- 5 weeks ago
Category
🎥
Short filmTranscript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25Must be.
00:01:30I'm looking for the traffic of Napoli.
00:01:33People are just who eat.
00:01:34E questa si si chiama al primo posto.
00:01:37Sip.
00:01:43Shit.
00:01:44Woah.
00:01:46Camp on my wallet.
00:01:51The real receipt case?
00:01:53No.
00:01:55Somewhere.
00:01:56Maybe it's in my car.
00:02:00zurück
00:02:15Well there is nothing, no he anybody is trying to punch me
00:02:18There is nothing
00:02:20sitting down a moment
00:02:24there is nothing out
00:02:26there is nothing
00:02:30Where did you have it last?
00:02:34The train station, I think?
00:02:38The exchange booth?
00:02:42Oh, Jamie, I'm sorry.
00:02:46That bastard at the train station started when you dropped all your stuff.
00:02:52This is 170, not 70.
00:02:56Where do we need to go?
00:02:58We need sevens.
00:03:10Here we go.
00:03:20Is this it?
00:03:22Thanks, man.
00:03:28It's nice.
00:03:42Yes, I have a credit card.
00:03:46Numbers on file on my computer.
00:03:48Yes, I have them here.
00:03:52Okay, five, five, three, three, seven, six, four, five, eight, seven, eight, seven, nine, one, five, seven.
00:04:04Five, seven.
00:04:06Yeah.
00:04:08Expires 12.15.
00:04:10No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:18Yes, I'll hold.
00:04:22You love how they ask, as if I have a choice.
00:04:26Do you know what I'm gonna try to do while I'm here?
00:04:30Besides, learn Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34You don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:39That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:44And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Well, I am going to finally transcribe the tapes.
00:04:54Yes.
00:04:56All right.
00:04:58Okay.
00:05:00Well, if you can see it through to the end, I think that's wonderful.
00:05:06What does that mean?
00:05:08Nothing.
00:05:10Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that?
00:05:17She sounds very supportive.
00:05:22You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:35I think enough time has passed.
00:05:37Well, that's great.
00:05:52Why do you think he killed himself?
00:06:08Who?
00:06:11David Foster Wallace.
00:06:13I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:28Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, Jen.
00:06:40Just so tedious.
00:06:43And then, of course, he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world,
00:06:49and it wasn't enough.
00:06:50Jen, can I...
00:06:51Can we not talk about this?
00:06:53Just...
00:06:54Just...
00:06:55Just a bit moment.
00:06:57I love you.
00:07:13I love you too.
00:07:27Do you feel alright?
00:07:28Do you feel okay?
00:07:29Yeah.
00:07:30Are you sure?
00:07:31Mm-hmm.
00:07:32Mm-hmm.
00:07:33Do you feel alright?
00:07:34Do you feel okay?
00:07:35Yeah.
00:07:36Are you sure?
00:07:37Mm-hmm.
00:07:38Do you feel okay?
00:07:39Yeah.
00:07:40Are you sure?
00:07:46Mm-hmm.
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:21I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:27True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:44I've left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56Here it is.
00:10:26my book. What kind of stories? Stories that you've prepared. Or I can ask them a list of stories that
00:10:33Dad told me about. Go ahead and ask from your father's list. God rest his soul. Let's start
00:10:38with the war. We went into an air raid shelter. My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb and the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair. He was all alone. That nearly finished my mother, you know.
00:11:08Here we were in this tiny town in England, miles from Germany, from Russia, from Italy,
00:11:13from any front lines. And this man, he had blood in his hair.
00:11:22and, uh, cappuccino.
00:11:27Good night tonight.
00:11:41Good night tonight, Chloe, um...
00:11:46It's met.
00:11:48We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:09It feels now as if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard. It's Jane.
00:12:21I decided to take an impromptu trip to Iskia, or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:33I hope you have a good day. Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children.
00:12:46Not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:59I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:08Uh, excuse me.
00:13:12Excuse me.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Ah, grazie.
00:13:27Grazie.
00:13:30They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:53You speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13No.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:20Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:39The viola.
00:14:42Any good?
00:14:44Yes.
00:14:45Very.
00:14:45How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:58That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:12Because even though you know it's coming, there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes, and I went to this music-slash-nerd summer camp
00:15:23when I was like 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:33You newlywed?
