- 7 months ago
Category
🎥
Short filmTranscript
00:00:00ah
00:00:03ah
00:00:12mom
00:00:16mom
00:00:18mom
00:00:20mom
00:00:21mom
00:00:22mom
00:00:23mom
00:00:24mom
00:00:25mom
00:00:28No!
00:00:30No!
00:00:32No!
00:00:34No!
00:00:36No!
00:00:38No!
00:00:40No!
00:00:42No!
00:00:44No!
00:00:46No!
00:00:48Bat and I!
00:00:50I'll give you a book to fix no wonder good luck.
00:00:52Happy birthday to me.
00:00:58It's a real shame what I'm gonna do to you.
00:01:04It'll be like they're facing the Mona Lisa.
00:01:22I guess you're right on time.
00:01:36For what?
00:01:38Last train to hell.
00:01:40I got your boarding pass.
00:01:42All you gotta do is ask.
00:01:52Send my regards to Satan.
00:02:08And cut!
00:02:10Check the gate, please.
00:02:12I think I'd like to print that apart.
00:02:14Very nice.
00:02:16Thanks for saving my life.
00:02:18I owe you one.
00:02:20I think you pay me back in the next scene.
00:02:22I was thinking about something a little more interesting.
00:02:25Like you and my dressing room in about half an hour.
00:02:27And you know I'm practically married.
00:02:29I will tell you.
00:02:30Oh, no.
00:02:31I don't like the shirt.
00:02:35Never trust a woman.
00:02:38Hey, Lieutenant.
00:02:39What are you doing down here?
00:02:40I'm giving some technical advice on a new cop show.
00:02:43I tell them in the finer points of police work,
00:02:45they ignore me and everyone in America goes on thinking cops are more.
00:02:48We gotta grab some lunch.
00:02:50Of course.
00:02:51You buying?
00:02:52Of course.
00:02:53You know I like their free food.
00:02:55Hey.
00:02:56Yo.
00:02:57You were wonderful.
00:02:59Yeah, it was okay?
00:03:00Oh, are you kidding?
00:03:01It was fabulous.
00:03:02I think we have another hit here.
00:03:04All right.
00:03:05I'll see you later.
00:03:07I don't know.
00:03:10We have time in four minutes.
00:03:24Bailey!
00:03:25Bailey!
00:03:26Hank!
00:03:27We love you, but thank you!
00:03:29We love you!
00:03:31Thank you!
00:03:32We love you!
00:03:34We love you!
00:03:34We love you!
00:03:36We love you!
00:03:37We love you!
00:03:38I love you!
00:03:39We love you!
00:03:40We love you!
00:03:41We love you!
00:03:42All right, all right, ladies.
00:03:43Come on, time to break it up.
00:03:45Notice.
00:03:47So my mother called today,
00:03:49and I told her we just wanted family and a few friends,
00:03:52but she still thinks that we ought to look at a few churches.
00:03:56I thought you didn't want a church wedding.
00:03:59Well, I didn't, but...
00:04:01I don't know, maybe we should.
00:04:03Of course, it'd be a bit hypocritical.
00:04:05I haven't been to church in years.
00:04:06I'd probably get struck by lightning walking down the aisle.
00:04:10I don't know.
00:04:11I just want everything to be perfect.
00:04:14Oh, it'll be perfect, because you'll be there.
00:04:17You don't have to say that.
00:04:19I already said yes.
00:04:21Hold that zipper any further, you're a dead man.
00:04:24This one's off limits.
00:04:26It's the wedding dress.
00:04:27Oh, I want to see it.
00:04:28No, I'm not finished with it yet.
00:04:29Besides, it's bad luck for you to see the dress before the wedding day.
00:04:32We don't have any bad luck.
00:04:35Not yet.
00:04:36Not in three years.
00:04:38It's been that long.
00:04:40Yes, you were shooting .45 Magnum,
00:04:43and it was my first job as a wardrobe assistant,
00:04:46and I got to dress you.
00:04:48Well, now you can undress me.
00:04:50Oh, no.
00:04:51Oh, yes.
00:04:52We've got to get going.
00:04:53I don't want to go.
00:04:54Oh, come on.
00:04:55I've been looking forward to this party.
00:04:58No, no.
00:04:59If you mess one hair on my head,
00:05:01I'll have to go back to that bathroom.
00:05:03Oh, yes, you're going to be looking forward to it.
00:05:08I'm not gonna use this.
00:05:09I'm not pretty much, huh?
00:05:11I didn't think it was going for me,
00:05:13but I was going for it.
00:05:14Well, I don't know, but I thought it was going for a lot.
00:05:17You know what?
00:05:19I knew that I saw something.
00:05:21I got to look.
00:05:23I don't know.
00:05:53When you let him in, he stabs you too hard.
00:05:56Through the heart?
00:05:57Just quick, clean, and easy.
00:05:59Where did you find this guy?
00:06:00Grandma always falls in love with his characters, especially the villain.
00:06:03Hey, you have to admire a mind like that, though.
00:06:06Excuse me.
00:06:07By the way, I got this funny thing in the mail, something about a criminal.
00:06:10Gee, I wonder who that was from.
00:06:12I know, I hate the criminals.
00:06:13I mean, it's all out of my mind, I'd rather strangle the record.
00:06:17So don't come, we got one of these.
00:06:19I said, if I have to go to that spot, I am not coming back.
00:06:30Gee, no.
00:06:38Mr. Berry?
00:06:39Mr. Berry, the perfect script.
00:06:40Thank you, Jess.
00:06:41Thank you, Jess.
00:06:41Thank you, Jess.
00:06:41Thank you, Jess.
00:06:41Thank you, Jess.
00:06:42Thank you, Jess.
00:06:42Thank you, Jess.
00:06:43Thank you, Jess.
00:06:43Thank you, Jess.
00:06:44Thank you, Jess.
00:06:44Thank you, Jess.
00:06:45Thank you, Jess.
00:06:46Thank you, Jess.
00:06:47Thank you, Jess.
00:06:48Thank you, Jess.
00:06:49Thank you, Jess.
00:06:50Thank you, Jess.
00:06:51Thank you, Jess.
00:06:52Thank you, Jess.
