00:07:06You can stay here chasing rainbows or you can come with me.
00:07:09I can show you a real pot of gold that's yours for the taking.
00:07:12Well, I, uh...
00:07:13Wait a minute.
00:07:14That's a good idea for my radio program tomorrow night.
00:07:18You've heard my happiness hour, of course.
00:07:21Oh, yes, everybody's heard that.
00:07:22Once.
00:07:23Listen to this.
00:07:25The clouds that make the day so gray must sooner or later pass away.
00:07:30There's always a pot of gold at the end of the rainbow.
00:07:33Good old homespun philosophy.
00:07:36Oh, boy.
00:07:39Well, I've got to be going.
00:07:41What are you going to do?
00:07:43Well, I'll tell you, Uncle Charlie.
00:07:45Unless a miracle happens in the next few days, looks like I'll slide down that rainbow.
00:07:50Fine.
00:07:53Land right in the pot.
00:08:02Uh, what, what was I saying?
00:08:04And furthermore...
00:08:05And furthermore, I see no reason for changing...
00:08:09What was I saying?
00:08:10And furthermore...
00:08:12I see no reason for changing the air guns we are now using to puff our rice and other cereal.
00:08:19Our present air guns are exceptionally quiet in operation.
00:08:23I, therefore, would suggest it.
00:08:28There goes that band again.
00:08:32Oh, I'll stop this.
00:08:44How can a man transact any business with that going on day after day?
00:08:48Tom-toms, jungle screeches.
00:08:50They're a menace to sanity.
00:08:53What did I say?
00:08:54Tom-toms and jungle screeches.
00:08:56No, no, but that's what I mean.
00:08:58The McCordons took that band in their house just to annoy me.
00:09:01That's why they've ignored all of my protests.
00:09:04Well, I understand it's a new band just organized.
00:09:06Who wants a new band?
00:09:08Let them organize in the cave somewhere.
00:09:10Boom, boom, boom, boom, boom.
00:09:13I'll settle this once and for all.
00:09:18Hey!
00:09:20Hey!
00:09:21You!
00:09:22Hey!
00:09:24Hey, you!
00:09:25Hey!
00:09:26Somebody, hey!
00:09:28Hey!
00:09:31What's the matter?
00:09:32Stop that, that blasted bedlam, or I'll have it stopped.
00:09:37Oh, you will, eh?
00:09:38Ha!
00:09:38You and who else?
00:09:40The police!
00:09:41I'll have that gang of noisy loafers thrown in jail for disturbing the peace.
00:09:46Disturbing the peace, are we?
00:09:51What about that air gun of yours booming all day and night?
00:09:54I suppose that's a baby's lullaby, you white-headed old baboon.
00:10:01That booming is business, and besides, we're all used to it.
00:10:04The band is business, and you'll get used to a tour at your own hard luck.
00:10:08I'll get out an injunction.
00:10:10Oh, you will, eh?
00:10:12Well, listen, you black-hearted old skinflint.
00:10:14For years, you've tried every trick to make me sell my house here so you could enlarge your factory.
00:10:20Well, I'm not selling, Haskell.
00:10:22Not at your price.
00:10:24So go ahead.
00:10:25Call the cops if you think you can have this band thrown out of here.
00:10:28You just wait.
00:10:30You'll find out.
00:10:36Go ahead, boys.
00:10:37Go to it, but loud!
00:10:40Jasper!
00:10:41Go get Jasper.
00:10:43Jasper!
00:10:44Jasper!
00:10:45Go get him!
00:10:46Find him!
00:10:47Don't stand there like a dummy!
00:10:48Do I have to do everything myself around here?
00:10:50Jasper!
00:10:51Jasper!
00:10:51Do you want me, CJ?
00:10:52Do I want you?
00:10:53Why aren't you here when I need you?
00:10:55Go get the police!
00:10:56The police, CJ?
00:10:57The militia!
00:10:58If necessary.
00:10:59That McCorkle woman has insulted me for the last time.
00:11:02But you've said that before, sir.
00:11:04I know, but this time I mean it.
00:11:06That band is driving me insane.
00:11:09It certainly is.
00:11:10Well, have them arrest it!
00:11:12I will.
00:11:12But!
00:11:25Hi, Si!
00:11:26What's the cookin'?
00:11:27Hi, Si!
00:11:28How's she lookin'?
00:11:30Life will be as sweet as can be.
00:11:32If I can find a cookie that you're lookin' for me.
00:11:35Hi, Si!
00:11:39All day long, I'll wash it and dry.
00:11:42You'll be my little cookie out of the way from Shanghai.
00:11:45Shine for you!
00:11:46Ten, ten, ten, surprise and revenue.
00:11:49Your dogs will get a real shampoo.
00:11:51The real maboo!
00:11:53Ha!
00:11:53Ha!
00:11:54Right, Steve!
00:12:00Bum-dee-dum-doo, diddly-dum.
00:12:03The fortune teller told me I was gonna clean up.
00:12:14Are the apples good?
00:12:15Just like I sell the Ritz Carlton.
00:12:17But then they ought to do for the McCorkle.
00:12:19I'll take a half a dozen.
00:12:23Here, Willie.
00:12:24What am I?
00:12:25A pack horse?
00:12:28There'll be anything else, Miss Molly.
00:12:29Oh, no, that'll be all.
00:12:31Here, stupid.
00:12:32Well, take it!
00:12:38Come on.
00:12:41Too bad you can't carry a few bundles without complaining.
00:12:44Oh, I don't mind carrying them.
00:12:47Well, who are you?
00:12:48I'm the guy carrying the bundle.
00:12:51Well, thanks.
00:12:52I thought my brother Willie was behind me.
00:12:55Oh, no.
00:12:56I need what I had of you.
00:12:57I'm terribly sorry.
00:12:58You must have been surprised.
00:13:01No, no.
00:13:01I guess life in the big city is just one big surprise after the other.
00:13:04For instance?
00:13:05Well, for instance, band music coming down out of the sky in broad daylight.
00:13:09Oh, that's up on our roof.
00:13:11On your roof?
00:13:11Is it?
00:13:12The band is strictly on the house until we get a job.
00:13:15Oh, well, you with the band?
00:13:16Well, my sister Donna and I sing with it.
00:13:18My brother plays in it, but mother feeds it.
00:13:20Oh, well, it certainly is a swell band.
00:13:22There's a slight difference of opinion around here about that.
00:13:25Oh, you mean the neighbors object?
00:13:26Oh, no.
00:13:28The neighbor drove.
00:13:30Uh-oh.
00:13:30Here comes trouble.
00:13:34Well, Mr. Cargo, as you can see, I'm here with the law.
00:13:37For protection, huh?
00:13:38Certainly not.
00:13:39We are here to give you the last warning.
00:13:41That music must cease definitely once and for all.
00:13:44I'm coming, Molly.
00:13:45What does this weasel want this time I did if I didn't know?
00:13:49No violence now.
00:13:50Speak to her, officer.
00:13:52Hello, Mom.
00:13:54You're in bad company, Mac.
00:13:55Well, I've been sent to deliver an ultimatum.
00:13:57Oh, you have, have you?
00:13:58Yes, and that band must go.
00:14:00They're disturbing the peace of the entire neighborhood.
00:14:02Oh, the entire neighborhood.
00:14:05Does it disturb you, Mrs. Papadalus?
00:14:07Not to me.
00:14:08It keeps me young.
00:14:10Disturbing the case.
00:14:11What about you, Mrs. Sweeney?
00:14:13It's a big advantage to me.
00:14:15My old man can't fight when he hears music.
00:14:19Say, where are we?
00:14:21Oh, who's loose?
00:14:23It's a rough, you know.
00:14:24Now, go back to your kennel and tell old man Haskell what you've had.
00:14:28Go on now.
00:14:29Hey!
00:14:30Hey, what's going on here?
00:14:32You've heard about the feud between the Hatfields and the McCoys, haven't you?
00:14:35Yeah.
00:14:36Well, this is the one between the McCorkles and the Haskells.
00:14:39What'd you say? Who?
00:14:40Come on.
00:14:42Now, what are you doing?
00:14:43I'm looking for a nice sock.
00:14:45Oh, my God.
00:14:47Oh, quit kicking me!
00:14:49Look out.
00:14:50Now, just a minute.
00:14:51Just a minute.
00:14:52You might miss him.
00:14:57Oh, you hoodlums!
00:14:59You'll pay for this, you hoodlums!
00:15:00Stop!
00:15:01Now!
00:15:02I guess I can't.
00:15:06Gosh, you hit the wrong man.
00:15:07Oh, no, you didn't.
00:15:08You hit the right man.
00:15:09Run!
00:15:11Oh, wait.
00:15:11Come on!
00:15:17Oh!
00:15:17It's blood!
00:15:18I've been shot.
00:15:19I've been stabbed.
00:15:20You're all right, P.J.
00:15:21Take it easy.
00:15:22No, I'm not all right.
00:15:23Call the doctor.
