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๐ŸŽญ๐Ÿ’ž Girl oโ€™ My Dreams (also released as Love Race) is a lighthearted college rom-com from the golden age of Hollywood. Packed with youthful charm, school spirit, and a love triangle with a twist, this 1934 gem brings together sports, scheming, and sentimental laughs.

๐Ÿ“ฝ๏ธ Plot Summary:
Larry Haines is the campus hero, celebrated for his track-and-field victories. But when his ego grows too big, his girlfriend Mary and friends set him up to lose the popularity contestโ€”sparking romantic rivalries and hilarious consequences. Can love outrun arrogance?

๐Ÿ•ฐ๏ธ Year Released: 1934
๐ŸŽญ Genre: Comedy, Romance, Sports
๐ŸŽฌ Directed by: Ray McCarey
๐ŸŽž๏ธ Starring: Mary Carlisle, Sterling Holloway, Arthur Lake, Edward J. Nugent

๐ŸŽฏ Why Watch It?
โœ”๏ธ Vintage college humor and campus antics
โœ”๏ธ Early roles of stars like Sterling Holloway (voice of Winnie the Pooh!)
โœ”๏ธ Classic pre-war romance and rivalry dynamics
โœ”๏ธ A charming and breezy watch under 70 minutes

๐Ÿ”” Donโ€™t forget to LIKE ๐Ÿ‘ | COMMENT ๐Ÿ’ฌ | SUBSCRIBE ๐Ÿ”” for more charming old-school rom-coms, public domain classics, and forgotten Hollywood gems!

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๐ŸŽž๏ธ #GirlOfMyDreams #LoveRace #1930sComedy #CollegeMovie #PublicDomainFilm #SterlingHolloway #OldHollywoodRomance
โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”โ”
๐ŸŽ“๐Ÿ“š๐Ÿ’˜ Track stars, love triangles, and campus drama! Girl oโ€™ My Dreams (1934) is a nostalgic look at love and lessons learned on and off the field.
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Transcript
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00:04:04Dang, you get down low with your camera, see,
00:04:07and shoot me just as I come over the hurdle,
00:04:09and it looks just like I'm going over the moon.
00:04:11No, we got all we can use.
00:04:14Well, I don't like to tell you fellas your business,
00:04:17but the great shot...
00:04:18I'm sure you want Larry to tell you how he set that record last year.
00:04:21Oh, gee, thanks, Beck.
00:04:23Well, you see, it was the 14th of June.
00:04:24The stadium was filled with people.
00:04:25Just a minute.
00:04:26We heard all about that last year, but it was in May.
00:04:30Well, that guy's a shrinking violet, ain't he?
00:04:40Ah, a bevy of women.
00:04:44A veritable cubby.
00:04:49Hello, Gwen.
00:04:50Hello, Larry.
00:04:53Hello, Mary.
00:04:54Hello, Speck.
00:04:55Hello, Nip. Hello, Tuck.
00:04:56No, you're wrong.
00:04:57That's Nip and that's Tuck.
00:04:59Isn't that right?
00:04:59No.
00:05:00No.
00:05:01I'm sorry.
00:05:02The whole thing happened.
00:05:04Hello, Bobby.
00:05:05Oh, Nip.
00:05:06Hi, hon.
00:05:08Oh, Nip, I'm so sorry.
00:05:12Let's get out of here.
00:05:16Well, well, well.
00:05:17The little lassies just couldn't stay away, eh?
00:05:19What did I tell you, girl?
00:05:22For your information, we were just passing by.
00:05:25I know, I know.
00:05:26Now, don't tell me.
00:05:26I get it.
00:05:27You were on your way to market for mother.
00:05:29And look at your man-mountain out there.
00:05:34Now, let her go.
00:05:37There you are.
00:05:38What'd they tell you?
00:05:39Doesn't that guy ever get tired?
00:05:42Speck, why did I ever choose one of those strong, silent men?
00:05:46It's an old tribal custom.
00:05:47Uh, I beg your pardon.
00:05:48Uh, I beg your pardon.
00:05:49Uh, I beg your pardon.
00:05:50Uh, I beg your pardon.
00:05:51But the coach would like to know if the track team can tear itself away from the girls.
00:05:55He'd like to have a few words with it.
00:05:57Uh, will you step over now, or am I too inquisitive?
00:06:01Well, so long, Gwen.
00:06:03See you later.
00:06:04Goodbye, Larry.
00:06:05Yeah, goodbye.
00:06:06Uh, so long, girl.
00:06:07Well, that's enough for a while.
00:06:08Come on.
00:06:09Gwen, you're absolutely silly about Larry, aren't you?
00:06:11Maybe I am.
00:06:12But he's so conceit.
00:06:14Oh, I don't think it's conceit.
00:06:16Well, whatever it is, he's going to be much nicer, if you're not.
00:06:20Well, they're too easy to win the intercollegiate.
00:06:23That's the reason I want every one of you boys to get down and work hard from now on.
00:06:26Yeah, I don't think I am too much.
00:06:27Swing it, I am.
00:06:28That's the reason I want every one of you boys to get down and work hard from now on.
00:06:32I'll say I'm just going to come out.
00:06:33Come out, I'll tell you, you're going to be a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a little rift.
00:06:37the reason I want every one of you boys to get out and work hard from now on see
00:06:41if we can't bring that cup back to Raleigh you get me well I'm running the
00:06:46high and low hurdles so that will give us two first you think you'll be able to
00:06:51do the hundred yard dash in the mile too well I don't know about the mile it's a
00:06:58little long for me oh yeah all the mile ought to be a cinch for you yeah yeah
00:07:02we'll let you chase a cameraman he's always funny all right you spinners and
00:07:12hurdlers get out and do a fast lap the rest of you just jog around a couple times
00:07:17let's go gang hey coach why don't you take that swell head down a peg smiley
00:07:24that's where you're wrong wrong well yes his self-assurance is what makes him a
00:07:28great track man he'll probably go out and win both hurdles at that well I still
00:07:31think you're wrong we'll see
00:08:01what are you doing here I want to be a journalist did you ask Beck about it I did and he won't tell me a thing when I think I have great possibilities but every time I go in there he kicks me out and anyway Bobby I like you an awful
00:08:31funny guy I
00:08:34and what do you know I know after all like really talk somebody long distance
00:08:41do you realize that this is a business office
00:08:46No. Hey, I just saw kittens outside.