00:06:53Thank you, Jess.
00:06:54Thank you, Jess.
00:06:55Thank you, Jess.
00:06:57Thank you, Jess.
00:07:58I have no idea you're into voyeurism.
00:08:01I'm sorry about that. I don't know why I did it.
00:08:04You're a man.
00:08:07So you're a friend of Foxy's? I've never seen you here before.
00:08:10I don't have Foxy.
00:08:12So you're a friend of a friend.
00:08:14Actually, I don't know anyone here. Could you button me up, please?
00:08:17I'm not big on parties.
00:08:25Let me guess. You prefer more intimate crafts, let's say, one-on-ones?
00:08:31Maybe.
00:08:31Maybe I do, too.
00:08:32Well, we'd better get back before they send the bloodhounds out to find death.
00:08:40I'm sorry about watching you.
00:08:41I'm not.
00:08:46I took you so long.
00:09:03Where's the line? Come on, let's go.
00:09:04Oh, no. I'm not going to leave. I'm enjoying myself.
00:09:07Why don't we go back to my place?
00:09:09Maria's on vacation. You can enjoy yourself even more.
00:09:12You're drunk.
00:09:13You're right.
00:09:15I mean, people will see.
00:09:17Well, let's give them something to look at.
00:09:18What's got...
00:09:19Oh, what's coming into you?
00:09:21I'll carry you to the car.
00:09:21No, no. I can't go back to your place.
00:09:24Why not?
00:09:25Because I have a deadline that goes for you to do.
00:09:27I'll help you.
00:09:28Yeah.
00:09:29Ooh, I can't decide to.
00:09:36Could someone from the prop department please remove the giant whale from fire lane one?
00:09:49Each and every stage has its own ghosts.
00:09:51It's its own story.
00:09:52Think back to the Roaring Twenties.
00:09:54Imagine your favorite movie stars moving about in costume,
00:09:57walking down the same alleyway as we're walking right now.
00:10:01And even today, our lot flourishes with the top stars in the business.
00:10:05As a matter of fact, this stage right here is the stage where Zane Berry's making his latest belt.
00:10:13Where did this come from?
00:10:16Oh, fan.
00:10:18You going to call the number?
00:10:19No.
00:10:21You going to tell me, I'm excited.
00:10:22Every reporter in town called today, they want to know where the wedding is.
00:10:25You know, you've got to get some silverware here.
00:10:27You're living like a pig.
00:10:29Booby stuff.
00:10:35Oh, it's not bad.
00:10:37I'd like to think like this.
00:10:39That'd be a happy man.
00:10:39I'm going to tell you.
00:10:40I'm going to tell you, I'm excited.
00:10:46Every reporter in town called today, they want to know where the wedding is.
00:10:51They want to know if they can have press passes.
00:10:53They want to bring camera crews.
00:10:57Unbelievable.
00:10:58Yeah.
00:10:59Well, see, I've got an angle about that.
00:11:02You're not going to believe this one.
00:11:03Hmm, here's something for the kids.
00:11:11There's a note.
00:11:13Let's see.
00:11:16Dear Zane, I read in the papers that you plan to marry that bimbo.
00:11:19And I can't let that happen.
00:11:21She's not the one for you.
00:11:22I will save you from the mistake you're about to make and show you that there is only one
00:11:26one for you.
00:11:26No signature.
00:11:28No, Andrew.
00:11:29Just another anonymous nut, like all the rest of them.
00:11:47Hey, get ready for payback.
00:11:49Yeah, real quick.
00:11:50Now, it's all dried up over here.
00:11:52You and your mineral water.
00:11:55Yeah, it must be hurting badly now.
00:11:57Hey, send around the drinks to my friend.
00:11:59Okay.
00:12:06Thanks, man.
00:12:07You're welcome.
00:12:08All right.
00:12:17You like to stare at me, don't you?
00:12:18You were staring at me.
00:12:20I guess it's your lucky day.
00:12:21Matt?
00:12:22Sure.
00:12:25That looks pretty healthy.
00:12:27Yeah, well, I got to be careful what I put in my body.
00:12:30So do I.
00:12:32See, you never told me your name.
00:12:33Blair.
00:12:34Well, it's quite a coincidence that we run into each other again, isn't it, Blair?
00:12:39You don't remember me, do you?
00:12:41Should I?
00:12:42We were neighbors back in Omaha.
00:12:44It was a long time ago.
00:12:45Blair, Matt's in your cess, little sister.
00:12:49Give the man a prize.
00:12:50Well, last time I saw you, you were this big.
00:12:53I was six.
00:12:55But I remember you.
00:12:56You know, I used to pretend you were my boyfriend.
00:12:59Sounds cute.
00:13:01You kissed me once.
00:13:02I remember it like it was yesterday.
00:13:04So how's Seth?
00:13:07He's fine.
00:13:07He's working at Exarvin.
00:13:09He started there after high school, and he'll probably be there till the day he dies.
00:13:13So you living out here now?
00:13:15Visiting my aunt.
00:13:16She's ill.
00:13:16I'm sorry.
00:13:19I didn't know her well.
00:13:20Thought my coming out here was the right thing to do.
00:13:23You know, I spent a lot of nights thinking about you.
00:13:26I often wished I'd been a little bit more aggressive.
00:13:29You were just a kid.
00:13:31And I'm not now.
00:13:34Hey, Zane, let's go, man.
00:13:36You're up.
00:13:40Go play darts with your friends.
00:13:41Yes.
00:13:46What's your problem?
00:14:07Just my luck.
00:14:08Dead battery.
00:14:09You sure?
00:14:10I left my lights on.
00:14:11Let me give it a try.
00:14:16Sorry, I wish I had jumper cables.
00:14:23Where are you going?
00:14:25Just call a cab.
00:14:26I don't feel like dealing with this tonight.
00:14:28Where are you staying?
00:14:29Hollywood.
00:14:31I'll give you a lift.
00:14:32That sounds like a come on.
00:14:33It's a dangerous city at night.
00:14:35You shouldn't be left alone.
00:14:36It sounds like a come on also.
00:14:37Come on.
00:14:39Oh, wow.
00:14:46I just love your car.
00:14:47It's so cool.
