- 5 months ago
Set against the breathtaking backdrop of Niagara Falls, Love at the Falls is a lighthearted romantic comedy about two strangers whose unexpected meeting spirals into a series of hilarious misunderstandings, wild adventures, and a romance neither saw coming.
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Short filmTranscript
00:00The End
00:30THE END
01:00Hey, hey!
01:24You want to buy some peanuts?
01:26Peanuts? No!
01:28It's a long trip down there. You'll have to get hungry.
01:31Can't you see how I'm trying to commit suicide?
01:34That's a very bad habit to get into.
01:36I'm only going to do it this once.
01:38Must you?
01:39Yes. I'm sick of getting into trouble.
01:41How?
01:42Sticking my nose in other people's business.
01:45Oh, so that's it. Sit down here.
01:47I have a bag of peanuts.
01:49They're in the house.
01:50So what happens?
01:52It's a long story.
01:53Go ahead. I got a lot of peanuts.
01:55I was a young fella. She was a farmer's daughter.
01:59I heard that one before.
02:00Wait.
02:01You don't understand.
02:03For 20 years we planned on getting married.
02:05Then all of a sudden...
02:07That's too bad.
02:09What do you mean, too bad?
02:11I struck oil.
02:12Oh, you mean...
02:13That's right.
02:15A couple of days ago we were married.
02:17Yesterday we were driving up here for our honeymoon.
02:19You and the farmer's daughter?
02:21Me and the most beautiful girl in the world.
02:29Only 15 more miles and we'll be there.
02:32We've waited a long time for this, Emmy.
02:34Oh, but you were worth waiting for, Sam.
02:37So were you, honey.
02:38Okay, break it up.
02:50Oh, sorry, Austin.
02:52You see, we're fresh married.
02:53Not really.
02:55Have you got your driver's license?
02:57Somewhere.
02:58Yeah.
03:00Here it is.
03:02Would you mind driving?
03:03Oh.
03:04Oh.
03:08I'm sorry.
03:26You ought to be.
03:27Well, I thought you were a guy trying to cop something.
03:30I just wanted to borrow your tire pump.
03:32And since when do I look like a guy?
03:34Well, from where I was standing, I couldn't tell.
03:36Does it hurt?
03:37Of course it does.
03:38Maybe I could help.
03:39Never mind, never mind.
03:41Oh.
03:43Excuse me.
03:43Can I help?
03:44No, thanks.
03:45No, thanks.
03:45Everything's all right.
03:47Now, now, children.
03:48That's no way to act.
03:49Why don't you throw that club away, neighbor, and kiss and make up?
03:52Say, that's not a bad idea.
03:54Wait a minute.
03:54Wait a minute.
03:56She's a little bashful, but we'll be all right, buddy.
03:59We understand.
04:06Hey.
04:07Hey.
04:12Hey.
04:16Here.
04:17Here, let me do that.
04:18I'd rather not trouble you.
04:20Oh, it's no trouble at all, baby.
04:21Give me a chance to improve my score.
04:23Your score?
04:24Sure.
04:24So far, it's not so good.
04:25One hit, one error.
04:26Get it?
04:27Yeah, I get it.
04:28Oh.
04:34Oh.
04:43Better?
04:45Yes, thanks.
04:46How far you gotta go?
04:48West Willow.
04:49It's about 40 miles from here.
04:50I live there.
04:5140 miles?
04:52See, that tire's pretty thin.
04:53I better follow you in case something happens to me.
04:54Oh, you need bother.
04:55There's no bother at all.
04:56I gotta go that way.
04:57Niagara Falls.
04:58Niagara Falls?
04:59Where's your wife?
05:03I haven't any wife.
05:04No, and I don't want one.
05:06Oh, you don't?
05:08Well, maybe someday after I've had my fling, but not when I'm young.
05:12No, sir.
05:13I can have too much fun on the prowl.
05:15On the prowl?
05:17Yes.
05:18Take our case, for example.
05:20If you were married, I was married, we'd both be out of circulation.
05:23Who knows?
05:24This might turn into a beautiful friendship.
05:27You know, they built statues for the guy who wrote the wedding march.