00:08:50Please, let's skip kittens.
00:08:53Now, what else is on your mind, if anything else could be?
00:08:58Here's that list of probable winners in the intercollegiate.
00:09:01Oh, swell. How does it look?
00:09:03Well, with some swell performances and two miracles, we might tie stand.
00:09:07Geez, bad as that, huh?
00:09:09Well, we can count on our first and the two hurdles.
00:09:13Has Larry got you doing it, too?
00:09:15Hey, by the way, how's he making it on that Joe Senior contest?
00:09:20Oh, nothing to it. He's way out front.
00:09:25Why shouldn't he be?
00:09:27He's the most proper man in class with the babes.
00:09:30Yeah, but that doesn't make him any easier to live with.
00:09:33And once he gets to be Joe Senior...
00:09:37Ooh...
00:09:39Hey, hey, I was just thinking...
00:09:47Well, what would happen if he wasn't elected?
00:09:51Well, that would be just the best break we ever had, but...
00:09:54Oh, what's he used to thinking of? Look at all those folks.
00:09:57Yeah, yeah. Who counts?
00:09:59I do.
00:10:01Yeah.
00:10:10Are you suggesting that I'd tample with these votes?
00:10:12That I, the editor of this paper, would do anything crooked in an election?
00:10:17Well, now let me show you how I really did this.
00:10:25Well, there's a hurdle here, and a hurdle here.
00:10:28Oh, and you're a hurdle, and you're a hurdle.
00:10:31All right, fellas, now get down like hurdles.
00:10:33No, no, these were low hurdles.
00:10:36Well, there's a hundred thousand people in the stands.
00:10:38All eyes on little old Larry.
00:10:40I'm crouched at the starting line.
00:10:42Coiled like a spring.
00:10:43Suddenly, the gun.
00:10:44I'm off.
00:10:45I'm over the first hurdle, way out in the lead.
00:10:48But I kick the second hurdle, and I lose my stride.
00:10:50I pick it up on the third hurdle, over the fourth, fifth, sixth, seventh, eighth.
00:10:55In perfect form.
00:10:56Suddenly, a terrific burst of speed.
00:10:58I sprint for the finish line, and...
00:11:01I don't have to tell you boys the finish.
00:11:04You know who won.
00:11:09He'd be all right if we could only cure him of that terrible inferiority complex.
00:11:31Hey, call your shots, will you?
00:11:32Sorry, fellas.
00:11:33Just practicing with the old discus.
00:11:34Well, it's nice to see you crack a book, even if it's only in fun.
00:11:38What's the matter with you?
00:11:39Didn't you get enough of a workout today?
00:11:40Oh, I'm not getting that last little snap into it.
00:11:41Well, you better get a snap into it and get some clothes on if we're going over to that
00:11:44theta house.
00:11:45Oh, what's the matter?
00:11:46I'm not naked.
00:11:47Do one thing, will you?
00:11:48As a personal favor to me?
00:11:49Sure.
00:11:50What?
00:11:51Shave.
00:11:52Oh, I shaved yesterday.
00:11:53All right, if you want to leave Mary all cut and bleeding.
00:11:54Say, I don't go in for that heavy date.
00:11:55And I leave that up to fellas like Larry.
00:11:56Did you ever figure you might be missing a lot of fun?
00:11:57I'm satisfied with a nice, quiet sound.
00:11:58Well, you better get a snap into it and get some clothes on if we're going over to that
00:12:00theta house.
00:12:01Oh, what's the matter?
00:12:02I'm not naked.
00:12:03Do one thing, will you?
00:12:04As a personal favor to me?
00:12:05Sure, what?
00:12:06Shave.
00:12:07Oh, I shaved yesterday.
00:12:08All right, if you want to leave Mary all cut and bleeding.
00:12:09Say, I don't go in for that heavy date.
00:12:10And I leave that up to fellas like Larry.
00:12:11Did you ever figure you might be missing a lot of fun?
00:12:12I'm satisfied with a nice, quiet, sensible girl like Mary.
00:12:13Yeah, I know all about those nice, quiet, sensible girls, just like a lot of firecrackers.
00:12:14How to sound out of them until they explode.
00:12:15Nah.
00:12:16Say, I'm not like you, walking up to every girl I meet in the street and kissing her.
00:12:19I'll bet you get a lot of tales.
00:12:20You get a lot of fun.
00:12:21You get a lot of fun.
00:12:22I don't go out for that heavy date, and I leave that up to fellas like Larry.
00:12:23Did you ever figure you might be missing a lot of fun?
00:12:24I'm satisfied with a nice, quiet, sensible girl like Mary.
00:12:25Yeah, I know all about those nice, quiet, sensible girls.
00:12:28Just like a lot of firecrackers.
00:12:30How to sound out of them until they explode.
00:12:33Nah.
00:12:34Say, I'm not like you, walking up to every girl I meet in the street and kissing her.
00:12:43I'll bet you'll get a lot of slaps in the face, huh?
00:12:47Yeah, but I'd get a lot of kisses, too.
00:12:53Oh, pull a knife for me, huh?
00:12:54Yeah, pull a knife for you.
00:13:13You're going places, I've hit my wagon to you.
00:13:23What does this remind you of, dear?
00:13:25The night we stole away from the Kai-Pai dance.
00:13:37What are you thinking about, honey?
00:13:39The night we stole away from the Kai-Pai dance.
00:13:43Oh.
00:13:47Remember they were playing this?
00:13:49The night we stole away from the Kai-Pai dance,
00:13:52and we parked on a hill,
00:13:55and there was a golden moon and a velvet sky.
00:13:59Do you remember?
00:14:01Uh-uh.
00:14:02I do.
00:14:06Why don't you just go on and play?
00:14:08Yeah.
00:14:14Isn't it lovely out here?
00:14:15Uh-huh.
00:14:18What's that?
00:14:19Oh, just no hand grip.
00:14:20You know, I've got to keep your forearm and wrist in shape.
00:14:25Oh, that music.
00:14:27Always reminds me of the night we stole away from the Kai-Pai dance.
