- 4 weeks ago
A cold-blooded killer jumps a million dollar bail, and now he’s back in town looking for his stashed loot. But now he’s in dead trouble as he’s just made two mistakes.. and they go by the neames of HARDBALL and GOMEZ. These two modern day bounty hunters stand to make a fortune working on this case and reluctantly agree to work together. Armed with a Gatling gun and a dozen major league baseballs, Hardball and Gomez are on the chase of their lives. Together they’ve got to find a kidnapped baby, save a girl and catch the killer.. before they kill each other!
Director: Bill Norton (as Bill L. Norton). AKA Grand Slam
Stars: John Schneider, Paul Rodriguez, Susan Walters, Louis Herthum, Dennis Hayden, Rene Carrasco.
Director: Bill Norton (as Bill L. Norton). AKA Grand Slam
Stars: John Schneider, Paul Rodriguez, Susan Walters, Louis Herthum, Dennis Hayden, Rene Carrasco.
Category
🎥
Short filmTranscript
00:00:00You
00:00:30Shhh...
00:00:35Come on, child. Don't be afraid.
00:00:38We're going to be rich.
00:00:50We're already on your side. We're going to go for a day.
00:01:00I'm here.
00:01:30Hey, Doug, we've got three mails.
00:01:56Oh, damn, I haven't even had my coffee yet.
00:02:00Come on, let's go.
00:02:10Alto, turn on set.
00:02:11Okay, just relax.
00:02:13We'll be out by tomorrow morning.
00:02:15Maybe with any luck, you'll have better luck next time.
00:02:23This is him!
00:02:25No, no, stop all this, I've missed.
00:02:27Ah!
00:02:29Hey!
00:02:30Ah!
00:02:32Hey!
00:02:33Hey!
00:02:35Hey.
00:02:36Hey.
00:02:37Hey.
00:02:39Hey.
00:02:40Hey.
00:02:41Hey!
00:02:43Hey.
00:02:44Hey!
00:02:45Hey.
00:02:46Hey, hey.
00:02:47Hey.
00:02:48Hey.
00:02:49Hey!
00:02:52Hey.
00:02:53I'm gonna run down
00:03:08I've been like you
00:03:11And I don't know why
00:03:15Unless that mean woman make me a fool
00:03:18She took all my money
00:03:22That's my new car
00:03:25Now she's with one of my
00:03:29One of the time
00:03:30Here.
00:03:35You got a guy in here by the name of Jimmy Dusenberry?
00:03:38Called him Fat Boy?
00:03:40Don't I know you?
00:03:42Don't think so.
00:03:44What do you want Jimmy for?
00:03:46I want to talk to him.
00:03:48You a cop?
00:03:49No.
00:03:49Jimmy want to talk to you?
00:03:53I don't see why not.
00:03:59Over there.
00:04:00Jimmy Dusenberry?
00:04:16I talked to you for a minute.
00:04:18You a cop?
00:04:20Nope.
00:04:20What do you want?
00:04:29I work for the bail bonds company, Jimmy.
00:04:33Bluebird bail bonds.
00:04:36It says here
00:04:37You skipped out on a $2,500 bond.
00:04:43Possession?
00:04:45Stolen property?
00:04:45Well, that's me, all right.
00:04:49What are you going to do about it?
00:04:51I'm going to take you in, Jimmy.
00:04:53Now let me get this straight.
00:04:55You're not a cop.
00:04:58You work for the bail bondsman.
00:05:01That's right.
00:05:03And you want to take me in?
00:05:05Mm-hmm.
00:05:07Well,
00:05:08just how the hell
00:05:10do you expect to do that, huh?
00:05:14This help?
00:05:17The thing about a PC
00:05:19is you got to be willing to use it.
00:05:21You're not a cop.
00:05:24I don't think you want to take
00:05:25that kind of heat, now do you?
00:05:27I don't think you want to take it.
00:05:36So,
00:05:37what's it going to be, dude?
00:05:41It's how I make my living, pal.
00:05:44Man, then you must be crazy.
00:05:48Because there ain't nothing
00:05:49I'd like better than
00:05:49to lay a home run upside
00:05:51your ugly head right now.
00:05:52Home run?
00:05:54Baseball.
00:05:54You'll like baseball,
00:05:55do you, Jimmy?
00:05:55Well, I'll tell you what,
00:05:57I just happen to have
00:05:58a couple of them right here.
00:05:59Look at that!
00:06:01Nail them, Jimmy!
00:06:05All right, who's up first?
00:06:08Right here.
00:06:09Fine.
00:06:25Now I remember.
00:06:47They called you hardball.
00:06:50Yeah, but you can call me Dennis.
00:07:02You should see my screwball.
00:07:05All my friends know the lowrider.
00:07:25The lowrider is a little higher.
00:07:29Yes, sir, did you want the restaurant, sir?
00:07:50Yeah.
00:07:51You can't park your car here, sir.
00:07:53I won't be long.
00:07:57I won't be long.
00:08:01Oh, thank you.
00:08:04Oh, thank you.
00:08:05Oh, thank you.
00:08:07It is, Alan.
00:08:07You're looking for the kitchen?
00:08:13No, I'm looking for a dude.
00:08:15A dude?
00:08:16Do you have a reservation?
00:08:18Nope.
00:08:19I got a picture of him, though.
00:08:20Seen that guy?
00:08:22One of the cooks.
00:08:24Well, I guess I do need the kitchen.
00:08:26Well, you're a policeman, plain clothes, huh?
00:08:30No, I have to take bail bonds, actually.
00:08:32All right.
00:08:33Please, be discreet.
00:08:35Don't worry, gruñudo.
00:08:49Jose Pérez?
00:08:52Jose Pérez?
00:08:56Hey, Jose, little buddy, you skipped out on your bail.
00:09:00I...
00:09:00Jose Pérez?
00:09:02What do you want?
00:09:05Look, hombre, you're a little too big to take chances with.
00:09:09This is a taser.
00:09:10It won't kill you.
00:09:12It'll...
00:09:13Well, it's kind of like a miniature electric chair.
00:09:22What the hell?
00:09:28Look, I'm just doing my job.
00:09:29It's Mace, okay?
00:09:30I got you.
00:09:39Oh.
00:09:41How did it?
00:09:43Look, I'll just say the immigration got you and I couldn't find you.
00:09:46How's that?
00:09:46How's this?
00:09:50Hey, listen.
00:09:51Look, look.
00:09:52We can talk about it.
00:09:53Where are you going?
00:09:54Look, let's discuss it.
00:09:55I'll tell you what.
00:09:56I'll cut your face off.
00:09:57I should have gone to college.
00:10:2220, 40, 60, 80, 1.
00:10:2820, 40, 60, 80, 2.
00:10:3120, 40, 60, 80, 3.
00:10:3420, 40, 60, 80, 100.
00:10:3720, 40, 60, 80, 200.
00:10:4020, 40, 60, 80, 300.
00:10:44Thanks.
00:10:45A gold gate?
00:10:46Just fine.
00:10:47Piece of cake.
00:10:48Hey, I've got another one for you.
00:10:50Enrique Aguilar is his name.
00:10:55Two years ago, he jumped the $500,000 bond.
00:10:59$500,000?
00:11:02What did he do?
00:11:03Drug smuggle.
00:11:05You know, it was one of those heavy cash coke busts.
00:11:08He was the only one that they got.
00:11:10Then he jumps bail and skips down to Mexico.
00:11:12He's been out of the country all this time.
00:11:15Except this morning, the police tell me about an incident down on the border.
00:11:19Four people killed.
00:11:20Two border patrolmen and two illegal aliens.
00:11:24One of the illegals lived long enough to pick out this picture.
00:11:28Hope he had a good reason to come back.
00:11:30The word is he's tied in with a Mexican smuggling ring.
00:11:34Bosco all day is his group.
00:11:36It's a safe bet he's up here doing work for them.
00:11:40You don't know if he's got any family here.