05:31But the guy who wrote the line,
05:32He who loves and runs away lives to love another day,
05:35had a former for a lot more fun.
05:38I bet you feel the same way about it, don't you?
05:41Oh, no, I don't.
05:42But I'm glad to know how you feel.
05:44Now, you can just take your pump and go.
05:46Hey, wait a minute.
05:47Don't get me wrong.
05:49I just meant I'm not the marrying kind.
05:51There's nothing to get sore about.
05:52You get away from me, you wolf.
05:55Wolf?
05:56Yes, but you picked the wrong little red riding hood this time.
05:59You see, I am the marrying kind.
06:01Oh.
06:02And I'm going to marry while I'm young and have children, oodles of children.
06:05Well, go ahead.
06:06Have a couple of dozen of them.
06:07There'll be no divorce either.
06:09It'll be till death do us part.
06:10Well, I'm not waiting for death, sister.
06:13Goodbye.
06:14Happy marriage.
06:15Kiss the kitties for me.
06:16All 24.
06:17I'll thank you to keep my children out of this.
06:23He who loves and runs away lives to love another day.
06:27So I'm a wolf, huh?
06:29Married young, have oodles of children.
06:32No divorces.
06:33Who cares?
06:33I'll kiss the kitties for me.
06:41I'll kiss the kitties for me.
06:41I'll kiss the kitties for me.
06:45Okay, how much?
07:05Ten gies.
07:05That's 50 bucks.
07:0750 bucks?
07:08That's $5 a goose.
07:09That's right.
07:19Learning to drive, lady?
07:20Listen to me, hornblower.
07:22I've been driving a car ever since I was 12 years old.
07:25I've never had an accident.
07:26Hey, look out!
07:31Are you hurt?
07:32Of course I'm hurt.
07:33Where?
07:34Never mind.
07:34Go away and leave me alone.
07:36Okay, if that's the way you feel about it.
07:38Oh, so you wouldn't leave me in a spot like this.
07:40Well, you just said that...
07:40Don't tell me what I said.
07:42What goes on here?
07:43Oh, he ran me off the road.
07:45I did not.
07:46He did, too.
07:46I was just trying to pass her with my...
07:48Shh, one at a time.
07:49I can't hear you both.
07:50Go ahead, miss.
07:51What happened?
07:52Well, he tried to pick me up.
07:54I tried to pick you up.
07:55Why, I wouldn't pick you up if I was starving and you were a ham sandwich with mustard.
08:00Now, take it easy.
08:01You're a little excited.
08:03Look, lad, you better drive her into town and I'll follow along.
08:05What?
08:06Me driving that would-be Casanova?
08:08I'd rather hitchhike.
08:10Well, I guess you can get going.
08:12Well, thank you, officer, very much.
08:14Hitchhiking's against the law, but I'll get you there.
08:16Get on.
08:16Oh, thanks.
08:20Here you are.
08:24Say, isn't it pretty bumpy?
08:26You shouldn't mind a few bumps at your age.
08:27Well, it isn't my age exactly.
08:29It's...
08:30Oh, excuse me.
08:31Just a minute.
08:35Ouch.
08:36Something wrong with the seat?
08:37No, officer.
08:38Never mind.
08:39It's nothing.
08:40Just drive right ahead.
08:41Welcome to Fallsview Hotel.
09:03Potter's the name.
09:05I'm the manager.
09:05Pleased to meet you.
09:06I'm Sam Sawyer.
09:07From Oklahoma?
09:08Yep.
09:08Oh, yes.
09:09Your reservations are all ready for you.
09:10Fine.
09:10I'm sure you'll find everything to your liking.
09:38Looks mighty pretty to me.
09:39How about you, Emmy?
09:41Oh, it's beautiful.
09:42Oh, pardon me.
09:43This is Miss...
09:44I mean, Mrs. Sawyer.
09:46My mistake.
09:47I wouldn't exactly call it a mistake.
09:49How do you do?
09:50Oh, well, dear me.
09:56I...
09:56Oh.
09:59I...
10:00Would you mind registering, please?
10:02Sure.
10:04Here you are, sir.
10:08Where do I sign?
