- 4 months ago
"I've had a good life. I'm a lucky man." Walton Goggins takes a walk down memory lane as he rewatches scenes from his classic works including 'The White Lotus,' 'The Righteous Gemstones,' 'The Shield,' 'The Apostle,' 'The Hateful Eight,' 'Fallout,' and more.
White Lotus clips courtesy of HBO
Director: Adam Lance Garcia
Director of Photography: Shirley Chan
Editor: Jeremy Ray Smolik
Talent: Walton Goggins
Producer: Madison Coffey
Line Producer: Natasha Soto-Albors
Production Manager: Andressa Pelachi
Associate Production Manager: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Chloe Ramos
Gaffer: Niklas Moller
Audio Engineer: Mariya Chulichkova
Production Assistant: Jayden Brier, Quinton Johnson
Post Production Supervisor: Christian Olguin
Supervising Editor: Eduardo Araujo; Erica DeLeo
Assistant Editor: Fynn Lithgow; Billy Ward
White Lotus clips courtesy of HBO
Director: Adam Lance Garcia
Director of Photography: Shirley Chan
Editor: Jeremy Ray Smolik
Talent: Walton Goggins
Producer: Madison Coffey
Line Producer: Natasha Soto-Albors
Production Manager: Andressa Pelachi
Associate Production Manager: Elizabeth Hymes
Talent Booker: Lauren Mendoza
Camera Operator: Chloe Ramos
Gaffer: Niklas Moller
Audio Engineer: Mariya Chulichkova
Production Assistant: Jayden Brier, Quinton Johnson
Post Production Supervisor: Christian Olguin
Supervising Editor: Eduardo Araujo; Erica DeLeo
Assistant Editor: Fynn Lithgow; Billy Ward
Category
🛠️
LifestyleTranscript
00:00We laughed all day, every day.
00:02The conditions were so miserable.
00:04There was one time I caught Kurt Russell
00:06just talking to a chair.
00:08He was so cool.
00:09He was having a conversation with a chair,
00:12as if the chair was talking back to him.
00:14That's how tired and like out of our minds we were.
00:18Hey there, Walton Goggins here.
00:21We are going to be watching some scenes
00:24from throughout my career.
00:27You ready?
00:30You had him killed over some land deal or some shit.
00:48You don't fucking remember that?
00:53He was my father.
00:54Gloria Hatchett.
00:55He was a good man.
00:57Rick Hatchett is a person that was so deeply wounded
01:01in his entire life.
01:02He was informed by this event that happened to him
01:07that was told by his mother.
01:10And that was that his father was killed by this man,
01:15played by Scott Glenn.
01:16I knew that kind of coming into this experience.
01:19And it was holding space for that anger,
01:22that debilitating kind of arrested state of development anger
01:26for so long over the course of filming this,
01:30literally from the day that I arrived in Thailand.
01:33Scott came to the set for a few days.
01:35He had to fly in and I didn't say hello.
01:38Didn't really talk to him at all unless I had to.
01:44But I didn't really see him up until this sequence of events
01:50that we filmed at his house.
01:52And I chose not to talk to him.
01:54And the thing is, he didn't talk to me either.
01:57The anticipation of it coming down to this day
02:01and what was going to happen.
02:02And Sam Rockwell, he saw how much pain I was in,
02:08just with the anticipation of having this conversation
02:11with this fucking guy.
02:13And he just pulled me aside and he said,
02:15stop it, stop.
02:17You need to let all of it go right now, man.
02:20You can't live in this any longer.
02:22This is what you got to do.
02:23You got to go to your room.
02:24You sit there and you make him give you a 25 minute warning.
02:29Count down from there,
02:30but they need to give you that much time.
02:32But you got to let it go, man.
02:34Or else you're going to, you know,
02:36the star is going to burn out.
02:38There are three or four sequences to this one scene,
02:41but it's really one long scene.
02:44And the way that Mike had orchestrated this experience
02:48and had written this experience
02:50and this very first scene,
02:52which is just taking in the life that this man has lived,
02:56the life that he enjoyed, that he denied me,
02:59knowing that there's a gun kind of in my pocket.
03:02We started, you know, with this first scene,
03:05and it was a little rough out of the gate in the sense that
03:08it was like a horse almost tripping at the gate
03:12before the gate kind of comes open, you know,
03:14in the Kentucky Derby because I just want to go.
03:16Let's just go.
03:17Let's just, I just want to get this out of my body.