00:15:34No.
00:15:36No.
00:15:46That's it.
00:15:47Stop making me feel like a stalker.
00:15:49Fuck.
00:15:49Stop making me feel like a stalker.
00:15:50Fuck.
00:15:51Yes, you're right.
00:15:52Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:10Grazie.
00:16:11Grazie.
00:16:22What brought you out of here today?
00:16:36Fairy.
00:16:36Ha!
00:16:37Fairy.
00:16:39I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn a bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s, thousands of families lived in this castle.
00:17:03It must have smelled pretty bad.
00:17:05All those people crammed onto this rock.
00:17:10Wow.
00:17:11I know.
00:17:13I've been coming here every day, and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:24I came out here a few months ago with this volunteer organization dedicated to studying the relic populations of dolphins and whales in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:38No, I just didn't want to go to college, and they paid for me to come over.
00:17:43Four connecting flights was a 72-hour plane ride, but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I stayed on the island because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:06Basically, I used to have ancestors in Ischia, so when I come over, I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed, in case you didn't know, is when one person's great-grandparent is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name of this great uncle who lives on the island, so I show up.
00:18:26He answers the door, and he's, like, the oldest fucker I've ever seen, easily pushing a hundred.
00:18:32A hundred?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind and about four feet tall.
00:18:37He mumbles a couple of things to me in some crazy dialect, ushers me inside, pours me a glass of wine, and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46And, uh, yeah, I never left.
00:19:14Love teaches me to feed on flames and tears.
00:19:41To turn withered hope green through desire.
00:19:49To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:57Who is that?
00:19:59Victoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:05You read that in your guidebook this morning, didn't you, Jane?
00:20:09Sneaky.
00:20:09Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes.
00:20:25But that didn't stop her from loving him.
00:20:29Let's hear it, then.
00:20:31In Italian.
00:20:33Let's hear the poem.
00:20:35Come on.
00:20:36Tu, this is a poem.
00:20:37Okay.
00:20:38Di lacrime ad e faco nutria l'alma.
00:20:44Con secca speme rinvedia la voglia.
00:20:50Lega di nuovo il cor quando disceglia.
00:20:55Segna maggiore la vista tierra ed alma.
00:20:59I'm impressed thank you you hungry why you gonna take me out yeah all right then
00:21:19okay two pastas with the house sauce please red red please uh-huh that's yeah so you're really not
00:21:34going to tell me what you do I write freelance articles about parties and fashion trends in
00:21:44town and country UK there's something else I'm writing a book about my grandmother's
00:21:57experiences in rural England living through two world wars I recorded her for hours and
00:22:02ours but now I don't know well don't you know you want to listen a little yeah yeah no I love to listen
00:22:32all tangled up okay awful as it was it made you stronger these days people whine about all sorts
00:22:47of things and I'm not one of those old people who think my time had the only joy and the only problems
00:22:53we all have our own private wars every era but it was nothing like it really brought people together
00:23:01the war we we helped each other during that time we had to laugh we had to smile well if not for
00:23:09ourselves then for the people we'd lost I shut that thing off would you get it out of my face
00:23:15and as I it's like a window in time this sort of thing which you always did before someone died you
00:23:26know my husband thinks I'm never gonna finish it you care what anyone thinks we met while I was
00:23:33recording her bonding over granny huh make it sound perverse that's what it was right
00:23:41I got pregnant so we got married I lost the baby I'm sorry
00:24:06I didn't go back after that to the States
00:24:31did you uh did you ever hear that story about the red strain
00:24:40I think I might have tell me
00:24:45it's like this Asian proverb says that anyone you're destined to meet like uh your soulmate or
00:24:57your family or you know someone you bump into on the street we're all connected by this red string
00:25:05it can be tangled or stretched but it can never be broken
00:25:12there's this moment in the tape I'm sitting waiting in the airport bar for my flight
00:25:24and I'm talking into the recorder rambling on about how I'm about to embark on this amazing
00:25:32adventure and how I'm going to show world war ii from a totally different perspective
00:25:37I don't know if it's that interesting
00:25:48that's the whole point isn't it keeping it interesting for yourself
00:25:55maybe maybe I just want to write about nothing everything is nothing all the best
00:26:07that's it make a wish I make it great
00:26:17okay
00:26:22bravo bravo
00:26:27what do you mean what go go go go my god
00:26:35oh my god oh my gosh oh no what what do you mean
00:26:48Stronzo!