00:14:49Yeah, well, I always wanted a Porsche.
00:14:51When I was a kid, I used to cut out pictures and paste them on the wall.
00:14:55I told my friends that when I make it, that's the car I'm going to get.
00:14:59And everyone will know that I'm somewhere.
00:15:00Back home, I don't even have a car, so I guess I'm far from making it.
00:15:08And that's your fault.
00:15:28Well, I guess this is it.
00:15:29Why don't you come up?
00:15:31I better not.
00:15:32Come on.
00:15:32I've got something I think you'd like to see.
00:15:34Now that sounds like a come on.
00:15:36It's a surprise.
00:15:39I don't like surprises.
00:15:40What?
00:15:40You don't trust me?
00:15:44All right.
00:15:57Make yourself comfortable.
00:15:59I'll grab back.
00:16:00All right.
00:16:00You like that?
00:16:18I brought it in case I got lucky.
00:16:22Did you?
00:16:23Jury's still out.
00:16:25So what'd you want to show me?
00:16:26Do you mean, I'm not?
00:16:33You carry this with you?
00:16:36That was the best time of my life.
00:16:38It was beautiful.
00:16:50It was beautiful.
00:16:50It's like I dreamed it would be.
00:16:53You wanted me from the moment you saw me.
00:16:55That's why you followed me.
00:16:57That's why I followed you, and now here we are, just the two of us in this motel.
00:17:07Fire burning, can you feel it?
00:17:09Fire burning, can you feel it?
00:17:09Fire burning, can you feel it?
00:17:09Fire burning, can you feel it?
00:17:15What were you thinking of?
00:17:17Nothing.
00:17:17Nothing.
00:17:17Nothing?
00:17:18Nothing.
00:17:18I didn't have time to think.
00:17:20I went with my instinct, and before I knew it, he was laying there.
00:17:23He wouldn't move.
00:17:23You're a good cop, Dalton.
00:17:25I trust you like a brother, but you didn't follow the rules, and now a guy is dead because
00:17:30of it.
00:17:31We all have to bear responsibilities for our actions, and you are going to have to face
00:17:35the consequences.
00:17:36What consequences?
00:17:37I'm putting you on suspension without pay until further notice, and consider yourself
00:17:42lucky.
00:17:43Next time, you won't get off so easily.
00:17:44And cut!
00:17:45And print that one.
00:17:50That was wonderful, fellas.
00:17:53The emotion at the end was very strong.
00:17:55I just felt you're wondering.
00:17:56That's a wrap, everybody.
00:17:57See you Monday on Actors.
00:17:58Please try to remember to look at your opinions.
00:18:00What is it?
00:18:01Surprise.
00:18:02Hey.
00:18:03What are you doing here?
00:18:04I wanted to thank you.
00:18:05Thank me?
00:18:06Way to go, Zane.
00:18:07Actually, it was a good excuse to see you again.
00:18:08How did you get in here?
00:18:09That was never a problem for me.
00:18:10Don't I get a kiss?
00:18:11Now's a good time to show me your dressing room.
00:18:12Actually, thank you.
00:18:13That was never a problem for me.
00:18:14Don't I get a kiss?
00:18:16Now's a good time to show me your dressing room, don't you think?
00:18:23Listen, I can't tonight.
00:18:24I gotta get home.
00:18:25I got my battery charged.
00:18:27I'll follow you.
00:18:28I got plans.
00:18:29So you can break them.
00:18:31You're so adorable.
00:18:33I wanna feel you inside of me.
00:18:35I'm going to a premiere.
00:18:36So you can take me with you?
00:18:37Not tonight.
00:19:07Let's go.
00:19:25Hi Zane, it's Holly.
00:19:27It's about 6.30, and I'm running a little late.
00:19:30I'll have to meet you at the theatre.
00:19:32I am so nervous.
00:19:34This is my first major movie.
00:19:35I'll see you soon.
00:19:36I'll see you soon.
00:19:37Oh, wear your dark suit.
00:19:38I like that one.
00:19:40Bye.
00:19:42Hello, senor Perry.
00:19:43This is Maria.
00:19:44Oh, I am so sorry.
00:19:45I cannot be there.
00:19:47Pero, I want to tell you I make chicken mole.
00:19:49I'll see you next week.
00:19:51Bye-bye.
00:19:51Bye-bye.
00:20:06How did you get in my house?
00:20:34You shouldn't leave your doors unlocked.
00:20:36You never, never, might wander in.
00:20:38You left these.
00:20:39I thought you'd want me to bring them to you.
00:20:41I thought I told you no.
00:20:43No usually means yes, doesn't it?
00:20:44Not tonight.
00:20:58What's going on?
00:21:00I know I'm a bad girl and I shouldn't have come.
00:21:02Please don't be upset with me.
00:21:04It's just my last night here and I didn't want to be alone.
00:21:09I hate being alone with no one to care about me.
00:21:14That feeling frightens you too, doesn't it?
00:21:16I don't care about you.
00:21:33Oh, my God.
00:22:03You always like this?
00:22:08Like what?
00:22:09Turned on?
00:22:10Turned on?
00:22:11Yeah.
00:22:12Only when I think about you.
00:22:15Don't you have anybody back home?
00:22:18No, not really.
00:22:21I'm surprised.
00:22:22You could really make somebody happy.
00:22:24Don't it make you happy?
00:22:25Yes, but my life's really complicated right now.
00:22:31You must really love it here.
00:22:32I mean, this place is just like paradise.
00:22:37Yeah, I guess it is.
00:22:40It's light years from Nebraska.
00:22:42God, it is so boring there.
00:22:43I hate it.
00:22:44I could die there.
00:22:48I've got to get dressed.
00:22:50No, I don't want you to go.
00:22:53I want you to stay.
00:22:54Come on.
00:22:55I told you, I've got a decent party.
00:22:58Forget about Holly tonight.
00:23:00There'll be other screenings.
00:23:03That's an important night for her.
00:23:06Holly's a big girl.
00:23:07She can handle a little disappointment.
00:23:09What am I supposed to tell her?
00:23:15Tell her something unforeseeable came up and there was nothing you could do about it.
00:23:23And tell her that you're really sorry and that you'll make it up to her.