10:09Oh, right there, please.
10:15Is someone shaking the desk?
10:16No.
10:17I'm afraid you're a trifle nervous.
10:19Now, settle down, Sam, and don't be nervous.
10:22I ain't nervous, Emmy.
10:23Uh, pardon me.
10:37Perhaps you'd better do it.
10:39Do you mind?
10:40Not at all.
10:41You see, we've never stopped at a big hotel before.
10:44I understand.
10:55The bellboys are very busy.
10:58We have 350 guests.
11:00Really?
11:03Let me have the key to the bridal suite.
11:05Bridal suite?
11:06Yes.
11:07I'd better take you up myself.
11:08Oh, don't trouble yourself.
11:09We'll wait.
11:10Oh, it's no trouble.
11:11But we don't want to go up just now.
11:12We'd rather just sit down and relax a minute.
11:15Wouldn't we, Emmy?
11:15Well, I thought.
11:23Comfy here, ain't it?
11:24Do you think so?
11:34Welcome to Fallsview Hotel.
11:42Uh, will you register, please?
11:45This way, please.
12:15Up, please.
12:18The elevators are over here.
12:30Bags in the back.
12:31I'll have your car here in the morning.
12:46Thank you very much.
12:47The correct time is exactly 7.15.
13:01Welcome to Fallsview Hotel.
13:03I want a room.
13:04Well, the bridal suites are all taken, but I...
13:07Bridal suite?
13:09No, I just want a room.
13:10So do I.
13:11Naturally.
13:13Show this couple to 4.27.
13:14Wait a minute.
13:15I said I wanted a room.
13:17Yes, I understand.
13:18And I'm sure that you'll both like 4.27.
13:21Now, look.
13:21Get this straight.
13:22I want a room and she wants a room.
13:24That's two rooms.
13:27Well, that's rather unusual.
13:28What's unusual about it?
13:29Oh, no.
13:30I'm sure that if you'll take this room and just talk things...
13:32I don't want to talk.
13:33And I wouldn't listen if he did.
13:35Oh, no.
13:35Why wouldn't be too hasty?
13:37We all have our little troubles.
13:38Little troubles?
13:39Listen, mister.
13:40All I've ever had since I've met this girl is trouble.
13:43Give me that key.
13:44Come on.
13:45Excuse me, please.
13:46Mm-hmm.
13:48Oh, well, you forgot to register for...
13:50I can write.
13:51Never mind.
13:51I'll take care of it.
13:54Tom Wilson and wife.
13:59Oh, but Sam, I...
14:00I...
14:01Hey, Usher.
14:02But Sam, it's none of your business.
14:05No use arguing, Emmy.
14:06I just got to do it.
14:07Mr. Potter, we've decided that young couple will be happier in our bridal suite.
14:11Well, I don't understand.
14:12It may be just a thing to bring them together again.
14:15And we can take their room.
14:16Can't we, Emmy?
14:17But I was looking forward to...
14:18You see?
14:19It's all right with Emmy.
14:20Well, the customer's always right.
14:22Uh, boy, put that unhappy couple in the bridal suite.
14:25Yes, sir.
14:26I hope you won't regret your generosity.
14:28Give and ye shall receive.
14:30That's my motto.
14:32Lovely day, wasn't it?
14:34No!
14:37We're all ready, sir.
14:38Go on ahead.
14:39It's too crowded for me.
14:40Yes, sir.
14:47This way, please.
14:55You're welcome.
15:02Right here, sir.
15:04Oh, thanks.
15:09Well, this is all right.
15:11Here you go.
15:12Thank you, sir.
15:13You're welcome.
15:22Hey, sir.
15:24Yeah, sir.
15:32Oh, thanks.
15:34Oh, thanks.
15:36THE END
16:06THE END
16:36May I come in?
16:38I guess so.
16:39I just had to look the place over.
16:42You know how it is.
16:43I've been dreaming about these rooms for 20 years.
16:47And I pictured how it might have been.
16:50Sam's sitting right there.
16:52Can't you see him?
16:54Well, no, I...
16:55You can't?
16:57Oh, you mean sitting right there.