00:11:42A girlfriend, maybe?
00:11:43No, that's it.
00:11:43That's all I know, what I told you.
00:11:46There's not much to go on.
00:11:48That's true.
00:11:49But hey, here's your chance to pick up $50,000.
00:11:51The captain would have a conniption if he knew we were doing this.
00:12:00Aguilar, Mexican national, enguided 1969, possession of heroin, dismissed.
00:12:06Great.
00:12:07He was part of a big smuggling operation.
00:12:09Doesn't say which one.
00:12:10Let's see.
00:12:12Says it operates out of Tijuana.
00:12:14The honcho's a guy named Bosco Valdez.
00:12:17Aguilar must have come up here to do some business.
00:12:19You got anything on Valdez?
00:12:20Only take a second.
00:12:26Hello, Sergeant.
00:12:28This is Marlene in Captain Ayala's office.
00:12:30Hi.
00:12:31Listen, the captain's out in the field right now,
00:12:32but he asked me to call and see if you had any information
00:12:34on a Mexican dope smuggling group.
00:12:36A guy named Bosco Valdez runs it.
00:12:40Any trouble lately? Anything unusual?
00:12:42Anything unusual with them lately?
00:12:44Trouble of any sort?
00:12:46Uh-huh. Uh-huh.
00:12:48Word is they got ripped off a million and a half bucks.
00:12:50You have any idea who did it?
00:12:56Snitches. Get a list. Anybody that might know anything.
00:12:59You know what would go over great with Captain?
00:13:00If you could send him up a list of names,
00:13:02people who can talk about Valdez snitches.
00:13:05Uh-huh.
00:13:05Yeah, right away.
00:13:08Bye.
00:13:10He says he'll have a list up in half an hour.
00:13:14Aguilar came here to recover the money stolen from the Valdez group.
00:13:17Makes sense.
00:13:18If I can get to the person that stole the money before Aguilar does...
00:13:21Aguilar.
00:13:35How do we kill a half an hour?
00:13:36How do we kill a half an hour?
00:13:49Aguilar. Enrique Aguilar.
00:13:52Yeah.
00:13:52He works for Bosco Valdez, no?
00:13:55Come in!
00:13:56The Valdez group.
00:13:59Who does he deal to, you know?
00:14:02Get any names?
00:14:06All right, thanks.
00:14:07Look, I'll call you back later in ten minutes.
00:14:09Hey, don't fool with that.
00:14:10What is it, man?
00:14:10It's a gun.
00:14:11It's a gatling gun, dude.
00:14:12It shoots about a million rounds a second.
00:14:13Yeah, yeah.
00:14:13So how did you do?
00:14:14Find anything out?
00:14:14Oh, we did outstanding.
00:14:15Your troubles are over.
00:14:17Yeah?
00:14:17Got any names?
00:14:18The ring's best customers.
00:14:19Let's see.
00:14:20Uh-uh.
00:14:21Money first, uncle.
00:14:26All right.
00:14:27See, they're good names, but you don't really need them.
00:14:29I don't? Why not?
00:14:30Because we already know where Aguilar's gonna be.
00:14:34He's gonna be putting a big hurt on those dudes that took down the shipment.
00:14:37And we know who the two dudes are.
00:14:38Yeah, locals.
00:14:39Two brothers.
00:14:40Esteban and Miguel Montoya.
00:14:42How do you know that?
00:14:43That's all everybody's talking about, man.
00:14:45Don't even know the dudes.
00:14:46Yeah, my cubs are homeboys up and down in Chula Vista.
00:14:48It was an inside job.
00:14:49So you find the brothers and watch them, and Aguilar will come to you?
00:14:53Oh, and guess what else?
00:14:54We know where to find them.
00:14:56Yeah.
00:14:56Cost you four more of these.
00:15:00You know, I'm really disappointed at you guys.
00:15:03All you care about is money.
00:15:07You think you just want to help out a nice uncle?
00:15:09Well, then make us partners nice, uncle.
00:15:11Cut us in for a percentage.
00:15:13Hey, I'll do that.
00:15:14All right.
00:15:16And you guys start shaving regularly.
00:15:18And let's have it.
00:15:19The address is 2509 Workman.
00:15:22He's an artist or something like that.
00:15:25Good.
00:15:26Now get out.
00:15:31Start talking.
00:15:32Okay, so these two brothers rip off the Valdez game.
00:15:34So Valdez sends up his shooter, Aguilar, to recover the loot.
00:15:37You go to the brothers' house, you wait there, and eventually Aguilar's going to show up to get him.
00:15:41Where do the brothers live?
00:15:43Look, 2509 Workman.
00:15:45I swear on a sack of Bibles, honest to God.
00:15:47God bless your heart.
00:15:49God bless your heart.
00:15:49God bless your heart.
00:15:49Oh, my God.
00:16:19Yeah, hello, officer?
00:16:38Yeah, I have an emergency.
00:16:41There's a dude exposing himself to my wife and kids.
00:16:45It's disgusting, his entire naked body.
00:16:48Yeah, the address is 2509 Workman.
00:16:53Yeah, hello?
00:16:57Hello?
00:16:57Hello, Gomez.
00:17:12Hello, Hardball.
00:17:15This, uh, fell off your car.
00:17:22Thanks.
00:17:22You hear why I think you're here?
00:17:27That depends on why you're here.
00:17:28Well, that's not important.
00:17:30See, what's important is that I am here first.
00:17:33Just why don't you do yourself a favor and take a walk, huh?
00:17:36Ha, I don't know.
00:18:47How would you like a mouth where your nose used to be?
00:18:58Don't think so.
00:19:17You're mine, Bertie, you're mine!
00:19:27All right, Dennis, you got him.
00:19:28Desgraciado, gamacho!
00:19:30Get out of the way!
00:19:46Get out of the way!
00:19:59I'm in my way, man!
00:20:01He's mine, I tell you!
00:20:03He's mine, Gomez, so back off!
00:20:05I'm in my way!
00:20:35You're mine, searchy man!
00:20:36Gomez, would you get out of the way?
00:20:40I'm not gonna let you get this guy.
00:20:44I'm not gonna flip!
00:20:46Hey, what?
00:20:47It's the paint job!
00:20:52Listen, my clothes!
00:20:53Get back!
00:20:54Stay back, man!
00:20:55What's going on in here, Irv?
00:21:18Huh?
00:21:20I get to the place, and this greaseball Gomez is staked out right in front of it.
00:21:24Now, I thought you had the bond on this thing.
00:21:27I do.
00:21:28Half the bond.
00:21:29Half the bond.
00:21:31Look, a million dollar bond happens to be a little bit too rich for my blood.
00:21:35I had to take in a partner.
00:21:37No way am I gonna split the money with that Barboso.
00:21:39Now, you got that, Al?
00:21:41Do you even know him?
00:21:42Yeah, I know him.
00:21:43He's a jerk.
00:21:44Used to be some kind of baseball player.
00:21:46Well, it seems to me you could do some kind of hell.
00:21:49I finally get a chance to make some big bucks, and I'm not gonna give it away.
00:21:52I'm not gonna split it with nobody.
00:21:53Do you understand me?
00:21:54This is a professional killer you're going after.
00:21:57And that's a lot different than nailing paper hangers and kicking burglars.
00:22:00So what are you saying?
00:22:01Too much money for one spick to handle?
00:22:03So I gotta split it with this clown?
00:22:05Forget it.
00:22:06So who asked you to?
00:22:08Did I ask you to?
00:22:08You just said that Aztec was in on it.
00:22:10Well, and Aztec put Gomez on it.
00:22:13Now I'm putting you on it.
00:22:14And sooner or later, one of you is gonna catch him.
00:22:16And then it's winner take all.
00:22:18No, no, no, no.
00:22:18Better yet, may the best dude win.
00:22:21This dude right here.
00:22:23I stand by U-23.
00:22:26U-23, there's a code 4 on the, uh, no further assistance required.
