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rarefinder
  • 1 year ago
CIA agent Derek Carpenter is dispatched to Peru to track down former revolutionary-turned-drug lord Luis Montana. Once there, matters become complicated when he becomes embroiled in a turf war between Montana and another faction led by the seductive Elena, and doubly so when he falls for Montana’s daughter.


Director: Jesús Franco (as Jess Franco).
Writers: Jesús Franco (screenplay) (as A.L. Mariaux), Georges Friedland (dialogue) (as George Freedland).
Stars: Christopher Lee, Christopher Mitchum, Richard Harrison, Cristina Higueras, Henri Lambert, Alicia Moro, Brigitte Lahaie, Daniel Katz, José Miguel García, Frank Desmet, Trino Trives.
Transcript
00:00:00Havana, Cuba, April 6, 1969
00:00:30This man, Lewis Morales,
00:00:59Stuart, born 1933 in Sheffield, England
00:01:05Father, British, mother, South American
00:01:09Left-wing activist between 1949 and 1969
00:01:18Sierra Alta, August 17, 1963
00:01:32Communist series exported to other Latin American countries
00:01:40By Fidel Castro's right-hand man, Alfredo Guevara
00:01:56Regular troops with technical supplies from United States
00:02:02Annihilate focal point of revolution
00:02:08Louis Morales, Stuart, and pregnant Spanish-born wife
00:02:22Both part of Sierra Alta
00:02:26Guerrilla fans wounded in battle
00:02:38Morales, Stuart's wife dies
00:02:40While giving birth to female child
00:02:44Louis Morales disappears
00:02:48Whereabouts unknown to date
00:02:52Physical identification
00:03:10Large scar across side of neck
00:03:14Next
00:03:18That's it, Mr. Compton
00:03:20Thank you
00:03:22Uh-uh
00:03:24Uh-uh
00:03:26Uh-uh
00:03:36Uh-uh
00:03:38Uh-uh
00:03:40Uh-uh
00:03:42Uh-uh
00:03:44Uh-uh
00:03:46Uh-uh
00:03:48Uh-uh
00:03:50Uh-uh
00:03:52Uh-uh
00:03:54Uh-uh
00:03:56Uh-uh
00:03:58Uh-uh
00:04:00Uh-uh
00:04:02Uh-uh
00:04:04Uh-uh
00:04:06Uh-uh
00:04:08Uh-uh
00:04:10Uh-uh
00:04:12Uh-uh
00:04:14Let's go.
00:04:44Your name is Derek Timothy Bannon. You're a news reporter for the Detroit News Chronicle. You're divorced with two children. You're a member of the Roscoe Club. You vote Democrat. You'll find all the information you need in the file. Learn it by heart. Your flight leaves tomorrow at 11.40 from Boston. You go to the Hotel Quechua. The reservation has already been made from Detroit. That's all. You'll receive further instructions.
00:05:11You can go. Hey, buddy.
00:05:19Link, Carpenter, in.
00:05:20Carpenter, I deeply regret using you for this important mission.
00:05:37I can imagine.
00:05:37You can imagine nothing. You are violent and cynical. A drunk and a womanizer.
00:05:46You betrayed Frank Panella, and he was killed.
00:05:49I think the woman drugged my drink.
00:05:52A drunk and a womanizer.
00:05:54They paid for it.
00:05:56Violent and a cynic.
00:05:57Why did you send for me, Sparks?
00:06:00Because!
00:06:02Because!
00:06:04Unfortunately, I need you.
00:06:06Besides, you're the only one here who speaks fluent Spanish.
00:06:10You need a drunk and a womanizer?
00:06:12You've been given very little information.
00:06:14Therefore, if you're drunk, or they torture you, you cannot betray us.
00:06:20I prefer it that way.
00:06:24We believe that Luis Morel is living in Lima.
00:06:29He's alive.
00:06:31You must find him.
00:06:34And organize a cleanup operation against him.
00:06:38Remember, there's a scar on his neck.
00:06:41You can go now.
00:06:42Carpenter!
00:06:49Yes, Sparks?
00:06:51I don't like you.
00:06:53Oh, really?
00:07:03Linda Montana, you're so good.
00:07:04I just leave you, sir.
00:07:05Please hurry, this light is boarding.
00:07:07Thank you so much for everything, Mr. Archer.
00:07:10I should say my father told you to think of me.
00:07:12Oh, heavens, how silly of me, shoot!
00:07:17It's a deep wall.
00:07:23Would you please sit here?
00:07:25No way.
00:07:26It says, deep wall here, and that's where I'm going to sit.
00:07:29But it really doesn't matter.
00:07:32Please ask her to move.
00:07:33I want me to sit.
00:07:34If it really doesn't matter, we put our number in them.
00:07:36Please, señora, you have to move.
00:07:37It's a cipado.
00:07:39No, no, no me muevo.
00:07:40Usted me ha sentado aquí, yo me quedo aquí.
00:07:42No me muevo.
00:07:43Que le dice que se vaya de ahí, que es en mi asiento.
00:07:45Señorita, que no se hubiera equivocado.
00:07:46Ella tiene la obligación de se haber confinido.
00:07:48Yo no me muevo.
00:07:49Aquí me quedo.
00:07:50Leave her alone and go find another place.
00:07:52Oh, qué horror.
00:07:52I didn't know she was your wife.
00:07:59Oiga, señora, vaya a su asiento.
00:08:01¿A usted también?
00:08:02Ah, me voy, me voy porque soy una señora, que el señor no me iba.
00:08:04Usted no sabe su obligación.
00:08:06Usted tenía que haber entrado antes.
00:08:07Caramba, y me voy porque soy una señora, que el señor no me iba.
00:08:11I'm going to be my hand.