17:00Oh, yes.
17:02Excuse me, Sam.
17:04Sam and I reserve these rooms for our honeymoon.
17:08Oh, so that's it.
17:10But he thought you needed them more than we did.
17:12Oh, you shouldn't have done that.
17:13I'll get my things together and move right out of here.
17:15Oh, no, no.
17:16Sam wouldn't think of taking them back.
17:18Oh, but really, I don't need all this room.
17:20Oh, my...
17:20Oh, it's beautiful.
17:22Do you mind if I look in there?
17:24Why, no.
17:25Go right ahead.
17:26Make yourself at home.
17:31Oh, it's wonderful.
17:34Why did I have to give it up?
17:38Soft.
17:38Oh, Sam, isn't it lovely?
17:57What did you say, Sam?
17:59Do you really want me to sit in your lap?
18:03Well, if you insist.
18:05Oh, Sam, you're wonderful.
18:12Oh, stop, Sam.
18:14Stop.
18:15You know I'm ticklish.
18:16Coochie, coochie, coochie.
18:18Oh, stop tickling me, Sam.
18:21Oh, just think, Sam.
18:24After 20 long years, alone at last.
18:29I beg your pardon, lady.
18:30Oh, dear.
18:31We're not alone.
18:33And you're not dressed.
18:35What?
18:35Oh, I'm sorry.
18:37Oh, that's better.
18:40Hey.
18:41Oh, dear.
18:42I'm sorry, Howell.
18:43No clothes.
18:48Well, what are you doing here?
18:50What am I doing here?
18:51What are you doing here?
18:52This is my room.
18:53I beg your pardon.
18:54This happens to be my room.
18:55We'll see about that.
18:56You bet we will.
19:00Hello?
19:00Give me the manager.
19:02Give me my manager.
19:03All right.
19:03Give me my coat.
19:05Whose room is this?
19:06Mine or his?
19:07Yes.
19:07Whose room is this?
19:08Hers or mine?
19:09You don't have to yell in my ear.
19:10I'm yelling in the manager's ear.
19:12Please, please.
19:13One at a time.
19:15What kind of a manager are you?
19:16Yes.
19:16What kind of a hotel is this?
19:18I wanted a room.
19:19I wanted another room.
19:20Yes.
19:20That makes two rooms, remember?
19:21Listen, you amity cubit.
19:23When I want anyone to break my lover, I'm trying very hard to be a person.
19:25You're not going to my camera for this, so I'm just a little bit too hard.
19:28When I come to a hotel, I ask you to say, I don't expect the finest credit of this man.
19:33Oh, Mr. Sawyer, I'm afraid we've made a terrible mistake.
19:37The young couple?
19:37Oh, oh.
19:38Just let me handle this, Mr. Potter.
19:42But you see...
19:43Please.
19:43I've been settling other people's affairs all my life.
19:46Haven't I, Emmy?
19:47Yes, but I wouldn't if I were here.
19:49See?
19:50Just dismiss it from your mind.
19:52I ain't never made a mistake yet.
19:54Come, Emmy.
19:56Sam!
19:57Yes, Emmy?
20:00Where did you come from?
20:01Harlem, sir.
20:03Oh, my mistake.
20:04Yes, sir.
20:06We'll see who gets thrown out.
20:08I'm not in.
20:29But?
20:31Don't they ever sweep around here?
20:33What do you mean by hanging up the phone in my ear?
20:36Oh, it wasn't me, madam.
20:37It must have been Mr. Potter, the manager.
20:39Well, then I want to speak to him.
20:40Yes, where is he?
20:41Well, Mr. Potter seems to have disappeared.
20:43Won't I do?
20:44Why should I punch you in the nose?
20:46Just one question.
20:47Is that my room or not?
20:49Your room?
20:51Oh, yes, of course.
20:52All right, then throw him out.
20:54Just as you say.
20:55You'll throw who out?
20:56Oh.
20:58I just came on duty.
20:59I'm a little confused.
21:00Well, she isn't out of that room.
21:02By the time I've finished eating, you'll get what I've been saving for Potter.
21:05Oh, thank you, sir.
21:09Oh.
21:10Oh.