00:26:50Stronzo!
00:26:52Hey! Hey!
00:26:54It's the carabinieri!
00:26:56It's the police!
00:26:58Hey!
00:27:00Hey!
00:27:02We can't go back!
00:27:04We can't go back!
00:27:06We can't go back!
00:27:08We can't back!
00:27:10We can't back!
00:27:12Oh no!
00:27:14Oh no!
00:27:16Oh no!
00:27:18Oh no!
00:27:20Oh no!
00:27:22Oh no!
00:27:24Oh no!
00:27:26It'd make you feel better if I said I said no one day off.
00:27:30Yes, it's true.
00:27:32Yes, it's true.
00:27:34I made the check when I went to the bathroom.
00:27:38You're horrible.
00:27:40You're horrible.
00:27:42You're horrible.
00:27:44You're horrible.
00:27:46Come on, let's go.
00:27:48Quick.
00:27:50Let's go.
00:27:52Why are we still running?
00:27:54I don't know why we're still running.
00:27:56I don't know why we're still running.
00:27:58I don't know why we're still running.
00:28:00I don't know why she was running.
00:28:02Oh my gosh.
00:28:04Yeah?
00:28:06Yeah?
00:28:08It went up my nose.
00:28:10It's...
00:28:12It's...
00:28:14It's...
00:28:16It's...
00:28:17We come back?
00:28:18Maybe.
00:28:20We come back?
00:28:22Maybe.
00:28:24Maybe is not a no.
00:28:28And since I don't have a phone,
00:28:30you're gonna have to give me your number.
00:28:32For cheap thrills and future crimes committed.
00:28:36No.
00:28:40Fair enough.
00:28:50I've gotta go catch a fairy.
00:28:57Hey.
00:29:02Why do violists
00:29:05keep their viola cases on their dashboards?
00:29:10Why?
00:29:20So they can park in handicapped spots.
00:29:29Oh.
00:29:31Happy birthday.
00:29:35Oh, yes he is.
00:29:50Oh, yes he is.
00:30:52Yeah, there's so much of this stuff to get through.
00:30:56That's right.
00:30:58Nice.
00:31:22There's a collie who wouldn't go on a leash, so she had to sit on a bicycle seat.
00:31:27They stay with me, too.
00:31:29Jane.
00:31:30Jane.
00:31:31Janey.
00:31:32Got some pastries.
00:31:35You're still asleep?
00:31:36Jane.
00:31:37Janey.
00:31:38Got some pastries.
00:31:42You're still asleep?
00:31:44Jane.
00:31:45Jane.
00:31:46Janey.
00:31:47You're still asleep?
00:31:51Janey.
00:31:52You're still asleep.
00:31:53Janey.
00:31:54Janey.
00:31:55Janey.
00:31:56Janey.
00:31:57Janey.
00:31:58Janey.
00:31:59Janey.
00:32:00Janey.
00:32:01Janey.
00:32:02Janey.
00:32:03Janey.
00:32:04Janey.
00:32:05Janey.
00:32:06Janey.
00:32:07Janey.
00:32:08Janey.
00:32:09Janey.
00:32:10Janey.
00:32:11Janey.
00:32:12Janey.
00:32:13Janey.
00:32:14Janey.
00:32:15Janey.
00:32:16Janey.
00:32:17Janey.
00:32:18Janey.
00:32:19Janey.
00:32:20Janey.
00:32:21Janey.
00:32:22Janey.
00:32:23Janey.
00:32:24Janey.
00:32:25Janey.
00:32:26Janey.
00:32:27Janey.
00:32:28Janey.
00:32:29Janey.
00:32:30Janey.
00:32:31Janey.
00:32:32Janey.
00:32:33Janey.
00:32:34Janey.
00:32:35Janey.
00:32:36Janey.
00:32:37Janey.
00:32:38Janey.
00:32:39Janey.
00:32:40I had an American boyfriend.
00:32:42I liked some of them.
00:32:44They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know when you were 19, the world just felt so open and carefree
00:32:59and full of possibility?
00:33:02You reminded me of that at that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described it as carefree back then, not at all.