00:14:31Remember?
00:14:32It was just a year ago tonight.
00:14:34You know, in two weeks the intercollegiates will be here,
00:14:36and I shouldn't be up so late.
00:14:38Lucky Star, we're going places I catch my wagon to you.
00:14:49Lucky Star, oh, pick up the traces.
00:14:53We're bound to see the thing through.
00:14:56We're bound to see it through.
00:14:58Keep shining, here we go.
00:15:01With a wagon load of my dreams.
00:15:04I said dream.
00:15:05Oh, you lucky Star, oh.
00:15:08Let's move together.
00:15:09We'll make the grandest of tea.
00:15:42Let's pull together, we'll make the grandest on team.
00:16:12Come out of that.
00:16:19Hello kitten, how are you?
00:16:21Hello.
00:16:22Tell me, where is the bell of the Satan?
00:16:24You mean where?
00:16:25Right again.
00:16:26She's in the other room with your hands.
00:16:29Now take it easy kitten, take it easy.
00:16:32Just pull yourself together.
00:16:35Hello everybody.
00:16:49Here's little old Larry Hayden.
00:16:53A single note of the chime will indicate my entrance.
00:16:56Everybody ready?
00:16:58Why Gwen, how can you sit there so calmly when I make an entrance?
00:17:09Isn't your hard doing nip up?
00:17:10Oh, that's save me.
00:17:11Save me from a fate worse than death.
00:17:13You better lay off a pin.
00:17:15He'll have you in tomorrow morning's headlines.
00:17:17And leave you out for one.
00:17:19Cute kid.
00:17:20Come on, Val.
00:17:21Don't waste all that good stuff on a college editor.
00:17:28Val.
00:17:29Val.
00:17:30Val.
00:17:31Val.
00:17:32Val.
00:17:33And hello.
00:17:34Hi kid.
00:17:35Why the deep brown study?
00:17:38I was just wondering how long a girl can play second fiddle to a 16 pound shot.
00:17:49I wonder what's the matter with her?
00:17:53That's funny isn't it?
00:17:55Oh yes.
00:17:56It's all just a great big wonderful dream.
00:18:03One trombone โ€“ we meet Tamara.
00:18:06That is funny.
00:18:07NXT oxfinski.
00:18:08Jaime's NO1 TECHNICI.
00:18:09Is there any Monicaatribeๆ˜จๅคฉ?
00:18:11Are a molecules, she isn't in line with Angela.
00:18:12Murder looks like her.
00:18:13Isn't a reasonable?
00:18:14Good God.
00:18:15What they even have seen?
00:18:16Maybe your hair is formulaed down early on the Arthur's topic.
00:18:17A syndrome.
00:18:18A syndrome.
00:18:19A syndrome.
00:18:20My master's believe it.
00:18:21A syndrome.
00:18:22A syndrome.
00:18:24A syndrome.
00:18:25Carey.
00:18:26An armyomes.
00:18:28A syndrome.
00:18:29Breaking bread.
00:18:30A syndrome.
00:18:31Let's get out of here before the trouble starts.
00:18:43Come on men, hit the deck.
00:19:01I'll get them down.
00:19:03Hey fellas, you mind if I bring the girls in?
00:19:09Just a minute. You fellas don't have to believe everything we say.
00:19:13But read the label.
00:19:15John Cooper chosen Joe Senior.
00:19:17What? No.
00:19:18Let me see it.
00:19:19Can you imagine that?
00:19:21Gentlemen, are we to allow such a thing to pass unnoticed?
00:19:25No.
00:19:26Well, shall we have a look at these here now amazing social graces?
00:19:30Yes.
00:19:31Then gird up your loins and follow me.
00:19:34Hey, what's all the excitement about?
00:19:37Read it for yourself, brother.
00:19:56Ho, rabble!
00:19:58Your pardon for the scurvy-lap sire?
00:20:01Say, what's the matter with you fellas?
00:20:04Know ye not what hath befallen?
00:20:07Thou hast been chosen Joseph Senior!
00:20:09Oh, quit your kidding.
00:20:11I want to go in and get dressed.
00:20:13His modesty concealed amazing social graces.
00:20:16Grant him!
00:20:17Do you have to have to be with him?
00:20:18Do you, sir?
00:20:19You...
00:20:20John?
00:20:21He's just good.
00:20:22Would that be with him?
00:20:23Hello.
00:20:24Hi.
00:20:25Did you hear about the election?
00:20:27Did I hear about the election?
00:20:30Hello?
00:20:31Hi.
00:20:32Did you, uh, hear about the election?
00:20:45Did I hear about the election?
00:20:49Why, you dumb bunny, don't you realize I threw my votes over to him?
00:20:54I can't wait.
00:21:05Ah!
00:21:08Oh, George!
00:21:15Quiet, quiet, quiet.
00:21:22Quiet, quiet, quiet, quiet, man, and you'll hear the first official utterance of Joe Senior.
00:21:29Well, really, fellas, I don't know what to say.
00:21:32Good.
00:21:34Quiet, man.
00:21:35This is a serious occasion.
00:21:37Okay, but one fool at a time.
00:21:39Go ahead.
00:21:41Well, fellas, I'll tell you that.
00:21:46Well, fellas, I'll tell you that.
00:21:48I'm sorry about that election, Larry.
00:21:52I did everything I could.
00:21:55Thanks, Beck.
00:21:57I'm sure you did.
00:21:59Maybe I can do something for you sometime.
00:22:03Well, yeah.
00:22:08Quiet.
00:22:09Ah, tis ye olde editor.
00:22:11Let's have a speech from the ye olde letter.
00:22:13Yeah!
00:22:15Come on up there.
00:22:16Come on, make it.
00:22:18Make it good.
00:22:18Aw, sure.
00:22:20Well, fellas.
00:22:21Hey!
00:22:23Now's the time for me to hit Joe Senior.
00:22:25Oh, no.
00:22:27No, no.
00:22:28I'm in on the piano.
00:22:29Hey!
00:22:30Atta!
00:22:35Joe Senior, everybody's met.
00:22:38The city of the goal is rolling.
00:22:40You, Joe, be handsome.
00:22:44Brave and hard to get.
00:22:45The city of the goal is rolling.