00:15:24Call an ambulance.
00:15:24But that isn't blood, P.J.
00:15:26It isn't blood.
00:15:28Well, what is it?
00:15:28What is it?
00:15:29Tomato juice!
00:15:30Come on!
00:15:33Oh, it's clear.
00:15:34Come on in.
00:15:39Oh, you sure do know your backyards and fences.
00:15:42Oh, I'd have made better time yet if I hadn't had to wait for you.
00:15:44Well, I didn't want to ask you to carry my suitcase.
00:15:50Have a doughnut, Hero.
00:15:52The best I can offer.
00:15:53Hero me?
00:15:54You certainly are.
00:15:55You know, I wouldn't be surprised if they put up a statue of you throwing that tomato.
00:15:59You know, like the discus fellow.
00:16:00Oh, well, that was an accident hitting my, uh, man.
00:16:04Accident?
00:16:04That was a stroke of genius.
00:16:06If you only knew how everybody hates old man Haskell.
00:16:09I knew what?
00:16:10Why?
00:16:10I could give you a reason for every dollar he's got in the bank.
00:16:14Do you know that he's trying to drive us out of our home because he doesn't like music?
00:16:17It's sort of a sticker, isn't it?
00:16:19And how?
00:16:20Believe me, the name of Haskell is pure poison around here.
00:16:23Yes.
00:16:27Hmm.
00:16:29Guess I'd better be going.
00:16:32Oh, what'd you hurry?
00:16:33Well, I have to find a place to live.
00:16:35I sort of expected to live with a relative of mine, but it doesn't seem like a very good idea,
00:16:38no?
00:16:39Well, if you'd like a place where there's never a dull moment, what's the matter with this?
00:16:42Oh, I don't know.
00:16:42I don't know.
00:16:44What's going on here?
00:16:45Who are you and what do you want?
00:16:47Mommy's looking for a place to live.
00:16:48Oh.
00:16:49Are you a new member of the band or would you be living here at a cash basis?
00:16:52Mom, this is the fellow that hit old man Haskell with a tomato.
00:16:56Oh, glory be.
00:16:58Oh, you darling, why didn't you tell me?
00:17:02So you're the fellow.
00:17:04Now listen, young man, you're not looking any further.
00:17:06You're going to live right here with us.
00:17:08Here, give me the bag.
00:17:09Well, that's very nice of you, but I...
00:17:11Put me no buts now.
00:17:12Why, the best room in the house is none too good for you.
00:17:15Whether you can pay for it or not.
00:17:16Come on now, give me the bag.
00:17:17You're not leaving this house.
00:17:19I'll take the bag.
00:17:19Willie!
00:17:21Willie, put it out of here.
00:17:22Molly, we're looking for you.
00:17:23Has that arrangement finished?
00:17:25Oh, why?
00:17:25Do we try?
00:17:26Right now.
00:17:26I want you to take this bag up to the big room.
00:17:28Oh, can't anybody besides me ever carry anything around here?
00:17:31Go on with you now.
00:17:32You're always grumbling.
00:17:33I'm not grumbling.
00:17:34Let me see it, Horace.
00:17:35Gee, these changes are swell.
00:17:37Slide over, Frankie.
00:17:40All right, boys, let's go.
00:17:48Say, when he starts to play, the kids begin to trail him.
00:17:53And they all say, hooray for Pete the Piper.
00:17:58When he plays the song, all the kids will never fail him.
00:18:04They sing a song along with Pete the Piper.
00:18:09People gather round when they hear the sound.
00:18:12The camels are coming, hooray, hooray.
00:18:15When their lively feet catch the Piper's feet.
00:18:17They start to sway, and then it isn't long.
00:18:22Till all the folks are dancing, their hearts are gay.
00:18:26When he will play them a song.
00:18:30When he's done all that, they pass the hat.
00:18:32We'll fascinate and beat the Piper man.
00:18:44THE END
00:18:56The End
00:19:18I'm sorry, I didn't mean to butt in.
00:19:20Get them, boys.
00:19:26Say, I didn't mean to bust things out, please.
00:19:31Can you read music?
00:19:32Sure.
00:19:32Play it like this.
00:19:33Me?
00:19:34Stand over there.
00:19:38Okay, Frankie, pick it up.
00:19:51The End
00:20:12People gather round when they hear the song.
00:20:20The camels are coming
00:20:22Now it won't be long
00:20:25Till all the folks are dancing
00:20:27Their hearts are gay
00:20:29When he will play them a song
00:20:32When he's done all that day
00:20:34Pass the hat for fascinating
00:20:36Beat the piper man
00:20:45Pass the hat and beat the piper man
00:21:06Brady's been pounding a beat out by the garbage dumps
00:21:08A little argument with old man Haskell
00:21:12Brady, you should have been here a little while ago
00:21:14You'd have been even for life
00:21:16Yeah, what happened?
00:21:17Oh, boy, bloody
00:21:18What they call poetic justice
00:21:22It must have been good
00:21:23It was perfect
00:21:26Well, come on, come on, out with it
00:21:29Well, old man Haskell came steaming over here
00:21:33Yeah
00:21:33And he got hit with a tomato
00:21:37Right in the kisser
00:21:42It was a soft one
00:21:44Naturally
00:21:45It was a hit and run time
00:21:47Oh, boy
00:21:50Nobody knows who did it, I hope
00:21:53No, nobody but me
00:21:54But I'm big-hearted
00:21:56Boys, meet the sharpshooter
00:22:05Molly McCorkle, will you never learn to keep your big mouth shut?
00:22:09What did I say?
00:22:11Too much
00:22:18My boy, you should have a medal
00:22:20Yes, sir, I'm sorry I can't be giving you one instead of this
00:22:24Oh, thanks very much
00:22:26What is it?
00:22:28It's a warrant for assault and battery
00:22:29Old man Haskell swore it out
00:22:32Uh-huh
00:22:33Come on, son
00:22:39Wait
00:22:39Hey, wait a minute
00:22:40Grady
00:22:44Wouldn't you like to give me a good swift kick before he's old?
00:22:47Oh, that's all right
00:22:48This has been fun here
00:22:50And I enjoyed jumping over those fences with you
00:22:52If I ever get this thing straightened out
00:22:54I hope you'll let me come back sometime
00:22:58And, uh, well, thanks for that donut
00:23:00That was all right
00:23:03Uh, well, come on, Grady
00:23:06Oh, yes
00:23:07The next case
00:23:13Hold up the king judgment, they're right there
00:23:15Molly, where are you?
00:23:17Come on, hurry up the case, it's dark
00:23:19Order, order in the courtroom
00:23:22Mary McCorkle, sit down
00:23:25Now listen, Mike
00:23:26Don't you be getting on your high horse with me
00:23:29Sit down
00:23:33Now what's this case all about?
00:23:37Young man, what's your name?
00:23:39My name?
00:23:40I prefer your real name
00:23:43Uh-huh
00:23:46Uh, well
00:23:47My name is James Hamilton
00:23:51James Hamilton
00:23:53Yeah, put that down
00:23:55And where do you live, James Hamilton?
00:23:58He lives with us at my house
00:24:01419 63rd Street
00:24:02Now tell me, James
00:24:05How did you get enmeshed in the coils of the law?
00:24:10I threw a tomato
00:24:15He's still modest, Mike
00:24:18He did a bullseye right at old man Haskell's face
00:24:21He did?
00:24:28Where were we?
00:24:29I'd just thrown the tomato, Your Honor
00:24:31Oh, yes, yes, yes, yes, sir
00:24:34Now tell me, uh, Jimmy, my boy
00:24:37Did you, with premeditation and intent
00:24:40Deliberately aim at the foresaid Haskell's face?
00:24:44Uh, what?
00:24:45Uh, the defendant refuses to answer
00:24:47On the grounds that he might incriminate himself
00:24:50Glory be, Mike, you certainly know the law
00:24:53Uh, having weighed the evidence
00:24:56The court rules that the case be postponed
00:24:59And the defendant, uh, released, uh, on bail
00:25:04Provided anybody has any money
00:25:06We have $200, is that enough?
00:25:09Uh, that was the exact sum that the court had in mind
00:25:13Who has it?
00:25:14I have it, Your Honor
00:25:15Uh, the clerk, uh, will accept it
00:25:20Next case
00:25:21Thank you, Mike
00:25:22Stand aside, please
00:25:24Will you move over?
00:25:25I'll pull your push
00:25:26I'm not pushing you
00:25:29Don't you push me
00:25:30Here comes double new more, dear
00:25:33Off in the window, boys, I smell still tomatoes
00:25:37Very funny, Mrs. McCorkle, very funny
00:25:40I only wish it had been you that threw that tomato
00:25:43So do I
00:25:44Only I'd have put a rock in it
00:25:46Oh, you would
00:25:46Well, let me tell you
00:25:52Proceed with the case, Judge
00:25:53I'm here
00:25:55Where's the man that assaulted me?