00:22:30It's in a 2509 workman location.
00:22:32Go on that gun.
00:22:33Slow down, so there's no rush.
00:22:36Well, anybody know who he is?
00:22:38Yeah, the neighbors his two brothers lived here.
00:22:40So I guess this is the dead brother.
00:23:03Well, everybody know who he is.
00:23:12Let's hang on.
00:23:14Go on.
00:23:15Miguel Montoya, sure, wonderful artist.
00:23:40The Chicano motif is quite powerful in his work.
00:23:43Well, you must respond to that.
00:23:45Oh, I sure do.
00:23:46I'm crazy about the motif.
00:23:47As a matter of fact, I'm a reporter with La Prensa, the Spanish newspaper.
00:23:50I'd like to do an interview with him.
00:23:52You wouldn't know how to get in touch with him, would you?
00:23:54I haven't seen him in months.
00:23:55Know anybody else that would know how to reach him?
00:23:57He's very close with his brother.
00:23:59I tried that.
00:24:00His brother's out of the country.
00:24:01Well, maybe you should try his ex-wife.
00:24:03You wouldn't have a number.
00:24:04I sure do.
00:24:09Here we go.
00:24:105-5-5-1-6-9-5.
00:24:13Great.
00:24:15Yeah, Miss Miguel Montoya, please.
00:24:22Uh-huh.
00:24:23Well, I'm a friend of hers from high school and we're having a reunion and I'd like to talk
00:24:30to her about it.
00:24:31Mm.
00:24:32Does she work around here close?
00:24:33Uh-huh.
00:24:34And where would that be?
00:24:37Thank you very much.
00:24:38Uh-huh. Well, I'm a friend of hers from high school, and we're having a reunion, and I'd like to talk to her about it.
00:24:45Hmm. Does she work around here close?
00:24:50Uh-huh. And where would that be?
00:24:59Thank you very much.
00:25:08Hi. I'm looking for a lady named Ann Clipper.
00:25:23Can I tell her who's asking for her?
00:25:25Sure. My name is Pedro Gomez. She doesn't know me. It's about her ex-husband, Miguel.
00:25:30I'll be right back.
00:25:38Excuse me, sir.
00:25:39Excuse me.
00:25:40You.
00:25:41What are you doing here?
00:25:43I always come here. I love the watercress salad.
00:25:45What do you have, gentlemen?
00:25:47Beer.
00:25:49I have Anchor Steam, Heineken, Lone Brow, San Miguel, Corona, Pacifica, Asahi, Kieran, Guinness, Guinness Light, Guinness Dark, Bass Ale, Fosters, and a terrific new African beer called Zebra.
00:26:01Would you like me to run through that again?
00:26:02Uh, what?
00:26:08Hello. I'm Ann Clifford. Somebody ever see me?
00:26:12Yes.
00:26:13Yes. Um, I'm a friend of Miguel's, and, um, I was trying to find him. I was hoping maybe you could help me out.
00:26:19Yeah, my friend owes him $200 from when he bought his car.
00:26:24Yeah, the, um, alternator went out, and, uh, Miguel said that if I didn't take care of it, that he'd never speak to me again.
00:26:32So what are you, police?
00:26:35No.
00:26:35No. No, really. I know him from the gallery. Really.
00:26:39Yeah, see, he's an artist, too. A very sensitive one.
00:26:41Look, what do you really want?
00:26:43I owe him money. Honest.
00:26:45$300.
00:26:46Well, I find that a little hard to swallow.
00:26:49Hey, I'll tell you what, why don't you just give her the $300, and she'll give them to Mike?
00:26:53I think that that's something we should take up with Mike, don't you, Gomez?
00:26:57You do that. I've got to get back to work.
00:26:59Hey, you a cook?
00:27:00No, I own the place. Enjoy your beers.
00:27:02Oh, it was him money. Stupid line.
00:27:09Yeah? You weren't alone with that.
00:27:11I did not.
00:27:11You did!
00:27:16You know, this ain't gonna get it. You and me.
00:27:19No, it isn't, is it?
00:27:21One of us has to go.
00:27:22I'm broke.
00:27:24You.
00:27:27No problem. Buy me out.
00:27:30I'm broke.
00:27:33Yeah, me too.
00:27:35Want to flip for it?
00:27:39You're on.
00:27:44You call it.
00:27:45You call it.
00:27:45Heads.
00:27:48Heads, you're out.
00:27:51It's heads. I called heads.
00:27:52The hell you did. I called the heads.
00:27:53I call heads first.
00:27:55Outside, in the parking lot.
00:27:57After you.
00:28:08The baseballs. Let's have those. I heard about those.
00:28:15Honest mistake, Mace.
00:28:42Man, this is stupid.
00:28:43Yeah, you're right.
00:28:46It's childish.
00:28:47A couple of grown men.
00:28:48Ought to be able to...
00:28:49...communicate.
00:28:53You!
00:28:59You!
00:29:00You!
00:29:01Cheat!
00:29:02You!
00:29:03Cheat!
00:29:04You!
00:29:04Cheat!
00:29:06Cheat!
00:29:07You cheat!
00:29:22Don't cheat!
00:29:28Hey, can you believe my hair?
00:29:30Time out.
00:29:32Time out.
00:29:33Wait, wait, wait.
00:29:37Wait!
00:29:54Whistle, whistle!
00:29:55Whistle, whistle!
00:29:57Whistle!
00:29:59Uncle, uncle!
00:30:00Uncle!
00:30:07Okay. We split 50-50.
00:30:12Done.
00:30:37Dan.
00:30:39Miguel, you scared me.
00:30:41I came by to see Lucky.
00:30:43Two in the morning?
00:30:44I knew you'd be getting off work.
00:30:54It's getting bigger.
00:30:56Look at those big fat cheeks.
00:30:58Carlo said she was a baby.
00:31:02He missed you.
00:31:07No, Miguel. It's over.
00:31:16Yeah, but you know me, Mr. Optimistic.
00:31:24Listen, if you have any new artwork, we can hang it in the restaurant.
00:31:30Miguel, two guys came by the restaurant this afternoon,
00:31:33and they were looking for you.
00:31:35Now, they said they weren't policed, but they acted like it.
00:31:39What'd you tell them?
00:31:41I told them the truth, that I hadn't seen you.
00:31:45How bad is it, Miguel? What's going on?
00:31:48You don't want to know.
00:31:49Don't say that.
00:31:51It was your wife. I'm still your friend.
00:31:53You're your friend.
00:31:54I know.
00:31:56That's why I'm here.
00:31:58I gotta leave town for a while, and I wanted to give you this.
00:32:02I left my paintings at this art storage place.
00:32:04This means you're authorized to get them out if you need to.
00:32:07Why would I need to?
00:32:08Just in case you need to.
00:32:10Just in case you need to.
00:32:11I keep saying it happens.
00:32:15It's real bad, isn't it?
00:32:17Ah.
00:32:18Well, I'll work out.
00:32:21He's what's important.
00:32:22He's what's important.
00:32:25Go strong, mijo.
00:32:28Throw some cajones on you.
00:32:34Can I keep this?
00:32:36Sure.
00:32:38You and the baby look so happy here.
00:32:47Hi.
00:32:48Miguel, please tell me what's going on.
00:32:52You don't want to know, Honest.
00:32:56The truth is, your mother was right about me.
00:33:18That's a great deal.
00:33:23.
00:33:39Yeah.
00:33:42.
00:33:44Grace, get off of that.
00:33:46off the bed. Yeah. Hang on a second. Hello. It's kind of damn early, don't you think? Hi, Irv. No kidding.
00:34:07Huh? Dead, huh? Well, I'll go down and check it out. How about that? Yeah, fine. Have a nice day.
00:34:22At location, victim is DOS. Suspect at large. Investigations will continue. No further assistance needed at location.
00:34:30Roger, 10-4. This is a restricted area, hardball. Take a walk.