00:22:47You, Joe.
00:22:47You, Joe.
00:22:48You, Joe.
00:22:48You know, when the dark is there.
00:22:52Oh, no.
00:22:53But I can't assume he's on it.
00:22:55Joe Senior, everybody's met.
00:22:58The county has a nobler.
00:23:00Any you and a who and a Joe and a ho.
00:23:02Joe Senior, everybody's met.
00:23:05The city of the goal is rolling.
00:23:07You, Joe.
00:23:09You, Joe.
00:23:09You, Joe.
00:23:10You, Joe.
00:23:16All right.
00:23:17All right.
00:23:17You, Joe.
00:23:19All right.
00:23:19You.
00:23:21All right.
00:23:21I have a scutis of it so senior.
00:23:25Everybody's back.
00:23:26The club is yelling over.
00:23:28Yoo-hoo, Joe.
00:23:29Ho, ho, ho, ho, ho.
00:23:31Ho, ho, ho.
00:23:32Ho, ho.
00:23:33Ho, ho.
00:23:34Ho, ho.
00:23:35Ho, ho.
00:23:36Ho, ho.
00:23:36Ho, ho, ho.
00:23:38Ho, ho.
00:23:40Hiya, fellas.
00:23:42I'm Larry Haines.
00:23:43Turtles are right over there.
00:23:45You get set up and I'll show you some nice stuff.
00:23:47Where's this Don Cooper?
00:23:48Cooper?
00:23:49Yes.
00:23:50Oh, you mean Cooper the shot-footer?
00:23:52Yeah, that's the guy.
00:23:53Well, he's right over there.
00:23:56All right, come on, Harry.
00:23:57Come here, Chief.
00:23:58I want to tell you something.
00:23:59There's plenty of time later.
00:24:00But, uh...
00:24:00No buts. Come on.
00:24:03Yeah, but I'm Haynes the hurdler.
00:24:15Are you Joe, Senior?
00:24:17Oh.
00:24:17No, I'm early with the Razz.
00:24:22With the what?
00:24:23Early with the Razz.
00:24:25Listen, son.
00:24:26I don't want any trouble with you.
00:24:29Where's this Don Cooper?
00:24:31He's right over here.
00:24:33Come on over and I'll have you meet him.
00:24:36Early with the Razz.
00:24:40Don, look, I want you to meet...
00:24:42What is your name?
00:24:43Skip it, son, skip it.
00:24:44I'm from the Pan-American Newsreel Company.
00:24:46I want to get a couple of shots of Joe, Senior.
00:24:48Are you Joe?
00:24:50Well, so they tell me.
00:24:51You know, I'd be glad to help you,
00:24:53but I really don't know what I could do.
00:24:55You just stand there.
00:24:56Don't do anything.
00:24:58Chief, can I speak to you a second?
00:25:00Not now.
00:25:01Get that Kodak set up.
00:25:04Now I want you to say a few words.
00:25:06Well, uh, what shall I say?
00:25:07When I photographed a congressman last week,
00:25:09he said prosperity was right around the corner.
00:25:11Maybe that'll do for you to say.
00:25:13Sure, sure.
00:25:14All right, we all ready?
00:25:15Now, Chief, wait a minute, not now.
00:25:17Quiet, please.
00:25:18Camera.
00:25:19Go ahead, go ahead.
00:25:20Well, prosperity is just...
00:25:22Now move the camera right up here.
00:25:26What is this?
00:25:27A practice field or a dance in school?
00:25:31Now, maybe I can use a few more words from you.
00:25:32Well, I don't know anything more to say.
00:25:36Well, neither do I.
00:25:37I'll tell you what you do.
00:25:38Tell them how you became Joe Senior.
00:25:40All right.
00:25:41Yeah.
00:25:41All right, ready?
00:25:42No, wait, Chief.
00:25:43I want to tell you this now.
00:25:44Not now.
00:25:45All right, quiet now.
00:25:46Camera.
00:25:48Of course, this honor was entirely unexpected.
00:25:50I'll move right up here.
00:25:52That guy's supposed to be a weight man,
00:25:54not a movie hero.
00:25:57I'd like to get some of this strong-arm stuff.
00:26:00You know, uh...
00:26:00Say, would you girls mind helping me out a little bit?
00:26:07Say, just a minute, just a minute.
00:26:09This is serious.
00:26:11All right, now, I'll tell you what I want to get.
00:26:13Listen, Chief.
00:26:13Not now, not now.
00:26:15See, put your arms up here this way.
00:26:17You two girls hang on to them,
00:26:18then kind of look up at them like that, see?
00:26:20You think you can do it?
00:26:22Sure.
00:26:22All right.
00:26:24Ready?
00:26:24No, wait a minute, Chief.
00:26:25Not now, not now.
00:26:27Camera.
00:26:30Ah, thanks, folks, very much.
00:26:33That's all.
00:26:34Thanks, Phil.
00:26:35You're welcome.
00:26:37Why, Don, I never knew you were so strong.
00:26:44All right, pack them up.
00:26:46Chief, are you all through now?
00:26:48Yeah, go ahead.
00:26:49What did you want to tell me?
00:26:50Well, I just wanted to tell you
00:26:51that I forgot the film for the camera.
00:26:53What?
00:26:57Oh, I, I, I, I, I, I, I, I...
00:27:04My dear fellow students,
00:27:18Come, come, let us improve each shining hour while we're waiting for old Professor E. Flatt who seems to be just a little late.
00:27:27And may I suggest that during his absence Professor Early of the Raleigh Rares take his place?
00:27:33No!
00:27:34Larry Haynes?
00:27:36Yes!
00:27:37Larry Haynes!
00:27:42Fellow students.
00:27:44Yeah, ma'am.
00:27:45It seems that Professor E. Flatt has probably forgotten this class, and it's been suggested that we have a lecture with a new twist.
00:27:54What's her name?
00:27:57Bobby's just a little tired.
00:27:59So, I'll now introduce the subject of my lecture, which will be the influence of the Pilgrim Fathers upon popular music.
00:28:06Now, if two of you will come up here and improvise on the pianos, I shall proceed.
00:28:15Now, when Priscilla gave the works to poor Miles Spanish, and Miles was burned like well-done whole wheat toast, his language was, to say the least, outlandish.
