A Farewell to Arms (1932) | Full Movie | War Romance Classic Based on Hemingway - Video Dailymotion

Film Vintage

Watch “A Farewell to Arms” (1932) – a powerful romantic war drama based on Ernest Hemingway’s iconic novel.  This pre-Code classic stars Gary Cooper and Helen Hayes in a moving story set during World War I. Lieutenant Frederic Henry, an American serving in the Italian ambulance corps, falls deeply in love with British nurse Catherine Barkley. Amid the chaos and destruction of war, their love story becomes a timeless tale of sacrifice and longing.  Genre: War, Romance, Drama Director: Frank Borzage Main Cast: Gary Cooper, Helen Hayes, Adolphe Menjou Year: 1932 Language: English Color: Black and White Runtime: Approx. 80 minutes Legal Status: Public domain Source: https://archive.org/details/AFarewellToArms1932  🍿 Subscribe to our channel for more timeless classics and public domain treasures!  ⸻  🔖 Hashtags in description:  #AFarewellToArms #GaryCooper #HelenHayes #WarRomance #Hemingway #ClassicFilm #PublicDomainMovies #VintageCinema #FilmVintage

Transcript

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00:02:42Orderly!

00:02:53And just as guilty as a soldier would be who deserted his post under fire.

00:02:59Now in making an example of you, I...

00:03:07I beg your pardon, sir. I have some wounded outside. I'm looking for the...

00:03:10Oh, yes, yes, yes. You want the Italian unit. We're the English here, you see.

00:03:14Yes, number 207.

00:03:16They're in the other wing. Moved in today.

00:03:18Yes, sir. Out that way. Straight ahead.

00:03:21Thank you, Major.

00:03:22Hey.

00:03:40Hey.

00:03:56What's the girlfriend been doing?

00:04:02Typical male conceit.

00:04:11I think they're going to send her back home.

00:04:13That's a dirty shame. She'll be disgraced.

00:04:17Shh. Here they come.

00:04:24Well, is it necessary for us all to be here at one time?

00:04:28Get back to your posts.

00:04:30You will be packed and ready to leave within the hour.

00:04:36Molly.

00:04:38Molly.

00:04:43Can I help you pack?

00:04:45I guess so. If you want to.

00:04:48Why, of course I want to.

00:04:51Good girl.

00:04:52I beg your pardon.

00:04:54I say she's the only human being in the whole lot of us.

00:05:00I'm sorry, Miss Barclay appears to sympathize with one who has disgraced the uniform we all wear.

00:05:08Shh.

00:05:23Baby.

00:05:25Rinaldi.

00:05:26Hey, DeRicco.

00:05:27Get away.

00:05:28You're filthy.

00:05:29You Anglo-Saxons.

00:05:30You ought to clean yourself.

00:05:32Did you bring me some good cases, baby?

00:05:34Did you have trouble finding us?

00:05:35No.

00:05:36How do you feel?

00:05:37Is there going to be an offensive?

00:05:38There's no offensive.

00:05:39Were you under fire?

00:05:40Madonna, but I worried about you.

00:05:41Yes, I can see how much you've been worrying.

00:05:43Seven operations today, baby.

00:05:45And one of them was beautiful.

00:05:48I took the heart out.

00:05:50It lay in my hand and it beat like this.

00:05:54You should have seen.

00:05:55It was lovely.

00:05:57Soon Rinaldi will be the best surgeon in all the Corps.

00:06:00Then in all the army.

00:06:02And someday in all of Italy.

00:06:04Why not in all the world?

00:06:05Why not?

00:06:08You will like it here, baby.

00:06:10What sort of a town is this?

00:06:11Any girls?

00:06:12Many beautiful English nurses.

00:06:14The most beautiful is Miss Barkley.

00:06:16I am in love with her.

00:06:19Does she know it?

00:06:20Not yet.

00:06:21Have you any money?

00:06:22Yes.

00:06:23Lend me 50 lire.

00:06:24What for?

00:06:25I want to make on Miss Barkley the impression of a man of sufficient wealth.

00:06:31You are my great and good friend and financial protector.

00:06:34And now we will eat and drink and I will take you to meet Miss Barkley.

00:06:38But you must make for me a good impression upon her.

00:06:41Now listen.

00:06:43But you must.

00:06:44And you can have a nurse too.

00:06:46There is another one named Miss Ferguson.

00:06:48She is also very, very nice.

00:06:50No.

00:06:51No?

00:06:53First we will eat and drink.

00:06:55And then we'll go and see the girls.

00:06:57Yes?

00:07:00Yes.

00:07:04You see.

00:07:06She doesn't know.

00:07:10Neither do I.

00:07:11Oh, you've got too much wine.

00:07:13It's filthy wine.

00:07:15It takes the enamel off your teeth and leaves it on the roof of your mouth.