03:19I've been holding onto it so long.
03:21I just, I knew the next morning that so much of this shit
03:23was going to be out of my body
03:25because we didn't film this in order,
03:27even more so than, than any other movie,
03:30because you have so many people
03:32and you have to film the breakfast scenes all at once
03:35and the dinner scenes all at once.
03:37And so we had already filmed the ending of the last scene
03:42where I'd die with Amy Lou.
03:44And so this was the last hurdle, you know,
03:47was really this day.
03:48This was the thing that was hanging out there.
03:51I bet they had a happy childhood growing up here.
03:54You bet.
03:55Spoiled rotten.
03:56The thing about this final confrontation was
03:58we only did this three or four times.
04:01Mike was outside and he just didn't want to live in this world.
04:06It didn't, we made sure we got it, you know,
04:09but, but he saw exactly kind of where I was
04:12and over the course of this whole experience
04:14coming down to this moment.
04:16And this one take in particular he used,
04:19I just remember grabbing, you know, a drink off the desk
04:25and just sitting there for such a long time.
04:28I must have sat there for like a minute and a half
04:31with the camera rolling before I started talking.
04:35And, and I, it just clicked for me.
04:38It's like the, it was the moment where, you know,
04:40we all strive for as, as, as actors, you know,
04:43where you really are holding a mirror up to nature.
04:46That was this moment for, for me.
04:48And I've only accessed that a few times in 30 years,
04:52but it is the thing that we always try to come back to.
04:54And it's like, that's euphoria.
04:57You may not remember him, but you sure as fuck
05:00are going to remember me.
05:02Mike just did such a good job with building up to,
05:05to this moment.
05:06Here it is.
05:07I'm even watching it right now.
05:08Right now I have all of this, this anxiety.
05:11And what do you do with that?
05:12When you get to face the boogeyman,
05:15most people don't have closure in that way
05:18from a traumatic event in their life.
05:21And then all of a sudden Rick Hatchett has it in this moment.
05:24He's able to face the person that fundamentally changed his life.
05:29Rick Hatchett's entire life has been defined by his hatred for this man.
05:34You know, what do you do when the clock's running out?
05:36And who would he be without this man?
05:38What are you without the thing that,
05:40that makes you want to continue to live?
05:42Which is just to find this fucking guy and to kill him.
05:46And that's what this entire scene was about for me.
05:50He finds peace.
05:52Rick transcends his own karma in this moment
05:57by not killing Jim Hollinger.
06:00That's what was so ironic about the whole experience.
06:03It was leading up to this confrontation for me
06:06only to have it and to be completely released
06:09from the experience for a moment in time
06:12only to have the ending happen the way that it happened.
06:15But it all culminated in this episode and in this conversation.
06:20This journey of Rick Hatchett was very, very personal to me.
06:24I had gone to Bangkok looking for similar answers to questions
06:29almost 18 years ago.
06:32Life questions.
06:34I don't really believe in pulling from things in your own life.
06:37I believe that the magic is in make-believe between action and cut.
06:42But we all have the lives that we've had, right?
06:46And going into this experience,
06:48I thought the one thing Rick Hatchett has going for him
06:52is that trauma knows no color.
06:55Trauma knows no gender.
06:57We all have it in common.
06:59Trauma comes for all of us.
07:01And it is the thing that, if we let it, can ultimately unite us.
07:07This Rick Hatchett and this journey has changed me as a person.
07:13And I can say that.
07:15They all change you, right?
07:17But the change that happens for someone that's 53 years old
07:22is louder because it's seismic in its form.
07:26And I feel like because of his peaceful journey,
07:30I've found another level to the peace I have in my own life.
07:33Thanks, man.
07:42My favorite, buddy.
07:47Shane! Shane!
07:52Just another light day at work.
07:58This is Kenny Johnson.
08:01He's one of my best friends I've known for such a long time.
08:04God, this was such a long day.
08:07Such a brutal day.
08:10Kenny knew that this was going to happen,
08:12that his death was going to come months before we did.
08:17And he held onto this secret for a really long time.
08:20And then the day that they told us, we were all, you know, at our trailers,
08:25we came out and we got this news and we all revolted.
08:29Cass, myself included, said, fuck you.
08:33No, you can't kill him.
08:35And there were, you know, a bunch of grieving people
08:38because he was so beloved.
08:40Once we were, you know, told that this is how it has to go,
08:43specifically because the audience would have the reaction that we're having,
08:47I said, okay, well then let me kill him.