00:28:27And echoed round that stern and rock-bound crew, till in a fit of feet he called him, that Pilgrim Sheik John Alden, who grabbed his hat and bloomers, from the shelves.
00:28:39And this is how young John spoke for himself.
00:28:42Thou art my baby.
00:28:44Thou hast been knocked down.
00:28:48Thou art a swell dish.
00:28:51What'd you knock down?
00:28:54Without a gimbo.
00:28:55Thou art this gimbo.
00:28:56Out on a limbo.
00:28:57Thou art a limbo.
00:28:58Thou art a limbo.
00:28:59Thou art a limbo.
00:29:02Thou art a limbo.
00:29:03Thou art a limbo.
00:29:04Thou art a smith of that smoth.
00:29:07Of what it taketh.
00:29:09Thou art the lo deers.
00:29:10Thou art the lo deers.
00:29:13Why not forsake it?
00:29:15Love of a lo deers.
00:29:17Come let thy hair down.
00:29:22Be the irresistible baby doll, Thou art my baby, Thou hast me knocked down, Thou art a swell day, Why can't we hop on?
00:29:42With arms a-kimbo, Thou hast this bimbo, We're on a limbo, and we're on a limbo,
00:29:51Just consider that small, Of what it taketh, Thou hast a loaded, Then why not forsaken?
00:30:05Thou love a mode, dear.
00:30:08Come let thy hair down, Give in and bear down, Be the irresistible baby doll,
00:30:20What are you giving me?
00:30:23You haven't fallen for that massive muscle, Have you?
00:30:26Why?
00:30:27Why?
00:30:28Because you're my girl.
00:30:30Oh, am I?
00:30:31Why, certainly.
00:30:33Well, thanks for telling me.
00:30:35What do you mean?
00:30:36No girl's going to pass me up to a guy like that.
00:30:39No?
00:30:40No.
00:30:41No.
00:30:42No girl but me.
00:30:43No.
00:30:44No.
00:30:45No.
00:30:46No.
00:30:47No.
00:30:48No.
00:30:49No.
00:30:50No.
00:30:51No.
00:30:52No.
00:30:53Thou art my baby, My sweet baby, Thou hast me knocked out, What a knockout, Thou art a swell day,
00:30:59How he felt he, Why keep me locked out, Always locked out.
00:31:04Always lock out
00:31:06With arms akimbo
00:31:08Nip nipy.
00:31:09Thou hast the symbol.
00:31:11Nip nip nipy.
00:31:12Out on a limbo.
00:31:14Just consider the smile.
00:31:16All the hardy.
00:31:17And the hardy.
00:31:18Of what it take is.
00:31:20Can she take it?
00:31:22Thou hast a low dear.
00:31:24Great feet low dear.
00:31:25Why not forsake it?
00:31:27Please forsake it.
00:31:29Love all a more dear.
00:31:30All a more dear.
00:31:32Come take thy hair down.
00:31:34Take off my hair.
00:31:35Get in and bear down.
00:31:37Don't be high hat.
00:31:39Be it.
00:31:40It is visible.
00:31:41Baby doll.
00:31:42Oh.
00:31:45Well what my baby.
00:31:46My.
00:31:51Stop.
00:31:52Stop.
00:31:53Stop.
00:31:54Stop.
00:32:04What was it?
00:32:0548-8.
00:32:06Come on.
00:32:07Try another one.
00:32:08And put some in it.
00:32:09Will you?
00:32:21Thanks.
00:32:22You wouldn't like me to polish that shot for you would you?
00:32:24Oh no thanks.
00:32:25This is all right for practice.
00:32:26Oh Joe Senior.
00:32:27Look out for your arm.
00:32:29What's the matter with it?
00:32:30Well you're liable to break it patting yourself on the back.
00:32:32Oh.
00:32:40Huh.
00:32:41How was that one?
00:32:4249-1.
00:32:43Not bad eh?
00:32:44No not bad.
00:32:45Only Kyle Yorker Stanton did 52 feet last Saturday.
00:32:48You know Don.
00:32:49We're counting on you to win the shot in the discus.
00:32:52The big meat's only three days away and you're a way out of form.
00:32:56And it doesn't seem to bother you.
00:32:58Is anything the matter?
00:32:59No.
00:33:00Just that I'm a great competitive athlete coach.
00:33:03I'll tell you what's the matter.
00:33:04In the first place.
00:33:05Now in the second place.
00:33:10Say you'll excuse me won't you coach.
00:33:16Yeah and in the third place he's our great competitive athlete.
00:33:22But he does all his competing in the sorority house.
00:33:26Maybe he'll snap out of it in time.
00:33:28Yeah.
00:33:29Yeah.
00:33:30Maybe it'll snow on Thursday.
00:33:31Or Saturday.
00:33:32We'll call the meat off one or two.
00:33:33Oh what's the use?
00:33:34Hello Gwen.
00:33:35Hello Don.
00:33:36I got your note this morning.
00:33:37Say I'm supposed to be in training.
00:33:38But I guess a couple of dances won't hurt me.
00:33:39I'll go.
00:33:40I guess a couple of dances won't hurt me.
00:33:42I'll go.
00:34:10What do you think?
00:34:17I think we made a sap out of a darn good white man.
00:34:24Say whose idea was this anyway?
00:34:40Hey Don why don't you come on out here.
00:34:42You know I want to talk to you.
00:34:44Just a second.
00:34:45I just finished saying.
00:34:46What again?
00:34:52My dear fellow you don't seem to understand.
00:34:54But to an athlete appearance is half the battle.
00:34:56Come on sit down.
00:34:57I want to talk to you.
00:35:01Hey what's that stuff?
00:35:03Oh Lally.
00:35:04Witch hazel dries up the tissues of the skin.
00:35:06Well get her.
00:35:07Hey I've got something on my mind.
00:35:09Yeah?
00:35:10What is it?
00:35:11Oh Don you're off on the wrong foot.
00:35:12A couple of weeks ago you were satisfied with a quiet nice girl.
00:35:16Who didn't interfere with your work.
00:35:18And now you've shaved twice a day and used perfume.
00:35:23And what's much more important you were pathetic with that discus today.
00:35:27Yeah?