00:23:26She'll believe you.
00:23:27She has no reason not to trust you.
00:23:29She has no reason not to trust you.
00:23:29She has no reason not to trust you.
00:23:59She has no reason not to trust you.
00:24:06Southern California's weather is going to be mostly sunny today after areas of morning
00:24:10low clouds and fog with a northwest afternoon wind of 15 miles per hour.
00:24:15It will be mostly clear tonight and Thursday except night through mid-morning low clouds
00:24:19and fog.
00:24:20Highs today in the upper 60s along the coast to the upper 70s inland.
00:24:25Overnight lows in the upper 40s and 50s.
00:24:27The time is 1020.
00:24:28I'm sorry we wound up shooting late.
00:24:30Well, you should have called me.
00:24:31I couldn't get to a phone.
00:24:32I was counting on you, Zane.
00:24:34I'll make it up to you, I promise.
00:24:35Remember, we have an appointment this morning.
00:24:37Yeah, I know.
00:24:37I haven't forgotten.
00:24:38Don't be late.
00:24:39I'll see you soon.
00:24:40Because you know you're always...
00:24:41Hey, let me get dressed.
00:24:42I hate you.
00:24:43Love you.
00:24:44What a tasty sight you are.
00:24:49Well, you're up early.
00:24:50I made you breakfast.
00:24:52Banana, cinnamon, French toast.
00:24:53I read it was your favorite.
00:24:55That's sweet, but I'm in a rush.
00:25:05Well, you're not leaving me.
00:25:07I have to go meet Holly.
00:25:09But it's my last day here.
00:25:11I thought we could spin it together.
00:25:16Look, I've had a great time the last couple days, but...
00:25:18But you have to get back to your complicated life now.
00:25:25Just like you do.
00:25:27I don't like this thing.
00:25:31What did you expect?
00:25:33A little honesty, you bastard.
00:25:37I'm sorry.
00:25:38I'm sorry.
00:25:39I don't know why I said that.
00:25:45I know we haven't seen each other in a long time.
00:25:47I had no right to expect anything from you.
00:25:50I just thought you and Seth were such good friends.
00:25:52I mean, you guys were like brothers.
00:25:55And when I came out here, I thought it would be fun to see you again.
00:26:03Come on.
00:26:04We've had a wonderful time.
00:26:06It's been fun.
00:26:08Look, I want you to stay and eat some breakfast.
00:26:11Just make sure you lock up before you leave.
00:26:13Zane, aren't you going to kiss me goodbye?
00:26:16You always kiss your leading lady goodbye.
00:26:18Goodbye.
00:26:18It's me.
00:26:20I've been busy, that's why.
00:26:47How's your aunt doing?
00:26:51Bad.
00:26:51Her condition's worsened.
00:26:53That's why I'm calling.
00:26:54I have to stay a few more days.
00:26:55What for?
00:26:56We need you here.
00:26:57I don't give a shit.
00:26:59Everything's falling apart.
00:27:00Hey, that's your problem.
00:27:02I don't even see why you gotta be out there.
00:27:04Because she's my aunt.
00:27:06We don't care.
00:27:07Well, I care now.
00:27:08When are you coming back?
00:27:10I don't know.
00:27:11Give me an idea.
00:27:12I said I don't know.
00:27:15I'll call you.
00:27:16And our garden is a beautiful setting for photographs, depending on the weather.
00:27:44It's no excuse saying you've gotten out before.
00:27:47I said I was sorry.
00:27:49Of course, some couples do prefer to have their photos taken inside.
00:27:53It's quite spectacular with all the stained glass.
00:27:55This is really important to me.
00:27:57It just seems like if it's not something for you, it's not important to you.
00:28:00Look, can we just drop this and pretend like we're happy we're getting married?
00:28:03Look, we have done several celebrity weddings.
00:28:08As you can see, the setting is magnificent.
00:28:10We do have a bridal room in the back.
00:28:12If you like, we can take care of the seating, the music, and the flowers.
00:28:18All you have to do is show up.
00:28:20Easier said than done.
00:28:21I thought you said Maria was in Mexico visiting her family.
00:28:34She is.
00:28:35Why does it smell like someone's been cooking?
00:28:37I know how to turn on the stove, honey.
00:28:39You never cook.
00:28:41Maybe I'm trying to impress you.
00:28:42Oh, what beautiful flowers.
00:28:52What are these for?
00:28:54For you.
00:28:56For me?
00:28:57I wanted to make it out to you.
00:29:00You're not so bad after all.
00:29:10Come on.
00:29:12I'm sorry I got mad at you.
00:29:33Ah, don't be.
00:29:34I should have been there.
00:29:36No, it's not that.
00:29:37Don't hear the screenings.
00:29:38I was upset because there was a time when you would do anything to be with me.
00:29:52Now there always seems to be something that comes between us, you know?
00:29:55I mean, I know that you have a lot going on.
00:29:57I do, too.
00:29:58I'm not blaming you.
00:29:59I just miss it when it was you and me, and nothing else seemed to matter.
00:30:13We've got to spend more time together.
00:30:18Can we have that in, please?
00:30:19And where's the dummy?
00:30:20I wanted the dummy.
00:30:21Is there a problem with that?
00:30:22Oh, well, it's all right.
00:30:25Listen, you didn't see anything that's going to compromise our art.
00:30:29You know what I do.
00:30:29All right.
00:30:30All right.
00:30:30Don't worry.
00:30:30Let's go.
00:30:30All right.
00:30:31All right.
00:30:40Let's go.
00:31:11They're all here.
00:31:14I put them in order for you.
00:31:17What's going on here?
00:31:19I found them in the closet.
00:31:20They were all mixed up, and that one in the corner's not mine.
00:31:24You said this?
00:31:26Kind of mental progression, don't you think?
00:31:29I thought you were going back home.
00:31:31I decided to stay.
00:31:33How's your aunt doing?
00:31:35She's dead.
00:31:36She died?
00:31:37Yes, ten years ago.
00:31:38Look, please leave.
00:31:42I don't want to see you around here again.
00:31:43I'm not going to leave, Sam.
00:31:45I came here to rescue you.
00:31:46You know the distractions that keep you so lonely and scared inside.