00:08:13Oh, boy.
00:08:14Oh, boy.
00:08:14Oh, boy.
00:08:15Oh, boy.
00:08:22This is Archie.
00:08:26Everything's okay.
00:08:28She'll be in Limon time.
00:08:37Having trouble?
00:08:40You're so smart.
00:08:41Why don't you find them?
00:08:43I already have.
00:08:45The hand, the sign, and the hair.
00:08:47It's curious, but women are much better at that kind of thing.
00:08:55We have more, more intuition.
00:09:03What would you like to drink?
00:09:05Whiskey.
00:09:06Double.
00:09:07A cup of beer, please.
00:09:09I was dying for something really hot.
00:09:12You don't like it, right?
00:09:13How did you guess?
00:09:15Intuition, I told you.
00:09:16I'll prove it.
00:09:20You like vegetarian sandwiches, Marguerite.
00:09:24You're an intellectual, a teacher might be.
00:09:27You're married to a tall blonde.
00:09:30She's a devoted wife with no teeth.
00:09:33You have one child and another on the way.
00:09:36Did I get it right?
00:09:38That's incredible.
00:09:39Not even close.
00:09:41Screw it.
00:09:43Nice talk.
00:09:46Now let me guess.
00:09:48You're well brought up.
00:09:49You have a wealthy father.
00:09:51He sent you to college.
00:09:52Probably Smith, where you learned to dress like a lady and talk like a man.
00:09:57It's one of my charms.
00:09:59I'll bet you've never done a bad thing in your life.
00:10:03You've got a smile that could launch a thousand ships.
00:10:05That's another of my charms.
00:10:09You're either a very good girl who thinks she's a tramp, or you're a tramp who thinks she's a very good girl.
00:10:16There are still four hours left before we land.
00:10:21Maybe you'll find out.
00:10:22What's your name?
00:10:25Charlie?
00:10:25Johnny?
00:10:26Dick?
00:10:26Derek.
00:10:27Oh, Derek.
00:10:28Derek, may I get past?
00:10:30I'm gonna take a leak.
00:10:31Yes, darling.
00:10:56Thanks, Sparks.
00:10:57Thanks, Sparks.
00:10:57Thanks, Sparks.
00:11:01Thanks, Sparks.
00:11:17Excuse me.
00:11:17We have to say goodbye now.
00:11:19Is someone meeting you?
00:11:20Yes.
00:11:23Adios.
00:11:24It's been a pleasure sleeping with you.
00:11:27Do you work in a strip joint, or are you here to marry the prime minister?
00:11:30If you want to find out, Calvin, I'd like to sleep with you again.
00:11:36Antonio!
00:12:00I have a reservation, the name's Bannon.
00:12:24Thank you, sir.
00:13:24Hello?
00:13:25Are you okay?
00:13:41Are you all right?
00:13:42Are you all right?
00:13:43Are you all right?
00:13:44Are you all right?
00:13:45Are you all right?
00:13:46Are you all right?
00:13:48Are you all right?
00:13:49Are you all right?
00:13:51Are you all right?
00:13:53Are you all right?
00:13:55Are you all right?
00:13:57Are you all right?
00:13:58Are you all right?
00:13:59Are you all right?
00:14:00Are you all right?
00:14:02Are you all right?
00:14:04Are you all right?
00:14:05Are you all right?
00:14:06Are you all right?
00:14:07Are you all right?
00:14:08Are you all right?
00:14:09Are you all right?
00:14:10Are you all right?
00:14:11Are you all right?
00:14:12Are you all right?
00:14:13Are you all right?
00:14:14Are you all right?
00:14:15Are you all right?
00:14:16Are you all right?
00:14:17Are you all right?
00:14:18Abandoned?
00:14:19Listen, Carpenter .
00:14:20You'll never see us, but we are your local contact.
00:14:24You'll be hearing from us when you least expect it.
00:14:26We know who you are.
00:14:27A scum and a traitor.
00:14:28I hope your manners will have improved by next time.
00:14:30You don't deserve any better.
00:14:33Listen carefully.
00:14:35Most of the drugs produced here are exported to the States.
00:14:39It seems that the top man among the dealers is the one we're looking for.
00:14:43Luis Morel, right?
00:14:47We believe that the government is also involved.
00:14:50We need proof that Morel is the boss.
00:14:52Keep still.
00:14:53Keep still or I'll blow your head off.
00:14:55Well, I thought...
00:14:56Don't think anything.
00:14:58May I ask a question?
00:14:59You may not get an answer.
00:15:01Fine.
00:15:02What difference does it make if Morel is the boss?
00:15:04If Morel is involved, we can justify a large-scale operation.
00:15:08It could be shown to be a political thing.
00:15:10Like Che Guevara's former henchman trying to destroy American youth with drugs.
00:15:18Do you really believe that?
00:15:20I don't believe anything.
00:15:22If Morel is alive and controlling the operation, we'll get the go-ahead.
00:15:27If it's just the usual mob dealers and mafia guys, we'll leave it Interpol.
00:15:33Got it.
00:15:36Tomorrow, you go to this address.
00:15:38It'll justify your cover.
00:15:40Avenue Bolivar, 331.
00:15:42Ask for Dr. Merrill Ramos.
00:15:45Now, don't move from here for 15 seconds.
00:15:491, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14.
00:16:03Open.
00:16:031, 2, 3, 4, 5, 6, 7, 10, 12, 13, 14.
00:16:04Open.
00:16:05Open.
00:16:06Open.
00:16:06Shit.
00:16:37Is this Bolivar 331?
00:16:57It's Cusco 1B.
00:16:59Oh, sorry.
00:17:00Is that but...
00:17:01Yes? How did you know?