00:07:19Where was I?

00:07:20Architecture.

00:07:22Oh, yes.

00:07:23Look.

00:07:24I'll explain.

00:07:27This, my dear, is called an arch.

00:07:34Ah!

00:07:42Ah!

00:07:44Ah!

00:08:03Ah!

00:08:19The arch, my dear, is perhaps the oldest of architectural devices.

00:08:24Arch.

00:08:25Architecture.

00:08:27The very word will tell you how inextricably the two are one.

00:08:32In a word, my dear, architecture is the most ancient of the arts.

00:08:38You better put your shoe on.

00:08:39You'll get cold feet.

00:08:45If you please, I'd like to go now.

00:08:47The air raid seems to be over.

00:08:49Catherine!

00:08:51Catherine!

00:08:53Catherine!

00:08:54Here I am, Fergie.

00:08:55I'm coming.

00:08:56Oh, I was so worried.

00:08:59Do you think I've been blown away?

00:09:00I didn't know what to think.

00:09:01Nobody saw where you went.

00:09:03Who's that man?

00:09:05Oh, I don't know.

00:09:06Some lunatic.

00:09:07Come on.

00:09:15Yes.

00:09:17What if we take the mountains to the north?

00:09:20Behind them are more mountains, and behind those, more yet.

00:09:23And we take them all.

00:09:25Only if the Austrians stop fighting.

00:09:27One side must stop.

00:09:28Stop?

00:09:29It'll go on forever.

00:09:30Like him.

00:09:42The priest wants the Austrians to win the war.

00:09:44Oh, no, no.

00:09:45It is not true.

00:09:46But you don't want us to attack.

00:09:48If we must have war, I suppose we have to attack.

00:09:52Oh, but so many die that way.

00:09:54But what is death to a Christian?

00:10:08Don't encourage him, Fergie.

00:10:11Oh, Federico.

00:10:13Oh, you are back safe.

00:10:14Hello, Father.

00:10:15I am so glad.

00:10:16The priest prayed for you, Federico.

00:10:18Every time you go up, he does the same.

00:10:20Oh, I prayed for you all.

00:10:21You are late, baby.

00:10:22How is it up there?

00:10:23Quiet?

00:10:24You nearly missed the party.

00:10:25But it is very dull.

00:10:27But Miss Barkley is here and her friend Miss Ferguson,

00:10:30the one you will like.

00:10:32Come.

00:10:36Miss Barkley, permit me to present to you my friend

00:10:39and war brother, Lieutenant Henry.

00:10:41He has just returned back from France.

00:10:43How do you do?

00:10:45How do you do?

00:10:47And this is Miss Ferguson.

00:10:50How do you do?

00:10:51How do you do?

00:10:52How do you do?

00:10:55He begins again, that fellow.

00:10:57Quick, let us go into the garden.

00:11:17Now, you stay here.

00:11:20I will find something for us to drink.

00:11:22Asti?

00:11:23Grappa?

00:11:24Vermouth?

00:11:25Which do you like?

00:11:26All of them.

00:11:27Then you shall have all of them.

00:11:46Nice out here.

00:11:47Isn't it?

00:11:52We seem fated to bump into each other in the dark.

00:11:55I am sorry about that.

00:11:57I mistook you for someone else.

00:11:58So I gathered.

00:12:01I have been drinking.

00:12:02I gathered that too.

00:12:05Mad?

00:12:06Yes.

00:12:08You are an American, aren't you?

00:12:09Yes.

00:12:10Then what are you doing in the Italian army?

00:12:13It is not really the army.

00:12:15It is only the ambulance.

00:12:16It is very odd, though.

00:12:17Why did you do it?

00:12:19I don't know.

00:12:20Why did you?

00:12:21Oh, I joined up in England.

00:12:23Besides, the boy I was engaged to had gone across.

00:12:32Where is Miss Ferguson?

00:12:33Why don't you go see?

00:12:36Yes, do bring her out, Captain Rinaldi.

00:12:50Have some?

00:12:51Thanks.

00:12:55He is sore.

00:12:57What for?

00:12:58Because I am here with you.

00:13:00Women prefer him as a rule.

00:13:07Shall we take a walk?

00:13:10Yes, let's.

00:13:14Where is he now?

00:13:16Who?

00:13:17The boy you are engaged to.

00:13:19He is dead.

00:13:20Who?

00:13:21He was killed in the Somme.

00:13:23Were you engaged long?

00:13:25Eight years.

00:13:26We grew up together.

00:13:27Why didn't you marry?

00:13:29I didn't know what the war was like then.

00:13:33If I had it to do over again, I'd marry him.

00:13:42When I joined up, I remember having this silly idea that he might come to the hospital where I was.

00:13:47With a saber cut, I suppose, and a bandage around his head.

00:13:50Shot through the shoulder.