00:25:57If you don't mind, I'll conduct this case without any advice from you
00:26:01Flash, gentlemen, Mike
00:26:18Move along
00:26:19In you go
00:26:26All right, take it away, Eddie
00:26:32I bring a legitimate charge against the hoodlum
00:26:35And before I can give my evidence
00:26:37The thug is permitted to walk out right under your nose
00:26:40In the first place, he wasn't under my nose
00:26:43And in the second place, the defendant was released on bail
00:26:46And in the third place, you're in contempt of court
00:26:48And I sentence you to 25 days or $25
00:26:51Oh, that ain't enough, Mike
00:26:54Quiet, quiet
00:26:55This is an outrage
00:26:57It's a travesty on justice
00:26:59$50 or 50 days
00:27:01What?
00:27:02Make up your mind
00:27:03It's worth 50 to tell you what I think
00:27:05Is it worth 100?
00:27:07All right
00:27:07But you wait until the next election
00:27:10You wait until
00:27:12I'm waiting
00:27:14Until, uh, uh
00:27:16Your Honor
00:27:17It appears that I haven't any money with me
00:27:20Take him away, bailiff
00:27:21You can't do this to me!
00:27:23You can't do this to me!
00:27:24You can't do this to me!
00:27:26Come on, let's go, let's go, let's go, let's go!
00:27:45Come on, let's go, let's go, let's go, let's go, let's go!
00:28:15You gotta get up, you gotta get up
00:28:17You're in the army now
00:28:19Johnny blows the bugle
00:28:21Knows the calls from A to Z
00:28:22But he's always at his best
00:28:25When blowing readily
00:28:34When Johnny toots his horn
00:28:36Disturbing the peace at break of the dawn
00:28:39You gotta get up, you're in the army now
00:28:42Before your eyes are open, you're dressing on the run
00:28:46And standing at attention with the sergeant's hat on the corporal's gun
00:28:50Oh, Johnny blows and blows
00:28:52He doodly toots you into your clothes
00:28:54And makes you rue the day that you were born
00:28:58There's nothing anyone can do
00:29:00The captain has to make it too
00:29:03You gotta get up, Johnny toots his horn
00:29:29The captain has to make it too
00:29:39He doots you out of slumber
00:29:41He doots you out of bed
00:29:43He doots you into line and then he goes somewhere and he hangs his head
00:29:47But still he blows and blows and blows
00:29:49Blows and blows and blows
00:29:51Blows and blows and blows and blows and blows
00:29:53Yeah, yeah
00:29:54He wakes you with this crazy tune that goes to bed and sleeps to move
00:29:59You gotta get up, Johnny toots his horn
00:30:04He stands behind the barricade and plays his morning serenade
00:30:08The private gets up
00:30:09The corporal gets up
00:30:10The sergeant gets up
00:30:11The lieutenant gets up
00:30:12The captain gets up
00:30:13The major gets up
00:30:14The title gets up
00:30:15The general gets up
00:30:16The army gets up
00:30:17The army gets up
00:30:18When Johnny toots his horn
00:30:46Music, music, music, even in jail I hear music
00:30:48You'll get used to it
00:30:52Is it?
00:30:54Huh?
00:30:54Well, let me down
00:30:55Take your hands off of me
00:30:57And stop this nonsense
00:30:58You're nothing but a lot of hoodlums
00:31:02Jimmy, my boy
00:31:03Uncle Charlie will fancy meeting you here
00:31:05It's a gross miscarriage of justice
00:31:08But they can't do this to me
00:31:11On the other hand, what are you doing here?
00:31:13Oh, well, just another country boy got mixed up with a lot of evil companions
00:31:24What's wrong, sir?
00:31:25We have more prisoners in here than we have commitments
00:31:27Someone's thinking to our jail
00:31:28What?
00:31:29Yeah
00:31:30You fraud and the taxpayers, that's what it is
00:31:33All right, gangway, boys
00:31:34Come on, come on
00:31:34Line up over there
00:31:35Line up
00:31:35You
00:31:37What's your name?
00:31:38Haskell
00:31:38Haskell
00:31:39Okay, we got a Haskell
00:31:41All right, stand over there
00:31:42What's your name?
00:31:43Haskell
00:31:44Do you
00:31:45Oh, wise guy, huh?
00:31:47I suppose you're all named Haskell
00:31:48Yeah
00:31:49What's your initials?
00:31:51Uh, James H
00:31:52I got no James H, nothing
00:31:54So you're the stowaway
00:31:56Come on, get out of here
00:31:57You ought to be locked up for pulling a stunt like this
00:31:59James, my wallet is on my desk in the office
00:32:02Get it and pay my fine, will you?
00:32:04Okay, Charlie, be right back
00:32:05So long, fellas
00:32:06So long, Jimmy
00:32:07So long, Jimmy
00:32:08So long
00:32:12Hey
00:32:13Can you sing?
00:32:14No, I hate music
00:32:16We gotta do something about this, boys
00:32:18Yeah
00:32:19Yeah
00:32:19Come on, get them over
00:32:20Ha
00:32:21Get it
00:32:22I'll say
00:32:23Oh
00:32:39Hey, Jimmy, where have you been?
00:32:43Yeah
00:32:44Oh, hello, uh, me?
00:32:46Oh, I, I have to, uh, what's the matter?
00:32:49Well, we've been looking all over town for you
00:32:51Yeah
00:32:52Yeah, what for?
00:32:53What for?
00:32:54Oh, boy
00:32:54Come on
00:32:57Hey, here's Jim
00:32:58Molly
00:33:00Jimmy's here
00:33:00What?
00:33:01What did I tell you?
00:33:02I knew he'd come back
00:33:04What happened and where have you been?
00:33:05Oh, I got locked up again by mistake
00:33:07Oh, you certainly had the boys worried
00:33:09They've been sitting here chewing their fingernails
00:33:11Thinking you'd run out on them
00:33:12Well, why am I so popular all of a sudden?
00:33:14They pawned their instruments to bail you out
00:33:16Molly's idea
00:33:17Oh, well, thanks
00:33:20Very nice to know that I'm worth $200 on the hoof
00:33:23First call for dinner
00:33:26Jimmy, you're back
00:33:27Oh, you'll be at the first table
00:33:29Take care of them, Molly
00:33:35Don't touch your thing
00:33:36Get up from the table, all of you
00:33:38Why, what's the matter, Ma?
00:33:39Oh, you've forgotten
00:33:40You have a new membership initiated to the class
00:33:42Here, you sit next to her
00:33:43Come on, Willie, get up
00:33:44Get up
00:33:44Come on, now and stop your
00:33:46Oh, my, I'm not drumbling
00:33:47Hurry up, no
00:33:47I'll do more exercise
00:33:49If your whole body is just a minute
00:33:50And later on we're going to concentrate
00:33:52And if you're fire
00:33:53Just be right back
00:33:55Shh
00:33:59Hail McCorkle, hail McCorkle, we'll proudly sing thy praise.
00:34:16Hail McCorkle, hail McCorkle, no one ever kiss.
00:34:27Welcome to this university for the fraternity so full of knowledge.
00:34:33Welcome to our little college.
00:34:36And as we march along, we'll sing our college song.
00:34:46A knife, a fork and a spoon, we'll be down a happy tune.
00:34:51You'll all feel chummy as you fill your tummy with a knife, a fork and a spoon.
00:34:57Start tap, tap, tap in a dish.
00:35:00You'll get your favorite wish.
00:35:03Send trouble, dash you while your corn's be.
00:35:05Pass you with a knife, a fork and a spoon.
00:35:07At Mama Corkle's table, that's where we play each night.
00:35:14We eat all that we're able.
00:35:16So we may fuss, it's home to us.
00:35:19So come on, lift up your cup.
00:35:22Let's drink it down, bottoms up.
00:35:24Through stormy weather, we'll all stick together with a knife, a fork and a spoon.
00:35:38We're gathered round the table.
00:35:44We're real friends through and through.
00:35:49We're gathered round the table.
00:35:56To eat Mother's Irish stew.
00:36:02Mother's Irish stew.
00:36:05to eat Mother's Wild God.
00:36:27Boating house, dear boarding house,
00:36:31From thee we'll never roam
00:36:39Oh, boarding house
00:36:42Dear boarding house to us
00:36:46Your home, sweet home
00:36:59Say, that was all right.
00:37:01You can now consider yourself a full-fetched member of the McCorkley class.
00:37:05Oh, well, do I make a speech?
00:37:06If you do, you'll starve to death.
00:37:08Hey, look at this Irish stew.
00:37:12There you are.
00:37:13Tomatoes?
00:37:18Well, help yourself.
00:37:20No tomatoes.
00:37:40What's the matter?
00:37:41Oh, nothing.
00:37:42Nothing.
00:37:44Would you excuse me?
00:37:45I don't feel very well.
00:37:47Oh, it's probably too much excitement.
00:37:49I'll be all right.
00:37:50The jail and everything.
00:37:52Well, I think I'll be all right if I can go out and get some fresh air.