00:17:03I left my number in your room.
00:17:05Let's say in a radar and use our way.
00:17:08I was expecting your call.
00:17:11My name is Barrios.
00:17:14Trimidad Barrios.
00:17:15Maybe we could have dinner together.
00:17:18Okay.
00:17:19We'll pick you up a date.
00:17:22Do you like Chinese food?
00:17:24Well...
00:17:25I understand.
00:17:27We'll decide that you're a hotel.
00:17:29Fine. Thanks.
00:17:30I'm going to pick you up a date.
00:17:32I'm going to pick you up a date.
00:17:33I'm going to pick you up a date.
00:17:34I'm going to pick you up a date.
00:17:35I'm going to pick you up a date.
00:17:36I'm going to pick you up a date.
00:17:37I'm going to pick you up a date.
00:17:38I'm going to pick you up a date.
00:17:39I'm going to pick you up a date.
00:17:40I'm going to pick you up a date.
00:17:41I'm going to pick you up a date.
00:17:42I'm going to pick you up a date.
00:17:43I'm going to pick you up a date.
00:17:44I'm going to pick you up a date.
00:17:45I'm going to pick you up a date.
00:17:46I'm going to pick you up a date.
00:17:47I'm going to pick you up a date.
00:17:48Hold it!
00:18:02Let me go in first.
00:18:05Senor Montana may be busy.
00:18:07Do I need an appointment to see my father?
00:18:10Antonio, I haven't seen him for three years.
00:18:13Don't you realize that, me?
00:18:14Just a moment.
00:18:17Please, Nina.
00:18:19Senor Montana was very busy today.
00:18:21Senor Montana was very busy today.
00:18:24Senor Montana was very busy.
00:18:28Yes, Antonio, what is it?
00:18:55Your daughter, senor.
00:18:56You mean she's here already?
00:18:59Senor, she's here.
00:19:00Well, then tell her to come up.
00:19:02Yes.
00:19:03Nina, Nina.
00:19:17My little one.
00:19:19My dearest little one.
00:19:23Now.
00:19:24You're so lovely.
00:19:33And you've grown up.
00:19:37And you look just like your mother.
00:19:40I was hoping you'd say that.
00:19:43Three tears.
00:19:44It's been three years since I saw you.
00:19:49You should be ashamed.
00:19:51I know, I know.
00:19:53You must try to understand, my child.
00:19:55But it's been hell for me to be separated from you.
00:19:58So many times I've wanted to leave all this and come and see you, but it's never been possible.
00:20:08Never enough time.
00:20:09But now you're here.
00:20:14Tell Mr. Montana the plane with the merchandise is ready.
00:20:17We're not going to bother Mr. Montana with anybody like that.
00:20:20I'll take care of it myself.
00:20:21You know, I'll take care of it.
00:20:30I know.
00:20:32I know.
00:20:34I know.
00:20:38Well, look.
00:20:38I know.
00:20:40All right.
00:20:41anything wrong i don't know it's not patrolled over here those are ours don't worry
00:21:11so
00:21:21oh
00:21:38come on
00:21:51so
00:22:11police road control everybody out
00:22:21hey they want to get in the way let him go he will tell montana the police did it
00:22:30watch out there might be a trap
00:22:37bring the coke here hurry
00:22:39mancho hurry down the car okay let's go
00:22:52go
00:23:06go
00:23:08Oh, my God.
00:23:38Oh, my God.
00:24:08And leave those fucking uniforms in the hut.
00:24:38Oh, my God.
00:25:08Oh, my God.
00:25:38Oh, my God.
00:26:08Oh, my God.
00:26:38I'm from Colombia, but I've been living here in Lima for four years.
00:26:41I met Selena here.
00:26:44She was a model.
00:26:47I saw her on a television commercial.
00:26:49French lingerie, lace and silk.
00:26:52I was very early then.
00:26:53I was very early then.
00:26:53I would stay on the television watching that commercial over the north.
00:26:58Well, that's a very heartwarming story, but it doesn't answer my question.
00:27:11Mr. Barnard, we know who you are.
00:27:18We do know, and we want to offer you a deal, a partnership.
00:27:23I think you've got the wrong man.
00:27:25I'm a journalist from the Detroit News Chronicle.
00:27:28And you are in Lima doing a report of the drug addictions in colleges.
00:27:32Isn't that it?
00:27:34That's it?
00:27:35In a way, we are colleagues.
00:27:38Don't tell me you earned that rock being a journalist.
00:27:41Don't be silly.
00:27:44I mean that we are also interested in the drug question.
00:27:48And not just in the colleges.
00:27:50We are not quite so intellectual, but we could tell you a lot of things that would interest you.
00:27:55What kind of things?
00:27:57The name of the top man in the organization.
00:28:00And the way to get him.
00:28:01I don't think that will be of any interest to my readers.
00:28:04I believe it is.
00:28:06He is the man who controls the sport of nearly all the cocaine produced here to the United States.
00:28:12And that includes the colleges.
00:28:15Now, do you see the connection?
00:28:17Are you offering me a deal?
00:28:19A partnership?
00:28:20There are two sides in every partnership.
00:28:22Let's say there is a very strong group of dealers with contacts inside the government.
00:28:27For one reason or another, the CIA gets involved and wipes them out.
00:28:31That's possible, isn't it?
00:28:33Anything is possible.
00:28:35This country would still go on producing cocaine since it is the biggest money earner in a country as poor as this.
00:28:41Right?
00:28:42Sounds logical.
00:28:44So there is a group ready to take cover for the prison dealers.
00:28:48Very interesting.
00:28:50Go on.
00:28:52This group would promise not to send a single gram of dog to the States.
00:28:57How generous.
00:28:58In exchange for what?