00:34:37Sorry, Bill. I was just looking around.
00:34:53Morning. Morning. I tried to phone you. Your line was busy. Must have been when I was trying to phone you.
00:35:00Yeah. I'm glad you got here anyways. I'm glad you're here, too. Guess that's it, huh? Yeah.
00:35:12Brother number two. Debted in hell. Yeah, and the dude we're after is probably already across the border, sucking up those eggies.
00:35:19It's a shame. You know, I could have used the extra money. Oh, me too. It's been real slow lately.
00:35:26Irv, hadn't been getting you much work? Oh, you know, little stuff. Drunk drivers, paper hangers. Nothing nearly as big as this.
00:35:33Damn shame to have it all fall apart. Yeah, it sure is.
00:35:36Well, I'll see you around. Yeah, sure. See you around.
00:35:48Unit 23, one Mary Stedling shows back.
00:35:50ETA 26, Stedling.
00:35:51Unit 23, one Mary Stedling.
00:36:12Unit 24, one Russ.
00:36:17Unit 23, one Russ.
00:36:19Maybe you are.
00:36:26Hi.
00:36:28Hi.
00:36:30Uh, I was riding home,
00:36:33and I got to thinking about that picture of his ex-old lady.
00:36:35Yeah, me too.
00:36:36He must have been tied with her.
00:36:38Yeah, maybe she knows something.
00:36:45Open's at 11.30.
00:36:47Maybe I'll come back later.
00:36:48Well, if you do, and she knows anything,
00:36:52tell me, will you?
00:36:55Absolutely.
00:36:57Thanks.
00:36:58See ya.
00:36:59See ya.
00:37:18Thanks for identifying with him.
00:37:32We'll be sending his personal facts.
00:37:33Where have you been?
00:37:47I've been waiting.
00:37:48Where have you been?
00:38:01I've been waiting.
00:38:02Who are you?
00:38:03I'm a friend of Miguel's.
00:38:04So do I kill him.
00:38:06I don't want to do it.
00:38:08All I want to do is talk to you, tell you how he died.
00:38:12I don't want to know.
00:38:14He begged, and then he cried.
00:38:15He had no dignity.
00:38:17But then he told me where the money was.
00:38:20What money?
00:38:21The money's in the box that he gave you.
00:38:23He didn't give me a box.
00:38:28No!
00:38:29I'll kill him, and I'll kill you.
00:38:32I'll kill in your damn body.
00:38:34Now get the box.
00:38:35Get the box of paintings.
00:38:37Please.
00:38:38Miguel's a painter.
00:38:40He gave me some papers.
00:38:41Keep him quiet.
00:38:49Who is it?
00:38:51I don't know.
00:38:56Boo.
00:38:57You see, I was driving home, then I got this idea that...
00:38:59Why not check out her pad?
00:39:01She looked in the phone book, and here you are.
00:39:03Yeah.
00:39:04Something like that.
00:39:06She's not home, huh?
00:39:07I don't think so.
00:39:09Well, don't worry about it.
00:39:10I brought a key.
00:39:12That's not a key.
00:39:14This is a key.
00:39:20You can get rid of them right now.
00:39:22I don't care what you're doing.
00:39:23Just get rid of them.
00:39:25Look, go away, or I'll call the police.
00:39:29Listen, um, I just want to talk to you for a minute.
00:39:32I just want to talk to you about Miguel.
00:39:34Well, I, uh, I'm busy.
00:39:36I can't talk right now, so just go away, or I'll call the police.
00:39:40I'll call the police.
00:39:41It's in the police.
00:39:42Well, you see...
00:39:44Come on!
00:40:14It's got to be close.
00:40:18Act?
00:40:19Just this.
00:40:21Terrific.
00:40:42That's one for the colonel.
00:40:44That's one for the colonel.
00:41:14Hey!
00:41:19Are you all right?
00:41:21Are you all right?
00:41:21Are you all right?
00:41:23Are you all right?
00:41:30Are you all right?
00:41:35You want him?
00:41:52Him.
00:42:05You two working together now?
00:42:13Yes and no.
00:42:16Kind of? Sort of?
00:42:18You'll love their story.
00:42:19Who's going to tell it?
00:42:20Why don't you start and I'll jump in.
00:42:23Well, it was one of those crazy things.
00:42:25Hardball and I here taking a leisurely walk through this alley.
00:42:29When all of a sudden, out of nowhere, this car comes speeding past us.
00:42:33We follow it.
00:42:35We see it go out of control, crash through the backyard of this house.
00:42:38You followed it.
00:42:39That's right.
00:42:40We weren't chasing it.
00:42:41We didn't even know him.
00:42:42No idea who it was.
00:42:44Can you describe him?
00:42:45Black.
00:42:45Blonde.
00:42:47Blonde.
00:42:49It was a black guy with blonde hair.
00:42:52Died blonde.
00:42:53Yeah, a punked out dude.
00:42:56Wearing feather earrings, the green ones.
00:42:58Thing of beauty, huh?
00:42:59What were you doing in this alley?
00:43:02We were just walking.
00:43:03Where to?
00:43:04Nowhere in particular.
00:43:04We're just walking.
00:43:05Where were you coming from?
00:43:07Nowhere.
00:43:08You know what I think?
00:43:09What?
00:43:09I think you two are a lying sack.
00:43:11Big fee on this one, huh, Dennis?
00:43:13Dennis?
00:43:14What?
00:43:15You worried we might get the guy first, you lose the bond?
00:43:17Is that it?
00:43:17What you're talking about?
00:43:18We don't have to remind you the kind of weight withholding evidence can carry.
00:43:21You know how things work.
00:43:22You were a cop.
00:43:23You were a cop?
00:43:24I was fired, all right?
00:43:26Oh, thanks.
00:43:26That's right.
00:43:27You were a jerk then and you ain't changed a bit.
00:43:29Captain, why don't you do me a big favor and go sit on it, huh?
00:43:32Book him.
00:43:33Uh, what?
00:43:35Cruelty to animals?
00:43:37I gotta pay a $5,000 bond on cruelty to animals?
00:43:42Right, Irv, because your friend's employee electrocuted the chicken.
00:43:45Yeah, well, golden boy here said the F word to the watch commander.
00:43:49Right to his face.
00:43:50Ticked him off.
00:43:51I'll talk to the judge.
00:43:52They can't charge you with that.
00:43:54You got any leads on this guy yet?
00:43:55I know that he was after Miguel's ex-wife.
00:43:57Yeah, apparently she has something he wants.
00:43:59The money?
00:44:00I don't know.
00:44:01I figured I'll go down and have a talk with her.
00:44:03Oh, you was gonna go down there and have a talk with her?
00:44:05Yeah, and I figured while I'm down there, you can be over here.
00:44:07Hang on just a second.
00:44:08I'm not letting you out of my sight.
00:44:10Hey, you don't trust me?
00:44:11Hey, I trust you.
00:44:12I trust you to drive.
00:44:14Well, at least you guys are working together now.
00:44:16Take 27th to workman.
00:44:25Okay.
00:44:30Is that chorizo?
00:44:33Yeah.
00:44:36Smells good.
00:44:38You like Mexican food?
00:44:39Yeah.
00:44:42Well, here.
00:44:45Try one of these.
00:44:46No, thanks.
00:44:50Negritos, they won't hurt you.
00:44:58Yeah, you're right.
00:44:59You white boys just don't have the stones for them.
00:45:03Negritos are the sensami of chili peppers.
00:45:05My grandma grows them.
00:45:16Well, what you think?
00:45:21Warm.
00:45:22Warm, huh?
00:45:23Well, in a few minutes, your mouth's gonna feel like you French kissed a flamethrower.
00:45:26Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
00:45:56Gomez, you're crying.
00:46:04No way. These are tears of joy.
00:46:08I love these little mothers.
00:46:13No.
00:46:15Give me a minute to savor the flavor.
00:46:21Mmm, mmm.