08:50I want to kill him.
08:51Give it to me.
08:52Let me take him out.
08:53Of course, they're not going to tell me where the story was going, right?
08:56So I don't have that information.
08:58Then that script came out and there it was.
09:01And I thought, okay, thank you for giving me the privilege.
09:06And it dovetailed so nicely into, you know, where Shane was
09:10because he began this journey under the tutelage of Vic Mackey
09:14and he became corrupted in the moment in which he killed a police officer.
09:21We killed a cop.
09:24Five seasons later, he has completed that circle
09:29and he is doing this on his own.
09:32And he's doing it because he feels that's his only option
09:36and he's saving the team because of it.
09:39This day we shot it in downtown Los Angeles.
09:43The air was so thick with anger and pain
09:48and everyone was just pissed off and it was not a good moment for everybody
09:53because nobody really wanted this to happen.
09:55I'll never forget the first time.
09:57Everyone was behind the monitor and I remember when Steven said action
10:01before I launched into it.
10:03I just said, you fucking wrote this.
10:06You fucking wrote it.
10:07You want to see it?
10:08Okay.
10:09You fucking wrote it.
10:10All right.
10:11I'm going to give it to you.
10:12Here it is.
10:13This is it.
10:14This is goodbye.
10:15Say goodbye.
10:16And then just went into it for, you know, 14 hours of pain.
10:21Lim, I'm sorry, but I had to, right?
10:29But you know I'm sorry.
10:30I'm so sorry, man.
10:32It was extremely cathartic, but also bittersweet.
10:36You know, I didn't, this is one of the first things I've ever been involved with
10:39that I just didn't, I didn't want it to end.
10:41There was a, there's a moment if you, if you really watch this
10:44and very few people have ever commented on this,
10:46but for a minute after this explosion, Kenny, for some reason, Lim, Curtis Lim and Lemansky,
10:53he decided not to be dead.
10:55He was alive for a brief moment.
10:58And he just looked at me as if to say, why?
11:03Or forgiveness.
11:05It could be kind of either.
11:07And he chose to do that.
11:08I didn't expect that once the cameras were kind of rolling.
11:12And this is one of the few times where everything stopped and it was still.
11:19I felt it on the day, but in this moment as an actor looking at Kenny,
11:24I remember feeling like, I'm sorry, I'm regret to, you know, fuck you, man.
11:30You know, you did this.
11:32This is your fault.
11:34I didn't, I didn't, I didn't want to do this.
11:36I'm doing something morally reprehensible to save my brothers.
11:41I mean, isn't that what you do?
11:43It was really interesting what happened in that moment
11:46and the way that those feelings kind of came out.
11:49It was so, thank you, Sean Ryan.
11:51Thank you, Kenny Johnson and Stephen Kaye for giving me the opportunity
11:57to experience this level of nuance and to be out of control.
12:04This was, up until this point in my life, the greatest experience of my life.
12:31Everybody has their heroes, right?
12:33I mean, I've got a lot of heroes, a lot of people that I look up to like everybody,
12:36but none more than Robert Duvall.
12:38He is the North Star for me.
12:42And I was 24 years old when I got a call to come and audition for this movie called The Apostle
12:50that was written and directed by Bobby.
12:53And I'll never forget the phone call that I got on my answering machine.
12:58When I hit play, when I got home, there was a voice that said,
13:03Hey, this is Bobby, Bobby D.
13:06Hey, you're going to come down to Louisiana?
13:08We're going to have a good time.
13:09We're going to have the best time.
13:11That was him.
13:13That was, that was my, my hero.
13:16And that kind of began the journey.
13:18You're going to have him.
13:19I'm going to jail.
13:20You're going to have him.
13:21I love you, son.
13:25I love you, too.
13:27Bobby understood exactly what he meant to me in my life and really kind of took me under his wing.
13:33And then the scene that we're, we're watching right now is towards the end of this experience.
13:39We had already spent all of this time together.
13:42He had become a, like a father figure to me.
13:45You know what I mean?
13:46I don't know that he considered me his son, but I certainly considered him an important male figure in my life by the end of this journey.
13:54Because I was just really starting out and understanding what it was I was asking myself to do.
13:59And at the end of it, I saw his reaction, like to the whole journey from this point in the movie all the way until EF Apostle is taken away.
14:09And I don't know that he anticipated that Sammy, the character that I play, would have that reaction.