00:37:54Willie, you'd better go with him.
00:37:55Willie, sure.
00:37:56Oh, well, you don't have had it.
00:37:59Well, I'd be better off if I just went up to my room for a while.
00:38:03Willie's sure in his room.
00:38:04Come on.
00:38:04Willie does everything around here except eat.
00:38:09If you want anything, you're taller.
00:38:14Home sweet home.
00:38:15Oh, thanks.
00:38:18Ha-ha.
00:38:44When Johnny toots his horn, disturbing a piece of breaking the lawn, you gotta go.
00:38:48Get up.
00:38:50No, no, no.
00:38:51It's outrageous.
00:38:52Outrageous.
00:38:53I know it, but you're getting better.
00:38:54I don't want to be better, and I still hate music.
00:38:58You're so unreasonable.
00:39:00All right.
00:39:00All right.
00:39:01All right.
00:39:01All right.
00:39:02Now try it again and put in some gestures.
00:39:05When Johnny toots his horn, disturbing a piece of breaking the lawn, you gotta get up.
00:39:11You're in the army now.
00:39:13Before your eyes are open, you're dressing on the run.
00:39:16The corporal's got the sergeant at detention with his car.
00:39:20And now he blows and blows.
00:39:22He double-dee-dooks you.
00:39:24In the air, close attention.
00:39:25All right.
00:39:32Where have you been?
00:39:34You'll be sorry for this.
00:39:36Look what they've done to my boss.
00:39:40How am I going to broadcast the Haskell Happiness Hour tonight?
00:39:44Well, would there be any complaints if you just called the whole thing off?
00:39:47What?
00:39:48Tell him you lost your voice singing in a jail.
00:39:50Don't pay ridiculous.
00:39:54Ladies and gentlemen, due to circumstances beyond our control,
00:39:59we again bring you the Haskell Hour of Happiness with C.J. Haskell,
00:40:03makers of Haskell's Paddock Cakes, the health food supreme.
00:40:07Ladies and gentlemen!
00:40:09I can't do it.
00:40:10I'm sick.
00:40:11I'm croaking.
00:40:14Jimmy, you do it for me.
00:40:15Oh, no.
00:40:16Oh, yes.
00:40:17Mr. Haskell, we'll be with you in just a moment.
00:40:19Shh.
00:40:24Shh.
00:40:24Ladies and gentlemen!
00:40:25Shh.
00:40:27Shh.
00:40:28Tonight, I want to share a little poem with you.
00:40:34We all should be grateful and happy as kings.
00:40:38The world is so full of such wonderful things.
00:40:42The rain and the sun help the earth to grow wheat.
00:40:45Perhaps it's the most wonderful of any cereal we eat.
00:40:49What do you want?
00:40:50Listen to this, will you?
00:40:51The sun on the ocean sparkling and bright.
00:40:54What do you want to listen to that stuff for?
00:40:55Just listen for a moment.
00:40:56The breeze and the planets at night.
00:40:58The pansies and lilies, the primrose so fickle,
00:41:04they're ours to enjoy without spending a nickel.
00:41:07The rain!
00:41:07The rain!
00:41:23Good evening, sir.
00:41:24Good evening, Boggs.
00:41:26Boggs!
00:41:30Is the guest room in order?
00:41:33Certainly, sir.
00:41:34This is my nephew, Mr. James Haskell.
00:41:37Oh.
00:41:40How old do you do, sir?
00:41:42Same to you.
00:41:43Part me.
00:41:44Is your luggage in the car, sir?
00:41:46Luggage?
00:41:46Oh, I just had one suitcase and I left.
00:41:48What are you whispering about?
00:41:50I don't know where you started it, sir.
00:41:52I lost my voice singing.
00:41:53Singing?
00:41:54You, sir?
00:41:55Yes, I was.
00:41:55I think I'd better go and get my suitcase.
00:41:57You won't need it.
00:41:58We have everything here.
00:41:59Come on.
00:42:03Well, here you are, my boy.
00:42:05This is all yours from now on.
00:42:08I'm so happy to have you with me at last.
00:42:10Oh, thank you, sir.
00:42:12In case you need anything, it's right there.
00:42:15Oh, that's fine.
00:42:16We'll have breakfast at 7.30.
00:42:18Then I'll take you over to the factory and introduce you around.
00:42:22Best of all, I'm going to put you on the payroll.
00:42:25I don't imagine you've got much money.
00:42:28Well, your cashier cashed a check for me.
00:42:31Your personal check?
00:42:33How much?
00:42:34Oh, it was certified.
00:42:35All right, $214.
00:42:37That's what was left when I closed up shop.
00:42:40Oh, well, that dismal episode is behind you forever, my boy.
00:42:44Tomorrow is another day.
00:42:46With more music by the McCorkles, probably.
00:42:49Jimmy, that old lady is deliberately trying to wreck my health.
00:42:55But why?
00:42:56Just because I want her property.
00:42:58Oh, that's very unreasonable.
00:43:00It's getting on my nerves.
00:43:02I can't stand it any longer.
00:43:04Well, Uncle Charlie, why don't you go on a vacation?
00:43:06And let the McCorkles think that they're chasing me out of town?
00:43:11That's just what they want.
00:43:13Nothing is going to stand in the way of my getting the man who hit me with that torpedo.
00:43:23This is my room, if you want me.
00:43:28I'm going to take a hot bath and a hot toddy and go to bed.
00:43:32Good night, Jimmy.
00:43:33Come on, Charlie.
00:44:02I'm going to take a hot bath.
00:44:06Do you believe in fairy tales?
00:44:12I do.
00:44:16I know a place where fairy tales come true.
00:44:26Just close your drowsy eyes, my dear,
00:44:30and a genie will appear.
00:44:32He'll take you by the hand.
00:44:37And through a star embroidered sky
00:44:41on a carpet you will fly.
00:44:45And you'll awake in fairy land.
00:44:52A prince will ride upon the sea.
00:44:57Hey, la, la, la, la.
00:45:00Ooh.
00:45:03You'll say Fair Lady be my queen.
00:45:07Ha, la, la, la, la.
00:45:10Ooh.
00:45:10In this beautiful land of laughter, you'll live happily ever after, if you believe that fairy tales come true.
00:45:57In this beautiful land of laughter, you'll live happily ever after, if you believe that fairy tales come true.
00:46:23Do you believe in fairy tales? I do.
00:46:33I know a place where fairy tales come true.
00:46:42Just close your drowsy eyes, my dear, and a genie will appear. He'll take you by the hand.
00:46:52And through a star-embroidered sky on a carpet, you will fly, and you'll awake in fairy land.
00:47:09Do you believe in fairy tales?
00:47:15Gadsduke, stop that infernal music!
00:47:17You're white-headed old baboon! This is Jasper!
00:47:19Quiet, wench!
00:47:20Jasper! Jasper, where are you?
00:47:21Here, C.J.
00:47:22Go and get them, Jasper!
00:47:23Okay, C.J.
00:47:24Run, Jimmy! Run for your life!
00:47:27I win!
00:47:28Let him away!
00:47:29I know the prince will ride upon the sea
00:47:35Run, Jimmy! Run for your life!
00:47:37Look out! Look out! He's got an axe!
00:47:40Don't you touch him! Look out!
00:47:42What a dream I was having!
00:47:57Well, you just keep right on dreaming.
00:48:00Okay with me?
00:48:09Oh!
00:48:13Good night.
00:48:17Good night.
00:48:18Good night.
00:48:39Right, I'll analyses you.
00:48:42How dare you?
00:48:44What a dream, beMPoled.
00:48:48Oh, I looked at the...
00:48:50Look, just what goes on between you and C.J. Haskell.
00:48:54Oh.
00:48:55Well, I might as well tell you.
00:48:56He's my uncle.
00:48:57Oh, yeah?
00:48:58Yeah.
00:48:59Well, here.
00:48:59I'll prove it to you.
00:49:00Here's a letter he sent me.
00:49:02It's a James Hamilton Haskell.
00:49:03That's me.
00:49:04Here.
00:49:04You want to read it?
00:49:05No, I read enough.
00:49:06Say, what is this?
00:49:07What are you doing here?
00:49:09Oh.
00:49:10Well, I almost forgot what it came for.
00:49:12In the first place, there's $200.
00:49:13Now you can get your instruments out of Hawke.
00:49:15Did you get that from your uncle?
00:49:16You don't know my uncle.
00:49:18Thanks, Jim.
00:49:19That's all right.
00:49:19That's all.
00:49:20I like the people in this house.
00:49:23Especially, well, I like everybody.
00:49:25I still like to live here all the time.
00:49:27But as soon as Molly finds out who I am, she'll kick me out in the alley.
00:49:31Well, suppose she doesn't find out?
00:49:33Well, that'd be very nice, but she...
00:49:35Now, look, you've been regular.
00:49:36You didn't have to come across with that dole.
00:49:38I'm for you, Jimmy.