00:46:26I've got to hand it to you.
00:46:41For a gabacho, you sure could eat some peppers.
00:46:48What?
00:46:53Don't worry. Probably nothing more serious than a paralyzed vocal cord.
00:46:56You can get some water at that broad's house.
00:46:58We're not that far away.
00:47:00We're not that far away.
00:47:02Far away.
00:47:03I'm sorry.
00:47:04What?
00:47:05I'm sorry.
00:47:06I'm sorry.
00:47:07I'm sorry.
00:47:08I'm sorry.
00:47:09I'm sorry.
00:47:27I'm sorry.
00:47:28The snake don't move!
00:47:41The snake comes with a fish!
00:47:54You know how to use it?
00:48:12What's to know? You pull the trigger.
00:48:15What he's asking is, do you think you could actually shoot the guy?
00:48:18Killing him is more what I had in mind.
00:48:20Sweet, ain't she? Want some gum?
00:48:23Thanks. So, clue me in on something, would you?
00:48:28How come you haven't called the police?
00:48:30Well...
00:48:31I'll save you the trouble.
00:48:33She got the money that Miguel stole, and she doesn't want the cops, the IRS, or whoever to get their greasy paws on it, right?
00:48:39Well, I was going to call the police.
00:48:41But you couldn't find their phone number.
00:48:43Listen, Ann, why don't you shoot straight with us, huh?
00:48:48I mean, we're all on the same side.
00:48:49Sure, you're a couple of guys I can really trust.
00:48:51Hey, you can trust me?
00:48:53All I want is Aguilar. That's my money.
00:48:55Mine too.
00:48:56And believe me, you'll be very pleased if we get to him before he gets to you.
00:49:00The money is in a box with some paintings and a fine art storage place.
00:49:05Miguel authorized me to get it out.
00:49:10Can Aguilar get to it without you?
00:49:11No, it's a security place.
00:49:13Then he'll be back.
00:49:14And I'll be waiting.
00:49:15And we'll be waiting with you. Kind of like bodyguards, alright?
00:49:17Yeah, we won't get in your way. I'll rock the baby.
00:49:20And Hardball's here. He's an expert in changing diapers.
00:49:22Well, actually, I took him to my mother's. I thought it'd be safe there.
00:49:40Hello.
00:49:42Please, don't hurt me!
00:49:44Where's the telephone?
00:49:46Okay, then. Call the mama or the baby!
00:49:50Call the mama or the baby!
00:49:52Call the mama or the baby!
00:49:54Call the mama or the baby!
00:49:55Call the mama or the baby!
00:50:05Honey!
00:50:06Mom?
00:50:07Daniel is too young.
00:50:08Hey, I got your baby.
00:50:10You go get the money.
00:50:11No!
00:50:12Don't call the cops!
00:50:13You call the cops!
00:50:14I'll kill your face!
00:50:15Shut up!
00:50:16I'll kill your face!
00:50:17Shut up!
00:50:18Hey!
00:50:19No!
00:50:20No!
00:50:21No!
00:50:22No!
00:50:23No!
00:50:24I couldn't hear well.
00:50:25Hey!
00:50:26There's a phone booth in the San Diego shopping mall.
00:50:29In the west entrance.
00:50:30You go there.
00:50:31In two hours, I'll phone you.
00:50:32Okay?
00:50:33In two hours.
00:50:34You get that?
00:50:35Wait!
00:50:36I told you not to move!
00:50:37Hello?
00:50:38Yeah!
00:50:39No!
00:50:40No!
00:50:41No!
00:50:42No!
00:50:43No!
00:50:44No!
00:50:45No!
00:50:46No!
00:50:47No!
00:50:48No!
00:50:49No!
00:50:50No!
00:50:51No!
00:50:52The hell with the cops.
00:50:53Call the FBI.
00:50:54He can have his money.
00:50:55I just want my baby back.
00:50:56Don't be stupid.
00:50:57He'll kill you and the baby.
00:50:58You gotta call the cops.
00:50:59But he said he'll kill him if he sees the police.
00:51:01We all see that.
00:51:02Well, I...
00:51:03It's just...
00:51:04I've gotta think.
00:51:05I've gotta think.
00:51:06Look, I'll tell you what.
00:51:07I'll call the cops for you.
00:51:08No!
00:51:09Just...
00:51:10Just give me a minute, okay?
00:51:29Well, I know what.
00:51:42Oh, hell.
00:51:56This only came in last week.
00:51:58Want it out already?
00:52:00Yes, my husband put something in it by mistake.
00:52:03It's really kind of personal.
00:52:06Do you mind if I look at it alone?
00:52:08Sorry, the insurance company won't allow it.
00:52:10But I can turn my back.
00:52:12Thanks.
00:52:28Um, okay. I'm finished. Thank you.
00:52:32Please.
00:52:44I'll nail the back car for you.
00:52:58Good afternoon.
00:53:02Uh, how'd you find me?
00:53:04Followed you. Wasn't that hard?
00:53:05Marry!
00:53:06That is a lot of money.
00:53:07Yeah, well, you're not getting any of it.
00:53:09Hey!
00:53:11Hey!
00:53:12Hey!
00:53:13Hey!
00:53:14Hey!
00:53:15Hey!
00:53:16Hey!
00:53:17Hey!
00:53:18Hey!
00:53:19Hey!
00:53:20Hey!
00:53:21Hey!
00:53:22Hey!
00:53:23Hey!
00:53:24Hey!
00:53:25Hey!
00:53:26Hey!
00:53:27Hey!
00:53:28Hey!
00:53:29Hey!
00:53:30Hey!
00:53:31Hey!
00:53:32Hey!
00:53:33Hey!
00:53:34Hey!
00:53:35Hey!
00:53:36Hey!
00:53:37Hey!
00:53:38Hey!
00:53:39Hey!
00:53:40Hey!
00:53:41Hey!
00:53:42Hey!
00:53:43Hey!
00:53:44Hey!
00:53:45Hey!
00:53:46Hey!
00:53:47Hey!
00:53:48Hey!
00:53:49Hey!
00:53:50Hey!
00:53:51Hey!
00:53:52Hey!
00:53:53Hey!
00:53:54Hey!
00:53:55Hey!
00:53:56Hey!
00:53:57Hey!
00:53:58You've got to get serious here, lady.
00:54:08See, if I'm not serious, how's this for serious?
00:54:10Just leave me the hell alone. I don't want you guys around.
00:54:13Now, hold on. Whether you like it or not, you need us, lady.
00:54:16That man, Aguilar, is very, very dangerous.
00:54:19You don't understand. He's going to kill you. He's going to kill your baby.
00:54:23You need protection. You need serious protection.
00:54:25All we're trying to do is help you out, honest.
00:54:27Now, look, we've got an idea.
00:54:29We'll hide in the trunk of your car, and you can park your car by the phone booth at the mall.
00:54:33We'll be close by. We've got guns.
00:54:34How about it?
00:54:36I guess I don't have any other choice.
00:54:38You're right.
00:54:40Leave it open a smudge.
00:54:42Sure.
00:54:46Okay, easy.
00:54:48How's this?
00:54:50Hey, lady, you locked us in.
00:54:53Hey, come back here.
00:54:54Hey, here.
00:54:54Come on, back here.
00:54:56We'll pop it.
00:54:57Come on.
00:55:01Come on.
00:55:01Come on.
00:55:09Come on.
00:55:10I got it.
00:55:17Oh, my God.
00:55:17She's taking my car.
00:55:19Hey, she's gone.
00:55:20It's just a car.
00:55:22What do you mean it's just a car, man?
00:55:24I'm a Mexican, remember?
00:55:25It's more than just a car.
00:55:26It's a little bit of a car.
00:55:26Gomez, now, would you shut up?
00:55:28We've got to get out of here, all right?
00:55:31Maybe we...
00:55:31Oh, you didn't.
00:55:34Hey, I'm sorry, man.