00:29:00Immunity.
00:29:05Now, let's see if I got this straight.
00:29:07You give the names.
00:29:08And the evidence.
00:29:09And the evidence.
00:29:10Put the present dealers out of action.
00:29:12If a completely free hand is given to a new group who promises not to sell dope in the States.
00:29:17That's it.
00:29:18You are very right.
00:29:19And where do they sell it?
00:29:21Who cares?
00:29:22Not in the States.
00:29:23That way your universities will be free or partly free from this terrible threat.
00:29:26That's wonderful.
00:29:27Make a great novel, but I'm a journalist.
00:29:28You should have told all this to a CIA agent.
00:29:30A friend we have in common.
00:29:31A very good friend.
00:29:32She told us about your coming here.
00:29:33Some time ago, Frank Panella was betrayed by one of his colleagues.
00:29:35Panella was murdered.
00:29:36Are you familiar with the story?
00:29:37I remember the case.
00:29:38A friend we have in common is Panella's wife.
00:29:39You didn't know her, didn't you?
00:29:40I remember the case.
00:29:41A friend we have in common is Panella's wife.
00:29:43You didn't know her, didn't you?
00:29:44I believe so.
00:29:49I have a friend who knows someone who works at Langley.
00:29:53Let me give him a call and see what I can find out.
00:30:11when can we have the definite answer 48 hours he's a very good friend that's fine
00:30:21we'll pick you up at the hotel at the same time in two days i hope you're a force
00:30:28it would be a pity to have to break off such a promising
00:30:41so
00:31:00so
00:31:11This used to be my dream, of being here again, of the patio, the smells, the best, the music
00:31:31of our country.
00:31:32And now that you are back, which do you prefer, the dream or the reality?
00:31:38Father, for once, reality is much better than the most wonderful dream.
00:31:44There are things I've forgotten.
00:31:47Such as?
00:31:48The smells, for instance.
00:31:50The cacaranda, the lemon trees, this music.
00:31:53Oh, it's so good to be home, damn it.
00:31:57Let's dance.
00:31:59Oh, no, I've always been a dreadful dancer.
00:32:01Oh, Father, come on.
00:32:03I haven't danced in years.
00:32:04Oh, come on.
00:32:08Let's go.
00:32:15Do you know something?
00:32:16What's that?
00:32:17You're the hell of a dancer.
00:32:19you know something what's that you're a hell of a dancer just a minute where did you learn language
00:32:40like that in america of course where else in america just where are we now may i ask oh father
00:32:47you know what i mean in the united states for them that is america yes for them that is the real
00:32:54america we are just a source of cheap labor los pelados los rotitos osmojaos wetbacks
00:33:02don't be angry father there are nice people there as well ordinary people
00:33:09who is this oh father come on
00:33:14excuse me could i speak to you for a moment what's going on what be a minute
00:33:25no nina just a business matter tell me
00:33:52we'll talk later nina but don't worry while antonio is armed nothing can go wrong
00:34:05police do you realize this is a second time in a matter of months well you know what to do
00:34:21take him away put him apart change his clothes
00:34:23yes yes this is louise montana now you tell the minister to get on the telephone immediately
00:34:37in person or i will be around at his house in person within 30 minutes
00:34:42yes this is louise the police were waiting for us at the romero line
00:34:51the route we always take but where did they come from how is this possible why didn't you warn us
00:34:56it's the second time
00:34:57what do you mean it's not possible it happened
00:35:02now you will see that it doesn't happen again
00:35:05one more mistake and i warn you that yes yes yes yes yes words words words words
00:35:12well i don't believe you
00:35:14you have exactly one week in which to finish them off
00:35:19i want to know where those sons of bitches come from
00:35:21you know what to do
00:35:24says there's nothing to do with them must be another group from my side but if that's true
00:35:45thank you good night
00:35:57i hope we meet again very soon
00:36:04please make it easy
00:36:07hello scum just don't move
00:36:32that's better
00:36:35accept barrio's offer
00:36:38the agency approves
00:36:40how can the agency approve
00:36:41they won't be dealing in the states
00:36:44but they will in france
00:36:47britain all over europe
00:36:48that's not our problem
00:36:50how very convenient
00:36:52get to work
00:36:54nail the boss
00:36:55and don't forget tomorrow
00:36:57331-passeo-boulivar
00:36:59how do i contact you
00:37:01don't worry about that
00:37:03count to ten before you move
00:37:05or you'll be sorry
00:37:06yes i know
00:37:07one
00:37:11two
00:37:12three
00:37:13four
00:37:14five
00:37:15six
00:37:16seven
00:37:17eight
00:37:17nine
00:37:18ten
00:37:18oh
00:37:19hello
00:37:32who is dit
00:37:32Hello, who's this?
00:37:47Well, hello.
00:37:48Is this that vampy Cinderella who likes to take advantage of poor, unfortunate travelers?
00:37:54Dirk!
00:37:55Why does it take on you so long to call me?
00:37:57Just one day.
00:37:59Oh, that's too long.
00:38:00I thought I was more attractive than that.
00:38:03I was just kidding.
00:38:06Where are you?
00:38:06In bed.
00:38:07Oh, fine.
00:38:09I'm on my way.
00:38:11Wait, where the hell is your bed?
00:38:13Do you know the Hotel Quechua?
00:38:15Sure.
00:38:16It's real turkey.
00:38:18Do you want to sleep with me again?
00:38:20Of course I do.
00:38:21Yes, but not now.
00:38:24My face is covered with cream.
00:38:26I look terrible.
00:38:28That's okay.
00:38:29Come as you are.
00:38:30But I could not go soon.
00:38:33That'll save us time.
00:38:35Are you coming?
00:38:36Yes, but not now.