00:13:52Something picturesque.

00:13:54This is the picturesque front, not France.

00:13:57He didn't have a saber cut.

00:13:59They blew him to bits.

00:14:27What are you thinking about now?

00:14:51About whiskey.

00:14:53What about whiskey?

00:14:55About how nice it is.

00:14:57And you're nice too.

00:15:04No.

00:15:05Why not?

00:15:06No, don't.

00:15:07Yes.

00:15:08No, please.

00:15:15I'm sorry, did I hurt you?

00:15:17It's all right.

00:15:18I'm dreadfully sorry, really.

00:15:22I just couldn't bear the nurse's evening off aspect of it.

00:15:27It's quite all right.

00:15:28I don't mind at all.

00:15:30Poor man.

00:15:32You see, I've been leading a funny sort of life.

00:15:37Besides, you're so very beautiful.

00:15:39You don't have to talk a lot of nonsense.

00:15:41I said I'm sorry.

00:15:45We could get along.

00:15:48Couldn't we?

00:15:50You're sweet.

00:15:51No, I'm not.

00:15:52Yes, you're dear.

00:15:55I'd be very glad to have you kiss me now if you don't mind.

00:16:22Did you have a nice time, baby?

00:16:41You made progress with her, eh?

00:16:44We're friends, if that's what you mean.

00:16:46I mean, was she nice to you?

00:16:49Shut up.

00:16:50I am a man of extreme delicacy, but was she...

00:16:53Rinaldi, will you please shut up?

00:16:56If you want to be a friend of mine, shut up.

00:16:58I am your best friend and your war brother.

00:17:01Then shut up.

00:17:05Miss Barkley prefers you to me.

00:17:08That is very clear.

00:17:10But Miss Ferguson is very nice too.

00:17:15You like her?

00:17:17No.

00:17:48Howdy.

00:17:51Good luck.

00:18:26Turn back.

00:18:32Back?

00:18:36Yes, back.

00:19:12I want to see Miss Barkley.

00:19:28She's on duty.

00:19:29Wait, you can't go in there.

00:19:30Hey, why have you come back in here for?

00:19:58He knows what he's doing, please.

00:20:00What's wrong, Borrelli?

00:20:01Don't we ever get started here?

00:20:02We got plenty of time.

00:20:04Hold it.

00:20:06I thought you started.

00:20:07What are you doing here?

00:20:08We come back, Senor Capitano.

00:20:10Tenente forgot something.

00:20:12Oh.

00:20:28You're all right, aren't you?

00:20:37Yes, I'm all right.

00:20:40I came to...

00:20:41I thought...

00:20:44You see, I'm going to be away for a while.

00:20:49And I didn't want you to think that I'd just gone away.

00:20:53No, I...

00:20:55What I mean is...

00:20:57I'd hate to have you feel that...

00:21:00That it wasn't important to me...

00:21:02About...

00:21:04About us.

00:21:06I don't exactly know how to say it.

00:21:09You said it very nicely, dear.

00:21:13No, I don't mean...

00:21:16You mustn't feel...

00:21:16Will you be gone long?

00:21:19No.

00:21:20Only a few days.

00:21:21There's going to be a show above...

00:21:23Up above Plata.

00:21:24Nothing much, I guess.

00:21:25A show.

00:21:26You'll be careful, won't you?

00:21:28I won't get hit.

00:21:31Hold it.

00:21:38Here.

00:21:40It's a St. Anthony.

00:21:47They say a St. Anthony's very useful...

00:21:50To guard you from harm.

00:21:53I'll take good care of him.

00:22:01I wish I could kiss you.

00:22:18He is my friend and a good soldier.

00:22:20I do not like to see him lose his head over a woman.

00:22:24Aren't you exaggerating a bit?

00:22:26I think not.

00:22:27Couldn't we send her back to the base, Major?

00:22:29No, if you could send her away, it would simplify everything.

00:22:33Could perhaps send her to Milan?

00:22:35Excellent, my dear Major.

00:22:36Magnificent.

00:22:37No wonder the English are first in diplomacy.

00:22:45What did you say her name was?

00:22:54We won't get anything else to eat once the attack starts.

00:22:57This is all they've given me.

00:23:00Starting to eat at the end.

00:23:02No, we'll all eat together.

00:23:03Come on, sit down to it.

00:23:12Here, you cut this.

00:23:24Here, take some cheese, it's good.

00:23:28Wash it down with wine at the end.

00:23:32Close to the attack.

00:23:52Nobody will attack.

00:23:54The war would be over.

00:24:09That was a big one.

00:24:10Four hundred twenty?

00:24:12No, three hundred and five.

00:24:13Sounded like a schooner to me.

00:24:15Schooner?

00:24:16That's what I said.

00:24:38Anybody hurt?

00:24:41My leg.