00:33:12Well, I felt nostalgia or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was fun.
00:33:30It was just fun.
00:33:38How was work?
00:33:42The conductor's actually a descendant of Walter Legg, which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:50I'd like that.
00:33:51Jane?
00:33:52Oh, my God.
00:33:53This is Caleb.
00:33:54Hi.
00:33:55No, no, we were just talking about you.
00:33:56We were?
00:33:57That's so weird.
00:33:58Sit, please.
00:33:59Sit down.
00:34:00Join us.
00:34:01What?
00:34:02What?
00:34:03What?
00:34:04What?
00:34:05What?
00:34:06What?
00:34:07What?
00:34:08What?
00:34:09Well, the chance of a win.
00:34:11I have a chance of a wreck.
00:34:14I know, right?
00:34:18I'm off to you when I get back pretty soon.
00:34:21That's okay. I already ate, so I'll just grab a coffee or something.
00:34:33Grab the cheque, please.
00:34:36In a cafe, P-P-P?
00:34:41Oh, no, thank you.
00:34:47Jane, you don't smoke.
00:34:50Yes, I do.
00:34:52Sometimes, at parties.
00:34:55You didn't know that.
00:34:57Well, I don't do it a lot.
00:35:01Grazie.
00:35:02Grazie.
00:35:04Grazie.
00:35:06Italian food's so overrated.
00:35:10I love it.
00:35:11There's no variety.
00:35:13English food, on the other hand.
00:35:15Say what you like about it.
00:35:17There's nothing like a good steak and kidney pie.
00:35:19I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:26They had, like, a private chef and everything.
00:35:28And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:34And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:43That is disgusting.
00:35:46True story.
00:35:51Why don't you tell Leonard one of your viola jokes?
00:35:55No.
00:35:58Go on.
00:35:59You're selling my ant.
00:36:02Well, come on.
00:36:03Let's hear one.
00:36:07Um...
00:36:08I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:26You didn't just make that up.
00:36:27I did.
00:36:28It's too good.
00:36:29I did.
00:36:30Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Did you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go? Already?
00:36:49Yeah, I'm gonna get back to work.
00:36:55What's next on your agenda, Caleb?
00:36:56Um...
00:36:57I'm thinking Tibet.
00:36:58Oh, Tibet.
00:36:59Really?
00:37:00Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:01Yeah, I've heard about that.
00:37:02That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:03The monks, the monks, the monks.
00:37:04So pretty.
00:37:05How do you support yourself?
00:37:06You know, a bit of this, a bit of that.
00:37:07All right, then.
00:37:08I'll walk you.
00:37:09Does anybody have a pen?
00:37:10You got a pen?
00:37:11Yeah, I have a pen.
00:37:12Yeah, I have a pen.
00:37:13Okay, okay, sorry.
00:37:14Well, the Buddhist monks unroll all the tapestries on the hill, right?
00:37:15No.
00:37:16The monks, the monks, the monks.
00:37:17That's so pretty.
00:37:19How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28Oh, all right, then.
00:37:30I'll walk you.
00:37:31Does anybody have a pen?
00:37:32You got a pen?
00:37:33Yeah, I have a pen.
00:37:34I have a pen.
00:37:42Okay.
00:37:49I have a piece of paper.
00:37:51You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door, come around the side.
00:37:57I need Regina, Lucia.
00:38:06And thanks again for yesterday.
00:38:08Oh, no problem.
00:38:11Hey.
00:38:13Ciao.
00:38:21How stoned are you?
00:38:23Come on, I wish it's home to pop, it's not a big deal.
00:38:28So you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:34Okay.
00:38:35Sure.
00:38:39I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep, I'll be waiting.
00:39:04Hey.
00:39:05God, you scared me.
00:39:06Are you following me?
00:39:07Maybe.
00:39:08Is that weird?
00:39:10Yeah.
00:39:11You told me you were staying near the port so I got the first ferry this morning.
00:39:17I came looking for you.
00:39:18And I can't believe I found you.
00:39:20I can't believe I found you.
00:39:21I can't believe I found you.
00:39:22I can't believe I found you.
00:39:23Yeah.
00:39:24I can't believe I found you.
00:39:25Yeah.
00:39:26What is your name?
00:39:27Yeah.
00:39:28Yeah.
00:39:29Yeah.