00:38:38You'll be waiting for me and getting all invasions.
00:38:42I'll appear when you listen to it.
00:38:44Where have I heard that before?
00:38:46Sweet dreams.
00:38:47See you next time, yeah.
00:38:49Good night.
00:38:49Good night.
00:40:32What time is it?
00:40:35Is that all you can think of?
00:40:40It's like a seven.
00:40:43I've been waiting five and a half hours.
00:40:48My wife is at the other end of town.
00:40:51I thought it was still.
00:40:53You still have a couple of hours.
00:41:08It won't be enough.
00:41:10When will I see you again?
00:41:23I'm busy.
00:41:26I like you.
00:41:27In what?
00:41:29It's over there.
00:41:30I have to see someone.
00:41:35That's okay.
00:41:38I'll wait outside.
00:41:39Where do you have to go?
00:41:42I feel believe I.
00:41:44It's on my way.
00:41:45Come on.
00:41:46At your service.
00:41:47So, you're a journalist, huh?
00:42:06So, you're a millionaires, huh?
00:42:09What number did you say?
00:42:11I didn't say, but right there is fine.
00:42:14Good morning.
00:42:23My name's Bannon.
00:42:24I'm a journalist.
00:42:25Oh, dear.
00:42:26Just a moment.
00:42:28Fucking sorry.
00:42:29Clever girl.
00:42:31Are you sick?
00:42:32Not me.
00:42:32You know, maybe you should come in here with me.
00:42:35Over there, to the left.
00:42:47Mr. Bannon?
00:42:49Mariel?
00:42:50Yes.
00:42:52I'm Dr. Mariel Ramos.
00:42:54Is that the young lady with you?
00:42:56Yes.
00:42:57She's not a customer yet.
00:42:59No problem.
00:43:00She wishes to come with us.
00:43:01It is better that young people see the problem and understand it.
00:43:06Before it is too late.
00:43:14There is a chance these people might be cured.
00:43:20It will be very difficult for them ever to fit back into society.
00:43:31She started when she was young.
00:43:34She used to prepare the shots for her father.
00:43:37One day, she tried it herself.
00:43:38She started what?
00:43:40They're mentally ill, aren't they?
00:43:42Yes, they are.
00:43:45Because of drugs.
00:43:48Unfortunately, the police always bring them in when it's too late.
00:43:51But in my school, all my supernive bodies move.
00:43:58And this were okay.
00:44:01You go on the harder drugs.
00:44:03Here they are.
00:44:03And this?
00:44:05What does it mean?
00:44:08LSD?
00:44:09Crack?
00:44:10Cocaine?
00:44:11Heroine?
00:44:14Cocaine, too?
00:44:15I thought that...
00:44:16Cocaine is addictive, too.
00:44:18Its effects can be fatal.
00:44:21These are college kids, and we can't tell their parents what's wrong with them.
00:44:24So, shouldn't they know?
00:44:26Of course not.
00:44:27The government doesn't want the truth to be known.
00:44:30Drug production and trafficking is the biggest business that is here.
00:44:34Some of the most important men in the country are involved.
00:44:38And that includes a lot of high government officials, even ministers.
00:44:43How's it?
00:44:44We know several ministers who are involved.
00:44:47Well, what about the police?
00:44:52The police.
00:44:52They obey orders.
00:44:55And some of them do their own traffic.
00:45:09Or Tulio Quiroga.
00:45:13An architectural student.
00:45:16He got a scholarship from the University of Madrid for his work on the hanging guard
00:45:22and the hanging gardens of Yacucho.
00:45:25Look at him now.
00:45:29You haven't seen the world yet.
00:45:30Overdose?
00:45:4616 years.
00:45:5016?
00:45:5114?
00:45:52Overdose?
00:45:54In some cases.
00:45:55Others, overdose.
00:45:55They don't have a test.
00:46:22You mean they even cut it here?
00:46:23Don't be so naive, but if they cut it over, they mean more money.
00:46:28Anywhere.
00:46:29And that means more days?
00:46:31A lot more.
00:46:32And it helps reduce unemployment.
00:46:42Twenty-one.
00:46:43She died the right night of an overdose.
00:46:47Maria?
00:46:50Maria?
00:46:51My dearest friend.
00:46:57It's Maria.
00:46:59My best friend.
00:47:00Poor Maria.
00:47:01I can't believe it.
00:47:10We were roommates for three years in high school.
00:47:13She used to fool around with both, but she always said she would never touch the hard tracks.
00:47:20I never thought she would end up this way.
00:47:23This way.
00:47:24I'll drive.
00:47:25No.
00:47:26Where are you going?
00:47:27Where are you going?
00:47:28I don't know.
00:47:29I guess I was heading home.
00:47:30Are you sure you don't want me to drive?
00:47:34That's all right.
00:47:35Do you know something, Derek?
00:47:36I know it's silly, but it seems I've known you for a long time.
00:47:41Well, you have.
00:47:42A couple of days.
00:47:43For me, that's a relationship.
00:47:44Seriously.
00:47:45I think I know you well enough.
00:47:46Well enough for what?
00:47:47To falling in love with you.
00:47:48You are not.
00:47:49I am pretty happy.
00:47:50Do you know something Derek?
00:47:53Do you know something Derek?
00:47:56I know it's silly, but it seems I've known you for a long time.
00:48:00Well, you have.
00:48:01A couple of days.
00:48:03For me that's a relationship.
00:48:06Seriously?
00:48:08I think I know you well enough.
00:48:12Well enough for what?
00:48:15To fall in love with you.
00:48:18You better get going.
00:48:19To fall in love with you.
00:48:49I believe we've seen each other before.
00:48:54Well, I better get walking.
00:48:57Don't be silly.