00:24:45It was a schooner, a gun.

00:24:47Easy now.

00:24:50Lacerations of the scalp and possible fracture of the skull.

00:24:54Multiple superficial wounds of the left and right thigh,

00:24:58left and right knee, and right foot.

00:25:01Profound wounds of right knee and foot incurred in line of duty.

00:25:06Come on, lift him up a little more.

00:25:08All right.

00:25:09Go ahead.

00:25:11Come on, lift him up a little more.

00:25:12All right.

00:25:13Go ahead.

00:25:14Yes, please.

00:25:15Come on.

00:25:16Lift him up a little more.

00:25:17All right.

00:25:18Go ahead.

00:25:19Lift him up a little more.

00:25:20All right.

00:25:21Lift him up a little more.

00:25:22Lift him up a little more.

00:25:23Lift him up a little more.

00:25:24Lift him up a little more.

00:25:25Lift him up a little more.

00:25:26Lift him up a little more.

00:25:27Lift him up a little more.

00:25:28Lift him up a little more.

00:25:29Lift him up a little more.

00:25:30Lift him up a little more.

00:25:31Lift him up a little more.

00:25:32Lift him up a little more.

00:25:33Lift him up a little more.

00:25:34Lift him up a little more.

00:25:35Lift him up a little more.

00:25:36Lift him up a little more.

00:25:37Lift him up a little more.

00:25:38Hurry, hurry.

00:25:41How do you feel, baby?

00:25:44Rinaldi, what are you doing here?

00:25:47Bonello telephoned me.

00:25:49The Major gave me permission to come.

00:25:52No one shall hurt you, baby.

00:25:54I won't let you.

00:25:55No butcher is going to touch my war power.

00:25:58Only Rinaldi can take you and never hurt you.

00:26:01You must forgive me, baby, for talking so much, but I am very busy.

00:26:05How did it happen?

00:26:07I will see you are decorated for bravery.

00:26:09Perhaps we can get you the medallion of Argento.

00:26:11But surely the bronze one.

00:26:12Did you carry somebody on your back?

00:26:14I didn't carry anybody.

00:26:15I couldn't move.

00:26:16Surely there was something heroic.

00:26:17Tell me what you did.

00:26:18I was blown up eating cheese.

00:26:24Don't worry, baby.

00:26:25I will fix you so that you are as good as new.

00:26:27You will see.

00:26:28Everything will be as it should be.

00:26:30Don't worry, baby.

00:26:31I will fix you so that you are as good as new.

00:26:33You will see.

00:26:34Every day I learn to do things smoother, quicker.

00:26:37Soon, very soon, you will be walking again.

00:26:42I brought a present for you.

00:26:44You will find it under your blanket next to your heart.

00:26:47It is a bottle of brandy, baby.

00:26:48Very good brandy.

00:26:50The infantry captured it from the Austrians on San Gabriele.

00:26:54I have another surprise for you.

00:26:56Take a deep breath.

00:26:58Where do you think you will go from here?

00:27:00To the Italian hospital where they have the male nurses with the beards?

00:27:04No.

00:27:05I will arrange everything with my friend, the British Major.

00:27:09You will go to Milan to the beautiful Miss Barkley.

00:27:13That makes you happy, huh?

00:27:15The thing of Rinaldi.

00:27:17Left all alone with the war.

00:27:19No one to make fun of.

00:27:21No one to lend him money.

00:27:23While you...

00:27:24While you were in Milan with the beautiful Miss Barkley,

00:27:28making love in Milan to the chaste Miss Barkley.

00:27:54Look out for the step.

00:28:16Why do you stop?

00:28:18I am the superintendent.

00:28:20May I have your medical papers, please?

00:28:22They are in my coat, in the button-down pocket.

00:28:27Take him up those stairs, down the corridor.

00:28:29His room is the one at the end.

00:28:31You show them, Giulio.

00:28:33Who are you?

00:28:35I am the porter, Signor Tenente.

00:28:37Come, follow me.

00:28:39Now, Signor Tenente, we must lift you off the bed.

00:28:42All right, but keep my legs straight.

00:28:44Si, si, Signor Tenente.

00:28:49Anything else, Signor Tenente?

00:28:51Get me some brandy.

00:28:52No, it is not allowed, Signor Tenente.

00:28:54Wasn't I wounded fighting for the glory of Italy?

00:28:57You'll find some money in my pocket.

00:28:59No, Signor Tenente, I don't have any money.

00:29:01I don't have any money.

00:29:03I don't have any money.

00:29:05I don't have any money.

00:29:07You'll find some money in my pocket.

00:29:09As you wish.

00:29:16So it's you.

00:29:17Ferguson.

00:29:18Is Catherine here?

00:29:19As if you didn't know.

00:29:21I believe that's why you got wounded.

00:29:22Where is she?