21:11Oh, Mr. Potter.
21:13What was he saving for you, sir?
21:15The punch in the nose.
21:16Oh.
21:17All alone.
21:25Pardon me.
21:26This way, please.
21:30It didn't work, Sam.
21:32Maybe we could take our bridal suite back again.
21:35Oh, Emmy, you can't be an Indian giver.
21:37Besides, we got to give him...
21:43Psst.
21:44Yes, sir.
21:45He's her husband.
21:47Oh, thank you, sir.
21:53Don't you think you better eat something before it gets cold?
21:59Hi, neighbor.
22:00Hi.
22:04But aren't you going to sit with the lady?
22:06What?
22:07Say, what is this?
22:07A hotel or a lonely hearts club?
22:10But I understood that...
22:10That's the point you don't understand.
22:12Thank you very much.
22:13I can take care of my own affairs.
22:14Well, it's just as much my affair as it is yours.
22:17Oh, now, look, lady.
22:18Are we going to start this all over again?
22:20I hope not.
22:23How do you like that guy?
22:25Somebody ought to sock him in a kisser.
22:27With a bat?
22:28Yeah.
22:29Can I have a menu, please?
22:30That guy boils me up.
22:31Well, stop talking and do something.
22:32Go over and sock the big fat.
22:34I think you got an idea.
22:35I don't like your attitude.
22:35What is this?
22:37They don't treat dames that way where I come from.
22:39Well, just where do you come from?
22:40Brooklyn.
22:41And no cracks.
22:42Please, please.
22:43Take it easy, Pop.
22:44This guy's asking for a poke in the nose.
22:45Well, all right.
22:46Let's poke noses.
22:47Oh, yeah.
23:05Hey, give me a hand.
23:13Sam!
23:18Sam!
23:21Feel better, Sam?
23:22I'm all right, Amy, just a little dizzy.
23:24Now, now, children, this is no way to act.
23:27Let's go back and talk it over.
23:29You'll never get me back in that room.
23:31Now, stunning.
23:32Why don't you mind your own business?
23:35Didn't you like the bridal sweep?
23:37No!
23:38All right, you two.
23:44Hey, hey, wait a minute, buddy.
23:46Quiet.
23:47You lovebirds will do better in a smaller nest.
23:48You're switching rooms with us.
23:49You don't know what you're doing.
23:51Oh, yes, I do.
23:53But we're not.
23:54Quiet.
23:55The guy's batty.
23:56Come on, get moving.
23:57Yes, sir.
23:58Right around the corner, down the hall.
23:59Yes, sir.
24:00No back talk now.
24:02I'll learn you.
24:04Be right back, Amy.
24:05Hurry there.
24:08I'll learn you.
24:09You are better.
24:10Let's go.
24:11Let's go.
24:12Come on, let's go.
24:13Come on, let's go.
24:16The.
24:17The.
24:18The.
24:19The.
24:20The.
24:21The.
24:22The.
24:23It's.
24:24Oh, that's.
24:25Oh, that's it.
24:27The.
24:28Mom.
24:29What?
24:30The.
24:31E.
24:32And the.
24:33The.
24:34The.
24:35The.
24:36He's crazy, all right.
24:40Now why don't you kiss and make up?
24:42Kiss.
24:43Come on.
24:49That's better.
24:50I knew all you two needed was a little persuading.
24:52See you in the morning.
24:57Hello.
24:58Hello.
24:59Hello, manager.
25:00Hello.
25:04Good night.
25:06Good night.
25:06Good night.
25:21Oh, what the hell?
25:23Good night.
25:40But I live here.
25:41Oh, I'm sorry.
25:42Go right ahead.
25:45Why does she mind her own business?
25:50Emmy!
25:51Yes, dear?
25:59It worked, Emmy.
26:00They're closer than two peas in a pod.
26:02Nothing will ever split them up now.
26:04Oh, Sam, you're wonderful.
26:06Emmy.
26:07Oh.
26:10Sam.
26:25Sam.
26:26Sam.
26:28Oh, you're hiding.
26:29I hope.
26:31Sam!
26:33Well.
26:41Thanks, pal.