00:55:35You're sorry?
00:55:36Yeah.
00:55:37Oh, Gomez, that's awful.
00:55:38Did something crawl inside of you and die?
00:55:40It's just burritos with peppers.
00:55:42I got to get out of here.
00:55:43I got to get some air.
00:55:44Look out.
00:55:44Come on.
00:55:45It's not that bad.
00:55:45No, don't do that.
00:55:46Not in here.
00:55:47No.
00:55:49Oh, my ears.
00:55:50Get out of the way.
00:55:52Get out of the way.
00:55:55Well, if you're going to shoot holes,
00:55:56shoot the lock-off, stupid.
00:55:58Now you're talking.
00:55:59Whoa.
00:56:04Oh, my ears.
00:56:08They're bleeding.
00:56:10Oh, man.
00:56:12Jerk.
00:56:14She took my car.
00:56:15Dog!
00:56:16This is going to be fabulous.
00:56:21Mira, rubia.
00:56:23Psst.
00:56:28Are you in your dreams, Julio?
00:56:29Callate, ya.
00:56:33Callate.
00:56:34Callate, niño.
00:56:35¿Qué es lo que es?
00:56:36¿Tienes hambre?
00:56:37Ah, te voy a dar una soda porque no...
00:56:39Callate.
00:56:39Qué cosa más grande.
00:56:40Ya no te aguanto más.
00:56:42¿Sabes?
00:56:42Ya no te aguanto esta lloradera.
00:56:44Mira, una.
00:56:45Te doy una soda.
00:56:46Así.
00:56:48Callate, ya.
00:56:55Cosa más grande.
00:56:57¡Mira!
00:57:01Mira, bebe, bebe.
00:57:02Soda, bebe.
00:57:04Qué cosa más...
00:57:05Muévete, pato.
00:57:06¡Mira!
00:57:06¡Mira!
00:57:10¡Mira!
00:57:11¡Mira!
00:57:11Es que no te gusta.
00:57:13No te gusta.
00:57:13¡Mira!
00:57:14¡Mira!
00:57:14¡Mira!
00:57:14¡Mira!
00:57:15¡Mira!
00:57:15I've got it.
00:57:35It's in the bag you carry.
00:57:37You can see me?
00:57:40Yeah.
00:57:40And remember I got your baby.
00:57:42I see the cops.
00:57:44I put a hole on his head.
00:57:45Please.
00:57:46I've done everything you said.
00:57:48Just, what do you want me to do next?
00:57:49Just tell me.
00:57:54Okay, fine.
00:57:59Mira.
00:58:00Hey, let him quiet.
00:58:02I wouldn't hurt him.
00:58:04That face.
00:58:05His eyes.
00:58:07You shouldn't give him this.
00:58:08He's much too young for soft drinks.
00:58:10We believe sodium benzoate cyclamate.
00:58:13Pick your nose.
00:58:15Here's the phone booth.
00:58:27There she is over there.
00:58:37Hey, come in here.
00:58:39Welcome aboard the Teohanage Run.
00:59:05Let's get the car.
00:59:11Yeah.
00:59:18Next stop is Market Street and 12th Street.
00:59:21Go ahead.
00:59:23Hey, come on.
00:59:25Come on.
00:59:37Let's go.
00:59:38Come on.
00:59:38You're crazy, take the rope, we got time?
01:00:08There she is, right next to the window.
01:00:33There's only about four more stops to the border.
01:00:36Speed up, we'll get on to the next stop.
01:00:38Hang on a second. You know what I bet he's doing?
01:00:41The border, of course!
01:00:43Probably wants to make the exchange down there, it'd be the safest place.
01:00:46Worried about the cops. You willing to take the chance?
01:00:49Drive it like you stole it.
01:00:51Hey, I got no change. Keep it.
01:00:58This is a 50. Keep it!
01:01:03This is a 50. Keep it!
01:01:16Last stop, international border.
01:01:32Thank you, Cesar. Thank you for fighting with us.
01:01:35You're still alone?
01:01:45Yes, I'm alone.
01:01:47You're not alone. Your baby dies. You understand?
01:01:50I'm alone, I swear to you.
01:01:52Okay, now you listen. We'll do it on the Mexican side.
01:01:56You walk across, we'll do it there.
01:01:59Remember, I'll be watching you.
01:02:02I can hear my baby crying.
01:02:05He's safe.
01:02:07Welcome to Mexico.
01:02:27For information and assistance, please visit our tourist bureau, 200 meters on your right.
01:02:32Welcome to Mexico.
01:02:34Welcome to Mexico.
01:02:35For information and assistance, visit our tourist center.
01:02:39200 meters on your right.
01:02:51That's him! That's him!
01:02:53Hey, you! Hurry!
01:02:54Hold it!
01:02:55Don't go! Don't go!
01:03:00What's going on out there?
01:03:01Got a gun!
01:03:02Over there!
01:03:03Three!
01:03:04Stop it!
01:03:05Get off!
01:03:06Stop it now!
01:03:07Stop it now!
01:03:12Stop Julia!
01:03:13Stop Julia!
01:03:14Come on, baby!
01:03:20Get off!
01:03:21Get off!
01:03:22Get off!
01:03:24Get off!
01:03:25Get off!
01:03:26Get off!
01:03:27Get off!
01:03:28Get off!
01:03:29Get off!
01:03:30Get off!
01:03:31Get off!
01:03:32Get off!
01:03:33Get off!
01:03:34Get off!
01:03:35Get off!
01:03:36Get off!
01:03:37Get off!
01:03:38Get off!
01:03:39Get off!
01:03:40Get off!
01:03:41Get off!
01:03:42Get off!
01:03:43Get off!
01:03:44Get off!
01:03:45Get off!
01:03:46Get off!
01:03:47Get off!
01:03:48Get off!
01:03:49Get off!
01:03:50Get off!
01:03:51Get off!
01:03:52Get off!
01:03:53Get off!
01:03:54Get off!
01:03:55Get off!
01:03:56Here we go, Lucy.
01:04:06That's it.
01:04:09You got someplace safe for me?
01:04:11Yes, sir.
01:04:11Okay.
01:04:25I'll find a win eight pounds.
01:04:26Definitely drug money.
01:04:28Now, the story's matching up.
01:04:30Perfectly.
01:04:30You get the print out on Aguilar.
01:04:32Hey, he works for a drug smuggler named Bosco Valdez.
01:04:35Valdez?
01:04:36Isn't that the bunch in Tijuana?
01:04:37Yeah, the same one.
01:04:38Huge operation.
01:04:38They got a big, shiny office building on the main street of TJ.
01:04:41Come on up.
01:04:45And this is Peter Stanton, FBI.
01:04:47FBI?
01:04:48Good.
01:04:48I only wish you'd come to us earlier.
01:04:50Oh, I do too.
01:04:51Believe me.
01:04:51We'll do everything in our power to help you.
01:04:54Unfortunately, unless we can convince the kidnapper
01:04:56to come back to the American side,
01:04:58we're pretty much limited to whatever cooperation
01:05:00we can get from the Mexican police.
01:05:02But they'll help, won't they?
01:05:03They say they will.
01:05:04Well, they always say they will.
01:05:05But?
01:05:06This guy, Valdez, he's been operating for at least 15 years,
01:05:11and that should tell you something.
01:05:13The Mexican police tend to have a lot of cousins,
01:05:15if you know what I mean.
01:05:18Well, maybe we don't need them.
01:05:20I mean, these Valdez people are bound to contact me again.
01:05:22They want their money.
01:05:23Well, I'll just give it to them.
01:05:25I just want my baby back.
01:05:26That money is drug money.
01:05:28I even had a drug dog sniff the bag to make sure.
01:05:31So?
01:05:31Federal law is quite clear on drug money.
01:05:34It's contraband and subject to forfeiture.
01:05:39You're taking it?
01:05:40We don't have a choice.
01:05:43It's the law.