00:31:51You know what it's like?
00:31:52That nobody understands what you want, who you are.
00:31:57All you need is to be loved.
00:31:59Why are you doing this?
00:32:00Because I love you.
00:32:01You don't even know me.
00:32:02I want us to be together forever.
00:32:05That's impossible.
00:32:07Just like a fairy tale.
00:32:08I don't love you, Blair.
00:32:11It's too late.
00:32:12You can't take it back.
00:32:13Take what back?
00:32:14You already told me you love me.
00:32:16I did not.
00:32:17When I was six, you said you love me and I love you.
00:32:22I want us to be together forever.
00:32:24I want to do things for you.
00:32:25I want to please you.
00:32:27Later, sport.
00:32:28Blair was just leaving.
00:32:29What is going on?
00:32:51Who the hell is that?
00:32:52It's no big deal.
00:32:53Forget about it.
00:32:54No big deal.
00:32:55Look at you.
00:32:56Look at this place.
00:32:57Why don't you call security?
00:32:58I don't need security.
00:33:01I see you're above that.
00:33:02Well, I'll call.
00:33:03Scottie, look, you do enough for me.
00:33:06Just let it go.
00:33:07Listen, you don't need this.
00:33:08I don't need this.
00:33:09I'll go down there myself.
00:33:17Your eyes and cameras focused on the left side of the tram.
00:33:20Currently under construction.
00:33:22Massive red goes off the city's where they're killed.
00:33:25I'll do it.
00:33:34I'll do it.
00:33:35All right.
00:33:42I don't know.
00:34:12Yo, come in.
00:34:15Hey, hotshot, how the hell are you?
00:34:17I'm all right.
00:34:18How's the biz?
00:34:20You know, I rented one of your movies last week,
00:34:22and damn, if we couldn't use a few of you on the force.
00:34:25So what brings you all the way down here?
00:34:27I need some technical advice on our new script.
00:34:30Usually I get a phone call, and it's a technical question.
00:34:33Yeah, I was in the neighborhood.
00:34:34I've got a few minutes. Pull up a chair.
00:34:36Thanks.
00:34:36Thanks.
00:34:41So your main character sleeps with her?
00:34:44Right, and he thinks it's a one-night stand,
00:34:45but she just won't leave him alone.
00:34:47First thing he's got to do is cut her off,
00:34:49tell her no way Jose's not interested.
00:34:51Ah, but what if she doesn't take no for an answer?
00:34:54Well, you know what they say,
00:34:55it takes two to do the old hokey-pokey,
00:34:57if you know what I mean.
00:34:59Well, there's got to be something the police can do about it, right?
00:35:02Well, sure there is. We can talk to her.
00:35:04Maybe even put a tail on her,
00:35:05but that would require taking an officer
00:35:07off of his normal beat
00:35:08and away from more urgent police work.
00:35:09Okay, but what if she's sending him letters
00:35:11and real sick gifts and following him around?
00:35:13Can't you arrest her?
00:35:14Look, what are we talking about here?
00:35:16A spurned lover.
00:35:17Let's face it, if we arrest every spurned lover in L.A.,
00:35:20the whole damn city would be behind bars.
00:35:24Halsey here.
00:35:25I'll be with him in a moment, okay?
00:35:28Look, my suggestion is
00:35:29that he break off all contact with the girl.
00:35:32Try not to be alone.
00:35:33Try to be around public places
00:35:35and start a journal.
00:35:36Keep track of everything she says or does.
00:35:39Start a journal?
00:35:40I'm serious, son.
00:35:40Listen, it's important to keep a record.
00:35:43Now, that doesn't make for a very exciting movie.
00:35:45Well, I'm afraid real life
00:35:46is not as exciting as the movies most of the time.
00:35:49I know you've got to take this.
00:35:50Thanks, Jill.
00:35:52Anytime, pal.
00:35:55Hey, Zane.
00:35:56Yeah.
00:35:56I'm only a phone call away
00:35:58if you need any more technical advice.
00:35:59No, exactly for a line of story.
00:36:25No.
00:36:25No!
00:36:55What is it?
00:37:15Probably just some neighborhood kids.
00:37:21I don't know.
00:37:31I don't know.
00:37:41I don't know.
00:37:53I don't know.
00:38:03I don't know.
00:38:13I don't know.
00:38:29I don't know.
00:38:39Hello, Holly.
00:38:41I hope I'm not calling too late.
00:38:43Who is this?
00:38:45Just put him on the phone.
00:38:47Tell us it worked.
00:38:49It's for you.
00:38:51It's a woman.
00:38:55Yeah.
00:38:57I forgive you, Zane.
00:38:59How the hell did you get this number?
00:39:07I'm trying to save you.
00:39:09We're destined to be together.
00:39:11It's not gonna happen, so just get it out of your mind.
00:39:13No, Zane, I won't get it out of my mind.
00:39:15I'm not gonna lose you.
00:39:17You don't even have me.
00:39:19It's only a matter of time, my love.
00:39:21Yeah, well, you're out of time.
00:39:23Don't ever call me again.
00:39:35Who's that?
00:39:37Just a girl.
00:39:39A girl?
00:39:41The fan.
00:39:43A fan who calls you here at 3 o'clock in the morning?
00:39:51That's a girl that I used to know back in Omaha.
00:39:55She used to live on my block.
00:39:59Well, you're not in Omaha now.
00:40:01What's going on?
00:40:03She's been sending me things, letters, gifts.
00:40:07I didn't even know they were from her until she showed up.
00:40:11She's in town?
00:40:15She's been following me around.
00:40:17Following you where?
00:40:19Everywhere.
00:40:20On the lot.
00:40:21Off the lot.
00:40:23To your house?
00:40:25I think so.
00:40:29Inside your house?
00:40:30I don't know.
00:40:32You don't know?
00:40:34Zane, have you told the police?
00:40:36No.
00:40:37What are you waiting for?
00:40:39If I go to the police, every reporter in town is going to catch wind of it.
00:40:45I don't exactly need that kind of press right now, Ollie.
00:40:48But Zane, she knows where you live.
00:40:50I mean, what if she's one of these fanatics who comes after you with a gun or something?
00:40:56She's not going to come after me with a gun.