00:49:39How about you, Horace?
00:49:40Sure thing.
00:49:40I'm for you.
00:49:41Well, thanks very much.
00:49:44No, I still got troubles.
00:49:47Don't you see?
00:49:47Sooner or later, Molly's going to find out who I am.
00:49:50Just like sooner or later, old man Haskell's going to find out who threw that to Maya.
00:49:54And it just won't work.
00:49:57Either way, I'm a dead duck.
00:49:59Well, how's your uncle going to find out?
00:50:01Well, he'll see me at the trial, won't he?
00:50:03What would happen if Uncle Charlie didn't show up for the trial?
00:50:06They'd throw the case out of court.
00:50:08Well, there's your answer.
00:50:09We'll get rid of Uncle Charlie.
00:50:10How?
00:50:11Well, we'll let Red run over him with the ice wagon.
00:50:14What do you think he'd do it?
00:50:15Oh, you couldn't do that.
00:50:16What do you mean we couldn't do that?
00:50:18Red would love it.
00:50:19I'll go get him.
00:50:20Oh, wait a minute.
00:50:20Hold on here.
00:50:21Couldn't you do something not quite so drastic?
00:50:24Any ideas?
00:50:26Yeah, I think I'd better go back to Point Jervis.
00:50:29Uncle Charlie's a pretty tough guy to deal with.
00:50:31And from the way he talked tonight, you'd better find someplace else to rehearse your band.
00:50:35Well, so long, Horace.
00:50:36Oh, so long, Jervis.
00:50:37I'm sorry about this.
00:50:38Willie, thanks for everything.
00:50:39So long, Jimmy.
00:50:40Jim, wait a minute.
00:50:41What?
00:50:41That's it.
00:50:42The band.
00:50:43He doesn't like it.
00:50:44No, he certainly does not.
00:50:46Well, come on.
00:50:49Come on.
00:50:56What did you assist you to?
00:51:01Yes.
00:51:15Well, let's go.
00:51:43Don't shoot, Bill.
00:51:44You've got to get more foodie, you slug.
00:51:46You've got to get more foodie, you slug.
00:51:46Ah!
00:51:51Yay!
00:51:51Ah!
00:51:52Ah!
00:51:53Ah!
00:51:54Ah!
00:51:56Oh!
00:51:57Ah!
00:52:05Ah!
00:52:18Jimmy!
00:52:22Jimmy!
00:52:24Here he come. Do you think it will work for us?
00:52:26If he's whiskered, don't fall off.
00:52:29Uh, yes, Uncle Charlie!
00:52:30Jimmy!
00:52:32What are you doing down here?
00:52:34And who is this man?
00:52:35Well, I'll tell you, Uncle Charlie, I got worried about you.
00:52:37I couldn't sleep, so I called in a specialist.
00:52:39Now, this is Professor Height.
00:52:40This is my Uncle Charlie.
00:52:42Oh, no.
00:52:43Nonsense.
00:52:43I don't need a doctor.
00:52:45I eat my own health foods.
00:52:46It's my nerves that are cracking.
00:52:48That's why I'm here, Mr. Haskell, to work on your nerves.
00:52:51Relax, please.
00:52:54Relax?
00:52:55How can anybody relax with that music going on?
00:52:59Music.
00:53:01Music.
00:53:04What music?
00:53:06That creepy music.
00:53:07Don't you hear it?
00:53:10Let me see what I mean, brother.
00:53:16I tell you, I hear music.
00:53:19Maybe it's the radio in the library.
00:53:26It's not the radio.
00:53:27Do you still hear it, Uncle Charlie?
00:53:29Yes, it's still playing.
00:53:30Mr. Haskell.
00:53:32Tell me, where does this music seem to be coming from?
00:53:35I don't know, but just a moment.
00:53:37I'll tell you.
00:53:43It's plainer down here.
00:53:47Uncle Charlie, don't you think you'd better go back to bed?
00:53:49I tell you, Jimmy, I hear it.
00:53:53Here.
00:53:55Here.
00:53:56Here it is.
00:53:58It's coming from the furnace.
00:54:00Music in first.
00:54:02Well, listen yourself.
00:54:04Jimmy, please tell him that you hear it.
00:54:10I'll get Parks.
00:54:12He'll get me out.
00:54:13Parks will back me up.
00:54:15You see if he don't.
00:54:16What's the matter?
00:54:20Don't tell me you don't hear anything.
00:54:22Oh, yes.
00:54:23It's about time.
00:54:24I was beginning to get nervous.
00:54:25Beautiful string quartet.
00:54:26String quartet.
00:54:28It's bugles.
00:54:30Here's bugles on phone.
00:54:31I tell you, I hear bugles.
00:54:33It's bugles.
00:54:34Don't try to humor me.
00:54:35All right.
00:54:35All right.
00:54:36Now, let's go and get some air.
00:54:37You've nothing to worry about until you start seeing things.
00:54:40There you go.
00:54:40There's nothing wrong with me.
00:54:51Jimmy.
00:54:51Look, doctor.
00:54:52Look.
00:54:53What do you see?
00:54:53What do you want us to see, Uncle?
00:54:55Girls dancing on the lawn.
00:54:57Where?
00:54:58There.
00:55:04See paper dolls dancing on lawn.
00:55:07Paper dolls.
00:55:08You're right, Jimmy.
00:55:09I am in terrible shape.
00:55:11My nerves are all gone.
00:55:13Doctor, what do you think I'd better do?
00:55:16Mr. Haskell, give your nerves a good long rest.
00:55:19Get out of town.
00:55:21I'll do it.
00:55:23I'll go up in the woods.
00:55:24Fine.
00:55:25We'll help you pack.
00:55:26No.
00:55:27Not until I find the man who threw that tomato.
00:55:31Now, Uncle Charlie, your health is much more important than that silly tomato.
00:55:34Yes, Mr. Haskell.
00:55:34That's right.
00:55:35Sure.
00:55:35Now, let me handle this.
00:55:36I'll put the finger on that fella.
00:55:38He's as good as in jail right now.
00:55:40Almost.
00:55:40And while you're up there resting, he'll be well taken care of.
00:55:43Don't worry about that.
00:55:44And I'm the guy that can do it.
00:55:46Good.
00:55:48I'll take the first train out in the morning.
00:55:52What's the matter now?
00:55:53The music stopped.
00:55:56All but the bull fiddle.
00:55:58You see, you're improving already.
00:56:00Yeah.
00:56:10Hi, Mr. Haskell.
00:56:11What can I do for you?
00:56:12Hello, Mr. Lotteman.
00:56:13Well, I just dropped in to see if we couldn't make the Haskell happiness hour a little bit happier.
00:56:18Welcome, stranger.
00:56:19Sit right down.
00:56:20What do you have to drink?
00:56:21Well, I...
00:56:21Hello, Mr. Backus.
00:56:23What's the purpose of this meeting?
00:56:25Well, we were about to discuss the program.
00:56:27You know very well that I have charge of the happiness hour during Mr. Haskell's absence.
00:56:31He trusts me implicitly.
00:56:32Well, not 100%.
00:56:33I beg your pardon.
00:56:34Look, I have a note from my uncle giving me complete charge of the program.
00:56:38Hmm?
00:56:38Well, it didn't take you long to undermine me with your uncle, did it?
00:56:42How do I know you didn't write that yourself?
00:56:44Now, listen, Mr. Lotteman.
00:56:45There'll be no change...
00:56:46Would you excuse us a minute?
00:56:47I'd like to talk to you.
00:56:48Yes, we had better talk to yourself.
00:56:50Yeah, yeah.
00:56:50All right.
00:56:51Be right back.
00:56:56Oh!
00:56:59I'd like to make some other improvements, too.
00:57:01Go right ahead.
00:57:03Well, I'd like to use a band.
00:57:04No, no, no.
00:57:05Please, no.
00:57:05We're overloaded with bands.
00:57:07No, but this is ideal because my uncle hates it.
00:57:10What?
00:57:10Yeah, drove them clear up to Canada.
00:57:12Well, then what do you want to put down his program for?
00:57:14Well, it's pretty hard to explain, but you see, it'll give the band a break, and then
00:57:18they'll have to thank my uncle for it, and that'll make him feel pretty good.
00:57:21Up in Canada?
00:57:22Up in Canada.
00:57:23Yeah, and there's sort of a feud going on.
00:57:25A feud?
00:57:25Uh-huh.
00:57:26And then there's a girl.
00:57:28Oh, a girl.
00:57:29Yeah.
00:57:32Sounds pretty confusing, doesn't it?
00:57:34Well, no, it sounds pretty good.
00:57:36It does?
00:57:37Well, that's it.
00:57:38You play Thursday night over a coast-to-coast hookup at the opening of the East Chester Country
00:57:41Club.
00:57:42That's great, Jim.
00:57:43How did you ever do it?
00:57:44Well, I don't know.
00:57:45I just started to talk.
00:57:45The fellow listened.
00:57:46I'm just as surprised about it as you are.