00:48:58This is your house.
00:49:00Linda.
00:49:01Linda!
00:49:03Mr. Montana has a very important visitor.
00:49:08I'll call you soon.
00:49:12Take my back.
00:49:13Okay?
00:49:14You have to see me again.
00:49:19Ah, Linda, my dear.
00:49:23I wonder where you've got to.
00:49:26This is my daughter Linda.
00:49:28She's got back from college in the United States.
00:49:31Aren't you going to introduce me to this young man?
00:49:34This is Derek.
00:49:35A friend of mine.
00:49:36He's a reporter.
00:49:38A reporter?
00:49:39From America?
00:49:40Yes.
00:49:41Are you here on holiday?
00:49:43Actually, I'm doing a story on drugs in Latin America.
00:49:46Very interesting.
00:49:48We'll have a chat about you when I get back.
00:49:50I'll look forward to it.
00:49:51That's it.
00:49:56You heard my father.
00:49:57You are cordially invited into the Montana mansion.
00:50:00I'll go with the minister.
00:50:01Keep an eye on him and don't let him go until I come back.
00:50:12We'll come on.
00:50:39We'll come on.
00:50:40We'll come on.
00:50:42Don't tell me he's your chaperone.
00:50:45He still thinks I'm a little girl.
00:50:48He's been with my father for years.
00:50:54Little girls grow up.
00:51:09What's wrong?
00:51:10I don't know.
00:51:12I can't forget too, Maria.
00:51:16And those other kids.
00:51:18People make fortunes on that.
00:51:21Sorry.
00:51:25I'm scared.
00:51:27Dad.
00:51:29What's wrong?
00:51:30I don't know.
00:51:31I can't forget too, Maria.
00:51:34I can't forget too, Maria.
00:51:36And those other kids.
00:51:38People make fortunes on that.
00:51:39I don't know.
00:51:44It would appear they are in love.
00:51:46It seems like it.
00:51:47It seems like it.
00:51:49Where are they now?
00:51:50Walking in the gardens.
00:51:53Well, don't tell them I'm here yet.
00:51:54I'm going to have a swim first.
00:51:57Is everything okay with the minister?
00:51:59Oh, yes.
00:52:01I know the whereabouts of our friends, their clients, their contacts.
00:52:04And we'll deal with them tomorrow.
00:52:08Excellent.
00:52:09He did well, the minister.
00:52:10They're in my hands, Antonio.
00:52:13And they know it.
00:52:14I didn't know you were back.
00:52:25I just thought I'd have a swim first.
00:52:28Good afternoon, Mr. Montana.
00:52:30Good afternoon, young man.
00:52:32Derek, isn't it?
00:52:33That's right.
00:52:34Would you like to join me in a drink first,
00:52:36or would you rather go and have a swim?
00:52:41I think we'll have a swim, thanks.
00:52:44I think we'll have a swim first.
00:53:14It's going, dream boy.
00:53:20Don't move, scum, against the wall.
00:53:23If you turn around, I'll blow your head off.
00:53:26Where do you want now?
00:53:28There is a boatyard at the Parque de España.
00:53:30Go into their store tomorrow morning at 9 and ask for Alfredo.
00:53:35You won't be going into action before 6 p.m.
00:53:37You'll have plenty of time to prepare the attack right there,
00:53:40near the airstrip.
00:53:41The what?
00:53:42Up until now,
00:53:43only Barrios has dared to hit the Montana organization.
00:53:46Tomorrow will be our first blow.
00:53:47Just the opening of a major operation.
00:53:49Up until then,
00:53:54what's the end?
00:53:57Up until now.
00:53:57Up until now,
00:53:58I know.
00:53:59Up until now.
00:54:00I know.
00:54:01Up until now,
00:54:03I promise.
00:54:05All right, let's go.
00:54:35May I speak to Linda, please?
00:54:45Linda, it's me.
00:54:48Yes, of course I'm thinking about you.
00:54:51Yes, I'm thinking about that, too.
00:54:54No, forget about tomorrow. I'm going to be busy.
00:54:57I have an appointment in the morning.
00:54:59No, no, no, I don't want you to drive me anywhere.
00:55:02Because I don't, that's why.
00:55:03I'll call you when I'm finished.
00:55:07Okay, bye-bye.
00:55:07Okay, bye-bye.
00:57:13No.
00:57:17So, what do we talk later?
00:57:21Or you don't find me attractive?
00:57:23Of course I do.
00:57:24You're very beautiful.
00:57:29Very sexy.
00:57:30You have very cold lips.
00:57:43They say that a woman's lips are a reflection of her soul.
00:57:46You are a death.
00:57:51Now they've got the competition.
00:57:53I'll make it easy for you because that's my job.
00:57:57I kill.
00:57:57But I prefer to kill people like you.
00:58:02The cancer of society.
00:58:05And what about Penela?
00:58:06I've got to put an end to that story.
00:58:12Call Penela's widow.
00:58:15Arrange a meeting now.
00:58:17Don't mention me.
00:58:18And when this job is over, you stay out of my way.
00:58:25Because I would love to wipe you out.
00:58:32Moira.
00:58:34This is Elena.
00:58:35I have to see you right away.
00:58:39Yes.
00:58:40Wait for me.
00:58:41I'll be there soon.
00:58:42You go on alone.
00:59:02You are not coming with me?
00:59:04Don't worry about me.
00:59:05Get out.
00:59:12It's me, Elena.
00:59:35Get back to the car.
00:59:42What are you doing here?
00:59:56What do you want?
00:59:58You promised me our love affair would never hurt him.
01:00:01How could you kill him?
01:00:02You bastard!
01:00:08Dear, you dare you come here?
01:00:12I have a letter your husband gave me before he died.