26:42Don't mention it.
26:43Oh.
26:44I was just going out to take a look at the falls.
26:47The view is much better from the inside.
26:49Oh, it is.
26:51Thank you very much.
26:53Don't tell me Daniel Boone is here again.
26:56Yep.
26:56I'm going to stay right outside the door until you two make up.
26:59There's only one way to get rid of that guy.
27:05That's to make him think we're in love.
27:07Now, if...
27:08Oh, no, you don't.
27:09Oh, now, look, lady, I don't like this any more than you do.
27:12Well, you stay away from me.
27:13It's our only chance.
27:15Well, all right, but you keep your distance.
27:17Don't worry.
27:18I will.
27:20Darling, uh, we've been awfully silly, haven't we?
27:23Yes, and it took that sweet, lovely stranger to open our eyes.
27:28I'll never leave you again, dear.
27:30Not even wild horses could drive me away.
27:33I must have been crazy to think I could ever live even a day without my sweet mansy-wansy.
27:41Kiss me again, sweetheart.
27:44This is wonderful, isn't it, darling?
27:47No, you have to do better than that.
27:49Why don't you two get together?
27:53Uh-uh, more like this.
28:05Hey, take it easy.
28:07You take it easy.
28:10There, that's more like it.
28:12Good night.
28:13Good night.
28:14Well, that's not so bad.
28:16Let's try it again.
28:17Get away from me!
28:18Just as I thought.
28:19Now, you two get back together again.
28:23Well, you might as well stay together permanently, because I'm going to be right out here all night.
28:31All night?
28:32Well, that's what the man said.
28:43Howdy.
28:43Howdy.
28:44You looking for something?
28:45Yes, yes.
28:46Which way are the elevators?
28:49Back there.
28:51Oh, thank you.
28:52Is that you, dear?
29:12Yes, honey.
29:12Oh, honey.
29:14I guess.
29:15Shut up.
29:16Shut up.
29:16Sorry, I run out like I did, but those kids needed more managing.
29:27Everything all right now?
29:28I got them tucked in for the night.
29:30Oh.
29:39Stay awake.
29:40Shh.
29:46He's getting up again.
29:48What do we do?
29:49Oh, same thing.
29:50Same thing?
29:51Sure.
29:55Well, let's put on a real good act this time, and maybe he'll go away.
29:58Well, you bet.
29:59Because in my book of rules, two people locked in the same room together all night still have to get married.
30:04Sure.
30:05What?
30:06What's the matter?
30:07Oh, and the second thought this won't do us any good.
30:11I've got to get out of here.
30:13Good luck.
30:15Wait, don't jump.
30:17Good job.
30:22Get back there.
30:24Oh, why don't you leave me alone?
30:26Well, we're going to give you more trouble, huh?
30:32I'll be right back, Emmy.
30:33Oh, but Sam, I...
30:44You again?
30:45Yep.
30:46Get back there.
30:47Get going.
30:51Why don't you be reasonable, mister?
30:54You give up hard, but I give up harder.
30:59You're making an awful mistake.
31:01Oh, no, I ain't.
31:03Yes, you are.
31:04We're not married.
31:06Huh.
31:06Expect me to believe that?
31:08You must think I'm crazy.
31:10Oh, no.
31:11Oh, not much.
31:12Well, then, stop arguing and stay put.
31:15Get in there.
31:22Back again, huh?
31:23Yeah, back again.
31:24Well, why didn't you tell him...
31:25Did you ever try to talk to a crazy man with a gun that's loaded?
31:28What a spot.
31:29A crazy man on the outside and you on the inside.
31:33Hmm.
31:33Hmm.
31:34Hmm.
31:35All I need now is to have it start raining.
32:00Hmm?
32:01Hmm.
32:04Hmm.
32:06Hmm.
32:06Hmm.
32:07Hmm.
32:08Hmm.
32:08Let's go.
32:38Sweetums.
32:39Yes, Snookums.
32:40Love me?
32:41Uh-huh.
32:42Do you love me?
32:43Uh-huh.
32:44Do you love me?
32:45Uh-huh.
33:05Are you cold, honey?
33:07Uh-uh.