14:16I didn't anticipate it either.
14:18It sure did feel real, you know, from Sammy's perspective, because this guy who was such a big influence on him was being taken away.
14:28But it also happened to me personally, because my intimate time with Robert Duvall was coming to an end.
14:35So, uh, this is so deeply personal to me.
14:47I swear to God, Raylan, I didn't know he was coming.
14:49I believe you.
14:52Whoa.
14:53No shotguns allowed in this dining room.
14:58Toss it outside.
14:59This is the ending of the pilot of Justified.
15:03You know, this job was offered to me three times.
15:05I turned it down twice before saying yes a third time.
15:09Only because Tim got on the phone with me and the writers and made a change that I needed for myself.
15:15He says a lot of racist things and I didn't believe that he was that person.
15:19I needed what I believed Boyd to be was a performer.
15:23He was someone that got off on having an audience.
15:27The things that kind of came out of his mouth would change so that he could sustain that audience, you know, and keep that audience.
15:35For me, I just felt like he was just this grandiose, kind of bigger-than-life person with an intellect that was off the charts.
15:46He was super, super, super, super smart.
15:49I said, I want, however you construct it, for Tim to say a line basically saying, I know you don't believe any of this stuff.
15:58To which they did.
16:00And then the other condition was, I just want to be the smartest guy in the room.
16:03And they let me, they let me do that.
16:05What are you packing?
16:07You'll pay to find that out.
16:10Oh, you got ice cold water running through your veins.
16:14You don't know what you're looking for until you find it.
16:18That's what Justified was for me.
16:20I read it on the page.
16:21I didn't know that it would go past the pilot.
16:23I was only in the pilot.
16:25And the time that I had with Tim was some of the best chemistry I've ever had in my life.
16:32You know, right out of the gate, the very first thing that we did together.
16:35And I've had chemistry with a lot of people.
16:37And you never know it.
16:38You never know kind of if that chemistry is going to be there or not.
16:41They shot this kind of in order, you know, and this was really kind of the last thing that we did.
16:47And Tim's Raylan Gibbons just had this real kind of laid back, barely moves a muscle way about him.
16:57And, and, and mine was equally as cool, but a little more kind of in your face and a little more flourishing.
17:04And it was only after doing this scene and then getting the invitation to go on this journey,
17:11that I really realized for me why this person was so important, Boyd Crowder, to me as a person.
17:19Because it, it was not so dissimilar that from my own journey in the sense that Boyd is a poor kid
17:25and was surrounded by violence growing up with his father.
17:28He was in prison because of the poverty that he grew up in.
17:33And he desperately wanted to get out.
17:36And he wanted to break that ceiling, if you will, not for anyone more than, than for himself.
17:42Because I think he really saw himself as more than the product of his childhood.
17:49And that's how I saw myself.
17:51And, you know, like with a lot of things, where do you end and where does your character start?
17:57I really don't believe in playing characters.
17:59You are them.
18:00That's you.
18:01And, uh, this is me.
18:05Ava, put the gun down, please.
18:08You wanna know what I said?
18:10I said I'm gonna shoot you.
18:12Dummy.
18:14Tim's so handsome.
18:16Tim, you're so handsome.
18:18Oh, you did it, huh?
18:20When you distill the show down to its essence, its core, it's really about these two men
18:26and this shared history that they have.
18:29It starts off at the end of this pilot episode where Tim Oliphant does kill me.
18:38Rylan Givens does kill Boyd Crowder.
18:40That's a, that's a lethal shot.
18:42And he says to him, uh, we dug coal together.
18:45I'm already dead.
18:48Six years later, when we finished this show, incarceration, looking at him through a glass, I say, we dug coal together, didn't we?
18:58And, and the, the idea that you, you have that, that history and that, that bond because of struggle, right?
19:07Because of like a difficult period in your life, you're forever connected.
19:12And I, I think most of us feel that way.
19:15You know, whether that's, I don't know, going through college or whatever, whatever that is.
19:19But that was the core of the story of justified.
19:23And that one person went one way and another person went another way.
19:26One guy had a badge.
19:27The other guy had a gun.
19:28One was a sheriff.
19:29The other one was an outlaw.
19:30But they always had this time.
19:33Poverty and struggle and a shared history, however brief it is, if it's chaotic, will bind you for life.
19:48You will always have that other person with you.
19:52And, and that was our experience over the course of making this.
19:55I just can't believe I'm watching, I haven't watched the scene since the premiere of the pilot.