00:41:00I don't know.
00:41:01She's not going after me.
00:41:03There's something else that's going on.
00:41:06Zane, did you sleep with her?
00:41:10Zane?
00:41:11Dolly.
00:41:12Zane?
00:41:13Dolly.
00:41:14Dolly.
00:41:18Zane?
00:41:20Dolly.
00:41:44Mr. Barry?
00:42:14Mr. Barry?
00:42:44Mr. Barry?
00:43:14Mr. Barry?
00:43:32What do you think of this one?
00:43:36looks nice but you might prefer this one has a blusher already attached
00:43:51great for those traditional church weddings i like it
00:43:57i'll try on a few more and i'll be right back okay thank you
00:44:02oh i'm sorry i didn't see you there go ahead i'm always grabbing it no no you try it on
00:44:14oh yeah that's nice you're gonna be a beautiful bride you really think so yes i'm jealous
00:44:29so when are you getting married october what about you i'm not really sure yet
00:44:36so
00:44:43so
00:44:50so
00:44:57so
00:45:04so
00:45:11so
00:45:18so
00:45:25so
00:45:32so
00:45:34so
00:45:41so
00:45:43you stupid bitch in your damn wedding dress what do you think you are getting in the way of everything
00:45:55you stay away from zane he's mine now i love him and he loves me
00:46:10i'd like to make a click call your name blair
00:46:17blair
00:46:24blair
00:46:26blair
00:46:27blair
00:46:28blair
00:46:29blair
00:46:30blair
00:46:32blair
00:46:33blair
00:46:34blair
00:46:35blair
00:46:36blair
00:46:37blair
00:46:38blair
00:46:39blair
00:46:40blair
00:46:41blair
00:46:42blair
00:46:43blair
00:46:44I'm not coming home. Never.
00:46:48Because I don't love you.
00:46:50And I never did.
00:46:52I'm in love with someone else.
00:46:54And he's in love with me.
00:46:56None of your...
00:46:58Fine. Go to hell.
00:47:08Hey, where's 24-A? 24-A!
00:47:10Around the corner, to the left.
00:47:14I'm going to put it on.
00:47:16I'm going to put it on.
00:47:22Line 2.
00:47:24Line 2.
00:47:26I'm going to put that charge.
00:47:30Oh, yeah.
00:47:40She did this to me, didn't she?
00:47:50The woman who called the other night.
00:47:54Your fan.
00:47:56Your fan.
00:48:00She said you loved her.
00:48:04It's crazy. I don't love her.
00:48:06Then why did you sleep with her?
00:48:08It just happened. I'm sorry.
00:48:14Fine to me.
00:48:16You're never going to change.
00:48:26There's too much temptation out there.
00:48:28You need someone who can handle that.
00:48:30I can't.
00:48:32Holly, don't do this.
00:48:34I can't.
00:48:36I can't love you anymore, Zane.
00:48:46Please leave.
00:48:50I just want you to leave.
00:48:52I can't, too.
00:49:06No, no, no.
00:49:10I don't know about you.
00:49:12You're not, too.
00:49:14where were you this afternoon miss madsen shopping for lingerie you want to see what i bought i'm
00:49:29wearing it did you or didn't you break into holly newman's apartment strike her with a mannequin
00:49:34i don't even know where she lives so i take that as a no yes what about all this business with zane
00:49:42barry sending him all this crap i sent him a few things is that a crime what about this what is
00:49:51that a doll this is not holly newman of course not you said she was in the hospital why did you send
00:49:59all this stuff to mr barry why did you come to los angeles i sent him these things because i enjoy
00:50:05seeing his movies i came to los angeles because i wanted to go to disneyland you came to los angeles
00:50:10to see zane barry first you seduced him then you stalked him and then you attacked him his
00:50:14girlfriend's house does that ring a bell he's the one who started all of this he followed me at the
00:50:21party he watched me undress then he picked me up at a bar he took me home and he fucked me he
00:50:27me again he confused me he led me to believe that he wanted to keep seeing me it's only natural that
00:50:34i became upset when he turned on me sometimes you do things when you're upset well he told us that
00:50:40you wanted to get horizontal on his bungalow and he said no yes he did say that but i knew he didn't
00:50:46mean it no usually means yes for men why can't it mean yes for us too
00:50:51holly didn't actually see her attack his face without hard evidence there's no way we can prove
00:51:10it was blair you should have played it straight with me zane i mean i thought we were supposed to
00:51:14be friends why didn't you tell me the truth i thought i could handle it well i can tell you
00:51:19from experience that only makes matters worse so what are we going to do about it well we can
00:51:25ask the judge for a restraining order she can't see you talk to you phone your affection that's not
00:51:30going to stop her it'll slow her down she'll get frustrated she'll go home i say you bust her and
00:51:36let the da take his chances yeah but you're not in charge that's not the way it works what does she
00:51:40have to do kill someone before you arrest her is that the way it works lieutenant look zane i don't
00:51:44like this deal any better than you do okay but without proper evidence no jury in his right mind is
00:51:48going to convict her and we'll lose her now i'll talk to threat management and i'll see what i can do
00:51:52but i got to tell you something son as of right now you got no case that's just the way it is
00:52:00i told you that's the wrong guy it was down the street all right no all right no all right
00:52:06come on thank you that's good come on yeah all right hey zane what do you think the cops are
00:52:16gonna stop scotty it's zane it's 8 30 where the hell are you i'm gonna send the cops out looking
00:52:40for you if you don't give back to me okay call me bye i'm sorry mr barry but holly expressively
00:53:01ask that you not be allowed in her room we do have a waiting room down the hall
00:53:05mr barry i must tell you i'm a big fan i've seen all your movies
00:53:31do you think i could get your autograph it's for my niece her name is stacy she says she's
00:53:38going to marry you someday i bet you get that all the time thank you so much
00:53:43what
00:53:45glare morgan's room please
00:53:58glare morgan's room please
00:54:12you're gonna warrant an invitation to a winning lotto ticket i give you the number if you don't
00:54:16get lost i'm her husband
00:54:18yeah we got a lot of husbands around here but they never wear their wedding rings if you catch my drift
00:54:25hey there i go give me room now or you ain't gonna take another bite
00:54:31what's your name again morgan blair morgan
00:54:42i don't have a morgan i got a blair madsen
00:54:47that's her she's the blonde 218 she's not in
00:54:51don't break anything
00:55:00asshole
00:55:21What are you doing here came to get you what do you think
00:55:44How did you find me telephone company you called collect
00:56:14So where is he who the guy you've been seeing
00:56:20It doesn't matter anyway it's all over now
00:56:24I won't be seeing him anymore
00:56:35Can I use the bathroom or do I have to sit here and watch you drink yourself under the table
00:56:39It's God's country
00:56:43Just don't think you're going anywhere
00:56:46Do I want to feel good or bad
00:56:48Do I really want to take that chance on loving you
00:56:53When I know I'll lose
00:56:56I can tell my heart of pain
00:56:59Hey pack I'll show you some
00:57:01Come on get back
00:57:02Are you looking for these?