00:29:23You ought to be still.

00:29:24Here's your chart.

00:29:25Now, I must take your temperature.

00:29:27Does she know I'm here?

00:29:29Under the arm, please.

00:29:37Hello, darling.

00:29:39Catherine.

00:29:41You're lovely.

00:29:43Are you badly hurt?

00:29:44You're lovely.

00:29:46Oh, my poor darling, it's your leg, isn't it?

00:29:48You're the loveliest thing I ever saw.

00:29:50I know.

00:29:54I have to go now, darling.

00:29:55I can't stay.

00:29:56You'll come back?

00:29:57Later, but we'll have to be awfully careful.

00:29:59You've got to come back.

00:30:00Oh, well, when I can.

00:30:01Tonight.

00:30:02I'll try.

00:30:04Somebody's coming.

00:30:06Tonight.

00:30:13I'll take that thermometer now.

00:30:19Good gracious.

00:30:21Fetch the doctor.

00:30:23It's a miracle you're not delirious with such a fever.

00:30:26I haven't got any fever.

00:30:28Stay quiet, please.

00:30:30It's not what you think.

00:30:36I'll be back.

00:30:58I have brought you a few little things.

00:31:00This is mosquito netting.

00:31:02And this is a bottle of vermouth.

00:31:05You like vermouth, huh?

00:31:07And these are English papers.

00:31:09Thank you, Father.

00:31:11It's very good of you to come.

00:31:13Oh, but I mustn't stay long.

00:31:15They warned me not to tire you.

00:31:17You seem very tired yourself.

00:31:19I am tired, but I have no right to be.

00:31:21You have the war disgust.

00:31:23Oh, I hate the war.

00:31:25I don't enjoy it.

00:31:27But you do not mind it.

00:31:29You do not see it.

00:31:31Oh, you must forgive me.

00:31:33I can tell.

00:31:35I do not see it myself,

00:31:37but I feel it a little.

00:31:39Come in, Captain.

00:31:43Don't go yet, Father. It's still early.

00:31:45You are sure?

00:31:47In the operation in the morning, he should rest.

00:31:49Oh, he's strong.

00:31:51He has such a lovely temperature.

00:31:53It's always normal.

00:31:55I'm very proud of his temperature.

00:31:57Maybe all our children will have fine temperatures, too.

00:31:59Our children will probably have beastly temperatures.

00:32:01No, Father. We're in love.

00:32:03I know.

00:32:05I could see it in your faces.

00:32:07You approve, don't you, Father?

00:32:11You spoke of children.

00:32:15This, too, is the war.

00:32:17Without the war, you would live married in God's grace.

00:32:22Is it not so?

00:32:28And you?

00:32:31Well,

00:32:33I hadn't thought about it like that, but

00:32:35yes, I suppose so.

00:32:37I suppose so.

00:32:59Father, are you...

00:33:01Is that the marriage service?

00:33:07Yes.

00:33:33Poor Cap. Such a crazy marriage.

00:33:35At least I'm in white.

00:33:39No orange blossoms.

00:33:41I can smell them.

00:33:43No organ music?

00:33:45I can hear it plainly.

00:34:01It has made me happy to do this.

00:34:03For now, from my heart, I can say

00:34:05I bless you in his name.

00:34:07Thank you, Father.

00:34:11Goodbye, and be happy, both of you.

00:34:13Thank you, Father.

00:34:15Give my regards to the mess.

00:34:17I will.

00:34:19And get well soon.

00:34:21I will come again the next time I am in Milan.

00:34:23Goodbye, my dear.

00:34:25Goodbye.

00:34:33THE END

00:35:03THE END

00:35:33THE END

00:35:37That's the opera I made my debut in.

00:35:39At the Scala.

00:35:41They threw benches at it.

00:35:43That's a lie.

00:35:45Yes, they did. I threw six benches myself.

00:35:47That's not funny.

00:35:53Oh, no, he's offended.

00:35:55He'll get over it. That's his sore spot.

00:35:57We always tease him.

00:35:59You don't care whom you hurt.

00:36:01You're mad, too.

00:36:03Catherine and I were thinking of asking you to our wedding.

00:36:05Wouldn't we, Catherine?

00:36:07You'll never get married.

00:36:09We will.

00:36:11No, you won't.

00:36:13We'll fight before you'll marry.

00:36:15Oh, we never fight.

00:36:17We won't fight ever.

00:36:19You'll die then.

00:36:21Fight or die.

00:36:23That's what people do.

00:36:25They don't marry.

00:36:27Why, Fergie.

00:36:29Why, Fergie.

00:36:31What is the matter with her?

00:36:33She doesn't like me, that's all.

00:36:35Oh, no.

00:36:37She just likes me more.

00:36:45Are you on night duty tonight?

00:36:47Yes, but you won't care.