00:57:48How much do we get for it?
00:57:50Uh, nothing.
00:57:52Nothing?
00:57:52No, you don't get anything.
00:57:53Oh.
00:57:55Well, what of it?
00:57:56Is it any different than playing for the neighbors than old man Haskell?
00:57:58Well, what do we get out of that?
00:57:59At least this way there's a chance.
00:58:01I'm Saul.
00:58:02What can we lose?
00:58:03That's all right for me.
00:58:16Hey, give me a push.
00:58:20Bonsoir, monsieur.
00:58:21What did he say?
00:58:23Bonsoir, monsieur.
00:58:24Well, you made me drag this pack through the woods for four hours to get to a place where
00:58:29nobody can talk English.
00:58:30What kind of a guide are you anyway?
00:58:33Hey, P.I.
00:58:34Have you a machine?
00:58:36Talkie-talkie.
00:58:38No, I don't think so.
00:58:39I've got a good one right there.
00:58:41I'm not a peddler.
00:58:43This one is busted.
00:58:44I want to hear a problem in America that goes on at 8 o'clock.
00:58:47Well, help yourself.
00:58:52Here.
00:58:52Get this avalanche off my back.
00:58:54Oui, monsieur.
00:58:58Oui, monsieur.
00:59:22Thank you, ladies and gentlemen.
00:59:23That's all right now.
00:59:24We're about to start our broadcast.
00:59:28Well, boys, here we go.
00:59:30Good luck.
00:59:32What, are you scared?
00:59:34Now, just take a deep breath.
00:59:42Good evening, ladies and gentlemen.
00:59:44The Haskell Happiness Hour comes to you tonight from the dining patio of the exclusive East Chester
00:59:48Country Club.
00:59:49Country Club?
00:59:50What the?
00:59:51This marks the first appearance on the air of a new band, Horace Height.
00:59:55Music on my program?
00:59:57Thank you and good evening, ladies and gentlemen.
01:00:00This is Horace Height.
01:00:01And the first number on our program is Broadway Cavaliero, featuring Miss Molly McCorkle.
01:00:06McCorkle!
01:00:07And here she is, the charming Molly.
01:00:16He's disarming, alarming, charming, and gay.
01:00:22First, he steals your heart, then he throws it away.
01:00:27He will tell you what tropical nights will make you dream of a thousand delights.
01:00:32First, he'll hold your hand, say you're simply grand, but soon you're thinking his way.
01:01:03He's never been south of the border.
01:01:05He's never been Argentine way.
01:01:08But when he starts to pit, the chances are you'll forget that he's a cavallero from Broadway.
01:01:14South on Broadway.
01:01:17He'll hold you and say, senorita, right here in my arms you must stay.
01:01:21And from his dialect, I know you'd never suspect that he's a cavallero from Broadway.
01:01:27South on Broadway.
01:01:29His daytime, he spends parading on the avenue.
01:01:35Then later, you'll always find me with a girl or two and a third in you.
01:01:40He'll take you to all the gay places.
01:01:43He'll make every Latin cafe.
01:01:45He'll give you such a thrill.
01:01:47And then he'll hand you to fill this charming cavallero from Broadway.
01:01:51South on Broadway.
01:01:58When Madame Lozanga learned the conge, I swear.
01:02:01I gave her the lessons and I gave her the air.
01:02:04It seemed to be love and bloom.
01:02:06Suddenly, boom, another girl took over from there.
01:02:09I know if you meet him, you are likely to fall.
01:02:12His methods are sensed because it catches them all.
01:02:14He'll sing you a serenade.
01:02:16He's tenderly played upon an old male art at his heart.
01:02:25You bring up the subject of dancing.
01:02:28And all of his pupils will say.
01:02:30He's such an awful crumb, but no one dances a rumble.
01:02:33Like the camp of yellow from Broadway.
01:02:36South on Broadway.
01:02:51He'll tell you he lives in Argentina's biggest house.
01:02:56But we know his hacienda is a boarding house run by Sanger Krauss.
01:03:02He's not an ecratious fellow.
01:03:04He's like a dog having his day.
01:03:06This morning, Don Amigo, really comes from us.
01:03:09We go for a camp of yellow from Broadway.
01:03:12He does okay.
01:03:16He's like a dog having a dog having a dog with a dog with a dog with a dog with
01:03:30a dog with a dog with a dog with a dog with a dog with a dog with a dog
01:03:31with a dog with a dog with a dog with a dog with a dog with a dog with a
01:03:32dog with a dog with a dog with a dog with a dog with a dog with a dog with
01:03:32a dog with a dog with a dog with a dog with a dog with a dog with a dog
01:03:32with a dog with a dog with a dog with a dog with a dog with a dog with a
01:03:32dog with a dog with a dog with a dog with a dog with a dog with a dog with
01:03:32a dog with a dog with a dog with a dog with a dog with a dog with a dog
01:03:32with a dog with a dog with a dog with a dog with a dog with a dog with a
01:03:32dog with a dog with a dog with a dog with a dog with a dog with a dog with
01:03:32a dog with a dog with a dog with a dog with a dog with a dog with a dog
01:03:50The End
01:04:19The End
01:04:54The End
01:05:32The End
01:05:56The End
01:06:17The End
01:06:23Hello, everybody. I have some good news for you. Every week beginning next Thursday, Mr. Haskell, the sponsor of our
01:06:30program, is going to give away $1,000 in cash to somebody.
01:06:35$1,000 a week. That's a lie.
01:06:38Isn't that generous, folks?
01:06:44Now, Mr. Haskell, trick your way out of that.
01:06:50I've got to get back home. I've got to get back home. How long is it going to take me
01:06:52to get out of here? Well, first portage take two days. How long take you to get here? A week.
01:06:57Good luck. You can make it back in a week. A week. Let's get started.
01:07:04Jimmy, Jimmy, my boy, congratulations. That was a marvelous idea. How did you come to think of it? It just
01:07:11came out of a clear sky.
01:07:18The Haskell happiness hour created nationwide interest in this program last night by announcing that $1,000 a week would
01:07:24be given away in cash. I know. I read all the papers.
01:07:26Here's Mr. Haskell. Morning. This is your uncle's attorney, Mr. Talmud. Good morning. How do you, sir? I won't take
01:07:32much of your time. Just sign this paper, please. What is it? A statement that you did not authorize Ms.
01:07:37McCorkle to make that announcement last night. That she did it out of spite with intent to damage your uncle.
01:07:42Now, sign here, please. Oh, no. Wait a minute. There's nothing to worry about. I'll guarantee you we can get
01:07:48judgment against the McCorkles. They won't be able to pay, so we take their property. And that's what your uncle's
01:07:53been trying to do for years? Now, sign here, please.
01:07:56It's a funny thing. I don't like to get pushed around. I also don't sign anything until I read it
01:08:01first. Now, how'd you like to get out of here, both of you? Don't you hit me again. I have
01:08:04my glass.
01:08:07Mr. Haskell, your uncle... Good day, sir. Good day.
01:08:16Beautiful, Parks. Thank you, sir.
01:08:24Why don't you answer the phone?
01:08:26Hello?
01:08:28Oh, Jimmy, my boy, how are you?
01:08:31Oh, you want to talk to Molly?
01:08:35Well, I don't think it's a very good time to...
01:08:40Just a moment.
01:08:42Mom, you're going to fight your own battles. I'm not doing it for you.
01:08:49Well?
01:08:50Look, I hate to annoy you, but this is important.
01:08:53Now, that $1,000 offer you made last night, it was my idea. Do you understand?
01:08:58Now, just don't argue.
01:09:00If anybody asks you anything about it, just follow Grady's advice.
01:09:04Don't you tell me to keep my mouth shut. Why should I?
01:09:07Well, if you don't, they'll take your home away from you.
01:09:09What is this, another one of your tricks? I don't need any help from you.
01:09:12What?
01:09:13I said, don't be stupid. I'm not doing it for you. This is for Mom and the boys.
01:09:19Oh!
01:09:20Excuse me, sir. Mr. Louderman and Mr. Sampson are coming.
01:09:23Oh, have them come in.
01:09:24Yes.
01:09:25Good evening, please.
01:09:26Hello.
01:09:27Hello, Jimmy. Congratulations.
01:09:29Your program was a knockout.
01:09:31Telegrams, phone calls from all over the country.
01:09:34People...
01:09:34Oh, I beg your pardon. This is Mr. Sampson.
01:09:36How do you do, Mr. Sampson?
01:09:37Yes, sir.
01:09:37Sit down.
01:09:38Yes, thank you.
01:09:39Mr. Sampson is an investigator for the federal government.
01:09:42Oh, I see.
01:09:42The...
01:09:43Well, what's the government got to do with it?
01:09:45We're only concerned with one detail.
01:09:47The method by which you will give away the money.
01:09:49Oh, I see. Well, that oughtn't to be very hard.
01:09:51I never heard of anybody having any trouble giving away a thousand dollars.