00:57:28Looking for these?
00:57:37Let go of me.
00:57:38Get in there!
00:57:57Let go of me.
00:58:27Let go of me.
00:59:20You're a good Christian.
00:59:30I know in your heart you didn't need to lie and cheat on me.
00:59:34But you've got to come back.
00:59:37Talk to the minister.
00:59:39He'll know what to do.
00:59:41But you don't belong here.
00:59:44You belong with your husband.
00:59:47And your daughter.
00:59:47Don't you think she needs you?
01:00:17We get back to that motel.
01:00:26You're packing your bags.
01:00:28You're on the first plane to Omaha.
01:00:30You're on the second plane.
01:00:33Let's go.
01:01:03Let's go.
01:01:33Let's go.
01:02:02Get out of my house.
01:02:05What are you going to do, shoot me?
01:02:06I might.
01:02:08I've got a restraining order.
01:02:10You're not supposed to be within 100 feet of me.
01:02:12No corridor can come between you and I, my love.
01:02:16What's behind your back, Blair?
01:02:19Nothing.
01:02:21Show me your hands.
01:02:22I fooled you, didn't I?
01:02:23You're sick.
01:02:29Hey!
01:02:30Let go of me!
01:02:44Open the door!
01:02:46Let me in!
01:02:48Open the door!
01:02:51Stain!
01:03:00Stain!
01:03:02Open the door!
01:03:03I'm sorry I wasn't honest with you.
01:03:08I only kept the truth from you to protect you.
01:03:11But you're all that matters to me.
01:03:15And if that means not being a cop anymore,
01:03:18that's too hard for you to handle,
01:03:20then I'll give it up,
01:03:21if that's what you want.
01:03:25Line, please.
01:03:27I just want you back.
01:03:30Stain, please.
01:03:32Stain, wait a minute.
01:03:33Wait, where are you going?
01:03:34Out of here.
01:03:35Yeah, but Stain,
01:03:36we still have three and an eighth pages to shoot.
01:03:38Shoot it without me!
01:03:39Stain!
01:03:40This is Stain!
01:03:41Stain, come back here!
01:03:42This is very unprofessional!
01:03:48Oh, Stain!
01:03:49Stain!
01:03:49Stain!
01:03:50Hey, ladies.
01:03:51Oh!
01:03:51Will Security Department
01:04:00please report to Parking Lot A?
01:04:03Does anybody call?
01:04:04Come on, get...
01:04:05Come on, get the fire.
01:04:08Come on, come on.
01:04:11Somebody call the Fire Department!
01:04:14Mr. Barry, stand back.
01:04:15We'll take care of this.
01:04:16Stand, stand back!
01:04:18We'll take care of this!
01:04:21Mr. Barry, Mr. Barry, we'll just have a word with you.
01:04:41Do you think that the fire is an act of arson?
01:04:44Is there any truth to the rumor that you're fiancé did it
01:04:48because you were having an affair with one of your fans?
01:04:50Where in the hell did you hear that?
01:04:53Come on, get some more coverage of the fire for the 5 o'clock news.
01:04:56I want to find out about this rumor.
01:05:04The fire was no accident.
01:05:06Someone doused your car with gasoline.
01:05:07Someone?
01:05:08Well, now that's impressive.
01:05:09It's nice to know the police department has narrowed it down to someone.
01:05:13There's no need for insults.
01:05:14We do our job just like you do yours.
01:05:16We got a script we got to follow, too.
01:05:17You start improvising, you get screwed.
01:05:21So you want to see my journal, lieutenant?
01:05:23Look, our witness ID'd Blair from a photo lineup.
01:05:26I sent a black and white out to her motel, but she never came back last night.
01:05:29She left all her stuff there, though.
01:05:31Great.
01:05:31So she's still out there.
01:05:34Well, there's more.
01:05:34We found her car abandoned in the parking lot with the keys still in it.
01:05:38I got men out looking for her right now.
01:05:39We'll catch up to her.
01:05:41And in the meantime, what am I supposed to do?
01:05:42Well, if you're worried about her coming back, relax.
01:05:46She knows we're looking for her, and she wouldn't dare come after you now.
01:05:50Don't count on it.
01:05:53Yeah, I talked to Holly today.
01:05:54She got back from the hospital.
01:05:57Did she ask about me?
01:05:59I told her about the fire.
01:06:01And?
01:06:02She want to know if you're okay.
01:06:05Did she say anything else?
01:06:07Did she say she wants to see me?
01:06:09I only spoke for a minute.
01:06:10Did you tell her I'd been calling her?
01:06:14She said she had to go.
01:06:18I don't know what I was thinking.
01:06:22Hello, Holly.
01:06:23How could I do this to us?
01:06:25Oh, you can't blame yourself, man.
01:06:27Blair's been playing this for a long time.
01:06:29You didn't know what you were walking into.
01:06:31Oh, yes, I did.
01:06:33I had no doubt about what I was walking into.
01:06:37I just couldn't resist.
01:06:40That's because you're a man.
01:06:45That's what she said.
01:06:49She's been planning this all along.
01:06:53Yeah, she worked, man.
01:06:57Yeah, well, so now you know, right?
01:07:01You figured her game plan, her mode of manipulation.
01:07:04Now you've got to take your life back.
01:07:08Make up with the girl.