00:39:30Yeah.
00:39:31I can't believe I'm staying near the port so I got the first ferry this morning.
00:39:32I couldn't sleep last night.
00:39:37You told me you were staying near the port so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:40:02What are we doing?
00:40:29I think we're making it out.
00:40:31We're making it out.
00:40:33So sexy and beautiful.
00:41:01I can't do this.
00:41:07What?
00:41:08What?
00:41:09I can't do this.
00:41:10Why?
00:41:11Why?
00:41:23Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:26What?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:33Don't follow me.
00:41:35Don't follow me.
00:41:39Don't follow me.
00:41:40Don't follow me.
00:41:41Just follow me.
00:41:43I'm sorry.
00:41:44You're right.
00:41:45How are you?
00:41:46You did?
00:41:47You are right.
00:41:48I'm sorry.
00:41:49I'm sorry.
00:41:50I'm sorry.
00:41:51I'm sorry.
00:41:52You're right.
00:43:37Jane, I'm sorry.
00:43:38Just give me a minute.
00:43:39I have a hell of a rest of my day.
00:43:41I got so much stuff to do.
00:43:45Sorry darling.
00:43:46Hey, do you still want to do something fun tonight?
00:43:49Yeah, absolute.
00:43:50Got some dinner.
00:43:51Thought we'd just stay in here.
00:43:52The 2 of us.
00:43:54I've just got to work this thing out for tomorrow.
00:43:57Okay.
00:43:58Okay.
00:43:59I'm sorry.
00:44:24I'm sorry.
00:44:52Leonard.
00:44:56Can we talk?
00:45:22Say cheese.
00:45:29You should kind of be in the middle.
00:45:34Hold on a second.
00:45:49That's what our living room is missing.
00:46:04What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just wave.
00:46:14What did you do?
00:46:29What did you do?
00:46:33What did you do?
00:46:48What did you do?
00:46:50What did you do?
00:46:52What did you do?
00:46:54What did you do?
00:46:59What did you do?
00:47:03What did you do?
00:47:05What did you do?
00:48:45Oh.
00:48:46Hi.
00:48:47Did I wake you?
00:49:03No.
00:49:04I think I need to be less serious.
00:49:09Yeah.
00:49:11Let me put my pants on.
00:49:15Okay.
00:49:17Okay.
00:49:19Okay.
00:49:21Okay.
00:49:23Okay.
00:49:25Okay.
00:49:31Okay.
00:49:33Okay.
00:49:35Okay.
00:49:37Okay.
00:49:43Okay.
00:49:45Okay.
00:49:47Okay.
00:49:49Okay.
00:49:51Okay.
00:49:53Okay.
00:49:55Okay.
00:49:57Okay.
00:49:59Okay.
00:50:01Okay.
00:50:03Okay.
00:50:13Okay.
00:50:15Okay.
00:52:48Leonard thought you were lying about those cats.
00:52:52He said that?
00:52:56Were you?
00:52:57They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:49Is that him?
00:54:12Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:55:48I didn't sleep at all last night.
00:56:14Where have you been?
00:56:17Just walking.
00:56:19All night.
00:56:21I've been thinking.
00:56:22You left your phone here. I had to plug it in.
00:56:27We need to talk, Leonard.
00:56:28I have to go to work.
00:56:33Can you be late?
00:56:34No, I can't be late.
00:56:39Leonard.
00:56:40Jay, whatever you have to say to me, I want to hear it.
00:56:44I've committed myself.
00:56:46People are depending on me.
00:56:48I have to go to work.
00:56:49I can't be late.
00:56:51Okay.
00:56:52Okay.
00:57:22If it wasn't the war, it would have been something else.
00:57:29There's always something else, isn't there?
00:57:33That's the thing.
00:57:35That's the thing about struggle.
00:57:47I'm going to make some tea.
00:57:49Do you want some?
00:57:51I'm alright.
00:57:59If you go out like that again, just tell me.
00:58:02Don't worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:21Do you think everything we've been through actually does us any good in the long run?
00:58:34Or do we just make our struggle to be something meaningful because that's all most of us have?
00:58:39I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:56I don't know what you want me to say, Jane.
00:59:10One little thing had changed in my grandmother's life, I might not be here.
00:59:27Sometimes I worry I'm not honoring her.