00:35:28Yeah.
00:35:29Well two weeks ago you were telling me that I was missing a lot of fun.
00:35:32When you were right.
00:35:33Yeah I know.
00:35:34And what's more about that nice girl stuff.
00:35:37Well Murray's a nice kid but she's not as smooth as Gwen.
00:35:40Oh Don don't be a chump.
00:35:42Gwen's only making a play for you just to make a goat out of rowing.
00:35:46Ha ha ha yeah.
00:35:47Maybe that's why she sent me a bid to the fady informal eh.
00:35:50And when a gal invites you to that one you stay invited.
00:35:54Hey.
00:36:07There's a sale at the Boston store on men's silk underwear.
00:36:13Ha ha.
00:36:14You're telling me.
00:36:17Hi Mary.
00:36:18Hello Bobby.
00:36:19This is inside.
00:36:20Yeah I know.
00:36:21Mind if I sit down here for a moment.
00:36:22Well come on.
00:36:23What is it?
00:36:24Don't tell me you're just beginning to appreciate my faith and guilt.
00:36:25Oh no.
00:36:26You know to tell the truth I had a great idea a little while ago but now I'm wondering if
00:36:30it's so hot.
00:36:31Well after a start like that you know you're not going to get away without telling me.
00:36:38You know Larry's a pretty swell fella.
00:36:40And so?
00:36:41And so you ought to invite him to the state of informal.
00:36:44Let me get this straight.
00:36:45All right.
00:36:46You're Don's roommate.
00:36:47Right.
00:36:48Me to invite Larry to the sorority dance.
00:36:49Right.
00:36:50You see.
00:36:51Good night Don.
00:36:52That was a grand victory.
00:36:53Those bucks have been great old days.
00:36:54Say are there any dragons that you want to win?
00:36:55No.
00:36:56No.
00:36:57No.
00:36:58No.
00:36:59No.
00:37:00No.
00:37:01No.
00:37:02No.
00:37:03No.
00:37:04No.
00:37:05No.
00:37:06No.
00:37:07No.
00:37:08No.
00:37:09No.
00:37:10No.
00:37:11No.
00:37:12No.
00:37:13No.
00:37:14No.
00:37:15No.
00:37:16Oh.
00:37:17Don't forget.
00:37:18You accepted my bid to our dance.
00:37:20That's just one thing that I won't forget.
00:37:23Good night.
00:37:24Hello Bobby.
00:37:25Hello Mary.
00:37:26Oh.
00:37:27Has Mary been around?
00:37:28Oh sure.
00:37:29He's been around all evening.
00:37:31I just invited him to the informal and I don't know where he went.
00:37:34He must be around somewhere.
00:37:44Oh.
00:37:45Nice going Mary.
00:37:46Good night.
00:37:47Good night.
00:37:48Good night Bobby.
00:38:59Fool.
00:39:01Fool yourself?
00:39:04Fool.
00:39:06Fool.
00:39:08Fool.
00:39:10Fool.
00:39:22Hey, are you all right?
00:39:38Do you want to dance?
00:39:48No.
00:39:58Hey, do you want to dance?
00:40:00No.
00:40:02Hey, do you want to dance?
00:40:04No.
00:40:06Hey, do you want to dance?
00:40:08No.
00:40:10Hey, do you want to dance?
00:40:12No.
00:40:14Hey, do you want to dance?
00:40:15No.
00:40:16Hey, do you want to dance?
00:40:18No.
00:40:20Hey, do you want to dance?
00:40:22No.
00:40:24No.
00:40:26Put your arm around me.
00:40:49But when?
00:40:50Put your arm around me.
00:40:52Put your head on my shoulder.
00:41:02But, Larry, we shouldn't do this.
00:41:04Go ahead.
00:41:05Put your head on my shoulder.
00:41:09All right.
00:41:24Yes?
00:41:25Kiss me.
00:41:26But I don't want to.
00:41:28Go ahead, kiss me.
00:41:30Kiss me, Don.
00:41:41What?
00:41:42Kiss me.
00:41:43What?
00:41:44Kiss me.
00:42:02Mary.
00:42:03What?
00:42:04In just a second, I'm going to give you my fraternity pen.
00:42:09But I don't want it.
00:42:11When I give it to you, you take it.
00:42:14Yes, Larry.
00:42:25Now, give me your pen.
00:42:27But I don't want to.
00:42:29Give me your pen.
00:42:32For me?
00:42:33Huh?
00:42:34Oh!
00:42:35Put your head back on my shoulder.
00:42:45For me?
00:42:46Huh?
00:42:47Oh, I...
00:42:53Put your head back on my shoulder.
00:42:55Oh, I'll put you back on my shoulder.
00:43:00Put your head back.
00:43:15Hey!
00:43:16I nip when I just cut.
00:43:18Look, wait.
00:43:19Let's round up the track team and get them to bed.
00:43:21Yeah, will you worry about that?
00:43:23I gotta straighten myself out with nip.
00:43:25I mean...
00:43:30Engaged?
00:43:38Yours?
00:43:44I know, for news begins to provide.
00:43:48Engaged?
00:43:50Why, yes.
00:43:51Aren't you?
00:43:53Yes, I won't tell.
00:43:57Why?
00:43:58Scoop!
00:44:02Pardon me.
00:44:06Ladies and gentlemen, just cool off and calm down, please.
00:44:10Now, while you have been in here frivoling, big things have been going on.
00:44:16And as usual, your little correspondence was first with an eyewitness report.
00:44:21Ladies and gentlemen, there has been a double pin hanging tonight.
00:44:30Quiet, please.
00:44:31Not tonight.
00:44:32No details tonight.
00:44:33I'll give you them all in tomorrow morning's red.
00:44:36But let's congratulate the happy couple, huh?
00:44:39Hey, darling!
00:44:40Hey, who's going go, Tom?
00:44:44Congratulations!
00:44:45Hey!
00:44:46Hey, John, I had no idea you were serious about this thing.
00:45:11Congratulations.
00:45:12Oh, shut up.
00:45:13Well, I guess I should say something.
00:45:17I guess you've said enough.
00:45:20I think engagement is wonderful, don't you?
00:45:25Well, I always liked clamschire.
00:45:27Have you ever been engaged?