01:00:26It's for you.
01:00:27It's for you.
01:00:42My dearest Marira.
01:00:53If Derek gives you this, you know you'll never see me again.
01:01:01I've been thinking of us.
01:01:04All the pain I've caused.
01:01:05How much I've neglected you.
01:01:10So.
01:01:12See, when they made me an offer, I couldn't refuse.
01:01:19I saw it as a chance for us to escape.
01:01:22Far away.
01:01:25To live in peace the rest of our lives.
01:01:29I betrayed my partners.
01:01:30Led them into a trap.
01:01:31Two are already dead.
01:01:32Only Derek knows the truth.
01:01:33It made me realize.
01:01:40What I've done, I'm going to try to repair the damage.
01:01:45Please forgive me.
01:01:49He did it because I love you so much.
01:01:57Frank.
01:01:59Derek.
01:02:00You took the blame just.
01:02:05Just so that Frank's reputation wouldn't be destroyed.
01:02:08He was like my brother.
01:02:10I owed him.
01:02:13Can you forgive me?
01:02:21I hope this means you won't call me scum anymore.
01:02:23Did you know I wish you contact him?
01:02:28I know your voice well in the dark.
01:02:35I believe we can keep this between us.
01:02:37Good night.
01:02:46Good night.
01:02:47Good night.
01:02:47Good night.
01:02:47Good night.
01:02:48Good night.
01:02:48Good night.
01:02:48Good night.
01:02:49Good night.
01:02:49Good night.
01:02:50Good night.
01:02:50Good night.
01:02:50Good night.
01:02:51Good night.
01:02:51Good night.
01:02:52Good night.
01:02:52Good night.
01:02:52Good night.
01:02:53Good night.
01:02:53Good night.
01:02:53Good night.
01:02:53Good night.
01:02:54Good night.
01:02:54Good night.
01:02:55Good night.
01:02:55Good night.
01:02:56Good night.
01:02:56Good night.
01:02:57Good night.
01:02:57Good night.
01:02:58Good night.
01:02:58Good night.
01:02:59Good night.
01:02:59Good night.
01:03:00Good night.
01:03:00Good night.
01:03:01Good night.
01:03:01Good night.
01:03:02Good night.
01:03:03Good night.
01:03:04Good night.
01:03:05Good night.
01:03:06Good night.
01:03:07Good night.
01:03:08Good night.
01:03:09Good night.
01:03:10Let's go get all the dogs.
01:03:21I'll feel better.
01:03:37Tell Mrs. Barrios to bring out all the stuff.
01:03:40Let's go.
01:04:10My love.
01:04:12Pay for this.
01:04:15I try and win.
01:04:17You've been down to the door.
01:04:21My hand's here.
01:04:22I try and win.
01:04:24I try and win.
01:04:40My name's Ben, and I'm here.
01:05:10I'm a journalist. I'll leave someone's expecting me.
01:05:12Oh, yes, Mr. Batman. Certainly. This way.
01:05:15They're waiting for you upstairs.
01:05:18This is where the operation will start.
01:05:24This is Derek.
01:05:26He will direct the operation.
01:05:28Mariano.
01:05:30Rosario.
01:05:31Chatea Diaz, Domingo.
01:05:32He's my assistant. He helped me get you to talk to me.
01:05:35Hello, Quebron.
01:05:36Jorge Barton.
01:05:39Come closer, Derek.
01:05:41We're studying the plan of attack.
01:05:43You can go there first to reconnoiter, but we attack at six.
01:05:47Well, then comes the big game.
01:05:48Till nothing is left of Montana and co.
01:05:50Now, what worries me is you're waiting till six.
01:05:53What if Montana makes the first move?
01:05:55He won't be expecting anything.
01:05:58I didn't think you'd be going along on this.
01:06:00A lot of things have changed since yesterday.
01:06:07Yes.
01:06:08And there's one more thing I have to correct.
01:06:09I don't know.
01:06:32I don't know.
01:06:34Oh, my God.
01:07:04Oh, my God.
01:07:34Oh, my God.
01:08:04Oh, shit.
01:08:06Tempty.
01:08:16What are you doing here?
01:08:19I just wanted to be with you, but if you'd rather, I'd go.
01:08:22You followed me.
01:08:23You even changed cars.
01:08:25Sure, you had mine.
01:08:27Anyway, you're not doing anything illegal, are you?
01:08:31Did your father put you up to this?
01:08:34I'm here because...
01:08:36Because I love you.
01:08:40And I need you.
01:08:45Listen.
01:08:46You'd be a good girl.
01:08:48We'll go on home.
01:08:51I'll explain everything to you when I get back.
01:08:54I promise.
01:08:55Hey.
01:08:56I love you, too.
01:08:59I love you, too.
01:08:59I love you.
01:09:10I love you, too.
01:09:12I love you.
01:09:21I love you.
01:09:23I love you.
01:09:25Tiger 1 to Redbird, we're in position.
01:09:37Tiger 1 to Redbird, we're in position.
01:09:39Redbird, Tiger 1, get ready to start operation in 30 seconds.
01:09:55Tiger 2, cover us, but we don't know the plane.
01:10:25Tiger 2, cover us, but we don't know the plane.
01:10:55Tiger 2, cover us, but we don't know the plane.
01:11:25Tiger 2, cover us, but we don't know the plane.
01:11:45Tiger 2, cover us, but we don't know the plane.
01:11:48Well, you can't do that.
01:11:51So long, scum.
01:12:17Senor Montana, it's the police again.
01:12:33Senor Montana.
01:12:35Those bloody police, if it's trouble they want, we will oblige them.
01:12:47Senor Montana.
01:13:17It's Andres.
01:13:23He works for my father.