00:59:40With the book?
00:59:41No.
00:59:42With my life.
00:59:43This is it, you know.
00:59:55It ends with me.
00:59:57In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:20The horses.
01:00:21The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up.
01:00:33Brass things and little horseshoes.
01:00:36He put braids on them.
01:00:39They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:43There was one.
01:00:46Duke.
01:00:48Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:59They were lovely days really.
01:01:07They're gone.
01:01:08For me.
01:01:09Jane.
01:01:12But not for you.
01:01:13Jane.
01:01:14You know it's different for you.
01:01:17In some ways it's easier.
01:01:19You haven't got the war.
01:01:20People don't die as much as they did back then.
01:01:23But in some ways it's more disjointed.
01:01:30You've got to make your own life.
01:01:32One that you love and you can't be afraid of the,
01:01:35of the time.
01:01:38Time is shiftable.
01:01:40Time is shiftable.
01:01:51There are moments in my life that I would trade 60 years to have back again.
01:01:55That's the truth.
01:01:57You'll know the truth when you find it.
01:01:59It'll come to you like something you've known before rather than something you're learning for the first time.
01:02:09Sorry.
01:02:11Ah!
01:02:12Ah!
01:02:13What is it?
01:02:14Ah!
01:02:15Ah!
01:02:16Ah!
01:02:17Ah!
01:02:18Ah!
01:02:19Ah!
01:02:20You alright?
01:02:21Ah!
01:02:22You okay?
01:02:23Yeah.
01:02:24Stump my toe.
01:02:25Ah!
01:02:26It's bleeding.
01:02:27Ah!
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:32It's fine.
01:02:33You losing it?
01:02:34Yes.
01:02:35Ah!
01:02:36Fuck.
01:02:37I met these backpackers last night, Frank and Elsa.
01:02:50She's French.
01:02:51He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:07It's fine.
01:03:08Mhm.
01:03:09Oh I'm going with mine.
01:03:10Okay, so now I now will find my friends.
01:03:11In its winterizzly camp, Yes.
01:03:13Ah!
01:03:14Ah!
01:03:15What's that word coming to Asia?
01:03:25I want you to go with me to go.
01:03:26Oh!
01:03:28Ah!
01:04:00Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, why don't they not?
01:04:17I don't think I'd jump to doing another stint like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:30It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:39Are you listening?
01:04:45You found the key to finishing this project.
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:22Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious.
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:38Normal people talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:49Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:59So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:05I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again and again.
01:06:55Please.
01:06:58How does that make you feel?
01:07:00It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:07How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:15That's not what you want.
01:07:16Is it?
01:07:18Is that what you want?
01:07:19Because I think about it all the time.
01:07:27That the one thing you always wanted, I will never be able to give you.
01:07:41What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:56You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:04I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:17I've been seeing someone else.
01:08:24See you.
01:08:26Caleb.
01:08:28That kid.
01:08:29Yes.
01:08:29That kid.
01:08:31That child.
01:08:32That kid you've known for two days.
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:49I kept waiting for you to see it, to smell it, to sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:03I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper.
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better, then you should go.
01:09:38You should go with him.
01:09:40You've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance, meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:07I want you to do what you need to do.
01:10:13And then come back to me.
01:10:16No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:46No guilt.
01:10:47No guilt.
01:11:05No guilt.
01:11:06No guilt.
01:11:45Hi.
01:11:48Hi.
01:11:59You want some?
01:12:02Oh, thanks.
01:12:22Frank, you know, it's coming over in a couple of hours.
01:12:49Frank bought a car, so we're going to head out in a couple of weeks or so, you know.
01:13:01I'm thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:13:19We're going to head out in a couple of weeks.
01:13:25We're going to head out in a couple of weeks.
01:13:31We're going to head out in a couple of weeks.
01:13:37We're going to head out in a couple of weeks.
01:13:41Boy!
01:13:43I'm thinking, do you want to head out at the festival?
01:13:47It's time for me.
01:13:49I have told you we're going to head out here.
01:13:51boys
01:14:02oh
01:14:12Oh
01:14:213, 2, 3, 2
01:14:51Jay, you've got to come over to this side, the train's going to be here in a minute.
01:15:21It's four in the morning, the end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:02Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:13Yes.
01:16:34I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:43Now shut that thing off.
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