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Prise par le travail, une femme a oublié comment rêver. Jusqu’au jour où une version plus jeune d’elle-même vient réveiller son cœur et changer son regard sur la vie.

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Genre : Film en Français Complet, Nouveauté, Comédie Adolescente
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Transcription
00:00Sous-titrage Société Radio-Canada
00:30...
01:00...
01:02...
01:03Must be the book.
01:05I've been remembering things I hadn't thought about in years.
01:11Just all of a sudden I knew exactly what you looked like when you were a little girl.
01:14What if they hate it?
01:32Well, they'll be wrong.
01:34And they'll be wrong.
01:43Come on, Vera.
01:44We did some good work today, don't you think?
01:50It felt good.
01:51You see, Vera.
01:52Do you really think that life is shaped by the yeses and not the noes?
02:01Mm-hmm.
02:02Well, I said yes once and it was a complete disaster.
02:08Mm.
02:10Well, my guess is that you were just saying the word.
02:13What you're really doing is saying no to yourself.
02:16You're a remarkable talent, huh, Miller?
02:22Oh, thanks.
02:23And Robin was right.
02:25You are a great editor.
02:27Susan Stone.
02:27Well, thank you.
02:28Thank you.
02:29Thank you.
02:34Is it that late?
02:36I guess so.
02:37Yeah.
02:38All right, well, um, I'll see you bright and early.
02:42Okay.
02:43All right.
02:44Good night.
02:45Good night.
02:45Good night.
02:45Good night.
02:54Good night.
02:56Bye.
03:08Suze?
03:10Mm-hmm?
03:11I think he wanted to kiss you.
03:13Don't be ridiculous.
03:15This is strictly a working relationship.
03:17Why can't it be both?
03:19Because you don't make your bed where you eat.
03:22Well, I'm sure he's a lot of fun.
03:26Suze?
03:27Hmm?
03:28I love that he plays the trombone.
03:30Now I'm beginning to think that you don't understand Fooey as a character.
03:47I do, too.
03:48Well, then why would you want me to change Fooey's reaction?
03:51Because I just don't believe that any sane woman who's thrown into a squalid jail in Selma
03:55is going to be so serene and calm.
03:58I'm almost happy.
03:59Hmm.
03:59So you really don't understand?
04:01You don't know what you're missing here.
04:03I'm on a diet.
04:04Oh, you don't need to diet.
04:05Come on.
04:05Come on.
04:06Try this.
04:09Hmm?
04:10Hmm?
04:10Hmm?
04:11Now, see, Fooey was one of those rare, wonderful people.
04:15No matter what the disaster, she always saw it as an opportunity.
04:19The glass was always half full.
04:20Of course, that drives the half-empties totally crazy.
04:24Who does that remind you of?
04:26That is wonderful.
04:27Mm-hmm.
04:27This woman is a genius.
04:29Finish it.
04:29Finish it.
04:30Oh.
04:30Thank you.
04:31Thank you.
04:37Hmm.
04:38Wait till you try her Napoleon.
04:41You know, I think Aunt Pru would love my brother Bob.
04:44Yeah?
04:44Well, in that case, I probably will, too.
04:46I told you.
04:47Prince Charming.
04:48Good night.
10:13C'est un moment où nous étions tous les étudiants que j'ai perdu.
10:17Je n'ai pas perdu.
10:21Listen à me, OK? Je suis votre éditor.
10:23C'est tout, rien d'autre.
10:25Mais, Susan...
10:26Non, je suis là, je suis.
10:28C'est juste que je n'ai pas cette façon.
10:33Oh.
10:34Je suis...
10:35Je suis désolé, je...
10:37Je pense que je...
10:43Je pense que je n'ai pas le cadeau, après tout.
10:48Alors, peut-être que nous devons commencer.
10:51Je ne veux pas être trop tard.
10:53Non.
11:07Pour tout le monde, ça, je veux le vivre.
11:09Allez, allez-gan !
11:14C'estcalier deتهse !
11:17C'est� Josemi,...
11:19Et je vais de nossos sols.
11:22Poussez àيف lever
11:24Pour les muscles.
11:27缶aux,ющents.
11:30C'est bon, c'est Je pense.
11:33J'Billie, c'est bon.
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