01:07:11It's not too late for a happy ending.
01:07:14God knows this town's full of them.
01:07:16Is that all this is to you?
01:07:18Is it a movie?
01:07:20Yeah, not to me, man.
01:07:23To her.
01:07:23God said.
01:07:42Oh, God.
01:07:45Do you think she's won?
01:07:46Do you want me to know?
01:07:47What do you do, do you want me to know?
01:07:48Do you want me to know?
01:07:49Do you want me to know her?
01:07:50I'm going to ask one more time, Mr. Dalton.
01:08:00Where's the girl?
01:08:02Where are your manners, McSwain?
01:08:03I don't think you realize the effect of sulfuric acid on human flesh.
01:08:08I don't think you realize you're a piece of shit.
01:08:11It's too bad you're such a smartass.
01:08:14We'll find that girl.
01:08:16But nobody's ever going to find you.
01:08:18Ever!
01:08:21He's all yours.
01:08:23Just make sure nothing's left.
01:08:24Not even a screen.
01:08:28Goodbye, Mr. Dalton.
01:08:30Have a nice bubble bath.
01:08:35And cut!
01:08:37Check the gate.
01:08:38I think I'd like to print that one.
01:08:40Very nice.
01:08:41Bring him down.
01:08:42That's a wrap, everybody.
01:08:43See you tomorrow morning.
01:08:44See you tomorrow.
01:08:45See you tomorrow.
01:09:16Zane, this is Cindy from Scotty Youngman's office.
01:09:21I got your message.
01:09:22I'm sorry, but I still haven't heard from Scotty.
01:09:24I'm going over to his house on my way home, hoping he's there.
01:09:28I'll call you if I find out anything.
01:09:29Talk to you later.
01:09:46I'll call you.
01:10:16I'll call you.
01:10:46Where the hell is she?
01:10:54Who?
01:10:54Blair, my wife.
01:11:00Where the hell are you hiding her?
01:11:03How could you do this to us?
01:11:05How could you destroy my family?
01:11:06You think because you're some big shot you can have whatever you want, but she's my wife.
01:11:21That don't give you any right.
01:11:22Where the hell?
01:11:40What?
01:11:40How could you do this to us?
01:11:44Oh, my God.
01:12:14Yeah.
01:12:20Hello, sweetheart.
01:12:23The show's over, Blair.
01:12:26The show's never over until the happy ending.
01:12:29The only happy ending is you out of my life.
01:12:32Don't worry, this isn't over yet.
01:12:33We're going to see each other real soon.
01:12:35And how do you figure that?
01:12:38You still have to save the damsel in distress.
01:12:41She's very pretty and quite sweet.
01:12:44Too bad she's going to be missing her wedding day.
01:12:48Look, Blair.
01:12:49Please, let her go.
01:12:50She didn't do anything.
01:12:52She's a thorn, Zane.
01:12:54She needs to be blacked.
01:12:56Blair, she's nothing to you.
01:12:58Let her go.
01:13:00You're right.
01:13:01It's you that I want.
01:13:03Then let me see you, Blair.
01:13:05Let me see you right now.
01:13:06Meet me on stage 12 in an hour.
01:13:11I'll be there.
01:13:13Bring the cops.
01:13:14You break poor Holly's heart.
01:13:18See you on the set, my love.
01:13:19I'll be there.
01:13:32I'll be there.
01:13:33Oh!
01:14:03Oh!
01:14:34Oh!
01:14:56Holly, hang on!
01:14:59It's coming!
01:15:03Swing your legs, honey. Swing your legs.
01:15:16Lose the gun, or we're going to have a real-life bonfire.
01:15:20Put that down, Blair.
01:15:21I said lose the gun.
01:15:29That's better.
01:15:31You go to hell.
01:15:33I'm not going to roll over and die, saying I'm your number one fan.
01:15:37I'm going to love you no matter what.
01:15:39The movie's over, Blair.
01:15:40The movie's never over until they roll the credits.
01:15:44You're not going to make it there long.
01:15:46Neither is she.
01:15:47She's going to burn like the hair took the kid.
01:15:49No!
01:15:50Stop!
01:15:51You said you'd let her go.
01:15:55I did say that, I guess.
01:15:56Guess what?
01:15:58I lied.
01:15:59I think I'm going to do that.
01:16:02Blair, you want me.
01:16:03You don't want her.
01:16:06Right.
01:16:09But you'll never be mine.
01:16:11Not until she's out of the picture.
01:16:12It's for the best.
01:16:13Deep down, you know I'm right.
01:16:14I'm here, honey.
01:16:27I'm here.
01:16:27I'm here.
01:16:28I'm here.
01:16:28I'm here.
01:16:29Holly, hang on.
01:16:42I'm here, honey.
01:16:43I'm here.
01:16:45Come on.
01:16:46Come on.
01:16:49I got it.
01:16:50You all right?
01:16:58Let's go.
01:17:00Ben!
01:17:02Holly, run!
01:17:11Get out of there!
01:17:12Get out of there!
01:17:12Get out of there!
01:17:13Get out of there!
01:17:26No!
01:17:27Oh, master!
01:17:29Get out of here!
01:17:30Get the hell out of my way!
01:17:53Oh, my God!
01:17:56Zane!
01:18:00Zane!
01:18:02Come on over this way.
01:18:32They're still sifting through the ashes.
01:18:37So far, we've only found three bodies.
01:18:39Flares?
01:18:40I don't know.
01:18:41We won't know who's who until the coroner examines them.
01:18:44I've got to be truthful, man.
01:18:45Those bodies are so charred, it could take days.
01:18:49You ought to thank your lucky stars.
01:18:51You're still alive.
01:18:53It's coming.
01:18:54It's coming.
01:18:55It's coming.
01:18:56It's coming.
01:18:58It's coming.
01:19:15Oh
01:19:45We are gathered here at this hour to witness and to celebrate the coming together of two lives
01:20:11You may kiss the bride
01:20:13You may kiss the bride
01:20:40Oh
01:20:42Oh
01:20:44Oh
01:20:45Oh
01:20:46Oh
01:20:47Oh
01:20:48Oh
01:20:49Oh
01:20:50Oh
01:20:51Oh
01:20:51Oh
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