20:02Tim looks better than me and it pisses me off.
20:04He looks so handsome.
20:06I'm pissed off.
20:08And he still looks good.
20:10He still looks better than me.
20:12Tim, you look so good.
20:21We sit here all nice and friendly like for the next two days.
20:27Then the snow melts.
20:29You leave here, meet up with your gang, and I tell it to Mexico.
20:34That's the deal, right?
20:36Wow.
20:38Wow.
20:39This stage was the coldest any one of us had ever been in our entire life.
20:43It was colder than the entire state of Colorado.
20:46And we shot it on stage once we were at that, that portion of the production schedule in Hollywood.
20:54Quentin said, you know, I'm going to make it this cold so that I, I shoot faster.
21:00Only every day he just kept wearing heavier jackets.
21:03So he was warm while the rest of us were, you know, deathly, deathly cold.
21:10We laughed all day, every day.
21:12The conditions were so miserable.
21:14There was one time I caught Kurt Russell just talking to a chair.
21:18He was so cold.
21:19He was having a conversation with a chair.
21:22As if the chair was talking back to him.
21:24That's how tired and out of our minds we were over the course of making this.
21:29You can imagine for someone like me, kind of having worked with Quentin before this on Django
21:34and getting this opportunity to play this guy Chris Mannix in this room
21:39and being on that call sheet with the likes of Sam Jackson and Kurt Russell
21:45and Jennifer and Demian and Michael Madsen, Tim Roth.
21:50It was the, something that you didn't dare dream, right?
21:53Because it's probably never going to happen, but it did happen.
21:56And we all became so, so very close over the course of making this movie.
22:02And this ending, it was so interesting the way that Quentin kind of architected everybody's story.
22:09But I'll just say for the story of Chris Mannix, because I'm the one doing this interview.
22:13So I'll say that it's me.
22:15You know, when you first meet Chris Mannix, you know, he's in the snow and he gets into,
22:18he's trying to talk his way out of this stagecoach and he does.
22:21And then he has this kind of political kind of diatribe.
22:25And he ends it by, well, you don't got me talking politics.
22:28But he's a despicable guy.
22:30There is no such thing as a harmless racist.
22:33But this guy's just, he's just never really been exposed to anything.
22:36He's just regurgitating ideas in a culture in which he was raised.
22:42He doesn't know anything about the world.
22:44And over the course of this experience, coming up in this moment, he sees the error of his ways.
22:53And this is what I think Quentin was saying, you know, with this, is the journey that it takes for one person to change the heart and mind of one person.
23:03All of this had to happen.
23:05I'm not making this story about me.
23:07I'm just telling you from Chris Mannix's point of view that where he starts this journey and where he ends it dying on a bed with what would otherwise be his nemesis and loving him and seeing him for who he is was so poetic to me.
23:24I thought like, wow, that's, that's real art.
23:28What I believe is Joe Gage or Grouch Douglas, whatever the fuck his name was, poisoned the coffee.
23:39And you watched him do it.
23:44And you watched me pour a cup and you didn't say shit.
23:49Shit.
23:50And I believe.
23:53I mean like this like detective work is just, it blows my mind.
23:59And it's, it's in the dialogue.
24:01He's just breaking it down like the whole crime scene.
24:04And everybody has their version of it over the course of this movie.
24:08And now Chris Mannix thinks he's got it all figured out.
24:11And I still have that chair.
24:18The production, you know, they have a sale right at the end of a movie.
24:21And Jennifer and I got the catalog earlier than everybody else.
24:26We knew people.
24:27And we just marked sold, sold, sold.
24:30I got half of the skins in there.
24:32Jennifer got half of other things, but that chair, I still have it.
24:37I saw it just the other day.
24:39Your brother's just an owl who let a gang of killers.
24:42I don't feel so good.
24:51That, that stunt was a dear, dear friend of mine named Ryan Happy.
24:56I've had this one specific idea in my head about how I wanted to fall.
25:00And Quentin said, yeah, that's exactly how you're going to fall.
25:03And it was so hard for Ryan to get that.
25:06Cause it was like, I just wanted to not buckle anything.
25:09Nothing.
25:10Just fall straight back.
25:11And he pulled it off.
25:13And he did it ever so slightly kind of bending his knees.
25:32I'm not the greatest singer in the, in the world.
25:34Thankfully, Jennifer Nettles is, and they can just bring my contribution down a little bit.