00:45:29No, no, but I had the measles once.
00:45:32We'll be so happy running the newspapers together.
00:45:36Yes, yes.
00:45:37We're going to be so happy together.
00:45:39Of course.
00:45:40Yes.
00:45:41And tomorrow's our intercollegiate, and our star performance goes haywire.
00:45:47Can you imagine those two fellas getting in a jam like that?
00:45:53It's bad enough being engaged, but when it's the wrong girl.
00:45:57Wow.
00:45:58Well, don't you with me?
00:46:00Why don't you speak to me?
00:46:02Oh.
00:46:03Oh, I've never been engaged.
00:46:04Hello, sweetheart.
00:46:05Hello, sweetheart.
00:46:06Ow!
00:46:07Huh?
00:46:08What's the matter?
00:46:09What is it with you?
00:46:10What?
00:46:11Scratching?
00:46:12Nervous?
00:46:13What?
00:46:14Engage?
00:46:15Who?
00:46:16What's the matter?
00:46:22What is it with you?
00:46:24What?
00:46:26Scratching?
00:46:28Nervous?
00:46:30What?
00:46:32Engage!
00:46:34Who?
00:46:40Right, sweetheart!
00:46:42Sweetheart!
00:46:46Sweetheart!
00:46:48Well?
00:46:50Come on, come on!
00:46:52Say something!
00:46:54The condemned ate a hearty breakfast.
00:47:12The scoreboards will show you the point standing of the various teams.
00:47:36That was Bobby Barnes of Raleigh.
00:47:46That was Bobby Barnes of Raleigh.
00:47:50He cleared the bar in the pole bowl.
00:47:5212 feet.
00:47:54And a point Bobby!
00:47:56And a point Bobby!
00:47:58And a point Bobby!
00:48:00And a point Bobby!
00:48:02And a point Bobby!
00:48:04Well
00:48:27Official results of the two-mile run first black a standard second
00:48:32part of law
00:48:37Third
00:48:43Schwartz of Xavier
00:48:46Schwartz of Xavier and for car of what time nine minutes?
00:48:56And 32 seconds
00:49:02Help me!
00:49:16Down north of Stanton's next to put the shop
00:49:19That last foot of York's was good for 52 feet
00:49:35That's Don Cooper of Raleigh in the shop foot ring
00:49:37This is his last try
00:49:39That's Don Cooper of Raleigh in the shop foot ring
00:49:41This is his last try
00:49:43First
00:49:45York of Stanton's second Cooper of Raleigh
00:49:47Third Gibson of Mammoth's fourth Gilbert of Tech
00:49:49We're likely to sneak in for a 30
00:49:51Well we could use a couple of points
00:49:53Since Don couldn't grab a first in that shot foot
00:49:55Now don't start worrying
00:49:57Everything's gonna be all wet
00:49:59Or I mean all right
00:50:01Oh
00:50:03Oh
00:50:05Oh
00:50:07Oh
00:50:09Yeah you've got me as worried as you are
00:50:11Oh
00:50:13Stay in there Bobby
00:50:15We're going to need every point we can get
00:50:19And then some
00:50:21Quiet for the low hurdle
00:50:23Quiet for the low hurdle
00:50:25Quiet for the low hurdle
00:50:35Quiet for the low hurdle
00:50:39Come to your marks
00:50:45Get set
00:50:55Get set
00:50:57Get set
00:50:59Get set
00:51:01Get set
00:51:03Get set
00:51:05Get set
00:51:07Get set
00:51:09Get set
00:51:11Get set
00:51:13Get set
00:51:15Get set
00:51:17Get set
00:51:19I hope he isn't hurt
00:51:21I'm sorry coach
00:51:22Oh forget it boy
00:51:23Nice try
00:51:24Sure kid you can't win all the time
00:51:26Why not?
00:51:30The bar in the full vault has just been raised to 13 feet
00:51:38Bobby Barnes of Raleigh is about to vault
00:51:48Hello Harry
00:51:49Hi Graham
00:51:50Do me a favor will you?
00:51:51Give this to Don Cooper for me
00:51:52Sure I will
00:51:53Why don't you go
00:51:54Here Suge
00:51:57Oh my hook
00:52:07Kinda high isn't it?
00:52:11You telling me?
00:52:12Is Larry Haines in there?
00:52:26Yeah.
00:52:27Would you get this note, Wim, please?
00:52:29Sure.
00:52:35How does that feel, boy?
00:52:36I hope I never see another hurdle.
00:52:38I'll always stop squawking.
00:52:40It might have been worse.
00:52:41Yeah?
00:52:42How?
00:52:43It could have been me.
00:52:44Here's a note from some girl for Larry.
00:52:48I never want to see another girl.
00:52:50Who's it from?
00:52:56I'm sure it was all a mistake.
00:52:59Entries in the high hurdles report at starting line.
00:53:14Think you can make it?
00:53:16Think I can make it.
00:53:17Think I can make it.
00:53:26Entries in the district report to the cage.
00:53:29They're done.
00:53:30Look.
00:53:31Hey, what you got, ma'am?
00:53:41What it takes to break a record.
00:53:43Okay.
00:53:44Let's go.
00:53:45Follow me.
00:53:46Come to your marks.
00:53:48Give me one.
00:53:49Come get back.
00:53:50Let them go.
00:53:51That's all he means.
00:53:52Then he's saying.
00:53:53Let them go.
00:53:54Ha!
00:53:55Ha!
00:53:56Ha!
00:53:57Ha!
00:53:58Hee!
00:53:59Ha!
00:54:00Ha!
00:54:01Ha!
00:54:02Ha!
00:54:03Ha!
00:54:04Ha!
00:54:05Ha!
00:54:06Ha!
00:54:07Ha!
00:54:08Ha!
00:54:09Ha!
00:54:10Ha!
00:54:11Ha!
00:54:12Ha!
00:54:13Ha!
00:54:14Mary Barton, Mary Barton, I do it!
00:54:18Nice going there, cold man.
00:54:19Thanks.
00:54:20Well, what's that secret you got to win?
00:54:22It's a four-letter word beginning with G and ending with N.
00:54:26Oh, and I don't mean vanilla.
00:54:29Manton is 29. We're still three behind.