00:36:49You'll go right off to sleep.

00:36:51You wait and see.

00:36:53Darling,

00:36:55how many other girls have you ever loved?

00:36:57None.

00:36:59How many, really?

00:37:01None.

00:37:03How many have you loved?

00:37:05None.

00:37:07You're lying to me.

00:37:09Of course.

00:37:11No, that's right. You just keep right on lying.

00:37:13That's what I want you to do.

00:37:15Were they pretty?

00:37:17I've never been with anyone.

00:37:19That's right, darling.

00:37:21What were they like?

00:37:23I don't know anything about it.

00:37:25You've never belonged to anyone else.

00:37:27I don't care if you have, though.

00:37:29I'm not afraid of them.

00:37:31Only don't tell me about them.

00:37:33You never told them you loved them, did you?

00:37:35No.

00:37:37I knew you wouldn't.

00:37:39Oh, darling, I do love you.

00:37:41Then kiss me.

00:37:43Right here in the street?

00:37:45Yes.

00:37:55I'll go in first.

00:38:09So,

00:38:11what is this, if I may ask?

00:38:13What was in it?

00:38:15That's Kimmel.

00:38:17That's the best kind.

00:38:19It comes in those bear-shaped bottles from Russia.

00:38:21And these?

00:38:24That's brandy,

00:38:26wine, whiskey.

00:38:28And I've been pitying you for being wounded.

00:38:30Pity is something that is wasted on you.

00:38:34If you're so anxious not to go back to the front,

00:38:36I should think you'd try something more intelligent.

00:38:38Not self-inflicted alcoholism.

00:38:40What?

00:38:42I said alcoholism.

00:38:44And I also say that I'll see your convalescent leave is cancelled.

00:38:48You'll go back to the front tomorrow night.

00:38:54Good night.

00:39:16Have I time for a drink before the train leaves?

00:39:18For the front?

00:39:20Yes.

00:39:22Nobody but you ever realized it.

00:39:24At first I thought you were a crazy girl.

00:39:26I was a little crazy at first.

00:39:32Is that your train?

00:39:34Maybe.

00:39:36It makes up a turn,

00:39:38but it stays in the station here till time to leave.

00:39:40There's really lots of time.

00:39:46But at my back

00:39:48I always hear

00:39:50poems of Wicked Chariot hurrying near.

00:39:52I know that poem.

00:39:54It's by Marvel.

00:40:02Listen.

00:40:10It's only the rain.

00:40:12I hate the rain.

00:40:14I like it.

00:40:16I'm afraid of the rain.

00:40:18Why?

00:40:20Oh, well, perhaps it's silly.

00:40:22What? Tell me.

00:40:24No, don't make me.

00:40:26Tell me.

00:40:28All right.

00:40:30I'm afraid of the rain because sometimes I see me dead in it.

00:40:32No.

00:40:34And sometimes I see you dead in it.

00:40:36That's more likely.

00:40:38Oh, now, darling, don't say that.

00:40:44That is your train.

00:40:46Time's Winged Chariot.

00:40:54I'll come with you, hmm?

00:40:56No, please.

00:40:58I don't want you not at the station.

00:41:00All right, darling.

00:41:02How often will you write?

00:41:04As often as I can. Do they read your letters?

00:41:06They can't read English enough to hurt any.

00:41:08Well, I'll make them very confusing.

00:41:10But not too confusing.

00:41:12Oh, I should have got you a going-away gift.

00:41:14A whistle to make you feel better in the dark.

00:41:16Or a sword.

00:41:18I'm sure we could get a used sword very cheap.

00:41:20Swords aren't very useful at the front.

00:41:22Oh, I see. They get in the way of your legs when you're running.

00:41:24They might be useful at mess, though.

00:41:30I'm afraid I have to start, darling.

00:41:34I hate to leave our fine house.

00:41:36So do I.

00:41:40We never stay settled very long in a home, do we?

00:41:42We will.

00:41:45I'll have a fine home for you when you come back.

00:41:49Say, I'll come back to Catherine.

00:41:53I'll come back to Catherine.

00:42:02I'll always come back.

00:42:08Maybe this time you'll be hurt just a little in the foot.

00:42:10Or the lobe of the ear.

00:42:12Oh, no, no, no. I want your ears just the way they are.

00:42:14Your feet have been hurt already.

00:42:40I'll be back.

00:43:10I'll be back.

00:43:40I'll be back.

00:44:10I want a ticket to Switzerland, please.

00:44:12To where, signora? To what town?

00:44:14The nearest one to Italy.

00:44:16That would be Brissago, signora.

00:44:18Then give me a ticket to Brissago.

00:44:20All right.

00:44:22Oh, oh, Fergie, I was afraid you wouldn't come.

00:44:24Would you mind telling me what this is all about?

00:44:26I'm going away.