01:05:47The Mexican police won't or can't help.
01:05:49The American police don't have any power in Mexico.
01:05:52The money is history.
01:05:54All I've got is myself and maybe you.
01:05:56I have a name.
01:05:57The head of the drug ring that's behind this.
01:05:59What is it?
01:06:00Valdez.
01:06:02Bosco Valdez?
01:06:04Right.
01:06:04That's Aguilar's boss.
01:06:06I want to find this guy.
01:06:08I want to go to Mexico and I want to find him.
01:06:10Then what?
01:06:13You're nuts.
01:06:14You know that, don't you?
01:06:16Look, this guy ain't the Frito Bandito, okay?
01:06:20He's the big patron.
01:06:21He has men and he has guns.
01:06:22And guess what?
01:06:23He kills people.
01:06:24Yes, and that's why he'd never expect us to go after him.
01:06:27It could work.
01:06:28Sure, suicide could work too.
01:06:30Why don't you just put a gun to your head?
01:06:32It's a lot quicker.
01:06:33And you want help?
01:06:35Not that way.
01:06:38Then that's that.
01:06:41That's that.
01:06:43Okay.
01:06:45I'll do it myself.
01:06:46You used to play ball?
01:07:02You used to play ball?
01:07:07Yeah.
01:07:08I had a season with the Padres.
01:07:11You any good?
01:07:14Never had a chance to find out.
01:07:17Tore my rotator cup.
01:07:22High and outside.
01:07:25High and inside.
01:07:26Bean ball.
01:07:31You know, I still got a hell of a bean ball.
01:07:36She ain't gonna have any luck with Valdez.
01:07:41Yeah.
01:07:42I guess having your kids stolen can make you pretty nuts.
01:07:44You don't think she'd do anything, uh, stupid, do you?
01:07:51Like what?
01:07:53I don't know.
01:07:54Like, uh, you know, stupid.
01:07:59Wouldn't put it past her.
01:08:00I don't need to.
01:08:03Probably get herself killed.
01:08:06Find herself lying in some ditch.
01:08:09Side of a road someplace.
01:08:11With flies and ants crawling all over that pretty face.
01:08:15Body all mangled.
01:08:18Twisted.
01:08:20And those beautiful blue eyes staring up into nothing.
01:08:24And that pretty long hair.
01:08:27It's enough to make you want to puke.
01:08:31You know what we gotta do?
01:08:33What?
01:08:34We gotta do the right thing.
01:08:35Yeah.
01:08:37We gotta talk her out of it.
01:08:38Make her listen to reason.
01:08:40You're not listening to reason.
01:08:42Yes, I am.
01:08:43I've listened to everything you've had to say.
01:08:44I just haven't agreed with you.
01:08:45You talk to her.
01:08:46I talked to her already.
01:08:47Well, you didn't do a very good job at it.
01:08:48Well, you don't speak English too well, pal.
01:08:50No sé qué estoy haciendo aquí con ustedes.
01:08:51What we're using for brains.
01:08:52The cops have known about these guys for years.
01:09:21They won't touch them.
01:09:22Yeah.
01:09:22It's a real business-like operation.
01:09:24You know, like any other produce wholesaler, they buy from farmers and then they ship to
01:09:27retailers in the city.
01:09:29Except it's dope.
01:09:30How do they get it across the border?
01:09:32A million ways.
01:09:32The border's like a sieve.
01:09:34There it is.
01:09:35That don't look like much.
01:09:36That's the idea.
01:09:38Inconspicuous but big.
01:09:39Irv says he ships about 100 pounds of smack a week.
01:09:42Imagine what he's worth.
01:09:43Man, the guard's all over.
01:09:46We're never gonna get past him.
01:09:48It's impossible.
01:09:49No.
01:09:50He'll figure a way.
01:09:52That's Valdez.
01:09:53Tufa's looking bozo, ain't he?
01:09:55Think that guy with him is his bodyguard?
01:09:58Well, that bulge under his arm probably ain't a wine bottle.
01:10:03It worked once before.
01:10:05Gomez, that was a whorehouse, not an office building.
01:10:07It's the same principle.
01:10:08It'll work fine.
01:10:09Fine?
01:10:09What do you know about fine?
01:10:10Have you ever been shot?
01:10:11Do you have any idea how painful it can be?
01:10:13It'll work.
01:10:14It's a great plan.
01:10:17Anyway, too late to back out now.
01:10:21You know what?
01:10:22Huh?
01:10:22We never had a chance.
01:10:34Emergencia.
01:10:35Tenemos una emergencia.
01:10:36Todo el personal abastó el servicio.
01:10:38Medio abierto.
01:10:38Una emergencia.
01:10:40Todos el personal abastó el efecto.
01:10:42¿Por qué?
01:10:43Emergencia.
01:10:44Tenemos una emergencia.
01:10:45Todos el personal abastó el servicio.
01:10:47¿Por qué?
01:10:47¿Por qué?
01:10:48Una emergencia.
01:10:49Dos, dos, dos.
01:10:50¡Emergencia!
01:10:51¡Por qué!
01:10:52¡Emergencia!
01:10:53¡Emergencia!
01:10:57¡Emergencia!
01:11:00¡Emergencia!
01:11:00If I kill you, I'll kill you.
01:11:03Calm down, calm down.
01:11:30Let's do it.
01:11:32Thanks, I can use this.
01:11:34Come on.
01:11:35We're heading towards the south of town.
01:11:37If you care to follow, you can bet we'll follow.
01:11:40I can't even call Aguilar. Call Aguilar!
01:11:45Hold this radio.
01:11:46What's this about punitive damages?
01:11:48Hey, you didn't think we were going to do this for nothing, did you?
01:11:50This is going to cost you your life.
01:11:51Calm down! Open the mouth!
01:11:53Fight the rag! Shut up!
01:12:00Ya no lo aguanto, que se calle ese niño que te viene de televisión.
01:12:03No, yo también.
01:12:05Lo agarro yo el teléfono.
01:12:09¡Pero niños!
01:12:11Pero eso es una cosa imposible.
01:12:12Ay, ay, ay.
01:12:13¿Sí?
01:12:14¿Está bien, ok?
01:12:15No te preocupes.
01:12:17¿Y el medio millón qué? ¡Pero niños!
01:12:20¡No le grites!
01:12:22Bueno, ahora llego.
01:12:25¡Vámonos!
01:12:27They want the baby!
01:12:28¡Vámonos!
01:12:29¡Vámonos!
01:12:30¡Vámonos!
01:12:31¡Vámonos!
01:12:32¡Vámonos!
01:12:41Hola, muchachos.
01:12:43¡Vámonos!
01:12:52How's it look?
01:12:54Two more cars coming.
01:12:55They've got rifles.
01:12:58They'll never let you get away with this.
01:13:00Oh, is that right?
01:13:01What the hell is that?
01:13:02Massive overkill.
01:13:06You want a pepper?
01:13:08No, thanks.
01:13:09They're actually very good.
01:13:11Gomez's grandmother grows them.
01:13:13That's right.
01:13:14Six or seven of those babies will straighten you right up.
01:13:17You know, not even with the money and the kid.
01:13:19There's no way you're gonna get out of the country.
01:13:21Oh, yes, there is.
01:13:22We got you.
01:13:23That's right.
01:13:24We're not letting you go until we get across the border safely.
01:13:28Big mistake was Aguilar.
01:13:30He's too quick with the gun.
01:13:33And stealing your baby.
01:13:36I never would have allowed that.
01:13:37Never.
01:13:38I was furious when I heard about it.
01:13:41Furious.
01:13:43He's gonna pay for this.
01:13:44Two more cars.
01:14:09All right, Gomez.
01:14:10Give him a call.
01:14:25They got the baby and the money.
01:14:26I told them to send Aguilar with it.
01:14:29There's just one mark on my son.
01:14:38Keep your eyes on the ones in the back.
01:14:39It's okay.
01:14:40Nobody's moving.