33:37Honey?
33:38Uh-huh.
33:39Do you mind if I ask you something very personal?
33:43Uh-uh.
33:44Have you ever had any trouble with your feet?
33:48Uh-uh.
33:49Did you used to do a lot of walking?
33:52Uh-uh.
33:54Uh-uh.
33:55Honey?
33:56Yes, dear?
33:57Were you born with feet like that?
34:00What's the matter with my feet?
34:02Don't you think they're kind of big for a little girl like you?
34:05No.
34:06Why?
34:07I was just...
34:12Howdy, folks.
34:13Howdy.
34:16Just passing through.
34:20Good night.
34:21Night.
34:22Good night.
34:23Good night.
34:24Good night.
34:25Good night.
34:26Good night.
34:27Good night.
34:28Good night.
34:29Good night.
34:31Good night.
34:32Good night.
34:34Hey!
34:35Hey!
34:37Are you back, Sam?
34:38Yes, Sammy.
34:39And this time for good.
34:40Sam, oh stop, oh you didn't shave, but I love you.
35:10Just the same.
35:12Scout. Scout.
35:13For me sakes.
35:17What?
35:32Oh dear, it's you. Are you hurt?
35:35No, I'm all right Amy.
35:37Oh Sam.
35:39Oh, well, you better get to bed.
35:42I thought you were a cat.
35:44A cat?
35:44Yes, it got right up there in my...
35:49I can't understand how anybody can be so stubborn.
35:52Don't you think it's about time to forget about them and think about us?
35:55Nope, I can be just as stubborn as they can.
35:57Oh, but Sam, I...
35:58Oh, dear, I...
36:00It's...
36:01I'll out-sit him if it takes all night.
36:04Fine, he's not kidding.
36:05So you might just as well relax.
36:07Good night, Emmy.
36:07Oh, good night.
36:15Oh, scared!
36:33Oh, it's no use.
36:34The guy's got insomnia.
36:37Say, he's asleep.
36:46Now's your chance.
36:47By the way, what's your name?
36:59Margie Blake.
37:01What's yours?
37:02Tom Wilson.
37:05Well, I'll be seeing you.
37:07So long.
37:08Bye.
37:20Oh, good morning, sir.
37:21Good morning.
37:22I guess it seems a little odd to hear.
37:24I understand.
37:25Just a lover's quarrel.
37:27Perhaps I can help.
37:28Oh, no.
37:28Maybe you can.
37:32Right this way, please.
37:35There you are, sir.
37:36Thanks, buddy.
37:37Anybody home?
37:38Oh, hello.
37:39Did you forget something?
37:40Yes, you.
37:41See who I've got here with me?
37:42This is Dr. John Foster and Mr. Clark, the witness.
37:45Witness?
37:46Sure.
37:46Oh, I forgot to tell you.
37:48I've decided to marry you.
37:49Well, of all the nerve, you've decided to marry me.
37:53I like that.
37:55Well, what's the matter with it?
37:56Nothing.
37:57Except I hardly know you.
37:58I've never even told you I liked you.
38:00And you haven't even proposed.
38:02You mean I've got to marry you and propose to you, too?
38:04Well, it is customary.
38:05Oh, that kind of makes it tougher.
38:08I've never done this before.
38:10Do I have to do it, doctor?
38:12Mm-hmm.
38:14Okay.
38:14Here it goes.
38:16Darling.
38:16Darling.
38:17Look, how would you like to file your income tax with mine?
38:22And have a little exemption running around the house?
38:29I mean, if you haven't got anything better to do today,
38:32how would you like to change your name to mine?
38:34Oh.
38:36What do you say we just get married, huh?
38:38No.
38:39And no girl would after that proposal.
38:41I guess it was pretty bad.
38:43Well, it was terrible.
38:45Can't blame the fellow for trying.
38:46Well, so long.
38:49So long.
38:50Sorry I bothered you, doctor.
38:55Hey, I guess you're right at that.
38:57No reason to go away mad, is there?
38:59Well, the doctor says to show that there isn't any hard feelings,
39:02we ought to kiss each other goodbye.
39:05If that's what the doctor ordered, I...