01:09:55Well, let's see.
01:09:56You understand that it cannot be a lottery.
01:09:58The government wouldn't permit raffles or drawings of any description.
01:10:01Oh, oh, yes. I understand that. No, that would be...
01:10:06Well, how about a quiz contest?
01:10:09No, no, I'm afraid not.
01:10:10It was announced that the money would be given away over the air.
01:10:13Not to a studio audience.
01:10:15Oh.
01:10:16Well, that sort of complicates it, doesn't it?
01:10:19Let's see. Well, I...
01:10:21Well, how about taking a city directory and sticking a pin in it and then give the thousand dollars to
01:10:25the fellow that gets stuck?
01:10:26No, no.
01:10:27A city directory is local.
01:10:29This has become a national affair.
01:10:31Oh, well, let's call the whole thing off and not give away my uncle's money at all.
01:10:35No, no.
01:10:35The money was promised and must be given away.
01:10:37Yes, if it isn't, why my company loses its franchise and your uncle's business is ruined.
01:10:43And you will be liable to a fine and imprisonment.
01:10:46Well, that's great.
01:10:48Well, I have quite a choice, don't I?
01:10:51Either I give the money away and go to jail or I don't give the money away and go to
01:10:56jail.
01:10:58Hand me the salt.
01:11:04Still mooning about Jimmy, huh?
01:11:06Well, believe me, you've seen the last of him.
01:11:08And he's probably glad he found out just what kind of a girl you really are.
01:11:12All right, Mom, all right.
01:11:13Well, it's not all right.
01:11:15A fine lad like Jimmy deserves a girl who really loves him.
01:11:18Whether his name be Hamilton, Haskell, or Hassenshaff.
01:11:24Well, I hope you're satisfied.
01:11:26What's the matter now?
01:11:28Well, nobody can figure out how to give away that thousand dollars.
01:11:31It looks like Jimmy's going to jail on account of it.
01:11:33Oh, this is awful.
01:11:34But Jimmy isn't responsible.
01:11:36He didn't make the offer.
01:11:37I did.
01:11:38Well, he says it's his program and he's going to take the rap for it.
01:11:40Then are you going to stand by and see that boy go to jail?
01:11:44But Jimmy told me that...
01:11:44I know what he told you and why?
01:11:47To keep a roof over our heads.
01:11:49Well, I'd rather we'd lose our house than lose our pride.
01:11:54Oh, Mom.
01:11:56I've been feeling the same way all week.
01:12:04Yes.
01:12:05No, not yet.
01:12:08Well, gentlemen,
01:12:09someone's got to think of something somehow and soon.
01:12:12It's tonight, you know, the program goes on the air,
01:12:14not next month.
01:12:17And we're no closer to the answer than we were a week ago.
01:12:21Yes.
01:12:22I got it!
01:12:23I got it this time, boy.
01:12:24It came to me just like that.
01:12:26What is it?
01:12:26Now, look.
01:12:26Well, get that bowl.
01:12:27You know that great big glass bowl they used for the draft numbers?
01:12:30Great.
01:12:30That's it.
01:12:31Yeah.
01:12:31Boy, I'm proud of you.
01:12:33That'll do it.
01:12:33No, no, gentlemen.
01:12:34No, no.
01:12:35What's the matter?
01:12:35There'll be a lottery in the government for big lotteries.
01:12:37No, no, not yet.
01:12:40Okay, I'll go back and see if I can't dream up something else.
01:12:42You're not sleeping up there, are you?
01:12:44Sleeping?
01:12:44I haven't slept for days.
01:12:45I'm eating aspirin tablets like peanuts.
01:12:48Gentlemen, I've got it.
01:12:49What?
01:12:49The first time I've ever been able to beat this game.
01:12:54Yes?
01:12:54Look.
01:12:55No.
01:12:55Why don't you all go down to the broadcasting station?
01:12:57Maybe if I was alone, I could think of something.
01:12:59Okay, Jimmy.
01:13:00We'll get out.
01:13:00Samson, come on.
01:13:02Yes?
01:13:03No?
01:13:04Not yet?
01:13:04Would you put that thing off the hook and leave it off?
01:13:07Thank you, sir.
01:13:08Ah.
01:13:11Are you all right, Jimmy?
01:13:13Oh, yes, yeah.
01:13:13I'm just beginning to get my second wind.
01:13:15Well, you better think of something.
01:13:17Ah.
01:13:297.30.
01:13:29Hurtin' Jimmy yet?
01:13:30No, nobody answers the phone.
01:13:31How are we to go in the air?
01:13:33Brother, when the times indicate 8 o'clock, you're on the air.
01:13:37From coast to coast.
01:13:52Coming, Mr. Haskell.
01:13:53Coming!
01:13:58Well, it's about time.
01:14:00I'm waiting to answer the telephone.
01:14:01Well, the madam, you see, I...
01:14:03Well, how do you like that?
01:14:05Oh!
01:14:07Come on, wake up.
01:14:09Come on, get up.
01:14:10Get up, will you?
01:14:10Can't do it.
01:14:10Can't do it.
01:14:11It's against the wall.
01:14:13It's Molly.
01:14:14Oh, get up.
01:14:16Oh.
01:14:17Oh.
01:14:17You.
01:14:18Yes, it's me.
01:14:19Now, come on.
01:14:20I suppose you want to know how I'm going to give away that $1,000.
01:14:23Well, I haven't the slightest idea.
01:14:25Now, go home.
01:14:25Go home.
01:14:26Go home, he says.
01:14:28You come down out of there as fast as you can.
01:14:31On your feet, big boy.
01:14:33If you think the McCorkles are going to let any Haskell fight their battles for them, you're
01:14:36cuckoo.
01:14:37Now, if you think the Haskells are going to let McCorkles kick them around, you're cuckoo,
01:14:40too.
01:14:41Now, go on.
01:14:41Go away.
01:14:42Go away.
01:14:43Still going to sleep, huh?
01:14:45Uh-oh.
01:14:46Now, just a second.
01:14:47Don't you dare.
01:14:49Madam, you can't do that.
01:14:51Where's the telephone?
01:14:57What do you think you're doing?
01:14:58I'm going to tell the government man exactly what happened.
01:15:00Oh, no.
01:15:00Oh, yes, I am.
01:15:02Give me that phone.
01:15:02I've made up my mind.
01:15:03Let me have that phone.
01:15:04Give me that phone.
01:15:05I'm not going to.
01:15:06Oh, no.
01:15:06I won't.
01:15:07All right.
01:15:08There are millions of other telephones.
01:15:13That's it.
01:15:14That's what?
01:15:15Hands spinning around.
01:15:16Millions of telephones.
01:15:17Millions of telephone books.
01:15:19Parks.
01:15:19And it's not a lottery.
01:15:21You are a cuckoo.
01:15:22Goodbye.
01:15:34The Haskell Happiness Hour presents the radio sensation of the nation,
01:15:37the pot of gold featuring Horace Hyde and his musical night.
01:15:43And don't forget, ladies and gentlemen, before this program is over,
01:15:47we will give away $1,000 in cash.
01:15:51The method of giving it will be announced later.
01:15:56Here we come.
01:15:57Come to write and get.
01:15:59It's a charge of the hype.
01:16:02Big boy.
01:16:08Here I am, CJ.
01:16:10Jasper.
01:16:11Did you stop the program?
01:16:12I couldn't.
01:16:12It's on the air now.
01:16:13I'll stop it if I have to tear down the studio.
01:16:16Why did I ever go in the radio business to begin with?
01:16:19Jimmy, where have you been?
01:16:21Have you got an idea?
01:16:22Yeah, this is it.
01:16:22Take them.
01:16:23What are they?
01:16:24Telephone books from all over the country.
01:16:25Give me some.
01:16:26Oh, dear.
01:16:27Are you going to get the rest of them?
01:16:29Yes, sir.
01:16:33Gangway.
01:16:41Now, listen.
01:16:42We're going to give the money away by telephone.
01:16:44You understand?
01:16:44You've got the books in the sections of 500 pages each.
01:16:46All numbers on each one of them.
01:16:48Okay.
01:16:49Give me the handy, boys.
01:16:50Roger.
01:16:50Listen, get a tape.
01:16:51Get a tape around here.
01:16:55After you.
01:17:00Ah, that's nice going.
01:17:02Come on, Parks.
01:17:03We have to go.
01:17:06Same to you.
01:17:08Fine work.
01:17:11Ladies and gentlemen of the listening audience,
01:17:13here's the news you've been waiting for.
01:17:16$1,000 we promise you will be given away by telephone,
01:17:19so stand by.
01:17:20Hey, that's my money you're giving away,
01:17:22and I won't stand for it.
01:17:23I'll cancel my contract at Louderman.
01:17:26I'll telephone you.
01:17:27Get me to a telephone.
01:17:29All right, there's a wheel.
01:17:31Now, how are we going to borrow it?
01:17:32The fries and every spin of a wheel.
01:17:33Come on, boys.