01:13:27It's time you and I had a little talk.
01:13:31You're right.
01:13:34I'm not a reporter.
01:13:36Your father's not an honest man.
01:13:45Redbird Headquarters.
01:13:46First part, operation over. Starting second half.
01:13:49Your attention, Redbirds, two, three.
01:13:51We are going ahead with operation cleanup.
01:13:52The orders are complete destruction of Montana's plantations and warehouses.
01:13:56Over.
01:14:16Do you want to come in?
01:14:43No. Thanks, but they want to be alone for a while.
01:14:48Yeah. I understand.
01:14:52I'll see you later.
01:15:13The door's open!
01:15:30Put the shirt on the bed.
01:15:36There's a pit for you on the table.
01:15:39I see you're a big spender.
01:15:41I'm in here.
01:15:42Give me back my money, you thief.
01:15:47What took you so long?
01:15:59I had to kill a few guys.
01:16:02I understand more else.
01:16:04I'm in heaven and hell.
01:16:05He set it up against the State Department.
01:16:11Is the State Department in the dope business, too?
01:16:14It's none of my business.
01:16:16I've been told you were really a rabble out there today.
01:16:19I guess I take that as a compliment.
01:16:20Yes, I suppose you would.
01:16:27Anyway, we've got to get things moving quickly.
01:16:31We?
01:16:32Are you joining the hit team?
01:16:34Are you serious?
01:16:36I'm not stupid.
01:16:38I'm here to give it the diplomatic touch.
01:16:41I see.
01:16:43Frontline battle in a five-star restaurant.
01:16:45Exactly.
01:16:47Everyone has their place.
01:16:51Now, get out of here, carpenter.
01:17:10The black file, rapido.
01:17:40Father, we must talk.
01:17:44Not now, my dear.
01:17:44Not now.
01:17:45I'm in a great hurry.
01:17:46I don't care.
01:17:47We have to speak now, or I won't be here when you get back.
01:18:03Listen, Linda, I have a lot of things on my mind at the moment.
01:18:06Business hasn't been too good.
01:18:08Why don't you go away for a month and take a vacation?
01:18:13Rio, Europe.
01:18:14And couldn't you come with me?
01:18:16That's impossible, my dear.
01:18:17You know that.
01:18:19Yes.
01:18:21I know a lot of things.
01:18:24They'll destroy you.
01:18:25They'll kill you.
01:18:26There's still time.
01:18:28Let's go before it's too late.
01:18:34What do you know, Linda?
01:18:38I know you're dealing drugs.
01:18:43That you gamble with human lives.
01:18:47That you're a killer.
01:18:50And if you believe that, then why do you want me to go with you?
01:18:54You're my father.
01:18:56You're all I've got.
01:18:57I'm sorry, Molly.
01:19:01I don't know what to say or to say.
01:19:04Linda, Linda.
01:19:06Do not judge me without knowing the reasons.
01:19:10What reason could you possibly go?
01:19:12Do you know how your mother died?
01:19:24Yes, you always told me again.
01:19:25I've never told you the truth.
01:19:28Your mother was murdered by American imperialists just a short time after you were born.
01:19:33They killed all the leaders of the revolution.
01:19:35All of them.
01:19:36Che Guevara.
01:19:36Everybody.
01:19:37Everybody.
01:19:38Except me.
01:19:41Why are you telling me this now?
01:19:44Do you think it will make everything all right?
01:19:46No.
01:19:47It's because I want you to understand that there are so many different ways of fighting the kind
01:19:51of imperialism that has kept us so low.
01:19:54I chose this way.
01:19:55Maybe you think it's brutal.
01:19:56Maybe it is.
01:19:56But do not judge me too harshly, Linda.
01:20:03I did not do this just for myself.
01:20:09Think about it.
01:20:18Adios, querida mia.
01:20:21Adios, querida mia.
01:20:51That's for my wife.
01:21:18For her.
01:21:20For her.
01:21:20For her.
01:21:20For her.
01:21:20For her.
01:21:48For her.
01:21:49Oh, my God.
01:21:51I don't know.
01:22:21Why, Luis? Did you do all this for the money, or was it for your cause?
01:22:26Lord Almighty, your beloved son, Luis Montana, will now appear before you to seek your mercy.
01:22:54He carries with him a crown of flowers. One stands for virtue, another for honesty, still others for kindness and compassion.
01:23:02His memory will remain engraved forever in the hearts of his compatriots, for he was their benefactor, and his benevolence will become a legend.
01:23:10In this hour of sorrow for our entire country, Lord Almighty, be as generous with your pious son, Luis Montana, as he was here on earth.
01:23:18In nomine patria, et fili, et spiritus sancti. Amen.
01:23:22Well done, my boy.
01:23:42You didn't let me down.
01:23:52So, you don't think I'm a violent, rude, drunken womanizer anymore, huh?
01:23:58On the contrary, only someone as violent as you could have organized that strike against Morel.
01:24:06And only a cynic could have controlled the Barrios and got rid of them, too.
01:24:13And only a womanizer and a drunk could have gotten into Morel's own home.
01:24:17You're a complete disgrace, Carpenter.
01:24:24Unnecessary disgrace.
01:24:27Unnecessary disgrace.
01:24:27Unnecessary disgrace.
01:24:57I suppose this is goodbye.
01:25:25I'm needed somewhere else.
01:25:27It's a crazy kind of world.
01:25:30You did what you had to do.
01:25:33Are you sure?
01:25:37Now, I understand your fight.
01:25:44Let me go with you.
01:25:46What for?
01:25:50There's nothing to keep me here.
01:25:55Without you.
01:25:57There's nothing to keep me here.
01:26:05There's nothing to keep me here.
01:26:09There's nothing to keep me here.