01:14:42Sit your butt down!
01:14:46Hola, que vengo!
01:14:54Okay, it's showtime.
01:14:56Come on around!
01:14:57Ya vengo!
01:14:59Velvez?
01:15:00You stay where you are!
01:15:01And you be careful with that you don't want to hit the baby, do you?
01:15:14You angry, my patron?
01:15:15Yes, I'm angry!
01:15:16Now you do what these people tell you.
01:15:17And get out of my sight!
01:15:18You see, that's your mistake.
01:15:19My patron and I is no good anymore.
01:15:20Verdad, patron?
01:15:21Too bad.
01:15:22You had a good plan.
01:15:23It could have worked.
01:15:24The plan's working fine.
01:15:25Nah, nah, nah, nah, nah.
01:15:26You see, Senor Valdez is not pleased with the job I do for him.
01:15:27So I gotta retire.
01:15:28And to retire, I need this dinero.
01:15:29Agarro dulcate!
01:15:30You don't understand.
01:15:31No?
01:15:32You're confused.
01:15:33Pay attention or I'll make it clear.
01:15:34Agarro dulcate!
01:15:35You don't understand.
01:15:36No?
01:15:37You're confused.
01:15:38Pay attention or I'll make it clear.
01:15:40Ah!
01:15:41Ah!
01:15:42Ah!
01:15:43Ah!
01:15:44Ah!
01:15:45Ah!
01:15:46Ah!
01:15:48Ah!
01:15:49Ah!
01:15:50Ah!
01:15:51Ah!
01:15:52Ah!
01:15:53Ah!
01:15:54Ah!
01:15:55Ah!
01:15:56Ah!
01:15:57Ah!
01:15:58Ah!
01:15:59Ah!
01:16:00Ah!
01:16:01Ah!
01:16:02Ah!
01:16:04Mataron al patrón!
01:16:06Mataron al patrón!
01:16:07What's he say?
01:16:08He's a wee shuttobot!
01:16:10Mataron al quepe!
01:16:12¡Señor para!
01:16:15¡Señor para!
01:16:20¡Señor!
01:16:25¡Señor para!
01:16:28¡I got something for you, patrón!
01:16:32What's wrong with it?
01:16:34It doesn't work.
01:16:35I can see that it doesn't work.
01:16:36What's wrong with it?
01:16:37I don't know.
01:16:38Maybe we're getting out of here.
01:16:40I have no power.
01:16:41Maybe it's a loose wire.
01:17:02I think I hit something.
01:17:17That's him!
01:17:18Go!
01:17:19Go!
01:17:32Try to pull alongside of them.
01:17:47I'm working on it.
01:17:48Get a tire.
01:18:02Go!
01:18:03Get down!
01:18:04Get down!
01:18:05Get down!
01:18:10Get down!
01:18:11Go!
01:18:12Get down!
01:18:32Hey!
01:19:02I lost him.
01:19:32I lost him.
01:20:02Oh, my God, my baby!
01:20:05Be careful.
01:20:06Oh, God, please!
01:20:09Oh, God!
01:20:10Oh!
01:20:12Oh, God, my baby!
01:20:16Oh!
01:20:17Oh!
01:20:20Oh!
01:20:21Oh!
01:20:23Drop your weapons or I'll shoot him!
01:20:30You can't miss the baby with the shotguns!
01:20:35Drop the weapons, do it!
01:20:45Drop them!
01:20:48Don't be stupid, I've only won the money!
01:20:53Put down the gun, Ann.
01:21:00I'll kill him! I only want the money!
01:21:04Don't be stupid!
01:21:06I'll shoot him! I'll kill him!
01:21:08I'll...
01:21:13Big!
01:21:23Major League, dude!
01:21:33Told you I still had a hell of a bean ball!
01:21:36Oh, my God!
01:21:38Oh, my God!
01:21:46Shhhhh!
01:21:47Well, we did it.
01:22:00We pulled it off.
01:22:02Damn straight.
01:22:04I mean, I had my doubts about you at times,
01:22:07but you're all right.
01:22:10I couldn't have done it without you.
01:22:12Well, I couldn't have done it without you either.
01:22:17You're all right, pal.
01:22:18Well, I don't know how to thank either one of you.
01:22:21You're a great couple of guys.
01:22:24Oh, excuse me.
01:22:26I guess he wants his bottle.
01:22:33It's getting kind of late.
01:22:35What time do you have?
01:22:3811.20.
01:22:41It's about that time.
01:22:43Yeah, sure is.
01:22:46Oh, by the way, your overcoat's in the living room.
01:22:50Yeah, well, uh...
01:22:52I wasn't planning on leaving just yet.
01:22:55Oh, you're not?
01:22:56No.
01:22:57You see, uh...
01:23:00Anne wants to talk to me alone.
01:23:04She asked you?
01:23:06Yeah.
01:23:07With her eyes.
01:23:09What the hell you mean, with her eyes?
01:23:11Well, didn't you see the way she was looking at me?
01:23:13No, because it was me she was looking at.
01:23:15I think she was looking to see whether or not you were going to leave.
01:23:17No way.
01:23:18She was undressing me with those eyes.
01:23:20All right.
01:23:21She confided something to me, okay?
01:23:24She doesn't like Mexicans.
01:23:26And that's why she married one.
01:23:28No, no, no.
01:23:28That's why she divorced one.
01:23:30A Mexican knows how to provide for a woman's special needs, if you get my drift.
01:23:34I know what she wants.
01:23:38And I intend to give it to her.
01:23:40Look.
01:23:41I'm going to put it to you simple, okay?
01:23:44The lady is mine.
01:23:45She wants me.
01:23:46I want her.
01:23:48Nobody wants you.
01:23:50So why don't you just take a walk, huh?
01:23:52After you, Gavacho.
01:23:57No problem.
01:23:58John, what a surprise.
01:24:04I caught the first plane out the minute I heard.
01:24:06Are you okay?
01:24:07I'm fine.
01:24:12Oh, wait a second.
01:24:15I'd love to, but I can't wait now.
01:24:18Um, I've got company.
01:24:20Who?
01:24:21Oh, it's just a couple of friends.
01:24:23Oh, come on.
01:24:23I'll introduce you.
01:24:24Okay.
01:24:28Like I was saying, I had my doubts about you in the beginning.
01:24:35But basically, for Gavacho, you're all right.
01:24:40You too, compadre.
01:24:41You too.
01:24:42Say, you feel like a beer?
01:24:44Yeah, some of those, uh, those things.
01:24:47Negritos?
01:24:48Negritos.
01:24:48You like those?
01:24:49Yeah.
01:24:51You got it.
01:24:52Bravo.
01:24:53Why can't we be friends?
01:24:56Why can't we be friends?
01:24:58Why can't we be friends?
01:25:01Why can't we be friends?
01:25:05Why can't we be friends?
01:25:07Why can't we be friends?
01:25:10Why can't we be friends?
01:25:12Why can't we be friends?
01:25:14I've seen you around for a long, long time
01:25:19I remember you when you drank my wine
01:25:24Why can't we be friends?
01:25:27Why can't we be friends?
01:25:30Why can't we be friends?
01:25:32Why can't we be friends?
01:25:36I've seen you walking down in Chinatown
01:25:39I've called you but you're good and I don't go wrong
01:25:45Why can't we be friends?
01:25:47Why can't we be friends?
01:25:50Why can't we be friends?
01:25:52Why can't we be friends?
01:25:55I've paid my money to the welfare line
01:25:59I see you standing in it every time
01:26:05Why can't we be friends?
01:26:07Why can't we be friends?
01:26:10Why can't we be friends?
01:26:12Why can't we be friends?
01:26:15The color of your skin don't matter to me
01:26:20As long as we can live in harmony
01:26:24Why can't we be friends, why can't we be friends, why can't we be friends, why can't we be friends?
01:26:35I kind of like to be the president, so I can show you how your money's spent.
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