00:44:28So I gathered by this, but you didn't tell him?

00:44:30Well, what would be the good of it?

00:44:32I don't know.

00:44:34I don't know.

00:44:36I'm going away.

00:44:38So I gathered by this, but you didn't tell him?

00:44:40Well, what would be the good of it?

00:44:42It would only worry him.

00:44:44He'd have to go anyway.

00:44:46Aren't you going to tell him?

00:44:48Well, not yet.

00:44:50I may write him from Switzerland.

00:44:52You're a fool.

00:44:54Here, signora.

00:44:58But what's the hurry? Why tonight?

00:45:00I couldn't go back to that hospital.

00:45:02I couldn't stand it. Not with him gone.

00:45:04You're not afraid of anything, are you?

00:45:06Only of going back to that hospital.

00:45:08Don't scold me, Fergie.

00:45:14I'll carry it.

00:45:34I'll carry it.

00:45:52I've always told you I was a crazy girl.

00:45:54I couldn't bear my landlady that you were away.

00:45:56So I've chucked the war

00:45:58and come to live in this little Swiss town

00:46:00as near as possible to the Italian border and you.

00:46:03And darling, it's an adorable place.

00:46:05I'm going to be very happy here.

00:46:07I've taken a suite.

00:46:13In the best hotel

00:46:15and in fairly wallowing in luxury.

00:46:17The bed is ampere

00:46:19and fit for an empress.

00:46:21There's a maroon velvet carpet

00:46:23ankle deep and a bathroom.

00:46:25Oh, darling, the bathroom.

00:46:27It's of black marble with silver fittings.

00:46:29I've just dined in state

00:46:31at my sitting room window

00:46:33from which there is a divine view

00:46:35of the lake shimmering in moonlight.

00:46:51I'm an awful liar, darling.

00:46:53It's not really a nice place at all.

00:46:55It's mean and cheap and horrible.

00:46:57But it doesn't matter where I live

00:46:59because I don't really live at all

00:47:01when I'm not with you.

00:47:03Oh, darling.

00:47:07What I really

00:47:09want to tell you is that

00:47:11that I shall lie awake in the dark

00:47:13and cry because you're not here.

00:47:15I'm lonely and frightened.

00:47:19And I love you.

00:47:21I love you.

00:47:35Hurry, baby.

00:47:36Why?

00:47:37Time to go.

00:47:38Go where?

00:47:39What I told you before, to the Villa Rossa.

00:47:41New girls. Everybody's going.

00:47:42Not me.

00:47:43But you must.

00:47:44It will be a fine party.

00:47:46And besides, I said you would go.

00:47:47I can't. I've got to write a letter.

00:47:49Oh, to that little...

00:47:51Every day more letters.

00:47:53You might as well be married.

00:47:54That's my business.

00:47:56Oh, baby.

00:47:58How you have come back to me.

00:48:00Serious like a shopkeeper with a liver.

00:48:02Where is my war brother who used to

00:48:04get drunk with me and go to the Villa Rossa every night?

00:48:07Leave me alone, will you?

00:48:10Why?

00:48:11Isn't she just a girl?

00:48:13Keep her out of this.

00:48:15Sacred subject.

00:48:17Believe me, baby.

00:48:19Sacred subjects are not good for soldiers.

00:48:23Why don't you be like me?

00:48:25All fire and smoke.

00:48:27And nothing inside.

00:48:29Go on, baby.

00:48:31You're drunk. Stop it.

00:48:33Of course I am drunk.

00:48:35You come with me and you will be drunk too.

00:48:37Come on, baby.

00:48:39Oh, I am sorry.

00:48:41Now you must come.

00:48:43There is no more ink.

00:48:45Poor baby.

00:48:47Tomorrow I will get you drunk

00:48:49and I will take out your liver

00:48:51and I will put you in a good Italian liver

00:48:53and make a man of you again.

00:48:55Ciao, baby.

00:49:09You're going out, Signor Capitano?

00:49:11Yes, why?

00:49:13Yes, why?

00:49:15The mail just came, Signor Capitano.

00:49:17You censor it.

00:49:19Signor Capitano.

00:49:21The officers mail too?

00:49:25Very well.

00:49:39Aren't you going to open them, Signor Capitano?

00:49:41I want to hurry.

00:50:01Send this one back.

00:50:03Yes, Signor Capitano.

00:50:05I do not like to see him lose his head over a woman.

00:50:07Yes, Signor Capitano.

00:50:11Signor Capitano.

00:50:31And today my letters came back.

00:50:33Every one I had ever written.

00:50:35Came back?

00:50:37Just marked return to sender. Person unknown.

00:50:3932 letters. She never got one.

00:50:41Well, that's why she never wrote you.

00:50:43No.

00:50:45She'd have written me anyway. Something's happened to her.