39:07Oh, yeah, yeah, that's what the doctor ordered.
39:09Do you, Thomas Wilson, take this woman to be your awfully wedded wife?
39:27Morning, officer.
39:28Good morning.
39:28Will you tell Miss Blake her car is here?
39:30Well, there's no Miss Blake registered.
39:31There's no Miss Anybody registered.
39:33They're all missuses.
39:34She's here.
39:34Checked in last night.
39:35Oh, that must be a mistake.
39:36No, there's no mistake.
39:37I brought her here myself.
39:39Blonde hair, blue eyes, about five foot four,
39:41and a red sport coat with the...
39:43Big buttons?
39:44That's right.
39:45Oh, you mean Mrs. Wilson.
39:47No, I mean Miss Blake.
39:49You mean she isn't married?
39:50No, she isn't married.
39:52Sure?
39:53Certainly, I'm sure.
39:54Not married.
39:57Front.
39:58Front, boys.
40:00Boys, go up to the fourth floor bridal suite
40:02and throw those imposters out.
40:03Yes, sir.
40:04Yes, right away.
40:04I hope you'll always be very happy.
40:12Oh, thank you, sir.
40:18I must be in the bedroom.
40:20Oh, well, who are you?
40:21Boys, there must be some mistake.
40:23There is, and you made it.
40:25But, but what do you want?
40:26I can't.
40:26Well...
40:27Is something burning?
40:28Yeah, the manager.
40:30Here, let me down.
40:31Oh, please, please be calm.
40:33Be calm?
40:33I thought this was a respectable hotel.
40:35It is, madam, I assure you.
40:37Well, J. Whiz, what's my mother going to say when she hears about this?
40:40Let me down.
40:41Let me down.
40:42Oh, turn me loose.
40:43Wait, wait, wait.
40:44Put me down.
40:45Put me down.
40:46Look, this is the Sawyers.
40:47You're darn right it's the Sawyers.
40:48What does this mean?
40:49Where did you get these people?
40:50In the fourth floor bridal suite.
40:51But I thought you gave up the bridal suite.
40:54We did.
40:55But we took it back again.
40:56Then that young couple must have left the hotel sometime during the night.
41:00See?
41:00There's nothing to be upset about after all.
41:02Now, just relax, everybody.
41:05Congratulations, Mr. Sawyer.
41:06You saved the reputation of the Fallsview Hotel.
41:09Reputation?
41:10Those people weren't married.
41:12Not married?
41:14Sam, they weren't married.
41:16Come along, Amy.
41:17Well, aren't you going to tell him?
41:18Don't you realize?
41:19I realize you stuck your big nose in once too often.
41:22Shh, shh.
41:22Two wrongs don't make a right.
41:24Amy, please.
41:24You've got to tell him.
41:25It's the only honorable thing to do.
41:27Tell me what?
41:27Well, you see, I...
41:28Never mind.
41:29I'll tell him.
41:30Now, Mr. Potter, when I took back our bridal suite, I put that young couple in our room.
41:34You...
41:34Then they're still in the hotel?
41:36That's right.
41:37Mr. Sawyer, your meddling has aided and abetted in the ruination of this hotel.
41:41Oh, Sam, you ought to be ashamed of yourself.
41:44There they are now.
41:46Boys, boys.
41:47Young man, you've deceived me.
41:49I what?
41:50Throw them out.
41:51Hey, what's the matter?
41:52What's the matter?
41:53Stop!
41:53Don't let her talk.
41:54Throw them out.
41:55Hey!
41:56Hey, what's the idea?
42:02And stay out.
42:05Hot-headed little fella, ain't he?
42:06I don't get it.
42:07I think I do.
42:09Yeah, I think I do, too.
42:12Excuse me.
42:13Well, that's how it happened.
42:16It's a bad habit, sticking your nose in other people's business.
42:19But that's the way I am.
42:20I guess nothing will ever cure me.
42:22Oh, I wouldn't say that.
42:27I've got to start minding my own business before it's too late.
42:31Too late!
42:32I've got to start minding my own business before it's too late.
42:33Good morning.
42:34Ï„
43:02You
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