01:17:34Take home the bacon.
01:17:36No place.
01:17:37You two go around the back.
01:17:38When I yell, Snooki, you borrow it.
01:17:40Snooki, what's with the Snooki?
01:17:41Get going.
01:17:42Get going.
01:17:42No plans, no plans.
01:17:44The skill requires ten cents a chance.
01:17:46Who wouldn't get a dime for a delicious and delicious?
01:17:49Snooki!
01:17:49Oh, where have you been, my sugar fool?
01:17:52Blum, why did you leave me in battle?
01:17:54Madam.
01:17:54I didn't mess you good in the way you did.
01:17:55Madam.
01:17:56Oh, Snooki.
01:17:57Madam, I...
01:17:58Why, you're not my Snooki at all.
01:18:02A character.
01:18:03How do you like that?
01:18:04Where are we going?
01:18:05I've been robbed.
01:18:06Police.
01:18:07Get a policeman.
01:18:08Later.
01:18:08Police.
01:18:09I've been robbed.
01:18:10Gangway.
01:18:12Gangway.
01:18:12Gangway.
01:18:12Gangway.
01:18:14Gangway.
01:18:16Gangway.
01:18:17Gangway.
01:18:18Gangway.
01:18:19Gangway.
01:18:19Gangway.
01:18:20Gangway.
01:18:21Gangway.
01:18:25Gangway.
01:18:25Hello, my little man.
01:18:26May I use your telephone?
01:18:27Hey, Ma.
01:18:28Daniel Boone wants to borrow our telephone.
01:18:31Go away, you tramp.
01:18:33No one uses this phone until they give away that thousand dollars.
01:18:37Tramp!
01:18:38Daniel Boone!
01:18:41Look out!
01:18:42Look out!
01:18:52Hey, Philip, come out of here.
01:18:54All right.
01:18:57Pull it all right away.
01:18:58All right, we're on the air, John.
01:19:05Pull on this.
01:19:06Hey, you can't go in there.
01:19:07This ain't no hillbilly program.
01:19:09Let's go in there.
01:19:09Quiet!
01:19:10Stop this.
01:19:10I know.
01:19:11Hillbilly.
01:19:12I'm seeing the airhouse.
01:19:13When did you get in town?
01:19:14Louderman!
01:19:15I want to talk to you.
01:19:16Come on.
01:19:17Come on.
01:19:18All right, horse.
01:19:18Go on.
01:19:21And now, ladies and gentlemen, the wheel is all ready.
01:19:23All ready for the first spin to spin to determine the volume number.
01:19:26Larry Cotton, take it away.
01:19:27And there she goes, ladies and gentlemen.
01:19:29This time after that first big volume number.
01:19:31Yes, sir, and we want that volume to have your name in it, ladies and gentlemen.
01:19:34And furthermore, I'm not going to give away one penny.
01:19:37Okay.
01:19:38Well, I've got three men in the sponsor's room right now who are begging to buy this program.
01:19:43Buy it!
01:19:44They must be crazy.
01:19:45Oh, is that so?
01:19:46Well, they represent the biggest advertising agencies in this country.
01:19:51What?
01:19:52Wait a minute.
01:19:53Wait a minute.
01:19:53We want you to be the one that Horace is going to call a little bit later.
01:19:56She's slowing down to get this volume number.
01:19:58Coming back to it a little bit further and on and on and on.
01:20:01And it's 124.
01:20:03124.
01:20:04124.
01:20:05124.
01:20:07124.
01:20:08Here.
01:20:08I've got it.
01:20:12Now we're all ready for the second spin.
01:20:14The spin to determine the page number.
01:20:15Larry, let her go.
01:20:17And there we go, ladies and gentlemen.
01:20:18And that second spin.
01:20:19The one to find the page in that volume we chose just a moment ago.
01:20:22The one page that will have that $1,000 pot of golden name on it.
01:20:26Gentlemen, this is Mr. Haskell.
01:20:27How are you doing, gentlemen?
01:20:28The surest fire advertising stunt I've ever seen.
01:20:31Do you want to sell it?
01:20:32Is it good?
01:20:32I'll give you $20,000 for it right now.
01:20:34Is it that good?
01:20:35I'm like a 30.
01:20:37Trying to steal it, huh?
01:20:38And she's slowing down already just to find this right page.
01:20:41And there she's stopping.
01:20:42And it's page 66.
01:20:44Page 66.
01:20:4766.
01:20:50I got it.
01:20:53And now the third and last spin to determine the name of the person on that page who will
01:20:57receive the actual golden telephone call.
01:21:00Larry, take it away.
01:21:01There we go, ladies and gentlemen.
01:21:02This time through all of the names on our chosen page in our chosen volume.
01:21:05Find just the one right name that we can send this $1,000 pot of gold to.
01:21:08She's down at the bottom and coming back a little bit.
01:21:10Slowing down more and more and more and more.
01:21:13And there it is.
01:21:14Our listing is 38.
01:21:16Listing number 38.
01:21:2010.
01:21:2110.
01:21:2220.
01:21:2530.
01:21:251, 2, 3, 4, 5, 6, 7, 8, 7.
01:21:29What?
01:21:30Oh.
01:21:30The name is Mr. Olaf Swenson, 3RJ, ring 7.
01:21:36Ring 7?
01:21:37Uh, uh...
01:21:39Plunkett.
01:21:39Plunkett, Minnesota.
01:21:41Plunkett, uh...
01:21:41Plunkett, Minnesota.
01:21:43Operator, kindly give me Mr. Olaf Swenson, 3RJ, ring 7, Plunkett, Minnesota.
01:21:49That's right.
01:21:51Okay.
01:22:04Oh, yeah, I'm Coleman, keep...
01:22:05Yeah, yeah, get on.
01:22:07Yeah, hello.
01:22:09Stop the clock, boy.
01:22:09Stop the clock.
01:22:10Hello.
01:22:11Hello.
01:22:12Is this Mr. Olaf Swenson speaking?
01:22:14Yeah.
01:22:15Yeah, that's me, Olaf.
01:22:17A pot of what?
01:22:20A towel, you give me?
01:22:23Say, ain't got no time for monkey business.
01:22:27Huh?
01:22:28You give me a thousand dollar?
01:22:34Hold up!
01:22:39Look, why do you make my only faint?
01:22:42What?
01:22:44A...
01:22:44A tusk?
01:22:47Oh!
01:22:50Hello?
01:22:51Hello?
01:22:52Hello?
01:22:54Folks, they're speechless.
01:22:57It's a million dollar idea, and it's all mine.
01:23:00Oh, so they brought you back alive, did they?
01:23:03What are you doing here?
01:23:04I'm enjoying our program.
01:23:06Your program?
01:23:07What are you trying to put over on me now?
01:23:09It belongs to me, you understand?
01:23:11It does, does it?
01:23:12Why, the whole thing was Molly's idea, and I was right to tell you...
01:23:15Who is Molly's idea?
01:23:17I want to tell you...
01:23:18It's all right.
01:23:19We got you out of a whole mess.
01:23:21You're not viable for anything connected with the program.
01:23:23We fixed it, so Miss McCorkle is responsible for the whole thing.
01:23:26Molly!
01:23:27You nitwits!
01:23:29You nitwits!
01:23:30Get out of here!
01:23:31Get out of here!
01:23:33Get out of here!
01:23:33Get out of here!
01:23:35They're swinging them, Charlie!
01:23:38Charlie!
01:23:42Oh, and Molly is responsible for the whole thing!
01:23:46Yeah!
01:23:46Here, where are you going?
01:23:48Out.
01:23:48Oh.
01:23:50Um, Horace got the call through on the telephone, so I guess everything's fine.
01:23:55Yes.
01:23:56Everything's fine.
01:23:58Yeah.
01:24:00Well, I guess it's just one of those things.
01:24:02The McCorkles are allergic to the Haskell.
01:24:05Vice versa.
01:24:06Yeah, vice versa.
01:24:09Well, it's fine, Molly.
01:24:11All right.
01:24:14Well, Jimmy.
01:24:16Uncle Charlie.
01:24:16Oh, you come with me.
01:24:18Come on, you're in on this too.
01:24:19Come on!
01:24:24Ladies and gentlemen, I want to introduce the two young people who originated this program
01:24:28and which will be a permanent feature of the Haskell Happiness Hour.
01:24:33Miss Molly McCorkle and my nephew, Mr. James Haskell.
01:24:41Say something.
01:24:41Tell him how happy you are.
01:24:44Hello, everybody.
01:24:45I just want to tell you how happy I am that everything turned out so well for everybody.
01:24:51Ladies and gentlemen, the reason she's so happy is that we're going to be married any second now.
01:24:55All right, Miss McCorkle.
01:24:57Trick your way out of that one.
01:25:10When Johnny Cruz is born, the man's awake, you're from the way.
01:25:21We're going to be married any second year.
01:25:27We're going to be married.
01:25:27We're going to be married.
01:25:30There we go.
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