00:50:47Have you tried to...

00:50:49I can't get any information at all.

00:50:51I've got to go and find her myself.

00:50:53Can you?

00:50:55I'm going to Milan. I'll find her.

00:50:57But aren't all leaves of absence forbidden

00:50:59since that brat in the north began?

00:51:01I'm going anyway.

00:51:03That's desertion.

00:51:05I don't care. I'm going.

00:51:08Federico. Yes, I must.

00:51:10That's what I wanted to tell you, Padre.

00:51:12What does this war mean to me anymore?

00:51:14What does anything mean but finding her?

00:51:16But, Federico, consider the...

00:51:18I can depend on you, Padre.

00:51:24Say goodbye to Rinaldi and the others for me.

00:51:26When are you leaving?

00:51:28Now. While they're at dinner.

00:51:30And by morning, when they miss me, I'll be halfway to Milan.

00:51:34If they ask me what I say, I...

00:51:36I'll be spending your life.

00:51:38Goodbye, Padre.

00:51:40Goodbye, Federico.

00:51:42May the Lord bless and preserve you.

00:52:06THE END

01:07:39And. Is she going to be all right are you the husband yes you kept calling for you

01:07:48all night to have been better if you'd been here I'm sorry she's in danger she's

01:07:53very weak you don't suppose I could see her now later it won't be long.

01:08:09And.

01:08:10You can't die.

01:08:40Did you call. No I didn't say anything.

01:09:11Not yet. Is she all right I hope so the baby boy but he was dead before she ever

01:09:19came in here Oh but she'll be all right that's not in my hands any longer.

01:09:28But go across the street and get yourself some breakfast because if you need to be

01:09:33some time before she can see you.

01:09:40You had children what was it like I beg your pardon but did you say.

01:10:10Nothing. Some coffee please and a brioche.

01:10:24It's in the papers Italy has won thank God it's over this is the beginning of the

01:10:29end but it'll be a long time before they can rebuild what's been destroyed in the

01:10:36early morning hours of November 4th the Austro-Hungarian supreme command accepted

01:10:41by radiogram the armistice conditions laid down by General Badoglio.

01:10:53Please. Do anything for you if you don't let her die.

01:10:59To believe. That was all right don't let her die.

01:11:06Please. Don't let her die.

01:11:28I. Have been. Might as well let me.

01:11:45I know you was coming. And I went under I knew he was here.

01:11:55You can tell him.

01:11:59Tell him. That I'm going to die.

01:12:06No you won't.

01:12:07Tell him.

01:12:25Don't you see. I have to know.

01:12:38That. No way.

01:12:46Can I have my bag.

01:12:59But you may.

01:13:00Have. You never like me to be paid.

01:13:18You can go in now.

01:13:30I. Can't.

01:13:45You know I'm fine. Did you worry about me. I came as soon as I found where you

01:13:53were put down. Let me look at.

01:14:01You. Sit down.

01:14:13You're going to be all right.

01:14:23To do anything.

01:14:24You. Just talk to me. Tell me I haven't stopped loving me.

01:14:38I like to hear you say. Never stop loving. Never. Not even.

01:14:46If I die. I want you to have all the.

01:14:51Good. I don't want. That's right.

01:15:05Try to speak.

01:15:12When I get well. Take a little house in the mountains.

01:15:18We always plan the house of our own remember. I'll get you a fine house.

01:15:25We'll live in it until the war is over.

01:15:29And then you'll go back to America and be a splendid architect.

01:15:35We'll be married all over again. In a church.

01:15:38Oh. I'm going to die. Don't let me die.

01:15:45Take me in your arms. Hold me tight. Don't let me go.

01:15:51It's dark out there and lonely. I don't want to leave you anymore. I've been alone so much.

01:15:59You can't leave me.

01:16:01I don't want to leave you anymore. I've been alone so much.

01:16:07You can't die. You're too brave to die.

01:16:15You're a fine girl. A brave girl.

01:16:19Yes. I am a brave girl.

01:16:23Whatever happens. You'll not be afraid.

01:16:26I'll not be afraid.

01:16:27We've never been apart. Really. Not since we met.

01:16:32Not since we met.

01:16:34And never can be.

01:16:36Never parted.

01:16:38In life and in death. Say it, Kat.

01:16:42In life and in death. We'll never be parted.

01:16:49You do believe that, don't you, Kat?

01:16:54I believe it.

01:16:57And I'm not afraid.

01:17:27I'm not afraid.

01:17:49Peace.

01:17:53Peace.

01:17:58Peace.

01:18:00Peace.

01:18:02Peace.

01:18:04Peace.

01:18:06Peace.

01:18:08Peace.

01:18:10Peace.

01:18:12Peace.

01:18:14Peace.

A Farewell to Arms (1932) | Full Movie | War Romance Classic Based on Hemingway

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