25:38Baby Billy Freeman was the second collaboration I had with Danny McBride.
25:43When he came to me and he said, you know, I want you to play my 70 year old uncle.
25:47I said, who are you talking to?
25:50Really?
25:51No one really had an idea of where it was going to go.
25:53But the very first time I dressed up as Baby Billy, it was just all there.
25:58Again, you know, a wounded guy.
26:00They're all wounded.
26:01I mean, he's somebody who, again, coming from poverty and he was on the outside of success.
26:07The way in which he kind of saw himself and just desperately wanted to be on the inside.
26:14And so his reaction to life is one of profound insecurity.
26:18And everyday playing him was some of the funniest moments I've ever had as, as an actor.
26:24This scene in particular was the very first time we did flashbacks to Baby Billy when he was younger.
26:30Jennifer Nettles and I, we did a lot of rehearsal, kind of going, leading up to this.
26:36She's a clogger and I'm a clogger, but I like doing my own thing.
26:41My, my mom taught me how to, how to clog.
26:44And so we were getting ready to kind of do this number and kind of what that meant to the, to the story.
26:49And for the first time kind of being young Baby Billy and being in this arena in Charleston, South Carolina.
26:55I'll never forget like John Goodman being there and just, he hated me.
27:01Like John hated me season one.
27:05I mean, not me, Walton, even though I don't know that he saw the difference between me and Baby Billy, but I, he did not like me.
27:14Because he's, he's a, he's a very serious actor too.
27:18And he just, you know, I was just El Diablo to, to him.
27:22But we had such a, such a great time.
27:24And over the course of kind of filming this particular scene at the end of it, we thought, oh, well, you know, maybe people will see it.
27:31Maybe this will catch on, you know, and, and, and luckily they, they, they did.
27:38If they ever drop a really big bomb, they told us to hold up your thumb just like this.
27:49And if the cloud is smaller than your thumb, now you run for the hills.
27:55And if it's bigger than your thumb?
27:59They told us not to bother running.
28:00This was the very first day that I played Cooper Howard.
28:04I had been the ghoul up until that point.
28:06I knew this day was coming.
28:08I didn't really think about it that much.
28:10I didn't want to get in my head, but being in the makeup chair only took 15 minutes that day.
28:15Whereas becoming the ghoul took like two and a half hours, two hours and 40 minutes at that point.
28:20And I'll never forget walking out of the makeup trailer and feeling the air on my face thinking, oh my God, I don't have my armor.
28:28It's just, it's just me.
28:30And I'd grown so accustomed to being able to shut everybody out because the makeup just shuts them out for me.
28:35And thinking, I don't even know if I can do this.
28:38I don't even know who this person is.
28:40And I didn't have long to figure it out.
28:42All right.
28:43One piece of cake coming up from my favorite cowgirl.
28:46Is it your thumb or mine?
28:49One of my favorite moments was this, the idea of a mushroom cloud being hidden behind your thumb.
28:58When I read this script for the first time, I knew that obviously this is the moment where you're in this world,
29:04but the world is going to permanently change in about eight seconds.
29:09The thing that I carried with me into this experience is the fact that I am a parent and I have a 14-year-old.
29:15I'll just never forget the feeling that I had in my imagination, you know, imagining these bombs dropping
29:23and really thinking about my own child and doing what any parent would do, and that is to get them to safety.
29:32Jonah, Nolan, and the writers gave Cooper Howard the opportunity to be an avatar for all of society
29:42because it's only through his eyes, through his experience, that you witness the dropping of the bombs.
29:48What a magical day.
29:51It was a day that I'll never forget to live in my imagination and feel the ending of the world that way,
29:57and the love that you have for your child.
30:00I watched this for the first time with two people, and I didn't anticipate.
30:04I was just bawling watching it.
30:12Oh, my God, Jonathan Nolan.
30:18That's the thing about auteurs and, you know, you just, you never know what they're going to do with something, right?
30:24I mean, you're a part of these shots as an actor.
30:27You have an idea because you've been around for a while,
30:30but you never know how the editor and how the director are going to assemble this thing.
30:36To watch it now and see all of these artists kind of working alongside each other,
30:43and then this is the product, man.
30:45It's so hot. I've had a good life.
30:48I'm a lucky man.
30:50I am so grateful for this time, getting to go back and look at all of this.
30:57The person that started this journey and the person that is sitting here watching this journey now.
31:01I wouldn't change a thing.
31:06Thank you so much for watching.
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