00:54:32Butler 17, Mammoth 12. We don't have to figure on out.
00:54:35Those two at all.
00:54:36We've got those out.
00:54:37Official results of the high hurdles.
00:54:39First, Larry Haynes of Raleigh.
00:54:42Second, watch a Butler. Third, record stand. Fourth, Mammoth.
00:54:45Time, 14.
00:54:48Hello, sweetheart.
00:54:52Hello, sweetheart.
00:55:00Hello, sweetheart.
00:55:13That's Cal York of Stanton in the discus ring.
00:55:15This is his last try.
00:55:33York's throw was good for 163 feet.
00:55:37Now, Don Cooper in the discus ring.
00:55:40He's got a tough throw to be.
00:55:57Come on, Don. Come on, Don.
00:55:59Come on, Don.
00:56:16He made it.
00:56:18Oh.
00:56:19Well, what'd I tell you. I said he'd come through.
00:56:25Yes, but we're still one point behind.
00:56:27Now, now, now. We're doing all right.
00:56:30Official results of the discus.
00:56:32First, Don Cooper of Raleigh.
00:56:36Second Cal of York, third born of sex.
00:56:40There goes, sweetheart.
00:56:41Nice going, Don.
00:56:46Sit down here and make yourself comfortable for big sissy.
00:56:51Oh, that was a pretty nice part.
00:56:53You didn't do so bad, Mugg.
00:56:56So are you.
00:56:58There are two men left in the fold vault.
00:57:01Evans of Stanton and Bobby Barnes of Raleigh.
00:57:04They have both cleared 13 feet 6 inches.
00:57:07The bar is now being raised to 14 feet.
00:57:12Whoa.
00:57:14What's the matter? Are you nervous?
00:57:17Who, me?
00:57:24And now, each man has two more tribes.
00:57:28Evans of Stanton is the first Walter.
00:57:31The next try will be by Bobby Barnes of...
00:57:45Raleigh.
00:57:47Raleigh.
00:57:48Shhh.
00:57:50Shhh.
00:57:52Anything I can do to help you?
00:57:56Yeah.
00:57:57Keep quiet.
00:57:58Hot.
00:58:13We've got to get over that bar next time.
00:58:16Here he comes. I've got an idea.
00:58:17Listen.
00:58:25We get over that bar and we win this meet.
00:58:27You've got to do it, Bobby.
00:58:29I've got to do it?
00:58:31See the expression on that bar.
00:58:35It's like the Empire State Building.
00:58:37Quiet for the vault.
00:58:39Quiet for the vault.
00:58:41Here goes Evans.
00:58:48I can't do it. I'm all in.
00:58:51I've got a tie for first place. That's enough.
00:58:54No, that isn't enough. We'll still be one point behind.
00:58:56Now, you've got to win.
00:58:58Yeah? Why didn't you two guys think of that earlier this afternoon?
00:59:02Now, wait a minute.
00:59:04How would you like to know the difference between nip and suck?
00:59:06Huh?
00:59:07You'd like to know, wouldn't you?
00:59:09Yeah, but...
00:59:11What has that got to do with you?
00:59:13You get over that bar and I'll sell you.
00:59:15Yeah.
00:59:16The entire meet hinges on this next wall.
00:59:18If he makes it, Raleigh wins by one point.
00:59:21That is, if he makes it.
00:59:23He makes it.
00:59:24Fire.
00:59:26Fire.
00:59:28Please.
00:59:30Ahem.
00:59:32The entire meet hinges on this next wall.
00:59:34The entire meet hinges on this next wall.
00:59:36If he makes it, Raleigh wins by one point.
00:59:38That is, if he makes it.
00:59:45Fire.
00:59:47Please.
00:59:51Ahem.
00:59:52Quiet, please.
01:00:00Quiet, please.
01:00:13Please.
01:00:22The Kid.
01:00:23The Kid.
01:00:24The Kid.
01:00:25The Kid.
01:00:31It's a bro.
01:00:32Ted!
01:00:33I saw you.
01:00:34I saw you.
01:00:35Come on!
01:00:37The Kid!
01:00:38The Kid!
01:00:41The Kid!
01:00:42Hey, hey, hey, hey.
01:00:43Don't stand there!
01:00:44Hey!
01:00:45How's about it, huh?
01:00:46How's about what?
01:00:47The twin!
01:00:48We're a head.
01:00:49How's about it?
01:00:50How's about what?
01:00:51The twins.
01:00:52How do you tell the difference?
01:00:54She's got them all on her shoulder.
01:00:57Which one?
01:00:58The left one.
01:00:59No, no.
01:01:00I mean, which girl?
01:01:01Yours.
01:01:19Hello, champ.
01:01:20How is everything?
01:01:21Everything's great.
01:01:22Hello, Bobby.
01:01:23Hello.
01:01:24Hello.
01:01:25Joe?
01:01:26Now, Joe, this is early with a rash.
01:01:28I...
01:01:29Joe, please, let's don't start all that over again, huh?
01:01:33Yeah.
01:01:34I'm sorry.
01:01:35I'm sorry.
01:01:36I'm sorry.
01:01:37I'm sorry.
01:01:38I'm sorry.
01:01:39I'm sorry.
01:01:40I'm sorry.
01:01:41I'm sorry.
01:01:42I'm sorry.
01:01:43I'm sorry.
01:01:44I'm sorry.
01:01:45I'm sorry.
01:01:46I'm sorry.
01:01:47I'm sorry.
01:01:48Huh?
01:01:49Yeah.
01:01:50Joe, I got some swell keyhole stuff for you for the gossip column.
01:01:53Yeah, and I got a load of this.
01:01:54Bobby Barnes, the champ, is still nipping tucked with the twins.
01:01:58Yeah.
01:01:59Gwen and Larry are back together again.
01:02:02And Dawn is on the verge of an urge.
01:02:05And Mary is practically running the highest temperature in the class.
01:02:09How do you like that?
01:02:11Kinda winchily, huh?
01:02:12Oh, gee, Joe, it's swell.
01:02:14You ought to be here.
01:02:15The feeling, romance, love, life.
01:02:18I show everybody so darn happy.
01:02:25That is, merely everybody.
01:02:28Good night, all.
01:02:40Good night, all.

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